Wednesday, December 06, 2017

Deal Them Off The Top, Brother, Deal Them Straight Off The Top--With Eric Holden’s “The Cincinnati Kid” In Mind

Deal Them Off The Top, Brother, Deal Them Straight Off The Top--With Eric Holden’s “The Cincinnati Kid” In Mind     






[Every once in a while a subject comes up, here gambling through the prism of  high stakes poker to be the top dog, that someone has written about previously, then gambling through the prism of high stakes pool to be the top dog, and did such a well thought of job at it that good sense requires that person to take a stab at the new subject which in this case is really a variation on the older subject-who and how to get to be number one, numbero uno, in your chosen profession when the guy at the top seems immovable, seems immortal. That was the case when Josh Breslin wrote when he was younger for the East Bay Eye in the late 1960s and which subsequently has been posted in this space with some additional editing about young, handsome and here is the fatal kicker impetuous “Fast Eddie” Felton’s rise in the world of cigarette-strewn and whiskey bottle smoky pool halls until he came up against the king of the hill a guy named Jackie “Tubby” Gleason and got his clock cleaned. Lost his angel girl too to some one-eyed pimp daddy whom she took around the world on the rebound once Fast Eddie had that “loser” tag tattooed on him, on his forehead although anybody even vaguely familiar with that sport didn’t need that identification mark to know he had tapped out, news in such circles moves fast. Yeah impetuous had to go against the tiger before he was ready, before he broke his “impetuous jones” lost everything until he faded and went back to cheap street just another guy hustling nickels and dimes from punk kid amateurs out in some Joe’s Pool Hall in Peoria who didn’t know he touched the big time before he became pimp meat.

So we, the soon to be retired administrator on this site, Pete Markin, and I, Greg Green, now the acting administrator to see how I like it and see if I can help reverse some narrowing of perspective on this site over the past several years when a lot of the action has centered on the turbulent 1960s and not much else, invited Josh to give us what film critic emeritus Sam Lowell loves to call the “skinny” on the biggest poker game, stud poker of course what else, that ever hit the wicked sun- drenched and fucking humid town of New Orleans back in the 1930s, the time of the great hunger among plenty of guys looking to be top dog on the sly. Just to set the stage this is a tale about the rise of another young, handsome and here is without making this thing a cautionary tale the fatal kicker impetuous in the world of stud poker, a guy named Steve McQueen although he went by a million names. I think Josh said at the time of this event Eric Holden, but everybody called him the Cincinnati Kid although as Josh mentioned this kid had never been to that Ohio River city, had never really been north of Memphis and probably couldn’t pinpoint the place if you gave him three chances for a buck.

The rise of the Kid until he hit the buzz saw of ancient Lance Robinson who like Tubby Gleason with Fast Eddie cleaned his clock and sent him back to cheap street to nurse his wounds is what interested Josh. Interested the same way young Eddie Felton interested him when he got the story from Georgie Boy Scott out in some sleazy back-water pool hall when Tubby Gleason finally cashed his check and Josh wanted to what had happened to guys who had taken a run at him when he was in his prime. So when we sent him on the trail after hearing that Lance Robinson had recently gone on to his just rewards as an ancient warrior king of the poker parlors he was almost as eager as when he first sniffed that cigarette-strewn whisky besotted pool hall back in his young reporting days (That changing of names by the way according to Josh pervasive in gambling circles since you never know when you have to skip town owing a million markers to some rough guys and have to head into a dive town where if you used your real name to grab a stake from the hotshot local amateurs they would tar and feather you-they would know how to do that little number no matter how bad they were at your profession.)-Greg Green]          

By Joshua Lawrence Breslin

I got this story straight from the “Shooter,” a guy whose real name or at least that is what I always knew him by when I got tipped that he was the guy to get whatever I needed to know about Lance and about his most famous challenger was Carl Malden. I had run into him around Jackson Square in New Orleans. Somebody from the now long faded Lafayette Hotel known more now for fast-hustling hookers paying room rent by the hour (or rather their Johns doing the honors) than poker-faced poker players had tipped me that Shooter might know where world historic defeated pool-player “Fast Eddie” Felton might be nursing his wounds and the Shooter told me that was old hat, Fast Eddie was working the steamboat tourist trade up and down the Mississippi since he got stripped naked by Tubby Gleason and was not story, zero in the pool hall world where it counted down in the human sink along with the whores, pimps and stone ass junkies. I got the Felton story almost despite the Shooter once he knew that I knew he, the Shooter, had taken his liberties like a lot of guys had with this kinky stone ass junkie Angelica who used to be Fast Eddie’s girl until he tanked out while she was riding high with Fast Eddie. I threatened Shooter with the hard ass fact that when I found Fast Eddie which I would do eventually I would lay that very juicy piece of information on him and the guy crumbled like a bent fender in the days when such things happened to fenders almost at the touch. (You already know from Greg Green’s thoughtful introduction that I did get the story, did get some awards for the piece, the coveted Globe for one, and that I did not tell Fast Eddie who had not aged gracefully what with a booze and jone habit stacked together that his angel girlfriend had taken Shooter around the world while Eddie was playing some rich Memphis banker downstairs in his hillside mansion. Fuck it he probably would not have cared one way or the other-yesterday’s news but Shooter was shaky to buy my line.)       

The story Shooter really wanted to tell was about a guy named Eric Holden, something like that who was the cat’s meow at poker, five card stud poker in case anybody was asking, the only kind, serious kind to get a man’s blood up and who knew Fast Eddie in passing since they both had hung out at Sam Levine’s pool hall over on the low rent end of Bourbon Street where the amateurs, the rising stars with no dough backing them up hung looking for attention and the guys on the run who kept a low profile in the smoking background. I don’t think from what I learned later that Eddie and Eric knew each all that well since they were running different sides of the street once this Eric figured he would end up in some back alley face down if he played any serious money pools but had this almost mathematically precise mind for stud poker (and nerves of steel a not unimportant attribute if you are going up against the king of the hill). The Shooter told a story about how Fast Eddie always the hustler told Eric that he would spot him three balls if he would “shoot pools” his favorite expression for a hundred bucks. Eric told him to fuck off that “it was not his game.” Yeah both young, from hunger, handsome, ladies handsome but both young men maybe a little bit too blue-eyed pretty boy for the serious aficionados of pool or poker and fatally flawed with those impetuous natures like they were gods, gods pure and simple.        

