Friday, July 06, 2018

Happy Birthday Mississippi John Hurt-*Sweet and Low- The Blues of Skip James-Part Three

Happy Birthday Mississippi John Hurt-*Sweet and Low- The Blues of Skip James-Part Three




Heroes Of The Blues: The Very Best Of Skip James, Skip James, Shout Factory, 2003


The contents of this CD only confirm Skip's power. His great falsetto voice accompanied by guitar or piano (as a nice change up) hold forth here. Interestingly, the CD features newer arrangements of several songs from James' 1931 Paramount recording, like the well-known title track "61 Highway” (this is the most fervent rendition of several that I have heard on various CD compilations. By the way Mississippi Fred McDowell does a tanked up version of this one, as well). There are also some moodier songs for piano here like the "22-20 Blues" and "Illinois Blues”. Also featured here is the classic “I’m So Glad” that Cream turned into a rock classic. The killer on this one though is the haunting “Cherry Ball Blues”. Here is the “skinny” though on James. Like a number of blues artists you have to be in the mood and be patience. Then you don’t want to turn the damn thing off. That is the case here.

Happy Birthday Eric Andersen -Folk Music For Aging Children- The Music Of Judy Collins And Friends CD Review Wildflower Festival, Judy Collins, Eric Andersen, Tom Rush, Arlo Guthrie, Wildflower Records, 2003 Okay, just when you thought there could not possibly be any more country folk, urban folk, suburban folk, folk rock, rock folk, semi-folk, or quasi-folk music from the folk revival of the early 1960 to review here I am again reviewing some of the stars of that time-in their dotage. Well, maybe not dotage, but we are all, including Judy Collins, Eric Andersen, Tom Rush, and Arlo Guthrie, getting a little long in the tooth, and no one can dispute that hard fact. The real question is whether the artists in this compilation still have it, at least for those of us in that dwindling, graying, arthritic, prescription-needing folk audience that fills the small church basement “coffee houses” on this planet. And they do. Still have it, I mean. That said, this little Wildflower Festival setting in 2003 provided Judy and her guests with a chance to show their stuff, new and old. Now, for those who have heard Judy Collins sing back in the day the question is why she did not challenge Joan Baez for the “queen” of folk title. She had the voice, the style, and the looks (ya, that WAS important, even then) to do so. I have been running a “Not Joan Baez” series and will deal with that question there at some other time but her work here is pretty good, especially her well-known cover of Ian Tyson’s “Someday Soon”. Eric Andersen, who I have already looked at in a “Not Bob Dylan” series hold forth on his “Blue River”. Tom Rush, ditto, on “The Remember Song”. Finally, Arlo, whom I have covered in relation to his father’s, Woody Guthrie, music “steals” the show here with his storytelling, notably the kids’ story, “Mooses Came Walking”. Someday Soon Ian Tyson There's a young man that I know whose age is twenty-one Comes from down in southern Colorado Just out of the service, he's lookin' for his fun Someday soon, goin' with him someday soon My parents can not stand him 'cause he rides the rodeo My father says that he will leave me cryin' I would follow him right down the roughest road I know Someday soon, goin' with him someday soon But when he comes to call, my pa ain't got a good word to say Guess it's 'cause he's just as wild in his younger days So blow, you old Blue Northern, blow my love to me He's ridin' in tonight from California He loves his damned old rodeo as much as he loves me Someday soon, goin' with him someday soon When he comes to call, my pa ain't got a word to say Guess it's 'cause he's just as wild in his younger days So blow, you old blue northern, blow my love to me He's ridin' in tonight from California He loves his damned old rodeo as much as he loves me Someday soon, goin' with him someday soon Someday soon, goin' with him © 1991

Happy Birthday Eric Andersen -Folk Music For Aging Children- The Music Of Judy Collins And Friends




CD Review

Wildflower Festival, Judy Collins, Eric Andersen, Tom Rush, Arlo Guthrie, Wildflower Records, 2003


Okay, just when you thought there could not possibly be any more country folk, urban folk, suburban folk, folk rock, rock folk, semi-folk, or quasi-folk music from the folk revival of the early 1960 to review here I am again reviewing some of the stars of that time-in their dotage. Well, maybe not dotage, but we are all, including Judy Collins, Eric Andersen, Tom Rush, and Arlo Guthrie, getting a little long in the tooth, and no one can dispute that hard fact. The real question is whether the artists in this compilation still have it, at least for those of us in that dwindling, graying, arthritic, prescription-needing folk audience that fills the small church basement “coffee houses” on this planet. And they do. Still have it, I mean.

