Friday, January 12, 2018

In Maine, a History of Bold Claims and Vague Commitments From General Dynamics

In Maine, a History of Bold Claims and Vague Commitments From General Dynamics
By Alex Nunes
When he gave his keynote address before the Chamber of Commerce of the Greater Portland Region in September 1997, then General Dynamics CEO Nicholas D. Chabraja had reason to celebrate.

It’d been two years since his company, annually among the nation’s largest defense contractors, had acquired local shipyard Bath Iron Works, and not long since it secured a $194-million megadeal with the state of Maine and the city of Bath to subsidize a massive infrastructure “modernization” at its newly acquired facility.

Chabraja decided to thank the more than 700 people gathered at the Holiday Inn By The Bay, as the Portland Press Herald reported, for the apparent role their community played in assuring the viability of a major Maine employer for decades to come.

“A great old shipyard that got its start in the 19th century will have all the support necessary to be a formidable shipbuilder well into the 21st century,” Chabraja, who stepped down as CEO in 2009, said, according to the paper. “In support of BIW, you’ve put your money on the people of Maine—and on a shipyard that will now be around for another hundred years.”

But, little more than 20 years on, officials at General Dynamics are no longer so sanguine. They’re back at the negotiating table, saying the company needs an extension of a key $60-million component of the 1997 tax deal in order to remain competitive with a rival shipbuilder in Mississippi.


“This is a problem,” Philip Mattera, research director at the Washington, D.C.-based policy resource center Good Jobs First, said in a recent phone interview. “Companies get hooked on these kinds of financial assistance, and they can always come up with another rationale for it.”

Mattera added, “If public officials believe them, they’re going to come up with more money.”

Bath Iron Works says it has “never operated in a more competitive environment” for new shipbuilding projects than it does right now, according to a news release quoted in the Bangor Daily News. The company has pointed to state subsidies to Ingalls Shipbuilding of Pascagoula, Miss., which competes with the Bath shipyard on Navy contracts, as justification for an extended tax break.

However, the extent to which Bath Iron Works is feeling the pinch, or will in the future, is open to debate.

Records available at usaspending.gov show the company scored more in federal contract dollars during the government’s last fiscal year than in any other single year since 2011. At more than $2-billion in contract awards for 2017, Bath Iron Works received nearly double what it got from the Defense Department in 2016, and more than double what it received in 2015 and 2014, respectively.

The U.S. Navy’s shipbuilding budget could also expand substantially in the coming years as some key lawmakers and naval officials call for a major expansion of the country’s naval fleet.

Bath Iron Works, and Ingalls Shipbuilding are the sole builders of Arleigh Burke-class destroyers, 77 of which have been procured since 1985, according to the Congressional Research Service. Last month, the Navy announced it plans to issue a request for proposal to construct 10 Arleigh Burke-class ships between fiscal years 2018 and 2022.

In April 2017, the financial news website InvestorPlace named General Dynamics one of “3 Defense Stocks to Buy Now As Tensions Escalate.” In explaining the recommendation, author Aaron Levitt pointed to the long history Bath Iron Works, and submarine maker Electric Boat, another General Dynamics subsidiary, have building ships for the U.S. Navy.

“That’s wonderful for GD, considering President Trump wants to expand the number of ships from 275 to 355,” Levitt wrote.

The Maine bill proposing a new tax break to Bath Iron Works is being introduced by state Rep. Jennifer DeChant (D-Bath). When asked by email about the company’s recent success in landing Navy contracts and its previous stance that a shipyard renovation would position it to be a “formidable” company for decades, DeChant said, “These aspects will be asked and addressed during the Committee process as it reviews, evaluates and works this bill.”

“BIW is the largest employer in my District,” she said. “The bill I submitted keeps the employment level as high as possible.”

But critics in the state say they have good reason to be suspicious of the company’s motives, rationale, and any future promises.

In 1997, employment at Bath Iron Works stood at roughly 7,400, according to the Press Herald, and company officials suggested “jobs might not survive without [an] expansion” subsidized by taxpayers. News reports have placed more recent worker ranks between 5,500 and 6,000, depending on the company’s workload.

Mattera, of Good Jobs First, said Bath Iron Works’ track record of job losses under General Dynamics calls into question the very rationale of the initial deal.

“Really the only justification for giving subsidies to companies is for job creation,” he said. “It really is not a good situation for taxpayer money to be used to help a company downsize.”

The original tax deal, as outlined by Good Jobs First, allowed Bath Iron Works to be incrementally rebated $81-million from the city of Bath, and provided for an additional $113-million in state-approved tax breaks, including a $60-million provision that permitted the company to annually keep a share of worker income tax withholdings, a benefit set to expire this year that the company says it still needs.

Mattera said tax break programs like the one that allows General Dynamics to benefit from worker withholdings have been used in numerous states. He added it can be a sign companies are already paying relatively small amounts in corporate income tax.

“The reason why a lot of states have resorted to that approach is because companies did not have that much of a corporate tax liability,” he said. “In a sense the corporate tax incentives weren’t appealing enough. What it tells you is that companies are already getting away with a lot.”

Mattera said, “It’s one thing to say that companies should get a break on their own taxes. But once you start giving them access to the tax revenues coming from other parties, including their employees, you’re really giving away the store.”

According to a 1997 article in the Press Herald, before it was acquired by General Dynamics, Bath Iron Works paid the state of Maine $400,000 annually in corporate income tax. Citing Chabraja as its source, the newspaper reported, “Under General Dynamics’ ownership, BIW will pay $6 million to $8 million a year.”

When reached by email, David Heidrich, director of communications for the Maine Department of Administrative and Financial Services, said he could not disclose the amount Bath Iron Works pays in corporate income tax because of taxpayer confidentiality rules.

Good Jobs First, which advocates for more equitable economic development practices, encourages states and municipalities to examine multiple factors before awarding subsidies to a corporation, including its pay scale, treatment of workers, and any fines or violations alleged against the business.

Since 1997, Bath Iron Works has drawn repeat scrutiny from the federal Occupational Safety and Health Administration, which has alleged multiple and serious worker health and safety violations by the company. Allegations include the use of unsafe scaffolds and ladders, blocked exits and fire extinguishers, defective industrial trucks, non-waterproof electrical boxes, unmarked electrical disconnects, and inadequate or missing guardrails, according to news reports.

The Press Herald reported that OSHA termed some of the alleged violations “repeat, willful and serious” and said “many of the violations could have led to serious physical harm or death.”

