Friday, February 05, 2016

*****When The Fight To Turn The World Upside Down Was In Full Flower- With The Doors The Unknown Soldier In Mind

*****When The Fight To Turn The World Upside Down Was In Full Flower- With The Doors The Unknown Soldier In Mind

 
 
Wait until the war is over
And we're both a little older
The unknown soldier
Breakfast where the news is read
Television children fed
Unborn living, living, dead
Bullet strikes the helmet's head

And it's all over
For the unknown soldier
It's all over
For the unknown soldier

Hut, hut, hut ho hee up
Hut, hut, hut ho hee up
Hut, hut, hut ho hee up

Comp'nee, halt
Present, arms

Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier

Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head

And, it's all over
The war is over
It's all over
War is over

Well, all over, baby
All over, baby
Oh, over, yeah
All over, baby
Ooh, ha, ha, all over
All over, baby
Oh, woah, yeah, all over
All over, heh

Add song meaning

Songwriters
Robbie Krieger;John Densmore;Jim Morrison;Ray Manzarek

From The Pen of Zack James

There was no seamless thread that wrapped the counter-cultural dominated 1960s up tightly, wrapped it up neatly in a pretty bow all set for posterity except for the media types who lived day by day in those merciful times for scraps to feed the teletype hot wires and by on-the-make politicians who to this day attempt to make capital making sport of what in the final analysis was a half-thought out desire to create the “newer world” that some old-time English poet was harping about. That seamless thread business had been distracting Frank Jackman’s attention of late now that a new generation of media-types are at hand who want to refight that social battle and the politicians are whipping   up the raw meat good old boys and girls and the staid as well to provide the troops for that new battle against some phantom in their heads. Despite all the rhetoric, despite all the books written disclaiming any responsibility by those who led the march, despite all those who have now “seen the light” and have hopped back into the fold in academia and the professions (in fact that march back to what everybody used to call bourgeois society started the day after the whole movement ebbed or the day they got their doctorates or professional degrees) there was some question even in Franks’ own mind about whether “the movement” for all its high gloss publicity and whirlwind effect dominated the play as much as he and his kindred had thought then or can lay claim to these forty plus years later.
Place plenty of weight on Frank’s observation, maybe not to take to the bank but to have some knowledge about the limits to what a whole generation in all its diversity can claim as its own mark on society and history. Place plenty of weight for the very simple reason that he went through the whole thing in almost all of its contradictions. Had been raised under the star of parents who slogged through the Great Depression although that was a close thing, a very close thing for some like Frank’s parents who were desperately poor. His poor besotted mother having to leave home and head west looking, looking for whatever there was out there before coming back home with three dollars in hand, and maybe her virtue how can you ask that question of your mother when you wouldn’t think to look at her when young, later too, that she was capable of sex, not the sex you had at your pleasure with some sweet Maryjane. His father out of the Southern winds, out of tar-roof shack of a cabin, half naked, down in the coal-rich hills and hollows of Appalachia, the poorest of the poor, leaving that desperate place to seek something, some small fame that always eluded him. They together, collectively, slogged through the war, World War II, his father through Pacific fight, the most savage kind, had his fill of that damn island hopping and his mother waiting, fretfully waiting for the other shoe to drop, to hear her man had laid his head down for his country in some salted coral reef or atoll whatever they were. Get this though, gladly, gladly would lay that head down and she if it came right down to it would survive knowing he had laid that precious head down. That was the salts they were made of, the stuff this country was able to produce even if it had very little hand in forming such faithful servants so no one would, no one could deny their simple patriotism, or doubt that they would pass that feeling on to their progeny.
Made that progeny respect their music too, their misty, moody I’ll see you tomorrow, until we meet again, I’ll get by, if I didn’t care music, music fought and won with great purpose. But Frank balked, balked young as he was, with as little understanding as he had, the minute he heard some serious rhythm back-beat absent from that sugary palp his parents wanted to lay on him and he would, young as he was, stand up in his three brother shared room (when they were not around of course for they older “dug” Patti Page and Rosemary Clooney, stuff like that) and dance some phantom dance based on that beat he kept hearing in his head, and wondered whether anybody else heard what he heard (of course later when it was show and tell time in the 1960s that beat would be the thing that glued those who were kindred together, funny they were legion). Caught the tail end of the “beat” thing that those older brothers dismissed out of hand as faggy, as guys “light on their feet” and gals who seemed black-hearted blank and neurotic. But that was prelude, that, what did somebody in some sociology class call it, the predicate.                      