That said, this little Wildflower Festival setting in 2003 provided Judy and her guests with a chance to show their stuff, new and old. Now, for those who have heard Judy Collins sing back in the day the question is why she did not challenge Joan Baez for the “queen” of folk title. She had the voice, the style, and the looks (ya, that WAS important, even then) to do so. I have been running a “Not Joan Baez” series and will deal with that question there at some other time but her work here is pretty good, especially her well-known cover of Ian Tyson’s “Someday Soon”. Eric Andersen, who I have already looked at in a “Not Bob Dylan” series hold forth on his “Blue River”. Tom Rush, ditto, on “The Remember Song”. Finally, Arlo, whom I have covered in relation to his father’s, Woody Guthrie, music “steals” the show here with his storytelling, notably the kids’ story, “Mooses Came Walking”.

Someday Soon
Ian Tyson

There's a young man that I know whose age is twenty-one
Comes from down in southern Colorado
Just out of the service, he's lookin' for his fun
Someday soon, goin' with him someday soon

My parents can not stand him 'cause he rides the rodeo
My father says that he will leave me cryin'
I would follow him right down the roughest road I know
Someday soon, goin' with him someday soon

But when he comes to call, my pa ain't got a good word to say
Guess it's 'cause he's just as wild in his younger days

So blow, you old Blue Northern, blow my love to me
He's ridin' in tonight from California
He loves his damned old rodeo as much as he loves me
Someday soon, goin' with him someday soon

When he comes to call, my pa ain't got a word to say
Guess it's 'cause he's just as wild in his younger days

So blow, you old blue northern, blow my love to me
He's ridin' in tonight from California
He loves his damned old rodeo as much as he loves me
Someday soon, goin' with him someday soon
Someday soon, goin' with him
© 1991

Present At The Creation-When Luke, Leia And Han Could Say To Be Young Was Very Heaven-George Lucas’ “Star Wars” (1977)-A Film Review


Present At The Creation-When Luke, Leia And Han Could Say To Be Young Was Very Heaven-George Lucas’ “Star Wars” (1977)-A Film Review   






DVD Review



By Sarah Lemoyne (somehow the editorial assistant, obviously a stringer, in a few of my previous recent reviews didn’t believe in spell-check or in inquiring to me personally how to spell my name and did so with the incorrect “LeMoyne” which drew a tell-tale red line under the incorrect spelling and should have been picked up.)     



Star Wars, starring Mark Hamill, Carrie Fisher (Eddie Fisher, he of the flyaway to Elizabeth Taylor reputation and jilted former girl next door Debbie Reynold’s daughter), Harrison Ford (he of the sullen Valley boy post-World War II hot rod “chicken run’ at midnight set in future star-studded American Graffiti ), and a cast of odd-ball characters from wizard Alex Guinness to Darth Vader aka James Earl Jones he of the authoritative-or else-voice and all the refuge of the galaxy wars and whatever techno-props were available at the time of film shooting) directed by George Lucas, 1977      

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Seth Garth of this publication (and formerly for a long time of the prestigious American Film Gazette which impressed me no end since I had been spoon-fed on that publication, on-line of course from my young girlhood) is a beautiful man. Is a guy who has helped me out ever so much in trying to establish myself as a writer, a journalist really in this my first real job since I got out of journalism graduate school at NYU (we won’t count the couple of years spent as a waitress, ah, waitperson at Zack’s in the Village, a barista at you know where and as a cashier at Whole Foods although maybe eventually once I get established and get my own by-line I can use the material I gathered at those locales to fill out a few columns when I need something in a hurry like every writer since Homer’s time has done when deadline approaches).



Let’s settle this right away before the Internet rumor mills churn their grist and spew out the usual scandalous misinformation, no way, since I already have a companion whom I met as a barista at you know where, are Seth, the older seasoned writer who has seen it all and I, who still has star-dust in my eyes, sleeping together. That little literary trope has been done to death both in real life with the likes of the late Norman Mailer and others of the male-heavy literary establishment of a generation ago, now too as it turns out with the rise of the #MeToo expose movement, and their “young female met at some publishing event” so-called acolytes or in fiction most recently as part of the novel Asymmetry reviewed in the New York Review of Books.  Christ Seth has daughters older than I am and moreover as much as he has helped me he is “damaged goods” in the romance department having like half the older guys around here been married at least three times and is adamantly no longer interested in the marriage ceremony. I am the “B” of LGBTQ” so marriage is a hope especially if to another woman not that we can do that. I am very interested in that prospect once I earn my keep in the literary world, or at least can write reviews for cold hard cash.         



