Friday, June 17, 2016

THE REVOLUTION AT THE BASE-From The Pen Of Bertolt Brecht

THE REVOLUTION AT THE BASE



PLAY/BOOK REVIEW



THE MOTHER, BERTOLT BRECHT, GROVE PRESS, 1989




More than one socialist commentator, including Lenin and Trotsky, has noted that a revolution is made at the base of society by a combination of experiences that cause the masses to throw of their former servitude, indifference or fear and just go for it. In the Marxist movement this has been called the molucular process. The action 'below the radar'. For a rather beautiful literary description of this rising tide read the first few chapters of Volume I of Trotsky's History of the Russian Revolution. Needless to say those times are few and far between so that it is important to study the mechanics of those changes even if, as here, they are changes in overwhelmingly agrarian Russia just coming into the capitalist production process in the early 20th century. I believe, as Brecht obviously did when he brought it to the theater in highly industrialized Germany, that those same sentiments would also be expressed in more developed capitalist societies when tensions reached the breaking point.

Brecht has adapted for the stage this story written by the great Russian writer, and sometime revolutionary, Maxim Gorky. The story line in both cases is fairly straight forward. A working class mother not far removed from her rural roots is fearful that her son’s Bolshevik revolutionary activities will bring disaster on him and the family. As the story unfolds and the son’s commitment grows in line with the government’s repressive policies the mother starts, slowly, very slowly, to get the point of his work. Along the way her own ‘politics’ change and by the end she is as committed to the cause as her son. Her banner is now red.

On the Brechtian stage this story is told amid banners and music that add to the dramatic effect. In either format this is a powerful story and good piece of socialist propaganda. I remember an old German Communist Party member once telling me that in his youth he was actually recruited to the Communist Youth League by this play. Apparently the German CP set up literature tables in the lobby of the theater and at intermission and the end would sign up theater patrons after they had experienced the play. WOW! Would that our tasks were so easily accomplished these days.

In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-David Gilbert


In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-David Gilbert

 

http://www.thejerichomovement.com/prisoners.html

 

A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month

Markin comment (reposted from 2010)


In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!





  • ******I Did It My Way-With Bob Dylan’s Shadows In The Night In Mind

    ******I Did It My Way-With Bob Dylan’s Shadows In The Night In Mind



     
    From The Pen Of Bart Webber



    Recently Sam Eaton an old friend of mine from high school days down at Carver High School in Southeastern Massachusetts did a review for the well-regarded and informative American Folk Music blog where he is listed as a regular contributor for Bob Dylan’s then latest CD brought out in 2014, Shadows In The Night.  [Subsequently in 2015 Columbia Records brought out Volume 12 f the apparently never-ending bootleg series this one centered on a 6 CD set of outtakes, mistakes, variations, songs that didn't make the albums, and whatnot from Dylan's fruitful 1965-66 period but that is old-time well-know music so doesn't really count as a latest CD. Sam had yet to review that compilation since he is not sure that he should not just go back and review the original albums; Blonde on Blonde, Bringing It All Back Home, Highway 61 Revisited.]  

    Sam had sent me a copy of the review after I had reunited with him when I was looking for information via Google  about my Carver High School Class of 1964 50th anniversary class reunion via the “magic” of the Internet where Diana Rico (nee Kelly) along with her reunion committee had set up a class reunion website which he had joined thus proving that the Internet seems to be able to ferret out anybody who has ever put the slightest information on any website (and which has been recorded by our “friends” at NSA and other “big brother” operations done in “our interest” by the American government but enough of that for now as that is a subject worthy of another time). I then bought the CD on Amazon and after listening did my own amateur review, since writing such things is something I like to do in my spare time, which is essentially based on a lot of Sam's observations in that American Folk Song review. The reason for depending on Sam's observations is that while this album is slightly different from Dylan's early folk song work I have never really been able to do anything but grind my teeth when I hear such music and particularly Dylan's. Unlike Sam I am no folk music aficionado.    

    The album a tribute to the king of Tin Pan Alley songwriter fest, Frank Sinatra, in the days when there was something of an unwritten code or maybe not unwritten but assumed by the division of labor that the singer and songwriter were strangers in the night in another sense. Songwriters for the most part wrote the lyrics and singers gobbled up what they were presented with. (Also later, after a semi-successful screen career where he did excellent work in the film adaptations of James Jones’ From Here To Eternity and Nelson Algren’s wrenching The Man With The Golden Arm and some notoriety as the leader of a rat pack of Hollywood and Los Vegas celebrities, named the “Chairman of the boards,” the boards being the stage upon which his fame rested as a singer, actor and hail fellow, well met.) In that review Sam noted that such an effort to go back to an aspect, an off-shoot of the great American Songbook of which Dylan knew so much even early on before he became famous as the “king of folksingers” was bound to happen if he lived long enough.
    [Fir those who have forgotten, who had only a vague remembrance from parents' radio listening in the 1950s to the exclusion of rock and roll listening, or were too  young Frank Sinatra was the cat's meow in those day. Later, after a semi-successful screen career where he did excellent work in the film adaptations of James Jones’ From Here To Eternity and Nelson Algren’s wrenching The Man With The Golden Arm and some notoriety as the leader of a rat pack of Hollywood and Los Vegas celebrities, he was declared named the “Chairman of the boards,” the boards being the stage upon which his fame rested as a singer, actor and hail fellow, well met.)
    Going back to the Great Depression/World War II period that our parents, we the baby-boomers parents (although Dylan born in 1941 missed the big generation of '68 boat but for Sam’s purpose that was okay Dylan got tagged as an honorary '68er) slogged through for musical inspiration. Going back to something, some place that when we were young and immortal, young and thinking that what we had created would last forever we would have, rightly, dismissed out of hand. And since Dylan has lived long enough, long enough to go back to some bygones roots  here we are talking about something that let us say in 1970 Sam would have dismissed as impossible. Dismissed as the delusional ravings of somebody like Sam’s older brother, Mason, who hated almost everything about the counter-cultural movement of the 1960s. Hated both before he did two tours in Vietnam beginning in 1965 even before the big call-ups after the Gulf of Tonkin Resolution, enlisting naturally, without a scratch on him, before he got married to his high school sweetheart who had waited, had waited through those two long tours for him maybe sensing that he would come through unscratched, got his little white picket house in hometown North Carver away from his South Carver working class son of a bogger (cranberry bogs the only thing that keep the town together back then and for which it had been famous for generations), and after when he would, along with the lovely bride stand in front of abortion clinics and spew hateful words and make threatening gestures against poor bedraggled young women (mainly)  up against it after some guy left her in the lurch to worry and fret about bringing another baby into this wicked old world. In addition "fag" bait (without the bride as far as Sam knew, they were not exactly on the best of terms then, or now for that matter) every guy in town whose had a word to say about peace and went crazy when somebody mentioned that gays ("in the closet gays") had served in the military during his war. Mason would think nothing of punching any guy who he thought was “light on his feet” (lesbians he seemed, according to Sam, he skipped for some reason), had been ready to spill blood it seemed to cut off the heads of anybody who wanted to breathe a new fresh breath not tinged with our parents’ worn out ways of doing business in civil society.