This Malden who got that Shooter moniker for always playing it straight, always telling the story true or as true as any guy who is around any gambling circles will tell the tale. This is the story of the rise and fall of his protégé, Eric, I will tell about how Eric  got his moniker in a minute and then if you have been around gambling circles you might recognize the name before he dropped down among the peons, con men and cutthroat artists back in the old days. Back in the hard-bitten wide open days after World War II where there was loose money around and plenty of hungry guys ready to scoop it up around drifter towns like New Orleans and a million other port cities. His protégé being none other than real name, fuck that Eric Holden con, Steve McQueen who always except when he was laying low in some dive town trying to work up a stake to get back in the action carried the moniker Cincinnati Kid. The Kid a real comer until one Lance Robinson took him gently to the cleaners and pushed him back to cheap street and the low rent dive town hustle. Happens every time to those impetuous fools.     

Before I retell the Shooter’s tale I had better give you his bone fides. Shooter like a lot of guys before World War II was pretty footloose, was from what later guys up my way in Olde Sacco in Maine would call “from hunger,” I know they were, I, was. Very early on he would hustle his friends for dimes and quarters playing card tricks to while away the time until he got his first stake. Maybe a hundred bucks which was real money then among the squares although before he hit bottom he was using hundred dollar bills as straws for his cocaine habit lines. He moved pretty quickly up the stud poker food chain, got a reputation as a tough guy to beat which is an excellent advertisement in that profession since it will draw all kind of guys to “prove” you are a one-shot wonder, just lucky with the rubes. Probably helped that build-up with about twenty shots of straight whisky. His aim all that time was to build a reputation in order to get a shot at the reigning king of the hill, guess who even back then, Lance Robinson. Well the long and short of it was that when that big match occurred in Memphis old King Lance kicked out the jams on the Shooter in less that twenty-four hours, something of a record in high stakes poker at the time among the top contenders.     

That experience left the Shooter very shaken, left him always working the percentages thereafter, win a little, lose a little, and keep your hand in until you find a guy who could beat this Lance. Now when the Shooter is telling me this story he is already an old man, is reliving some younger dreams about bringing the Kid along.  After his defeat at the hands of Lance the Shooter also began to toy with other gambling ventures which makes senses since win a little, lose a little makes for very tight budgets and screams from irate landlords and bill collectors. He took up horses, pool, and cock fights which is how his honey to be introduced in a minute got her sexual juices up watching those cocks go at it, strange bitch it seemed to me but the Shooter remained true blue to her even when she blew town on him the last time with a half a hundred thou. (On that barbarian cock fight stuff remember this is Louisiana, Cajun country where such “traditions” were still honored even though the sport was illegal in the state.)

Shooter would drift through the towns all up and down the Mississippi trying as he said “to do the best he could.” It was in Shreveport where he ran into the Kid the first time who was working in a pool hall. Shreveport is also where he met his first wife, this Maggie Ann, the cock fight frill, who was working in Madame LaRue’s whorehouse when he picked her out of the line-up and she took him around the world. This Maggie Ann is important to the story later when the big match comes around but every time the Shooter mentioned her name to me he added “that whore” so he was still hot under the collar about her whorish strutting ways even when they were married, maybe especially when they were married and he was out of town a lot trying hustle dough to keep her in clover. No dice in the end although not for the Shooter’s not trying since she led him a merry chase and that ain’t no lie.          

So the Shooter once the Kid hits New Orleans teams up with him, teaches him a few things and starts working to get him a bankroll in order to face down this Lance. Things were moving along well until the Kid ran into some country girl, Laura, whom the Kid always called Tuesday since that was the day that they met and he had had big night cleaning up five Gs off the big boys at the Lafayette Hotel weekly game, with blonde hair and doe-like eyes all blue and he fell, fell hard for her (this despite grabbing Maggie Ann’s free ass for getting his ashes hauled every time Shooter was out of town-and a couple of times when he was in town and Maggie Ann was testing her coquettish whorish ways to see if he would belt her one). Although Shooter didn’t know about the stuff between Maggie Ann and the Kid until she was ready to leave town and wanted to rub it in, rub salt in Shooter’s loveless wounds and told him every detail about every guy she had done, and a couple of girls too, told him she had blown all his friends for good measure, he knew that having a girl hanging over the Kid as he was trying to go for the brass ring was the kiss of death, would be an albatross around his neck. He wouldn’t listen, told Shooter he could beat Lance, beat the old man like a gong without working up a sweat. Almost broke the whole thing off when just before the big Lafayette Hotel game he snuck down to Cajun country to see this Tuesday and have some sex with her which would, no doubt in the Shooter’s mind, make him too loose, too unfocused on his mission.                

So the big day comes and everybody who is anybody around Louisiana gambling circles showed up for the Kid-Lance show-down. The Shooter could tell after about fifteen seconds that the Kid had had his way with this Tuesday and that his energies would be sapped. Jesus. Now the way these games, this high stakes stud poker works is a lot different from some back room at Mick’s gin mill where Mick has paid off the coppers for the amateurs to play for a few bucks and he gets a cut off the top for his services. They have certain protocol or they did until guys like Reno Red build a casino on up in the mountains just short of California and Bugsy Segal built Xanadu out in the Los Vegas deserts. A big game would take place in an up-scale hotel where the manager paid off the coppers to keep away and the gamblers would rent out a suite of rooms to do their business in.

High stakes stud poker was, is, played to the death, played until somebody cries “uncle” and can’t or won’t raise anymore dough to stay in the game. So the whole process can take hours, days and a suite with bedrooms and the like is a bare minimum requirement. Besides a high stakes game will draw many interested spectators to see if the champ will be dethroned but more likely to bet on the oncome, bet big. (One of the fastest pieces of action on the sidelines which would put those who bet today on each play in a football or basketball game to shame is to bet on every turn of the card for say $100 a shot-the money changes hands very quickly and somebody can get very rich very fast-or tap out the same way.