Seth has helped me in ways that matter as a matter of being a mentor to me, nothing more. Teaching me the ropes in this dog eat dog business where truly you are only as good as your last piece hitting publication and then the wolves begin to howl, especially if you are any good. And especially by those will fall by the wayside and can’t write and will earn their cold hard cash keep trashing those of us who can, who want to, as “film historians,” culture critics, book review essayists from whatever rock they have make their short climb. Teaching me things that they have never taught in any journalism class because if they did then many more people would be perfectly content to end their days as baristas at you know where. The biggest thing Seth has taught me which came in handy recently when I had my first real set-back in the business was that you had better yell loudly, very loudly when some cowardly editor succumbs to office politics and takes a plum assignment away from you.





Along with that very sound advice Seth also said, hell, since I am only a stringer anyway and life is precarious down at the bottom of the publishing food chain that I should take the opportunity when it presents itself to publicly write about what is what inside the fish bowl. Basically to dare any editor or fellow writer to cut me off at the knees and not let it be published (and laughingly Seth said what the hell you are getting paid by the word so stretch things out to pay the rent anyway-another good piece of advice especially when you submit your piece just before the deadline and that empty space you were supposed to fill is empty and the first smells of panic take flight from the offices upstairs). Again it is good to know the animal you are dealing with, fangs or licks. Seth told me that Greg, the guy who hired me and the guy who has taken that plum assignment away from me was put in charge after a vote of no confidence in the last site manager and so is actually something of a usurper, a guy who got his job on the rebound. Moreover, Greg is responsible to an Editorial Board and no new guy wants to lock horns with that crowd so Seth said I should write whatever comes into my thoughts and dare Greg and/or the Ed Board to not publish the piece.   



The number one villain in this dog eat dog saga is one Sam Lowell (who as he told me to do in the interest of full disclosure also happens to be a friend of Seth from the old days when they were in high school and hung around the same forlorn corner in the small town where they both come from and which tells you how really cutthroat this business is despite high tone glossy presentations and nice manners at cocktail parties and awards galas). Yes, that Sam Lowell of the big film review by-line back in the day who won his spurs in the profession by doing an incredible job of analyzing the history of film noir. That work is still the benchmark by which anybody who has come after has to consult if they don’t want to be laughed out of the room. A powerful man, a fixture, a force of nature if he wants to be, even if he is well past his prime and when I met him seemed to be a little wizened and not the florid-faced big shot I had expected to meet. But more on that later. For now though what has me pissed off, what had Seth pissed off for his own reasons about “passing the torch” and of plain orneriness from their long-time sometimes prickly relationship, is that Sam took without a murmur from anybody but Seth my Hammer Film Production six-film series of psychological thrillers from the 1950s that Greg had given to me after I had done a good on a couple of small reviews (for little money as one might expect from a stringer). Sam’s reason, if he needed one, was that he had done a couple of years ago the eight- film Hammer Film Production of film noirs from the late 1940s and early 1950s that Columbia Pictures had outsourced to them as low-cost using low production values, and unknown or has-been actors to keep the expenditures down in a time when movie attendance was being eaten away by the advent of television.



Greg immediately called me in to give me the bad news. I sat there stunned, left, and ran into Seth at the water cooler and told him my story. He said march myself right back into Greg’s office and get something in return. That is when Greg offered me this complete (so-far) Star Wars series looking back at the epic from the fresh eyes of somebody who was not present at the creation but who, truth, loved the action-packed series. Not only that but I have first dibs on any future Marvel or DC Comic studio productions with the understanding that I would have a better grip on why millions of kids have their parents pony up for high-priced tickets and expensive sodas and inedible popcorn to see this stuff that the older writers who have been drafted, mostly kicking and screaming, to write about since I love those films as well.



My blood is up though, egged on a little by Seth who has his own axes to grind with Sam or maybe just for old times blood sport sake, and I am not finished with Mr. Sam Lowell the big-time by-line columnist. I might have been, I might have let it go given what Greg had given me to get me on my way to a coveted by-line but Sam made the fatal mistake of thinking I was some carpet to walk all over. I had started two of the reviews for that Hammer Production (that outfit if you have never heard of it is English by the way, or it was back in the 1940s, 1950s and early 1960s when beside noir and psychological thrillers they also did low-rent horror and monster movies) and had, my mistake, shown him those rough drafts. What he said about them, that snake in the grass, my expression, that wizened old thief bastard, Seth’s expression, was that they were good, that they should be published, and he would see Greg about doing so. That part I took with some kindness and was starting to have a different opinion of the guy, starting to see that this cutthroat business was real but only on the surface when Sam said he wanted me to then, under his by-line “ghost” a couple of rebuttal reviews essentially trashing what I had written and making me out to be some holy goof who should have stayed in the service industry, have stayed a barista at that place. That done, that holy goof stuff done, Sam had the bright idea that we would have “dueling” reviews with me playing the naïve dunce and him the thoughtful and erudite film critic. With me writing everything on both sides like some sleazy lawyer, some hired gun, writing whatever paper or cyberspace would take.



