Monday, April 30, 2018

An Encore-Remembrances Of Things Past-With Jeff Higgins’ Class Of 1964 In Mind

An Encore-Remembrances Of Things Past-With Jeff Higgins’ Class Of 1964 In Mind




From The Pen Of Bart Webber

There was always something, some damn thing to remind Jeff Higgins, Class of 1964, a fateful year in his life and not just because that was the year that he graduated from North Quincy High School down in outer edge of the Southeastern corner of Massachusetts. He had recently, well, let's call it 2014 because who knows when some iterant reader might read this and because that as will be pointed in a second has significant for why Jeff Higgins thought that it was "one damn thing after another" when dealing with that class issue. If you did the math quickly in your head while I was pointing to the significance you would know that year represented the fiftieth anniversary of the his graduation from high school, then as now if less so a milestone on the way to serious-minded adulthood, and furthermore had  gone through something of a serious traumatic experience which left him numb every time something came up about that year, some remembrance.

If you knew Jeff in 1964, and even if did not you knew somebody like Jeff since every high school class had  a Jeff case and moreover his experience was not that uncommon, then you know form whence I speak. Hey, let's say you didn't know him back then in 1964 but only in  2014 that would tell you the same tale, with his three messy divorces and several affairs from flings to some more serious relationships along with scads of children and grandchildren now from the marriages not the affairs. Guess what you would know that it was about a woman, always about a woman, he eternally afflicted as old as he was from coming of age time to coming to the end-times.


So about a woman this time, this eternally afflicted time, named Elizabeth Drury whom  he had had a brief puff of air affair with in that same 2014 but which had seemingly vanished in his dust of memory until he went up in the attic to clean up some stuff. (By the way Elizabeth not Liz, which would show a certain informality, a certain good sport and not standing on ceremony or Betty, a nickname which conveyed continued childhood in those days as old as a woman might be, so no way she was not anything but a proper Elizabeth-type, who held maybe Queen Elizabeth I, you know the so-called Virgin Queen, the one who ruled England for a long time and had more lovers than you could shake a stick at but all we knew then was that she was the Virgin Queen, as her model, even in high school.) 


Yeah finally getting rid of most of stuff which had been gathering dust, maybe mold for years, in anticipation of selling his house and moving to a more manageable condo, down-sizing they call it in the real estate trade, and found a faded tattered copy of his class’ remembrance card. You know those time vault cards that card companies like Hallmark, the source of this one, put out so that people, or this case the whole class by some tabulations, can put down favorite films, people, records, who was President, and other momentous events from some important year like a high school graduation to be looked at in later years and ahhed over.
That yellowed sheet brought back not just memories of that faded long ago year but of Elizabeth in the not so faded past. So, yes, it was always some damn thing, always some damn woman thing.       


Maybe we had better take you back to the beginning though, back to how the year 1964 and the woman Elizabeth Drury had been giving one Jeffery Higgins late of North Quincy nothing but pains. Jeff had been for many, many years agnostic about attending class reunions, had early on after graduation decided that he needed to show his back to the whole high school experience which was a flat-out zero once he thought about every indignity and hurt he had suffered for one reason or another, and to show that same back to the town, a small hick town anyway which needed to be fled to see the big old world.

A lot of that teenage angst having to do with his humble beginnings as a son of a “chiseler,” not meant as a nice term, a father who worked in the then depleting and now depleted granite quarries when there was work for which the town was then famous and which represented the low-end of North Quincy society. The low-end which others in the town including his fellow classmates in high school who were as socially class conscious as any Mayfair swells made him feel like a nobody and a nothing for no known reason except that he was the son of a chiseler which after all he could not help. Of course those social exclusions played themselves out under the veil of his not dressing cool, living off the leavings of his older brothers, living off of Bargain Center rejected materials not even cool when purchased, you know, white shirts with stripes when that was not cool, black chinos with cuffs like some farmer, ditto, dinky Thom McAn shoes with buckles for Chrissake, just as his younger brothers lived off his in that tight budget world of the desperate working poor, of his not having money for dates even with fellow bogger’s daughters, and hanging corner dough-less, girl-less corners with fellow odd-ball bogger outcasts. So Jeff had no trouble drifting away from that milieu, had no trouble putting dust on his shoes to get out and head west when the doings out west were drawing every wayward youth to the flame, to the summers of love.


And there things stood in Jeff’s North Quincy consciousness for many years until maybe 2012, 2013 when very conscious that a hallmark 50th class reunion would be in the works and with more time on his hands as he had cut back on the day to day operation of his small law practice in Cambridge he decided that he would check out the preparations, and perhaps offer his help to organize the event. He had received notification of his class’ fortieth reunion in 2004 (which he had dismissed out of hand only wondering how the reunion committee had gotten his address for while he was not hiding from anything or anyone he was also not out there publicly since he did not have clients other than other lawyers whom he wrote motions, briefs, appeals and the like for, until he realized that as a member of the Massachusetts bar he would have that kind of information on his very publicly-accessible bar profile page) so via the marvels of modern day technology through the Internet he was able to get hold of Donna Marlowe (married name Rossi) who had set up a Facebook page to advertise the event.


That connection led to Jeff drafting himself onto the reunion committee and lead directly to the big bang of pain that he would subsequently feel. Naturally in a world filled with social media and networking those from the class who either knew Donna or the other members of the committee or were Internet savvy joined the class’ Facebook page and then were directed to a class website (as he found out later his generation unlike later ones was on the borderline of entering the “information superhighway” and so not all classmates, those still alive anyway, were savvy that way). On that website set up by tech savvy Donna (she had worked in the computer industry at IBM during her working career) each classmate who joined the site had the ability to put up a personal profile next to their class photograph like he had done on many other such sites and that is where Jeff had seen Elizabeth Drury’s profile and a flood of memories and blushes.            


In high school Jeff had been smitten by Elizabeth, daughter of a couple of school teachers who worked in the upscale Marshfield school system  and therefore were stationed well above the chiselers of the town. But in things of the heart things like class distinctions, especially in democratically-etched America, are forgotten, maybe not rightly or fully forgotten when the deal goes down but there is enough of façade to throw one off if one gets feeling a certain way, gets the love bug, and sometime in the  genes makes one foolhardy. That had almost happened to Jeff in Elizabeth's case, except his corner boy Jack Callahan had put him wise, had kept him from one more teenage angst hurt.

Jeff and Elizabeth had had several classes together senior year and sat across from each other in English class and since both loved literature and were school-recognized as such they had certain interests in common. So they talked, talked in what Jeff thought was very friendly and somewhat flirty manner (or as he thought later after the youthful lame had burned out and he drifted west maybe he just hoped that was the case) and he had "formed an intention" (that is the way he said it the night he related the story to me so forgive the legal claptrap way he said it) to ask her out even if only to Doc’s Drugstore for an after school soda and a listen to the latest platters on Doc’s jukebox which had all the good stuff that kids were dancing to in those days. He figured from there he could work up to a real date. But sometimes the bumps and bruises of the chiseler life left one with a little sense and so before making attempts at such a conquest Jeff consulted with Jack Callahan to see if Elizabeth was “spoken for” (Jeff’s term if you can believe that like this was some 17th century Pilgrim forebears time).


See Jack, a star football player even if he was also a chiseler's son got something of an exemption from the rigid routine of the social structure of the senior class just by being able to run through defensive lines on any given granite grey autumn afternoon and so had excellent “intelligence” on the whole school system’s social network, in other words who was, or was not, spoken for. (By the way that “grapevine” any high school grapevine, maybe middle school too would put the poor technicians at the CIA and the spooks at NSA to shame with the accuracy of the information. It had to be that resourceful and accurate otherwise fists would fly.) The word on Elizabeth, forget it, off-limits, an “ice queen.” So Jeff saved himself plenty of anguish and he moved on with his small little high school life.