“Job quality doesn’t only mean pay; it also means safety,” Mattera said. “If a company has a bad record on safety, that should be as disqualifying as a bad record on wage levels.”

Once Again- When The Capitalist World Was Young-With Dutch And Flemish Paintings In Mind

Once Again- When The Capitalist World Was Young-With Dutch And Flemish Paintings In Mind

By Brad Fox, Jr.





They say that Allan Jackson, a guy who grew up in North Adamsville south of Boston and a guy who as the neighborhood guys he used to hang out with used to say was “from hunger”  which seems self-explanatory, was kind of weird about stuff like politics and art. Stuff that seemed weird to me anyway when it got explained to me by my father, same name as me and hence junior, one night when he decided that I needed one, a drink or two, and, two, to be straightened out about Allan. Straightened out meaning that he would do his royal highness imperative thing with me which he has done with me since I was a kid when he thought I had something, sometimes anything wrong.       

Dad’s authority for the straightening out was that he was one of the guys who knew Allan in those “from hunger” days back in the 1960s when the whole neighborhood, including the Fox family, was wedded to that same condition. He felt since he had already straightened me out ad infinitum on the Fox family “from hunger” story when I was about eight he could skip that and run Allan’s story. I have to tell you though that Bradley Fox, Senior pulled himself up from under by the bootstraps and went on to run a couple of small high tech specialty plants which were contracted to Raytheon to make materials for their various very lucrative defense contracts and while he sold off those businesses when he retired Raytheon is still working off the public teat with those lucrative, very lucrative defense contracts. I also have to tell you that except for a couple of months out in San Francisco in 1967 when the Summer of Love for his generation was in full bloom at a time when his whole crowd was guilt-tripped into going out West by a mad man guy they hung around with whom Dad always called Scribe he went straight-arrow from high school to college (two years), marriage, kids, a decent and “not from hunger” life passed on to his kids and then that fairly recent retirement.

That combination strong work ethic and straight arrow family man would characterize most of his hang-out youthful crowd with the big exception of Scribe. And Allan who followed him for a while anyway before Scribe got too weird, got catch up with a cocaine addiction and fell down, was helped falling down by two straight bullets in Mexico back in the 1970 in circumstances Dad would not talk about, won’t talk about even now since he says it hurts him too much to think about Scribe’s fate, a fate that except for a few happy turns might have befallen him. So the “Allan following Scribe” part consisted of essentially two things-a visceral hatred of current day capitalism partially derived through an old-fashioned now somewhat obsolete except for academics Marxism, you know, greedy capitalist (my father to a certain extent although he was not, is not,  greedy) versus downtrodden workers AND a love of painting from the early days of capitalism-when it was beginning to come full bloom in places like London, Amsterdam and Antwerp-painters like Rembrandt, Hals, Ruebens.    

Dad said it was hard to say when Scribe and therefore Allan got into radical politics since no way in high school when they all formed lasting bonds did those guys have such ideas. They would have been run out of town, would emphatically not have been hanging around Harry’s Variety Store with Dad and the other guys spouting “commie” rag stuff in those Cold War beat the Russians to a pulp days. What they all cared about, what they all talked about was cars, not having cars the fate of most of them during high school, girls, and either not having them of how to get into their pants, Dad’s expression not mine, booze, and how to get somebody old enough to “buy” for them, and endlessly rock and roll music, and how to use that hot rock and roll to get a girl into a car, get her softened up with booze and in the mood to do what he called “do the do” which I think is pretty self-explanatory as well. So maybe girls was all they really cared about in the end and the other stuff was just talk to talk. One way or another Scribe and his ardent follower, his “girl” some of the guys would say just to do a little “fag” baiting long before even guys like Dad got hip that being gay was okay, that they were not the devils incarnate, were as hyped to the chasing girls scene as all the others. 

Dad figured that what probably happened to turn them around was their getting drafted and sent to Vietnam (neither events at the same time but close together) and when they returned they were very different in ways Dad couldn’t explain but different mainly because neither man wanted to talk about the stuff they saw, did, or saw others do in what they would always call “Nam. So they started hanging around with college guys and gals, maybe others too, all young and bright-eyed over in Cambridge the other side of Boston. Started going to things called study groups and such. The long and short of it was before long they were longed-haired, bearded hippie-looking guys just like a million other guys around Boston at the time Dad said. Getting arrested for this and that, stuff called civil disobedience not robberies or mayhem or anything like it. Kept talking about class struggle, kicking the bosses’ asses, decaying capitalism, imperialism all the stuff you read about in a Government class and then let drop like a lead balloon after an exam. That lasted like I said until Scribe fell down and Allan went back to school on the G.I. Bill.    

The craving for Dutch and Flemish painting Dad said was easier to explain, at least he thought so. It seemed like this Allan was a holy goof, a wacko to me in our old neighborhood terms out in the leafy suburbs. Dad said, and this is the way Allan explained it to him so take it for what its worth since you know I think it is the uttering of a holy goof. According to this Marxist schematic even though now capitalism (now now or fifty years ago now it doesn’t matter since it is still around) has turned in on itself, has lost its energy, has become a brake on serious human progress that was not always the case. In the early days when it was giving feudalism the boot it was what they called “progressive,” meaning it was better than feudalism and so did things then that could be supported in historical terms by latter day radicals. Okay, Allan, whatever you say.

Here’s where I think it really gets weird, art, all the cultural expressions, get reflected in the emerging new system of organizing society so when Rembrandt say painted those prosperous dour-looking merchants, town burghers, and shop owners (and their wives, also dour, see above. usually in separate portraits showing that had enough real money to pay for two expensive paintings or else couldn’t stand being in the same room together for the long sittings) he was reflecting the bright light times of this new system that would wind up dominating the world. According to Dad Allan and another guy went, I think he said, to the Museum of Fine Arts in Boston Allan where he flipped out over these odd-ball portrait or domestic scene paintings in the 16th and 17th century Dutch-Flemish section. Said, and Dad quoted this, that was when capitalism was young and fresh and you could feel it in almost every painting. Also said while the stuff wouldn’t pass art muster today it was like catnip back then. Like I said a holy goof. And if you don’t believe me go, if you are near a major museum which would have such art, and check it out for yourself because young or old, Rembrandt or not, this stuff is old hat as far as I am concerned.      