In the old days the once elegant now faded Lafayette Hotel down near the breakwaters of the Mississippi River was the stop for high rollers coming to play in New Orleans. Every half decent stud poker player dreamed of showing his (or occasionally her) stuff in those large well-provisioned rooms against all-comers. Up and coming guys would say “I’m heading to the Lafayette” even when they were stumbling around to get stakes to play in Riley’s Pub back room dollar limit games. That included the Kid when he was coming up, when the Shooter was bringing him along and wanted to entice him with that glitter. So the big game was played up in Suite 606, a suite specifically reserved for poker players who chipped into pay the freight, to pay the room rate.                    

Like I said these events would draw a crowd from all over, all over the East sometimes all the way up to Boston. I mentioned the side bettors but as well in most games others beside in this case the young Kid and the old Lance opted for a seat in the game to see if that day maybe their luck would change and they could by default become king of the hill. Such dreams keep certain men (and occasionally women) afloat in a tough and grimy world. This day would find a few guys who had been “gutted” somehow that inelegant word used to describe cutting up fish or livestock was the term of art for those thrown on the scrapheap by either the Kid or Lance. 

There was Pig, a low rent guy who made his money from chiseling cheapjack guys in those back alley games enough to grab a stake and take his chances. Pig that day very early on sweating like a pig would fall early since he always worried about whether his stake would last long enough. Lance made toast of him. There was Doc who kept his numbers book, his lined drawn tables which showed him the percentages with each upturned card. He faded without a whimper once his figures went south on him as they naturally would when one is betting on whether a guy is bluffing or really has that down card to complete some combination that looked promising. Gone.

Then there was “Yella,” a name from a term familiar in race-conscious New Orleans which meant that somewhere along the way he had white blood in him which made him acceptable in white society somewhat, that somewhat being good enough to get “gutted” by both the Kid and Lance at the poker table in his time. Although Doc and Pig were pretty non-descript second-rate actors in this game Yella had an interesting past having gone to New York City when he was younger and set the town on fire at the Cotton Club when he had his own jazz band back in the 1920s Age of Jazz that the writer F. Scott Fitzgerald endlessly wrote about and coined the term. A New Orleans guy like Louie Armstrong was just too black for the white upper-crust crowd which frequented that uptown Harlem establishment but Yella fit right in. Then the Great Depression set in and jazz and jazz bands took a back seat. When he saw the writing on the wall the resourceful Yella won a handful of dough in a game at the Plaza Hotel against a bunch of Mayfair swells and returned to New Orleans and first pimped on Bourbon Street and the teamed with Madame LaRue to set up a high end bordello complete with girls for every kind of taste from a trip around the world to a quick blow-job when the latter was kind of an exotic treat unlike later when high school girls were doing it as a rite of passage in some places to keep some car freak lover at bay down in some Squaw Rock lovers’ lane.  (As it turned out although nobody talked about it Yella had pimped for Maggie Ann when she first hit town from Podunk down in the bayou and he would later get Tuesday as a favor to the Kid going down that road although not before as he said “sampling the wares” in both cases.) Despite that interesting background when the deal went down Yella tapped out early. Gone too. 

Taking up the last seat, usually six was the maximum number at the table at any one time, was the Shooter who was in for a while as a player until things settled out and he just dealt them out, dealt them from the top. We know Shooter’s story or enough to get us by once we know that he had been “gutted” by the old man and once we know his trials and tribulations trying to keep Maggie Ann in style and away from every stray dog of a man who caught her eye. Tough work which made dealing high stakes poker games to get some dough like child’s play. Shooter would fold after the first day and so deep into the second day it was Lance against the Kid, one on one.

Of course these high stakes games, actually even those back room ones, had a certain rhythm, a certain protocol. One was since the games were long, could be days long, any player could call himself out for a while and not lose his play at the table. Another was that if a player tapped out he or she had half an hour to raise additional cash. For known players, markers, IOUs, were acceptable and many times the only way to keep players going until they had to lay low and pay some dough toward the markers was to take markers or they would be shut out of games. Players, if they agreed, could deal themselves if there was no back-up dealer available that any players trusted enough. The dealer could also call himself out and that is why in most games a back-up dealer was hanging around.

In this meet they back up was none other than Missouri Moll who just then had tapped out having had a bad run at blackjack. She like Yella was interesting being one of the few high stakes female players. They say Moll had gotten her start in the famous Mrs. McCabe’s whorehouse up in the Klondike, up in gold country before that panned out where the girls in that girl-starved country charged (or rather Mrs. McCabe charged) five hundred dollars cash or gold for their “favors,”  a quaint term of the times before World War II. This Mrs. McCabe (she was not married but having the Mrs. kept the men away from her door-mostly) is reputed to be the “inventor” of “going under the table,” of giving guys playing cards blowjobs, head, whatever you call oral sex in your neighborhood without having to leave the table to keep up their spirits so to speak (she did not do missionary sex just the blow-jobs although more than one guy would be willing to give her a fistful of gold when she was younger for the pleasure).

Whatever the truth of Mrs. McCabe’s invention Moll learned that little trick as she rose in the ranks of high stakes poker players. Any time she tapped out and needed to raise cash fast she would go to work (not always “under the table” giving new meaning to that expression but in an adjacent bedroom) and within a half hour would have five hundred or a thousand just like that. (Many guys would hope for her to tap out including Lance when he was younger just to keep their “spirits” up.). Now older and maybe wiser she was just backing up the action although she still had enough looks for the older guys to maybe take a run at her if she needed some dough.

Not all the action as I pointed out was around the table. Money is a magnet for the pure bettor and the interested parties with cash to wager on any outcomes. A couple of guys, Mack from Detroit (don’t ask for any other part of his moniker you might wind up floating down the Mississippi) and Ruby Red, can be seen here betting on every flip of the card, on every  hand just like today’s sports junkies   which as I mentioned before is a tough dollar, is very wearying. The guy though that is important to this part of the story is a guy named Varner, Jody Varner, who father Will left him 28,000 acres of the best bottom land in Mississippi and a company town to feed what he wanted to feed off of. This Jody Varner though was not present by happenstance but because he desperately wants to see Lance fall down. All I have to say is that he had been gutted by Lance and you by now know what the deal is. This Jody seems ready to go through Will’s lifetime of struggle fortune in as short a time as he could between his mulatto mistress and his sporting habits. (As an equal opportunity sexual partner he had his way with the very white Maggie Ann on more than one occasion and would later after the Kid’s fall have his way with that Tuesday when the Kid needed a stake and needed it quickly).

