*****In Search Of Lost Time… Then-With 1960s School Days In Mind

*****In Search Of Lost Time… Then-With 1960s School Days In Mind

 

From The Pen Of Bart Webber

Several years ago, maybe in 2007 or 2008 Sam Lowell, the locally well-known lawyer from the town of Carver about thirty miles south of Boston, wrote some small pieces about the old days in the town, the old days being for him the 1950s and 1960s, the time of the golden age of the automobile and relative abundance but also if mocking the ephemeral materialist nature of the times also the red scare Cold War night with its threats of some errant Russkie bomb landing of top of us. At that time the town was mainly a rural outpost, the usual Main Street and drive on through like many such places in outer America, where instead of the usual rural occupation of farming, truck or raising staple crops on fertile land,  the cranberry bogs, the marches and water pits, and boggers (as kids we called them “boogers” not knowing what the hell bogs were about although knew what nasty boogers were from the eternal kids picking their noses) held sway and dominated a fair part of town life, ran the town politics and determined the ethos, determined the ethos to the extent that was possible in post-World War II America where the older cultural norms were rapidly being replaced by a speedier and less homespun way of doing business.

In the teenage life line-up, the only one that was important in Sam’s world then, since he was not a low-life bogger and had no bogger roots he had gravitated to those whose families like his  that were connected with the shipbuilding industry about twenty miles up the road. So you would have seen Sam and his corner boys on any given Friday or Saturday night if not dated up holding up the wall in front of Jimmy Jack’s Diner over on Main Street daring, with the exception of Jack Callahan the great school football running back and fourth generation bogger who hung with them because he thought they were “cool,” any of the bogger clan to do anything but go in and order food or play the jukebox.

(Seemingly every boy in town from junior high on, if not before, had his corner boys for protection against a dangerous world outside the corner, or something like that if you asked them. If you wanted an explanation more than that of self-preservation professional sociologists and cracker barrel philosophers of the time spent endless hours of their time analyzing that angst-driven night and could give you their take on the phenomenon although as usual they were about twelve steps behind  the curve and by the time they had caught up these guys were shedding their angst and alienation for Zen rock and roll, drugs, Nirvana and the Kama Sutra not necessarily in that  order.)

Sam had seen that small town Americana all change over his long association with the town, including a few terms as a town selectman, although the boggers were still there, still moaning about their collective water tax bills, and still a force on the board but the drift over the decades was for the town to become a bedroom community for the sprawling high tech industry running the Interstate corridor about ten miles away. Sam though hung up with some old age nostalgia twist wrote about the old neighborhood now still intact as if time had passed that hell’s little acre by (the new developments were created on abandoned bog lands to the benefit mainly of Myles Larson, the largest bogger around), largely still composed of the small tumbledown small single family homes with a patch of green like that he grew up and came of age on “the wrong side of the tracks” (along with three brothers all close in age in a five room shack, Sam had never, except in front of his parents, ever called it anything but that). Sam sighed one time to his old friend from that very neighborhood Bart Webber after they had put the dust of the old town behind them for a while on the hitchhike road west that the “acres” of the world will always be with us. Markin, in his “newer world” turn the old world upside down phase did not want to hear that, blocked it out when Sam would bring the idea up on the road. That said a lot about Markin, and about Sam as well.   

Wrote too about the old (painful, the painful being that the school drew the more prosperous new arrivals staring to come into town leaving the boggers over at John Alden Junior High and subjecting him to lots of taunts about his brother hand-me-down clothes, silly saran wrapped-brown lunch bag bologna sandwich lunches with no dessert, no twinkles, cupcakes, Jello or anything at all fruit even, stuff like that) days when he attended the then newly built Myles Standish Junior High School (such places are now almost universally called middle schools) where he and his fellow class- mates were the first to go through starting in seventh grade. In that piece he mentioned that he was not adverse, hell, he depended on “cribbing” words, phrases and sentences from many sources.

One such “crib” was appropriating the title of a six-volume saga by the French writer Marcel Proust for one of those sketches, the title used here In Search of Lost Time as well. He noted that an alternative translation of that work was Remembrances of Things Past which he felt did not do justice to what he, Sam, was trying to get a across. Sam had no problem, no known problem anyway, with remembering things from the past but he thought the idea of a search, of an active scouring of what had gone on in his callow youth (his term) was more appropriate to what he was thinking and feeling.       

Prior to writing those pieces Sam had contacted through the marvels of modern technology, through the Internet, Google and Facebook a number of the surviving members of that Myles Standish Class of 1962 to get their take on what they remembered, what search that they might be interested in undertaking to “understand what the hell happened back then and why” (his expression, okay). He got a number of responses, the unusual stuff that people who have not seen each for a long time, since the old days as school and so are inclined to put up a “front.” To show that the trajectory toward state prison or whore-houses which Miss Winot or one of them had predicted was to be their fate had been put behind them long ago, so endlessly going on and on about beautiful houses in beautiful neighborhoods putting paid to the dust of the dingy old town, what they had done with their lives in resume form, endless prattle about grandchildren (Sam admitted to a certain inclination that way himself so he was more forgiving on that issue) and so forth who also once Sam brought the matter up wanted to think back to those days.

One of those classmates, Melinda Loring, whom Sam in high school although not in junior high had something of a “crush” on but so did a lot of other guys, after they had sent some e-mail traffic to each other, sent him via that same method (oh beautiful technology on some things) a copy of a booklet that had been put out by the Myles Standish school administrators in 1987 commemorating the 25^th anniversary of the opening of the school. Sam thoughtfully (his term) looked through the booklet and when he came upon the page shown above where an art class and a music class were pictured he discovered that one of the students in the art class photograph was of him.        

That set off a train of memories about how in those days, days by the way when the community freely offered every student a chance to take art in school and outside as well unlike today when he had been recently informed that due to school budget cuts art is no longer offered to each student in school but is tied to some cumbersome Saturday morning classes at the out-of-the-way community center, he was encouraged in his pursuit of artistic expression. In seventh grade after noticing some seascapes that he had done in a crude quasi-impressionist style like the French painter Monet whose work he had seen at the Museum of Fine Arts in Boston where he and his brother Kenny had done a whirlwind tour of the place in about two hours going there mainly to see the Egyptian exhibits but stopping at the French Impressionists for some kindred reason Mrs. Robert’s encouraged him to become an artist, thought he had some talent, enough to carry into an art school if he worked at it hard enough. Later at Carver High his junior and senior year art teacher Mr. Henry thought the same thing after he had done some less crude and less imitative semi-Impressionist-like rural scenes from the bogs around town and some quite good Abstract Expressionist work when he discovered the work of Jackson Pollock. He was prepared to recommend Sam to his alma mater, the Massachusetts School of Art in the Back Bay of Boston.

