Sunday, August 06, 2017

On The 60th Anniversary Of Jack Kerouac's "On The Road"- Out In The Be-Bop Night- Fragments On Working Class Culture- Scenes From The Search For The Blue-Pink Great American West Night-Highway 1969

On The 60th Anniversary Of Jack Kerouac's "On The Road"- Out In The Be-Bop Night- Fragments On Working Class Culture- Scenes From The Search For The Blue-Pink Great American West Night-Highway 1969






By Book Critic Zack James


To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just for kicks, for stuff, important stuff that had happened down in the base of society where nobody in authority was looking or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all-night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation. (Yes,  I know that the actual term “beat” was first used by Kerouac writer friend John Clemmon Holmes in an article in some arcane journal but the “feel” had to have come from a less academic source so I will crown the bandit prince Corso as genesis) Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my older brother Alex they called “blowing to the China seas” out in West Coast jazz and blues circles, that high white note he heard achieved one skinny night by famed sax man Sonny Johns, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the mean streets of New York, Chi town, North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps, half stirred left on corner diners’ coffees and cigarette stubs when the Bull Durham ran out).

I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50th anniversary is being commemorated this year as well and so very appropriate to mention since there were a million threads, fibers, connections between “beat” and “hippie” despite dour grandpa Jack’s attempts to trash those connection when they acolytes came calling looking for the “word.” So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind (not found on the AAA, Traveler’s Aid, Youth Hostel brochure circuit if you please although Jack and the crowd, my brother and his crowd later would use such services when up against it in let’s say a place like Winnemucca in the Nevadas or Neola in the heartlands). Literary stuff for sure but the kind of stuff that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter of which would drive Alex west before he finally settled down to his career life as a high-road lawyer (and to my sorrow and anger never looked back).             

Of course anytime you talk about books and poetry and then add my brother’s Alex name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Frankie, Jack, Jimmy, Si, Josh (he a separate story from up in Olde Saco, Maine),   Bart, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967, their birthright event, just mentioned.  Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before (and which nobody in the crowd paid any attention to, or dismissed out of hand what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie  and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.

But it was above all Jack’s book, Jack’s book which had caused a big splash in 1957(after an incredible publishing travail since the story line actually related to events in the late 1940s and which would cause Jack no end of trauma when the kids showed up at his door looking to hitch a ride on the motherlode star, and had ripple effects into the early 1960s (and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway, like I say I think the best part, have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain desert night but staying unsettled for a while anyway.    

Like I said above Alex was out on the road two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely and semi-tragic end. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that for fear of being tarred with those brushes. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly “from hunger” working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants any way they could as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little bit “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley the “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan. That was for smooth as silk Frankie now also a high-road lawyer to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.

The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Bob Dylan above all else) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)


Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like Jack wrote the final version of the thing on a damn newspaper scroll in about three weeks. So it was through Markin via Alex that I got the Kerouac bug. And now on the 60th anniversary I am passing on the bug to you.           


*******
The scene below stands(or falls) as a moment in support of that eternal search mentioned in the headline.

Scene Three: A First Misstep In The Search For The Blue-Pink Great American West Night


Let me tell this story, okay, this story about a couple of guys that I picked up hitch-hiking out on the 1960s highway. I’ll get to what highway it was later because it could have been any highway, any American or European, or maybe even African or Asian highway, if those locales had such highways, at least highways for cars back in those days. Anyway it’s their story, these two guys, really, and maybe around the edges my story, and if you are of a certain age, your story, just a little anyway.

Some of it though just doesn’t sound right now, or read right, at least the way they told it to me but we will let that pass ‘cause it has been a while and memories, mine in this case, sometimes seize up even among the best of us. Ya, but this part I do remember so let’s just subtitle this one a segment on that search for the blue-pink great American West night and that makes this thing a lot of people’s story. Let’s get to it right now by picking up where they and I intersect on the great American 1960s road:

Two young men were standing pretty close together, talking, up ahead at the side of a brisk, chilly, early spring morning 1969 road, a highway really, a white-lined, four-laned, high-speed highway if you want to know, thumbs out, as I came driving down the line alone in my Volkswagen Beetle (or bug, hey, that’s what they were called in those days, you still see some old restored or well-preserved ones around, especially out on the left coast), see them, and begin to slow down to pick them up. I would no more think not to pick them up than not to breathe. A few years earlier and I would have perhaps been afraid to pick up such an unlikely pair, a few years later and they would not have been on that road. But the thumbs out linked them, and not them alone on this day or in this time, with the old time hitchhike road, the vagabond road that your mother, if she was wise or nervous, told you never ever, ever to take (and it was always Ma who told you this, your father was either held in reserve for the big want-to-do battles, or else was bemused by sonny boy wanting to spread his wings, or better yet, was secretly passing along his own long ago laid aside blue-pink highway dreams).

This pair in any case, as you shall see, were clearly brothers, no, not brothers in the biological sense, although that sometimes was the case, but brothers on that restless, tireless, endless, hitchhike road. My hitchhike road yesterday, and maybe tomorrow, but today I have wheels and they don’t and that was that. No further explanation needed. I stopped. From the first close-up look at them these guys were young, although not too young, not high school or college young but more mid-twenties maybe graduate student young. I’ll describe in more detail how they looked in a minute but for those who desperately need to know where I picked them up, the exact locale that is, let me put your anxieties to rest and tell you that it was heading south on the Connecticut side of the Massachusetts-Connecticut border of U.S. Interstate 84, one of the main roads to New York City from Boston. Are you happy now? Not as sexy as some of those old-time Kerouac-Cassady late 1940s “beat” roads, but I believe their ghosts were nevertheless hovering in the environs. Hell, now that I think about it, would it have mattered if I said it was Route 6, or Route 66, or Route 666 where I picked them up. I picked them up, that was the way it was done in those halcyon days, and that’s the facts, man, nothing but the facts.

Hey, by the way, while we are talking about facts, just the hard-headed fact of this pair standing on the side of a highway road should have been enough to alert the reader that this is no current episode but rather a tale out of the mist of another American time. Who in their right mind today would be standing on such a road, thumb out, or not, expecting some faded Dennis Hopper-like flower child, or Ken Kesey-like Merry Prankster hold-out to stop. No this was the time of their time, the 1960s (or at the latest, the very latest, about 1973). You have all seen the bell-bottomed jeans, the fringed-deerskin jackets, the long hair and beards and all other manner of baubles in those exotic pre-digital photos so that one really need not bother to describe their appearances. But I will, if only to tempt the fates, or the imaginations of the young.