Seeing Elizabeth's name and profile though that many years later made him curious, made him wonder what had happened to her and since he was now again “single” he decided he would write a private e-mail to her profile page something which the website was set up to perform and which the reunion committee was recommending the still standing alumnus to do. That “single” a condition that he now considered the best course after three shifts of alimony, child support and college tuitions made him realize that it was infinitely cheaper to just live with a woman and be done with it.

Jeff wrote a short message asking whether she remembered him and she replied that she very well did remember him and their “great” (her term) conversations about Thomas Hardy, Ernest Hemingway and Edith Wharton. That short message and reply “sparked” something and they began a flurry of e-mails giving outlines of their subsequent history, including the still important one to Jeff whether she was “spoken for.” She was not having had two divorces although no kids in her career as a professor at the State University.


Somehow these messages led Jeff to tell her about his talk with Jack Callahan. And she laughed not at the “intelligence” which was correct but not for the reasons that Jack gave (her father was an abusive “asshole,” her term for her standoffishness and reputation as an “ice queen”). She laughed because despite her being flirty when they talked in English class, at least that was what she thought she was attempting to do because she certainly was interested when they would talk Jeff had never asked her out and then one day just stopped talking to her for no known reason. Damn.                    


They say, or at least Thomas Wolfe did in the title of one of his novels-you can’t go home again but neither Jeff nor Elizabeth after that last exchange of e-mails about the fateful missing chance back in senior year would heed the message. They decided to meet in Cambridge one night to see if that unspoken truth had any substance. They did meet, got along great, had many stories to exchange and it turned out many of the same interests (except golf a sport which relaxed Jeff when he was all wound up but which Elizabeth’s second husband had tried to teach her to no avail). And so their little affair started, started with great big bursts of flames but wound up after a few months smoldering out and being blown away like so much dust in the wind once Elizabeth started talking about marriage. Jeff was willing to listen to living together but his own strange marital orbit had made him very strongly again any more marriages. So this pair could not go home again, not at all, and after some acrimonious moments they parted.           


Jeff knew that was the best course, knew he had to break it off but it still hurt enough that any reference to 1964 made him sad. As he took a look at the sentiments expressed in that tattered yellowed document he had a moment reprieve as he ahh-ed over the information presented. Had he really forgotten that there was no Vice President then since there was no Vice-Presidential succession when Lyndon Johnson became President after the assassination of home state Irish Jack Kennedy. That My Fair Lady was a  popular Broadway show then as now. That the Beatles had appeared on Ed Sullivan’s Show and done a film, that Chapel of Love had been a hit that year as well. That 1964 was the year the Mustang that he would have died for came out into a candid  world. That gas was only about thirty cent a gallon, and that another Elizabeth, Elizabeth Taylor, married one Richard Burton for the first time (although not the last). And on that sour note he put the yellowed tattered document he had accidently come across in the trash pile with other tattered documents. He would remember things past in his own way. 

In Honor Of The Anniversary Of The Irish Easter Uprising, 1916-Sean Flynn’s Fight-Take Two

In Honor Of The Anniversary Of The Irish Easter Uprising, 1916-Sean Flynn’s Fight-Take Two 

A word on the Easter Uprising


In the old Irish working-class neighborhoods where I grew up the aborted Easter Uprising of 1916 was spoken of in mythical hushed reverent tones as the key symbol of the modern Irish liberation struggle from bloody England. The event itself provoked such memories of heroic “boyos”  (and “girlos” not acknowledged) fighting to the end against great odds that a careful analysis of what could, and could not be, learned from the mistakes made at the time entered my head. That was then though in the glare of boyhood infatuations. Now is the time for a more sober assessment. 


The easy part of analyzing the Irish Easter Uprising of 1916 is first and foremost the knowledge, in retrospect, that it was not widely supported by people in Ireland, especially by the “shawlies” in Dublin and the cities who received their sons’ military pay from the Imperial British Army for service in the bloody trenches of Europe which sustained them throughout the war. That factor and the relative ease with which the uprising had been militarily defeated by the British forces send in main force to crush it lead easily to the conclusion that the adventure was doomed to failure. Still easier is to criticize the timing and the strategy and tactics of the planned action and of the various actors, particularly in the leadership’s underestimating the British Empire’s frenzy to crush any opposition to its main task of victory in World War I. (Although, I think that frenzy on Mother England’s part would be a point in the uprising’s favor under the theory that England’s [or fill in the blank of your favorite later national liberation struggle] woes were Ireland’s [or fill in the blank ditto on the your favorite oppressed peoples struggle] opportunities.


The hard part is to draw any positive lessons of that national liberation struggle experience for the future. If nothing else remember this though, and unfortunately the Irish national liberation fighters (and other national liberation fighters later, including later Irish revolutionaries) failed to take this into account in their military calculations, the British (or fill in the blank) were savagely committed to defeating the uprising including burning that colonial country to the ground if need be in order to maintain control. In the final analysis, it was not part of their metropolitan homeland, so the hell with it. Needless to say, cowardly British Labor’s position was almost a carbon copy of His Imperial Majesty’s. Labor Party leader Arthur Henderson could barely contain himself when informed that James Connolly had been executed. That should, even today, make every British militant blush with shame. Unfortunately, the demand for British militants and others today is the same as then if somewhat attenuated- All British Troops Out of Ireland.

In various readings on national liberation struggles I have come across a theory that the Easter Uprising was the first socialist revolution in Europe, predating the Bolshevik Revolution by over a year. Unfortunately, there is little truth to that idea. Of the Uprising’s leaders only James Connolly was devoted to the socialist cause. Moreover, while the Irish Volunteers and the Irish Citizen Army were prototypical models for urban- led national liberation forces such organizations, as we have witnessed in later history, are not inherently socialistic. The dominant mood among the leadership was in favor of political independence and/or fighting for a return to a separate traditional Irish cultural hegemony. (“Let poets rule the land”).

As outlined in the famous Proclamation of the Republic posted on the General Post Office in Dublin, Easter Monday, 1916 the goal of the leadership appeared to be something on the order of a society like those fought for in the European Revolutions of 1848, a left bourgeois republic. A formation on the order of the Paris Commune of 1871 where the working class momentarily took power or the Soviet Commune of 1917 which lasted for a longer period did not figure in the political calculations at that time. As noted above, James Connolly clearly was skeptical of his erstwhile comrades on the subject of the nature of the future state and apparently was prepared for an ensuing class struggle following the establishment of a republic.

That does not mean that revolutionary socialists could not support such an uprising. On the contrary, Lenin, who was an admirer of Connolly for his anti-war stance in World War I, and Trotsky stoutly defended the uprising against those who derided the Easter rising for involving bourgeois elements. Participation by bourgeois and petty bourgeois elements is in the nature of a national liberation struggle. The key, which must be learned by militants today, is who leads the national liberation struggle and on what program. As both Lenin and Trotsky made clear later in their own experiences in Russia revolutionary socialists have to lead other disaffected elements of society to overthrow the existing order. There is no other way in a heterogeneous class-divided society. Moreover, in Ireland, the anti-imperialist nature of the action against British imperialism during wartime on the socialist principle that the defeat of your own imperialist overlord in war as a way to open the road to the class struggle merited support on that basis alone. Chocky Ar La.