Art for Sam had always been a way for him to express what he could not put in words, could not easily put in words anyway and he was always crazy to go to the Museum of Fine Arts in Boston to see some artwork by real professionals, especially in high school the abstract expressionists that he was visually drawn to (and would leave after viewing such modern masterpieces feeling like he at best would always be an inspired amateur since he did not have the vision to break off from what he already had seen and imitated, at least that is what he thought then). Part of the appeal of art was the kind of bohemian lifestyle he imagined they led, having read a few things in the encyclopedia about various artists like Gauguin and Van Gogh and that enflamed a kid who was stuck in a three boys to one bedroom shack of a house down in the wrong side of the tracks and part was the idea of breaking out, breaking out from the traditional art that you would see on people’s walls, stuff used as decoration. His idea was to create something that someone would buy and not put on the walls for decoration by maybe highlight in a room of its own as the next new thing in art. Those were on his better days, days when he had not seen museum pieces for a while and began to believe once he had the basics down he could take off from what Picasso, Miro, Pollack, Rivers, Dove and the others were trying to do. Those were the days when he had painted a weird scene in watercolor, a medium always hard for him to work in, that was something like a breakaway from a Georgia O’Keefe Southwest mountain painting which Mr. Henry wanted him to enter into the Art for Art’s Sake competition the Boston Globe was sponsoring and he won third prize, his best effort ever.  

The big reason that Sam did not pursue that art career had a lot to do with coming up “from hunger,” coming up the hard way. When he broached the subject to his parents after he won the prize (and had already been accepted in a local college based on his high SAT score in History), mainly his mother, Delores, lowered the boom, vigorously emphasized the hard life of the average artist, and old chestnut about the million failed artists for every Picasso, and told him that a manly profession like a teacher was better for a boy who had come up from the dust of society. (“Manly” her term, although she did not mean the practice of law which he had not aspired to at the time except that his cranky old grandfather would keep bugging him to be a lawyer after he had recited the Gettysburg Address as part of a school ceremony honoring Abraham Lincoln on the centenary of that event, but like all second-generation Irish mothers in that town when they got their tongues wagging some nice white collar civil service job to support a nice wife, nice three children and a nice white picket fenced house outside the “acre,” such were motherly dreams).

Sam wondered about that long ago mother’s sensible remark after seeing the photograph, after seeing that twinkle in his eye as he was creating something with his hands, some painting because outside the brush he was not very mechanically-inclined. Wondered about the fact that after a lifetime of working the manly profession of the practice of the law all he could conclude was that there were a million good lawyers (and he included himself in that category without any undue modesty he thought) but far fewer good artists and maybe he could have at least had his fifteen minutes of fame in that field. He might not have caught he Pop Art/Op Art waves that were carrying art forward then but maybe being around such artists would have made him push his personal envelope. He resolved to search for some old artwork stored he did not know where, maybe still in the attic of the old family house which after his parents passed on his unmarried older brother, Seamus, took over, the only one who didn’t flee the place like it was the plague, to see if that path would have made sense.  

Sam had had to laugh after looking at the other photograph, the one of the music room, where he spotted his old friend Ralph Morse who went on in the 1960s to some small fame in the Greater Boston area as a member of the rock group The Rockin’ Ramrods. Actually a bit more than small fame since they had fronted for the Stones when they came to the Boston area a few years later and had had a couple of local hits that went number one on the WMEX hot rock charts. Many an after concert party in Boston or down at the Surf Ballroom in Hull where they were a fixture and were “discovered” by Alex Ginsberg from WMEX one night when he was there because his girlfriend had heard about the band from a woman she worked with and had bugged Alex to go hear them and he pushed them forward after that found Ralph and Sam drunk as skunks talking about the old days when rock and roll music was not even let into the Morse household (his parents were Evangelicals and hated “the devil’s music”). Hell barely tolerated in the pious Catholic Lowell household (a truce declared when Sam’s parents purchased a transistor radio for him one Christmas at the Radio Shack so they could not hear the music). Ralph had eventually once the Ramrods broke up as such bands do when there are personal differences or in Ralph’s case when he wanted to try his luck as solo lead singer headed west to seek his fame and fortune but kind of fell off the face of the earth in the early 1970s out in Oregon and nobody even with today’s technology, Internet/Facebook and whatever else could help track somebody down, somebody who was not hiding under the radar anyway, has been able to find out his whereabouts, if any.

That Ralph look too set off a train of memories about how in those days, days by the way when the community freely offered every student a chance to take music in school and outside as well like with art classes unlike today when he had been informed recently that due to school budget cuts music is no longer offered to each student but is also tied to some cumbersome Saturday morning classes at the out-of-the-way community center. However unlike with his art teachers Mr. Dasher the slap-dash music teacher often went out of his way to tell Sam to keep his voice down since it was gravelly, and off-key to boot.

At the time Sam did not think much about it, did not feel bad about having no musical sense. Later though once he heard folk music, the blues and some other roots music he felt bad that Mister Dasher had put a damper on his musical sensibilities. (Mister Dasher who had a band of his own, you know a swing band, playing stuff for people like his parents from the big band era, Benny Goodman, Count this, Duke that to supplement his meager teacher’s pay was something of a flashy dresser and was taunted by the kids in class, taunted by Sam right along with the others as Mister Dasher, the Nighttime Flasher. In that innocent age nobody thought anything of it except kids caught up in the nation-wide “rhyming simon” craze but today no question such a moniker would bring heaven’s own wrath down on his poor head, Jesus.) Not that he would have gone on to some career like Ralph, at least Ralph had his fifteen minutes of fame, got Mick and the boys autographs and had a few of their leftover party girls but he would have avoided that life-long habit of singing low, singing in the shower, singing up in the isolated third floor of his current home where no one, including his longtime companion, Laura Perkins a woman with a professional grade voice that would make the angels weep for their inadequacies, would hear him. The search for memory goes on….  

 

Video & News story of Zumwalt 'stealth' destroyer protest at BIW in Maine

To Global Network <globalnet@mindspring.com>  

Also see the Video at the link just below 
by Eric Herter (Brunswick, Maine)

 




12 arrested at stealth destroyer christening in 
Maine      https://www.youtube.com/watch?v=WkVXWYV4Elc





 














Police 
arrest 12 





The Times Record (Brunswick, 
Maine)




 PROTESTERS ARE ARRESTED before Saturday’s christening ceremony at 
Bath Iron Works. PHOTO VIA SPACE4PEACE.BLOGSPOT.COM 
BATH 

Twelve protesters were arrested Saturday outside Bath Iron Works before a 
ceremony began at the shipyard christening the Michael Monsoor, a guided missile 
destroyer.

Bath police say that 12 people were taken into custody at approximately 9:30 
a.m. and charged with obstructing a public way, a Class E crime. 

Those arrested were part of a group engaged in an organized protest on the 
corner of Washington and Spring streets. The protesters were from the Maine 
Veterans for Peace and the Global Network Against Weapon and Nuclear Power in 
Space. They were protesting the christening of the warship at BIW. 

