From The Pen Of Bart Webber
Last year, 2015, I like a billion other citizen-music critics meaning no more than that I wrote a small sketch about the 40th anniversary of Bruce Springsteen’s iconic first widely admired album, Born To Run (“iconic” a word now attached to every half-baked event and fully-baked person that has ever come to the surface with the slightest bit of renown but until the fever flavor of the month gets replaced by a more sober assessment like enigmatic I will follow the herd on this one) and placed my assessment in various blogs that I follow and other relevant social media sites but also no less than I had the same right as professional music critics to commemorate a milestone event in my own trek through life.
Since then I have been thinking about what I said back then and I have some additional things that might be of interest to “Bruce Springsteen nation” even though we will presumably not be commemorating the anniversary of the first distribution of that album for about another ten years. Part of the impetus for reflecting on the album was that one night my old Carver High School friends Bart Webber, Sam Eaton and Jack Callahan were discussing my sketch at one of our periodic get-togethers at the Rusty Nail, a bar we hang out in of late near Kenmore Square in Boston, now that we are all retired or semi-retired and have time to philosophize over some high-shelf scotches and whiskeys. (For those who do not frequent bars, are tee-totallers, or are just curious that “high-shelf” designation is important especially to four guys who grew up “from hunger” down in Carver, then the cranberry capital of the world or close to it who when young and thirsty drank Southern Comfort, low-shelf whiskeys like Johnny Walker Black, no scotches high-shelf or low, and if pressed hard drunk Thunderbird or Ripple wines.)
That night we got, as we have been doing since those high school days when we hung out in front of Jack Slack’s bowling alleys pining away, into a dispute, although we always called it a beef back then about the virtues of Bruce Springsteen’s lyrics on stuff like Thunder Road and Tenth Avenue Freeze-Out. Their collective wisdom was that Bruce “spoke” to that Saturday night “chicken run” everything is all right down at the far end of the beach as long as you have your honey on board, take your baby for a ride, see the sights but get the hell out of Carver at all costs unless we wanted to wind up like our parents tied by a million cords to the freaking bogs. Me, well me, I thought they all had had too much to drink that night, maybe too much to dream too since while I am willing to give Bruce plenty of simpatico for merely having survived his youth in Jersey a few years after us that we were driven much more by guys like the literary on the road Jack Kerouac, the poetic mad monk Moloch-hunter Allen Ginsburg, and muse musically by Bob Dylan. They raised a collective sigh and then made the inevitable comment that covers all our disputes these days that I had probably done too much grass/ cousin/speed/hash or any combination thereof and the chickens have finally come home to roost. Here in my updated version of that sketch from last year reflecting that conversation with my friends. I hope it will hold everybody’s tongues until mid-2025 when we have to think through the damn thing again:
“I got my ‘religion’ on Bruce Springsteen ass-backward (something unkind souls of my acquaintance, that trio of corner boys who still think I am addled by the acid trips of my youth and therefore feel free to discount everything I have said for the past forty years, would say was a more generalized condition), meaning, my meaning anyway, was that I was not an E Street Irregular back in the day, the day we are commemorating with this little sketch, the day when Bruce Springsteen busy in the subterranean world around New York City trying to catch on well after the folk minute and acid rock moments had played out sprung his sweet baby everything is all right Saturday night Jersey boy of a different kind magic on the rock and roll scene with the album Born To Run on a candid world. You see I was in a monastery then, or might as well have been, and did not get the news of the new dispensation, that a small stab was being attempted to create a “new breeze” after the previous breeze had played out a few years before, that there was a new “max daddy” rock and roll star out in the firmament and so I let that past. (As will be explained presently there were reasons for that, reasons that the in-tune Bart, Sam and Jack did not have to deal and they could track the rise of Springsteen in the normal progressive of their rock musical interests.)
“Here comes reason for that ass-backward part though. See I really was ‘unavailable’ in that 1975 year since I was one among some guys, really a lot of guys although that was something I didn’t know until many years later, some Vietnam veterans who were living under bridges, along the riverbanks, along the railroad tracks of the East Coast from about Boston in summer (the area which I had come from since Carver is about thirty miles south of Boston) to D.C. maybe a little further south as the weather got colder trying to cope as best we could with the ‘real’ world when we got home. The post ‘Nam ‘real’ world that just wasn’t the same as before we left from home and our standard dreams of marriage, white picket fence houses, kids and dogs after whatever we left of ourselves in burning, shooting, napalming, molesting a whole race of very busy people with whom we had not quarrel, no quarrel at all. Plenty of guys, most probably if anybody took a survey on the subject of post-war adjustment, got back and just went to their standard dream lives. Others of us, me and my brothers under the bridge, took a detour, a wrong detour but a detour and so the old hangout with the buddies world of high school chatting about girls with didn’t have or if we did have didn’t have dough to take out properly, about cars we didn’t have either and mostly just hung out talking about music, about what we talk about since we always had a spare quarter to play the latest tunes on Jack Slack’s jukebox, or our leader madman Frankie Riley did, seemed very far away. The fight to keep warm, to keep doped up, to keep from jail except when we wanted to be “vagged” to get indoors and some food and a shower, and most of all to keep moving, something that I still feel even today at times, is what drove our sullen dreams.