One, the slightly older one, wispy-bearded, like this was maybe his first attempt at growing the then de rigueur youth nation-demanded male beard to set one apart from the them (and from the eternal Gillette, Bic, Shick razor cuts, rubbing alcohol at the ready, splash of English Leather, spanking clean date night routine, ah, ah, farewell to all that). Attired: Levi blue-jean’d with flared-out bottoms, not exactly bell-bottoms but denims that not self-respecting cowboy, or cowboy wanna-be would, or could, wear out in the grey-black , star-studded great plains night; plaid flannel shirt that one would find out there in that bronco-busting night (or in backwoodsman-heavy Maine and Oregon in the time of the old Wobblies or Ken Kesey’s Sometimes a Great Notion); skimpily-sneakered, Chuck Taylor blacks, from the look of them, hardly the wear for tackling the great American foot-sore hitchhike road which makes me think that these are guys have started on something like their maiden voyage on that old road; and over one shoulder the ubiquitous string-tied bedroll that speaks already of ravine sleep, apartment floor pick your space sleep, and other such vagabond sleep certainly not of Holiday Inn or even flea-bag motel sleeps; and over the other shoulder the also ubiquitous life’s gatherings in a knapsack (socks, a few utensils, maybe underwear, and the again maybe not, change of shirt, a few toilet articles, not much more but more than the kings (and queens) of the roads, 1930s ancestor forbears carried, for sure , ask any old Wobblie, or bum-hobo-tramp hierarch- take your pick-who took that hard-scrabble, living out of your emptied pocket road).

And the other young man, a vision of heaven’s own high 1960s counter-cultural style: long-haired, not quite a pony tail if tied back and maybe not Easy Rider long but surely no advertisement for Gentleman’s Quarterly even in their earnest days of keeping up with the new tastes to corner the more couth segments of the hippie market; cowboy-hatted, no, not a Stetson, howdy, Tex, kind of thing but some Army-Navy store-bought broad brimmed, sun-bashing, working cowboy hat that spoke of hard-riding, branding, cattle night lowing, whiskey and women Saturday town bust-ups, just right for a soft-handed, soft-skinned city boy fearful of unlit places, or places that are not lit up like a Christmas tree; caped, long swirling cape, like someone’s idea of old-time film Zorro stepping out with the senoritas; guitar, an old Martin from the look of it, slung over one shoulder, not protective cased against the winds, rains, snows, or just the bang-ups of living, but protective in other ways when night falls and down in the hills and hollows, or maybe by a creek, heaven’s own strum comes forth. Woody Guthrie’s own child, or stepchild, or some damn relative. I swear.

Welcome brothers, as I open up the passenger side door. “Where are you guys heading?” This line is more meaningful than you might think for those who know, as I know, and as these lads will know, as well, if they spent any time on the hitchhike road. Sometimes it was better, even on a high-speed highway, to not take any old ride that came along if, say, some kind–hearted local spirit was only going a few miles, or the place where a driver would let you out on the highway was a tough stop. Not to worry though these guys, Jack and Mattie, were hitchhiking to California. California really, I swear, although they are stopping off at a crisscross of places on their way. A pretty familiar routine by then, playing hopscotch, thumbs out, across the continent.

These guys were, moreover, indeed brothers, because you see once we started comparing biographical notes, although they never put it that way, or really never could just because of the way they thought about things as I got to know them better on the ride, were out there searching, and searching hard, for my blue-pink night. Christ, there were heaven’s own blessed armies, brigades anyway, of us doing it, although like I said about Jack and Mattie most of the brothers and sisters did not get caught up in the colors of that night, like I did, and just “dug” the search. Jack and Mattie are in luck, in any case, because on this day I’m heading to Washington, D.C. and they have friends near there in Silver Springs, Maryland. The tides of the times are riding with us.

And why, by the way, although it is not germane to the story or at least this part of it, am I heading to D.C.? D Well, the cover story is to do some anti-war organizing but, for your eyes only, I had just broken up, for the umpteenth time, with a women who drove me to distraction, sometimes pleasantly but on that occasion fitfully, who I could not, and did not, so I thought, want to get out of my system, but had to put a little distance away from. You know that story, boys and girls, in your own lives so I do not have to spend much time on the details here, although that theme might turn up again. Besides, if you really want to read that kind of story the romance novels section of any library or the DVD film section, for that matter, can tell the story with more heart-throbbing panache that you will find here.

I’ve got a kind of weird story to tell you about why Jack and Mattie were on this desolate border stretch of the highway in a minute but let me tell a little about what they were trying to do out on that road, that west road. First, I was right, mostly, about their ages, but Jack and Mattie were no graduate students on a spring lark before grinding away at some master’s thesis on the meaning of meaning deconstuct’d (although this reference is really an anachronism since such literary theories were not then fashionably on display on the world’s campuses, but you get the drift) or some such worthy subject in desperate need of research in a time when this old world was falling apart and the bombs were (are) raining (literally) on many parts of the world.

In one sense they were graduates though, graduates of the university of hard knocks, hard life, and hard war. They had just a few months before been discharged, a little early as the war, or the American ground troops part of it, was winding down, from the U.S. Army after a couple of tours of duty in ‘Nam (their usage, another of their privileged usages was “in-country”). I swear I didn’t believe them at first, no way, they looked like the poster boys for the San Francisco Summer of Love in 1967. Something, something big was going on here and my mind was trying to digest the sight of these two guys, “good, solid citizens” before the “man” turned them around in that overseas Vietnam quagmire who looked in attire, demeanor, and style just like the guy (me) who picked them up.

Ya, but that is only part of it and not even the most important part, really, because this California thing was also no lark. This is their break-out, bust-out moment and they are going for it. As we rode along that old super highway they related stories about how they came back from “in-county”, were going to settle down, maybe get married (or move in with a girlfriend or seven), and look forward to social security when that distant time came. But something snapped inside of them, and this is where every old Jack London hobo, every old Wobblie, every old bummer on the 1930s rail highway, hell even every old beat denizen of some Greenwich Village walk-up was a kindred spirit. Like I said, and I am sitting right in the car listening to them with a little smirk on my face, the boys are searching that same search that I am searching for and that probably old Walt Whitman really should take the blame for, okay. I’ll tell you more, or rather; I’ll let them tell you more some other time but let me finish up here with that weird little story about why they were at that god forsaken point on the highway.

Look, everybody knows, or should know, or at least knew back then that hitchhiking, especially hitchhiking on the big roads was illegal, and probably always was even when every tramp and tramp-ette in America had his or her thumb out in the 1930s. But usually the cops or upstanding citizenry either ignored it or, especially in small towns, got you on some vagrancy rap. Hey, if you had spent any time on the hitchhike road you had to have been stopped at least once if for no other reason than to harass you. Still some places were more notorious than others in hitchhike grapevine lore in those days, particularly noteworthy were Connecticut and Arizona (both places where I had more than my own fair share of “vagrancy” problems).