This is where Seth really did put me straight, really made me realize that if I was to make it in the profession I had better know what was what or else I would be continually hammered by guys like Sam Lowell[O1] . This is what Seth told me about Sam (aided by a little independent research and some serious conversations with Leslie Dumont, who when she was younger had been put under the same Sam hammer as a stringer until she finally left and got her big by-line at Women Today and by Sam’s long-time companion Laura Perkins who nevertheless knew the pitfalls and pranks of her man). Everybody knows that Sam Lowell re-wrote the book on the meaning of film noir. Made his name and rightly so telling that new wave of film makers of the 1960s who were interested in the genre going forward what made noir so compelling, even B-film material, from plot to shadowy photography to the sublime sound tracks. Even today if one is serious about film noir your first stop is Sam’s work. I have never heard anybody, even his most vociferous detractors like Cella Dunne say otherwise. What people don’t know although if they had thought about and had compared it to academia and other professions Sam like the professors, the one note book writers, the one genre artists had one big idea which he milked forever. Got that by-line and never looked back. But aside from the million all expenses paid lectures and conferences, the pithy little pieces for half-baked journals generated by aficionados, that expensive by-line Sam never really expanded his universe. Truth.



Seth thought maybe it was because Sam like him was from hunger and that once he made his mark he quit, he let the fate sisters ride him to wherever they wanted to take him. I have mentioned this before as has Seth but Sam was perfectly happy when he was short of an idea for a review, especially if it was a not a noir to take whatever the studio publicity department handed-out, cut off the top, type his name in and sent it along. Allan Jackson, when he was walking with the king here, unaided by any such hinderance as an Ed Board was perfectly happy to publish the piece no questions asked. Meanwhile Sam was on some beach, maybe with Seth, maybe with some young woman, some Seven Sisters young woman who were his preferred acolytes and grinders, snagged from one of those high-priced lectures drinking whiskey sours and cavorting the day and night away. The other thing that Sam would do and this is where Leslie Dumont came in with her insights was to have a stringer, her mostly, write the whole thing and sent it in under Sam’s name. Even tried, the old dog, the old “controversy” gag with Leslie which Sam had tried on me. Allan was more than happy to publish the pieces in double columns. Hopefully this will get some dewy eyes opened up and not throw writers off the trial but I thought you should know what I now know courtesy of Seth Garth, a beautiful man.             

       

Now to the task at hand. As I mentioned a minute ago in the “negotiations” between Greg and I we agreed that I would do a retrospective of the entire Star Wars series now in its eighth rendition (plus a couple of outliers in the bunch to introduce new elements, a black resistance fighter and a female wannabe Jedi for starters) from fresh eyes, from eyes that were not bedazzled by the first spectacle which animated my parents’ generation back in the 1970s when they needed to have something to take their minds off of what with the international gas crisis and endless ragtag inflation eating up their dollars like crazy. This “fresh eyes” approach is important since we have just witnessed in young Will Bradley’s review of the eight installment Star Wars: The Last Jedi what were jaded eyes since Will in his own words could give a fuck about the stupid series. This from a guy who slept through the one film he did see when his parents grabbed a video from their local store and threw it in their VCR.  Greg wanted a much better take, a rationale for why new generations have gravitated to the series over the past forty or so years, young, old and in between.



I am just the gal to do this job because I too saw my first Star War film via the old VCR although it was the very first one that I am reviewing here. My parents loved the movies, had met at some retrospective at the Tattler Theater in old-time Ann Arbor, at Michigan and while their professions never intertwined with their love of films there was a constant flow of films from the 1960s to 1990s running through the house in Cos Cob. From then on I was hooked on the series unlike timid and fearful Will. I might add, and here Seth has given me another good piece of advice kick your competitor when she or he is down and Will is very down in the eyes of our supreme leader Greg. I wouldn’t be surprised if he were reviewing Saturday morning kid shows before long after that stunt with the precious A-1 review material he was given to work with and blew. In case you have forgotten Will in any case was a guy who went mano a mano with sainted Seth over the question of the homosexuality of Sherlock Holmes and Doc Watson in their long film collaboration and got it wrong, totally wrong not knowing about the dilly boys that this pair hung around with on the wharves between cases. Will got caught with what I would call his pants down not knowing of the rampant homosexuality in the English public school (private schools here). Everybody, except beloved Seth who does have a heart after all he has gone through, had a great big laugh at that faux pas, even I chuckled when I heard what he had tried to do to defend himself after Seth lashed him to the mast.        