********

Here is a little commemorative piece based on the exploits of Frankie Riley from the old neighborhood grand-uncle’s, Sean Flynn, who gave a good account of himself when the time for fighting came:

Funny, Sean Flynn thought, about how words and phrases can capture a moment, capture an Irish poetic moment, of which in the benighted history of this benighted isle there were few and far between. He had been reading, really re-reading, William Butler Yeats’ homage to the men of Easter 1916, his men (although he had been a mere slip of a boy, if a tall manly looking boy then), and about that powerful refrain that ended a few verses -“a terrible beauty was born.” Yes, Sean thought, that phrase fit the occasion to a tee, fit those working men like himself and his brother, Seamus, who gave their all those bloody April days to free Ireland from the English yoke. Yes, funny too how an Anglo-Irishman, a bloody heathen if you really thought about it, captured the spirit of those times, of those times when men, a few men , had to step up and be counted. Ordinary working men mostly, the ones from his Irish Citizens’ Army, the one Jimmy Connolly (the late lamented martyred James Connolly to most) put together to defend the neighborhoods against the bloody reprisals after the big 1914 strike. The others too, too few others in Dublin no question what with all the confusion, mainly poets and students caught up in some professor’s exaltations.

Sean remembered, distinctly remembered, how nervous he had been waiting, eternally waiting for the sign of the uprising to take place-he knew for sure it would not be like some Wolfe Tone thing, or the rising of the moon. Not this time not when the Irish finally had the British at a disadvantage. That big war in Europe was actually to their benefit. Oh no, not at first when everybody, even hot-headed Irishmen if one could believe that, was ready to give his or her all for the bloody King of England against the damn Huns. No, rather later once everybody knew that England was so desperate to beat the Huns in Europe with everything they had that a small military encounter with whatever remnants the British left behind to garrison the Irish colony could be disposed of with ease and a free Ireland delivered at little cost. The question that made Sean nervous, made many a man nervous, was when. As 1915 slipped into 1916 those nerves only got more frayed since there were constant rumors that the war in Europe would soon be over and a chance to gain the upper hand would be lost.       

Finally, finally word filtered down to the “boyos” that the Irish Citizens’ Army (meaning James Connolly above all others) would join with the Irish Volunteers (Patrick Pearse’s operation, among others) to declare a republic and stand and fight. Naturally there were more delays as the chieftains (now including the previously non-committal Irish Republican Brotherhood) argued about the necessity, the validity, and then the timing of a rising. (All this not known until later after the smoke had cleared and the survivors could take stock of who, and who did not, do what, who did, and did not, show up, and what else went wrong.) Then that Easter week came and the order to arm came. And all arms to head to Dublin, to the strategic General Post Office (their, the bloody English’s post office). Sean got there just in time to hear the Proclamation read and posted. The battle was on and suddenly all of Sean’s nervousness about being exposed, about not being a military man, about being shy around guns evaporated.                

Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night- The Battle Rages- Jerry Lee or Elvis?- Jerry Lee Lewis’ “High School Confidential”- Billie And Peter Paul Square Off

Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night- The Battle Rages- Jerry Lee or Elvis?- Jerry Lee Lewis’ “High School Confidential”- Billie And Peter Paul Square Off



Markin comment:

This is the back story, the teen listener back story if you like, going back to the primordial youth time of the mid to late 1950s with its bags full of classic rock songs for the ages. Of course, any such efforts have to include the views of one Billie, William James Bradley, the schoolboy mad-hatter of the 1950s rock jailbreak out in our “the projects” neighborhood. Ya, in those days, unlike during his later fateful wrong turn trajectory days, every kid, including best friend Markin, me, lived to hear what he had to say about any song that came trumpeting over the radio, at least every one that we would recognize as our own.

Billie and I spent many, many hours mainly up in his tiny bedroom, his rock heaven bedroom, walls plastered with posters of Elvis, Bo Diddley, Chuck Berry, somewhat later Jerry Lee Lewis, and of every new teen heartthrob singer, heartthrob to the girls that is, around, on his night table every new record Billie could get his hands on, by hook or by crook, and neatly folded piles of clothing, also gathered by that same hook or by crook, appropriate to the king hell king of the schoolboy rock scene, the elementary school rock scene between about 1956 to 1960. Much of that time was spent discussing the “meaning” of various songs, especially their sexual implications, ah, their mystery of girls-finding-out-about worthiness.

Although in early 1959 my family had started the process of moving out of the projects, and, more importantly, I had begun to move away from Billie’s orbit, his new found orbit as king hell gangster wannabe, I still would wander back there until mid-1960 just to hear his take on whatever music was interesting him at the time. These commentaries, these Billie commentaries, are my recollections of his and my conversations on the song lyrics in this series. But I am not relying on memory alone. During this period we would use my father’s tape recorder, by today’s standard his big old reel to reel monstrosity of a tape recorder, to record Billie’s covers of the then current hit songs (for those who have not read previously of Billie’s “heroics” he was a pretty good budding rock singer at the time) and our conversations of those song meanings that we fretted about for hours. I have, painstakingly, had those reels transcribed so that many of these commentaries will be the actual words spoken during those conversations(somewhat edited, of course). That said, Billie, king hell rock and roll king of the old neighborhood, knew how to call a lyric, and make us laugh to boot. Wherever you are Billie I’m still pulling for you. Got it.
*********
High School Confidential lyrics-Jerry Lee Lewis

You better open up honey it's your lover boy me that's a knockin'
You better listen to me sugar all the cats are at the High School rockin'
Honey get your boppin' shoes Before the juke box blows a fuse
Got everybody hoppin' everybody boppin'

Boppin' at the High School Hop
Boppin' at the High School Hop
Shakin' at the High School Hop
I've rollin' at the High School Hop
I've been movin' at the High School Hop
Everybody’s hoppin' Everybody's boppin'
Boppin' at the High School Hop

Come on little baby gonna rock a little bit tonight
Woooh I got get with you sugar gonna shake things up tonight
Check out the heart beatin' rhythm cause my feet are moving smooth and
Light

Boppin' at the High School Hop
Shakin' at the High School Hop
Rollin' at the High School Hop
Movin' at the High School Hop
Everybody’s hoppin' just a boppin' just a boppin'

Piano Solo!

Come on little baby let me give a piece good news good news good news
Jerry Lee is going to rock away all his blues
My hearts beatin' rhythm and my soul is singin' the blues

Oooooh Boppin' at the High School Hop
Shakin' at the High School Hop
Rollin' at the High School Hop
Gettin' it at the High School Hop
Everybody’s hoppin' Everybody's boppin'
Boppin' at the High School Hop
********
Peter Paul Markin comment:

“Who are you taking to the hop? Come on now, tell me, tell me, your old buddy Billie, who you asked? Was it Theresa? Was it Donna? Was it Karen?” That was the incessant bugging by my old elementary school boy compadre, Billie, William James Bradley if you didn’t know already, every time a school sock hop came up. But you know, or you should know, that was just a little way that he had to bait me about my shyness, or rather my awkwardness around girls. Around girls that he, king hell king of the late 1950s rock night “discarded” and left for the rest of us, especially for me.

And he knew, he knew damn well that I had not gotten up the nerve to ask any of those three ex-flames, or any girl, to the dance coming up in a few days. For one thing because, as king hell king of the rock night, and therefore king, crowned or uncrowned, of the sock hop he had all the configurations, combinations, set-ups, and, and, no-go bust-ups all computed out, no, not on some machine memory depot but in his head. For another because he didn’t know that I had decided just to go to the dance alone and maybe getting lucky there. Heck, I had done it before, a few times, although not with any great success but if there is any rhyme or reason to youth it is around the possibilities of getting lucky. Of course, old Billie had “selected” Laura as his escort, no awkwardness in Billie, although I had heard, heard from more than one budding teenage source that she “liked me,”(don’t ever tell him this though for I will deny it on seven stacked bibles). Or liked my seriousness, and my clowny, get in the way bookishness. So I am going “stag” on the hope, the hell or high water hope that Billie will let his old buddy, his old amigo, his, well you know, have a dance with his escort to see if I have some “magic.”