According to a Bath Police Department press release, “During the organized 
protest, the group went onto Washington Street and blocked pedestrian and 
vehicular traffic in front of BIW’s South Gate. The protesters were given a 
lawful order to leave the roadway but they remained. They were told that if they 
remained they would be arrested. The group sat down in the roadway and remained 
there until they were taken into custody one at a time by Bath police officers 
as well as Sagadahoc County Sheriff ’s deputies."

The dozen were transported to Bath Police Department, booked and released on 
personal recognizance bail. They were issued an Aug. 2 West Bath District Court 
date where they are scheduled to appear at 1 p.m.

The individuals were cooperative during booking, according to police.

Arrested were: Richard Lethem, 83, of Bath; Dudley Hendrick, 74, of Deer 
Isle; Bruce Gagnon, 64, of Bath; Russell Wray, 61, of Hancock; Tarak Kauff, 74, 
of Woodstock, New York; Joan Peck, 69, of Brunswick; George Ostensen, 61, of 
Hope; Jason Rawn, 42, of Lincolnville; Cynthia Howard, 69, of Biddeford; 
Constance Jenkins, 68, of Orono; John Morris, 79, of New Glaucester, and John 
Peck, 75, of Brunswick.







Photos of the protest and arrests are posted on a blog 
(space4peace.blogspot.com) by Bruce Gagnon of Global Network Against Weapon and 
Nuclear Power in Space.

“Zumwalt-12 after being released by police in Bath, Maine today,” one photo 
caption states. “Arrested for blocking the road in front of Bath Iron Works 
‘christening’ of the new $4 billion Zumwalt ‘stealth’ destroyer.”

It further states, “We told the media that we wanted to ‘interrupt the 
celebration of endless war and corporate profit’ going on inside the event. All 
the Maine big wig elected officials were there — Republican and Democrat alike — 
all on their knees begging for more $$$$ to build more damn warships while the 
rest of the nation is put on life support.

“We continue to call for the conversion of BIW to build rail, solar, wind and 
tidal power systems so the future generations can have a life,” the blog 
continues. “We need more help projecting this demand into the public 
consciousness.” 




Global 
Network Against Weapons & Nuclear Power in Space
PO Box 652
Brunswick, 
ME 04011
(207) 443-9502
http://www.space4peace.org  
http://space4peace.blogspot.com  
(blog)

Thank God men cannot fly, and lay waste the sky as well as the 
earth. - Henry David 
Thoreau

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Eric McDavid

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners Former And Present! -Eric McDavid

 

http://www.thejerichomovement.com/prisoners.html

 

A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month

Markin comment (reposted from 2010)

In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!

A View From The Left-Socialism Versus Capitalism-The Big Face Off

A View From The Left-Socialism Versus Capitalism-The Big Face Off

 

 

 

 

 

Poet' s Corner- Bertolt Brecht's "United Front Song"

Markin comment:



This one must have been written during the Communist International's (CI) "third period" (after the CI Sixth World Congress, 1928). Definitely not after the "popular front" period (after the CI Seventh World Congress, 1935). Whenever it was written the sentiment is right. We, desperately, need a workers united front, an international workers united front. And pronto.





United Front Song


And because a man is human
He'll want to eat, and thanks a lot
But talk can't take the place of meat
or fill an empty pot.

So left, two, three!
So left, two, three!
Comrade, there's a place for you.
Take your stand in the workers united front
For you are a worker too.

And because a man is human
he won't care for a kick in the face.
He doesn't want slaves under him
Or above him a ruling class.

So left, two, three!
So left, two, three!
Comrade, there's a place for you.
Take your stand in the workers united front
For you are a worker too.

And because a worker's a worker
No one else will bring him liberty.
It's nobody's work but the worker' own
To set the worker free.

So left, two, three!
So left, two, three!
Comrade, there's a place for you.
Take your stand in the workers united front
For you are a worker too.

Out Of The Be-Bop Film Noir Night- The Crime Noir “The Kiss of Death”-

Out Of The Be-Bop Film Noir Night- The Crime Noir “The Kiss of Death”-

 

http://en.wikipedia.org/wiki/Kiss_of_Death_(1947_film)

 

A Wikipedia entry for the film noir classic, Kiss of Death.



DVD Review

Kiss of Death, Victor Mature, Coleen Gray, Richard Widmark, directed by Henry Hathaway, 20th Century Fox, 1947

Sure I am an aficionado of film noir, especially those 1940s detective epics like the film adaptations of Dashiell Hammett’s Sam Spade in The Maltese Falcon and Raymond Chandler’s Phillip Marlowe in The Big Sleep. Nothing like that gritty black and white film, ominous musical background and shadowy moments to stir the imagination. Others in the genre like Gilda, The Lady From Shang-hai, and Out Of The Past rate a nod because, in addition to those attributes mentioned above, they have classic femme fatales to add a little off-hand spice to the plot line, and, oh yah, they look nice too. Beyond those classics this period (say, roughly from the mid-1940s to mid-1950s) produced many black and white film noir set pieces, some good, some not so good. For plot line, and plot interest, the film under review, Kiss of Death, is under that latter category.

 

But hold on though. Although the plot line is thin, mainly about a middle level career con gone wrong once again who, to save his kids from a fatherless and motherless future (mother having committed suicide), decides to play ball with the law. Thus, chump Nick Bianco (played pretty well by Victor Mature, given what he had to work with) turned stoolie, rat, fink, turncoat and the other ten thousand names for such a wrong gee and the rest of the plot hangs on that idea. Say idea being that it is not good business (and for all I know, maybe, unethical, unethical in the criminal code of conduct, although my own very small youthful experience is that it is "every man for himself") to turn stoolie, especially if the price of “freedom” is to tangle, tango, or whatever with one Tommy Udo. No way, no how, not for anything.

 

And that is what saves this thing as a crime noir classic, the performance of Richard Widmark as psycho-killer for hire Tommy Udo. Everything about him from minute one says wrong gee, don’t mess. I knew such hard boys, maybe not as hard as Tommy but as a pale reflection corner boy who watched as “Red” Riley chain-whipped a guy near to death just for passing by his corner where he was not welcome in my growing up working class neighborhood I knew, second hand at least, their “style.” Although, needless to say, Nick will mess (Tommy has threatened his kids and his new honey after all) just like eventually the serious outlaw motorcycle boy Pretty James Preston (Vincent Black Lightning no less from Britain no less not some Harley hog or Indian chopper) put even Red Riley out of commission when he just looked, looked longingly, maybe just a second too long at his sweet long-legged red-haired baby, Mimi Murphy.