Jody wants Lance beaten so badly that he did not want to leave anything to chance. He has conned the Shooter who after-all only had his reputation for fair-dealing on the line to send a few off-hand high cards the Kid’s way. The Shooter balked but being vain about Maggie Ann and her tramp-like ways which were not generally known he succumbed when Jody told him he was going to send her back to some backwater whorehouse going down on Cajun boys if he did not do as told.

In the end it didn’t do Shooter any good since the Kid spotted what he was doing from the first hand he tried to do it. In the end it didn’t matter for Shooter either since that Maggie Ann ran off with some travelling salesman who promised her the world. More importantly in the end it didn’t matter as well since ancient Lance played the Kid like a fiddle. See the Kid never having played the old man and had only stories about how he gutted one guy or another the Kid had no clue, no clue at all about how Lance played out the play. About how without saying a word he would stand up and seem in pain over a back spasm. How he would after a couple of hours call for a rest while the Kid was hot and in the meantime went crazy waiting for Lance to return. Worse of all he was clueless when he mistook a few false hands that Lance let him win and left him suspecting Lance of senility. That was the real action leading up to the “kill”-that last hand when everything matter and the Kid was like putty in Lance’s hands.   

Even though the Kid gave Lance the battle of his life he forgot the first rule of high stakes stud poker when two or more savvy guys are playing. If a guy keeps calling and raising, calling and raising at thousand dollar increments then you best fold and wait for a change of luck because as sure as shooting a guy like Lance has the goods. When he throws a check for five thou and takes your marker it is way too late-you are a goner. The Kid found out $5000 in the hole hard way when Lance turned over a Jack to complete a flush. Yeah, back to cheap street until Lance retired or kicked the bucket. It would never happen. Maybe he should have checked out where Fast Eddie Felton was hanging and take him up on that three ball handicap for a hundred bucks because he was finished as a big daddy stud poker player now that everybody knew he could be rattled. The only thing for certain after the Kid fell down was that sweet girlfriend Tuesday was going to wear out a few beds and maybe her knees getting that dough for the Kid when Lance called in that marker. (Jody even before she and the Kid  left the room gave her his calling card and said he expected to see her soon-the bastard.)         

   

The Latest From The Museum Of Fine Arts In Boston-Takashi Murakami:Lineage Of Eccentrics

The Latest From The Museum Of Fine Arts In Boston-Takashi Murakami:Lineage Of Eccentrics



From United For Justice And Peace-No War With North Korea-Stop The Madness Now!

From United For Justice And Peace-No War With North Korea-Stop The Madness Now! 

*****When The Fight To Turn The World Upside Down Was In Full Flower- With The Doors The Unknown Soldier In Mind


*****When The Fight To Turn The World Upside Down Was In Full Flower- With The Doors The Unknown Soldier In Mind

 
 
Wait until the war is over
And we're both a little older
The unknown soldier
Breakfast where the news is read
Television children fed
Unborn living, living, dead
Bullet strikes the helmet's head

And it's all over
For the unknown soldier
It's all over
For the unknown soldier

Hut, hut, hut ho hee up
Hut, hut, hut ho hee up
Hut, hut, hut ho hee up

Comp'nee, halt
Present, arms

Make a grave for the unknown soldier
Nestled in your hollow shoulder
The unknown soldier

Breakfast where the news is read
Television children fed
Bullet strikes the helmet's head

And, it's all over
The war is over
It's all over
War is over

Well, all over, baby
All over, baby
Oh, over, yeah
All over, baby
Ooh, ha, ha, all over
All over, baby
Oh, woah, yeah, all over
All over, heh