So I was not too far off when I figured out that Jack and Mattie were on their maiden voyage. Thumbs out and talking, the pair missed the then ever-present Connecticut state police cruiser coming from nowhere, or it seemed like nowhere, as it came to a stop sharply about five feet away from them. The pair gulped and prepared for the worst; being taken to some state police barracks and harassed and then let go at some backwater locale as the road lore had it. Or getting “vagged”. Or worst, a nice little nasty trick in those days, have “illegal” drugs conveniently, very conveniently, found on their person.

But get this, after a superficial search and the usual questions about destination, resources, and the law the pair instead were directed to walk the few hundred yards back across the border line to Massachusetts. Oh, I forgot this part; the state cop who stopped them was a Vietnam veteran himself. He had been an MP in ‘Nam. Go figure, right. So starts, the inauspicious start if you think about it, in one of the searches for the blue-pink great American West night. Nobody said it was going to be easy and, you know, they were right. Still every time I drive pass that spot (now close to an official Connecticut Welcomes You rest stop, whee!), especially on any moonless, starless, restless, hitchhiker-less road night I smile and give a little tip of the hat to those youthful, sanctified blue-pink dreams that almost got wrecked before they got started.

On The 60th Anniversary Of Jack Kerouac's "On The Road" -A "Beat" Hero- The Legendary Dean Moriarty (Oops) Neal Cassady

Click on title to link to Wikipedia's entry for the model for " the king of the beat writers" Jack Kerouac's Dean Moriarty in the classic "On The Road", Neal Cassady.

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)
By Book Critic Zack James


To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just for kicks, for stuff, important stuff that had happened down in the base of society where nobody in authority was looking or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all-night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation. (Yes,  I know that the actual term “beat” was first used by Kerouac writer friend John Clemmon Holmes in an article in some arcane journal but the “feel” had to have come from a less academic source so I will crown the bandit prince Corso as genesis) Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my older brother Alex they called “blowing to the China seas” out in West Coast jazz and blues circles, that high white note he heard achieved one skinny night by famed sax man Sonny Johns, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the mean streets of New York, Chi town, North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps, half stirred left on corner diners’ coffees and cigarette stubs when the Bull Durham ran out).

I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50th anniversary is being commemorated this year as well and so very appropriate to mention since there were a million threads, fibers, connections between “beat” and “hippie” despite dour grandpa Jack’s attempts to trash those connection when they acolytes came calling looking for the “word.” So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind (not found on the AAA, Traveler’s Aid, Youth Hostel brochure circuit if you please although Jack and the crowd, my brother and his crowd later would use such services when up against it in let’s say a place like Winnemucca in the Nevadas or Neola in the heartlands). Literary stuff for sure but the kind of stuff that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter of which would drive Alex west before he finally settled down to his career life as a high-road lawyer (and to my sorrow and anger never looked back).             

Of course anytime you talk about books and poetry and then add my brother’s Alex name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Frankie, Jack, Jimmy, Si, Josh (he a separate story from up in Olde Saco, Maine),   Bart, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967, their birthright event, just mentioned.  Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before (and which nobody in the crowd paid any attention to, or dismissed out of hand what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie  and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.

But it was above all Jack’s book, Jack’s book which had caused a big splash in 1957(after an incredible publishing travail since the story line actually related to events in the late 1940s and which would cause Jack no end of trauma when the kids showed up at his door looking to hitch a ride on the motherlode star, and had ripple effects into the early 1960s (and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway, like I say I think the best part, have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain desert night but staying unsettled for a while anyway.    

Like I said above Alex was out on the road two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely and semi-tragic end. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that for fear of being tarred with those brushes. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly “from hunger” working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants any way they could as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little bit “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley the “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan. That was for smooth as silk Frankie now also a high-road lawyer to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.

The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Bob Dylan above all else) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)

Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like Jack wrote the final version of the thing on a damn newspaper scroll in about three weeks. So it was through Markin via Alex that I got the Kerouac bug. And now on the 60th anniversary I am passing on the bug to you.           

On The 60th Anniversary -Writer's Corner-Jack Kerouac's Classic Searching For America Novel "On The Road"

Click on title to link to Wikipedia's entry for Jack Kerouac's master work "On The Road". I will be doing a separate review of this work shortly. Also see entry dated today, October 19, 2009, in this space entitled "On The Road" And On The Sidelines" reviewing a 1986 documentary about Jack Kerouac's life and some personal reflections on the effect that "On The Road" had on me as a youth.

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)
By Book Critic Zack James


To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just for kicks, for stuff, important stuff that had happened down in the base of society where nobody in authority was looking or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all-night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation. (Yes,  I know that the actual term “beat” was first used by Kerouac writer friend John Clemmon Holmes in an article in some arcane journal but the “feel” had to have come from a less academic source so I will crown the bandit prince Corso as genesis) Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my older brother Alex they called “blowing to the China seas” out in West Coast jazz and blues circles, that high white note he heard achieved one skinny night by famed sax man Sonny Johns, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the mean streets of New York, Chi town, North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps, half stirred left on corner diners’ coffees and cigarette stubs when the Bull Durham ran out).

I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50th anniversary is being commemorated this year as well and so very appropriate to mention since there were a million threads, fibers, connections between “beat” and “hippie” despite dour grandpa Jack’s attempts to trash those connection when they acolytes came calling looking for the “word.” So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind (not found on the AAA, Traveler’s Aid, Youth Hostel brochure circuit if you please although Jack and the crowd, my brother and his crowd later would use such services when up against it in let’s say a place like Winnemucca in the Nevadas or Neola in the heartlands). Literary stuff for sure but the kind of stuff that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter of which would drive Alex west before he finally settled down to his career life as a high-road lawyer (and to my sorrow and anger never looked back).             

Of course anytime you talk about books and poetry and then add my brother’s Alex name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Frankie, Jack, Jimmy, Si, Josh (he a separate story from up in Olde Saco, Maine),   Bart, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967, their birthright event, just mentioned.  Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before (and which nobody in the crowd paid any attention to, or dismissed out of hand what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie  and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.

But it was above all Jack’s book, Jack’s book which had caused a big splash in 1957(after an incredible publishing travail since the story line actually related to events in the late 1940s and which would cause Jack no end of trauma when the kids showed up at his door looking to hitch a ride on the motherlode star, and had ripple effects into the early 1960s (and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway, like I say I think the best part, have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain desert night but staying unsettled for a while anyway.    

Like I said above Alex was out on the road two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely and semi-tragic end. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that for fear of being tarred with those brushes. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly “from hunger” working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants any way they could as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little bit “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley the “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan. That was for smooth as silk Frankie now also a high-road lawyer to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.

