Wednesday, December 27, 2017

An Encore Presentation-The Big Sur Café- With The “King Of The Beats” Jean-bon Kerouac In Mind

An Encore Presentation-The Big Sur Café- With The “King Of The Beats” Jean-bon Kerouac In Mind  







From The Pen Of Zack James

Josh Breslin, as he drove in the pitch black night up California Highway 156 to connect with U.S. 101 and the San Francisco Airport back to Boston was thinking furious thought, fugitive thoughts about what had happened on this his umpteenth trip to California. Thoughts that would carry him to the  airport road and car rental return on arrival there and then after the swift airbus to his terminal the flight home to Logan and then up to his old hometown of Olde Saco to which he had recently returned. Returned after long years of what he called “shaking the dust of the old town” off his shoes like many a guy before him, and after too. But now along the road to the airport he had thought that it had been a long time since he had gotten up this early to head, well, to head anywhere.

He had in an excess of caution decided to leave at three o’clock in the morning from the hotel he had been staying at in downtown Monterrey near famous Cannery Row (romantically and literarily famous as a scene in some of John Steinbeck’s novels from the 1920s and 1930s, as a site of some of the stop-off 1950s “beat” stuff if for no other reason than the bus stopped there before you took a taxi to Big Sur or thumbed depending on your finances and as famed 1960s Pops musical locale where the likes of Jimi Hendrix and Janis Joplin rose to the cream on top although now just another tourist magnet complete with Steinbeck this and that for sullen shoppers and diners who found their way east of Eden) and head up to the airport in order to avoid the traffic jams that he had inevitably encountered on previous trips around farm country Gilroy (the garlic or onion capital of the world, maybe both, but you got that strong smell in any case), and high tech Silicon Valley where the workers are as wedded to their automobiles as any other place in America which he too would pass on the way up.

This excess of caution not a mere expression of an old man who is mired in a whole cycle of cautions from doctors to lawyers to ex-wives to current flame (Lana Malloy by name) since his flight was not to leave to fly Boston until about noon and even giving the most unusual hold-ups and delays in processings at the airport he would not need to arrive there to return his rented car until about ten. So getting up some seven hours plus early on a trip of about one hundred miles or so and normally without traffic snarls about a two hour drive did seem an excess of caution.

But something else was going on in Josh’s mind that pitch black night (complete with a period of dense fog about thirty miles up as he hit a seashore belt and the fog just rolled in without warnings) for he had had the opportunity to have avoided both getting up early and getting snarled in hideous California highway traffic by the expedient of heading to the airport the previous day and taken refuge in a motel that was within a short distance of the airport, maybe five miles when he checked on his loyalty program hotel site. Josh though had gone down to Monterey after a writers’ conference in San Francisco which had ended a couple of days before in order travel to Big Sur and some ancient memories there had stirred something in him that he did not want to leave the area until the last possible moment so he had decided to stay in Monterrey and leave early in the morning for the airport.

That scheduled departure plan set Josh then got an idea in his head, an idea that had driven him many times before when he had first gone out to California in the summer of love, 1967 version, that he would dash to San Francisco to see the Golden Gate Bridge as the sun came up and then head to the airport. He had to laugh, as he threw an aspirin down his throat and then some water to wash the tablet down in order to ward off a coming migraine headache that the trip, that this little trip to Big Sur that he had finished the day before, the first time in maybe forty years he had been there had him acting like a young wild kid again.        

Funny as well that only a few days before he had been tired, very tired a condition that came on him more often of late as one of the six billion “growing old sucks” symptoms of that process, after the conference. Now he was blazing trails again, at least in his mind. The conference on the fate of post-modern writing in the age of the Internet with the usual crowd of literary critics and other hangers-on in tow to drink the free liquor and eat the free food had been sponsored by a major publishing company, The Globe Group. He had written articles for The Blazing Sun when the original operation had started out as a shoestring alternative magazine in the Village in about 1968, had started out as an alternative to Time, Life, Newsweek, Look, an alternative to all the safe subscription magazines delivered to leafy suburban homes and available at urban newsstands for the nine to fivers of the old world for those who, by choice, had no home, leafy or otherwise, and no serious work history.

Or rather the audience pitched to had no fixed abode, since the brethren were living some vicarious existences out of a knapsack just like Josh and his friends whom he collected along the way had been doing when he joined Captain Crunch’s merry pranksters (small case to distinguish them from the more famous Ken Kesey mad monk Merry Pranksters written about in their time by Tom Wolfe and Hunter Thompson) the first time he came out and found himself on Russian Hill in Frisco town looking for dope and finding this giant old time yellow brick road converted school bus parked in a small park there and made himself at home, after they made him welcome (including providing some sweet baby James dope that he had been searching for since the minute he hit town).

Still the iterant, the travelling nation hippie itinerants of the time to draw a big distinction from the winos, drunks, hoboes, bums and tramps who populated the “jungle” camps along railroad tracks, arroyos, river beds and under bridges who had no use for magazines or newspapers except as pillows against a hard night’s sleep along a river or on those unfriendly chairs at the Greyhound bus station needed, wanted to know what was going on in other parts of “youth nation,” wanted to know what new madness was up, wanted to know where to get decent dope, and who was performing and where in the acid-rock etched night (groups like the Dead, the Doors, the Airplane leading the pack then).

That magazine had long ago turned the corner back to Time/Life/Look/Newsweek land but the publisher Mac McDowell who still sported mutton chop whiskers as he had in the old days although these days he has them trimmed by his stylist, Marcus, at a very steep price at his mansion up in Marin County always invited him out, and paid his expenses, whenever there was a conference about some facet of the 1960s that the younger “post-modernist”  writers in his stable (guys like Kenny Johnson the author of the best-seller Thrill  were asking about as material for future books about the heady times they had been too young, in some cases way to young to know about personally or even second-hand). So Mac would bring out wiry, wily old veterans like Josh to spice up what after all would be just another academic conference and to make Mac look like some kind of hipster rather than the balding “sell-out" that he had become (which Josh had mentioned in his conference presentation but which Mac just laughed at, laughed at just as long as he can keep that Marin mansion. Still Josh felt he provided some useful background stuff now that you can find lots of information about that 1960s “golden age” (Mac’s term not his) to whet your appetite on Wikipedia or more fruitfully by going on YouTube where almost all the music of the time and other ephemera can be watched with some benefit.