As the 1960s caught Frank by his throat, caught him in its maw as he liked to call it to swishy-dishy literary effect he got “religion” in about six different ways. Got grabbed  when the folk minute held sway, when guys like Bob Dylan and Dave Von Ronk and gals like Joan Baez preached “protest” to the hinterlands, reaching down to places like Frank’s Carver, nothing but a working poor town dependent on the ups and downs of the cranberry business. At one time the town was the cranberry capital of the world or close to it. That up and down business depending too on whether people were working and could afford to throw in cranberry sauce with their turkeys come Thanksgiving and Christmas or would be reduced to the eternal fallback beans and franks. But see Carver was close enough, thirty or forty miles south of Boston to Beacon Hill and Harvard Square to be splashed by that new sound and new way of going on dates too, going to coffeehouses or if times were tough just hang around the Harvard Square’s Hayes-Bickford watching with fascination the drunks, hipsters, dipsters, grifters, winos, hoboes, maybe  an odd whore drinking a cup of joe after some John split on her, but also guys and gals perfecting their acts as folk-singers, poets, artists and writers.
Grabbed on the basis of that protest music to the civil rights movement down South, putting Frank at odds with parents, neighbors and his corner boys around Jack Slack’s bowling alleys. Grabbed too the dope, the hope and every girl he could get his hands on, or get this to tell you about the times since he was at best an okay looking guy, they could get their hands on him, on those bedroom blue eyes of his they called it more times than not, that came with the great summers of love from about 1965 on.
Here’s where the contradictions started get all mixed up with things he had no control over, which he was defenseless against. So grabbed too that draft notice from his friends and neighbors at the Carver Draft Board and wound up a dog soldier in Vietnam for his efforts. Wound up on cheap street for a while when he came back unable to deal with the “real” world for a while. That failure to relate to the “real” world cost him his marriage, a conventional marriage to a young woman with conventional white picket fence, a little lawn, kids, and dogs dreams which only had happened because he was afraid that he would not come back from “Nam in one piece, would never get to marriage for what it was worth. Grabbed the streets for a while before he met a woman, a Quaker woman, who saved him, for a while until he went west with some of his corner boys who had also been washed by the great push. Did the whole on the road hitchhike trip, dope, did communes, did zodiacs of love, did lots of things until the hammer came down and the tide ebbed around the middle of the 1970s. So yeah Frank was almost like a bell-weather, no, a poster child for all that ailed society then, and for what needed to be fixed.      
That decade or so from about 1964 to about 1974 Frank decided as he got trapped in old time thoughts and as he related to his old friend Jack Callahan one night at his apartment in Cambridge as they passed a “joint” between them (some things die hard, or don’t die) was nevertheless beginning to look like a watershed time not just for the first wave immediate post-World War II baby-boomers like him, Jack, Frankie Riley, the late Peter Markin, Sam Lowell and a lot of other guys he passed the corner boy night with (the ones like him born immediately after the war as the troops came home, came off the transports, and guys and gals were all hopped up to start families, figure out how to finance that first white picket fence house and use the GI bill to get a little bit ahead in the world, at least get ahead of their parents’ dead-end great depression woes) who came of social and political age then washed clean by the new dispensation but for the country as a whole. More so since those of the so-called generation of ’68, so called by some wag who decided that the bookends of the rage of the American Democratic Convention in Chicago that year and the defeat of the revolutionary possibilities in France in May of that year signaled the beginning of the ebb tide for the whole thing, for those who are still up for a fight against the military monster who is still with us are continuing to fight a rearguard action to keep what little is left of accomplishments and the spirit of those time alive.
Thinking back a bit to that time, Frank as the dope kicked in, a thousand things, or it seemed like a thousand things, some things new in the social, economic, political or cultural forest came popping up out of nowhere in many cases, came together in pretty rapid succession to draw down in flames the dread red scare Cold War freezes of their  childhoods (that time always absurdly symbolically topped off by the sight of elementary school kids, them , crouched under some rickety old desk arms over their heads some air-raid drill practice time as if, as the residents of Hiroshima and Nagasaki who are still alive from that time can attest to, that would do the slightest bit of good if the “big one,” the nuclear bombs hit.
Yeah, the Cold War time too when what did they know except to keep their obedient heads down under their desks or face down on the floor when the periodic air-raid shelter tests were performed at school to see if they were ready to face the bleak future if they survived some ill-meant commie atomic blast. (Personally Frank remembered telling somebody then that he would, having seen newsreel footage of the bomb tests at Bikini, just as soon take his  chances above desk, thank you, for all the good the other maneuver would do them.)
For a while anyway Frank and the angel-saints were able to beat back that Cold War mentality, that cold-hearted angst, and calculated playing with the good green world, the world even if they had no say, zero, in creating what went on. Not so strangely, although maybe that is why people drifted away in droves once the old bourgeois order reasserted itself and pulled down the hammer, none of those who were caught up in the whirl thought it would be for only a while or at least thought it would fade so fast just as they thought, young and healthy as they were, that they would live forever. But if you, anybody when you really think about the matter, took a step back you could trace things a little, could make your own “live free” categories of the events that chipped away the ice of those dark nights.