The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Bob Dylan above all else) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)

Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like Jack wrote the final version of the thing on a damn newspaper scroll in about three weeks. So it was through Markin via Alex that I got the Kerouac bug. And now on the 60th anniversary I am passing on the bug to you.           

*****When The Fight To Turn The World Upside Down Was In Full Flower- With The Doors The Unknown Soldier In Mind


*****When The Fight To Turn The World Upside Down Was In Full Flower- With The Doors The Unknown Soldier In Mind

 
 
Wait until the war is over
And we're both a little older
The unknown soldier
Breakfast where the news is read
Television children fed
Unborn living, living, dead
Bullet strikes the helmet's head

And it's all over
For the unknown soldier
It's all over
For the unknown soldier

Hut, hut, hut ho hee up
Hut, hut, hut ho hee up
Hut, hut, hut ho hee up

Comp'nee, halt
Present, arms

Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier

Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head

And, it's all over
The war is over
It's all over
War is over

Well, all over, baby
All over, baby
Oh, over, yeah
All over, baby
Ooh, ha, ha, all over
All over, baby
Oh, woah, yeah, all over
All over, heh

Add song meaning

Songwriters
Robbie Krieger;John Densmore;Jim Morrison;Ray Manzarek

From The Pen of Zack James

There was no seamless thread that wrapped the counter-cultural dominated 1960s up tightly, wrapped it up neatly in a pretty bow all set for posterity except for the media types who lived day by day in those merciful times for scraps to feed the teletype hot wires and by on-the-make politicians who to this day attempt to make capital making sport of what in the final analysis was a half-thought out desire to create the “newer world” that some old-time English poet was harping about. That seamless thread business had been distracting Frank Jackman’s attention of late now that a new generation of media-types are at hand who want to refight that social battle and the politicians are whipping   up the raw meat good old boys and girls and the staid as well to provide the troops for that new battle against some phantom in their heads. Despite all the rhetoric, despite all the books written disclaiming any responsibility by those who led the march, despite all those who have now “seen the light” and have hopped back into the fold in academia and the professions (in fact that march back to what everybody used to call bourgeois society started the day after the whole movement ebbed or the day they got their doctorates or professional degrees) there was some question even in Franks’ own mind about whether “the movement” for all its high gloss publicity and whirlwind effect dominated the play as much as he and his kindred had thought then or can lay claim to these forty plus years later.
Place plenty of weight on Frank’s observation, maybe not to take to the bank but to have some knowledge about the limits to what a whole generation in all its diversity can claim as its own mark on society and history. Place plenty of weight for the very simple reason that he went through the whole thing in almost all of its contradictions. Had been raised under the star of parents who slogged through the Great Depression although that was a close thing, a very close thing for some like Frank’s parents who were desperately poor. His poor besotted mother having to leave home and head west looking, looking for whatever there was out there before coming back home with three dollars in hand, and maybe her virtue how can you ask that question of your mother when you wouldn’t think to look at her when young, later too, that she was capable of sex, not the sex you had at your pleasure with some sweet Maryjane. His father out of the Southern winds, out of tar-roof shack of a cabin, half naked, down in the coal-rich hills and hollows of Appalachia, the poorest of the poor, leaving that desperate place to seek something, some small fame that always eluded him. They together, collectively, slogged through the war, World War II, his father through Pacific fight, the most savage kind, had his fill of that damn island hopping and his mother waiting, fretfully waiting for the other shoe to drop, to hear her man had laid his head down for his country in some salted coral reef or atoll whatever they were. Get this though, gladly, gladly would lay that head down and she if it came right down to it would survive knowing he had laid that precious head down. That was the salts they were made of, the stuff this country was able to produce even if it had very little hand in forming such faithful servants so no one would, no one could deny their simple patriotism, or doubt that they would pass that feeling on to their progeny.
Made that progeny respect their music too, their misty, moody I’ll see you tomorrow, until we meet again, I’ll get by, if I didn’t care music, music fought and won with great purpose. But Frank balked, balked young as he was, with as little understanding as he had, the minute he heard some serious rhythm back-beat absent from that sugary palp his parents wanted to lay on him and he would, young as he was, stand up in his three brother shared room (when they were not around of course for they older “dug” Patti Page and Rosemary Clooney, stuff like that) and dance some phantom dance based on that beat he kept hearing in his head, and wondered whether anybody else heard what he heard (of course later when it was show and tell time in the 1960s that beat would be the thing that glued those who were kindred together, funny they were legion). Caught the tail end of the “beat” thing that those older brothers dismissed out of hand as faggy, as guys “light on their feet” and gals who seemed black-hearted blank and neurotic. But that was prelude, that, what did somebody in some sociology class call it, the predicate.                      
As the 1960s caught Frank by his throat, caught him in its maw as he liked to call it to swishy-dishy literary effect he got “religion” in about six different ways. Got grabbed  when the folk minute held sway, when guys like Bob Dylan and Dave Von Ronk and gals like Joan Baez preached “protest” to the hinterlands, reaching down to places like Frank’s Carver, nothing but a working poor town dependent on the ups and downs of the cranberry business. At one time the town was the cranberry capital of the world or close to it. That up and down business depending too on whether people were working and could afford to throw in cranberry sauce with their turkeys come Thanksgiving and Christmas or would be reduced to the eternal fallback beans and franks. But see Carver was close enough, thirty or forty miles south of Boston to Beacon Hill and Harvard Square to be splashed by that new sound and new way of going on dates too, going to coffeehouses or if times were tough just hang around the Harvard Square’s Hayes-Bickford watching with fascination the drunks, hipsters, dipsters, grifters, winos, hoboes, maybe  an odd whore drinking a cup of joe after some John split on her, but also guys and gals perfecting their acts as folk-singers, poets, artists and writers.
Grabbed on the basis of that protest music to the civil rights movement down South, putting Frank at odds with parents, neighbors and his corner boys around Jack Slack’s bowling alleys. Grabbed too the dope, the hope and every girl he could get his hands on, or get this to tell you about the times since he was at best an okay looking guy, they could get their hands on him, on those bedroom blue eyes of his they called it more times than not, that came with the great summers of love from about 1965 on.
Here’s where the contradictions started get all mixed up with things he had no control over, which he was defenseless against. So grabbed too that draft notice from his friends and neighbors at the Carver Draft Board and wound up a dog soldier in Vietnam for his efforts. Wound up on cheap street for a while when he came back unable to deal with the “real” world for a while. That failure to relate to the “real” world cost him his marriage, a conventional marriage to a young woman with conventional white picket fence, a little lawn, kids, and dogs dreams which only had happened because he was afraid that he would not come back from “Nam in one piece, would never get to marriage for what it was worth. Grabbed the streets for a while before he met a woman, a Quaker woman, who saved him, for a while until he went west with some of his corner boys who had also been washed by the great push. Did the whole on the road hitchhike trip, dope, did communes, did zodiacs of love, did lots of things until the hammer came down and the tide ebbed around the middle of the 1970s. So yeah Frank was almost like a bell-weather, no, a poster child for all that ailed society then, and for what needed to be fixed.      
That decade or so from about 1964 to about 1974 Frank decided as he got trapped in old time thoughts and as he related to his old friend Jack Callahan one night at his apartment in Cambridge as they passed a “joint” between them (some things die hard, or don’t die) was nevertheless beginning to look like a watershed time not just for the first wave immediate post-World War II baby-boomers like him, Jack, Frankie Riley, the late Peter Markin, Sam Lowell and a lot of other guys he passed the corner boy night with (the ones like him born immediately after the war as the troops came home, came off the transports, and guys and gals were all hopped up to start families, figure out how to finance that first white picket fence house and use the GI bill to get a little bit ahead in the world, at least get ahead of their parents’ dead-end great depression woes) who came of social and political age then washed clean by the new dispensation but for the country as a whole. More so since those of the so-called generation of ’68, so called by some wag who decided that the bookends of the rage of the American Democratic Convention in Chicago that year and the defeat of the revolutionary possibilities in France in May of that year signaled the beginning of the ebb tide for the whole thing, for those who are still up for a fight against the military monster who is still with us are continuing to fight a rearguard action to keep what little is left of accomplishments and the spirit of those time alive.
Thinking back a bit to that time, Frank as the dope kicked in, a thousand things, or it seemed like a thousand things, some things new in the social, economic, political or cultural forest came popping up out of nowhere in many cases, came together in pretty rapid succession to draw down in flames the dread red scare Cold War freezes of their  childhoods (that time always absurdly symbolically topped off by the sight of elementary school kids, them , crouched under some rickety old desk arms over their heads some air-raid drill practice time as if, as the residents of Hiroshima and Nagasaki who are still alive from that time can attest to, that would do the slightest bit of good if the “big one,” the nuclear bombs hit.
Yeah, the Cold War time too when what did they know except to keep their obedient heads down under their desks or face down on the floor when the periodic air-raid shelter tests were performed at school to see if they were ready to face the bleak future if they survived some ill-meant commie atomic blast. (Personally Frank remembered telling somebody then that he would, having seen newsreel footage of the bomb tests at Bikini, just as soon take his  chances above desk, thank you, for all the good the other maneuver would do them.)
For a while anyway Frank and the angel-saints were able to beat back that Cold War mentality, that cold-hearted angst, and calculated playing with the good green world, the world even if they had no say, zero, in creating what went on. Not so strangely, although maybe that is why people drifted away in droves once the old bourgeois order reasserted itself and pulled down the hammer, none of those who were caught up in the whirl thought it would be for only a while or at least thought it would fade so fast just as they thought, young and healthy as they were, that they would live forever. But if you, anybody when you really think about the matter, took a step back you could trace things a little, could make your own “live free” categories of the events that chipped away the ice of those dark nights.