    A whole dissertation or at least a serious long article could be written about how the gap of maybe three years, graduating in say 1961 like Mason and 1964 like Sam created a whole divide in social/political/cultural attitudes in many families. Not all but many where the fresh breeze of the Kennedy Camelot minute dream breeze had not been strong enough to check the desire of the former grouping to serve one’s country, right or wrong, marry one time forever, and get that little white fence house that was a step, maybe two, up from Ma and Pa and go down and dirty with every right-wing  yahoo who promised to "take the country back" and you can fill in the blanks on your own about who from when things came to a head.      
     
    Strange as it may seem to a generation, the generation of ’68, today’s AARP generation, okay, baby-boomers who came of age with the clarion call put forth musically by Bob Dylan and others to dramatically break with the music of our parents’ pasts, the music that got them through the Great Depression and slogging through World War II, he has put out an album featuring the work of Mr. Frank Sinatra the king of that era in many our parents’ households. Dylan’s call, clarion call if you will of Blowin’ In The Wind and The Times They Are A-Changin’ (those dropped “gs” a sign of the folk informally and a general mid-country Midwest phenomenon) written and sung by him which began a trend in music that pulled the mythical Tin Pan Alley marquee down (and a lot of non-singing-instrument composers and professional studio musical on to cheap street) were direct assaults on whatever Grandfather Ike, the Cold War death bombs mentality or the deep freeze cultural and personal red scare which had carried  the country (and Frank) through the 1950s.
     
    The music of the Broadway shows, Tin Pan Alley, Cole Porter/Irving Berlin/ the Gershwins/Jerome Kern, Sam who along with his interest in rock and roll, urban blues and protest-tinged folk music a la Dylan (and Phil Ochs, Joan Baez, Utah Phillips, Tom Paxton and a group of other who I forget that Sam was always talking about ) also knew about and hence his status as “professional” amateur archivist and reviewer so forgive me if I have left anybody of  importance out. Have I missed anybody of importance, probably, probably missed some of those Rogers and Hart Broadway show tunes teams, and so on.


    That proposition though, at least as it pertains to Bob Dylan as an individual, seems less strange as Sam pointed out to me if you were not totally mired in the Bob Dylan protest minute of the early 1960s as he was although folk music beyond a few Dylan tunes sung by others as I said before made my teeth grind, left me flat and even with Dylan it was an iffy proposition when he was cranky-voiced in live performances like one time, maybe 1964, when Sam, at Sam’s insistence, forced me since I had access to a car to go down to the Newport Folk Festival one hot July night to hear “the bard ” and he croaked out his set. Those were the days though when even I realized that whether Dylan wanted that designation or not, he was the “voice of a generation,” catching the new breeze a lot of us felt coming through the land.

    In the end Dylan did not want it, ran from it (with the “help” of a serious motorcycle accident which kept him out of the live limelight, holed up in Woodstock along with musicians who would be the Band, the rock and roll back-up band for Dylan when he went electric in 1965 and later on their own, although not out of big time album making, that being a rather prolific album period for him, did not want to be the voice of a generation, had no banner to wave, no sign to hold up for humanity as say Joan Baez, an ex-girlfriend or something like that, and Phil Ochs did, although he liked and wanted to be “king of the hill” in the music department of that generation, no question.


    Wanted too to be the king hell troubadour entertaining the world for as long as he drew breathe, as long as he had a song to sing (in what kind of voice god only knows, reptilian the last time I heard him previously a few years ago on some aspect of his never-ending tour gig and Sam said in that review of the Sinatra tribute album that they must have had to come up with some miracles of modern “fixer man” music technology to get his voice to sound even as bad as it did on his Sinatra-etched covers which were just short of spoken verses like some New Jersey Best Western hotel lounge lizard act) and he has accomplished that, the longevity part.


    What Dylan has been about for the greater part of his career though has been as an entertainer, a guy who sings his songs to the crowd and hopes they share his feelings for his songs. As he is quoted as saying in a 2015 AARP magazine article connected with the release of his Frank Sinatra tribute what he hoped was that like Frank he sang to, not at, his audience. Just like Frank did when he was in high tide around the 1940s and 1950s and our bobby-soxer mothers were tripping all over themselves like he was Elvis or something and throwing who knows what his way, maybe, notes with telephones numbers and promises of the best time he ever had. That sensibility is emphatically not what the folk protest music ethos was about but rather about stirring up the troops, stirring up the latter day Gideon’s Army to go smite the dragon, to right a few, maybe more, of the wrongs of this wicked old world. Dylan early on came close, stepped into Mississippi for a day or so, then drew back, although it is hard to think of anybody from our generation except maybe Joan Baez and Phil Ochs who wrote and sang to move people from point A to point B in the social struggles of the times. 
    What Dylan has also been about through it all has been a deep and abiding respect for the American songbook that he began to gather in his mind early on (look on YouTube to a clip from Don’t Look Back where he is up in some European hotel room with Joan Baez and Bob Neuwirth singing Hank Williams ballads like Lost Highway or stuff from the Basement tapes, either set, the recently released five CD set in the never-ending bootleg set or the rarer “Genuine Basement” tape which is  where he runs the table on a few earlier genres, especially country and show tunes). In the old days that was looking for roots, roots music from the mountains, the desolate oceans, the slave quarters, along the rivers and Dylan’s hero then was Woody Guthrie. But the American songbook is a “big tent” operation and the Tin Pan Alley that he broke from when he became his own songwriter is an important part of the overall tradition and now he has added his hero Frank Sinatra to his version of the songbook (at least he called him his hero but Sam said he would be hard-pressed to name one song Dylan covered of Frank’s in the old days even as a goof.)


    Sam said (an I agree somewhat, as much as I am going to with folk songs that can still make my teeth grind) that he may long for the old protest songs, the songs that stirred his blood to push on with the political struggles of the time like With God On Our Side which pushed him (and dragged me along in his wake, for a while) into the ranks of the Quakers, shakers, and little old ladies and men in tennis sneakers in the fight for nuclear disarmament, songs from the album pictured above, you know Blowin’ In The Wind which fit perfectly with the sense that something, something undefinable, something new as in the air in the early 1960s and The Times Are A Changin’ stuff like that, the roots music and not just Woody but Hank (including an incredible version of You Win Again), Tex-Mex working later with George  Sahms of the Sir Douglas Quintet, the Carters, the odd and unusual like the magic lyric play in Desolation Row, his cover of Charley Patton’s Highwater Rising or his cover of a song Lonnie Johnson made famous, Tomorrow Night, but Dylan has sought to entertain and there is room in his tent for the king of Tin Pan Alley (as Billie Holiday was the “queen”).


    Having not heard Dylan live and in concert over the past several years with his grating lost voice (for Sam it was always about the lyrics not the voice although in looking at old tapes from the Newport Folk Festival on YouTube his voice was actually far better then than I would have given him credit for) I said to Sam I really did wonder, like he did, though how much production was needed to get the wrinkles out of that voice to sing as smoothly as the “Chairman of the boards,” to run the pauses and the hushed tones Frank knew how to do to keep his audience in his clutches. Yeah, still what goes around comes around.             