Despite Josh’s tiredness, and a bit of crankiness as well when the young kid writers wanted to neglect the political side, the Vietnam War side, the rebellion against parents side of what the 1960s had been about for the lowdown on the rock festival, summer of love, Golden Gate Park at sunset loaded with dope and lack of hubris side, he decided to take a few days to go down to see Big Sur once again. He figured who knew when he would get another chance and at the age of seventy-two the actuarial tables were calling his number, or wanted to. He would have preferred to have taken the trip down with Lana, a hometown woman, whom he had finally settled in with up in Olde Saco after three, count them, failed marriages, a parcel of kids most of whom turned out okay, plenty of college tuitions and child support after living in Watertown just outside of Boston for many years.

Lana a bit younger than he and not having been “washed clean” as Josh liked to express the matter in the hectic 1960s and not wanting to wait around a hotel room reading a book or walking around Frisco alone while he attended the conference had begged off on the trip, probably wisely although once he determined to go to Big Sur and told her where he was heading she got sort of wistful. She had just recently read with extreme interest about Big Sur through her reading of Jack Kerouac’s 1960s book of the same name and had asked Josh several times before that if they went to California on a vacation other than San Diego they would go there. The long and short of that conversation was a promise by Josh to take her the next time, if there was a next time (although he did not put the proposition in exactly those terms).            

Immediately after the conference Josh headed south along U.S. 101 toward Monterrey where he would stay and which would be his final destination that day since he would by then be tired and it would be nighttime coming early as the November days got shorter. He did not want to traverse the Pacific Coast Highway (California 1 for the natives) at night since he had forgotten his distance glasses, another one of those six billion reasons why getting old sucks. Had moreover not liked to do that trip along those hairpin turns which the section heading toward Big Sur entailed riding the guardrails even back in his youth since one time having been completely stoned on some high-grade Panama Red he had almost sent a Volkswagen bus over the top when he missed a second hairpin turn after traversing the first one successfully. So he would head to Monterrey and make the obligatory walk to Cannery Row for dinner and in order to channel John Steinbeck and the later “beats” who would stop there before heading to fallout Big Sur.

The next morning Josh left on the early side not being very hungry after an excellent fish dinner at Morley’s a place that had been nothing but a hash house diner in the old days where you could get serviceable food cheap because the place catered to the shore workers and sardine factory workers who made Cannery Row famous, or infamous, when it was a working Row. He had first gone there after reading about the place in something Jack Kerouac wrote and was surprised that the place actually existed, had liked the food and the prices and so had gone there a number of times when his merry pranksters and other road companions were making the obligatory Frisco-L.A. runs up and down the coast. These days Morley’s still had excellent food but perhaps you should bring a credit card with you to insure you can handle the payment and avoid “diving for pearls” as a dish-washer to pay off your debts.      

As Josh started up the engine of his rented Acura, starting up on some of the newer cars these days being a matter of stepping on the brake and then pushing a button where the key used to go in this keyless age, keyless maybe a metaphor of the age as well, he had had to ask the attendant at the airport how to start the thing since his own car was a keyed-up Toyota of ancient age, he began to think back to the old days when he would make this upcoming run almost blind-folded. That term maybe a metaphor for that age. He headed south to catch the Pacific Coast Highway north of Carmel and thought he would stop at Point Lobos, the place he had first encountered the serious beauty of the Pacific Coast rocks and ocean wave splash reminding him of back East in Olde Saco, although more spectacular. Also the place when he had first met Moonbeam Sadie.

He had had to laugh when he thought about that name and that woman since a lot of what the old days, the 1960s had been about were tied up with his relationship to that woman, the first absolutely chemically pure version of a “hippie chick” that he had encountered. At that time Josh had been on the Captain Crunch merry prankster yellow brick road bus for a month or so and a couple of days before they had started heading south from Frisco to Los Angeles to meet up with a couple of other yellow brick road buses where Captain Crunch knew some kindred. As they meandered down the Pacific Coast Highway they would stop at various places to take in the beauty of the ocean since several of the “passengers” had never seen the ocean or like Josh had never seen the Pacific in all its splendor.

In those days, unlike now when the park closes at dusk as Josh found out, you could park your vehicle overnight and take in the sunset and endlessly listen to the surf splashing up to rocky shorelines until you fell asleep. So when their bus pulled into the lot reserved for larger vehicles there were a couple of other clearly “freak” buses already there. One of them had Moonbeam as a “passenger” whom he would meet later that evening when all of “youth nation” in the park decided to have a dope- strewn party. Half of the reason for joining up on bus was for a way to travel, for a place to hang your hat but it was also the easiest way to get on the dope trail since somebody, usually more than one somebody was “holding.” And so that night they partied, partied hard. 

About ten o’clock Josh high as a kite from some primo hash saw a young woman, tall, sort of skinny (he would find out later she had not been so slim previously except the vagaries of the road food and a steady diet of “speed” had taken their toll), long, long brown hair, a straw hat on her head, a long “granny” dress and barefooted the very picture of what Time/Life/Look would have used as their female “hippie” poster child to titillate their middle-class audiences coming out of one of the buses. She had apparently just awoken, although that seemed impossible given the noise level from the collective sound systems and the surf, and was looking for some dope to level her off and headed straight to Josh.

Josh had at that time long hair tied in a ponytail, at least that night, a full beard, wearing a cowboy hat on his head, a leather jacket against the night’s cold, denim blue jeans and a pair of moccasins not far from what Time/Life/Look would have used as their male “hippie” poster child to titillate their middle-class audiences so Moonbeam’s heading Josh’s way was not so strange. Moreover Josh was holding a nice stash of hashish. Without saying a word Josh passed the hash pipe to Moonbeam and by that mere action started a “hippie” romance that would last for the next several months until Moonbeam decided she was not cut out for the road, couldn’t take the life, and headed back to Lima, Ohio to sort out her life.

But while they were on their “fling” Moonbeam taught “Cowboy Jim,” her new name for him, many things. Josh thought it was funny thinking back how wedded to the idea of changing their lives they were back then including taking new names, monikers, as if doing so would create the new world by osmosis or something. He would have several other monikers like the “Prince of Love,” the Be-Bop Kid (for his love of jazz and blues), and Sidewalk Slim (for always writing something in chalk wherever he had sidewalk space to do so) before he left the road a few years later and stayed steady with his journalism after that high, wide, wild life lost it allure as the high tide of the 1960s ebbed and people drifted back to their old ways. But Cowboy Jim was what she called Josh and he never minded her saying that.