Now, and ever since I heard about her opinion of me, I have been wracking my brain to figure out this question. How could she “like me”, or not like me for that matter, I do not know because although I had looked over in her direction in class dreamily (yes, dreamily) more than somewhat I had never said word one to her, or her to me. Now this Laura, if you want a description is not drop-dead beautiful, at least by Billie-Markin defined drop-dead beautiful, twelve and thirteen year old girl beautiful, but she has something else that I would not (and Billie definitely would not) figure out how to say for many years, she was fetching. Definition: nice figure, meaning having a shape, if you really want to know, because when you think about it, boy or girl, twelve and thirteen year old boy or girl, any girl that had a shape (meaning had womanly contours, hips, breasts, nicely-formed legs) rather than a stock stick figure tomboy-like girl was bound to get ahead in that be-bop night, and probably now too.

But more than that, for me, if not for Billie, she didn’t giggle, silly giggle like the other girls when a boy said something stupid-funny (and the twelve and thirteen year old boy universe is more than somewhat filled with stupid-funny stuff done by eons of clueless guys, trying, trying just like me, and just like Billie if he could have ever been honest about it, to figure out the key to the girl-charm thing, yes, there is plenty of room in that universe even now for the stupid-funny) and, she carried herself in a way, sometimes with a certain thoughtful look, sometimes by a thing she did by putting her fingers to her lips, and maybe the most important, that she knew she was a girl and was content with that knowledge. She would lack for no dates or admirers, ever. Oh, ya she was also smart, not Billie street smart, not Markin two-thousand facts smart but asking and answering teacher smart, without being crazy smart about it that you also knew every boy, or almost every boy, in the twelve and thirteen year old boy universe did not like in girls then, and maybe now for all I know. It only gets sifted out later.

But enough of Laura, of Billie, christ of Markin as well, of pre-sock hop arrangements, derangements and dreamily kid in the night be-bop stuff let us get to the sock hop. Hey, wait a minute, you know what sock hops are, or you heard from your parents or grandparents what sock hops are, right? Back in the fifties, yes, the 1950s (and a little bit into the 1960s but the term had kind of died out by then, at least for “non-squares”). If you don’t then I’ll fill you in quickly now, but you’ll see you really know about all of this because it is nothing but a “primitive”, maybe Stone Age when you hear it, version of any school dance scene since they started making teenagers a separate social category in the world, the whole wide world even. Okay the idea was to hem in this mad dash, this mad craze to dance, and dance guys with girls and vice versa, that kids have been into since the radio and jukebox came on the scene, maybe back in that Stone Age now that I think about it.

So dear mother and father, you name the generation, figured out if you can’t beat them join them, and the schools (and churches later) were in cahoots. So every once in a while to keep three eyes on this stuff (and to avoid the feared, seriously feared, basement or “family room”-launched “petting parties” if kids are left to their own devices), maybe a few times a month they would throw a sock hop (the sock part comes from the fact, the hard fact, that most girls, most twelve and thirteen year old girls, wore ankle socks. Ya, no nylons, etc. If you don’t believe me look it up on Wikipedia, or something). Now, most times, this was nothing but some parent or teacher acting as dee-jay and "spinning platters” (records) in some dank, well-lighted, too well-lighted school gym or church basement, christ more than once in the school cafeteria when the gym was being used for other purposes that night. Yes, the night, the night in those days being from seven to about ten in the evening so you would have to think pretty hard about not going, stag or dated up, to the dance if for no other reason than to be able to get out of the house, the cramped, nowhere project house (really apartment) for a few hours uncramped freedom.

This night, this night that Billie kidded me about, this Billie and Laura night, though somehow, although I am vague on the details of how they were brought in, we are not reduced to cranky, scratchy records but a real live local band, a band that prided itself, I heard, on doing covers of the “hot” new singers and groups we knew from American Bandstand (an afternoon television show that had Philly kids, older Philly kids, dancing and swaying to whatever dee-jay Dick Clark, is he still around?, decided was wholesome and fit for the ears of America’s afternoon rock obsessed youth). So this is a time you definitely did not want to miss. And to truth to tell I went early, nervously early if you must know, to see what was up and watch the band set up.

Now this is not just any time in the 1950s, although the sock hop thing, the worried parent, worried about those “petting party” things(and more, much more, about sex things) and this wild and woolly rock obsessed thing their no understand what kids are into could have been anytime from about 1955 on, from the time that Elvis exploded onto the scene with those swiveling hips, that jumping girl guitar, that unkempt hair (ya, unkempt to them), and that permanent sneer came onto the scene.

No, this is 1958 when the Elvis thing had died down a little now that he was dead, or we thought he was dead, and for a fact he might have well have been dead in the constant teen chew-up of rock talent from the kind of music and movies he was into after giving us such great stuff like Jailhouse RockGood Rockin’ Tonight, Heartbreak Hotel and One Night With You. Ya, the king was dead, long live the king, and let’s move on, okay. Billie and I talked about it, about how guys, rock guys that is, seen to have a short shelf-life, but as Billie knew, knew from his own bumpy rock “career”, that’s show biz. So this night we are wondering, wondering like crazy, how the band will work out and whose music they will cover.

Like I said I got there early and watched the band set up, including a piano besides the guitar and drums so I figure maybe they will do some Little Richard or Fats Domino stuff. Seven o’clock comes and here comes Billie with Laura. Wow, Billie has on a nice jacket, wide lapels like all the rock guys are wearing these days (I’ll tell you about how he got it sometime but you can figure that a projects boy didn’t get it as a birthday present from Ma and Pa). Really sharp. But double wow on Laura who has on a cashmere sweater, some wide skirt and, can you believe this, nylons, to show off her nice legs. Oh ya, and just a hint of smile on her face like she is here with the king of the rock night, crowned or uncrowned, and she has staked out the territory as queen, demure queen, but queen nevertheless.

Yes, fetching (although we will agree between ourselves that I don’t know that word, or how to use it in relationship to describing girls and their charms just yet, alright). But here is where the sweetest part comes in when Billie and Laura make their royal entrance and come over to where I am standing when Billie introduces me, formally introduces Laura to me, she gives me this, well, I don’t care if I do wear out the word, fetching smile and says “I’ve seen you in class but you never seem to pay any attention to me. I thought that report you gave on Greek democracy in class was very well done.” Be still my heart, she actually remembers the report… and me. And here I am wearing some bedraggled (always bedraggled, always) stripped (stripes, jesus) white collared shirt, ratty black pants, and old Thom McAn Easter-bought brown shoes. Well, she remembered my report, that’s a start, and it actually was pretty good because I went to the Thomas Crane Public Library right up in Adamsville Square to look the stuff up.