     
     
     

    The Average Joe Fall Guy Falls-With Kansas City Confidential In Mind


    The Average Joe Fall Guy Falls-With Kansas City Confidential In Mind

     




    By Bart Webber 

     

    No question Joe Rolfe, formerly Joey Bops, was built for the frame, built for that frame to fit snuggly around his head. Not that Joe was stupid, far from it he had received his high school diploma and was in his first year of college when December 7, 1941 happened, when the world changed and he was all wrapped in the mess. Not that Joe wasn’t brave either since he received a couple of big military ribbons all shiny bright as a result of his service. And not that he wasn’t good-looking, good-looking to girls good-looking and so always had a girl on his arm in the old days before the war. Still when the deal went down Joey always seemed to be in the wrong place at the wrong time, always seemed to be the fall guy falling.

    It had not always been like that. Before the war, during high school, during the days when he wore the moniker Joey Bops since he was crazy for swing music, you know Benny Goodman and Artie Shaw, guys like that, when he hung around with Frankie Riley, James Riordan, Lefty Kelly, and Rusty Shea in front of Harry’s Drugstore in Carterville, that’s out in “show me” Missouri, he could do no wrong. He and what did they call them then, oh yeah, the corner boys, led by the ingenious Frankie Riley, “Sparks” Riley, would carry out every midnight caper in search of loot that one could think of and never got in trouble with the law, any that would wind up on the books. Not even when the very, very suspicious Carterville police thought they had the lot of them nailed tight for the heist at the Lamar mansion. Yeah those were the days when even nice Catholic girls who went to church every Sunday and for the public record said their rosaries and swore they had a Bible between their knees at all other times would that previous Saturday night give up what they had had to give up, those sweet pussies, when they went out on a date with a Harry’s Drugstore corner boy they knew some nice jewelry or maybe some dough would go with the giving that sweet thing up. And good-looking Joey Bops got all he wanted, even from those Bible-worn girls, maybe especially from them.      

    But the war, well, the war changed Joey Bops a lot, like I said, Joey had seen a lot of action in Europe, had gotten those medals, those well-earned medals, but he had lost a step, had lost the beat, maybe the be-bop beat of his youth, but most importantly the beat of how to beat the rap on some midnight adventure. Once he got home, after the fanfare was over and he went back to being just average Joey Rolfe citizen, after he decided all he saw and did in Europe made it kind of silly for him to go back to State U even though the newly enacted GI Bill would have pulled him through like it would many other ex-soldiers, he kind of lost his moorings and figured that he would go back to that sweet life of crime. Maybe it was because he went solo (the other corner boys had all dispersed, gone on, except Rusty Shea who was buried over in France during the war after being killed by a German mortar), maybe it was because he had lost the touch, maybe it was because he was crazy to hit a foolish gas station but Joey, Joey Bops of all people, got pegged for the robbery, armed robbery, when he tried to pull the caper just as a cop car was passing by Fred’s Esso station. So Joey got a nickel, did three and that was that.          

    That was that until he got out, got his probation. Got himself into another town, got himself into the city, the big city, Kansas City, where he picked up a job delivering flowers, simple stuff, but one of the few jobs an ex-con on probation could get-driving a truck. But getting that job turned out to be the kiss of death for old Joey. See one of the delivery stops that he made was to Jones’ Funeral Home, not the one on Center Street in K.C. but over on Main, next to the First National Bank. One day while he was parked out front of Jones’ delivering a rack of roses for some departed soul next door the bank was being robbed in broad daylight by some guys in masks. They got away with half a million in cool hard cash (just walking around money today but then real dough). Got away clean in a sweet job. Naturally the coppers looking around saw Joey’s silly flower truck, checked it and him out, and once they found out that he was an ex-con and had served time they took him downtown (and they had contacted as well the Carterville cops who put the blast on him for all the crimes that they couldn’t prove he committed). There he stayed for a couple of weeks until the coppers found enough information about the robbery plan to know that he was not part of the caper and they had to let him go.

    Here’s the lesson Joey learned though from that experience he was never going to be able to go straight if he didn’t find out who pulled the First National Bank caper. (Or if he decided to go crooked again he would always have that fall guy tag on him for any “cold cases” the cops caught nothing on and he would spent many nights before those stupid police lights blaring line-ups.)  So hunting down the guys who did the deed was his next “career.” His new reason to get up in the morning. For this he needed a little help, help from the only private detective that he could afford at the time, Philip Larkin. Phil had been a guy that he met in the Army overseas and they had been transported home on the troop ships together landing in New York Harbor, spent a few days getting drunk as skunks and laid seven different ways including Joe’s first blow job in a long time, since before the world when some of those Catholic girls in Carterville who didn’t want to “do the do” would piece a guy off with some head to save their reputations, as virgins and yet at the same time as willing to be frisky, and you can figure what that “frisky” part meant  as best you can. They then parted Joe to Carterville and the slammer and Phil up north to Riverdale in Massachusetts to join the cops.        

    They had stayed in contact via the U.S. mails and Phil had gone out to the Missouri State pen a couple times to visit Joe after he got himself booted off the Riverdale cops for not going along with the cover-up of a vehicular homicide case involving one of the town’s Mr. Bigs. Those were the days when Phil was just starting out in the private detection business before the Altman case which put him in the local headlines for a while. That had been a whirlwind which soon faded and when Joe contacted Phil he was more than happy to help out an old buddy since he had been shuffling along doing key-hole peeping, getting the goods on adulterous guys or gals for their ever-loving spouses in order for those ever-loving spouses to take to court and get divorces and grab as much dough at the traffic would bear from their shamefully unfaithful spouses. Tough wormy work. That and hitting the bottle stashed conveniently in the bottom desk drawer of his dust-filled office a little too much while killing time between jobs.      

    Here’s the stuff they don’t show or tell you on detective shows on television or in those glossy-covered crime detection novels where the P.I. always outsmarts the public cops. Even on the obvious cases like where the distraught wife has a smoking gun in her hand with three bullets gone into a philandering husband now dead who just so happens to have three bullets in his worthless body. Even they, the public cops, can figure that one out, as long as there are three bullets in the body. Less or more all bets are off.  But as a rule a private eye if he or she wants to have any career better either leave the serious crime detection to the public cops or report everything he or she finds out in a case they are handling involving crime to them. That had been Phil’s policy early on in his career and he kept his license no sweat because of that hard fact. What that sound policy had allowed Phil to do for Joe was to get access to the First National Bank job stuff the cops there in K.C. knew about via his connections with a couple of Riverdale detectives whom he had helped out a couple of times.    

    Funny the layout of the K.C. job was simplicity itself and even Joe had wished he had thought of the plan rather than having been the fall guy falling. See the truck that delivered the bank its working money, say it  had a half million or so in the back for such deliveries, arrived at the about the same time as Joe made his fucking flower deliveries to the funeral parlor. What happened was that on the day of the armored bank truck robbery the robbers had a replica of the flower truck to throw the coppers off the scent. The robbers, four in all, all wearing Jimmy Cagney gangster masks, pulled the heist of the armored vehicle leaving two guards severely wounded (they would recover), and taking off for parts unknown in the fake flower truck. Leaving Joe the fucking fall guy of fall guys once the APB went out and his truck was the only one still in sight. With Phil’s information as a guide and stuff he had heard when the K.C. cops were giving him the “third degree” Joe figured to figure the whole scam out before he was done. Joe thanked Phil for his help and that is the last we will see of Phil in this caper because Joe couldn’t afford the twenty-five bucks a day, plus expenses, that Phil needed to stay on the case and Joe was itching to blam blam the bad hombres who put him in that tight spot on his own.        