As the Star War series has progressed we have seen many more sophisticated technological gizmos per film but I am here to tell you that the basics were all set up in that first film from the grotesques of the galaxy who no self-respecting persons not bitten by the “politically correct” bug would let in the neighborhoods to the latest in space age travel. That is however not the most important part-not the Hollywood “hook” that Seth has told me that every film and every film review needs. Usually it is the time-honored boy meets girl or these days girl meets boy or whatever other combination, hopefully “B” meeting “B” but you don’t see much of that yet the screen can produce-including inter-species love if the 2018 Oscar for Best Film is any indication. Here though and it will drag out at least through this first trilogy, the part of the saga that is the fight against the dark side, the Darth Vader side is the whole question of good and evil and what to do about it. What do good guys and gals do about it when the baddies want the galaxy and they want it now.



With that as the backdrop we have our three main players here and in the trilogy. Future Jedi warrior prince angel avenger Luke Skywalker, played by young Mark Hamill, the fairy queen Princess Leia of the royal house of whatever since apparently even is advanced space technology and future times we are going to be bedeviled by goddamn monarchies and future romantic interest Han Solo, played by hard-working Harrison Ford of the jut-jaw who is the only one who broke out of the sci-fi paydays good as they were. (Han was in once everybody figured out you can’t have incest once it turns on a dime that Luke and Leia were brother and sister and, and the children of … well see the film, oops see the trilogy). They will be guided in their battles against the fallen satanic angel gone on a vengeance run one Black Knight breathing heavy Darth Vader and his boss some mad monk who as usual wants to rule the world and needs a good gunslinger to do his dirty word. The battle is joined, the endless battles and heavy casualties on the bad guys side. This is one point I will agree with Will Bradley on for such a massive force the bad guys seem to be very ill-trained not to be able to beat a few kids and assorted amateurs. More later since I have run out of billable words.    




How the West Was Won-Well The Part Down South Of The Border, Down Mexico Way, Anyway-Burt Lancaster and Gary Cooper’s “Vera Cruz” (1954)-A Film Review


How the West Was Won-Well The Part Down South Of The Border, Down Mexico Way, Anyway-Burt Lancaster and Gary Cooper’s “Vera Cruz” (1954)-A Film Review  





DVD Review



By Renan Saint John 



Vera Cruz, starring Burt Lancaster, Gary Cooper and usual ensemble of cowpokes and Mexican nationals who populated Tex-Mex films south of border, the post-Mexican War, post Gadsden’s Purchase border if anybody is asking, directed by Robert Aldrich, 1954 



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Don’t ever get Lance Lawrence started on the Wild West, the American West of the 19th century not today’s modern cowboy silliness gone awry where they rudely ride in Piper Clubs and swill their booze in exclusive country clubs where no braceros, you know Mexicans, or injuns, ah, Native American need apply, need to know anything but where the servant’s entrance is, down in Sun Belt land where the only vestiges of the by-gone days are tourista ghost towns and abandoned Hollywood locales. For one thing if you start up with Lance about any ancient West you will never get out of the barroom and not any exclusive country club watering hole by some publican’s pub, away from the water cooler or out of your “take him home to his house after he has had a few too many” car alive. And for that one very simply reason I am the one who has been assigned by site manager Greg Green to do this review of the 1950s Vera Cruz version of part of the Western saga since even infinitely patient Greg does not want to hear everything from the first trail west by Daniel Boone and others coming out of Appalachia when a man, and his womenfolk, could not breath in the shuffling Eastern seaboard cities until the last cowboy round-up about 1910 and maybe a smidgen later if you decide you want to add guys like Gay and his misfit brethren from Arthur Miller’s The Misfits to the list. I have heard Lance go either way on that possibility depending on who was buying the drinks. Smart man, that Greg, very smart.    



Of course, if you really wanted to know in depth the background to the plot of this film then Lance would be your man since this story does not take place directly in the Old West that we of a couple of generations back “learned” about through lying television and dime store novels which only made the publishers rich. So we are not talking about the previously unexplored parts out in the places where the states are square and you had better have been as well or you might find the town name of Tombstone a little too close for comfort me Rn the part stolen from Mexico in various land grab wars and skirmishes like Jimmy Polk’s folly that guys like Henry David Thoreau and young Congressman Abraham Lincoln got in a snit about and a so-called negotiation called the Gadsden Purchase. Information which should give one pause desperate Mexican immigrant are coming over the border to, well, to their homeland if you think about it.