The Con Is The Con-Is On-Faye Dunaway and Steve McQueen’s “The Thomas Crown Affair” (1968)-A Film Review

The Con Is The Con-Is On-Faye Dunaway and Steve McQueen’s “The Thomas Crown Affair” (1968)-A Film Review   





By William Bradley, Junior

[This review is not under the “in the pipeline” truce negotiated with the site manager here so is free from any mention of the previous site as per the agreement. Moreover this is William Bradley’s very first review and so he is unaware of, and had not been part of the previous turmoil. Greg Green]   

The Thomas Crown Affair, starring Faye Dunaway, Steve McQueen, 1968    

In my old growing up neighborhood back in the 1980 of Pawtucket, Rhode Island, the Sacred Heart Parish part if anybody knows Pawtucket which is what we always called it although the city called it The Heights every guy around, some girls too but not too many and mainly the ones who hung around with the guys who cared about such things, loved the con. Loved the con artist above all others, the local favorites being Ben Jeffrey and Ralph Morris who pulled some serious capers (and later did serious time but that was when they got in coke and smack and lost their bearings and not in the days when they were on a roll). In the days when barely out of high school they clipped a society guy for fifteen thousand big ones in a time and place where that number meant something. So don’t think I am blowing smoke at you. Think I am a small time rube who gets all starry-eyed over criminals and bad asses.

Of course there was a corollary to the high regard that con artists were held in over mere bank robbers and burglars, people like that who had no style, unlike that possessed by the legendary Thomas Crown, played to cool hand perfection by dare-devil Steve McQueen in the film under review The Thomas Crowne Affair (the 1968 one not, as Bart Webber a helpful writer here told me, the re-make with pretty boy Pierce Brosnan in the 1990s). Everybody loves a con except when he or she is the victim. That is when the “ouch” comes in as it will to the supposedly inured to con artistry Vicki the very successful insurance investigator who runs up against our boy Thomas. And is overmatched, way overmatched  

Perfection itself is how the whole thing went. Poor little rich boy Tommy has a yen for the dark side, for stretching the limits just for the hell of it to tweak society or to prove something to himself. So he hires five guys all unknown to each other (four for the heist and then the weak link getaway car guy whom you should never trust sine they usually get the short end of the stick money) and him to them to pull the biggest Boston bank job since the Brink’s job. Two mil in small bills which he quickly ships over to Geneva in a couple of suitcases. Of course if for no other reason than the insurance companies do not like to take such hits, raises premiums there is blowback, big blowback. In the form of a beautiful ruthless and smart woman investigator Vicki, played by then new star Faye Dunaway. She will play a cat and mouse game with Tommy while the public coppers diddle and dandle. No problem except one big problem not for Tommy but for Vicki she falls for the guy while getting his chains ready for him, ready for the big step-off. As she closes in he proposes a way out-do the robbery again. She buys into the thing. But who had the last laugh. A classic double con-beautiful as he flies the coop and so Brother Crown will go into the Hall of Fame, become a legend for public coppers and private snoops alike.             

And whoever is left back in Sacred Heart Parish to sing the praises.   



Support The Class-War Prisoners During The Holidays-Support The Partisan Defense Committee’s Holiday Appeal- Help Build The Resistance

Support The Class-War Prisoners During The Holidays-Support The Partisan Defense Committee’s Holiday Appeal- Help Build The Resistance  




By Josh Breslin  

My yearly comment on behalf of the Holiday Appeal

I like to think of myself as a long-time fervent supporter of the Partisan Defense Committee, an organization committed to social and political defense cases and causes in the interests of the international working class. Cases from early on in the 1970s when the organization was founded and the committee defended the Black Panthers who were being targeted by every police agency that had an say in the matter, the almost abandoned by the left Weather Underground (in its various incantations) and Chilean miners in the wake of the Pinochet coup there in 1973 up to more recent times with the Mumia death penalty case, defense of the Occupy movement and the NATO three, and defense of the heroic Wiki-leaks whistle-blower Chelsea Manning (formerly Bradley) and more recently the courageous anti-fascist fighters who have been rounded up for protesting the alt-right, Nazi, KKK, white supremacist bastards.      

Moreover the PDC is an organization committed, at this time of the year, to raising funds to support the class-war prisoners’ stipend program through the annual Holiday Appeal drive. Unfortunately having to raise these funds in support of political prisoners for many years now, too many years, as the American and international capitalist class and their hangers-on have declared relentless war, recently a very one-sided war, against those who would cry out against the monster. Attempting to silence voices from zealous lawyers like the late Lynne Stewart, articulate death-row prisoners like Mumia and the late Tookie Williams, the Anti-fa anti-fascist street fighters to black liberation fighters like the Assata Shakur, the Omaha Three and the Angola Three and who ended up on the wrong side of a cop and state vendetta and anti-imperialist fighters like the working-class based Ohio Seven and student-based Weather Underground who took Che Guevara’s admonition to wage battle inside the “belly of the beast” seriously. Of course a couple of years ago  we lost Hugo Pinell, George Jackson’s comrade-in-arms from the San Quentin Six to a murderous vendetta. Others, other militant labor and social liberation fighters as well, too numerous to mention here but remembered.

Normally I do not need any prompting in the matter. One year though, and it now bears repeating each year, after I read the 25th Anniversary Appeal article in Workers Vanguard No. 969 I was startled to note how many of the names, organizations, and political philosophies mentioned there hark back to my own radical coming of age, and the need for class-struggle defense of all our political prisoners in the late 1960s (although I may not have used that exact term at the time).

That recognition included names like black liberation fighter George Jackson’s present class-war prisoner the late Hugo Pinell’s San Quentin Six comrade; the Black Panthers in their better days, the days when the American state really was out to kill or detain every last supporter, and in the days when we needed, desperately needed, to fight for their defense in places from Oakland to New Haven,  as represented by two of the Omaha Three (Poindexter and the late wa Langa), in their younger days; the struggle, the fierce struggle, against the death penalty as represented in Mumia’s case today (also Black Panther-connected); the Ohio 7 and the Weather Underground who, rightly or wrongly, were committed to building a second front against American imperialism, and who most of the left, the respectable left, abandoned; and, of course, Leonard Peltier and the Native American struggles from Pine Ridge to the Southwest. It has been a long time and victories few. I could go on but you get the point.