Add song meaning

Songwriters
Robbie Krieger;John Densmore;Jim Morrison;Ray Manzarek

From The Pen of Zack James

There was no seamless thread that wrapped the counter-cultural dominated 1960s up tightly, wrapped it up neatly in a pretty bow all set for posterity except for the media types who lived day by day in those merciful times for scraps to feed the teletype hot wires and by on-the-make politicians who to this day attempt to make capital making sport of what in the final analysis was a half-thought out desire to create the “newer world” that some old-time English poet was harping about. That seamless thread business had been distracting Frank Jackman’s attention of late now that a new generation of media-types are at hand who want to refight that social battle and the politicians are whipping   up the raw meat good old boys and girls and the staid as well to provide the troops for that new battle against some phantom in their heads. Despite all the rhetoric, despite all the books written disclaiming any responsibility by those who led the march, despite all those who have now “seen the light” and have hopped back into the fold in academia and the professions (in fact that march back to what everybody used to call bourgeois society started the day after the whole movement ebbed or the day they got their doctorates or professional degrees) there was some question even in Franks’ own mind about whether “the movement” for all its high gloss publicity and whirlwind effect dominated the play as much as he and his kindred had thought then or can lay claim to these forty plus years later.
Place plenty of weight on Frank’s observation, maybe not to take to the bank but to have some knowledge about the limits to what a whole generation in all its diversity can claim as its own mark on society and history. Place plenty of weight for the very simple reason that he went through the whole thing in almost all of its contradictions. Had been raised under the star of parents who slogged through the Great Depression although that was a close thing, a very close thing for some like Frank’s parents who were desperately poor. His poor besotted mother having to leave home and head west looking, looking for whatever there was out there before coming back home with three dollars in hand, and maybe her virtue how can you ask that question of your mother when you wouldn’t think to look at her when young, later too, that she was capable of sex, not the sex you had at your pleasure with some sweet Maryjane. His father out of the Southern winds, out of tar-roof shack of a cabin, half naked, down in the coal-rich hills and hollows of Appalachia, the poorest of the poor, leaving that desperate place to seek something, some small fame that always eluded him. They together, collectively, slogged through the war, World War II, his father through Pacific fight, the most savage kind, had his fill of that damn island hopping and his mother waiting, fretfully waiting for the other shoe to drop, to hear her man had laid his head down for his country in some salted coral reef or atoll whatever they were. Get this though, gladly, gladly would lay that head down and she if it came right down to it would survive knowing he had laid that precious head down. That was the salts they were made of, the stuff this country was able to produce even if it had very little hand in forming such faithful servants so no one would, no one could deny their simple patriotism, or doubt that they would pass that feeling on to their progeny.
Made that progeny respect their music too, their misty, moody I’ll see you tomorrow, until we meet again, I’ll get by, if I didn’t care music, music fought and won with great purpose. But Frank balked, balked young as he was, with as little understanding as he had, the minute he heard some serious rhythm back-beat absent from that sugary palp his parents wanted to lay on him and he would, young as he was, stand up in his three brother shared room (when they were not around of course for they older “dug” Patti Page and Rosemary Clooney, stuff like that) and dance some phantom dance based on that beat he kept hearing in his head, and wondered whether anybody else heard what he heard (of course later when it was show and tell time in the 1960s that beat would be the thing that glued those who were kindred together, funny they were legion). Caught the tail end of the “beat” thing that those older brothers dismissed out of hand as faggy, as guys “light on their feet” and gals who seemed black-hearted blank and neurotic. But that was prelude, that, what did somebody in some sociology class call it, the predicate.                      
As the 1960s caught Frank by his throat, caught him in its maw as he liked to call it to swishy-dishy literary effect he got “religion” in about six different ways. Got grabbed  when the folk minute held sway, when guys like Bob Dylan and Dave Von Ronk and gals like Joan Baez preached “protest” to the hinterlands, reaching down to places like Frank’s Carver, nothing but a working poor town dependent on the ups and downs of the cranberry business. At one time the town was the cranberry capital of the world or close to it. That up and down business depending too on whether people were working and could afford to throw in cranberry sauce with their turkeys come Thanksgiving and Christmas or would be reduced to the eternal fallback beans and franks. But see Carver was close enough, thirty or forty miles south of Boston to Beacon Hill and Harvard Square to be splashed by that new sound and new way of going on dates too, going to coffeehouses or if times were tough just hang around the Harvard Square’s Hayes-Bickford watching with fascination the drunks, hipsters, dipsters, grifters, winos, hoboes, maybe  an odd whore drinking a cup of joe after some John split on her, but also guys and gals perfecting their acts as folk-singers, poets, artists and writers.
Grabbed on the basis of that protest music to the civil rights movement down South, putting Frank at odds with parents, neighbors and his corner boys around Jack Slack’s bowling alleys. Grabbed too the dope, the hope and every girl he could get his hands on, or get this to tell you about the times since he was at best an okay looking guy, they could get their hands on him, on those bedroom blue eyes of his they called it more times than not, that came with the great summers of love from about 1965 on.
Here’s where the contradictions started get all mixed up with things he had no control over, which he was defenseless against. So grabbed too that draft notice from his friends and neighbors at the Carver Draft Board and wound up a dog soldier in Vietnam for his efforts. Wound up on cheap street for a while when he came back unable to deal with the “real” world for a while. That failure to relate to the “real” world cost him his marriage, a conventional marriage to a young woman with conventional white picket fence, a little lawn, kids, and dogs dreams which only had happened because he was afraid that he would not come back from “Nam in one piece, would never get to marriage for what it was worth. Grabbed the streets for a while before he met a woman, a Quaker woman, who saved him, for a while until he went west with some of his corner boys who had also been washed by the great push. Did the whole on the road hitchhike trip, dope, did communes, did zodiacs of love, did lots of things until the hammer came down and the tide ebbed around the middle of the 1970s. So yeah Frank was almost like a bell-weather, no, a poster child for all that ailed society then, and for what needed to be fixed.      
That decade or so from about 1964 to about 1974 Frank decided as he got trapped in old time thoughts and as he related to his old friend Jack Callahan one night at his apartment in Cambridge as they passed a “joint” between them (some things die hard, or don’t die) was nevertheless beginning to look like a watershed time not just for the first wave immediate post-World War II baby-boomers like him, Jack, Frankie Riley, the late Peter Markin, Sam Lowell and a lot of other guys he passed the corner boy night with (the ones like him born immediately after the war as the troops came home, came off the transports, and guys and gals were all hopped up to start families, figure out how to finance that first white picket fence house and use the GI bill to get a little bit ahead in the world, at least get ahead of their parents’ dead-end great depression woes) who came of social and political age then washed clean by the new dispensation but for the country as a whole. More so since those of the so-called generation of ’68, so called by some wag who decided that the bookends of the rage of the American Democratic Convention in Chicago that year and the defeat of the revolutionary possibilities in France in May of that year signaled the beginning of the ebb tide for the whole thing, for those who are still up for a fight against the military monster who is still with us are continuing to fight a rearguard action to keep what little is left of accomplishments and the spirit of those time alive.
Thinking back a bit to that time, Frank as the dope kicked in, a thousand things, or it seemed like a thousand things, some things new in the social, economic, political or cultural forest came popping up out of nowhere in many cases, came together in pretty rapid succession to draw down in flames the dread red scare Cold War freezes of their  childhoods (that time always absurdly symbolically topped off by the sight of elementary school kids, them , crouched under some rickety old desk arms over their heads some air-raid drill practice time as if, as the residents of Hiroshima and Nagasaki who are still alive from that time can attest to, that would do the slightest bit of good if the “big one,” the nuclear bombs hit.
Yeah, the Cold War time too when what did they know except to keep their obedient heads down under their desks or face down on the floor when the periodic air-raid shelter tests were performed at school to see if they were ready to face the bleak future if they survived some ill-meant commie atomic blast. (Personally Frank remembered telling somebody then that he would, having seen newsreel footage of the bomb tests at Bikini, just as soon take his  chances above desk, thank you, for all the good the other maneuver would do them.)
For a while anyway Frank and the angel-saints were able to beat back that Cold War mentality, that cold-hearted angst, and calculated playing with the good green world, the world even if they had no say, zero, in creating what went on. Not so strangely, although maybe that is why people drifted away in droves once the old bourgeois order reasserted itself and pulled down the hammer, none of those who were caught up in the whirl thought it would be for only a while or at least thought it would fade so fast just as they thought, young and healthy as they were, that they would live forever. But if you, anybody when you really think about the matter, took a step back you could trace things a little, could make your own “live free” categories of the events that chipped away the ice of those dark nights.