Start in with the mid-1950s if you like, which is where Frank liked to start dating his own sense of the new breeze coming through although being a pre-teenager then he told Jack he would not have had sense enough to call it that, with the heat of the black struggle for some semblance of civil liberties down South in the fight for voter rights and the famous desegregation of buses in Montgomery and the painful desegregation of the schools in Little Rock (and some sense of greater  equality up North too as organizations like the NAACP and Urban League pushed an agenda for better education and housing). Also at that same time, and in gathering anecdotal evidence Frank had found that these too are a common lynchpin, the first break-out of music with the crowning of rock and roll as the wave of the future (black rhythm and blues, scat, rockabilly music all mixed up and all stirred up), and the “discovery” of teen alienation and angst exemplified by sullen movie star  James Dean, who lived fast, and died fast a metaphor that would work its way through youth culture over the next generation. (And throw in surly “wild one” movie star Marlon Brando in The Wild One and a brooding Montgomery Cliff in almost anything during those days, take The Misfits for one, to the mix of what they could relate to as icons of alienation and angst .)   
An odd-ball mix right there. Throw in, as well, although this was only at the end and only in very commercial form, the influence of the “beats,” the guys (and very few gals since that Jack Kerouac-Neal Cassady-William Burroughs-Allen Ginsberg mix was strictly a male bonding thing) who listened to the guys who blew the cool be-bop jazz and wrote up a storm based on that sound, declared a new sound, that you would hear around cafés even if you did not understand it unlike rock and roll, the guys who hitchhiked across the American landscape creating a wanderlust in all who had heard about their exploits, and, of course, the bingo bongo poetry that threw the old modernists like T.S. Eliot and Ezra Pound out with a bang.
Then start to throw in the struggles against the old authority in places like Frisco town where they practically ran the red-baiters in the HUAC out of town (what Frank, and some of his friends although not the Carver corner boys except Markin, would learn to call “bourgeois authority working hand in hand with the capitalists”), the old certitudes that had calmed their parents’ lives, made them reach out with both hands for the plenty in the “golden age of plenty.”
Of course the biggest event that opened the doors for liberals, radicals, hell, even thoughtful conservatives was the sweet breeze coming down the road from Boston with the election of Jack Kennedy. Ike, the harmless uncle, the kindly grandfather, was for parents Frank wanted guys who set the buzz going, let them think about getting some kicks out of life, that maybe with some thought they would survive, and if they didn’t at least we had the kicks.

That event opened up a new psyche, that it was okay to question authority, whatever the limitations and shortness of the Camelot times with the struggles against some hoary things like segregation, the death penalty, nuclear proliferation, the unevenness of social life which would get propelled later in the decade with fight for women’s liberation, gay liberation, and the fight against the draft, the damn war in Vietnam that drove a nail into the heart of Frank’s generation. A river of ideas, and a river of tears, have been, and can be, shed over that damn war, what it did to young people, those who fought, maybe especially those who fought as Frank got older and heard more stories about the guys who like him didn’t make it back to the “real” world after “Nam, didn’t have a sweet mother Quaker lady like Frank to save them, those guys you see downtown in front of the VA hospitals, and those who refused to, that lingers on behind the scenes even today.
There were more things, things like the “Pill” (and Frank would always kid Jack who was pretty shy talking about sex despite the fact that he and Chrissie, his high school sweetheart, had had four kids when he asked what pill if you need to know what pill and its purpose where have you been) that opened up a whole can of worms about what everyone was incessantly curious about and hormonally interested in doing something about, sex, sex beyond the missionary position of timeless legends, something very different if the dramatic increase in sales of the Kama Sutra meant anything, a newer sensibility in music with the arrival of the protest folk songs for a new generation which pushed the struggle and the organizing forward.
Cultural things too like the experimenting with about seven different kinds of dope previously the hidden preserve of “cool cat” blacks and white hipsters (stuff that they only knew negatively about, about staying away from, thru reefer madness propaganda, thru the banning of some drugs that were previously legal like sweet sister cocaine and taunt Nelson Algren hard life down at the base of society in films like The Man With The Golden Arm), the outbreak of name changes with everybody seemingly trying to reinvent themselves in name (Frank’s moniker at one time was Be-Bop Benny draw what you will out of that the idea being like among some hipster blacks, although with less reason, they wanted to get rid of their  slave names)  fashion (the old college plaid look fading in the face of World War II army surplus, feverish colors, and consciously mismatched outfits and affectation (“cool, man, cool” and “right on’ said it all). More social experiments gathering in the “nation” through rock concerts, now acid-etched, new living arrangements with the arrival of the urban and rural communes (including sleeping on more than one floor in more than one church or mission when on the road, or later on the bum). They all, if not all widespread, and not all successful as new lifestyles all got a fair workout during this period as well.     

Plenty of Frank’s kindred in retrospective would weigh the various combinations of events differently in figuring out how the uprising started just as plenty of them had their specific dates for when the tide began to ebb, when the mean-spirited and authoritarian began their successful counter-offensive that they still lived with for not taking the omens more seriously. (Frank’s ebb tide, as he had  described to Frankie Riley one time, was the events around May Day 1971 when they seriously tried, or thought they were seriously trying, to shut down the government in D.C. if it would no shut down the war and got nothing but billy-clubs, tear gas, beatings and mass arrests for their efforts. After those days Frank, and others, figured out the other side was more serious about preserving the old order than they were about creating the new and that they had better rethink how to slay the monster they were up against and act accordingly.)