See Moonbeam really was trying to seek the newer age, trying to find herself as they all were more or less, but also let her better nature come forth. And she did in almost every way from her serious study of Buddhism, her yoga (well before that was fashionable among the young), and her poetry writing. But most of all in the kind, gentle almost Quaker way that she dealt with people, on or off drugs, the way she treated her Cowboy. Josh had never had such a gentle lover, never had such a woman who not only tried to understand herself but to understand him. More than once after she left the bus (she had joined the Captain Crunch when the bus left Point Lobos a few days later now that she was Cowboy’s sweetheart) he had thought about heading to Lima and try to work something out but he was still seeking something out on the Coast that held him back until her memory faded a bit and he lost the thread of her).          

Yeah, Point Lobos held some ancient memories and that day the surf was up and Mother Nature was showing one and all who cared to watch just how relentless she could be against the defenseless rocks and shoreline. If he was to get to Big Sur though he could not dally since he did not want to be taking that hairpin stretch at night. So off he went. Nothing untoward happened on the road to Big Sur, naturally he had to stop at the Bixby Bridge to marvel at the vista but also at the man-made marvel of traversing that canyon below with this bridge in 1932. Josh though later that it was not exactly correct that nothing untoward happened on the road to Big Sur but that was not exactly true for he was white-knuckled driving for that several mile stretch where the road goes up mostly and there are many hairpin turns with no guardrail and the ocean is a long way down. He thought he really was becoming an old man in his driving so cautiously that he had veer off to the side of the road to let faster cars pass by. In the old days he would drive the freaking big ass yellow brick road school bus along that same path and think nothing of it except for a time after that Volkswagen almost mishap. Maybe he was dope-brave then but it was disconcerting to think how timid he had become.

Finally in Big Sur territory though nothing really untoward happen as he traversed those hairpin roads until they finally began to straighten out near Molera State Park and thereafter Pfeiffer Beach. Funny in the old days there had been no creek to ford at Molera but the river had done its work over forty years through drought and downpour so in order to get to the ocean about a mile’s walk away Josh had to take off his running shoes and socks to get across the thirty or forty feet of rocks and pebbles to the other side (and of course the same coming back a pain in the ass which he would have taken in stride back then when he shoe of the day was the sandal easily slipped off and on) but well worth the effort even if annoying since the majestic beauty of that rock-strewn beach was breath-taking a much used word and mostly inappropriate but not this day. Maybe global warming or maybe just the relentless crush of the seas on a timid waiting shoreline but most of the beach was un-walkable across the mountain of stones piled up and so he took the cliff trail part of the way before heading back the mile to his car in the parking lot to get to Pfeiffer Beach before too much longer. 

Pfeiffer Beach is another one of those natural beauties that you have to do some work to get, almost as much work as getting to Todo El Mundo further up the road when he and his corner boys from Olde Saco had stayed for a month after they had come out to join him on the bus once he informed them that they needed to get to the West fast because all the world was changing out there. This work entailed not walking to the beach but by navigating a big car down the narrow one lane rutted dirt road two miles to the bottom of the canyon and the parking lot since now the place had been turned into a park site as well. The road was a white-knuckles experience although not as bad as the hairpins on the Pacific Coast Highway but as with Molera worth the effort, maybe more so since Josh could walk that wind-swept beach although some of the cross-currents were fierce when the ocean tide slammed the defenseless beach and rock formation. A couple of the rocks had been ground down so by the relentless oceans that donut holes had been carved in them.                          

Here Josh put down a blanket on a rock so that he could think back to the days when he had stayed here, really at Todo el Mundo but there was no beach there just some ancient eroded cliff dwellings where they had camped out and not be bothered  so everybody would climb on the bus which they would park by the side of the road on Big Sur Highway and walk down to Pfeiffer Beach those easy then two miles bringing the day’s rations of food, alcohol and drugs (not necessarily in that order) in rucksacks and think thing nothing of the walk and if they were too “wasted” (meaning drunk or high) they would find a cave and sleep there. That was the way the times were, nothing unusual then although the sign at the park entrance like at Point Lobos (and Molera) said overnight parking and camping were prohibited. But that is the way these times are.

Josh had his full share of ancient dreams come back to him that afternoon. The life on the bus, the parties, the literary lights who came by who had known Jack Kerouac , Allan Ginsberg, Lawrence Ferlinghetti and the remnant of beats who had put the place on the map as a cool stopping point close enough to Frisco to get to in a day but ten thousand miles from city cares and woes, the women whom he had loved and who maybe loved him back although he/they never stayed together long enough to form any close relationship except for Butterfly Swirl and that was a strange scene. Strange because Butterfly was a surfer girl who was “slumming” on the hippie scene for a while and they had connected on the bus except she finally decided that the road was not for her just like Moonbeam, as almost everybody including Josh figured out in the end, and went back to her perfect wave surfer boy down in La Jolla after a few months.

After an afternoon of such memories Josh was ready to head back having done what he had set out to which was to come and dream about the old days when he thought about the reasons for why he had gone to Big Sur later that evening back at the hotel. He was feeling a little hungry and after again traversing that narrow rutted dirt road going back up the canyon he decided if he didn’t stop here the nearest place would be around Carmel about twenty-five miles away. So he stopped at Henry’s Café. The café next to the Chevron gas station and the Big Sur library heading back toward Carmel (he had to laugh given all the literary figures who had passed through this town that the library was no bigger than the one he would read at on hot summer days in elementary school with maybe fewer books in stock). Of course the place no longer was named Henry’s since he had died long ago but except for a few coats of paint on the walls and a few paintings of the cabins out back that were still being rented out the place was the same. Henry’s had prided itself on the best hamburgers in Big Sur and that was still true as Josh found out.

But good hamburgers (and excellent potato soup not too watery) are not what Josh would remember about the café or about Big Sur that day. It would be the person, the young woman about thirty who was serving them off the arm, was the wait person at the joint. As he entered she was talking on a mile a minute in a slang he recognized, the language of his 1960s, you know, “right on,” “cool,” “no hassle,” “wasted,” the language of the laid-back hippie life. When she came to take his order he was curious, what was her name and how did she pick up that lingo which outside of Big Sur and except among the, well, now elderly, in places like Soho, Frisco, Harvard Square, is like a dead language, like Latin or Greek.