But enough of reports, and "be still my hearts" because the music is going on. A few covers of Little Richard and Fats as I expected, with that piano and all, some Buddy Holly that sounded a little tinny, a few other non-memorable odd and ends, including some Elvis that sounded, and I again swear on seven bibles, like old time parents’ music, like Frank Sinatra, or those guys. The suddenly, the leader of the band said that he had a special guest on the piano for the next number. We all wondered what the song would be while they were setting the piano up closer to the front. I heard somebody say it was going to be something by a new guy, Jerry Lee Lewis. Whoa! I have only heard him once or twice but I thought his piano was smoking so maybe this guest guy could do a good cover on it. Billie, Billie king hell king of the rock night, must have known something was up, and why (always why) because he brought Laura over and asked me if wanted to dance the next dance with her. Me, two left feet, or two right feet, stag, coming to the dance stag just hoping that I would get lucky with “discarded” Theresa, Donna, or Karen dance with fetching Laura. No way. The she said “but I really want to dance with you, you being Billie friend, and he says you are a good dancer,” and then turns a very whimsical smile on me.

Well what are you going to do when a woman (alright girl, but a girl with a shape) wants to dance with you, and had something nice to say about your school report, and, oh yes had that smile, that come hinter smile that leaves a man (okay, boy) anywhere from twelve to twelve hundred weak at the knees. Well, the music is starting so I say yes, okay yes.

And what does our guest pianist do but a cover, a hot cover by the way, of Jerry Lee Lewis’ latest, High School Confidential, which I had heard about but had not heard. Great. Laura and I are dancing away and she is doing nothing but give me meaningful smiles and, maybe that rumor about her “liking me” was true. I am just dancing away like crazy and people are looking at me like where did he learn how to do that. After the dance I returned Laura to Billie, a little miffed Billie but I could have been wrong on that. And then Theresa came over and asked if I wanted to dance. A few dances, a few Laura-less dances later the call for last dance came, and not feeling like watching Laura with Billie just then I headed home.

The next morning, a Sunday morning, if I recall, Billie came over to the house and was fuming/hangdog as we talked, talked obviously about the sock hop doings. Fuming because I had switched up on him. How? Well, apparently, Laura, sweet fetching Laura, spent more than the allotted time talking about me, rather than about Billie’s virtues and he had used the dance, the Jerry Lee Lewis manic rock number that he had found out the band was going to play to make me look silly (his word, although mine when I heard it was more of an expletive). Hangdog because he felt bad now that he had done his best friend wrong, wrong over a girl although, in Billie fashion, he tried to step back and argue that maybe he did me a favor getting me out on the dance floor. See, though what he didn’t know (and don’t tell him either, if you know his whereabouts) is that I had been taking lessons from his slightly older sister, Carol, on how to dance this latest faster dance stuff.

So that is the end of the story, or almost the end. A few days later Laura knocked at our apartment door in the afternoon after school. My mother answered the door and invited her in, although she, my mother that is, said Laura was coming in no matter what from the look on her face. She was fuming, although as it turns out good fuming, because she said she had been smiling at me like crazy when we were dancing to give me the “hint” to ask her for the last dance, the last close to her dance. Sorry, Laura. And then she blurted out her command, “You and I are going to the next sock hop together and you had better not say no.” Well, when a woman (girl, are you happy) "insists” on something, almost anything like that, and on top of that had that kind remark about that school report, and that shape, what is a boy, a boy of the twelve and thirteen year old universe to do but say yes. So at the next dance I won’t be dancing with Billie “discard” Theresa, Donna, or Karen although they are okay but with fetching Laura. So there Billie, we are even. And if anybody asks you, like they asked me once-Elvis or Jerry Lee? Jerry Lee, long live the king.
*********
Billie, William James Bradley comment:

I am fuming, fuming six ways to Sunday if that is possible, fuming until the cows come home if there are any cows around, and if they have wandered I am still fuming. Why? I just called up Laura, Laura that I took to the school dance last week, to ask her if she wanted to go to the church sock hop scheduled for this weekend, Saturday night. Now it wouldn’t be as good as the last school one with a live band, and all, but even with just records and just ten thousand poor as church mice chaperones doing their chaperone thing to get grace or something, for real, we could still have a good time.

And do you know what she said. “I’ve got a date.” What, no way, no possible way, when everybody knows that she is my “personal property.” “Who is the guy, who is the guy, who is the guy who would dare cross the king of the rock night? This world is not big enough for the two of us, give me his name,” I said as I readied my arrows. “It’s Peter Paul, and before you get all crazy I asked him,” she darted back the sound of her voice pleased, pleased as punch the way she said it. “Double what?” I shouted over the phone so everyone within a twenty square mile area could hear, if they wanted to. And she came back, all sweet reason just like every girl, every stick or shapely girl, women even “I like you, I definitely like you, you’re funny, and you’re a good dancer, and you sure know a lot about rock ‘n’ roll, but you seem too bossy, and you take that "king of the rock" thing that Peter Paul keeps telling everybody about way too seriously. If Peter Paul hadn’t spent what seems like half his life building you up as, what did he call it, oh ya, “king of the be-bop night” you might be a better boy to be with. But the big thing, and here is where it all comes down on you, I found out, found out from Karen, that you tried to make a clown out of poor Peter Paul when you let him dance with me and you knew, or thought you knew, that he couldn’t dance for beans.” After she let that set in my head, uneasily in my head for a minute, she continued “So, yes, I went right over to his house and told him, no, what did he say I said, ‘insisted’ that we were going to the next dance together.” But get this, get this dagger thing aimed right at my heart. She finishes off with “And he makes me smile with his silly bookish ways, and you don’t okay. Next dance I’ll go with you, your highness, maybe.” And then she hung up. Ouch!

Two-timing that is all that it is. I can see that now. No, not Laura, you know how girls are, twelve and thirteen year old girls, with their hard to figure giggles, their starting to get shapes, and their monthlies (my sisters, Carol and Donna, told me all about it, sorry, tough luck girls). No, Peter Paul, Markin, that s.o.b., two-timed his best friend that’s all it can be. Probably went to the Thomas Crane Public Library branch that is attached to the school and read up everything that was on the shelves about two-timing, the history of two-timing, boys two-timings girls, girls two-timing boys, everything on the subject back to Pharaoh Egypt times. Just to two-time Billie, William James Bradley, known far and wide, despite what Laura said, as the king of the be-bop rock night. And Markin, no more Peter Paul nice guy now, didn’t have diddley to do with that. Period

But how did he switch up on me? I don’t get that. First, I know, I know from Karen, I know from Donna (not my sister Donna, Donna O’Toole, Cool Donna O’Toole, or was until I ditched her, or what did Markin call it, “discarded her”), I know from Theresa, and I know now, because I just asked her before she went out the door, from my sister Carol, that Markin never said word one to Laura before I introduced them the other night. Although now that I think about it I am still ticked off at Carol for not telling me about helping Markin learn to dance, rock dance, not that silly cowboy, barn dance, square dance thing that he calls rock dancing. I also know from Carol that Markin did not know much about jumping Jerry Lee Lewis. He was just hoping to get maybe an Elvis One Night With You, Good Rockin’ Today, Jailhouse Rock chance. Or a Chuck Berry Sweet Little Sixteen, or a Bo Diddley Who Do You Love? chance with Theresa, Karen or Donna (O’Toole). No way he believed, and I am going to go over right now and ask him about it, that he was going to step up to Laura’s league. Hell, it couldn’t have been that silly report, that silly report that he kept hammering me about as he leaned each new thing, Jesus Christ, Greek democracy, what are you kidding.

At his house I confronted him. “Okay Markin what gives, what, how, why, where, when did you figure out how to break my time with Laura? And don’t play innocent and definitely, I warn you, start talking about that report, that silly Greek geek report.”