Then Frank passed Jack a photograph that he had taken from a calendar put out by the New England Folk Song Society that his wife, Sarah, who worked to put the item out to raise funds for folk music preservation (see above) that acted as another catalyst for this his short screed, and which pictorially encapsulated a lot of what went then, a lot about “which side were you on” when the deal went down. This photograph Frank pointed out to Jack was almost impossible to imagine without some combination of that hell broth anti-war, anti-establishment, pro-“newer world” mix stirred up in the 1960s.
Three self-assured women (the “girls” of photograph a telltale sign of what society, even hip, progressive society thought about women in those slightly pre-women’s liberation time but they would learn the difference) comfortable with the loose and individualistic fashion statements of the day from floppy hats to granny dresses to bare legs, bare legs, Jesus, that alone would have shocked their girdled, silk stocking mothers, especially if those bare legs included wearing a mini-skirt (and mother dread thoughts about whether daughter knew about the pill, and heaven forbid if she was sexually active, a subject not for polite society, not for mother-daughter conversation, then she damn better well know, or else).
They are also uncomfortable about the damn Vietnam war, no, outraged is a better way to put the matter, that was eating up boyfriends, brothers, just friends, guys they knew in college or on the street who were facing heavy decisions about the draft, Canada exile, prison or succumbing to the worst choice, Frank’s choice if you could call his induction a choice what else could he have done gone to Canada, no,  military induction, at a heavy rate and they unlike their mothers who came through World War II waiting patiently and patriotically for their military heroes to come home, come home in one piece, have a very different sense of the heroic. A sense of the heroic going back to ancient times, Greek times anyway, when one group of women like their stay-at-home-waiting-for-the-other-shoe-to-drop World War II mothers demanded that their men come home carried on their shields if they had to rather than speak of defeat. Others, the ones that count here, refusing their potential soldier boys any favors, read sexual favors, okay, if they went off to war, providing a distant echo, a foundation to make their request stand on some authority, for these three women pictured there.
Frank wondered how many guys would confess to the lure of that enticement if they had refused induction. His own wife, quickly married at the time was if anything more gung-ho about stopping the red menace than his parents. Frank did not refuse induction for a whole bunch of reasons but then he did not have any girlfriends like that sweet mother Quaker woman later, who made that demand, his girl- friends early on, and not just his wife if anyway were as likely to want him to come back carried on a shield as those warrior-proud ancient Greek women. Too bad. But Frank said to Jack as Jack got up ready to head home to Hingham and Chrissie that he liked to think that today they could expect more women to be like the sisters above. Yeah, more, many more of the latter, please as Frank and his comrades in Veterans for Peace continue to struggle against the night-takers in the nightmare world of endless war.  

The Battle Rages- Jerry Lee or Elvis? - Jerry Lee Lewis’ “High School Confidential”-Billie's, Billie From The Projects, King-Size View

The Battle Rages- Jerry Lee or Elvis? - Jerry Lee Lewis’ “High School Confidential”-Billie's, Billie From The Projects, King-Size View



From The Pen Of The Late Peter Paul Markin

 

With A 2015 Introduction By Sam Lowell

 

If you did not know what happened to the late journalist Peter Paul Markin who used to write for some of the alternative newspaper and magazine publications that proliferated in the wake of the 1960s circus/war/bloodbath/all world together festival/new age aborning cloud puff dream, won a few awards too and was short-listed for the Globe Prize this is what is what. What is what before the ebb tide kind of knocked the wind out of everybody’s sails, everybody who was what I called at the time when I was more hopeful about, and more expectant to reap the benefit from, “seeking a newer world,” a line I stole from some English poet, Alfred Lord Tennyson I think if memory serves (Robert Kennedy, Jack’s brother, or his writer “cribbed” the line too for some pre-1968 vision book before he ran for President in 1968 so I am in good company.) I will tell you in a minute what expression “the Scribe,” a named coined by our leader, Frankie Riley, which is what we always called Markin around the corner we hung out in together in front of Salducci’s Pizza Parlor in our hometown of North Adamsville once Frankie laid that moniker on him, used to describe that change he had sensed coming in the early 1960s. Saw that train coming long before any of the rest of us did, or gave a rat’s ass about, our expression of the time meaning “don’t bother me with world stuff I have to suffer through this teen angst thing” in our serious pressing concerns of the moment, worries about girls (all of the existential problems angst including about bedding them, or rather getting them in back seats of cars mainly, or in a pinch behind the secluded seawall down at the far end of the beach), dough (ditto the girl existential thing to keep them interested in you and not run off with the next guy who had ten bucks to spend freely on them to your deuce, Jesus) and cars (double ditto since that whole “bedding” thing usually hinged on having a car, or having a corner boy with some non-family car to as we used to say, again courtesy of the Scribe via scat bluesman Howlin’ Wolf, “doing the do” in some forlorn back seat down some lonesome lovers’ land. The Scribe though wanted to give it, give what we were feeling, you know our existential angst moment although we did not call it that until later when the Scribe went off to college and tried to impress us with his new found facts, his two thousand new found facts about guys like Sartre and Merleau-Ponty. Like I said we could give a rat’s ass about all that-then.

 

All I know is that ebb tide that caught Markin kind of flat-footed, kind of made him gravitate back toward his baser instincts honed by every breathe he took as a kid down in “the projects” where he learned the facts of life, the facts of fellaheen life which is what one of our junior high school teachers called us, called us peasants, called it right too although we were the urban versions of the downtrodden shanty peasants but they were kindred no doubt, is still with us. So maybe being, having been a “prophet, ” being a guy who worried about that social stuff while we were hung up on girls,  dough and cars (him too in his more sober moments especially around one Rosemond Gooden who would not give him the time of day since she was from up the road in the newly built ranch houses that were dream houses in the “golden age of the 1950s), wasn’t so good after all.