Start in with the mid-1950s if you like, which is where Frank liked to start dating his own sense of the new breeze coming through although being a pre-teenager then he told Jack he would not have had sense enough to call it that, with the heat of the black struggle for some semblance of civil liberties down South in the fight for voter rights and the famous desegregation of buses in Montgomery and the painful desegregation of the schools in Little Rock (and some sense of greater  equality up North too as organizations like the NAACP and Urban League pushed an agenda for better education and housing). Also at that same time, and in gathering anecdotal evidence Frank had found that these too are a common lynchpin, the first break-out of music with the crowning of rock and roll as the wave of the future (black rhythm and blues, scat, rockabilly music all mixed up and all stirred up), and the “discovery” of teen alienation and angst exemplified by sullen movie star  James Dean, who lived fast, and died fast a metaphor that would work its way through youth culture over the next generation. (And throw in surly “wild one” movie star Marlon Brando in The Wild One and a brooding Montgomery Cliff in almost anything during those days, take The Misfits for one, to the mix of what they could relate to as icons of alienation and angst .)   
An odd-ball mix right there. Throw in, as well, although this was only at the end and only in very commercial form, the influence of the “beats,” the guys (and very few gals since that Jack Kerouac-Neal Cassady-William Burroughs-Allen Ginsberg mix was strictly a male bonding thing) who listened to the guys who blew the cool be-bop jazz and wrote up a storm based on that sound, declared a new sound, that you would hear around cafés even if you did not understand it unlike rock and roll, the guys who hitchhiked across the American landscape creating a wanderlust in all who had heard about their exploits, and, of course, the bingo bongo poetry that threw the old modernists like T.S. Eliot and Ezra Pound out with a bang.
Then start to throw in the struggles against the old authority in places like Frisco town where they practically ran the red-baiters in the HUAC out of town (what Frank, and some of his friends although not the Carver corner boys except Markin, would learn to call “bourgeois authority working hand in hand with the capitalists”), the old certitudes that had calmed their parents’ lives, made them reach out with both hands for the plenty in the “golden age of plenty.”
Of course the biggest event that opened the doors for liberals, radicals, hell, even thoughtful conservatives was the sweet breeze coming down the road from Boston with the election of Jack Kennedy. Ike, the harmless uncle, the kindly grandfather, was for parents Frank wanted guys who set the buzz going, let them think about getting some kicks out of life, that maybe with some thought they would survive, and if they didn’t at least we had the kicks.