Start in with the mid-1950s if you like, which is where Frank liked to start dating his own sense of the new breeze coming through although being a pre-teenager then he told Jack he would not have had sense enough to call it that, with the heat of the black struggle for some semblance of civil liberties down South in the fight for voter rights and the famous desegregation of buses in Montgomery and the painful desegregation of the schools in Little Rock (and some sense of greater  equality up North too as organizations like the NAACP and Urban League pushed an agenda for better education and housing). Also at that same time, and in gathering anecdotal evidence Frank had found that these too are a common lynchpin, the first break-out of music with the crowning of rock and roll as the wave of the future (black rhythm and blues, scat, rockabilly music all mixed up and all stirred up), and the “discovery” of teen alienation and angst exemplified by sullen movie star  James Dean, who lived fast, and died fast a metaphor that would work its way through youth culture over the next generation. (And throw in surly “wild one” movie star Marlon Brando in The Wild One and a brooding Montgomery Cliff in almost anything during those days, take The Misfits for one, to the mix of what they could relate to as icons of alienation and angst .)   
An odd-ball mix right there. Throw in, as well, although this was only at the end and only in very commercial form, the influence of the “beats,” the guys (and very few gals since that Jack Kerouac-Neal Cassady-William Burroughs-Allen Ginsberg mix was strictly a male bonding thing) who listened to the guys who blew the cool be-bop jazz and wrote up a storm based on that sound, declared a new sound, that you would hear around cafés even if you did not understand it unlike rock and roll, the guys who hitchhiked across the American landscape creating a wanderlust in all who had heard about their exploits, and, of course, the bingo bongo poetry that threw the old modernists like T.S. Eliot and Ezra Pound out with a bang.
Then start to throw in the struggles against the old authority in places like Frisco town where they practically ran the red-baiters in the HUAC out of town (what Frank, and some of his friends although not the Carver corner boys except Markin, would learn to call “bourgeois authority working hand in hand with the capitalists”), the old certitudes that had calmed their parents’ lives, made them reach out with both hands for the plenty in the “golden age of plenty.”
Of course the biggest event that opened the doors for liberals, radicals, hell, even thoughtful conservatives was the sweet breeze coming down the road from Boston with the election of Jack Kennedy. Ike, the harmless uncle, the kindly grandfather, was for parents Frank wanted guys who set the buzz going, let them think about getting some kicks out of life, that maybe with some thought they would survive, and if they didn’t at least we had the kicks.

That event opened up a new psyche, that it was okay to question authority, whatever the limitations and shortness of the Camelot times with the struggles against some hoary things like segregation, the death penalty, nuclear proliferation, the unevenness of social life which would get propelled later in the decade with fight for women’s liberation, gay liberation, and the fight against the draft, the damn war in Vietnam that drove a nail into the heart of Frank’s generation. A river of ideas, and a river of tears, have been, and can be, shed over that damn war, what it did to young people, those who fought, maybe especially those who fought as Frank got older and heard more stories about the guys who like him didn’t make it back to the “real” world after “Nam, didn’t have a sweet mother Quaker lady like Frank to save them, those guys you see downtown in front of the VA hospitals, and those who refused to, that lingers on behind the scenes even today.
There were more things, things like the “Pill” (and Frank would always kid Jack who was pretty shy talking about sex despite the fact that he and Chrissie, his high school sweetheart, had had four kids when he asked what pill if you need to know what pill and its purpose where have you been) that opened up a whole can of worms about what everyone was incessantly curious about and hormonally interested in doing something about, sex, sex beyond the missionary position of timeless legends, something very different if the dramatic increase in sales of the Kama Sutra meant anything, a newer sensibility in music with the arrival of the protest folk songs for a new generation which pushed the struggle and the organizing forward.
Cultural things too like the experimenting with about seven different kinds of dope previously the hidden preserve of “cool cat” blacks and white hipsters (stuff that they only knew negatively about, about staying away from, thru reefer madness propaganda, thru the banning of some drugs that were previously legal like sweet sister cocaine and taunt Nelson Algren hard life down at the base of society in films like The Man With The Golden Arm), the outbreak of name changes with everybody seemingly trying to reinvent themselves in name (Frank’s moniker at one time was Be-Bop Benny draw what you will out of that the idea being like among some hipster blacks, although with less reason, they wanted to get rid of their  slave names)  fashion (the old college plaid look fading in the face of World War II army surplus, feverish colors, and consciously mismatched outfits and affectation (“cool, man, cool” and “right on’ said it all). More social experiments gathering in the “nation” through rock concerts, now acid-etched, new living arrangements with the arrival of the urban and rural communes (including sleeping on more than one floor in more than one church or mission when on the road, or later on the bum). They all, if not all widespread, and not all successful as new lifestyles all got a fair workout during this period as well.     

Plenty of Frank’s kindred in retrospective would weigh the various combinations of events differently in figuring out how the uprising started just as plenty of them had their specific dates for when the tide began to ebb, when the mean-spirited and authoritarian began their successful counter-offensive that they still lived with for not taking the omens more seriously. (Frank’s ebb tide, as he had  described to Frankie Riley one time, was the events around May Day 1971 when they seriously tried, or thought they were seriously trying, to shut down the government in D.C. if it would no shut down the war and got nothing but billy-clubs, tear gas, beatings and mass arrests for their efforts. After those days Frank, and others, figured out the other side was more serious about preserving the old order than they were about creating the new and that they had better rethink how to slay the monster they were up against and act accordingly.)