Of course I do not believe Peter Paul’s story, is who me story, no way. No way in hell, excuse my language, is a nice shape like that Laura, a nice shape in all the right places, or trying to be in all the right places, and smart, real smart going to go off the deep-end for a, let’s face it, ragamuffin boy like Markin. Christ, even he said it, a guy with a clowny outfit, a shirt, a shirt, a white stripped shirt for Christ sake, if you can believe that, a Bargie special, or straight of the back-rack at Woolworth’s, black chino pants with cuffs, jesus, cuffs and those square, too square Thom McAn brown shoes that I haven’t worn since about first communion is going to put the whammy on a babe like Laura.

Against me, against the king of the rock night in these parts, with my smart-looking wide lapel two-tone sports jacket just like Eddie Cochran, my black pants (ya, black pants, the black is okay it is the chinos, and, and the cuffs that have to go) nicely-pressed (ya, ma-pressed), my Elvis-style hair-do with just the right length sideburns and my foxy, spit-shined Florheim suede shoes (no, not blue suede, that’s squarey square now).

Ya, it was some drugstore medicine whammy he put on her at the dance that night. No question, although I haven’t quite figured out how he did it, because everybody knows, or I know anyhow that Peter Paul and science don’t mix. Don’t mix since he tried that rocket ship caper last year, trying personally to beat the commies at their own game after Sputnik jumped the night sky, when he tried to send some balsa wood rocket into space when he punctured a CO2 cartridge with a nail and a hammier and almost got us all killed. Or when, after that, he started to mix some chemicals in his cellar to go about it another way with some three-stage rocket concoction and almost blew the whole place up. I’ll tell you about that sometime but right now I wish, I wish, well I wish. See, Peter Paul is really about things like Abigail Adams, or her son John Quincy, or about literary guys, like this guy Fitzgerald who wrote about rich kids with names like Basil something and Josephine this or that and their hi-jinks ages ago that he has been yakking about lately. Ya, reading about rich kids, rich, rich guys having fun with rich girls like that is going get us out of the projects, and like reading that stuff is going make him rich, or even get him a pass out of this dungeon project.

Hey, wait a minute, no, no, it is not about science, it’s not about some silly book report, and it’s not about Peter Paul suddenly being a lady’s man. Why didn’t I think of it before? It’s about this new rocker- Jerry Lee Lewis and his be-bop thing, be-bop piano thing. Ya that's it. They say he is going to replace the king, and for all you squares, cubes, and fourth dimension guys and frills, that means Elvis. And if you don’t know that name you must have been up in space with the dogs, monkeys, or robots or whoever is riding those rockets.

Okay, okay I can take a joke. The spell is not Markin, it’s Jerry Lee. Hell, a momentary thing, maybe a few weeks while the king is resting up and waiting to go into the service, or something. No way someone who jumps up and down on a piano, and is kind of a wild man ever going to be, in his wildest dreams, better than Elvis. No way, no comparison, forget it. Name song names, okay. Heartbreak Hotel, That’s When You’re Heartbreak Begins, Jailhouse Rock, Good Rockin’ Tonight, Hound Dog, One Night (that alone says it all). Come on now, I listed enough. And Jerry Lee, High School Confidential. Ya, it’s good, its be-bop but this guy is strictly a one-hit Johnnie. Ya, okay I’ll let Peter Paul have his moment of glory, and maybe a kiss or two, if he’s not scared like usual, but Laura will be back with me at the next dance. Who knows, if I cut in at this Saturday's dance that's coming up, to spare her having to dance with Peter Paul and his black chino cuffed pants all night, maybe this dance. Then Peter Paul can go back and try his luck on those stick girls that are more his speed anyway. Ya, Elvis and Billie. Long live the kings!

Singers' Corner- Honor The Birthday Anniversary Of Paul Robeson

Singers' Corner- Honor The Birthday Anniversary Of Paul Robeson





"Waterboy"

Waterboy, where are you hiding
If you don't come right here
Gonna tell you pa on you
There ain't no hammer
That's on a this mountain
That ring like mine boy
That ring like mine

I'm gonna bust this rock boy
From here to the Macon
All the way to the jail boy
All the way to the jail

You Jack o diamond
Jack o diamond
Know you of old boy
I know you're of old
You rob-a my pocket
Rob my pocket
Silver and gold boy
Of silver and gold
There ain't no sweat boy
That's on a this mountain
That run like mine boy
That run like mine

Singers' Corner- Honor The Birthday Anniversary Of Paul Robeson

Singers' Corner- Honor The Birthday Anniversary Of Paul Robeson




"Waterboy"

Waterboy, where are you hiding
If you don't come right here
Gonna tell you pa on you
There ain't no hammer
That's on a this mountain
That ring like mine boy
That ring like mine

I'm gonna bust this rock boy
From here to the Macon
All the way to the jail boy
All the way to the jail

You Jack o diamond
Jack o diamond
Know you of old boy
I know you're of old
You rob-a my pocket
Rob my pocket
Silver and gold boy
Of silver and gold
There ain't no sweat boy
That's on a this mountain
That run like mine boy
That run like mine

Singers' Corner- Honor The Birthday Anniversary Of Paul Robeson

Singers' Corner- Honor The Birthday Anniversary Of Paul Robeson




"Waterboy"

Waterboy, where are you hiding
If you don't come right here
Gonna tell you pa on you
There ain't no hammer
That's on a this mountain
That ring like mine boy
That ring like mine

I'm gonna bust this rock boy
From here to the Macon
All the way to the jail boy
All the way to the jail

You Jack o diamond
Jack o diamond
Know you of old boy
I know you're of old
You rob-a my pocket
Rob my pocket
Silver and gold boy
Of silver and gold
There ain't no sweat boy
That's on a this mountain
That run like mine boy
That run like mine

On The Anniversary Of The Fall Of Saigon (Ho Chi Minh City)-Vietnam At The End- VIETNAM –A HISTORY By Stanley Karnow

On The  Anniversary Of The Fall Of Saigon (Ho Chi Minh City)-Vietnam At The End- VIETNAM –A HISTORY By Stanley Karnow




From The Pen Of Frank Jackman

Sometimes a picture is in fact better than one thousand words. In this case the famous, or infamous depending on one’s view, photograph of the last American “refugees” being evacuated by helicopter from the American Embassy rooftop in Saigon (now, mercifully, Ho Chi Minh City) tells more about that episode of American imperial hubris that most books. That clinging mass of blurry figures dragging, fighting, pushing to get that last out before the NVA swooped down in a flash and closed down the old shop. Books that spent thousands of words talking about “domino theories, red menaces, communist hegemony, and sticking it to the Soviets by a little proxy war in far off rice fields.

Recently I reviewed Frank Snepp’s book about Vietnam at the end of the war, Indecent Interval , where I noted “as is the case with this little gem of a book, ex- CIA man Frank Snepp’s insider account of that fall from the American side, it is nice to have some serious analytical companionship to that photo [helicopter rescues off the Embassy rooftop].  Moreover, a book that gives numerous details about what happened to who in those last days in a little over five hundred pages. Naming names about who the good guys and bad guys really were (from the American imperial perspective). Especially now, as two or three later generations only see Vietnam through the hoary eyes of old veterans, both military and radical anti-war, from that period like me (a veteran in both senses) to tell the tale.”

And such histories, memoirs and remembrances help to get a fix on that Vietnam episode in the lives of many of the young in that time. Sometimes though the story of war, about what happened before the whole edifice came crashing down, can be told another way, in a more personal way. Who knows in one hundred years the book below may present the more important story.