    Don’t let the fall guy Joe thing fool you too much, that probation straight and narrow  either since Joe who did his drinking at Matty’s Tavern a well know hang-out for hoods and other loose-livers was pretty well-connected to the underworld even if he had to in the over-world play the probation game. Matty, working the bar himself one night when Joe came, gave him the tip that was the first step in getting his handle on the guys who set the frame on him. One of the hoods, name undisclosed, that hung around Matty’s had told Matty that Zeke Zimmer, a low-life gambler who had owed him money, five Gs, had  blown town  after paying  him off, was headed south to sunny Mexico and the gambling joints there. This Zeke was a serious low-life who half the time didn’t have two dimes to rub together and when he did he bet them on the roulette wheel, the blackjack table, the ponies, or the queen of hearts so his having dough was the lead that got Joe going, had him heading down to Juarez and some Touch of Evil madness.  This tip was proof positive, as much proof positive as Joe needed to follow the trail south since it was much more than likely that Zeke had been in on the bank heist.   

    Juarez was and still is a tough town to get anything out of, any kind of information about anything even directions to Rosa’s Cantina and that place to this day is still etched with a huge neon sign so you can see it almost from across the border in El Paso. Back in the 1950s it really was something out of Orson Welles’ Touch of Evil you could smell the corruption the minute you got over the international border, the minute you had to hand some foul-breathed Federale five dollars American to let you through without the usual hassle inspection, maybe planting some illegal drugs or other contraband on you if you didn’t fork over the fiver.  It got worst from there as every con man, hooker, drifter, and all the batos locos descended on your head looking for his or her piece. Joe, after spending an hour in Senorita Santa Maria’s whorehouse since he had not had a piece of a woman’s flesh for a while and the Senorita specialized in fresh young fluff from the country, made his way to Rosa’s Cantina where there was 24/7/365 casino action, action that an in the chips guy like Zeke would naturally gravitate toward to see how fast he could lose his shirt and begin his usual begging gringos for two dimes to rub together. 

    Rosa’s like all such places in Juarez in those days was no place to be asking any questions about gringos with money to spend, maybe asking any questions at all so Joe just kind of plunked himself on a barstool, ordered some tequila, and waited until he spotted a low-rent gambler who fit the description given to him at Matty’s. The key piece of information Joe had received had been that Zeke always wore (except when it was in hock) a gold-plated onyx ring with a diamond stud set in the center which you could see from a distance. So Joe waited, waited a couple of hours getting a little blasted on that harsh high-shelf tequila he was ordering (and fending off the barmaids who were offering blow jobs over in a quiet corner if he would buy them a drink, yeah, Rosa’s was that kind of place, you could get anything there you wanted from sex to gold-plated dentures you just had to ask, no, just had to wait long enough and somebody would come by selling themselves or something).

    Finally Zeke rolled in and headed to the blackjack table. Joe waited and watched looking for an opening to “talk” to Zeke. About two in the morning Zeke went outside for a breather, went out with a lot less dough that he had come in with. So when Joe approached him with the intend of collaring him to find out who and where the other guys were Zeke surprised him when he asked if he had five bucks he could lend him until “pay day.” Joe flagged Zeke off, gave him the fiver and then quick as a rabbit strong-armed Zeke and force-marched him to a quiet area where they could talk.

    Zeke filled with anger, hubris, and morphine was ready to talk, or else as Joe made very clear. Joe was persuasive enough against this low-life punk that he found out that the other three guys were in Sonora further south and that Zeke was supposed to head there in a couple of days to meet up with them and divvy up the rest of the dough. Zeke even under extreme pressure from the gun that Joe had at his head could not come up with the names of the three other guys because they had all worn masks at all meetings and on the job. The only name Zeke knew was of the guy who planned the whole caper, a guy who called himself Mister Big, a lot of help that was. At the meeting in Sonora Zeke was to go to the El Dorado Cantina and present his calling card-a sad ass joker from a special deck of cards Mister Big gave each confederate.      

    Joe convinced Zeke in the most dramatic way possible that he was going to Sonora with him and that dramatic encounter was enough for Zeke to see the light. The very next morning after some tacos and tomales one Joey Bops and one Zeke Zimmer were seen heading taking a dusty old bus headed south to Sonora. The ride down was uneventful except the endless dust, the locals with their Mexican luggage and their sweaty smells and goddam fowls brought along like children, and the story that Zeke, going slightly cold turkey from the morphine, had to tell.

    Tell about how Mister Big put the whole production together. It was Mister Big who had figured out that the similar arrival times of the flower truck at the funeral home and the armored car at the bank gave a few minute opportunity to grab the cash and take off in a “fake” flower truck. They had practiced the route and run about twenty times before Mister Big told them they were ready. It was also Mister Big who thought of the idea of the masks so nobody could fink on the other guys to the coppers if caught and of laying off for a while before splitting up the big dough. It was his caper but they were to split four ways even, and that was why they each had a card from the special deck as identification. (Joe thought to himself knowing stoolies since he was about twelve years old Mister Big was smart enough to know guys like Zeke and the others who were probably dredged from the same barrel bottom would sell their mothers for five bucks and change if they were in a squeeze and were looking to get out from under some rap. This Mister Big would be a tough nut to crack.)

    Arriving in the early morning in Sonora Joe checked into the Rio Grande Hotel, which unlike it high class sounding name was a flea-bag joint but which had the best bar in town, a bar that the touristas did not frequent and so adequate for Joe’s needs (naturally with Zeke as his boon roommate and drinking companion). The next morning, late, Joe left Zeke in the room, taking the added precaution of grabbing that joker as insurance for his survival and so that Zeke could not sneak away to grab his dough forgetting about his boon companion Joe and went down to the bar to grab a few quicks shots of tequila that he was getting to like very much. At the bar he noticed a gringa, a good-looking gringa, brunette, blue eyes, a little on the tall side, thin, nice shape, well-turned legs and wondered what she was doing in hot, sweaty dusty, Mexico. He walked over to her, asked her name, she answered Laura, asked her if she would like a drink, she accepted and then he asked her why she was down in dusty Sonora apparently by herself. Laura replied that she was down with her father who was there on business, she was bored and had decided that she would drink the morning away.

    As it turned out this Laura, after a few more drinks, was in the time of her time, was looking for little sexual escapade to while away the hours while her father did his business. That was her story to Joey anyway. Joe obliged her, grabbed a bottle from off the bar and they went to her room. They stayed drunk and sexed-up for a couple of days as it turned out. Then coming out of his alcoholic and sex haze he remembered Zeke, told this Laura that he had to check into his own hotel to finish some business but would be back the next day. Naturally by the time Joe got back to his hotel Zeke was long gone. Joe decided that he would sleep for a while and then the next day head back to Laura’s place and figure out how to keep her in tow and go about the business of finding the bank robbers. 