That point also includes the hard fact that we have paid a high price, a very high price, for not winning back in the late 1960s and early 1970s when we last had this capitalist imperialist society on the ropes. Maybe it was political immaturity, maybe it was cranky theory, maybe it was elitism, hell, maybe it was just old-fashioned hubris but we let them off the hook. And have had to fight forty years of rear-guard “culture wars” since just to keep from falling further behind.
And the class-war prisoners, our class-war prisoners, have had to face their “justice” and their prisons. And this, as well, as a quick glance at the news these days should make every liberation fighter realize; the difference between being on one side of that prison wall and the other is a very close thing when the bourgeois decides to pull the hammer down. The support of class-war prisoners is thus not charity, as International Labor Defense founder James P. Cannon noted back in the 1920s, but a duty of those fighters outside the walls. Today I do my duty, and gladly. I urge others to do the same now at the holidays and throughout the year. 

The class-war prisoners must not stand alone. 
                                                                                                
PDC    
Box 99 Canal Street Station                        
New York, N.Y. 10013


Google Partisan Defense Committee for more information and updates  

Thursday, January 11, 2018

Will The Real James Bond Stand Up-With Pretty Boy Brosnan’s James, James Bond “Tomorrow Never Dies” (1997) In Mind

Will The Real James Bond Stand Up-With Pretty Boy Brosnan’s James, James Bond “Tomorrow Never Dies” (1997) In Mind 




DVD Review

By Leslie Dumont

[Since Leslie Dumont was only recently hired to begin to yank the overwhelming male “good old boy club” previous character of this blog from its moorings she is naturally outside the truce agreement. Although, unlike recent hire Alex Radley also outside the agreement, strange as it may seem since she was very close, was a companion for several years of Josh Breslin who also writes in this space, and who was extremely close to the previous site manager she knew the previous site manager very well. Nevertheless that manager refused to hire her full time after she had been a stringer for a few years. Fed up she went elsewhere and finally got a by-line at New York Today. I deliberately assigned her this film which she accepted with good grace to finally get a woman’s view of this skirt-chasing fool Bond, James Bond. Greg Green]    

Tomorrow Never Dies, starring Pierce Brosnan, 1997

As my old friend and now fellow writer here Phil Larkin is fond of saying –WTF. (I have to laugh every time I think about his growing up moniker Foul-mouth, if ever a name.) In the year 2018 after all we have heard in gruesome detail about the misogynies of half the powerful men in Hollywood-land and who knows who else or what else it is rather fitting to be able to review a film that comes out of a series via the pen of bloody old British Empire aficionado Ian Fleming (did he ever may “Sir”) based on the character of one of the most cravenly misogynous men in fiction or film, Bond, James Bond (sorry Greg I couldn’t resist mimicking you).
Although it probable does not matter on these formula-driven vehicles now over the twenty hump in number this one is entitled Tomorrow Never Dies which is probably not true but at least gives this beast of a film a title. Another thing that clearly does not matter is who is playing the lead, the Bond, James Bond lead from Her Royal Highness’ the Queen’s first guy handsome Johnny Sean Connery through to whoever is doing the hard-scrabble chore these days. Pretty Boy Brosnan did four in the 1990s or so this one the second. Before I get into the play-by-play I should reference this silly little pissing contest that Sandy Salmon and Alden Riley both who should know better about who the real James Bond is have been having since Greg decided to run the road with this batch of films. Between from what I understand the two finalists Connery and Brosnan.

Beyond Phil’s classic WTF who cares. More important, more important for the future sanity of this space, why did neither of them even if only by implication if they were afraid to actually come out and say it that both these guys are twerps, male chauvinist pigs in second-wave feminist speak when it comes to what Josh (through the late Peter Paul Markin who I never met but who I heard a million too many stories about when Josh and I were bedmates) calls speaking the true no matter how bitter.         

It seem crazy to build the MCP case for something that is so obvious and has been through twenty something episodes but I will soldier on. Start with the main action (after ten senseless minutes of Jimmy proving he has metal blowing up terrorist supply dumps on the Russia border to show his “cred”). Sin number one as the “real” action opens up he is bedded with some alleged Danish professor, hell Jimbo probably couldn’t spell Danish or maybe thinks it was that awful breakfast treat before duty calls to prove his “cred” as a skirt-chaser, womanizer, stud, and not a latent homosexual as various academic feminists have speculated about over the years. And the every useful male chauvinist pig of blessed memory. Not only that but he answers that duty call, dutifully, in the middle of, well, let’s just call it coitus interruptus and move on. Like whatever the goddam assignment from that female MI5 boss of his couldn’t wait since everybody in the world knows or should be expected to know that when J.B. is on the case it is open and shut. Done.          

Jimmy only adds insult to injury by bedding an old flame who just so happens to be married to the arch-enemy in this saga, a Rupert Murdoch-type guy who wants to own the universe, or else. Finally he beds a commie agent. No, not the old time Soviet nemesis, the Russians, come on now this film is dated 1997 well after after the USSR went up in smoke and shot guys like Ian Fleming, John Le Carre and Tom Clancy’s reasons for existence all to hell. This young woman a versatile, brave Chinese agent who is far too bright for him but who after the action is over starts the inevitable action post-coitus pillow talk waiting for help to arrive. Funny because I have seen maybe five of these Bond things to get a sense of what the hell is the draw and guess what they all have this same 1950s era formula of bedding women who are just waiting to go down and dirty on the satin sheets. Like the women’s liberation movement now getting a third wind never existed never change the nature of the game.  Never let women be anything but vessels for male inadequacies (I already mentioned that latent homosexual point so I don’t need to repeat it here.)          

Oh yeah, yawn, the plot. Seems this guy Murdoch, no, Carter is setting up World War III between God Save The Queen England and the commies, remember not the USSR guys they are kaput, the Red Chinese as they said in the old days. Purpose? To sell a zillion newspapers, to run the rack on the world media market, and, hell, just to prove he can do it. (I will save my WTF on these reasons until later) The set-up is to sink a HMS ship and blame it on the nefarious Chinese Reds, grab a nuclear weapon from said sunken ship and then throw it at China and let the games begin. He is also looking for regime change backing a renegade Red General who will take over to avoid that WWIII. Reason? To break into the huge Chinese media market where he had been shut out by the wily Reds. Yeah, two things yawn and now that WTF.      