That event opened up a new psyche, that it was okay to question authority, whatever the limitations and shortness of the Camelot times with the struggles against some hoary things like segregation, the death penalty, nuclear proliferation, the unevenness of social life which would get propelled later in the decade with fight for women’s liberation, gay liberation, and the fight against the draft, the damn war in Vietnam that drove a nail into the heart of Frank’s generation. A river of ideas, and a river of tears, have been, and can be, shed over that damn war, what it did to young people, those who fought, maybe especially those who fought as Frank got older and heard more stories about the guys who like him didn’t make it back to the “real” world after “Nam, didn’t have a sweet mother Quaker lady like Frank to save them, those guys you see downtown in front of the VA hospitals, and those who refused to, that lingers on behind the scenes even today.
There were more things, things like the “Pill” (and Frank would always kid Jack who was pretty shy talking about sex despite the fact that he and Chrissie, his high school sweetheart, had had four kids when he asked what pill if you need to know what pill and its purpose where have you been) that opened up a whole can of worms about what everyone was incessantly curious about and hormonally interested in doing something about, sex, sex beyond the missionary position of timeless legends, something very different if the dramatic increase in sales of the Kama Sutra meant anything, a newer sensibility in music with the arrival of the protest folk songs for a new generation which pushed the struggle and the organizing forward.
Cultural things too like the experimenting with about seven different kinds of dope previously the hidden preserve of “cool cat” blacks and white hipsters (stuff that they only knew negatively about, about staying away from, thru reefer madness propaganda, thru the banning of some drugs that were previously legal like sweet sister cocaine and taunt Nelson Algren hard life down at the base of society in films like The Man With The Golden Arm), the outbreak of name changes with everybody seemingly trying to reinvent themselves in name (Frank’s moniker at one time was Be-Bop Benny draw what you will out of that the idea being like among some hipster blacks, although with less reason, they wanted to get rid of their  slave names)  fashion (the old college plaid look fading in the face of World War II army surplus, feverish colors, and consciously mismatched outfits and affectation (“cool, man, cool” and “right on’ said it all). More social experiments gathering in the “nation” through rock concerts, now acid-etched, new living arrangements with the arrival of the urban and rural communes (including sleeping on more than one floor in more than one church or mission when on the road, or later on the bum). They all, if not all widespread, and not all successful as new lifestyles all got a fair workout during this period as well.     

Plenty of Frank’s kindred in retrospective would weigh the various combinations of events differently in figuring out how the uprising started just as plenty of them had their specific dates for when the tide began to ebb, when the mean-spirited and authoritarian began their successful counter-offensive that they still lived with for not taking the omens more seriously. (Frank’s ebb tide, as he had  described to Frankie Riley one time, was the events around May Day 1971 when they seriously tried, or thought they were seriously trying, to shut down the government in D.C. if it would no shut down the war and got nothing but billy-clubs, tear gas, beatings and mass arrests for their efforts. After those days Frank, and others, figured out the other side was more serious about preserving the old order than they were about creating the new and that they had better rethink how to slay the monster they were up against and act accordingly.)

Then Frank passed Jack a photograph that he had taken from a calendar put out by the New England Folk Song Society that his wife, Sarah, who worked to put the item out to raise funds for folk music preservation (see above) that acted as another catalyst for this his short screed, and which pictorially encapsulated a lot of what went then, a lot about “which side were you on” when the deal went down. This photograph Frank pointed out to Jack was almost impossible to imagine without some combination of that hell broth anti-war, anti-establishment, pro-“newer world” mix stirred up in the 1960s.
Three self-assured women (the “girls” of photograph a telltale sign of what society, even hip, progressive society thought about women in those slightly pre-women’s liberation time but they would learn the difference) comfortable with the loose and individualistic fashion statements of the day from floppy hats to granny dresses to bare legs, bare legs, Jesus, that alone would have shocked their girdled, silk stocking mothers, especially if those bare legs included wearing a mini-skirt (and mother dread thoughts about whether daughter knew about the pill, and heaven forbid if she was sexually active, a subject not for polite society, not for mother-daughter conversation, then she damn better well know, or else).
They are also uncomfortable about the damn Vietnam war, no, outraged is a better way to put the matter, that was eating up boyfriends, brothers, just friends, guys they knew in college or on the street who were facing heavy decisions about the draft, Canada exile, prison or succumbing to the worst choice, Frank’s choice if you could call his induction a choice what else could he have done gone to Canada, no,  military induction, at a heavy rate and they unlike their mothers who came through World War II waiting patiently and patriotically for their military heroes to come home, come home in one piece, have a very different sense of the heroic. A sense of the heroic going back to ancient times, Greek times anyway, when one group of women like their stay-at-home-waiting-for-the-other-shoe-to-drop World War II mothers demanded that their men come home carried on their shields if they had to rather than speak of defeat. Others, the ones that count here, refusing their potential soldier boys any favors, read sexual favors, okay, if they went off to war, providing a distant echo, a foundation to make their request stand on some authority, for these three women pictured there.
Frank wondered how many guys would confess to the lure of that enticement if they had refused induction. His own wife, quickly married at the time was if anything more gung-ho about stopping the red menace than his parents. Frank did not refuse induction for a whole bunch of reasons but then he did not have any girlfriends like that sweet mother Quaker woman later, who made that demand, his girl- friends early on, and not just his wife if anyway were as likely to want him to come back carried on a shield as those warrior-proud ancient Greek women. Too bad. But Frank said to Jack as Jack got up ready to head home to Hingham and Chrissie that he liked to think that today they could expect more women to be like the sisters above. Yeah, more, many more of the latter, please as Frank and his comrades in Veterans for Peace continue to struggle against the night-takers in the nightmare world of endless war.

In Honor Of The Late Rocker Chuck Berry Who Helped Make It All Possible-*In Honor Of The Late Bo Diddley-"Who Do You Love?", Indeed

Click on the headline to link to a "YouTube" film clip of Bo Diddley performing his classic, "Who Do You Love?"

In Honor Of The Late Rocker Chuck Berry Who Helped Make It All Possible-*In Honor Of The Late Bo Diddley-"Who Do You Love?", Indeed


CD REVIEW

The Best of Bo Diddley, Chess Records, 1997


The last time I had occasion to mention the late Bo Diddley in this space was in connection with a series of interviews and performances along with Chuck Berry, Little Richard and others in Keith Richards' Chuck Berry tribute film "Hail, Hail Rock and Roll." The talk centered, rightly, on the dismal fate of many black recording artists who developed what would become Rock 'n' Roll when the white artists like Elvis took it over and reaped the benefits of a mass audience. Well, those interviews occurred a while ago, back in the 1980's, but Bo's sense of not having been properly recognized I believe remained until his death. Yet, when one thinks of the sounds created by the founders of Rock 'n' Roll can anyone deny that Bo's primal beat was not central to that explosion? I think not.

Here, in one album we have, if not all of Bo's creative work then a good part of it, at least a good place to start. Of course, the classic song Bo Diddley and its offshoots and variations are here. However, the one Diddley song that will probably outlive them all is "Who Do You Love?". Although not a theme song it nevertheless expresses the raw energy of rhythm and blues/ rock/ carib sound like not other. Hell, George Thoroughgood was able to make a whole career on the basis of having covered that song and other of Bo's work (and to be fair, covering the work of Elmore James and Hound Dog Taylor as well).

And that is a good point to finish on. The really great rockers, and Bo is in that company, unlike the one-shot johnnies get covered because their work expresses something that someone else later wishes to high heaven that they had created. (George has been quoted directly on that point.) Finally, I give the same warning here as others have given in their comments about the sameness of this Chess 50th Anniversary CD from 1997 and a current one entitled "The Definitive Bo Diddley Collection" issued in 2007. Get one or the other and save those pennies to get more of Bo's work. "I said- I'm just 22 and I don't mind dying. Who do you love?" Thanks for that line Bo. Kudos


Who Do You Love?
Bo Diddley


I walked 47 miles of barbed wire,
Used a cobra snake for a neck tie.
Got a brand new house on the roadside,
Made out of rattlesnake hide.
I got a brand new chimney made on top,
Made out of human skulls.
Now come on darling let's take a little walk, tell me,
Who do you love,
Who do you love, Who do you love, Who do you love.