 

Maybe the late Markin was that kind of Catholic “martyr saint” that we all had drilled into us in those nasty nun run Sunday catechism classes, maybe he really was some doomed “n----r” to use a phrase he grabbed from some Black Panther guys he used to run around with when he (and Josh Breslin) lived in Oakland and the “shit was hitting the fan” from every law enforcement agency that could put two bullets in some greasy chamber to mow down anybody even remotely associated with the brothers and the ten point program (who am I kidding anybody who favored armed self-defense for black men and women that’s the part that had the coppers screaming for blood, and bullets).

 

Here is a quick run-down about the fate of our boyhood corner boy bastard saint and about why stuff that he wrote forty or fifty years ago now is seeing the light of day. I won’t bore you with the beginnings, the projects stuff because frankly I too came out of the projects, not the same one as he did but just as hopeless down in Carver where I grew up before heading to North Adamsville and Josh who was as close as anybody to Markin toward the end was raised in the Olde Saco projects up in Maine and we are both still here to tell the tale. The real start as far as what happened to unravel the Scribe happened after he, Markin, got out of the Army in late 1970 when he did two things that are important here. First, he continued, “re-connected” to use the word he used, on that journey that he had started before he was inducted in the Army in 1968 in search of what he called the Great Blue-Pink American West Night (he put the search in capitals when he wrote about the experiences so I will do so here), the search really for the promise that the “fresh breeze” he was always carping about was going to bring. That breeze which was going to get him out from under his baser instincts developed (in self-defense against the punks that were always bothering him something I too knew about and in self- defense against his mother who was truly a dinosaur tyrant unlike my mother who tended to roll with the punches and maybe that helped break my own fall from heading straight down that Markin fate ladder) in his grinding poverty childhood, get out from under the constant preoccupation with satisfying his “wanting habits” which would eventually do him in.

 

Markin had made a foolish decision when he decided to drop out of college (Boston University) after his sophomore year in 1967 in order to pursue his big cloud puff dream, a dream which by that time had him carrying us along with him on the hitchhike road west in the summer of love, 1967, and beyond. Foolish in retrospect although he when I and others asked about whether he would have done things differently if he had known what the hell-hole of Vietnam was all about was ambivalent about the matter.

 

Of course 1967, 1968, 1969 and other years as well were the “hot” years of the war in Vietnam and all Uncle Sam and his local draft boards wanted, including in North Adamsville, was warm bodies to kill commies, kill them for good. As he would say to us after he had been inducted and had served his tour in ‘Nam as he called it (he and the other military personnel who fought the war could use the short-hand expression but the term was off-bounds for civilians in shortened form)  and came back to the “real” world he did what he did, wished he had not done so, wished that he had not gone, and most of all wished that the American government which made nothing but animals out of him and his war buddies would come tumbling down for what it had done to its sons for no good reasons.

 

And so Markin continued his search, maybe a little wiser, continued as well to drag some of his old corner boys like me on that hitchhike road dream of his before the wheels fell off. I stayed with him longest I think before even I could see we had been defeated by the night-takers and I left the road to go to law school and “normalcy.” (The signposts: Malcolm X’s, Robert Kennedy’s and Martin Luther King’s assassinations, hell maybe JFK’s set the who thing on a bad spiral which kind of took the political winds out of any idea that there would not be blow-back for messing with the guys in power at the time, the real guys not their front-men, the politicians; the rising tide of “drop out, drug out, live fast and die young” which took a lot of the best of our generation off giving up without a fight; the endless death spiral of Vietnam; the plotted killings of Black Panthers and any other radical or revolutionary of any color or sex who “bothered” them; and, the election of one master criminal, Richard Milhous Nixon, to be President of the United States which was not only a cruel joke but put paid to the notion that that great unwashed mass of Americans were on our side.)

 

Markin stuck it out longer until at some point in 1974, 1975 a while after I had lost touch with him when even he could see the dreams of the 1960s had turned to dust, turned to ashes in his mouth and he took a wrong turn, or maybe not a wrong turn the way the wheel of his life had been set up but a back to his baser instincts turn which had been held in check when we were in the high tide of 1960s possibilities. (Josh Breslin, another corner boy, although from Olde Saco, Maine who had met Markin out in San Francisco in the summer of love in 1967 and who had also left the road earlier just before me was in contact until pretty near the end, pretty close to the last time in early 1975 anybody heard from Markin this side of the border, this side of paradise as it turned out since Josh who lived out in California where Markin was living at the time confirmed that Markin was in pretty ragged mental and physical condition by then).           

 

Markin had a lot invested emotionally and psychological in the success of the 1960s “fresh breeze coming across the land” as he called it early on. Maybe it was that ebb tide, maybe it was the damage that military service in hell-hole Vietnam did to his psyche, maybe it was a whole bunch of bad karma things from his awful early childhood that he held in check when there were still sunnier days ahead but by the mid-1970s he had snapped. Got involved in using and dealing cocaine just starting to be a big time profitable drug of choice among rich gringos (and junkies ready to steal anything, anytime, anywhere in order to keep the habit going).