Like I tried to telegraph to you the reader so maybe you will go read a recent article I did for New York Today instead of going down this vagrant trail Jimmy and the Chinese agent kick, blast, fight, motorbike chase, detonate, sky-dive, leap tall buildings at a single bound, kick again after avoiding enough spent ammunition to have kept WWI going for another ten years without a scratch or even sweat on the upper lip on the way to that pillow talk at the end. I know I am rolling that Promethean stone up some fairly steep hill but isn’t 2018 the year to start pulling some thumbs down to this sullen silliness.         

Yet Again Further In-With Ken Kesey’s Merry Pranksters And The Yellow Brick Road School Bus In Mind


Yet Again Further In-With Ken Kesey’s Merry Pranksters And The Yellow Brick Road School Bus In Mind






By Sam Lowell




Maybe it had been the time of Josh Breslin’s time, the time of his now more nomadic life since he had moved back to his Maine growing up town of Olde Saco and had retired, well sort of, retired from the hurly-burly pressure of getting out an assortment of by-lines for half the unread small publications and journals in America.(That assortment of publications driven by the need for hard currency, cash, checks as the financial end of his three, count them, three failed marriages, the alimony, child support and college education tuitions for his brood of children that nearly broke him rather that any overwhelming loyalty to the publications since half the time he could have given a rat’s ass, his works, about the publication or the subject matter he was writing about.) Maybe it had been the very hard to fathom fact that after a lifetime of writing, drivel or star quality, whatever music, whatever beat, beat in his head mostly from being immersed early on in in late 1950s Jack Kerouac, king of beats be-bop beats when he wrote, had driven him to write for those unread small publications and journals over the years had deserted him of late, that he had been flat, had been recycling in different scenarios the same old stuff.


Maybe though if you wanted to get closer to the truth of the matter it had been “karma.” world-spirit, something in the air that all came together the day that he was driving down the Maine Turnpike toward Boston where he was to deliver a small article about a film noir, an old film noir, the classic B-noir Kansas City Confidential he had reviewed for yet another small artsy publication-Film Noir Finale listening to a CD titled Bleecker Street on the car CD player, a compilation of covers of 1960s folk music standards done by later well-known artists who had been inspired by the music in their own up and coming careers. Bleecker Street in New York, one of the central arteries of the coffeehouses that spawned the 1960s folk minute that he had recently endlessly wrote about from about every possible vantage point. With the Bleecker Street CD or rather a cover of Phil Och’s 1960s anti-war, war-resister, draft resister classic  I Ain’t Marching Anymore playing Josh noticed a school bus in the distance. Not just any school bus though but what he would have called back in that beat-driven youth when all things were possible and he had to rein in his writing, or rather what his late old friend Peter Markin would have called a “yellow brick road school bus.”


From the speed with which Josh caught up with the bus hunkered down in the extreme right lane it seemed to be going too slow though to be carrying school children and in any case school was out for the summer so that it was unlikely to be carrying children. As he got within eyesight though the bus was nothing but an old time relic from the 1960s school bus converted to be a home for the travelling gypsy wanderers of that good night. In the year 2015! He at first he thought that maybe he had had a retro-flashback, that LSD he had drunk in Dixie cups of Kool-Aid or licked off some Owsley blotter had finally reared its ugly head like all the parents, pastors, professors, panic-mongers had predicted would occur of the youth nation succumbed to demon drugs. He could not believe his eyes, thought that he had been transformed to an earlier time in some time machine, to the time when he himself had been a wanderer gypsy out in the high holy California night aboard Captain Crunch’s version of that very same vehicle  for almost two years in the days when being a member of such a travelling home made you one of the brethren (a common sight then out on the Pacific Coast Highway if not so much in the East until after the first one, Ken Kesey’s Further In crewed by his Merry Pranksters got written up by Tom Wolfe and Hunter Thompson).            


All Josh could do at the time he saw the sight since he was on a fast-moving traffic highway not close to an exit had been to beep the beep of recognition and solidarity and accept the wave of the grey-bearded driver who looked at least at window view like he too had come out of some time machine. Josh thought later once he got to Boston after delivering his article and hence it was too late that he should have somehow gotten the bus to stop and grabbed the stories he knew were jam-packed in that vehicle along with the assorted mattresses, mismatched pots, pans, dishes and silverware, odd-end chairs, and master of the universe sound system that he knew was standard for such homes, some of which he could see had been attached to the roof of the bus. But that was later when the journalist instinct in Josh was in high dudgeon.


What he thought on the seventy or eighty mile trip left before Boston though was a different matter. Josh had only one thought-what would his late friend Markin make of such a sight. Markin who had brought Josh into the tribe, who had  given Josh his first joint up on Russian Hill in San Francisco in the summer of love 1967 when all things were possible, or maybe under the rages of youth nation trying to jail-break from a world it hadn’t created and had no say in, impossible. He could hardly wait to tell the surviving members of the group, mostly Markin’s old growing up corner boy friends who had stuck together all these years after Markin’s demise down in forlorn mysterious Sonora, Mexico in the mid-1970s. They would periodically meet at Jack’s over in Cambridge and swap stories and other lies but just then he was in a somber mood thinking about his and Markin’s now forever lost youth.       


Yes, all roads led back to Markin, Markin and his search for the great blue-pink American West night as he called it, and as he, Josh, and the other corner boys from his youth Markin introduced to him along the way and who formed the coterie that gathered at Jack’s on occasion also got caught up in before the night-takers and who knows maybe their own hubris took command and burned what they thought they were creating to the ground. Fifty years later the night-takers were still throwing oil on the flames, still trying to stamp out the embers as a look at the news on any given day painfully demonstrated. How was Josh to know that some fifty years later he would still be etched by that experience, that experiment in a new way of living, a new way of thinking all because he like lots of others in the summer of love, 1967, had the wanderlust, had let whatever gypsy, traveler nation, genes in his DNA package (a scientific term he had never heard of then but appropriate just now) run amok.       


Who knew that the simple act of asking for a joint, you know, marijuana, dope, then getting a huge boost among the younger, non-junkie tribe gathering out West, on a then unknown hill in San Francisco from a long-bearded, long-haired, long gone daddy guy sitting on the ground beside an old-time yellow brick road school bus would lead to a few thousand thought flash-backs now. That in all simplicity had been how it all started. Well, maybe there had been a little more than that. Josh had just finished high school at Olde Saco that year and had been kind of restless, had been kind of thinking he had some time on his hands before he headed to State U in the fall to start his freshman year. He was supposed to work for the summer as a janitor in the now long gone and converted to condominiums MacAdams Textile Mills along the Olde Saco River. His father who had worked there since his discharge from the Marines after World War II had gotten him the job through some pull he had with the plant superintendent in order for Josh to made some cash for expenses at school since his family was rock bottom poor what with five kids in the family and only his father working then.