This oater, a term cribbed from a crossword puzzle answer once, centers on the port of Vera Cruz and on the short not so sweet reign of one Maximillian who declared himself in as emperor of Mexico for no other reason that his boss, Napoleon III of France, a tin despot in his own right who a guy named Karl Marx, you might have heard of him if you are not too young skewered in a couple of pamphlets he wrote about France in the Napoleonic second-coming, the farce part not the tragedy coming. This throne grab happened, as a lot of things did when guys wanted stuff, wanted influence in the whole wide world back right during the American Civil when everybody was looking elsewhere. This new land grab by experienced European thug rulers was nothing new but did run afoul of the vaunted Monroe Doctrine that Jimmy M, he of the one-time Era of Good Feeling as the history books had it, before all hell broke loose over slavery, over white supremacy, which is still with us today, put together to keep the damn Europeans out of America’s sphere of influence, out of the Americas. Apparently from the historic record old Max, Max I if anybody insists since he was the first Max to hold the title, in Mexico anyway, didn’t have to be asked twice whether he wanted the keys to the kingdom.



Naturally there was a little problem, no, a big problem since Mexico, having shed the bastard fetid, nice word, right, rotting Spanish interlopers a few decades before had it own set of rulers, duly elected or not and if so maybe on to short a franchise, and so there was bound to be a showdown, an all out fight really one the national feeling got aroused and Benny Juarez took umbrage and built up an army of national liberation. With that background we are set to tell the tale here, the Old West tale inside the controversy going on south of the border.



After the death and destruction of the American Civil War a lot of ex-soldiers on either side were out of sorts, could not like happened in later wars, maybe all wars go back to whatever nine to five routine they had been doing before the war. Some guys in a later war, in the Vietnam War which a number of older writers at this publication had participated in or had known people who had fought the war, wound up in alternative universe encampments like the one Frank Jackman and Allan Jackson have described in these pages under the title Brothers Under The Bridges over the years. Some guys though got their blood up permanently and that is where the connection between later wars and that Civil War comes in. Some guys and lead character here Ben Tranes, an ex-rebel, played by Gary Cooper, turned mercenary. Would go where they could get serious pay for their services, their killing fields services. Others, civilians,  would show up who were “from hunger” having gotten tossed out of respectable society and wandered to whatever kept them in cash by any mean, not all legal. Were outlaws, bad guys in the terms used in pre-1960s Westerns dragged out from the Hollywood bushes. The king hell king here to use a term learned from old friend Bart Webber was nasty Joe Erin, a mercenary of no known character except shoot first and fast if you want something, played by ruggedly handsome Burt Lancaster.    



All these forces come together in one place for one purpose-to get rich off the poor Mexican braceros’ hard scrabble gold. Three million in 1860s money and many times more by today’s standards so nothing to sneeze at. This is the way things played as everybody lusted after gold, after what ace private detective Sam Spade would later under different circumstances call “the stuff that dreams are made of,”  or with many twists and turns played out. Which in the end would make old Max I nothing but a subject for one of the French painter Manet’s (not Monet okay) mural-sized paintings about his sad ass end before a Mexican firing squad who would give no quarter (a copy of which is on display at Boston’s Museum of Fine Arts if I recall). So nothing but the subject of an execution Mexican-style. Neither Ben nor Joe, nor their confederates and for the moment allies could give a fuck about who paid them, Benny or Max, but everything pointed to them shilling for Max. For cash.



The gag at first was to escort some French countess with greedy eyes and a taste for intrigue to port of call Vera Cruz so she could go back to Paris and buy dresses or something. Don’t believe that for a minute for she might have been nobility, but she had the hard-heart of a tramp. Had turned more than one man’s head the wrong way with that exotic perfume and that sweet smell of bath soap to guys who had been out on the trail too long. Had been playing footsie at first with Max’s right hand military man who had plans of his own which may have, or may not have, included her but definitely didn’t once he found out she had the morals of some cheap whore who could use any man to further her schemes.



This countess was a piece of work though playing Ben and Joe off each other for a while and dangling that marquis if that is what he was, that was his title, who knows half of Europe claimed some link to nobility or royalty, at the same time. Meanwhile Ben and Joe were planning their own respective parties, plans which excluded the other-excluded too that countess once Joe got his dander up when he sensed she was playing him as the strong silent type who could get her what she wanted and where she wanted to go. Old Ben, having been an honorable fighting for a cause kind of guy begins to crumble when he takes up with a fetching senorita who also happens to be a partisan of the Juaritas, the Benny’s boys, Mexican national who want their government back and their dough staying in Mexico.