“So we, me, were not doing a very good job of getting along with our lives, mostly. Not succeeding against the drugs (my personal problem from cocaine to meth and back depending on when you ran into me, if you dared), the liquors (my boy Seaside Sean from up in Hampton Falls in New Hampshire who gathered a fistful of medals in Vietnam and who tossed them over the fence at the United States Supreme Court building in that famous VVAW demonstration earlier in the decade unlike me who only survived because a couple of black kids from Harlem saved my ass a couple of times although later not their own, whom I couldn’t save one night when the DTs got to him so bad he went down into the Hudson River from the nearest bridge he was so lost), the petty robberies (Jesus, holding up White Hen convenient stores with my hands so shaky I could barely keep the gun from jumping out of them and if the young girl behind the register had decided to take a stand I probably would not be writing this, at least not as a free man), and the fight to stay away from the labor market. Work which seemed so irrelevant then, work for what purpose if your dreams were not of white picket fences, the curse of the ‘lost boys of the bridges,’ the boys who wanted no connection with Social Security numbers, VA forms, forwarding addresses, hell even General Post Office boxes just in case some dunning repo man, or some angry wife was looking for support, support none of us could give for crying out loud why do you think we worked the stinking garbage strewn rivers, rode the dreamless smoke streams trains, faced the rats mano y mano under the bridges. Work if pressed up against the wall only at some day labor joint giving false social security numbers, pearl-diving where no question were asked as long as the dishes and pans didn’t pile up, or in-kinf for a few nights reprieve from the bridges at some Sally (Salvation Army) harbor lights mission. Not the time to be worrying about grabbing that girl heading to Thunder Road.
“Yeah, tough times, tough times indeed, and a lot of guys had a close call, a very close call, including me, and a lot of guys like now with our brethren Afghan and Iraq soldier brothers and sisters didn’t make it, guys like Sean who if you looked at him you could not believe how gone he really was with that baby-face of his I still see now, still see as he trogged his way to that night bridge and just let himself free fall I hope somebody up in Hampton Falls claimed him for we, I, couldn’t do so since I was on the run myself, didn’t make it but are not on the walls in black granite down in D.C.-although maybe they should be.
“Of course Brother Springsteen immortalized the Brothers Under The Bridge living out in Southern California along the arroyos, riverbanks, and railroad tracks of the West in a song which I heard some guys playing one night when I was at a VA hospital in the early 1980s trying to get well for about the fifteenth time (meth again, damn I can still feel the rushes, still want my sweet jesus high, when I say the word) and that was that. I cried that night for my lost youth, for Sean, for the guys who played the song over and over again, Saigon, long gone… no way long gone. The next step, after a few more months of recovery, was easy because ever since I was kid once I grabbed onto something that moved me some song, some novel, some film I checked out everything by the songwriter, author, director I could get my hands on.
“Once I did grab a serious chunk of Springsteen’s work, grabbed some things from the local library since my ready cash supply was low I admit I got embarrassed. Admitted to myself that I sure was a long gone daddy back in 1975 and few years thereafter. How could I not have gravitated earlier to a guy who was singing the high hymnal songs of the holy goof corner boys who I grew up with, the guys out in the streets making all that noise (and where are they now, Frankie, Markin, Josh, Jimmy, Tiny, Dread, and a few other who faded in and out over the high school years).
“Singing about getting out on that Jack Keroauc-drenched hitchhike highway that I dreamed of from my youth, of hitting the open road and searching for the great American West blue-pink night that before ‘Nam every one of my corner boys dreamed of and Sam, Sam Lowell even did, did hit that road, of hitting the thunder road in some crash out Chevy looking for Mary or whatever that dish’s name was, looking for that desperate girl beside him when he took that big shift down in the midnight “chicken run,” in taking that girl down to the Jersey shore everything is alright going hard into the sweated carnival night. Later getting all retro-folkie, paying his Woody and Pete dues looking for the wide Missouri, looking for the heart of Saturday night with some Rosalita too (and me with three busted marriages to show for those dreams), and looking, I swear that he must have known my story for my own ghost of Tom Joad coming home bleeding, bleeding a little banged up, out of the John Steinbeck Okie night, coming home from Thunder Road maybe dancing in the streets if the mood took him to that place that you could see in his eyes when he got going, coming home from down in Jungle-land the place of crashed dreams out along the Southern Pacific road around Gallup, New Mexico dreaming of his own Phoebe Snow. Yeah, thanks Bruce, thanks from a brother under the bridge.”
We will show excerpts from "Drone"and watch a video of Christopher Aaron, an ex-drone program analyst who will speak about his experiences working in Afghanistan and Iraq. Discussion with members of the UJP Anti-Drones Campaign will follow.