Josh would be the first member of his extended family to go to college so this was important to his parents. (His father had been brought up in coal country Kentucky where the boys went to the mines for their educations early and his mother’s people had come down from the farms in Quebec to get work in the factories rather than starving on the land.) One day in very early summer Josh had met a guy on Olde Saco Beach who had just come back from California, had come back to Maine on some family errant after staying around Big Sur, staying in a canyon called if you can believe this Todo el Mundo, the whole wide blessed world who told him some exciting stories about dope, women and the new dispensation. That conversation had decided him on his course for the summer. He was heading west, would wind up taking his first hitchhike expedition west and let loose that bebop wanderer’s beat that had been in his head since the late 1950s when he had finally heard about the “beats” who were trying to do their own thing, and MacAdams be damned. Not without some bitter family controversy, especially from his enraged father, he left one morning on a Trailways bus to head to Boston as a first stop. That guy on the beach at Olde Saco had told him Boston, Cambridge really, was the best place to start since hitchhiking West there was a huge truck depot in back of the Coca-Cola plant right near the Massachusetts Turnpike there and lonely for company or fast talking truckers were usually a good source of rides.


And so he went, went out to the Coast pretty uneventfully, at least uneventfully enough to not be able to think back now to what it was really like since over the course of the next two years he would travel back and forth across the country about six times before the deluge hit in the early 1970s. What is more important is what he did when he got to San Francisco the first time. He had been told by a young guy who looked from the way he was dressed like Buffalo Bill he had met on Post Street to go to Golden Gate Park to search for whatever he was looking for. He had been left off on his last truck ride on famous Market Street (where the ancient trolleys still ply their trade for the tourist who flock there to ride up and down the hills) and had originally asked for directions to Mission Street. Those direction were off, the giver of them probably like Josh among the thousands of new comers to the city once word got out that a new nation, youth nation was a-borning and he wound up on Russian Hill where he saw his first yellow brick road bus and decided to test the waters asking for some dope. And hence his first meeting with Markin.


Something about Markin demeanor and Josh’s response to it just seemed to mesh from the get-go although Markin had already been on the yellow brick road since the previous summer after, unwisely as it would turn out, dropping out of college in Boston to “find himself” out in the wilderness. He was also a few years older than Josh. Maybe it was the similar working-class backgrounds, no, desperate working poor, a notch below working class, backgrounds, Josh’s already mentioned precarious textile mills in Olde Saco and Markin’s dying shipbuilding industry a precursor to the deindustrialization of America in North Adamsville down south of Boston. Those resulting “wanting habits” they would spent endless dope high nights trying to control, trying too to make sense out of tightened their bond. Maybe too it was their mutual love of the sea put paid to by being in another ocean scene. Maybe it was their love of language when later both would dip their respective pens in the inkwell of literary life. But as Josh thought about that first encounter up on Russian Hill it had probably been a little thing like after Josh, who didn’t know Markin from Adam, asked him for a joint, a blunt, Markin had passed it along without a thought to a guy he didn’t know from Adams with the already classic line “don’t bogart that joint” meaning keep the residue for the start of another joint, meaning too that any guy with the audacity to ask for joint in the middle of nowhere was already a kindred spirit.


And so they were, kindred spirits, until the bitter end, the time a few years later when Markin had gone over the edge and wound up in a very dark place in sunny Mexico. But that later stuff the stuff after the bus caravan disbanded was a story for another day. Josh’s thoughts were about the couple, almost three years, he spend alongside Markin on Captain Crunch’s yellow brick road traveling caravan bus, The Living End. A bus very similar to the one he had seen on that Maine highway.


Now this bus stuff, the Further In, made famous by author Ken Kesey’s Merry Pranksters and recorded for eternity later by the writer Tom Wolfe’s Electric Kool-Aid Acid Test was in 1967 still something of an oddity, especially on the East Coast. Josh until he ran in Captain Crunch’s The Living End had only heard about them as he headed west and when he approached Markin that was the closest he had ever been to such a vehicle. Over the next couple of years as youth nation gathered itself along the Pacific Coast Highway for adventures it would be almost impossible to go ten miles without seeing one, or of dropping into any campsite, rustic or full service without at least one “freak” bus disturbing the mental space of the square regular campers. They were of a piece usually and were distinct from the ubiquitous Volkswagen buses both in size and purpose. The “school day golden rule day” seats a lot of youth nation knew from riding in the damn things endlessly during their school days had been ripped out and replaced by layers of mattresses, boxes of camping materials, boxes of dry goods, knapsacks and whatever any current traveler had for personal effects topped off by a sound system worthy of a concert hall to give the beat once the drug intake reached nirvana proportions. Captain Crunch’s bus layout was no different except it had a compliment of folding chairs and a folding table for eating purposes, if anybody was interested in culinary delights. Go to it.


Despite Josh’s best efforts he had been unable to unravel how or why Captain Crunch, real name, Samuel Malone, a college graduate, Michigan, Class of 1954, so older than his fellow travelers for the most part, had given up his career in Mad Man Manhattan Madison Avenue advertising and headed west, began to hang around the haunts of North Beach when that was the time when the beat Jack, beat Allen, beat Neal, beat Gregory were social lions and kings in the late be-bop 1950s cool jazz breeze that swung through the land and landed in Frisco town before heading out to the Japan seas. Word around was that he had become a tea devotee (now in the new dispensation called grass, herb, ganja but it all came down to marijuana and plenty of high-grade dope too) it in the Village and that tripped him west. Word around was that he had been left money by some wealthy uncle and indifferent to the wiles of advertising when he had free-flow dough he split the New York scene. Word around was that in the Village he had met a girl, a woman from Vassar really, Susan Stein, Class of 1958, who persuaded him to go west with her and see what was what on the West Coast. That seemed to be the best version since Susan now known among the bus occupants as Mustang Sally was riding alongside the Captain as he made his way up and down the Coast, looking, looking for his (and her, he was very jealous of an independence on her part and he went silently crazy when she developed a taste for rock and roll band members of the new acid rock groups that were starting to emerge creating a distinct rock sound to go with the new dope-induced lifestyle), well, looking for something. Word had also been around that the Captain who knew everybody, was connected in with a serious dope-line that put him in touch with the Kesey crowd in La Honda and he had traded a bag of dope, a big humongous bag of dope for the bus but that was in the realm of urban legend. All Josh figured out after giving up trying to get a scoop on what was going on was take the ticket, take the ride as Doctor Gonzo, Hunter Thompson would say when he coined the phrase.         