That was the wild card all along which Joe never figured and which Ben saw was the only right thing to do. In the end one or the other after a million small skirmishes between them and between them and the Juarez forces had to go down. And it wasn’t High Noon good guy survivor Gary Cooper who was stretched out in some dirty back street facing a pauper’s grave. Joe, a real psycho who killed just to see a man die like that guy Johnny Cash sang about, bought the slug and good riddance. In the end the whole French caper, the whole Max deal was a joke, except to Max who like I said got nothing but a strong Academy-approved  painting of his demise for his efforts. See Lance Lawrence could never have told the tale this way-he would just be starting to warm up to the subject of Max I and the treacherous dandies of Europe at this point.           


*Happy Birthday Mississippi John Hurt- Sleepy John’s Time- The Country Blues of Sleepy John Estes

Click on the title to link to YouTube's film clip of Sleepy John Estes performing "Drop Down Mama".

CD Review

The Legend Of Sleepy John Estes, Sleepy John Estes, Delmark, 1993


I have spent considerable time in this space detailing the musical careers of a number of old time, mainly black, country blues musicians, especially, like the artist under review Sleepy John Estes, those who were “discovered” during the folk revival of the 1960s. Not everyone got the publicity of those like Mississippi John Hurt, Son House and Skip James, but they at least got some well deserved notice on “discovery”. Or, really rediscovery because most of them, like Sleepy John, had careers back in the day. But you get the point.

That said, I have remarked elsewhere that some of these two career stalwarts also had two musical voices. I always like to bring up the example of Mississippi John Hurt. If you hear him (and you should do so) on a recording from the late 1920s like you can with “Spike Driver’s Blues” (his version of the traditional “John Henry”) on Harry Smith famous “Anthology of American Folk Music” where he is both dexterous on the guitar and velvety-voiced on the lyrics and melody and then check out a folk revival production where his guitar is still smoothly worked but his voice had become raspy (although very serviceable) you will see what I mean. The same holds true for Sleepy John. But here is the kicker. In both cases they still give us that very deeply-rooted passionate voice when telling, in song, the lives of woe they have led and the music they have made.

That said, as with Mississippi John the only question left is what are the stick outs you should pay special attention to. Here those include: “Divin’ Duck Blues,” the much-covered (and especially well-covered by Geoff Muldaur of the old Jim Kweskin Jug Band)“Drop Down Mama,” “Milk Cow Blues (also done in a very different style by Bob Wills and the Texas Playboys),” and the mournful and heartfelt “I’ve Been Well Warned".

Drop Down Mama
Lyrics: Traditional
Music: Traditional


Drop down mama
Let your daddy see
You got something goin' down
That keeps on worryin' me

Chorus
But my mama don't allow me
To fool around
She's sayin' "Son you're too young now
Some woman might put you down"

Go away from my window
Stop scratchin' round my screen
You're so evil woman
And I know what you mean

[chorus]

I got three women livin'
On the same damn road
One does my cookin', one does my washin'
One pays my room and board

[chorus]

Drop down mama
Let your daddy see
You got something goin' down
That keeps worryin' me

[chorus]

Son you're too young now
Some woman might put you down

Thursday, July 05, 2018

The Ghost Of Lawrence Landon-A Si Landon Story-With Hank Williams' "Cold, Cold Heart In Mind

The Ghost Of Lawrence Landon-A Si Landon Story-With Hank Williams' "Cold, Cold Heart In Mind 


   


[The Pete Markin mentioned in the sketch below and in a previous one about Delores Landon, Lawrence Landon’s wife and Si’s mother, is the late Peter Paul Markin who despite a lot of serious work as a journalist back in the early 1970s fell off the edge of the world down south of the border and fell down shot dead with a couple of slugs in some desolate back alley in Sonora after a busted drug deal as far as anybody in America was able to find out (after being seriously warned off the case by the Federales and some guys who looked like they ate gorillas for breakfast). The Peter Markin who moderates this site is a pseudonym for a guy, Frank Jackman, who along with Si Landon, Jack Callahan, Frankie Riley, Josh Breslin and a bunch of other guys knew Markin in the old growing up days and has taken the pseudonym in honor of his fallen comrade who before his untimely end had taught him a lot about the world and its ways, quite a lot. “Peter Paul Markin”]         

Memory floods. Memory flows unstaunched down to the endless sea of time. Some people shut off that memory flow to preserve their sanity others, others like Si Landon from the old corner boy Acre neighborhood in North Adamsville make it their business, go a long way out of their way to make it their business to remember, to be known among their circle as great rememberers. Si Landon had recently had occasion to test that theory out in a sort of roundabout way. He had been driven to remember one set of memories and that exploded another set in his face almost by happenstance.    