    Joe needn’t have been in any rush because by the time he got back to Laura’s room the next late morning he was met with a “welcoming” committee of four guys, three in Jimmy Cagney masks, Zeke, and of course Laura. What he had not known although he should have figured it out was that the father that Laura was down in Sonora on business with was none other than Mister Big. See the hood that had given Matty the information about Zeke up in K.C., later identified as Lefty Finley, a known pimp and bad guy to mess with, had been one of the robbers keeping an eye on Zeke who with his morphine habit was the “loose cannon” in the operation. All that special joker card stuff Zeke talked about to avoid stoolies by Mister Big in the end was so much razzle-dazzle for the paying public.   

    Yeah Joe shouldn’t have been in any rush to see that Laura since a few days later he was found with two big bullets in his head in a dusty back road in Sonora with a joker in his coat pocket and some hundred dollar bills later identified as being from the robbery. Alongside him in that back alley were Zeke, Lefty and the other member of the gang, Bugs Malone, a known drug runner and another bad hombre. They also had special jokers and some hundred dollar bills in their coat pockets. End of case, end of case for the Sonora police, the Federales, since they chalked it up to some Mexican bad guys wasting some gringos trying to cut in on their play. The K.C. cops, having unloaded an unsolved bank robbery and four creeps wrote the whole thing down to what they knew they knew at first. Joe had been the Mister Big of the operation all along and had out-smarted himself somehow. A wise guy double-dipping on that fake flower truck stuff. The real Mister Big and his daughter, Laura, well they were never heard from again as far as anybody knew- if they had ever existed. Yeah, Joe Rolfe, Joey Bops, All-American fall guy falling the big fall.          

    Thursday, June 16, 2016

    *In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Avelino González Claudio


    *In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Avelino González Claudio

     

    http://www.thejerichomovement.com/prisoners.html

     

    A link above to more information about the class-war prisoner honored in this entry.

    Make June Class-War Prisoners Freedom Month

    Markin comment (reposted from 2010)


    In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

    That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

    Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!

     

    *****He Saw Starlight On The Rails-With The Irascible Bruce “Utah” Phillips in Mind

    *****He Saw Starlight On The Rails-With The Irascible Bruce “Utah” Phillips in Mind
     
     

    From The Pen Of Bart Webber

    Jack Dawson was not sure when he had heard that the old long-bearded son of a bitch anarchist hell of a songwriter, hell of a story-teller Bruce “Utah” Phillips caught the westbound freight, caught that freight around 2007 he found out later a couple of years after he too had come off the bum this time from wife problems, divorce wife problems (that westbound freight by the way an expression from the hobo road to signify that a fellow traveler hobo, tramp, bum it did not matter then the distinctions that had seemed so important in the little class department when they were alive had passed on, had had his fill of train smoke and dreams and was ready  to face whatever there was to face up in hobo heaven, no, the big rock candy mountain that some old geezer had written on some hard ass night when dreams were all he had to keep him company). That “Utah” moniker not taken by happenstance since Phillips struggled through the wilds of Utah on his long journey, played with a group called the Utah Valley boys, put up with, got through a million pounds of Mormon craziness and, frankly, wrote an extraordinary number of songs in his career by etching through the lore as he found it from all kinds of Mormon sources, including some of those latter day saints.

    For those who do not know the language of the road, not the young and carefree road taken for a couple of months during summer vacation or even a Neal Cassady and Jack Kerouac-type more serious expedition under the influence of On The Road (what other travelogue of sorts would get the blood flowing to head out into the vast American Western night) and then back to the grind but the serious hobo “jungle” road like Jack Dawson had been on for several years before he sobered up after he came back from ‘Nam, came back all twisted and turned when he got discharged from the Army back in 1971 and could not adjust to the “real world” of his Carver upbringing in the East and had wound up drifting, drifting out to the West, hitting California and when that didn’t work out sort of ambled back east on the slow freight route through Utah taking the westbound freight meant for him originally passing to the great beyond, passing to a better place, passing to hard rock candy mountain in some versions here on earth before Black River Shorty clued him in.

    Of course everybody thinks that if you wind up in Utah the whole thing is Mormon, and a lot of it is, no question, but when Jack hit Salt Lake City he had run into a guy singing in a park. A guy singing folk music stuff, labor songs, tarvelling blues stuff, the staple of the genre, that he had remembered that Sam Lowell from Carver High, from the same class year as him, had been crazy for back in the days when he would take his date and Jack and his date over to Harvard Square and they would listen to guys like that guy in the park singing in coffeehouses. Jack had not been crazy about the music then and some of the stuff the guy was singing seemed odd now too but back then it either amounted to a cheap date, or the girl actually liked the stuff and so he went along with it.

    So Jack, nothing better to do, sat in front of guy and listened. Listened more intently when the guy, who turned out to be Utah (who was using the moniker “Pirate Angel” then, as Jack was using "Daddy Two Cents"  reflecting his financial condition or close to it, monikers a good thing on the road just in case the law, bill-collectors or ex-wives were trying to reach you and you did not want to reached), told the few bums, tramps and hoboes who were the natural residents of the park that if they wanted to get sober, if they wanted to turn things around a little that they were welcome, no questions asked, at the Joe Hill House. (No questions asked was right but everybody was expected to at least not tear the place up, which some nevertheless tried to do.)

    That Joe Hill by the way was an old time immigrant anarchist who did something to rile the Latter Day Saints up because they threw he before a firing squad with no questions asked. Joe got the last line though, got it for eternity-“Don’t mourn (his death), organize!”                   

    Jack, not knowing anybody, not being sober much, and maybe just a tad nostalgic for the old days when hearing bits of folk music was the least of his worries, went up to Utah and said he would appreciate the stay. And that was that. Although not quite “that was that” since Jack knew nothing about the guys who ran the place, didn’t know who Joe Hill was until later (although he suspected after he found out that Joe Hill had been a IWW organizer [Wobblie, Industrial Worker of the World] framed and executed in that very state of Utah that his old friend the later Peter Paul Markin who lived to have that kind of information in his head would have known. See this Joe Hill House unlike the Sallies (Salvation Army) where he would hustle a few days of peace was run by this Catholic Worker guy, Ammon Hennessey, who Utah told Jack had both sobered him up and made him some kind of anarchist although Jack was fuzzy on what that was all about. So Jack for about the tenth time tried to sober up, liquor sober up this time out in the great desert (later it would be drugs, mainly cocaine which almost ripped his nose off he was so into it that he needed sobering up from). And it took, took for a while.        

    Whatever had been eating at Jack kept fighting a battle inside of him and after a few months he was back on the bottle. But during that time at the Joe Hill House he got close to Utah, as close as he had gotten to anybody since ‘Nam, since his friendship with Jeff Crawford from up in Podunk Maine who saved his ass, and that of a couple of other guys in a nasty fire-fight when Charley (G.I. slang for the Viet Cong originally said in contempt but as the war dragged on in half-hearted admiration) decided he did indeed own the night in his own country. Got as close as he had to his corner boys like Sam Lowell from hometown Carver. Learned a lot about the lure of the road, of drink and drugs, of tough times (Utah had been in Korea) and he had felt bad after he fell off the wagon. But that was the way it was. 
    Several years later after getting washed clean from liquor and drugs, at a time when Jack started to see that he needed to get back into the real world if he did not want to wind up like his last travelling companion, Denver Shorty, whom he found face down one morning on the banks of the Charles River in Cambridge and had abandoned his body fast in order not to face the police report, he noticed that Utah was playing in a coffeehouse in Cambridge, a place called Passim’s which he found out had been taken over from the Club 47 where Sam had taken Jack a few times. So Jack and his new wife (his and her second marriages) stepped down into the cellar coffeehouse to listen up.