As Josh looked back to those days he thought how easy it had been to become a “member” of this Living End war circus-commune-ghost dance-beat-hippie bandwagon. Of course there was no official membership people just kind of came on board and left as they desired. The Captain was pretty liberal in letting people stay with the caravan as long as they didn’t freak out from the dope too much and need hospitalization, didn’t hog the dope, drink, food, didn’t trash wherever they were camped and didn’t steal from or lay “bummers,” a term of art for a bad scene, anybody on board. Although not everybody was built for the road over the long haul like Josh and Markin, some people just gravitated to the bus in say Golden Gate Park and stayed around as long as the bus stayed and then left. Others took the ride for a few days and then headed home and back to the old life or to somewhere else for whatever it was they were looking for. Not much stealing or hogging of dope in the early days, or ever on the Living End although later on other buses and the whole scene in Haight-Ashbury and elsewhere there was plenty of  bummer material once the less idealistic pioneers drifted back  to where they came from and the lumpen crazies and batos locos reared their ugly heads.     


Josh had been welcomed aboard pretty easily on the basic of Markin’s “good vibes” about him. After that introductory joint Markin had invited him to stay for the party that was going to happen later in the day and through the night. It had been a great party although Josh was now very vague about what had happened except that having stayed through the night and having found himself on a big old fluffy mattress in the bus Markin had said that morning after that he was “on the bus,” meaning that if he wanted to stay with the group he was in. He decided that he would stay, stay until the end of the summer, maybe a week before Freshman Orientation at State U in early September and then head back. That part was simple. The part that had been hard was when the end of summer came and the bus was camped at Todo el Mundo south of Big Sur he had to make a big decision about whether he wanted to go back to Maine or do as Markin suggested and play his hand out on the Coast and go back some time later. Aside from where that would have left Josh in draft land status since the war in Vietnam was raging out of control and eating up men and materials at a prestigious rate requiring more draftees than ever he had to face the issue of his parents and their rages against the night if he told them he was going to forego being the first in the family to go to college for a lark. He did choose to stay, did it but not without the rancor that would alienate him from his parents for many years thereafter, had never really gotten back on an even keel with them before they passed away.      


Of course a lot of that family business, a lot of that worry about the draft, a lot of that what would he do in life if Josh didn’t go to college right away and lose his place in the rat race was later time rationalizations. The real reason that he stayed, or the primary reason why he stayed after the end of summer was that he was “married” to Butterfly Swirl. Butterfly Swirl, real name, Carol Clark, a surfer girl from Carlsbad down in Southern California near San Diego who had broken loose, who had run a “jail-break” from her golden boy surfer boy when she heard about what was happening in the summer of love up north in Frisco town and had taken the Greyhound bus up to see what it was all about. Somebody had directed her to Golden Gate Park and after checking out a few other scenes along the way wound up in front of The Living End with some guy who knew one of the “passengers” on the bus. She too had just finished high school but somehow she gravitated toward Markin although he was far from interested in surfer girls as could be. (Markin who, by the way, was always called “the Scribe” in those days on the bus, a moniker he had carried with him from the East from his corner boy days in North Adamsville and not laid on him out West like with so many others who were trying to escape their old names, their old slave names to hear them tell it just like blacks like Malcolm X and Mohammed Ali who had shed their slave names with much greater justification.)


But those were odd times, times when hardened corner boys from nowhere in the East in places like Olde Saco and North Adamsville could hook up with surfer girls, JAPs, Native Americans, then still called Indians, brown skinned daughters of the braceros and batos locos and black as coal women from everywhere then called negroes. And so Butterfly Swirl and the Scribe “played house” together until, well, until Josh hit the scene looking for that vagrant joint at the end of Markin’s hand. The night of that first party had been the night when Butterfly made her play for Josh, wound up next to him on that mattress “on the bus.”


Now we are talking about people, young people, who were trying to turn the world upside down, get away from their family value values, get away from some straight-jacket existence in Elmira, Evanston, East LA, and so it was considered corny, old-fashioned to take umbrage if your girl, or guy, took off with somebody else. That was the way it was, everything, everybody free. But as in the case of Captain Crunch who saw red, or some evil color whenever Mustang Sally went off with some young rocker the Scribe was bitched out for a while over the new combination of Butterfly and his new friend Josh. But those were the days when everybody was looking for new “family” and so after sulking for a couple of days Markin finally gave his “blessing” to the pairing, finally “married” them and became the “patriarch” of his little family.


Although the “marriage” ceremony was performed by Captain Crunch in his role as leader of the ship it was the Scribe who gave Josh his new name “Prince of Love” that he carried with him for the two almost three years he traveled up and down the Coast with The Living End. Needless to say also as a sign of the times after Butterfly and Prince had their “honeymoon,” taking their first hits of acid, LSD, at a Jefferson Airplane and going down the coast for several months Butterfly decided that she was not cut out for the vagabond life and went back to her surfer boy life. But by then the Prince was totally into the alternative lifestyle scene provided by the Scribe and the other passengers on the bus.


Many nights Markin would regale his “family,” Butterfly and Prince, as well as whoever else sat around the fireplace wherever they were camped eating whatever hell-broth olio concoction somebody who was hungry enough to do so started to throw in the big metal bucket of a pot that most stews started in, with stories of his corner boy days, of his long-time corner boys. Mostly about, Frankie, now a lawyer, now Josh’s lawyer along with most of the other old-time corner boys who needed his services for whatever reason, Frankie Riley, the acknowledged leader of the crew who gave Markin him the moniker “the Scribe” since he was always writing something, something about Frankie and after a while, became his “flak.”  What Markin called Frankie’s Boswell although nobody knew or gave a rat’s ass about the analogy with Doctor Johnson’s biographer except Markin. Markin was a pip that way as everybody on the bus would find out eventually if they stayed long enough.  He relished the fact that he knew about two thousand arcane pieces of information like that Boswell thing.