Arlene took me by the hand,
And said oooh eeeh daddy I understand.
Who do you love,
Who do you love, Who do you love, Who do you love.
The night was black and the night was blue,
And around the corner an ice wagon flew.
A bump was a hittin' lord and somebody screemed,
You should have heard just what I seen.
Who do you love, Who do you love, Who do you love, Who do you love.

Arleen took me by my hand, she said Ooo-ee Bo you know I understand
I got a tombstone hand and a graveyard mind,
I lived long enough and I ain't scared of dying.

Who do you love (4x's)

by Bo Diddley

Saturday, August 05, 2017

We Are In A Cold Civil War-Join The Anti-Fascist Resistance-For Labor/Black Action to Stop Fascists!

We Are In A Cold Civil War-Join The Anti-Fascist Resistance-For Labor/Black Action to Stop Fascists!

By Frank Jackman

Usually I place articles and announcement from various left-wing and progressive groupings that I do not necessarily agree with but think that the general radical-left liberal milieu might find of interest in a blog site dedicated to American Left History (and its complement cultural component) past and present. I have noted more than once that I usually do not comment on the views expressed and if I do have differences I can either write my own comments or if the differences are severe or reflect bad taste not post the item. Occasionally in the struggle against the ugly forces that have reared their heads in the age of Donald J. Trump, President of the United States and apparently nothing but a common criminal and maybe a sociopath, have felt the wind at their backs under his tenure I find some article or statement which I am in general agreement with and will as here take the time to express general if not total solidarity with the views expressed by others.  

The most important point made in the article belong which deals with an analysis and program to defeat the emergent serious extra-parliamentary right-wing threat is that we must learn the hard lessons of history on the question of stopping the fascist and fascistic elements in the egg. If that had been done in Germany at any point up to and including 1933 the history of the Western world could very well have taken a different trajectory and we would today probably not be faced with what looks like yet again a global right-wing counter-revolutionary movement baring its knuckles. Closer to home we have to nip the small but growing fascist threat which seemingly is turning the cold civil war we have been facing for a while now and which is getting more heated in the bud- and in the streets.

A second point to note is knowing what period we are in and who is and who is not going to benefit from the rise of the fascists (call them as they call themselves “the alt-right” it is the same damn thing that has been with us since post-World War I times). The rise of Trump was by parliamentary means-by regular bourgeois norms elections and does not represent a fascist take-over as some claim. The ruling class at this moment has not been defeated anyplace in the world militarily, at least where it would fatally hurt, as it did in Germany after their World War I defeat and that ruling class here is not now, and I emphasize not now, confronted by any militant mass left-wing movements that would threaten their power necessitating the need to go beyond their normal military/police forces to curb.   

As this cold civil war heats up there will be plenty of those in the opposition, on our side, who want to call on the government to stop the fascists, or better yet, call on the opposition party, the Democrats, to do something about the matter. Wrong. While we may unite with all who want to oppose the fascist threat on the streets, including democrats, to rely on the good offices of any establishment political organization to do our work for us is fool-hardy and in the end dangerous. We must rely centrally on our ability to gather masses of working people and the oppressed to stop these sewer rats. History shows no other way but a straight up fight to the finish or else these scumbags, excuse my vulgar usage but we are in a fierce fight and the niceties of everyday politics are not called for, will be further emboldened. Those who profess some “rational” and “reasoned” approach to deal with this life-threatening menace are doomed to the scrap heap.

Finally there is no room for being “liberal” in this fight. These fascists are not a literary/political club movement we can debate with or permit to spew their trash talk under the banner of “free speech.” Those who thought that approach might work in the Weimar Republic in the 1920s and early 1930s either had to flee into exile or found themselves in some death camp. We can give no quarter here. Period. 


So yes, for once, on this issue of fighting the emerging fascist threat I stand in solidarity with the views expressed below with its sober analysis and program to fight the menace right now.  