    As Jack waited in the rest room area a door opened from the other side across the narrow passageway and who came out but Utah. As Jack started to grab his attention Utah blurred out “Daddy Two Cent, how the hell are you?” and talked for a few minutes. Later that night after the show they talked some more in the empty club before Utah said he had to leave to head back to Saratoga Springs in New York where he was to play at the Café Lena the next night.         

    That was the last time that Jack saw Utah in person although he would keep up with his career as it moved along. Bought some records, later tapes, still later CDs just to help the brother out. In the age of the Internet he would sent occasional messages and Utah would reply. Then he heard Utah had taken very ill, heart trouble like he said long ago in the blaze of some midnight fire, would finally get the best of him. And then somewhat belatedly Jack found that Utah had passed on. The guy of all the guys he knew on the troubled hobo “jungle” road who knew what “starlight on the rails” meant to the wanderers he sang for had cashed his ticket. RIP, brother.

    Out In The 1960s Be-Bop Jukebox Night


    Out In The 1960s Be-Bop Jukebox Night




    By Zack James

     

    Everybody knows, or should know by now, and even if you have forgotten I am here to put you straight that Josh Breslin was one of those guys, one of those working-class neighborhood guys, our particular working-class neighborhood being the Acre section of old North Adamsville where the poorest of the poor eked out their existences was what they called then a JD, juvenile delinquent. We called ourselves, as did others who were in the same condition the literarily more romantic “corner boys.” Corner boys who mainly worked their way up the age-defined grapevine to hang out in front of Salducci’s Pizza Parlor by high school time. In our time the king hell king of the corner boy night was one Francis Xavier Riley, Frankie, Josh’s best friend from junior high school days until a few years ago when they finally laid the bloody bastard to rest.    

    No question Frankie was our leader, and no question either that whatever legend was built up about him, true or false, had Josh’s fingerprints all over it. See Josh was Frankie’s “flak,” his PR man if you like and at some point Josh had him built up like the “second coming,” set up so heroically that Josh almost believed half the stuff he wrote about Frankie himself, and maybe he did too. Frankie did nothing to dissuade anybody of that notion, at least not that I ever heard him utter.  

    No question Frankie, a really good-looking guy in the dark hair, blue-eyed Irish good-looks way and a fast-talker also in the Irish budding politician way had all the girls our age around the neighborhood, some older girls too, all wrapped around his finger. Frankie, of course, although they had some tight moments, giving the devil his due, guided Josh, fairly well through the intricacies of, well, ah, girls, girlish ways, and girlish charms. He took Josh under his wing after his family had moved to the Acre from Olde Saco up in Maine and they had moved in across the street from Frankie’s house. No question that Josh, as he would be the first to admit, would have been left out to dry, alone, utterly alone, in that great teenage angst night if not for Frankie. Frankie was always hipping Josh to different techniques he had worked out in his fertile brain, some of which worked, worked for him and some that busted out, busted out for Josh.

    What got me thinking about this old tricks business was just the other day I was at a diner which had a jukebox where you got exactly one selection for a quarter  and I  was telling someone about how in the great 1960s teen corner boy night a lot of our time, our waiting around for something, anything to happen time, was spent around places like pizza parlors, drugstore soda fountains, and corner mom and pop variety stores throwing coins into the old jukebox to play the latest “hot” song for the umpteenth time. This was the corner boy scene that Frankie ruled over wherever he set up his throne. I also wound up telling that person about a little “trick” that Josh told me about that he used to use when he was, as he usually was, chronically low on funds to feed the machine.

    See, part of that waiting around for something, anything to happen, a big part, was hoping, sometimes hoping against hope, that some interesting looking frail would come walking through that Pizza Parlor door (“frail,” a girl in the old neighborhood terminology, corner boy terminology from watching too many 1930s gangster movies, first used by Frankie, and then picked up by everyone else). And, especially on those for us no dough days, would put some coins in that old jukebox machine. I swear, I swear on anything, that girls, girls, if you can believe this, always seemed to have dough, at least coin dough, in those days to play their favorite songs.

     

    So here is the trick part, and see it involves a little understanding of human psychology too, girl human psychology. Okay, say, for a quarter you got five selections on the juke box like you did at Salducci’s who used the cheap juke price as an enticement to get kids in after school for pizza and soda. Well, the girl, almost any girl that you could name, would have a first pick already set in her head, some current boy romance thing, and the second one too, maybe a special old flame tryst that still hadn’t burned out. But, see after that, and this is true I swear, they would get fidgety about the selections. And, boy, that is where you made your move. You’d chime up with some song that was on your “hot” list like Save the Last Dance for Me, or some other moody thing and, presto, she hit the buttons for you.

     

    Here’s where the psychology came in, the girl human psychology. That sentimental choice by you rather than, let’s say Breathless by Jerry Lee Lewis which had been your real “hot” choice told her you were a sensitive guy and worthy of a few minutes of her time. So you got your song, you got to talk to some interesting frail and maybe, maybe in that great blue-pink great American teen night you got a telephone number even if she had a boyfriend, a forever boyfriend. Nice, right?

     

    But here is the part, the solemn serious part that makes this a Frankie story although he is not present in this scene, at least not physically present. Who do you think got Josh “hip” to this trick? Yes, none other than Francis Xavier Riley, Frankie, king of the teen night, king of the North Adamsville teen night.  After a while Frankie was so smooth at directing the selections that girls would not even get a chance to pick those first two current flame and old flame selections but he would practically be dropping their quarters in the machine for them. Hail Frankie.

    A View From The Left- WARS ABROAD, WARS AT HOME

    WARS ABROAD, WARS AT HOME
     
    “RADICAL ISLAM” IN ORLANDO?
     