Then Frank passed Jack a photograph that he had taken from a calendar put out by the New England Folk Song Society that his wife, Sarah, who worked to put the item out to raise funds for folk music preservation (see above) that acted as another catalyst for this his short screed, and which pictorially encapsulated a lot of what went then, a lot about “which side were you on” when the deal went down. This photograph Frank pointed out to Jack was almost impossible to imagine without some combination of that hell broth anti-war, anti-establishment, pro-“newer world” mix stirred up in the 1960s.
Three self-assured women (the “girls” of photograph a telltale sign of what society, even hip, progressive society thought about women in those slightly pre-women’s liberation time but they would learn the difference) comfortable with the loose and individualistic fashion statements of the day from floppy hats to granny dresses to bare legs, bare legs, Jesus, that alone would have shocked their girdled, silk stocking mothers, especially if those bare legs included wearing a mini-skirt (and mother dread thoughts about whether daughter knew about the pill, and heaven forbid if she was sexually active, a subject not for polite society, not for mother-daughter conversation, then she damn better well know, or else).
They are also uncomfortable about the damn Vietnam war, no, outraged is a better way to put the matter, that was eating up boyfriends, brothers, just friends, guys they knew in college or on the street who were facing heavy decisions about the draft, Canada exile, prison or succumbing to the worst choice, Frank’s choice if you could call his induction a choice what else could he have done gone to Canada, no,  military induction, at a heavy rate and they unlike their mothers who came through World War II waiting patiently and patriotically for their military heroes to come home, come home in one piece, have a very different sense of the heroic. A sense of the heroic going back to ancient times, Greek times anyway, when one group of women like their stay-at-home-waiting-for-the-other-shoe-to-drop World War II mothers demanded that their men come home carried on their shields if they had to rather than speak of defeat. Others, the ones that count here, refusing their potential soldier boys any favors, read sexual favors, okay, if they went off to war, providing a distant echo, a foundation to make their request stand on some authority, for these three women pictured there.
Frank wondered how many guys would confess to the lure of that enticement if they had refused induction. His own wife, quickly married at the time was if anything more gung-ho about stopping the red menace than his parents. Frank did not refuse induction for a whole bunch of reasons but then he did not have any girlfriends like that sweet mother Quaker woman later, who made that demand, his girl- friends early on, and not just his wife if anyway were as likely to want him to come back carried on a shield as those warrior-proud ancient Greek women. Too bad. But Frank said to Jack as Jack got up ready to head home to Hingham and Chrissie that he liked to think that today they could expect more women to be like the sisters above. Yeah, more, many more of the latter, please as Frank and his comrades in Veterans for Peace continue to struggle against the night-takers in the nightmare world of endless war

Once Again-At The Ebb Tide Of The 1960s- With Helter-Skelter Charles Manson Who Passed At 83 In Mind

Once Again-At The Ebb Tide Of The 1960s- With Helter-Skelter Charles Manson Who Passed At 83 In Mind

By Greg Green  

[Recently, as something an introduction of myself into this space, I wrote a shorter version of this piece. I felt that piece was much about my understanding of went on, and what went wrong, in that big 1960s “jail-break” that the administrator of this space who goes by the moniker Peter Paul Markin to honor a growing up hometown friend who had taught him a lot about life, mostly good but not always, and his friends who as he said were “washed clean” by the experience as about what the criminal mind of someone like Charles Manson was able to feed off of when that moment ebbed. Some the writers in this space like Sam Lowell, Frank Jackman, Bart Webber, Si Lannon, and Josh Breslin knew the real Markin, known to them as always as “Scribe” either from the North Adamsville neighborhood where they grew up or met him as a result of a very fateful (according to Sam Lowell’s estimate in any case) decision that he made during the turbulent days of the Summer of Love in 1967. That year and that event marked them all once Scribe was able to fire them up to head out west to San Francisco the epicenter of the whole explosion and consummate the jail-break.        

I am, like Zack James, Jack Jamison, Bradley Fox, Jr. and Lance Lawrence at least a decade removed from that 1960s experience and sensibility and that second-hand knowledge was reflected in the original article. I had no axe to grind with those times. But neither did I bow down to what guys like Frank, Sam, and Josh told me about their experiences. That said, Pete Markin the soon to be retired administrator and something of a guiding light in this space (and the on-line version of The Progressive American) suggested after several talks that I expand my article somewhat to include his and the others reflections of the 1960s to give a more rounded approach to those days and events. I do so here-Greg Green]      

  
A couple of writers in this space, I think Zack James and Bart Webber, have spent a good amount of cyber-ink this past summer commemorating the fiftieth anniversary of the San Francisco-etched and hued Summer of Love in 1967. The million things that occurred there from free concerts in Golden Gate Park by the likes of Jefferson Airplane, The Doors and the Grateful Dead (the free concert concept in line with a lot that went on then under the guise of “music is the revolution and the recruits would be those who got turned on by the music and lived by it too), to cheap concerts at the Avalon and Fillmore West (the beginning of an alternative way to entertain the young in formerly rundown arenas which would keep ticket costs down and provide indoor night space for those same young patrons), to plenty of drugs from Native American ritual peyote buttons to Owsley’s electric Kool-Aid acid to high end tea, you know, ganga, grass, marijuana, to communal soup kitchens, to communal living experiment, communal clothing exchanges and above all a better attitude toward sexual expression and experience reached something like the high tide during that time.

(According to Josh Breslin who at the time was just out of high school and looking for something to do during the summer before his freshman year of college much to the chagrin of his hard-working parents who expected him to it was almost like lemmings to the sea the draw of San Francisco was so strong. For many kids like Josh and others he met out there aside from Scribe and the North Adamsville guys it really was something of a jail-break although I still can’t feel the intensity which drove Josh and the others to forsake, most for just a while, some family, career, settle down path during those admittedly turbulent times. My generation, and I was among the loudest up in Rockland, Maine where I grew up and where a cohort of the hippie-types encamped once the cities became too explosive, kind of laughed off the whole experiment as the hippies liked to say “ a bad trip,”  a waste of time and energy. Although the idea of free or cheap concerts seems like a good idea especially when you see the ticket prices today for acts like Bob Dylan or the Rolling Stones who were ready to perform gratis then the rampant uncontrolled use of illegal drugs, the idea of communal living outside of say very safe dorm life, wearing raggedy second or third hand clothes which looked like and were out of some Salvation Army grab box or Army-Navy surplus store, the idea of even eating out of some collective stew pot of who knows what composition and unbridled and maybe unprotected sex seemed weird, seemed seedy when I would see these people on the streets in town when they came for provisions or whatever they were looking for that brought them to town.]     

So as even Josh and a couple of others would admit not all of it was good or great even at that high tide which he personally places at 1967 (others like Sam placed it at the Stones’ Altamont concert in 1969 and Scribe for his own reasons had placed it at May Day, 1971 when the government counter-attacked a demonstration with a vengeance) since casualties, plenty of casualties were taken, from drug overdoses to rip-offs by less enlightened parties to people leeching off the work of others who were doing good works providing energies to go gather that food, work that kitchen, rummage for those clothes, keep the house afloat with the constant turn-over of desperate seeking people. (Markin chided me on this point originally because he did not believe that those he knew, he met were desperate, most had come from comfortable middle class homes and just wanted to shake things up a little before, which many, too many according to him did, going back to that lifestyle without a murmur when the tide ebbed).  Not good which was also noted by Zack James (who got the information from oldest brother Alex another veteran of 1967  who while on a business trip to San Francisco this spring stepped back into that halcyon past at a Summer of Love exhibit at the de Young Art Museum in Golden Gate Park) and which I used as a counter-argument to Markin’s wisp-of-the will attitude about desperate people flocking to the coast a photograph taken at a police station where one whole wall was filled with photographs from desperate parents looking for their runaway children. No so much the runaway part, all of those who flee west that year and the years after to break out of the nine to five, marriage, little white house syndrome were actually doing that, but the need to do so just then against the wishes, in defiance of those same parents who were looking for their Johnny and Janie. Who know what happened to them.