 

Somehow down in Mexico, Sonora, we don’t know all the details to this day a big deal Markin brokered (kilos from what we heard so big then before the cartels organized everything and before the demand got so great they were shipping freighters full of cold cousin cocaine for the hipsters and the tricksters and big for Markin who had worked his way up the drug trade food chain probably the way he worked his way into everything by some “learned” dissertation about how his savvy input could increase revenue, something along those lines) went awry, his old time term for something that went horribly wrong, and he wound up face down in a dusty back road with two slugs to the head and now resides in the town’s potter’s field in an unmarked grave. But know this; the bastard is still moaned over, moaned to high heaven.

 

The second thing Markin did, after he decided that going back to school after the shell-shock of Vietnam was out of the question, was to begin to write for many alternative publications (and I think if Josh is correct a couple of what he, Markin, called “bourgeois” publications for the dough). Wrote two kinds of stories, no three, first about his corner boy days with us at Salducci’s (and also some coming of age stories from his younger days growing up in the Adamsville Housing Authority “projects” with his best friend, Billie Bradley before he met us in junior high school). Second about that search for the Great Blue-Pink American Night which won him some prizes since he had a fair-sized audience who were either committed to the same vision, or who timidly wished they could have had that commitment (like a couple of our corner boys who could not make the leap to “drugs, sex, rock and roll,” and raising bloody hell on the streets fighting the ‘monster’ government” and did the normal get a job, get married, get kids, get a house which made the world go round then). And also an award-winning series of stories under the by-line Going To The Jungle for the East Bay Other (published out on the other side of the bay, San Francisco though) about his fellow Vietnam veterans who could not deal with the “real” world coming back and found themselves forming up in the arroyos, along the rivers, along the railroad tracks and under the bridges of Southern California around Los Angeles. Guys who needed their stories told and needed a voice to give life to those stories. Markin was their conduit.

 

Every once in a while somebody, in this case Bart Webber, from the old corner boy crowd of our youthful times, will see or hear something that will bring him thoughts about our long lost comrade who kept us going in high school times with his dreams and chatter (although Frankie Riley was our leader since he was an organizer-type whereas Markin could hardly organize his shoes, if that). Now with the speed and convenient of the Internet we can e-mail each other and get together at some convenient bar to talk over old times. And almost inevitably at some point in the evening the name of the Scribe will come up. Recently we decided, based on Bart’s idea, that we would, if only for ourselves, publish a collection of whatever we could find of old-time photographs and whatever stories Markin had written that were still sitting around somewhere to commemorate our old friend. We have done so with much help from Bart’s son Jeff who now runs the printing shop that Bart, now retired, started back in the 1960s.

 

This story is from that first category, the back in the day North Adamsville corner boy story, although this one is painted with a broader brush since it combines with his other great love to write about books, film and music. Always connected with the music was his awful hard time with women, girls as a kid, women, wives, two before the end, always touching the woman’s side which always both intrigued him and befuddled him since the distaff side (nice combination term that Markin would have appreciated especially that distaff thing for women who befuddled him, befuddled him straight up). It had been found in draft form up in Josh Breslin’s attic in Olde Saco, Maine where he had lived before meeting Markin in the great summer of love night in 1967 and where he had later off the road stored his loose hitchhike road stuff and his writerly notebooks and journals at his parents’ house which he had subsequently inherited on their respective passings. We have decided whatever we had to publish would be published as is, either published story or in draft form. Otherwise, moaning over our brother or not, Markin is liable to come after us from that forlorn unmarked grave in that Sonora potter’s field and give us hell for touching a single word of the eight billion sentences he  had had stored in his fallen head.     

 

Here is what he had to say:                        

 

The Battle Rages- Jerry Lee or Elvis? - Jerry Lee Lewis’ “High School Confidential”-Billie's, Billie From The Projects, King-Size View

 

By the late Peter Paul Markin

 

High School Confidential lyrics-Jerry Lee Lewis

 

You better open up honey it's your lover boy me that's a knockin'

You better listen to me sugar all the cats are at the High School rockin'

Honey get your boppin' shoes Before the juke box blows a fuse

Got everybody hoppin' everybody boppin'

Boppin' at the High School Hop

Boppin' at the High School Hop

Shakin' at the High School Hop

 

I've rollin' at the High School Hop

I've been movin' at the High School Hop

Everybody’s hoppin' Everybody's boppin'

Boppin' at the High School Hop

Come on little baby gonna rock a little bit tonight

Woooh I got get with you sugar gonna shake things up tonight

Check out the heart beatin' rhythm cause my feet are moving smooth and

Light

Boppin' at the High School Hop

Shakin' at the High School Hop

Rollin' at the High School Hop

Movin' at the High School Hop

Everybody’s hoppin' just a boppin' just a boppin'

 

Piano Solo!

 

Come on little baby let me give a piece good news good news good news

Jerry Lee is going to rock away all his blues

My hearts beatin' rhythm and my soul is singin' the blues

Oooooh Boppin' at the High School Hop

Shakin' at the High School Hop

Rollin' at the High School Hop

Gettin' it at the High School Hop

Everybody’s hoppin' Everybody's boppin'

Boppin' at the High School Hop

********

Billie, William James Bradley comment:

 

I am fuming, fuming six ways to Sunday if that is possible, fuming until the cows come home if there are any cows around, and if they have wandered I am still fuming. Why? I just called up Laura, Laura that I took to the school dance last week, to ask her if she wanted to go to the church sock hop scheduled for this weekend, Saturday night. Now it wouldn’t be as good as the last school one with a live band, and all, but even with just records and just ten thousand poor as church mice chaperones doing their chaperone thing to get grace or something, for real, we could still have a good time.