 

Yes, although I was only a babe then I will give a retroactive vote to Richard Widmark for that 1947 Oscar he won for best supporting actor. There have been a lot of scary psycho-killers that have come down the pike since then but I would not, and would not advise others, to tangle with this guy. Or Pretty James Preston, who eventually got waylaid by the coppers trying to pull a bank heist single-handedly, if you see his ghost around.  And you would too. Kudos.

 

In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Jeremy Hammond

In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Jeremy Hammond -Free All The Whistle-Blowers  





 

http://www.thejerichomovement.com/prisoners.html

 

A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month

Markin comment (reposted from 2010)

In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!

HAMMOND, JEREMY

 

 

Anarchist-computer hacker POLITICAL PRISONER

*****Smokestack Lightning, Indeed- With Bluesman Howlin’ Wolf In Mind

*****Smokestack Lightning, Indeed- With Bluesman Howlin’ Wolf In Mind

 

Sometimes a picture really can be worth a thousand words, a thousand words and more as in the case Howlin’ Wolf doing his Midnight creep in the photograph above taken from an album of his work but nowadays with the advances in computer technology and someone’s desire to share also to be seen on sites such as YouTube where you can get a real flavor of what that mad man was about when he got his blues wanting habits on. In fact I am a little hesitate to use a bunch of words describing Howlin’ Wolf in high gear since maybe I would leave out that drop of perspiration dripping from his overworked forehead and that salted drop might be the very thing that drove him that night or describing his oneness with his harmonica because that might cause some karmic funk. So, no, I am not really going to go on and on about his midnight creep but when the big man got into high gear, when he went to a place where he sweating profusely, a little ragged in voice and eyes all shot to hell he roared for his version of the high white note. Funny, a lot of people, myself for a while included, used to think that the high white note business was strictly a jazz thing, maybe somebody like the “Prez” Lester Young or Duke’s Johnny Hodges after hours, after the paying customers had had their fill, or what they thought was all those men had in them, shutting the doors tight, putting up the tables leaving the chairs for whoever came by around dawn, grabbing a few guys from around the town as they finished their gigs and make the search, make a serious bid to blow the world to kingdom come.

Some nights they were on fire as they blew that big high white note out in to some heavy air and who knows where it landed, most nights though it was just “nice try.” One night I was out in Frisco when “Saps” McCoy blew a big sexy sax right out the door of Chez Benny’s over in North Beach when North Beach was just turning away from be-bop “beat” and that high white note, I swear, blew out into the bay and who knows maybe all the way to the Japan seas. Well see we were all a little high so I don’t know about that Japan seas stuff but I sure know that brother blew that high white one somewhere out the door.  But see if I had, or anybody had, thought about it for a minute jazz and the blues are cousins, cousins no question so of course Howlin’ Wolf blew out that high white note more than once, plenty including a couple of shows I caught him at later when he was not in his prime.         

The photograph (and now video) that I was thinking of is one where he is practically eating the harmonica as he performs How Many More Years (and now like I say thanks to some thoughtful archivist you can go on to YouTube and see him doing his devouring act in real time and in motion, wow, and also berating “father” preacher/sinner man Son House for showing up drunk. Yes, the Wolf could blast out the blues and on this one you get a real appreciation for how serious he was as a performer and as blues representative of the highest order.

Howlin’ Wolf like his near contemporary and rival Muddy Waters, like a whole generation of black bluesmen who learned their trade at the feet of old-time country blues masters like Charley Patton, the aforementioned Son House who had had his own personal fight with the devil, Robert Johnson who allegedly sold his soul to the devil out on Highway 61 so he could get his own version of that high white note, and the like down in Mississippi or other southern places in the first half of the twentieth century. They as part and parcel of that great black migration (even as exceptional musicians they would do stints in the sweated Northern factories before hitting Maxwell Street) took the road north, or rather the river north, an amazing number from the Delta and an even more amazing number from around Clarksville in Mississippi right by that Highway 61 and headed first maybe to Memphis and then on to sweet home Chicago.  

They went where the jobs were, went where the ugliness of Mister James Crow telling them to sit here not there, to walk here but not there, to drink the water here not there, don’t look at our women under any conditions and on and on did not haunt their every move (although they would find not racial Garden of Eden in the North, last hired, first fired, squeezed in cold water flats too many to a room, harassed, but they at least has some breathing space, some room to create a little something they could call their own and not Mister’s), went where the big black migration was heading after World War I. Went also to explore a new way of presenting the blues to an urban audience in need of a faster beat, in need of getting away from the Saturday juke joint acoustic country sound with some old timey guys ripping up three chord ditties to go with that jug of Jack Flash’s homemade corn liquor (or so he, Jack Flash called it).

 

So they, guys like Howlin’ Wolf, Muddy Waters, Magic Slim, Johnny Shines, and James Cotton prospered by doing what Elvis did for rock and rock and Bob Dylan did for folk and pulled the hammer down on the old electric guitar and made big, big sounds that reached all the way back of the room in the Red Hat and Tip Top clubs lining the black streets of blustered America and made the max daddies and max mamas jump, make some moves. And here is where all kinds of thing got intersected, as part of all the trends in post-World War II music up to the 1960s anyway from R&B, rock and roll, electric blues and folk the edges of the music hit all the way to then small white audiences too and they howled for the blues, which spoke to some sense of their own alienation. Hell, the Beatles and more particularly the Stones lived to hear Muddy and the Wolf. The Stones even went to Mecca, to Chess Records to be at one with Muddy. And they also took lessons from Howlin’ Wolf himself on the right way to play Little Red Rooster which they had covered and made famous in the early 1960s (or infamous depending on your point of view since many radio stations including some Boston stations had banned it from the air originally).Yes, Howlin’ Wolf and that big bad harmonica and that big bad voice that howled in the night did that for a new generation, did pretty good, right.  

 

*****The Struggle Continues ….We Will Not Leave Our Sister Behind-A Personal Letter From The Pen Of Chelsea Manning From Fort Leavenworth

 

*****President Obama Pardon Chelsea Manning Now!-The Struggle Continues ….We Will Not Leave Our Sister Behind-A Personal Letter From The Pen Of Chelsea Manning From Fort Leavenworth 

  

 

A while back, maybe a year or so ago, I was asked by a fellow member of Veterans For Peace at a monthly meeting in Cambridge about the status of the case of Chelsea Manning since he knew that I had been seriously involved with publicizing her case and he had not heard much about the case since she had been convicted in August 2013 (on some twenty counts including several Espionage Act counts, the Act itself, as it relates to Chelsea and its constitutionality will be the basis for one of her issues on appeal) and sentenced by Judge Lind to thirty-five years imprisonment to be served at Fort Leavenworth in Kansas. (She had already been held for three years before trial, the subject of another appeals issue and as of May 2015 had served five years altogether thus far and will be formally eligible for parole in the not too distant future although usually the first parole decision is negative).