Markin also mentioned guys like Jack Callahan, the great football player and now Mister Toyota of Eastern Massachusetts, the hooligan Jimmy Jenkins who developed the five finger discount, the “clip” into an art form, now a dentist, Sal Russo who laid his head down for his country for no good reason down in the Mekong Delta in Vietnam and whose name is now etched in granite on the North Adamsville memorial to the Vietnam war dead of the town and down in D.C. too but in black marble,  Bart Webber, who became a printer, now retired after turning the business over to his youngest son, Alex Johnson, a musician, now passed  away after years of heavy drug addiction and horror, Sam Lowell, also a lawyer but who unlike Frankie who ran a mid-level law office in Boston ran a small two man operation in his old hometown and is now semi-retired, and Frank Jackman, who went into writing advertising for a big Boston public relations firm and had been doing penance for that career recently by writing stuff about the old days which many people are very eager to read.  


The reason Josh thought of these names is that they were all still familiar to him, the ones still alive since with the exception of Sal Russo whom he never met before the reports of his death got transmitted to Markin.   Josh had met each and every one of them out on the West Coast when Markin, after have made a beachhead told them that they had better get there asses out to the Coast because the big tidal wave sea-change that he had been predicting, had been boring them to tears, boring them until they could give a rat’s ass about the subject, since about tenth grade was unfolding before his eyes. See aside for those two thousand facts that he loved to hoard like a king’s ransom and then pop on some unsuspecting doper Markin had sensed that big things were floating in the air for his, their generation to grab onto, and now that they were all out of school they had better hurry up and get west any way they could, by wagon train if necessary. So not only was the summer of 1967 the summer that Josh would latch onto that big tidal wave change he had also sensed coming although he could not articulate it quite that way Markin could but the summer that he met Markin’s corner boys who took him as one of their own. And he them.


Something new was in the air, longer hair, boys and girls, bearded for those males who unlike Josh could muster up enough facial hair to not appear ridiculous, less ownership of girl-boy single and forever ideas, freer sex, protected or not, the break away from the missionary one-position- fits-all, all taboos about sinister dope thrown out the windows, fuck you to the war, the Vietnam War, the central event that fifty years later still defined the life of the generation, except for those who like Markin and Sal  got caught in the draft vice and couldn’t figure a way out, and a general hell let’s turn the world upside down attitude for its own sake but some old-time working-class kindred spirit thing was working among the old friends of Markin and his new friend Josh.


Late August of 1967 was the high water mark of those who came out from North Adamsville and met Josh. They came in a couple of waves, came hitchhiking mostly except Alex Johnson who was working in a band that was heading west on a tour. They all eventually met in what today would seem like pioneer days manner via snail mail, Western Union telegrams and over the land-line telephone. Met in Todo el Mundo just south of Big Sur in a then isolated forest clearing with a few cabins, primitive cabins and a clear view of the pacific Pacific Ocean (just kidding the ocean down on the edge of the western world was wind-swept even on good days, so windy that you had to back yourself to the wind in order to light a cigarette and use about six matches to get a light for a smoke which they all did in those days). Met Josh and Markin there and struck up those life-long connections.            


Josh was thinking how improbable it was that they would all meet in such a desolate isolated spot, such an isolated desolate spot for city boys, born and raised but that was just a matter of Captain Crunch’s whims, or some deal he was running to keep everything afloat, keeping his own counsel on how and why too. The most probable rumor among the passengers, those not too stoned at all times to give a fuck or who just “grooved” on the ride, on the scene and could care less about the finances or the social niceties, was that the Captain was running a high-grade dope operation getting the best dope from south of the border from guys, bad hombres from what Josh could tell when they headed in the bus down to San Diego one time to stay “house-sitting” this huge hacienda mansion place called Rancho San Pedro for a “friend” of the Captain’s, he knew from many trips down there. The most persistent rumor that never faded in the time Josh and Markin were on the bus was that The Living End like he said before was either bought with the proceeds of a dope deal or the Captain got it in trade.


So the Captain, although he ran a loose ship except when it came to Mustang Sally and in that case he was totally frustrated with her antics, was the guy who decided when the bus was leaving for another site. That why the bus had been sitting on Russian Hill the fateful day Josh asked Markin for some dope. It had also been why Markin had first picked up the bus down in Monterrey (and where he meet a short-time fling, Mother Earth, a slender red-head wearing one of the first granny dresses which had caught his eyes down near beat down Cannery Row where he was paying homage to the muse of John Steinbeck, and yes, the monikers, the break from slavery monikers were fast and furious then.) And this was why through a whole ration of crap trying to get West in the first place and then trying to find this place that nobody knew of even longtime denizens of Big Sur the North Adamsville crew met up in the middle of nowhere California.           


Of course as early 1960s corner boys formed by rock and roll and the deep freeze red scare Cold War night they all loved the wine, women and song, and the add-on dope until it came out of their ears. They even bought into Markin’s (and Josh’s) idea of building a commune, getting back to real life and not the nine to five grind of their parents and of what those parents had instilled in them. But as time went by, after what Josh thought was about six months later, after the high tide of the ghost dance they had all performed on peyote buttons under the direction of a neo-shaman, it was clear that like with Butterfly Swirl who had left in the late fall of 1967 that not everybody shared Markin’s dream, not everybody was built for the new world a-borning. Especially when the real world intruded, like hassles from the cops, like not being welcomed in various towns and establishments and like the frictions of living together got too intense. But most of all the whole thing went poof when Markin got his belated draft notice and decided he had no good reason not to be inducted into the Army, a decision he would sorely cometo regret, the old gang started drifting away. Except Josh who would still be on the bus until Markin got back from the service and he meet him in Oakland to see what they would do next.       


They stayed on the bus for a while, although clearly, clearly to Josh, something, something the usually gregarious Markin would not talk about happened in Vietnam, something that had taken the edge off of his free spirit. So they got off the bus, got a place in Oakland, did a lot of political work, mainly defending the Black Panthers and other political prisoners who were increasing under the gun of the American government. One night Markin mentioned that just as he saw in the early 1960s that a new day was dawning, that all things were possible by the end of the decade, the first couple of years of the 1970s, the high tide had been broken, the ebb tide was flowing. Josh held out for a few more years until Markin went over the edge, started doing cocaine, got into bad drug deals, went south on some kind of drug deal never fully explained and wound up with two slugs in his heart in a back alley in Sonora or and was buried in a potter’s field down there.              


Josh thought though after he had gotten back to Olde Saco from his Boston chore that day he saw the blast from the past yellow brick road bus on the Maine highway as he was phoning and e-mailing the old companions about what he had seen that day not everything was for naught. Maybe that bus was a harbinger of things to come. He was ready.