 

And do you know what she said. “I’ve got a date.” What, no way, no possible way, when everybody knows that she is my “personal property.”

 

“Who is the guy, who is the guy, who is the guy who would dare cross the king of the rock night? This world is not big enough for the two of us, give me his name,” I said as I readied my arrows. “It’s Peter Paul, and before you get all crazy I asked him,” she darted back the sound of her voice pleased; pleased as punch, the way she said it. “What?” I shouted over the phone so everyone within a twenty square mile area could hear, if they wanted to.

 

She came back, all sweet reason just like every girl, every stick or shapely girl, women even “I like you, I definitely like you, you’re funny, and you’re a good dancer, and you sure know a lot about rock ‘n’ roll, but you seem too bossy, and you take that "king of the rock" thing that Peter Paul keeps telling everybody about way too seriously. If Peter Paul hadn’t spent what seems like half his life building you up as, what did he call it, oh yah, “king of the be-bop night” you might be a better boy to be with. But the big thing, and here is where it all comes down on you, I found out, found out from Karen, that you tried to make a clown out of poor Peter Paul when you let him dance with me and you knew, or thought you knew, that he couldn’t dance for beans.”

 

After she let that set in my head, uneasily in my head for a minute, she continued “So, yes, I went right over to his house and told him, no, what did he say I said, ‘insisted’ that we were going to the next dance together.” But get this, get this dagger thing aimed right at my heart. She finishes off with “And he makes me smile with his silly bookish ways, and you don’t okay. Next dance I’ll go with you, your highness, maybe.” And then she hung up. Ouch!

 

Two-timing that is all that it is. I can see that now. No, not Laura, you know how girls are, twelve and thirteen year old girls, with their hard to figure giggles, their starting to get shapes, and their monthlies (my sisters, Carol and Donna, told me all about it, sorry, tough luck girls). No, Peter Paul, Markin, that s. o. b., two-timed his best friend that’s all it can be. Probably went to the Thomas Crane Public Library branch that is attached to the school and read up everything that was on the shelves about two-timing, the history of two-timing, boys two-timings girls, girls two-timing boys, everything on the subject back to Pharaoh Egypt times. Just to two-time Billie, William James Bradley, known far and wide, despite what Laura said, as the king of the be-bop rock night. And Markin, no more Peter Paul nice guy now, didn’t have diddley to do with that. Period

 

But how did he switch up on me? I don’t get that. First, I know, I know from Karen, I know from Donna (not my sister Donna, Donna O’Toole, Cool Donna O’Toole, or was until I ditched her, or what did Markin call it, “discarded her”), I know from Theresa, and I know now, because I just asked her before she went out the door, from my sister Carol, that Markin never said word one to Laura before I introduced them the other night. Although now that I think about it I am still ticked off at Carol for not telling me about helping Markin learn to dance, rock dance, not that silly cowboy, barn dance, square dance thing that he calls rock dancing. I also know from Carol that Markin did not know much about jumping Jerry Lee Lewis. He was just hoping to get maybe an Elvis One Night With You, Good Rockin’ Today, Jailhouse Rock chance. Or a Chuck Berry Sweet Little Sixteen, or a Bo Diddley Who Do You Love? chance with Theresa, Karen or Donna (O’Toole). No way he believed, and I am going to go over right now and ask him about it, that he was going to step up to Laura’s league. Hell, it couldn’t have been that silly report, that silly report that he kept hammering me about as he learned each new thing, Jesus Christ, Greek democracy, what are you kidding.

 

At his house I confronted him. “Okay Markin what gives, what, how, why, where, when did you figure out how to break my time with Laura? And don’t play innocent and definitely, I warn you, start talking about that report, that silly Greek geek report.”

Of course I did not believe Peter Paul’s story, his “who me?” story, no way. No way in hell, excuse my language, is a nice shape like that Laura, a nice shape in all the right places, or trying to be in all the right places, and smart, real smart going to go off the deep-end for a, let’s face it, ragamuffin boy like Markin. Christ, even he said it, a guy with a clowny outfit, a shirt, a shirt, a white striped shirt for Christ sake, if you can believe that, a Bargie special, or straight off the back-rack at Woolworth’s, black chino pants with cuffs, jesus, cuffs and those square, too square Thom McAn brown shoes that I haven’t worn since about first communion is going to put the whammy on a babe like Laura.

 

Against me, against the king of the rock night in these parts, with my smart-looking wide lapel two-tone sports jacket just like Eddie Cochran, my black pants (yah, black pants, the black is okay it is the chinos, and, and the cuffs that have to go) nicely-pressed (yah, Ma-pressed), my Elvis-style hair-do with just the right length sideburns and my foxy, spit-shined Florsheim suede shoes (no, not blue suede, that’s squarey square now).