That had also been the time immediately after the sentencing when Private Manning announced to the world her sexual identity and turned from Bradley to Chelsea. The question of her sexual identity was a situation than some of us already had known about while respecting Private Manning’s, Chelsea’s, and those of her ardent supporters at Courage to Resist and elsewhere the subject of her sexual identity was kept in the background so the reasons she was being tried would not be muddled and for which she was savagely fighting in her defense would not be warped by the mainstream media into some kind of identity politics circus.

I had responded to my fellow member that, as usual in such super-charged cases involving political prisoners, and there is no question that Private Manning is one despite the fact that every United States Attorney-General including the one in charge during her trial claims that there are no such prisoners in American jails only law-breakers, once the media glare of the trial and sentencing is over the case usually falls by the wayside into the media vacuum while the appellate process proceed on over the next several years.

At that point I informed him of the details that I did know. Chelsea immediately after sentencing had been put in the normal isolation before being put in with the general population at Fort Leavenworth. She seemed to be adjusting according to her trial defense lawyer to the pall of prison life as best she could. Later she had gone to a Kansas civil court to have her name changed from Bradley to Chelsea Elizabeth which the judge granted although the Army for a period insisted that mail be sent to her under her former male Bradley name. Her request for hormone therapies to help reflect her sexual identity had either been denied or the process stonewalled despite the Army’s own medical and psychiatric personnel stating in court that she was entitled to such measures.

At the beginning of 2014 the Commanding General of the Military District of Washington, General Buchanan, who had the authority to grant clemency on the sentence part of the case, despite the unusual severity of the sentence, had denied Chelsea any relief from the onerous sentence imposed by Judge Lind.

Locally on Veterans Day 2013, the first such event after her sentencing we had honored Chelsea at the annual VFP Armistice Day program and in December 2013 held a stand-out celebrating Chelsea’s birthday (as we did in December 2014 and will do again this December of 2015).  Most important of the information I gave my fellow VFPer was that Chelsea’s case going forward to the Army appellate process was being handled by nationally renowned lawyer Nancy Hollander and her associate Vincent Ward. Thus the case was in the long drawn out legal phase that does not generally get much coverage except by those interested in the case like well-known Vietnam era Pentagon Papers whistle-blower Daniel Ellsberg, various progressive groups which either nominated or rewarded her with their prizes, and the organization that has steadfastly continued to handle her case’s publicity and raising financial aid for her appeal, Courage to Resist (an organization dedicated to publicizing the cases of other military resisters as well).    

At our February 2015 monthly meeting that same VFPer asked me if it was true that as he had heard the Army, or the Department of Defense, had ordered Chelsea’s hormone therapy treatments to begin. I informed him after a long battle, including an ACLU suit ordering such relief, that information was true and she had started her treatments a month previously. I also informed him that the Army had thus far refused her request to have an appropriate length woman’s hair-do. On the legal front the case was still being reviewed for issues to be presented which could overturn the lower court decision in the Army Court Of Criminal Appeals by the lawyers and the actual writing of the appeal was upcoming. A seemingly small but very important victory on that front was that after the seemingly inevitable stonewalling on every issue the Army had agreed to use feminine or neutral pronoun in any documentation concerning Private Manning’s case. The lawyers had in June 2014 also been successful in avoiding the attempt by the Department of Defense to place Chelsea in a civil facility as they tried to foist their “problem” elsewhere. 

On the political front Chelsea continued to receive awards, and after a fierce battle in 2013 was finally in 2014 made an honorary grand marshal of the very important GLBTQ Pride Parade in San Francisco (and had a contingent supporting her freedom again in the 2015 parade). Recently she has been given status as a contributor to the Guardian newspaper, a newspaper that was central to the fight by fellow whistle-blower Edward Snowden, where her first contribution was a very appropriate piece on what the fate of the notorious CIA torturers should be, having herself faced such torture down in Quantico adding to the poignancy of that suggestion. More recently she has written articles about the dire situation in the Middle East and the American government’s inability to learn any lessons from history and a call on the military to stop the practice of denying transgender people the right to serve. (Not everybody agrees with her positon in the transgender community or the VFP but she is out there in front with it.) 
 

[Maybe most important of all in this social networking, social media, texting world of the young (mostly) Chelsea has a twitter account- @xychelsea ]  

Locally over the past two year we have marched for Chelsea in the Boston Pride Parade, commemorated her fourth year in prison last May [2014] and the fifth this year with a vigil, honored her again on Armistice Day 2014, celebrated her 27^th birthday in December with a rally (and did again this year on her 28^th birthday).

More recently big campaigns by Courage To Resist and the Press Freedom Foundation have almost raised the $200, 000 needed (maybe more by now) to give her legal team adequate resources during her appeals process (first step, after looking over the one hundred plus volumes of her pre-trial and trial hearings, the Army Court Of Criminal Appeal)

Recently although in this case more ominously and more threateningly Chelsea has been charged and convicted of several prison infractions (among them having a copy of the now famous Vanity Fair with Caitlyn, formerly Bruce, Jenner’s photograph on the cover) which could affect her parole status and other considerations going forward.     

We have continued to urge one and all to sign the on-line Amnesty International petition asking President Obama to grant an immediate pardon as well as asking that those with the means sent financial contributions to Courage To Resist to help with her legal expenses.

After I got home that night of the meeting I began thinking that a lot has happened over the past couple of years in the Chelsea Manning case and that I should made what I know more generally available to more than my local VFPers. I do so here, and gladly. Just one more example of our fervent belief that as we have said all along in Veterans for Peace and elsewhere- we will not leave our sister behind… More later.              

The Con Is On-In Honor Of Verbal Kint

The Con Is On-In Honor Of Verbal Kint

 

By Sam Lowell   

 

One night in Jack’s, the much frequented bar by Zack James’ old 1960s corner boys in Adamsville, he was telling a few of the guys, Jack Callahan, Jimmy Jenkins, Bart Webber, Frank Jackman maybe Kenny Jackson who stepped in for a moment, about a film that he had recently seen, a film that kind of made Kevin Spacey as an actor, titled The Usual Suspects (a title taken, consciously taken, from a line uttered by Claude Rains’ Vichy French gendarme character in the film classic Casablanca). The reason Zack was so hopped up on the film was that it featured Spacey as a very crafty con man. When they all heard that expression, that con man, the assembled crowd lifted their heads in unison. Even some thirty years later, thirty years from the time when they hung around Salducci’s Pizza Parlor and plotted their own cons, they responded that way to a type of criminal mind that they could still relate to even though any such criminal action on their own parts had been given up by the time they graduated from high school as being too hard to keep up once they had opportunities to escape that narrow corner boy con artist world. It was either Jack or Bart who chimed up and asked Zack to give them the “skinny” on the film, see what they had “missed” by not turning pro. See whether they would have worshipped the Kevin Spacey character Verbal Kint like a living god the way that they did the king hell king of the 1960s Adamsville night, Pretty James Preston.       