    OBAMA: “What exactly would using this label accomplish?”
    Obama forcefully dismissed Donald Trump’s recent criticism of him for not using the words “radical Islam” to describe terrorist attacks as “a political distraction.”  “What exactly would using this label accomplish?” Obama asked. “Calling a threat by a different name does not make it go away.”  Obama continued: “There has not been a moment in my seven-and-a-half years as president where we have not been able to pursue a strategy because we didn’t use the label ‘radical Islam.’ Not once has an adviser of mine said, ‘Man, if we really use that phrase, we’re gonna turn this thing around.'”  More
     
    When Media Learned Killer's Ethnicity, Then They Knew to Call It 'Terrorism'
    News coverage over the past 48 hours of the Orlando nightclub attacks has shown how corporate media use specific vocabulary to manipulate public perceptions and perpetuate harmful stereotypes and xenophobia…  Once the shooter was identified as Omar Mateen, a US citizen of Afghan descent, the narrative changed. After this South Asian ethnicity was revealed, news media began calling the attack an act of terror…  When those who wish to use violence against innocent people are unidentified, they are referred to as “shooters” and their attacks as “attacks” or, in the case of Orlando, as “shootings.” It’s not until the perpetrators are identified as non-white people with an otherized cultural background that the media uses the word “terror.”    More
     
    Call the Orlando massacre a hate crime:
    This was an attack on the LGBT community
    What could have motivated such an act of violence? According to the gunman’s father, Seddique Mir Mateen, the shooter (whose name will not be identified here) recently became outraged after witnessing a public display of affection between same-sex partners. “We were in downtown Miami, Bayside, people were playing music,” Mateeen told NBC News. “And he saw two men kissing each other in front of his wife and kid and he got very https://prod01-cdn04.cdn.firstlook.org/wp-uploads/sites/1/2016/06/GettyImages-539743560-article-header.jpgangry. They were kissing each other and touching each other and he said, ‘Look at that. In front of my son they are doing that.’ And then we were in the men’s bathroom and men were kissing each other.”  But the attacker’s homophobic intent has gotten buried in the response to the event—with news organizations, politicians, and public figures reticent to label the act a “hate crime.”   … It may be likely that the shooter was motivated by faith-based hate, but to suggest that his religion was the sole motivating factor is an act of dangerous erasure. It ignores that this is merely the latest attack on a gay establishment in the United States and the latest reminder that queer people are not safe from being victims of a hate crime, even in spaces that are supposed to be havens for us.   More
     
    GREENWALD: Stop Exploiting LGBT Issues to Demonize Islam and Justify Anti-Muslim Policies
    A 2015 Pew poll found that U.S. Muslims were more accepting of homosexuality than evangelical Christians, Mormons, and Jehovah’s WitnessesSimilarly, U.S. Muslims are more likely to support same-sex marriage (42 percent support it) than are U.S. evangelicals (28 percent), historically black Protestants (40 percent), Mormons (26 percent) and Jehovah’s Witnesses (14 percent). Indeed, U.S. Muslims are roughly just as likely to support same-sex marriage as Christians generally (44 percent)…  It’s also true that parts of Islamic doctrine contain all sorts of horrible views on LGBTs, women, and other issues. But exactly the same is true of both the Christian Bible and Jewish Talmud. When it comes to Jews and Christians, people instinctively understand how bigoted and deceitful it is to cherry-pick particularly offensive excerpts from their holy books and use them to demonize all contemporary Christians and Jews.   More
     
    JUAN COLE: How to tell if Someone is lying about being a 'Salafi Jihadi'
    Regulars at Pulse Nightclub are saying that Omar Mateen, the alleged shooter in the early Sunday morning massacre there, was himself a regular! The Orlando Sentinel writes, “‘Sometimes he would go over in the corner and sit and drink by himself, and other times he would get so drunk he was loud and belligerent,’ Ty Smith said.”  So there’s just one thing about his claim to be acting on behalf of ISIL (with whom he appears never to have had any contact): puritanical Muslim fundamentalists of the ISIL sort don’t behave that way. Unbalanced, disturbed young Christian Americans who want to act out power fantasies that end in murder-suicide tend to claim a KKK, neo-Nazi, Christian fundamentalist or other white-nationalist identity in a desperate bid to make their loser lives and loser behavior seem cosmically important… Omar Mateen was a disturbed person, likely brought up a nationalist rather than a fundamentalist, and didn’t have the slightest idea of what a Salafi Jihadi was.   More
     
    STICKING TO THEIR GUNS: Trump, GOP Appeal to Racial Identity Politics
    One would have thought that NRA members, of all people, would be a little bit suspicious of Trump considering his past squishiness.  But research into gun ownership may explain why he is so popular with this crowd despite all the cultural signals that would otherwise raise suspicions.  This Washington Post article from a couple of months back explains that NRA gun culture is largely based on racial identity. And that’s what Trump is all aboutIn the mind of this type of gun owner, “I am showing my white nationalist pride in a sort of generic way through gun ownership,” Filindra posits. “This is my way of expressing my ‘more-equal-than-others’ status in a society where egalitarianism is the norm. I can’t say that some people are better and some are worse in terms of racial groups. But I can show it symbolically. I can show I’m a better citizen.”  There are other studies going back decades which come to similar conclusions. For a certain minority of gun rights activists — let’s call them Trump voters — race is the motivating factor in their single-minded zeal. This second amendment fetish is a dog whistle.   More
     
    RADICAL CHRISTIANITY?
     
    http://media2.fdncms.com/arktimes/imager/u/original/3972705/ku-klux-klan_3153153b.jpg
     
    Ku Klux Klan rally
     
    RADICAL JUDAISM?
     
    http://www.haaretz.com/polopoly_fs/1.611026.1450897653%21/image/2349077637.jpg_gen/derivatives/headline_609x343/2349077637.jpg
     
    Members of right-wing organization Lehava protesting the wedding of a Jewish-born woman and a Muslim man in Rishon Letzion, Israel, August 17, 2014
     
    Donald Trump and Hillary Clinton Call for Bombing ISIS After Orlando Shooting That ISIS Didn’t Direct
    Hillary Clinton and Donald Trump reacted to the Orlando shooting with evidence that they can agree on at least one thing: bombing people. Both candidates called for an escalation of the U.S.-led bombing campaign against ISIS in Syria and Iraq.  “We have generals that feel we can win this thing so fast and so strong, but we have to be furious for a short period of time, and we’re not doing it!” Trump complained on Fox & Friends Monday morning.  “Are you saying hit Raqqa right now?” asked host Brian Kilmeade. “We’re going to have to start thinking about something,” Trump replied.  Along the same lines, Clinton suggested during her post-Orlando speech Monday afternoon that “We should keep the pressure on ramping up the air campaign.”  Both candidates neglected to consider that no operational links between ISIS and the alleged Orlando shooter, Omar Mateen, have been discovered.   More
     
    https://img.washingtonpost.com/wp-apps/imrs.php?src=https://img.washingtonpost.com/blogs/wonkblog/files/2016/06/firearms1.png&w=1484This statistic about gun violence in America seems hard to believe, but is true
    Each year for the last decade in America, more than 30,000 people have died due to firearms. That figure, which includes suicides and accidents as well as homicides, is comparable to the casualties seen in some of America's modern wars. It's nearly equal to the number of Americans who died in the Korean War, which lasted from 1950 to 1953.  In fact, if you add up the number of firearm-related deaths in America since 1968, that figure is larger than all of the battlefield casualties in all of the wars in American history.   More
     
    Can We Do Anything About Murderous Assault Weapons?
    The mass murderers in San Bernardino who killed 14 and wounded 21 used AR-15 assault rifles. In Aurora, Colorado, a man with an AR-15 killed 12 and wounded 58 in a movie theater. It was an AR-15 that slaughtered 20 children and 6 faculty members at the Sandy Hook Elementary School in Newtown, Connecticut. A database compiled by Mother Jones magazine shows that assault weapons were used in seven of the eight high-profile mass shootings since July 2015… The parts or features of an assault weapon are not there to look scary (as the NRA suggests); they are there to make it possible for the shooter to do scary things. With these features, any deranged person can empty a 30-round magazine as fast as he or she can pull the trigger while maintaining control of the gun—and then quickly insert another fully-loaded magazine. Which is exactly what happened in Orlando.   More
     
    BAN ASSAULT WEAPONS NOW
    Orlando. Sandy Hook. Aurora. San Bernardino.
    What do these horrific shootings have in common? Assault weapons.
    Assault weapons were used to murder at least 49 people in Orlando, 26 people in Sandy Hook, 12 people in Aurora, and 14 people in San Bernardino.
    Right now, these mass-killing weapons are available for purchase on-line, at trade shows, and at gun brokers across our nation. They have become the weapon of choice for mass shooters.
    Assault weapons have no place in our cities and towns. No place on our streets.
    We need to ban all assault weapons now, while moving quickly to enact common sense gun reform.
     