 

Yah, it was some drugstore medicine whammy he put on her at the dance that night. No question, although I haven’t quite figured out how he did it, because everybody knows, or I know anyhow that Peter Paul and science don’t mix. Don’t mix since he tried that rocket ship caper last year, trying personally to beat the commies at their own game after Sputnik jumped the night sky, when he tried to send some balsa wood rocket into space when he punctured a CO2 cartridge with a nail and a hammier and almost got us all killed. Or when, after that, he started to mix some chemicals in his cellar to go about it another way with some three-stage rocket concoction and almost blew the whole place up. I’ll tell you about that sometime but right now I wish, I wish, well I wish.

 

See, Peter Paul is really smart about things like Abigail Adams, or her son John Quincy, or about literary guys, like this guy Fitzgerald who wrote about rich kids with names like Basil something and Josephine this or that and their hi-jinx ages ago that he has been yakking about lately. Yah, reading about rich kids, rich, rich guys having fun with rich girls like that is going get us out of the projects, and like reading that stuff is going make him rich, or even get him a pass out of this dungeon project.

Hey, wait a minute, no, no, it is not about science, it’s not about some silly book report, and it’s not about Peter Paul suddenly being a lady’s man. Why didn’t I think of it before? It’s about this new rocker- Jerry Lee Lewis and his be-bop thing, be-bop piano thing. Yah that's it. They say he is going to replace the king, and for all you squares, cubes, and fourth dimension guys and frills, that means Elvis. And if you don’t know that name you must have been up in space with the dogs, monkeys, or robots or whoever is riding those rockets.

 

Okay, okay I can take a joke. The spell is not Markin, its Jerry Lee. Hell, a momentary thing, maybe a few weeks while the king is resting up and waiting to go into the service, or something. No way someone who jumps up and down on a piano, and is kind of a wild man ever going to be, in his wildest dreams, better than Elvis. No way, no comparison, forget it. Name song names, okay. Heartbreak Hotel, That’s When You’re Heartbreak Begins, Jailhouse Rock, Good Rockin’ Tonight, Hound Dog, One Night (that alone says it all). Come on now, I listed enough. And Jerry Lee, High School Confidential. Yah, its good, its be-bop but this guy is strictly a one-hit Johnnie. Yah, okay I’ll let Peter Paul have his moment of glory, and maybe a kiss or two, if he’s not scared like usual, but Laura will be back with me at the next dance. Who knows, if I cut in at this Saturday's dance that's coming up, to spare her having to dance with Peter Paul and his black chino cuffed pants all night, maybe this dance. Then Peter Paul can go back and try his luck on those stick girls that are more his speed anyway. Yah, Elvis and Billie. Long live the kings!

 

The Latest From The Rag Blog-The Voice Of The Faded 1960s- Aldon Morris, Author of Groundbreaking Work About W.E.B. Du Bois

Aldon Morris, Author of Groundbreaking Work About W.E.B. Du Bois
aldon morrisAldon D. Morris is Leon Forrest Professor of Sociology and African American Studies at Northwestern University. Morris’ newest work is The Scholar Denied: W. E. B. Du Bois and the Birth of Modern Sociology, a groundbreaking book that helps rewrite the history of sociology in acknowledging the primacy of W. E. B. Du Bois’ work in the founding of modern scientific sociology. Du Bois was also a historian, civil rights activist, and the author of The Souls of Black Folk, a seminal work in African-American literature. Aldon Morris is also he author of the award-winning Origins of the Civil Rights Movement: Black Communities Organizing for Change.
Read the full show description and download the podcast of our January 15, 2016 Rag Radio interview with Aldon Morris here — or listen to it here:


The Latest From The Rag Blog-The Voice Of The Faded 1960s

Documentary Photographer Ken Light About His Books on the ’60s and Texas Death Row

Ken Light is the Reva and David Logan Professor of Photojournalism at the Graduate School of Journalism at U.C. Berkeley. We discuss Ken’s new book, What’s Going On? Photographs from 1969-1974, which features work that reflected his “young radical vision” in the late ’60s-early ’70s, when he was a photographer for Liberation News Service (LNS) in New York. We also talk about Ken’s experiences in producing his earlier book, Texas Death Row. Light was the first photographer ever to be given access to Texas’ infamous death house, including the prisoners’ cells — when Death Row was at the Ellis Unit in Huntsville.
Read the full show description and download the podcast of our January 22, 2016 Rag Radio interview with Ken Light, here — or listen to it here:


The Latest From The Rag Blog-The Voice Of The Faded 1960s

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Harry Targ :
Break up the banks and the military/industrial complex!

What Hillary Clinton calls ‘American leadership’ is more about militarism than statesmanship.

hillary and kissinger
Hillary Clinton says Henry Kissinger helped make the world a better place. Photo by Jonathan Ernst/Reuters/Slate.
By Harry Targ | The Rag Blog | January 27, 2016
Hillary Clinton recently declared that she was the only candidate who had the knowledge and experience to preserve the national security of the United States. However, Senator and Secretary of State Clinton voted for Iraq war authorization, advocated war on Libya, warned against significantly improving relations with Iran, and recommended establishing a so-called “no-fly zone” in Syria.
She initiated and supported the “Asian Pivot,” developing a greater political, economic, and military presence in Asia. In addition, during her term as Secretary of State, Clinton defended the overthrow of the elected president of Honduras, Manuel Zelaya, in 2009, and challenged other Latin American leaders to support a new election that would give legitimacy to his ouster.
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