Zack agreed to tell the tale at least in outline although he was not sure that Pretty James Preston was in the same league as Verbal Kint, or would have been if he had decided to stick with con artistry rather than move on to more sullen criminal activity, move on to armed a robberies (and taking virtue from impressible young girls, a subject that was still on his mind whenever he thought about Pretty, especially after Pretty  had taken his girl Mimi Murphy away, away to who knows where after he fell down). The way that this Verbal Kint set up his game was to act like a small time con man, you know, taking old ladies for their insurance money, bait and switch stuff, flimflam stuff. Added in to those small time clips was to act the fool, ac the king’s court jester, act stupid and best of all put on the old “crip,” act, you know act all handicapped, disabled, or whatever they call a guy who looks like he would need help just to cross the street, that con men have been doing since Hector was a pup to get others to blow them off as so much wind.

In any case Verbal puts this little scam together, gave the cops anonymous information so that four other big time con men with specialized skills including the ability to work with heavy guns and other weapons, wound up in the same New York City police line-up with him. The key guy, the legendary Dean Keaton, who had been accused of half the big time hustles on the East Coast, was the guy Verbal hooked into leading the expedition. Hooked into the deal since Dean had declared himself out, said he was nothing but a straight and narrow dude. After a little work by Verbal, very little because no con man ever retires as long as he draws breathe, on Dean’s ego he fell, fell in as leader since the others were strictly guys who work aspects of a con, work as hired help, when it gets big, too big for them to plan in their simple blam, blam ways.              

So Dean pulled the guys through a couple of capers, soft and easy money like falling rain, got them so they didn’t mind working with each other, getting them to trust each other as much as one thief can trust another which is none too far. Then Verbal sprung his trap. Brought in this guy, a mouth-piece for a Mister Big to tell them if they knew what was good for them they would do Mister Big’s bidding. (That Mister Big had a name which they all recognized, recognized as somebody not to cross, not to say no to if he wanted you for a caper, but Zack didn’t feel the need to say the name since all the guys knew every real caper had some real banker/backer and so the actual name was not important, just the fear he could put on if you didn’t co-operate like with Pretty James Preston when he got his “wanting habits” on as Zack used to call  it when Pretty needed dough for some frail or his bike, man, his bad-ass bike) They collectively balked for a minute but once the mouth-piece laid out the plan, or rather the dough involved, a dope deal of course with the numbers his was putting out, and the consequences for them and their loved ones if they didn’t they came on board.

The caper involved an exchange of dough for a boatload of dope with a group of bad guys from Europe and Latin America. The thing went awry as Verbal had planned from the beginning with nothing but gun fire and explosions, all boom, boom around with only Verbal and some other guy surviving. Verbal surviving with all the dough when the deal went down.

Here is the beauty of the caper though, the getting away with it part that always is the tip-off of whether a con works, or some guy named Verbal Kint  did a ton of time and they throw away the key for good measure. Naturally the feds, FBI, Customs, once the boom, boom came into play wanted to find out what the hell happened so they interrogated Verbal mercilessly. The FBI offered immunity for Verbal’s story seeing him as the day labor not the boss whom they assumed was Dean Keaton. So Verbal gave them what they wanted, a beautiful story line made out of pure cloth about the whole thing being set-up by a unknown Mister Big under penalty of personal destruction for not co-operating. And the best part as he spinned his tale Verbal giving them Dean Keaton as the Mister Big. And so Verbal walked, walked away from his cripple act too. See old Verbal was really Mister Big if anybody was asking. The Feds had egg all over their faces. Good. As Zack said that the guys ate it up. Jack, who was still hustling Toyotas as Mister Toyota of Eastern Massachusetts and so not so far from his youthful cons as he might have thought but who had a good sense of who had the goods and who didn’t when they were kids said right out of the blue that old Verbal would have had Pretty James for lunch and had time for a nap.         

All the time Zack though was relating the story line he was thinking about damn Pretty James and his antics. Not his antics which every guy who hung around Salducci’s (and before that Doc’s Drugstore over on Newbury Street when they were in elementary school and Harry’s Variety Store in junior high school to show the corner boy progression as each grouping came of age) came to admire and wonder at (except when they had been the “victim” of Pretty’s’ con, or had been the fall guys when some scam didn’t work and they had been out some dough that he had inveigled them into “lending” him) but those that cut him personally to the quick. The times when he was a kid and Pretty made a sap out of him more than once but more importantly, more leaving him feeling like Pretty should burn in the gates of hell for what he did to, and with, Mimi Murphy as much as he admired him as a kid.       

Sure the sap stuff was kids’ stuff, you know grabbling Zack’s milk money along with the others in order to buy something, maybe rings, and then selling them to the kids, including Zack at a jacked up price although much less than what they would cost at the jewelry store. What nobody knew, nobody but Zack after he figured it out was that Pretty was grabbing the milk money for “walking around” money and doing the “five-finger” discount, “clipping” the rings. (That “Pretty” moniker had been hung on him in elementary school from a remark a teacher had made about him being too pretty, and he was, to be a bad boy, little did she know. He would only answer then to Pretty James Preston or somebody would get a fistful of knuckles as Jimmy Jenkins found out soon enough but later he would answer to just Pretty, especially when the girls called him that.). Or the time in junior high when he started raffles in school with kids’ grabbing tickets left and right to win television sets, radios, recorder players. And then holding the drawings with a rigged tumbler with fake name winners. Pretty just kept the dough because there were no winners, no merchandise either. He had made up all the names in the tumbler and thrown away all the other names. Beautiful.

 

Here is the real beauty of Pretty though on as he refined that basic scam- when he was running a classic pyramid scheme, a Pozzi deal really. He would sell the tickets say for a dollar a piece, collect maybe fifty or hundred bucks and the hold a “drawing.” There would be one prize some beat Radio Shack transistor radio maybe worth ten bucks and that was that. Of course junior high kids didn’t know how much the damn thing cost could care less, cared only that they had not won. Next day, hell, the very next morning before school Pretty had new tickets ready for the suckers. This drawing though got him a couple of hundred bucks and he distributed a couple of radios and a television. See he had worked a deal with some of the older guys who were hanging around Salducci’s Pizza Parlor before they graduated to something else and were doing the midnight creep around town, the midnight creep being B&E in the nighttime to certain houses which had televisions or warehouses with the same. The deal was they would sell him the merchandise whatever it was and he would cut them into a share of the profits from the raffles. That racket got Pretty most of the way to sixteen, got him plenty of admiration once he took us under his wing and let others be the “suckers” grabbling cheapjack stuff from his raffles.              