She replied with a wicked smile that her name was Morning Blossom, didn’t he like that name. [Yes.] She had been born and raised in Big Sur and planned to stay there because she couldn’t stand the hassles (her term) of the cities, places like San Francisco where she had gone to school for a while at San Francisco State. Josh thought to himself that he knew what was coming next although he let Morning Blossom have her say. Her parents had moved to Big Sur in 1969 and had started home-steading up in the hills. They have been part of a commune before she was born but that was all over with by the time she was born and so her parents struggled on the land alone. They never left, and never wanted to leave. Seldom left Big Sur and still did not.

Josh said to himself, after saying wow, he had finally found one of the lost tribes that wandered out into the wilderness back in the 1960s and were never heard from again. And here they were still plugging away at whatever dream drove them back then. He and others who had chronicled in some way the 1960s had finally found a clue to what had happened to the brethren. But as he got up from the counter, paid his bill, and left a hefty tip, he though he still had that trip out here next time with Lana to get through. He was looking forward to that adventure now though.               

The Blues Aint Nothing But Lucille On Your Mind- With B.B. King’s Lucille In Mind



 The Blues Aint Nothing But Lucille On Your Mind- With B.B. King’s Lucille In Mind 






Here is the drill. I started out life listening to singer like Frank Sinatra, Bing Crosby (and his brother Bob), Miss Patti Page, Miss Rosemary Clooney, Miss Peggy Lee, the Andrew, McGuire, Dooley sisters, and all the big swing bands from the 1940s like Harry James, Tommy Dorsey (and his brother Jimmy) as background music on the family radio in the 1950s which my mother had always during the day to get her workaday daytime household world and on Saturday night when my father joined in. Joined in so they could listen to Bill Marlowe on local radio station WJDA and his Memory Lane show from seven to eleven where they could listen to the music that got them (and their generation) through the “from hunger” times of the 1930s Great Depression and then when they slogged through (either in some watery European theater or Pacific one take your pick) or anxiously waited at home for the other shoe to drop during World War II. I am not saying that they should not have had their memory music after all of that but frankly that stuff then (and now although less) made me grind my teeth. But I was a captive audience then and so to this day I can sing off Rum and Coca Cola and Don’t Sit Under The Apple Tree from memory. But that was not my music, okay. 

Then of course since we are speaking about the 1950s came the great musical break-out, the age of classic rock and roll which I “dug” seriously dug to the point of dreaming my own jailbreak dreams about rock futures (and girls) but that Elvis-etched time too was just a bit soon for me to be able unlike my older brother, Prescott, to call that the music that I came of age to. Although the echoes of that time still run through my mind and I can quote chapter and verse One Night With You, Sweet Little Sixteen, Let’s Have A Party, Be-Bop-a-Lula, Bo Diddley, Peggy Sue and a whole bunch more.   

The music that I can really call my own is the stuff from the folk minute of the 1960s which dovetailed with my coming of chronological, political and social age (that last in the sense of recognizing, if not always acting on, the fact that there were others, kindred, out there beside myself filled with angst, alienation and good will to seek solidarity with). You know the mountain tunes of the first generation of the Carter Family, Buell Kazell, Jimmy Rodgers, the old country Child ballads (Northwest Europe old country), the blue grass music , and the protest songs by the likes of Bob Dylan, Joan Baez, Tom Paxton, Dave Von Ronk and Phil Ochs. The latter songs being what drove a lot of my interest once I connected their work with the Harvard Square coffeehouse scene (and the adjacent hanging out at the Hayes-Bickford Cafeteria which I have written plenty about elsewhere on poverty nights, meaning many nights).


A lot of the drive toward folk music was to get out from under the anti-rock and rock musical counter-revolution that I kept hearing on my transistor radio during that early 1960s period with pretty boy singers and vapid young female-driven female singer stuff. Also to seek out roots music that I kept hearing in the coffeehouses and on the radio once I found a station (accidently) which featured such music and got intrigued by the sounds. Part of that search, a big search over the long haul, was to get deeply immersed in the blues, mainly at first country blues and later the city, you know Chicago, blues. Those country guys though intrigued me once they were “discovered” down south in little towns plying away in the fields or some such work and were brought up to Newport to enflame a new generation of aficionados. The likes of Son House, Skip James, Bukka White and of course Mississippi John Hurt. But those guys basically stayed in the South and it took a younger generation like Howlin’ Wolf, Muddy Waters, and the guy whose photograph graces this sketch, B.B. King, to move north, to follow the northern star to the big industrial cities (with a stop at Memphis going up river) to put some electric juice in those old guitars and chase my blues away just by playing like they had made their own pacts with the devil. Praise be.               

The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-Lessons-Films To While Away The Class Struggle By- With Serge Eisenstein’s “Strike” (1925) In Mind

The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-Lessons-Films To While Away The Class Struggle By- With Serge Eisenstein’s “Strike” (1925) In Mind




DVD Review  

By Political Commentator  Frank Jackman

Strike, starring a cast of hundreds of working people and others, directed by Serge Eisenstein, 1925

No question, no question at all that some political films whether they were intended as propaganda for a certain viewpoint as with the film under review, Russian mad man filmmaker Serge Eisenstein’s 1925 classic Strike, or because as the story line developed everybody was compelled to think through the implications of the cover-up and preclude to coup in a film like Costa-Garvas’ Z remain in our consciousness long after mere entertainment films have faded from view. Here is the beauty of Eisenstein’s work whether with Strike or in an effort like Potemkin, the one with the famous baby carriage scene on the Odessa Steps. The medium is the message to steal a phrase from an old-time social media commentator like Marshall McLuhan. The whole thing is done, powerfully done, with nothing but absolutely stunning cinematography, a few signboards (in Russian with English subtitles), and some very interesting and varied mood music which if I am not mistaken included some jazz theme stuff from Duke Ellington, and if not him then definitely some jazz riffs along with that inevitable classical music that one would have expected from a Russian filmmaker who grabbed what he could from the Russian Five.        