Frank Jackman, another writer in this space, basing himself on his friendship with Josh Breslin and the latter’s with Scribe spent some time a few years back taking a hint from the gonzo writer Doctor Hunter Thompson trying to figure out when that high tide crested and then ebbed.  The Scribe as far as I know the story himself a classic case of those who started with high ideals and breath of fresh air attitudes who wound up getting killed down in Mexico after a busted cocaine deal in the days after he became a coke head and was dealing and who now sleeps in a potter’s field grave down in Sonora) Year like 1968, 1969, 1971 came up as did events like the Chicago Democratic Convention in the summer of 1968, the disastrous Stones concert at Altamont in 1969, and May Day, 1971 in Washington when they tried to bring down the government if it would not stop the damn Vietnam War and got nothing but massive arrests, tear gas and police batons for their efforts. Those things and the start of a full-bore counter-revolution, mainly political and cultural which Frank said they have been fighting a rear-guard action against ever since. 

Whatever the year or event, whatever happened to individuals like Scribe and those forlorn kids in that police station photograph, there was an ebb, a time and place when all that promise from the high tide of 1967 to as Scribe would say seek a “newer world,” to “turn the world upside down” as Frank likes to say when recounting his youthful days out west and in New York City when he was starting out as a writer and make it fit for the young to live came crashing down, began to turn on itself. A time when lots of people who maybe started out figuring the new world was a-borning turned in on themselves as well. My very strong feeling after having had a small personal bout with cocaine when that was the drug of choice and you could hardly go anywhere socially without somebody bringing out a mirror, a razor and rolling a dollar and daring you not to snort just to be friendly maybe it was the drugs, too many drugs. Maybe too it was the turnover as those who started the movements headed back home, back to school and back to the old world defeated and left those who had nowhere to go behind (those photographs on that forlorn wall in that anonymous police station a vivid reminded that not everybody was “on the bus” as Markin mentioned was a term used frequently to distinguish the winners from the losers in those days).           


And as if to put paid to that ebb tide there were all the revelations that something had desperately gone wrong when cult figure and madman leader of a forsaken desert tribe of the forgotten and broken Charles Manson who died the other day after spending decades in prison had been exposed for all the horrible crimes he had committed or had had his followers commit. Markin, Frank,  Josh, Sam and I am sure Scribe if were around would write that off as an aberration, a fluke. Still sobering thoughts for those guys like Frank and Josh who are still trying to push that rock up the hill toward that “newer world” that animated their youth.  

Out In The Be-Bop 1940s Night- Free, Ya, Free- High Sierra- A Film Review

Click on the headline to link to a Wikipedia entry for the crime noir, High Sierra.

DVD Review

High Sierra, starring Humphrey Bogart, Ida Lupino, and, of course, Pard, directed by Raoul Walsh, Warner Brothers, 1941


Funny how a character, or performer, in one film will lead you to remember about or to investigate another. Recently I viewed and reviewed a film in which Ida Lupino starred, a kind of off-beat sweet fluff working-class thing in its way from 1942 entitled, Moontide, where she played alongside French actor, Jean Gabon, as down-at-the-heels hash-slinger seeking a little white house with a picket fence. In that role there was no question of her being a femme fatale-type that guys get all, well, nervous over but just a reliable dame when the deal goes down, good or bad. A rare thing in crime noir world, especially with dames. Here in the noir classic, High Sierra, Ms Lupino picks up some of the down-at-the heels aspects of that role of hash-slinger as she plays along side Humphrey Bogart as that reliable shoe good guys and bad guys both use for their own purposes

Of course at this stage of his career Bogart was the king hell actor getting choice roles as the grizzled whatever from Sam Spade in Maltese Falcon to Captain Morgan in To Have Or Have Not so his presence is the driving force of the film. Ms. Lupino is just along for the ride, and to pick up the pieces when the deal goes south. Here Bogart plays the three-time loser, Roy Earle, just out of prison and heading west to get some fresh air, and maybe a new start. A new start in his old racket, armed robbery, big-time armed robbery. Along the way west he is befriended by an Okie-type family heading to California just like the Joads before them. But Roy gets hung up on the young daughter, some lame Janie, and helps fund her operation to fix her foot. Naturally Janie is nothing but ungrateful and spoils Roy’s rehabilitation program. Needless to say, also along the way, brought along by one of the confederates, Marie, the role Ms. Lupino plays, is the smitten dish- rag gangster’s girl who stands by her man, although why with Roy the way he treats her is not apparent on the face of it.

As always in these crime noir adventures, in the end, crime doesn’t pay. In this case the big-time resort heist is fouled up by the inside man and Roy his confederates have to go on the run. Moreover Roy and Marie are forced to split up. Law enforcement keeps crowding Roy. One thing a three-time loser knows, knows deep in his bones, if he goes back to prison he ain’t coming out. That knowledge drives the suspense of the last part of the film as Earle’s world becomes smaller and smaller. And, as they say, it’s a dog’s world that does him in at the end. Ya, but he was free, free like the starry nights that he had time to dream about in his prison nights. And Marie? Who knows but that some other heel may need a reliable shoe.

In Boston December 6th- #MeToo, #TakeAKnee, and the fight against Trump ✊


Join us for this important discussion.

Donald Trump was elected President of the U.S. one year ago. From that day until now, the first year of his presidency has been met by constant protests and a growing fight back. This fall we saw protests from the football field to Facebook. With 200 NFL players refusing to stand for the National Anthem and millions of women coming forward about their experiences with sexual assault, people are ready to fight back against racism and sexism. Now it’s time we take the resistance forward! 

Join Socialist Alternative to discuss building a movement against racism, sexism, and inequality that could not only bring down Trump, but build the fight for a better world! 
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