That sixteen was important because something turned in Pretty, not the con part, no way, he lived for the con, but his whole attitude toward society changed quite a bit from basically seeing the whole world as fair game for his various basically harmless if morally dubious grifts fits to “carrying a chip on his shoulder.” Started see the whole world as his to exploit whatever way he wanted. His scams got more ingenious but also more perverse. Moreover at sixteen he got his big ass motorcycle which he got by some fucked up scheme. Somehow he thought that bike, and it was a great big monster, a British bike not a Harley pig bike make him king of the world. Made him fast, which it did. That sixteen was the year he did his first robbery, armed robbery to boot, nothing big just a local gas station where he scared the gas jockey so much that when it came time for him to identify Pretty he suddenly got amnesia, couldn’t remember what the guy looked like. And Pretty did not wear a mask, and the jockey knew exactly who Pretty was since he would fill up the bike’s tank there all the time. Pretty became an urban legend off of that one.        

That sixteen though was the time that Pretty started treating his corner boys like shit though. That would have been okay probably but it still stuck in Zack’s gut after all the years Pretty had been dead and Mimi had been missing that Pretty had taken Mimi away from Zack right in front of his eyes. Zack had been cultivating his relationship with the pretty, nicely-shaped, red-headed Mimi, known around as one of those Irish Catholic girls in the neighborhood who had the rosary in her hand and a Bible between her knees and so Zack had played it slow and by the book unlike with other girls who he tried to fuck the first night, the first date or the second. Yeah he had it bad for her. One summer afternoon between sophomore and junior year Zack and Mimi had been walking along Adamsville Beach when a big boom motorcycle came up behind them and Zack knew it could only be Pretty whom he had not seen in a while since he had dropped out of school in the spring saying to everybody that he didn’t need any more school education since he knew how he was going to make his bones. That was just after the famous armed robbery at the local gas station. Pretty didn’t say one blessed word to Zack or Mimi but just nodded toward Mimi to get on the back of his bike. And just like that she did. That night from the scuttlebutt in the girls’ lav at school according to Zack’s sister who had been friendly with Mimi she let Pretty have his way with her.

For a while, a couple of years, he would see Mimi and Pretty usually on the back of one of Pretty’s bikes (one of them after a while including a big old Vincent Black Lightening another British bike that was supposed to be super-fast) and then he didn’t see or heard anything for a while until the time of the great Riverdale National Bank robbery, or rather attempted robbery, where Pretty was gunned down by a fleet of Riverdale coppers after being winged by some bank security guard who must have thought that the money was his own that was being stolen. The newspaper said witnesses had seen a pretty red-head across the street from the bank who looked frightened at what had happened. She had fled, Mimi had fled and while Zack had heard a rumor that she was for a time up in Portland working as a model or in some whorehouse, or doing something around there he never tried to find out and she never came back to Adamsville even for her parents’ funerals. Zack had to chuckle, a bitter chuckle, as he thought about what Jack had said about how even now old Verbal would have had Pretty for lunch and had time for a nap. Little good that knowledge would ever do Zack though.       

Scenes In Search Of The Blue-Pink Great American West Night-Scene Two: Hayes-Bickford Breakout -October 1962

Scene Two: Hayes-Bickford Breakout -October 1962



Here I am again sitting, 3 o’clock in the morning sitting, bleary-eyed, slightly distracted after mulling over the back and forth of the twelve hundredth run-in (nice way to put it, right?) with Ma that has driven me out into this chilly October 1962 early morning. And where do I find myself sitting at this time of morning? Tired, but excitedly expectant, on an uncomfortable, unpadded bench seat on this rolling old clickity-clack monster of a Red Line subway car as it now waggles its way out past Kendall Station on its way to Central Square and then to the end of the line, Harvard Square. My hangout, my muse home, my night home, at least my weekend night home, my place to make sense of the world in a world that doesn’t make much sense, at least not enough much sense. Sanctuary, Harvard Square Hayes-Bickford sanctuary, misbegotten teenage boy sanctuary, recognized by international law, recognized by canon law, or not.



That beef with Ma, that really unnumbered beef, forget about the 1200 I said before, that was just a guess, has driven me to take an “all-nighter” trip away from the travails of the old home town, North Adamsville, across Boston to the never-closed Hayes-Bickford cafeteria that beckons just as you get up the stairs from the Harvard subway tunnel. Damn, let me just get this off my chest and then I can tell the rest of the story. Ma said X, I pleaded for Y (hell this homestead civil war lent itself righteously to a nice algebraic formulation. You can use it too, no charge). Unbeknownst to me Y did not exist in Ma’s universe. Ever. Sound familiar? Sure, but I had to get it off my chest.



After putting on my uniform, my Harvard Square “cool” uniform: over-sized flannel brownish plaid shirt, belt-less black cuff-less chino pants, black Chuck Taylor logo-ed Converse sneakers, a now ratty old windbreaker won in a Fourth of July distance race a few years back when I really was nothing but a wet-behind-the ears kid to ward off the chill, and, and the absolutely required midnight sunglasses to hide those bleary eyes from a peeking world I was ready to go. To face the unlighted night, and fight against the dawn’s rising for another day. Oh ya, I forgot, I had to sneak out of the house stealthily, run like some crazed broken-field football player down the back of the property, and, after catching my breathe, walk a couple of miles over bridge and nasty, hostile (hostile if anyone was out, and anyone was sniping for a misbegotten teenage boy, for any purpose good or evil) Dorchester streets to get to the Fields Corner subway stop. The local Eastern Mass. bus had stopped its always erratic service hours ago, and, any way, I usually would rather walk than wait, wait my youth away, for those buses to amble along our way with their byzantine schedules.



Right now though I am thinking, as those subway car wheels rattle beneath my feet, who knows, really, how or why it starts, that wanderlust start, that strange feeling in the pit of your stomach that you have to move on, or out, or up or you will explode, except you also know, or you damn well come to know that it eats away at a man, or a woman for that matter, in different ways. Maybe way back, way back in the cradle it was that first sense that there was more to the world that the four corners of that baby world existence and that if you could just, could just get over that little, little side board there might be something better, much better over the horizon. But, frankly that just seems like too much of a literary stretch even for me, moody teenage boy that I am, to swallow so let’s just say that it started once I knew that the ocean was a way to get away, if you needed to get away. But see I didn’t figure than one out for myself even, old Kenny from the old neighborhood in third grade is the one who got me hip to that, and then Johnny James and his brother filled in the rest of the blanks and so then I was sea-worthy, dream sea-worthy anyway.



But, honestly, that sea dream stuff can only be music for the future because right now I am stuck, although I do not always feel stuck about it, trying to figure my way out of high school world, or at least figure out the raging things that I want to do after high school that fill up my daydream time (study hall time, if you really want to know). Of course, as well, that part about the ocean just mentioned, well there was a literal part to the proposition since ocean-at-my-back (sometimes right at my back) New England homestead meant unless I wanted to take an ill-advised turn at piracy or high-seas hijacking or some such thing east that meant I had to head west. Right now west though is Harvard Square, its doings and not doings, it trumpet call to words, and sounds, and actions in the October Friday night all-night storm brewing.