Now the question of who a film is directed at is usually pretty much just to lure in general audiences, maybe if it is cartoonish then kids but usually general audiences. Eisenstein in this film though is directing his efforts to working people in order for them to draw some important lessons about the class struggle. Of course Eisenstein was working shortly after the October Revolution of 1917 in his country and so he probably was more or less committed to this type of film in the interests of the Soviet government and of the world revolution that was still formally what the Bolsheviks and their international allies were all about. (I might add though that a later film about Ivan the Terrible had the same fine cinematic qualities and that was not particularly directed at the world’s working classes but to ancient Russian patriotic fervor as the smell of war, war on the doorstep became apparent.) That drawing of lessons about what happened during the strike is the force that drives the film.

Here is how this one played out in all its glory and infamy. The workers at a Russian factory of unknown location and for that matter of unknown production had been beaten down by the greedy capitalists and stockholders, had had no say in what they made and how much dough they made. (The scenes with the greedy capitalists are a treasure, something out of any leftist’s caricature of the old time robber barons complete with fat bellies, cigars and top hats). Like any situation where tensions are strung out to the limit it did not take a lot to produce a reason for a strike for a better shake in this wicked old world. Here it was an honest workman’s being accused of a theft which he couldn’t defend himself against and so in shame he committed suicide. After have previously spent several weeks talking about taking an action to better their conditions the leaders of the underground “strike committee” decided to have everybody “down tools.” (The scene of this action with a rolling shutdown as section after section left their benches was breathtaking.)      

Of course in turn of the century (20th century) Russia (and elsewhere) the capitalists were as vicious as one would expect of a new class of exploiters dealing here with people, men and women, just off the farm and so in no mood to grant such things as an eight-hour day (a struggle that we in America are very familiar with from the Haymarket Martyrs whose chief demand a couple of decades before the time of this film was for that same eight hour day) and a big wage increase. So the committee of capitalists and their hangers-on gave a blanket “no.” Said the hell with you to the strikers.
The aftermath of this refusal is where the real lessons of this film are to drawn. Needless to say the capitalists were willing, more than willing to starve the workers into submission (the scenes of some workers pawning off their worldly possession for food for the kids, for themselves are quite moving).But not only were they willing to starve the mass of workers back to the factory but did everything in their power to break the strike by other means. First and foremost to send spies out to stir up trouble in order to get the class unity broken, then tried to get some weak-links to betray the movement from within, and if that didn’t work then try might and main to round up by any way possible the leaders of the strike in order to behead the movement. In the end though they were not above using their “Pharaohs,” their mounted cops and troops to suppress the whole thing. In the final scene after the cops and troops have done their murderous assaults on unarmed strikers the corpses spread out widely on the massacre field tell anybody who wasn’t sure about the role of the cops and troops in preserving the social order of the rulers all they need to know about the way the strike was defeated. 


From what I could gather from the last signboard (one which mentioned the Lena gold strike which was I believe was suppressed in 1912) the time period of this strike was between the 1905 revolution that went down in flames and the victorious revolution in 1917. The implications of the failure of the strike, of the need to take the state power, were thus through Eisenstein’s big lenses there for all to see. Hey, even if you don’t draw any political conclusions from this film just watch to see what they mean they say a picture sometimes is worth a thousand words. Eisenstein has a thousand such pictures that will fascinate and repel you.  

Free Leonard Peltier Stand-Out As Part Of First Night Against The Wars-December 31st -2-3PM-Boston Public Library Steps Across From Copley Square Plaza

Free Leonard Peltier Stand-Out As Part Of First Night Against The Wars-December 31st -2-3PM-Boston Public Library Steps Across From Copley Square Plaza 
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We demand freedom for Leonard Peltier!




He must not die in prison!  Free all political prisoners!

Native American activist Leonard Peltier has spent over 40 years in prison for a crime he did not commit. He was one of the people convicted of killing 2 FBI agents in a shoot-out on the Pine Ridge Reservation on June 26, 1975.  The others who were convicted with him have long since been released.  Prosecutors and federal agents manufactured evidence against him (including the so-called “murder weapon”); hid proof of his innocence; presented false testimony obtained through torturous interrogation techniques; ignored court orders; and lied to the jury.
                          
In spite of his unjust imprisonment and terrible personal situation, being old and sick and likely to die in jail, he writes every year to the participants at the National Day of Mourning, which is held by Natives in Plymouth, MA in place of Thanksgiving, offering wishes for the earth and all those present and gratitude for the support he receives.  To read some of his statements, go to UAINE.org (United American Indians of New England).  That is also a good site for info about the National Day of Mourning and the campaign against Columbus Day and in favor of Indigenous Peoples Day.
Often people claim that the US does not have political prisoners, but Leonard Peltier has been in prison for a very long time and even the FBI admits that they do not know who killed those FBI agents.  If Leonard Peltier dies in prison, it will be one of the worst miscarriages of justice in this country’s long history of injustice.
For more info and to sign a petition demanding hearings on the Pine Ridge “Reign of Terror” and COINTELPRO, a counter-intelligence program conducted against activists including Native groups, go to WhoIsLeonardPeltier.info.
Write to Leonard Peltier at Leonard Peltier, #89637-132, USP Coleman 1, P O Box 1033, Coleman, FL 33521.  Prisoners really appreciate mail, even from people they don’t know.  Cards and letters are always welcome.

This rally is organized by the Committee for International Labor Defense, CForILD@gmail.com, InternationalLaborDefense.org. (labor donated)


Free Native American leader Leonard Peltier,
Free Russian interference whistle-blower Reality Leigh Winner,
Free “The Voice of the Voiceless” Mumia Abu Jamal,
Hands off whistle-blower Edward Snowden and
All our political prisoners from the anti-fascist struggles.   

Holidays are tough times for political prisoners.  Join us to show your support from outside the wall for those inside the walls, so that they know they do not stand alone.  
******** 
Today the Committee for International Labor Defense (CILD) follows in the tradition of the International Labor Defense, established by the early Communist Party to mobilize labor and progressive-centered protest to free leftist political prisoners, an especially important tradition during the holiday season for those inside the prisons and their families.
Every political prisoner we honor today had the instinct and inner strength to rebel against the injustices which were there for all to see. They knew that, if they fought those injustices in the face of governmental repression, the prisons were part of the price they might have to pay for standing up for what they believed in.
The political prisoners of today, just as those in previous periods of history, are representatives of the most courageous and advanced section of the oppressed. They are individuals of particular audacity and ability who have stood out conspicuously as leaders and militants, and have thereby incurred the hatred of the oppressors.
As James Cannon, one of the founders of the ILD, said in The Cause That Passes Through a Prison “The class-war prisoners are stronger than all the jails and jailers and judges. They rise triumphant over all their enemies and oppressors. Confined in prison, covered with ignominy, branded as criminals, they are not defeated. They are destined to triumph...”