    *   *   *   *
    NEW WARS / OLD WARS – What Could Possibly Go Wrong?
     
    http://www.outsidethebeltway.com/wp-content/uploads/2012/05/defense-spending.jpgTHE PENTAGON’S REAL $TRATEGY:
    Keeping the Money Flowing
    These days, lamenting the apparently aimless character of Washington’s military operations in the Greater Middle East has become conventional wisdom among administration critics of every sort… After 15 years of grinding war with no obvious end in sight, U.S. military operations certainly deserve such obloquy. But the pundit outrage may be misplaced. Focusing on Washington rather than on distant war zones, it becomes clear that the military establishment does indeed have a strategy, a highly successful one, which is to protect and enhance its own prosperity. Given this focus, creating and maintaining an effective fighting force becomes a secondary consideration, reflecting a relative disinterest -- remarkable to outsiders -- in the actual business of war, as opposed to the business of raking in dollars for the Pentagon and its industrial and political partners. A key element of the strategy involves seeding the military budget with “development” projects that require little initial outlay but which, down the line, grow irreversibly into massive, immensely profitable production contracts for our weapons-making cartels.   More
     
    *   *   *   *
    STOP DISASTROUS MILITARY APPROPRIATIONS
    Call Your Representatives Today! 877-429-0678
    The House will be voting on a variety of amendments on the Defense Appropriations Bill, HR. 5293, starting today, June 16, and possibly into Tuesday and Wednesday of next week. The Defense Appropriations Bill would approve total military spending of $576,856,382,000 for FY 2017.  At the same time, our people's needs for education, housing, health care, clean energy and transportation are going un-met.
     
    Luckily, House progressives are championing key amendments to cut out the worst of this disastrous bill.  It is crucial that we support these representatives and their amendments by contacting your members of congress and letting them know where we stand. Please call your House Representative and ask him or her to vote yes on: 
     
    Amendment #13 Rep. Quigley - Cut funding the Long Range Standoff Weapon (LRSO, new air-launched nuclear armed cruise missile), saving $75 million in the first year.  The LRSO would make us less safe.  The amendment would delay it and allow the next president to decide its importance and usefulness.
    Amendment #40 Rep. Conyers  - Blocks funds from being used to transfer or authorize the transfer of cluster munitions to Saudi Arabia. Saudi Arabia has been widely condemned for using cluster munitions in its brutal war in Yemen.  The Amendment will prevent the sale of cluster bombs, currently manufactured by Textron, to Saudi Arabi. 
    Amendment #42 Gabbard - Prohibits funds to train and equip Syrian rebels.
    Amendment #44 Rep. McGovern - No funds may be obligated or spent for combat operations in Iraq or Syria unless an AUMF is enacted.
     
    McGovern’s amendment is receiving bi-partisan support. It will prohibit the usage of funds for combat in Iraq and Syria until congress gives specific authorization for use of military force. This amendment will ensure that Congress reclaims its war making powers and increases the chance of democratic debate.
     
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    ISRAEL, PALESTINE . . . and the U.S.
     
    TELL CONGRESS: Oppose 'Combating BDS Act of 2016'
    As of yesterday, 29 Senators and 90 Representatives had supported this outlandish legislation. Click here to see if your Members of Congress have cosponsored this bill.  This bill would “authorize” state and local governments to cid:184CE5BB-1E66-463E-A88E-7D4CFF6EA125@hsd1.ma.comcast.net.unconstitutionally penalize entities such as nonprofit organizations and corporations for supporting the Palestinian civil society call for boycott, divestment and sanctions (BDS).  The Supreme Court has long held that boycotts and related activities to bring about political, social, and economic change are political speech, occupying “the highest rung of the hierarchy of First Amendment values.” As the Harvard Law Review recently concluded, “Supreme Court precedents make clear that attempts to disqualify contractors for support of BDS are foreclosed by the First Amendment.”  Even though this bill might be unconstitutional, we still need to organize to oppose it. This legislation is designed to further encourage a country-wide effort by the Israel lobby to try to suppress BDS activism at the state and local level.  Check out the RightToBoycott website we recently launched with member groups Palestine Legal and Jewish Voice for Peace. Find out if anti-BDS legislation has been introduced in your state and get the legal and organizing resources you need to mobilize to challenge it.  Contact your Member of Congress today!
    There are 89 co-sponsors in the House – so far including NONE from Mass;  28 co-sponsors in the Senate, including Sen. Markey, but not Sen. Warren.
     
     
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    OTHER EVENTS
     
    Thursday, June 23: HELEN CALDICOTT: Courting Armageddon, @ 7:00 pm, First Church in Cambridge, Congregational, UCC
    11 Garden St, Cambridge.  Massachusetts Peace Action is excited to announce that the Honorable Dr. Helen Caldicott will be speaking in our Distinguished Peacebuilders Series! Come hear her talk, Courting Armageddon. Helen Caldicott, a former pediatrician at Children’s Hospital Medical Center in Boston and instructor at Harvard Medical School, has devoted the last 42 years to an international campaign to educate the public about the medical hazards of the nuclear age and the necessary changes in human behavior to stop environmental destruction. Her most recent book is Crisis Without End: The Medical and Ecological Consequences of the Fukushima Nuclear Catastrophe. Benefits Massachusetts Peace Action Education Fund; part 3 of the spring Distinguished Peacebuilders Series. Register for $5 for students, $10 for Massachusetts Peace Action Members, and low income. Non-members, register for $20. To attend all 3 talks this spring, $25 for members and $50 for non-members. Members who would like to attend a talk and pay their yearly contribution may register for $50.
     
     
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    If you don’t want to keep receiving these emails, please reply to the address of the sender and you will be removed from the mailing list. Do not mark the mailing as “SPAM” as this will make it more difficult for those who want to receive it. Thanks.
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    CONTACTING DPP and Joining Our Work:
     
    To make it easier to get involved with DPP, we've decided to publish contact info for our coordinators in every issue of this update. We will also regularly publish upcoming meetings of work committees, create a brochure or flyer about DPP, and greet new people at monthly meetings with an explanation of how we work. Here's how to reach them.
     
    Facilitation Team:
    Sydney Miller       sydsail@gmail.com
    Alison Gottlieb:    asgottlieb1@gmail.com
    Rosemary Keane  rosemarykean@yahoo.com
     
     
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