********

Workers Vanguard No. 1110
21 April 2017
 
For Labor/Black Action to Stop Fascists!
Fascists Fueled by Trump Election
Hundreds of Jewish headstones desecrated. Women wearing the headscarf attacked on the streets. Two software engineers from India shot, one fatally, in Kansas in February by a Navy vet who howled, “Get out of my country.” A Sikh American shot in his driveway in Kent, Washington, last month by a masked white man screaming, “Go back to your own country.” Timothy Caughman, a 66-year-old black man, murdered on the streets of Manhattan on March 20 by a white-supremacist who had come to New York City from Baltimore with the express purpose of killing black men.
The race-terrorists have been emboldened by the campaign and victory of the right-wing demagogue Donald Trump, and are taking their cue from the unabashed racism and anti-immigrant vitriol emanating from the White House. The ultimate aim of the fascists, including those who congregate around the “alt-right,” is racial genocide and the destruction of workers organizations, including unions and the left.
The race-terrorists have played on the racist backlash against Barack Obama, America’s first black president. Obama’s eight years in office offered nothing to black and working people; the Democratic Party no less than the Republicans represents the very capitalist order that breeds fascism. During the Obama administration, conditions for black people and workers continued to worsen while cops wantonly gunned down black people on the streets. More industrial areas turned into rust bowls, while strongholds of union power continued their steep decline. Obama rigorously pursued U.S. imperialism’s war aims abroad, while ramping up the “war on terror” at home, which targets Muslims in particular. The fascist thugs feed off anger and frustration arising from economic devastation; they scapegoat black people, immigrants and minorities for the misery inflicted on the population by the capitalist rulers.
On April 15, when hundreds of “protesters” descended on downtown Berkeley for a pro-Trump rally, the fascists infesting the crowd made clear that they were out for blood. Chanting “Hitler did nothing wrong” and giving Nazi salutes, they viciously attacked antifa activists and leftists with clubs, flagpoles and knives. One viral video shows Nathan Damigo, head of the fascist group Identity Evropa, punching a woman in the face. Last June, in Sacramento, white-supremacists of the Traditionalist Workers Party and the Golden Gate Skinheads stabbed and slashed at least seven anti-fascists, sending them to the hospital. In Berkeley, anti-fascists were able to defend themselves from fascist violence but a number were injured.
Individual acts of courage are not enough to smash the fascist threat. What is needed are massive, integrated, disciplined mobilizations based on the social power of the multiracial working class. The workplace is the only real point of integration in American society, providing the potential basis for unity in struggle to defend working people and the oppressed. Black workers in particular can be the living link that unites the power of the working class with the anger of the ghettos.
The union movement has been flat on its back for many years under a misleadership that is committed to capitalism and has shackled the unions to the Democratic Party. A fight by militant unionists to organize labor/black power to crush the fascists can give the working class a taste of its social power. It is the fascists—not black people, immigrants, Muslims, Jews, leftists and others—who must be made to feel the sting of fear.
Who Are These Scum?
Today, many fascist groups in the “alt-right” claim that they are something different from the Klan and Nazis. They dress in “respectable” suits and ties and promote themselves as intellectuals. One of their leading voices is Richard Spencer, führer of the innocuously named National Policy Institute (NPI). When the NPI held a conference in Washington, D.C., shortly after Trump’s election, Spencer responded to the audience’s stiff-armed Nazi salutes by declaring: “Hail Trump! Hail our people! Hail victory!” (the latter a translation of the Nazi slogan “Sieg Heil”).
Allied with Spencer is Identity Evropa, which describes itself as an organization of “awakened Europeans” and requires that its members be of “European, non-Semitic heritage.” Its leader, Damigo, is a former Marine who was twice deployed to Iraq. After returning, he held up an immigrant taxi driver at gunpoint in San Diego in 2007, believing the man was Iraqi. While in prison for four years, he immersed himself in the writings of “former” Klansman David Duke. Before founding Identity Evropa in March 2016, Damigo—who describes black people as “inferior to whites, genetically”—was a leader of the now-defunct National Youth Front, the youth arm of the white-supremacist American Freedom Party.
Identity Evropa is currently waging a campaign, called “Project Siege,” to recruit from College Republicans. Its members have appeared at colleges and its posters and stickers have been spotted on campuses around the country. These posters consist of Greco-Roman images with slogans like, “Protect Your Heritage.” Their slick website serves as a portal for those who claim racial superiority and who deny the Holocaust. As part of their recruitment drive, Damigo, Spencer and others held a rally on 6 May 2016 at UC Berkeley, the former bastion of left-wing student protest.
Today, outfits like Identity Evropa, the Traditionalist Workers Party and others are still small. But they will strike with force, as seen in Sacramento and Berkeley. It is vital that they be crushed in the egg before they grow. Against those who call for bans on “hate speech” or who argue for “free speech” for fascists, we say that when these race-terrorists rear their heads they must be repulsed through mass protest. Fascism is not about speech or ideas; it is about racist terror. “Anti-extremism” bans, whether instituted by campus administrations or government forces, will always be used to silence leftists, anti-racists and minority activists.
Fascism in the U.S. is rooted in the defeat of the Confederacy by the Union Army in the Civil War, when 200,000 black soldiers and sailors played a key role in destroying slavery. The Klan and other race-terrorists came into being after that victory and bloodily suppressed the newly freed slaves. No less than the KKK, the fascist vermin in the “alt-right” represent a threat to the very right of black people to exist. They aim to reverse the verdict of the Civil War.
Prepare to Fight!
Unlike Germany in the 1930s, when the Nazis rose to power and went on to carry out the unspeakable horrors of the Holocaust, America’s capitalist rulers do not at this time feel the need to resort to fascism. The U.S. is not a defeated imperialist power, as Germany was after World War I, nor does the U.S. bourgeoisie currently face a challenge to its rule from the working class. The daily terror meted out by the cops against black people and minorities is today deemed sufficient to keep the oppressed in check. At the same time, the capitalist rulers hold the fascist shock troops in reserve, to be unleashed at times of social crisis in order to spike any prospect of revolutionary struggle by the working class.
The Trump administration is not fascist, but the fascists sure as hell have a lot of friends in high places. Trump appointed as his chief strategist Stephen Bannon, a well-known “white nationalist” who took over Breitbart News and turned it into “the platform of the alt-right,” as he boasted. Trump’s top counter-terrorism advisor, Sebastian Gorka, is reportedly a member of the Vitezi Rend, a Hungarian organization that harks back to the fascistic interwar dictatorship of Admiral Horthy—Gorka wore its medal at Trump’s inauguration ball. Stephen Miller, one of Trump’s senior advisors, joined Richard Spencer in organizing an anti-immigrant event at Duke University in 2007. He went on to work for notorious racist and defender of the Confederacy, Jeff Sessions, now the attorney general. One could go on.
Bolstered by their high-ranking friends, the fascists have put the left in their deadly sights. We of the Spartacist League were targeted earlier this year, when a fascist secretly videoed one of our comrades distributing Workers Vanguard at the D.C. inauguration protests. The fascist posted the video on YouTube and vowed to “infiltrate” our organization. In Berkeley, the fascists made it clear that they are targeting leftists by chanting “commies, off our street!” It is a matter of life and death for the left to fight for united-front actions, based on the power of the unions, to beat back the fascist threat. In such united fronts, every organization must be free to put forward its political program in the course of struggle. As Bolshevik leader Leon Trotsky put it: “March separately, but strike together!”
During the presidency of Ronald Reagan, much like today, the official racism of the White House encouraged the Klan and Nazis. When the fascists tried to hold rallies in major urban centers, the Spartacist League and Partisan Defense Committee initiated and organized labor/black mobilizations. From Washington, D.C., where the Klan threatened to stage an anti-immigrant provocation, to Chicago, where the Nazis took aim at a Gay Pride demonstration, and elsewhere, we succeeded in sparking protests of thousands to stop the fascists. At the core of these actions were contingents of determined workers from the multiracial unions standing at the head of the black poor, immigrants and all the intended victims of fascist terror.
These mobilizations required a constant political struggle—against the cops, courts and other forces of the capitalist state, as well as capitalist politicians. Fearing the specter of labor/black power, Democratic mayors and other officials preached “tolerance” and “peace.” They called diversionary rallies far from where the fascists intended to march while violence-baiting those who wanted to stop fascist violence. And time and again, they were joined by reformist leftists who promoted reliance on the Democrats. When, in October 1999, we issued a call to stop the Klan from marching in New York City, the International Socialist Organization refused to endorse and instead joined a diversion organized by the Democrats where they shared the platform with a Latino police association. It should be an elementary understanding for leftists that the cops are the enemy. Historically, the policeman and the Klansman have often been the same man.
What is needed is a fight to finish the Civil War through an American workers revolution that achieves the promise of black equality, the liberation of all the exploited and oppressed and puts the last nail in the coffin of the fascist killers. The labor/black mobilizations we initiated are a small example of the leadership and forces needed to build a party of our class in struggle against the capitalist enemy. In the face of the growing fascist menace, we must be prepared to mobilize.