This stand-out is organized by the Committee for International Labor Defense, CForILD@gmail.com, InternationalLaborDefense.org.

Support The Class-War Prisoners During The Holidays-Support The Partisan Defense Committee’s Holiday Appeal- Help Build The Resistance

Support The Class-War Prisoners During The Holidays-Support The Partisan Defense Committee’s Holiday Appeal- Help Build The Resistance  




By Josh Breslin  

My yearly comment on behalf of the Holiday Appeal

I like to think of myself as a long-time fervent supporter of the Partisan Defense Committee, an organization committed to social and political defense cases and causes in the interests of the international working class. Cases from early on in the 1970s when the organization was founded and the committee defended the Black Panthers who were being targeted by every police agency that had an say in the matter, the almost abandoned by the left Weather Underground (in its various incantations) and Chilean miners in the wake of the Pinochet coup there in 1973 up to more recent times with the Mumia death penalty case, defense of the Occupy movement and the NATO three, and defense of the heroic Wiki-leaks whistle-blower Chelsea Manning (formerly Bradley) and more recently the courageous anti-fascist fighters who have been rounded up for protesting the alt-right, Nazi, KKK, white supremacist bastards.      

Moreover the PDC is an organization committed, at this time of the year, to raising funds to support the class-war prisoners’ stipend program through the annual Holiday Appeal drive. Unfortunately having to raise these funds in support of political prisoners for many years now, too many years, as the American and international capitalist class and their hangers-on have declared relentless war, recently a very one-sided war, against those who would cry out against the monster. Attempting to silence voices from zealous lawyers like the late Lynne Stewart, articulate death-row prisoners like Mumia and the late Tookie Williams, the Anti-fa anti-fascist street fighters to black liberation fighters like the Assata Shakur, the Omaha Three and the Angola Three and who ended up on the wrong side of a cop and state vendetta and anti-imperialist fighters like the working-class based Ohio Seven and student-based Weather Underground who took Che Guevara’s admonition to wage battle inside the “belly of the beast” seriously. Of course a couple of years ago  we lost Hugo Pinell, George Jackson’s comrade-in-arms from the San Quentin Six to a murderous vendetta. Others, other militant labor and social liberation fighters as well, too numerous to mention here but remembered.

Normally I do not need any prompting in the matter. One year though, and it now bears repeating each year, after I read the 25th Anniversary Appeal article in Workers Vanguard No. 969 I was startled to note how many of the names, organizations, and political philosophies mentioned there hark back to my own radical coming of age, and the need for class-struggle defense of all our political prisoners in the late 1960s (although I may not have used that exact term at the time).

That recognition included names like black liberation fighter George Jackson’s present class-war prisoner the late Hugo Pinell’s San Quentin Six comrade; the Black Panthers in their better days, the days when the American state really was out to kill or detain every last supporter, and in the days when we needed, desperately needed, to fight for their defense in places from Oakland to New Haven,  as represented by two of the Omaha Three (Poindexter and the late wa Langa), in their younger days; the struggle, the fierce struggle, against the death penalty as represented in Mumia’s case today (also Black Panther-connected); the Ohio 7 and the Weather Underground who, rightly or wrongly, were committed to building a second front against American imperialism, and who most of the left, the respectable left, abandoned; and, of course, Leonard Peltier and the Native American struggles from Pine Ridge to the Southwest. It has been a long time and victories few. I could go on but you get the point.

That point also includes the hard fact that we have paid a high price, a very high price, for not winning back in the late 1960s and early 1970s when we last had this capitalist imperialist society on the ropes. Maybe it was political immaturity, maybe it was cranky theory, maybe it was elitism, hell, maybe it was just old-fashioned hubris but we let them off the hook. And have had to fight forty years of rear-guard “culture wars” since just to keep from falling further behind.
And the class-war prisoners, our class-war prisoners, have had to face their “justice” and their prisons. And this, as well, as a quick glance at the news these days should make every liberation fighter realize; the difference between being on one side of that prison wall and the other is a very close thing when the bourgeois decides to pull the hammer down. The support of class-war prisoners is thus not charity, as International Labor Defense founder James P. Cannon noted back in the 1920s, but a duty of those fighters outside the walls. Today I do my duty, and gladly. I urge others to do the same now at the holidays and throughout the year. 

The class-war prisoners must not stand alone. 
                                                                                                
PDC    
Box 99 Canal Street Station                        
New York, N.Y. 10013


Google Partisan Defense Committee for more information and updates  

When The Blues Was Dues- The Slide Guitar Of Elmore James

When The Blues Was Dues- The Slide Guitar Of Elmore James

By Ray Carter





 [As of December 1, 2017 under the new regime of Greg Green, formerly of the on-line American Film Gazette website, brought in to shake things up a bit after a vote of no confidence in the previous site administrator Peter Markin was taken among all the writers at the request of some of the younger writers abetted by one key older writer, Sam Lowell, the habit of assigning writers solely to specific topics like film, books, political commentary, and culture is over. Also over is the designation of writers in this space, young or old, by job title like senior or associate. After a short-lived experiment by Green designating everybody as “writer” seemingly in emulation of the French Revolution’s “citizen” or the Bolshevik Revolution’s “comrade” all posts will be “signed” with given names only. The Editorial Board]



I, Kenny Evans, will get to a CD review of Elmore James’ work in a second. Now I want to tell, no retell, the tale that had me and a few of my corner boys who hung out in front of, or in if we had dough for food or more likely the jukebox, Jimmy Jack’s Diner in Carver where I came of age in the early 1960s going for a while. On one lonesome Friday night, lonesome meaning, no dough, no wheels, no girls, or any combination of the three, with time of our hands Billy Bradley, Jack Dawson and I went round and round about what song by what artist each of us thought was the decisive song that launched rock and roll. Yeah, I know, I know now, that the world then, like now, was going to hell in a hand-basket, what with the Russkies breathing hard on us in the deep freeze Cold War red scare night, with crazy wars going on for no apparent reason, and the struggle for black civil rights down in the police state Mister James Crow South (that “police state" picked up later after I got wise to what was happening there, that it was not some ill-thought out aberration by a few raggedly rednecks by a deeply conscious social policy formulated at the highest local levels, and carried out from the top down in a crazy quill iron front which almost took a second civil to unravel) but what were three corner boys to do to while away the time.  