The train now rounds the squeaky-sounding bend out of Central Square and stops at the station. So now I leave my pensive seat and stand waiting, waiting for the driver to release the pressure to let the sliding train door open, getting ready to jump off the old subway, two-steps-at-a-time my way up the two flights of stairs and head for mecca to see if things jump for me tonight. The doors open at last. Up the two-stepped stairs I go, get to the surface and confront the old double-glassed Hayes door entrance and survey the vast table-filled room that at this hour has a few night owl stranglers spotted throughout the place.



You know the old Hayes-Bickford, or one of them, if you live in Boston, or New York City, or a few other places on the East Coast, don’t you? Put your tray on the metal slider (hey, I don’t know what you call that slider thing, okay) and cruise down the line from item to item behind the glass-enclosed bins of, mostly, steamy food, if you are looking for fast service, for a quick between doing things, pressing things, meal. Steamed and breaded everything from breakfast to lunch to dinner anytime topped off by dishwater quality coffee (refills on demand, if you feel lucky). But this is not the place to bring your date, certainly not your first date, except maybe for a quick cup of that coffee before going to some event, or home. What this is, really, is a place where you can hang out, and hang out with comfort, because nobody, nobody at all, is going to ask you to leave, at least if you act half-way human. And that is what this place is really about, the humans in all their human conditions doing human things, alien to you or not, that you see floating by you, as you take a seat at one of the one-size-fits all wooden tables with those red vinyl seat-covered chairs replete with paper place settings, a few off-hand eating utensils and the usual obligatory array of condiments to help get down the food and drink offered here.



Let me describe who is here at this hour on an early Saturday morning in October 1962. I will not vouch for other times, or other days, but I know Friday and Saturday nights a little so I can say something about them. Of course there is the last drink at the last open barroom crowd, said bar already well-closed in bluelaw Massachusetts, trying to get sober enough by eating a little food to traverse the road home. Good luck. Needless to say eating food in an all-night cafeteria, any all-night cafeteria, means only one thing-the person is so caught up in a booze frenzy that he (mainly) or she (very occasionally) is desperate for anything to hang the name food on to. Frankly, except for the obligatory hard-dollar coffee-steamed to its essence, then through some mystical alchemic process re-beaned, and served in heavy ceramic mugs that keep in the warmth to keep the eyes open the food here is strictly for the, well, the desperate, drunk or sober.

I might mention a little more about the food as I go along but it is strictly to add color to this little story. Maybe, maybe it will add color to the story but this is mainly about the “literary” life at the old Hayes and the quest for the blue-pink night not the cuisine so don’t hold me to it.


Here is the kicker though; there are a few, mercifully few this night, old winos, habitual drunks, and street vagabonds (I am being polite here) who are nuzzling their food, for real. This is the way that you can tell the "last drink" boys, the hail fellows well met, who are just out on the town and who probably go to one of the ten zillion colleges in the area and are drawn like moths (and like wayward high schools kids, including this writer) to the magic name, Harvard Square. They just pick at their food. Those other guys (again, mainly, guys) those habituals and professional waywards work at it like it is their last chance for salvation.



Harvard Square, bright lights, dead of nights, see the sights. That vision is nothing but a commercial, a commercial magnet for every young (and old) hustler within fifty miles of the place to come and display their “acumen”. Their hustle. Three card Monte, quick-change artistry, bait and hook, a little jack-rolling, fake dope-plying, lifting an off-hand wallet, the whole gamut of hustler con lore. On any given Harvard Square weekend night there have got to be more young, naïve, starry-eyed kids hanging out trying to be cool, but really, like me, just learning the ropes of life than you could shake a stick at to set a hustler’s heart, if he (mainly) or she (sometimes) had a heart.



I’ll tell you about a quick con that got me easy in a second but right now let me tell you that at this hour I can see a few con artists just now resting up after a hard night’s work around a couple of tables, comparing notes (or, more likely, trying to con each other, there is no honor among thieves in this little night world. Go to it, boys). As to the con that got me, hey it was simple, a guy, an older guy, a twenty-five year old or something like that guy, came up to me while I was talking to a friend and said did I (we) want to get some booze. Sober, sixteen years old, and thrill-seeking I said sure (drinking booze is the coin of the realm for thrills these days, among high school kids that I know, maybe the older set, those college guys, are, I hear, experimenting with drugs but if so it is very on the QT).



He said name your poison, I did, and then he “suggested” a little something for himself. Sure, whatever is right. I gave him the money and he returned a few minutes later with a small bag with the top of a liquor bottle hanging out. He split. We went off to a private area around Harvard Yard (Phillips Brook House, I think) and got ready to have our first serious taste of booze, and maybe get rum brave enough to pick up some girls. Naturally, the bottle was a booze bottle alright but it had been opened (how long before is anyone’s guess) and filled with water. Sucker, right. Now the only reason that I am mentioning this story right here is that the guy who pulled this con is sitting, sitting like the King of Siam, just a few tables away from where I am sitting. The lesson learned for the road, for the future road that beckons: don’t accept packages from strangers without inspecting them and watch out for cons, right? No, hell no. The lesson is this: sure don’t fall for wise guy tricks but the big thing is to shake it off, forget about it if you see the con artist again. You are way to cool to let him (or occasionally her) think that they have conned you. Out loud, anyway.



But wait, I am not here at almost four o’clock in the Hayes-Bickford morning, the Harvard Square Hayes-Bickford morning, to talk about the decor, the food if that is what it is, about the clientele, humble, slick, or otherwise. I am here looking for “talent”, literary talent that is. See, I have been here enough, and have heard enough about the ”beats” (or rather pseudo-beats, or “late phase” beats at this time) and the “folkies” (music people breaking out of the Pop 40 music scene and going back to the roots of America music, way back) to know that a bunch of them, about six in all, right this minute are sitting in a far corner with a light drum tapping the beat listening to a guy in black pants(always de rigueur black), sneakers and a flannel shirt just like me reciting his latest poem. That possibility is what drove me here this night, and other nights as well. See the Hayes is known as the place where someone like Norman Mailer had his buttered toast after one of his “last drink” bouts. Or that Bob Dylan sat at that table, that table right over there, writing something on a napkin. Or some parallel poet to the one now wrapping up his seventy-seven verse imitation Allen Ginsberg's Howl master work went out to San Francisco and blew the lid off the town, the City Lights town, the literary town.



But I better, now that the six-ish dawn light is hovering, trying to break through the night wars, get my droopy body down those subway stairs pretty soon and back across town before anyone at home notices that I am missing. Still I will take the hard-bitten coffee, re-beaned and all, I will take the sleepy eyes that are starting to weigh down my face, I will even take the con artists and feisty drunks just so that I can be here when somebody’s search for the blue-pink great American West night, farther west than Harvard Square night, gets launched.