VIETNAM –A HISTORY, STANLEY KARNOW, PENQUIN BOOKS, NEW YORK, 1983 (Reviewed April 20, 2007)

As the current Bush Administration-directed quagmire continues in Iraq it is rather timely to look at the previously bout of American imperialist madness in Vietnam if only in order to demonstrate the similar mindsets, then and now, of the American political establishment and their hangers-on. This book, unintentionally I am sure, is a prima facie argument, against those who see Iraq (or saw Vietnam) as merely an erroneous policy of the American government that can be ‘fixed’ by a change to a more rational imperialist policy guided by a different elite. Undeniably there are many differences between the current war and the struggle in Vietnam. Not the least of which is that in Vietnam there was a Communist-led insurgency that leftists throughout the world could identify with and were duty-bound to support. No such situation exists in Iraq today where, seemingly, from the little we know about the murky politics of the parties there militant leftists can support individual anti-imperialist actions as they occur but stand away, way away from the religious sectarian struggle for different versions of a fundamentalist Islamic state that the various parties are apparently fighting for.

Stanley Karnow’s well-informed study of the long history of struggle in Vietnam against outsiders, near and far, is a more than adequate primer about the history and the political issues, from the American side at least, as they came to a head in Vietnam in the early 1960’s. This work was produced in conjunction with a Public Broadcasting System documentary in 1983 so that if one wants to take the time to get a better grasp of the situation as it unfolded the combination of the literary and visual presentations will make one an ‘armchair expert’ on the subject. A glossary of by now unfamiliar names of secondary players and chronology of events is helpful as are some very good photographs that lead into each chapter

This book is the work of a long time journalist who covered Southeast Asia from the 1950’s until at least the early 1980’s when he went back after the war was over and interviewed various survivors from both sides as well as key political players. Although over twenty years has passed since the book’s publication it appears to me that he has covered all the essential elements of the dispute as well as the wrangling, again mainly on the American side , of policy makers big and small. While everyone should look at more recent material that material appears to me to be essentially more specialized analysis of the general themes presented in Karnow’s book. Or are the inevitably self-serving memoirs by those, like former Secretary of War Robert McNamara, looking to refurbish their images for the historical record. Karnow’s book has the added virtue of having been written just long enough after the end of the war that memories, faulty as they are in any case, were still fresh but with enough time in between for some introspection.

The first part of Karnow’s book deals with the long history of the Vietnamese as a people in their various provincial enclaves, or as a national entity, to be independent of the many other powers in the region, particularly China, who wanted to subjugate them. The book also pays detailed attention to the fight among the European colonial powers for dominance in the region culminating in the decisive victory for control by France in the 1800’s. That domination by a Western imperialist power, ultimately defeated by the same Communist and nationalist forces that were to defeat the Americans and their South Vietnamese allies, sets the stage for the huge role that the United States would come to play from the time of the French defeat in 1954 until their own defeat a couple of decades later. This section is important to read because the premises of the French about their adversary became, in almost cookie-cutter fashion, the same premises that drove American policy. And to similar ends.

The bulk of the book and the central story line, however, is a study of the hubris of American imperialist policy-makers in attempting to define their powers, prerogatives and interests in the post-World War II period. The sub-title of the book, which the current inhabitants of the Bush Administration obviously have not read and in any case would willfully misunderstand, is how not to subordinate primary interests to momentary secondary interests in the scramble to preserve the Empire.

Apparently, common sense and simple rationality are in short supply when one goes inside the Washington Beltway. Taking into account the differences in personality among the three main villains of the piece- Kennedy, Johnson and Nixon- the similarities of response and need to defend some sense of honor, American honor, are amazingly similar, individual rhetoric aside. There thus can be little wonder the North Vietnamese went about their business of revolution and independence pretty much according to their plans and with little regard to ‘subtleties’ in American diplomacy. But, read the book and judge for yourselves. Do not be surprised if something feels awfully, awfully familiar.

On The Anniversary Of The Fall Of Saigon (Ho Chi Minh City)-Vietnam At The End- No Black-Bordered Obituary For War Criminal Kennedy/Johnson Secretary Of War Robert S. McNamara

On The Anniversary Of The Fall Of Saigon (Ho Chi Minh City)-Vietnam At The End- No Black-Bordered Obituary For War Criminal Kennedy/Johnson Secretary Of War Robert S. McNamara




From The Pen Of Frank Jackman

Sometimes a picture is in fact better than one thousand words. In this case the famous, or infamous depending on one’s view, photograph of the last American “refugees” being evacuated by helicopter from the American Embassy rooftop in Saigon (now, mercifully, Ho Chi Minh City) tells more about that episode of American imperial hubris that most books. That clinging mass of blurry figures dragging, fighting, pushing to get that last out before the NVA swooped down in a flash and closed down the old shop. Books that spent thousands of words talking about “domino theories, red menaces, communist hegemony, and sticking it to the Soviets by a little proxy war in far off rice fields.

Recently I reviewed Frank Snepp’s book about Vietnam at the end of the war, Indecent Interval , where I noted “as is the case with this little gem of a book, ex- CIA man Frank Snepp’s insider account of that fall from the American side, it is nice to have some serious analytical companionship to that photo [helicopter rescues off the Embassy rooftop].  Moreover, a book that gives numerous details about what happened to who in those last days in a little over five hundred pages. Naming names about who the good guys and bad guys really were (from the American imperial perspective). Especially now, as two or three later generations only see Vietnam through the hoary eyes of old veterans, both military and radical anti-war, from that period like me (a veteran in both senses) to tell the tale.”

And such histories, memoirs and remembrances help to get a fix on that Vietnam episode in the lives of many of the young in that time. Sometimes though the story of war, about what happened before the whole edifice came crashing down, can be told another way, in a more personal way. Who knows in one hundred years the book below may present the more important story.

*******

No Black-Bordered Obituary For War Criminal Kennedy/Johnson Secretary Of War Robert S. McNamara

Commentary (July 6, 2009)

The recent death, at 93, of Kennedy/Johnson Vietnam War-era War Secretary Robert McNamara has been met with a number of tributes in the bourgeois media about his role as architect of various Cold War military policies in defense of the American Imperial state. That is to be expected for those sources. There is, apparently, an unwritten rule that one does not speak ill of the dead in those circles. Including legitimate war criminals. And in the normal course of events that might be an appropriate response. But one Robert Strange McNamara is of a different stripe.

After a life time of public service to the bourgeois state Mr. McNamara, seemingly, late in life started to worry about his eternal soul and the harm that he had done to it by trying, as an example, to wipe the country of Vietnam, North and South at the time, off the face of the earth with his incessant strategic bombing policy. After exhibiting some qualms late in the Johnson presidency (and around the time of TET 1968) he was booted upstairs to become President of the American-dominated World Bank. Nice soft landing for a war criminal, right?

And who called him a war criminal? Well, of course, this writer did (and does). And so did many of the anti-war activists of the 1960’s. Those calls are to be expected (and might be considered to constitute a minimum response to his egregious policies). But, surprise, surprise late in life, after serious reflection, McNamara implied, haltingly to be sure, in his memoirs (a review of which is re-posted below) that that might have been the case. However, unlike some of his compadres at the Nuremberg War Crimes tribunals and other such venues, Mr. McNamara died quietly in his bed.

Not so fortunate were the millions of Vietnamese peasants and workers who bore the onslaught of the maximum fire-power the American military could lay down. No, there will be no final justice in this sorry old world until a future American Workers Republic pays real justice (and serious cash) to the people of Vietnam. As for Robert Strange McNamara, if the worst that happened to him was a “bad conscience” he got off easy.

******

Reposted below is a review of Robert Strange McNamara’s memoirs and of a documentary “Fog Of War” used by him in order to help “the second draft” of history of his legacy.