Here is the break-down though. We knew, knew without anybody telling us that while Elvis gave rock and roll a big lift in his time before he went on to silly movies (after Jail House Rock where the jail house rock scene was worth the price of admission alone) that debased his talent he was not the “max daddy,” not the guy who rolled the dice. For one thing and this was Billy’s position he only covered Big Joe Turner’s classic R&B classic Shake, Rattle, and Roll and when we heard Joe’s finger-snapping version we flipped out. So Billy had his choice made, no question. Jack had heard on some late Sunday night radio station out in Chicago on his transistor radio a thing called Be-Bop Benny’s Blues Hour where he first heard this guy wailing on the piano a be-bop tune. It turned out to be Ike Turner (without Tina then and using another name like Johnny and the Dee Drops, something like that, due to onerous and one-sided contractual problems) blasting Rocket 88. So Jack had his position firm, and a good choice. Me, well I caught this obscure folk music station (obscure then but not a few years later though) which played not just folk but what would be later called “roots music.” And the blues is nothing but roots music in America. One night I heard Elmore James slide guitar his way through Look On Yonder Wall. That is the song I defended that night. Did any of us change each other’s mind that night. Be serious this was teenage boys turf war and the last I heard it was about 1926 the last time a teenage boy succumbed to reason. I later, several years later well out of teenage boy angst and alienation so easier to un-clutch wrong opinions, saw the wisdom of Jack’s choice and switched but old Elmore still was a close second. Enough said.       

CD REVIEW

The History of Elmore James: The Sky Is Crying, Elmore James, Rhino Records, 1993

When one thinks of the classic blues tune “Dust My Broom” one tends to think of the legendary Robert Johnson who along with his “Sweet Home, Chicago” created two of the signature blues songs of the pre-World War II period. However, my first hearing of “Dust My Broom” was on a hot LP vinyl record (the old days, right?) version covered and made his own by the artist under review, Elmore James. I have heard many cover versions since then, including from the likes of George Thoroughgood and Chris Smither, and they all reflect on the influence of Elmore’s amazing slide guitar virtuosity to provide the "heat" necessary to do the song justice. Moreover, this is only the tip of the iceberg as such blues masters and aficionados as B.B. King and The Rolling Stones have covered other parts of James’ catalog.
Perhaps because Elmore died relativity young at a time when blues were just being revived in the early 1960’s as part of the general trend toward “discovering” roots music by the likes of this reviewer he has been a less well-known member of the blues pantheon. However, for those who know the value of a good slide guitar to add sexiness and sauciness to a blues number James is a hero. Hell, Thoroughgood built a whole career out of Elmore covers (and also, to be sure, of the late legendary Bo Diddly). I never get tired of hearing these great songs. Moreover, it did not hurt to have the famous Broom-dusters backing him up throughout the years. As one would expect of material done in the pre-digital age the sound quality is very dependent on the quality of the studio. But that, to my mind just makes it more authentic.

Well, what did you NEED to listen to here? Obviously,” Dust My Broom". On this CD though you MUST listen to Elmore on "Standing At The Crossroads". Wow, it jumps right out at you. "Look On Yonder Wall" (a song that I used to believe was a key to early rock 'n' rock before I gravitated to Ike Turner's "Rocket 88" as my candidate for that role), "It Hurts Me Too" and the classic "The Sky is Crying" round out the minimum program here. Listen on.

Lyrics To "Dust My Broom"

I'm gonna get up in the mornin',

I believe I'll dust my broom (2x)

Girlfriend, the black man you been lovin',

girlfriend, can get my room

I'm gon' write a letter,

Telephone every town I know (2x)

If I can't find her in West Helena,

She must be in East Monroe, I know

I don't want no woman,

Wants every downtown man she meet (2x)

She's a no good doney,

They shouldn't 'low her on the street

I believe, I believe I'll go back home (2x)

You can mistreat me here, babe,

But you can't when I go home

And I'm gettin' up in the morning,

I believe I'll dust my broom (2x)

Girlfriend, the black man that you been lovin',

Girlfriend, can get my room

I'm gon' call up Chiney,

She is my good girl over there (2x)

If I can't find her on Philippine's Island,

She must be in Ethiopia somewhere


Robert Johnson

From The Veterans For Peace- The Twelve Days, Maybe More, Of ......The Struggle Against The Endless American Wars

In Honor Of The Late Radical People’s Lawyer Lynne Stewart-Support And Donate To The Partisan Defense Committee’s Holiday Appeal For Our Political Activists Inside The Prison Walls

In Honor Of The Late Radical People’s Lawyer Lynne Stewart-Support And Donate To The Partisan Defense Committee’s Holiday Appeal For Our Political Activists Inside The Prison Walls 




By Frank Jackman

I know, as I have recounted elsewhere about my personal situation during my military service, so-called, my military resister time, during the Vietnam War, that the holidays are tough times for our political prisoners, hell all prisoners, but today we write on behalf of our fellow activists behind the walls. A place where we outside the walls may find ourselves under the regime of whatever party in power. (After all Lynne Stewart and Chelsea Manning among others, for example, were in jail in Obama time.) And nobody on the outside working for social change is exempt as the case of the late radical super people’s lawyer Lynne Stewart demonstrated. So be very generous this year in aid of those on the inside who will garner strength knowing that those outside the walls today are standing in solidarity. I know in my time I did from such support in my time.    

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Workers Vanguard No. 1124
15 December 2017
 
The following article appeared under the Partisan Defense Committee's Class-Struggle Defense Notes masthead in the print version of this issue of Workers Vanguard. The PDC is a class-struggle, non-sectarian legal and social defense organization which champions cases and causes in the interest of the whole of the working people. This purpose is in accordance with the political views of the Spartacist League.

32nd Annual Holiday Appeal
Free the Class-War Prisoners!
(Class-Struggle Defense Notes)
This year’s Holiday Appeal marks the 32nd year of the Partisan Defense Committee’s program of sending monthly stipends as an expression of solidarity to those imprisoned for standing up to racist capitalist repression and imperialist depredation. This program revived a tradition initiated by the International Labor Defense under James P. Cannon, its founder and first secretary (1925-28). This year’s events will pay tribute to a former stipend recipient, Lynne Stewart, who succumbed to the effects of metastasized breast cancer last March. A courageous radical lawyer who defended numerous poor people and fighters for the oppressed, including the Ohio 7, Stewart had been incarcerated for her vigorous defense of a fundamentalist sheik who was convicted in an alleged plot to blow up New York City landmarks. We honor her by keeping up the fight for the freedom of all class-war prisoners. The PDC currently sends stipends to 12 class-war prisoners.
*   *   *
Mumia Abu-Jamal is a former Black Panther Party spokesman, a well-known supporter of the MOVE organization and an award-winning journalist known as “the voice of the voiceless.” Framed up for the 1981 killing of a Philadelphia police officer, Mumia was sentenced to death explicitly for his political views. Federal and state courts have repeatedly refused to consider evidence proving Mumia’s innocence, including the sworn confession of Arnold Beverly that he, not Mumia, shot and killed the policeman. In 2011 the Philadelphia district attorney’s office dropped its longstanding effort to legally lynch Mumia, condemning him to life in prison with no chance of parole. Last year attorneys for Mumia filed a petition under Pennsylvania’s Post Conviction Relief Act (PCRA) seeking to overturn the denial of his three prior PCRA claims by the Pennsylvania Supreme Court. If successful, he would be granted a new hearing before that court to argue for reversal of his frame-up conviction. On September 7, Judge Leon Tucker ordered a private review of the complete file of the prosecution by the Philadelphia District Attorney’s Office of Mumia’s case, looking for evidence of the personal involvement of then D.A. Ronald Castille, whose refusal as a judge to recuse himself during Mumia’s PA Supreme Court appeal is the basis for this PCRA. After a two-year battle, Mumia was finally able to begin lifesaving treatment for hepatitis C. In May, lab tests showed that he was free of this life-threatening illness. But the drawn-out period during which he was refused treatment left him with an increased risk of liver cancer.
Leonard Peltier is an internationally renowned class-war prisoner. Peltier’s incarceration for his activism in the American Indian Movement has come to symbolize this country’s racist repression of its Native peoples, the survivors of centuries of genocidal oppression. Peltier was framed up for the 1975 deaths of two FBI agents marauding in what had become a war zone on the South Dakota Pine Ridge Reservation. The lead government attorney has admitted, “We can’t prove who shot those agents,” and the courts have repeatedly denied Peltier’s appeals while acknowledging blatant prosecutorial misconduct. Before leaving office, Barack Obama rejected Peltier’s request for clemency. The 73-year-old Peltier is not scheduled for another parole hearing for another seven years. Peltier suffers from multiple serious medical conditions including a heart condition for which he had to undergo triple bypass surgery. He is incarcerated far from his people and family.
Seven MOVE members—Chuck AfricaMichael AfricaDebbie AfricaJanet AfricaJanine AfricaDelbert Africa and Eddie Africa—are in their 40th year of prison. After the 8 August 1978 siege of their Philadelphia home by over 600 heavily armed cops, they were sentenced to 30-100 years, having been falsely convicted of killing a police officer who died in the cops’ own cross fire. In 1985, eleven of their MOVE family members, including five children, were massacred by Philly cops when a bomb was dropped on their living quarters. Collectively known as the MOVE 9, two of their number, Merle Africa and Phil Africa, died in prison under suspicious circumstances. After nearly four decades of unjust incarceration, these innocent prisoners are routinely turned down at parole hearings.
Jaan Laaman and Thomas Manning are the two remaining anti-imperialist activists known as the Ohio 7 still in prison, convicted for their roles in a radical group that took credit for bank “expropriations” and bombings of symbols of U.S. imperialism, such as military and corporate offices, in the late 1970s and ’80s. Before their arrests in 1984 and 1985, the Ohio 7 were targets of massive manhunts. Now Laaman and Manning face prison torture where they are isolated in solitary confinement for extended periods. Manning has been deprived of necessary medical attention. The Ohio 7’s politics were once shared by thousands of radicals but, like the Weathermen before them, the Ohio 7 were spurned by the “respectable” left. From a proletarian standpoint, the actions of these leftist activists against imperialism and racist injustice are not crimes. They should not have served a day in prison.
Ed Poindexter is a former Black Panther supporter and leader of the Omaha, Nebraska, National Committee to Combat Fascism. He and his former co-defendant, Wopashitwe Mondo Eyen we Langa, who died in prison last year, were victims of the FBI’s deadly COINTELPRO operation, under which 38 Black Panther Party members were killed and hundreds more imprisoned on frame-up charges. They were railroaded to prison and sentenced to life for a 1970 explosion that killed a cop, and Poindexter has now spent more than 45 years behind bars. Nebraska courts have repeatedly denied Poindexter a new trial despite the fact that crucial evidence, long suppressed by the FBI, proved that testimony of the state’s key witness was perjured.
Contribute now! All proceeds from the Holiday Appeal events will go to the Class-War Prisoners Stipend Fund. This is not charity but an elementary act of solidarity with those imprisoned for their opposition to racist capitalism and imperialist depredation. Send your contributions to: PDC, P.O. Box 99, Canal Street Station, New York, NY 10013; (212) 406-4252.


From Veterans For Peace- Join Us by Challenging Islamophobia!

  
For the past two years, the Veterans For Peace Veterans Challenge Islamophobia campaign has been organizing against prejudice, racism, and hostility expressed towards Islam and the Muslim Community. 
We have been getting involved in local Muslim communities, spreading the message to other veteran groups, holding educational events in mosques, and we have even been kicked out of Trump rallies.
Right now our work against Islamophobia is more important than ever! Use your veteran voice to speak out. Stand against hate, sign our statement, and show your support for targeted communities.
Here is how you can take action today:
  • Sign the Veterans Challenge Islamophobia Statement
  • Share your reasons for signing the statement on social media, tag VCI, and use the hashtag #VetsSpeakOut
  • Stay updated by following us on Facebook and Twitter
  • Explore our new website for multitude of useful resources including bystander intervention guides, talking points, and other educational information
  • Donate here to ensure that VCI can continue to work against hate

Let your voice be heard. Stand up for the values of tolerance, respect, and love for all people and all faiths. Our values, as a nation, cannot abide and will not long endure amidst the divisiveness of hate speech and Islamophobia.

Keep an eye out for VCI t-shirts and buttons coming soon! Design ideas? Email us atchallenge@veteransforpeace.org.