Reposted From April 30, 2009 Entry

The Fog Of War, Part II- War Secretary Robert McNamara’s View Of His Handiwork in Vietnam

Book Review

In Retrospect: The Tragedy And Lessons Of Vietnam, Robert Strange McNamara with Brain VanDeMark, Random House, 1995

Anyone who had caught the Friday March 27, 2009 headlines is aware that the Democratic Party-run Obama government has called for some 4,000 additional troops for Afghanistan and what they, euphemistically, call civilian support teams in order to bolster the sagging regime of “Mayor of Kabul” Karzai. Those numbers are in addition to the 17,000 extras already committed by the Obama regime in February. Does the word escalation seem appropriate here?

One of the problems of having gone through the Vietnam experience in my youth (including periods of lukewarm support for American policy under John F. Kennedy, a hands-off attitude in the early Lyndon B. Johnson years and then full-bore opposition under the late Johnson, Richard M. Nixon and Gerald Ford regimes) is a tendency to view today’s American imperial policy in the same by-the-numbers approach as I took as a result of observing the Vietnam War as it unfolded. There are differences, some of them hugely so, between Vietnam and Afghanistan. Just as, I have previously noted in this space, there are differences between Vietnam and the recently “completed” Iraq War. (Hey, I’m just going by what the media tells me is going on. They wouldn’t lead us astray, would they?)

But, I keep getting this eerie feeling in the back of my neck every time I hear, or see, anything concerning Afghanistan coming out of this new Obama administration. They appear clueless, yet are determined to forge ahead with this policy that can only lead to the same kind of quagmire than Vietnam and Iraq turned into. That is where the analogies to Vietnam do connect up. In this regard, I have recently been re-reading Kennedy/Johnson War Secretary Robert Strange (that’s his middle name, folk, I didn’t make it up and didn’t need to) McNamara’s memoirs, written in 1995, of his central role in the development of Vietnam policy, “In Retrospect: The Tragedy and Lessons of Vietnam”.

Obviously McNamara has put his own ‘spin’ on his personal role then in order to absolve himself (a little) before history. That is to be expected. What comes through crystal clear, however, because in the final analysis McNamara still doesn’t get it, is that when you’re the number one imperial power all the decisions you make are suppose to fall into place for your benefit because you represent the “good guys”. Regardless of what you do, or do not, know about the internal workings of the situation at hand. The Kennedy/Johnson administrations were almost totally ignorant of the internal working of Vietnamese society. That is why I have that eerie, very eerie, feeling about this Obama war policy.

In the normal course of events former high level bureaucrats in American presidential administrations usually save their attempts at self-justification for high ticket published memoirs or congenial `softball' speaking tours and conferences. In short, they prefer to preach to the choir at retail prices. Apparently, Cold Warrior extraordinaire Secretary of War Robert Strange McNamara felt that such efforts were very necessary in his case and hence he had to go to the prints in order to whitewash his role in the history of his times. Despite an apparent agreement with his “ghost writer” not to cover certain subjects and be allowed to present his story his way it is always good to catch a view of how the other side operates. It ain't pretty.

After a lifetime of relative public silence, at the age of 8o something, McNamara decided to give his take on events in which he was a central figure like dealing with the fact of American imperial military superiority in the post- World War II period, dealing with the Russians and the fight for American nuclear superiority during the Cold War, the ill-conceived Bay of Pigs invasion of Cuba, the later Cuban Missile crisis and above all his role in the escalation of the wars in Southeast Asia, primarily Vietnam.

Very little here focuses on his time at the World Bank, a not unimportant omission that would highlight my point that he might have changed his clothing in the course of his career but not his mindset. While those of us interested in learning the lessons of history have long understood that to know the political enemy is the beginning of wisdom one will not find much here that was not infinitely better covered by the late journalist David Halberstam in his classic “The Best and The Brightest”.

McNamara has chosen to present his story in the form of parables, or rather, little vignettes about the “lessons” to be drawn from experiences (eleven in all by the way). Thus, we are asked to sit, embarrassingly, through McNamara's freshman course in revisionist history as he attempts to take himself from the cold-hearted Cold Warrior and legitimate “war criminal” to the teddy-bearish old man who has learned something in his life- after a lifetime of treachery. Yet, like that freshman course there are things to be learned despite the professor and more to learn, if only by reading between the lines, than he or she wanted to express.

McNamara presents his take by dividing the Vietnam War buildup, at least at the executive level, into periods; the early almost passive Kennedy days; the post Kennedy assassination period when Lyndon Johnson was trying to be all things to all men; the decisive post-1964 election period; and, various periods of fruitless and clueless escalation. It is this process that is, almost unwittingly, the most important to take from this world. Although McNamara, at the time of writing was an older and wiser man, when he had power he went along with ever step of the “hawks”, civilian and military. He led no internal opposition, and certainly not public one. This is the classic “good old boys” network where one falls on one’s sword when the policy turns wrong. And he is still scratching his head over why masses of anti-war protesters chanted “war criminal” when they confronted him with his deeds. And then listen to the latest screeds by current War Secretary Gates concerning Afghanistan. It will sound very familiar.

In the end, if one took his story at face value, one could only conclude that he was just trying to serve his bosses the best way he could and if things went wrong it was their fault. Nothing new there, though. Henry Kissinger has turned that little devise into an art form. Teary-eyed at the end McNamara might be as he acknowledges his role in the mass killings of his time, but beware of a wolf in sheep's clothing. Yet, you need to read this book if you want to understand how these guys (and gals) defended their state then, and now.

DVD REVIEW

The Fog of War, starring former Secretary of War Robert Strange McNamara, 2003

In the normal course of events former high level bureaucrats in American presidential administrations usually save their attempts at self-justification for high ticket published memoirs or congenial `softball' speaking tours and conferences. In short, they prefer to preach to the choir at retail prices. Apparently, former Kennedy and Johnson Administration Cold Warrior extraordinaire Secretary of War Robert Strange McNamara felt that such efforts were not enough and hence he had to go before the cameras in order to whitewash his role in the history of his times. Despite an apparent agreement with his interviewer not to cover certain subjects and be allowed to present his story his way it is always good to catch a view of how the other side operates. It ain't pretty.

After a lifetime of relative public silence, at the age of 85, McNamara decided to give his take on events in which he was a central figure like dealing with the fact of American imperial military superiority in the post- World War II period, dealing with the Russians and the fight for American nuclear superiority during the Cold War, the ill-conceived Bay of Pigs invasion of Cuba, the later Cuban Missile crisis and above all his role in the escalation of the wars in Southeast Asia, primarily Vietnam.

Very little here focuses on his time at the World Bank, a not unimportant omission that would highlight my point that he might have changed his clothing in the course of his career but not his mindset. While those of us interested in learning the lessons of history have long understood that to know the political enemy is the beginning of wisdom one will not find much here that was not infinitely better covered by the late journalist David Halberstam in his classic The Best and The Brightest.

McNamara has chosen to present his story in the form of parables, or rather, little vignettes about the `lessons' to be drawn from experiences. Thus, we are asked to sit, embarrassingly, through McNamara's Freshman course in revisionist history as he attempts to take himself from the cold-hearted Cold Warrior and legitimate `war criminal' to the teddy-bearish old man who has learned something in his life- after a lifetime of treachery.

In the end, if one took his story at face value, one could only conclude that he was just trying to serve his bosses the best way he could and if things went wrong it was their fault. Nothing new there, though. Henry Kissinger has turned that little devise into an art form. Teary-eyed at the end McNamara might be as he acknowledges his role in the mass killings of his time, but beware of a wolf in sheep's clothing. Yet, you need to watch this film if you want to understand how these guys (and gals) defend their state.