The whole episode had started when due to irreconcilable differences with his third wife, Maria, he had been given “the boot,” had been given his walking papers by her after almost a decade together. We will not get bogged down with the particulars of the causes for the separation except to say that Maria’s complaints were centered on Si’s increased moodiness and distance (that was Maria’s polite way, as was her way, of putting the matter) as well as her own need to “find herself”. The long and short of the situation was that both had agreed that “rolling stone” Si would leave the house they had shared for the previous decade. He wound up for several months staying at various friends’ places and in a sublet from a friend’s daughter before he realized that he needed some rootedness, some familiar surroundings now that he was alone again with only his thoughts and memories.

One tough “exiled” day, that was the way Si described his various experiences since the breakup with Maria he had an epiphany which led to his decision to head back to the old neighborhood after an almost fifty year absence. After a certain amount of searching he was able to find a condo for rent (he was not ready to seek a permanent condo-type situation or quite sure that he was up for that experience since he had spent the previous forty or so years in single family housing so a rental was testing the waters). The condo was located a couple of blocks from his growing up family tumbled down shack of a house in a school which had been closed when the demographics in the area changed and converted to the condo complex. Although he had not gone to school there since his family had moved back into his mother’s old neighborhood when he was in junior high school from “the projects” school across town three of his four younger brothers (no sisters to his mother’s dismay) had gone there and that memory had helped determine his move to location.                     

He had strong recollections of his brothers’ time there and that was a source of some solace once he got settled in. Then a couple of days after that moving in he noticed in the front foyer that the developers of the place had kept some of the historic aspects of the place by keeping a series of graduating class photographs on one wall. On another was the 1925 announcement in the North Adamsville Gazette of the opening of the school. That hard fact triggered a sudden re-emergent long suppressed fear in Si once he realized that that 1925 date meant that his mother had also gone to school there something that he probably know way back when but had forgotten about. Sure enough looking at those old graduating class photos there was Delores Landon (nee Riley) sitting in the front row. All the battles from early childhood until just a few years before her death came rushing back into his head. [Their relationship as described in a previous sketch had consisted of longer and longer periods of withdrawal after recrimination until there was a point of no turning back reflected in the fact that Si had not even attended his mother’s funeral for a lot of reasons but that one primarily.-Markin] One late night when he could not get to sleep a couple of weeks after he had moved in Si thought he heard his mother’s voice calling out to him from the foyer that he would never amount to anything her favorite taunting mantra foe him whenever he got in trouble.  Si freaked out over the idea that he would have to re-fight all the old memory battles. Damn. (Si by the way turned out to have been a better than average lawyer so he put paid to that eternal standard Delores notion.)              

No question the dominant force in the Landon household, the five surly boys household, was one Delores Landon. That sad fact was no accident, or if it was accident it was so by virtue of the circumstances which befell Delores Riley and Si’s father, Lawrence Landon. Delores and Lawrence had met through the contingencies of World War II when Lawrence Landon had been stationed before being discharged from the Marines at the famous Riverdale Naval Depot, a place which had earned its fame then for producing something like one troop transport vessel per day on those manic twenty-four-even shifts throughout the war. Delores had worked in an office in the complex doing her bit for the war effort. They had met at a USO dance one Friday night and the rest was history for the next forty or so years until he passed away at 65. Part of that history was the production of a crop of five boys, five hungry boys as it turned out led by Si. The other part was that Lawrence had originally come from the south, had been born and raised in coal country, in Harlan County down in Kentucky in the heart of “white trash” poor Appalachia. Before the Marines broke the string he had been the latest in about five generations of Landons to work the coal mines.

Coming and staying in the Boston area with nothing but a tenth grade education and useless coalmining skills meant that Lawrence was always scrabbling for last hired, first fired work. It also meant that scrambling to do his best as a father to provide for his own that he was a very distant figure in the day to day Landon household which in practice meant that Si was from an early age the “surrogate” father a fate which almost destroyed him before he finally left the family house. It also meant that beyond the distant figure of his father he also knew next to nothing about him. Except, and this was a big except, Lawrence Landon never ever sided with Si against his mother whether she was right or wrong in whatever accusations she made against him. Tough work, tough work indeed although he never was as bitter against his father as he had been against Delores. (A lot of what Si would learn about his father would only come after Lawrence had passed on from his youngest brother Kenneth who made serious effort to try and understand what his father had gone through. So Kenneth had known, which will become important in a minute, that his father had been called “the Sheik” by his fellow Marines for his abilities with the women what with his soft Southern accent and black hair and eyes. Had known as well that beyond a young coal-miner’s skills he had some talent as a musician, as a better than average guitar player and singer who was locally known in the Saturday night “red barn” circuit throughout Appalachian Kentucky for his prowess in song and with the girls along with his band The Hills and Hollows Boys.)

That is perhaps why when Si was old enough and thoughtful enough to know better he recognized that Lawrence had done the best he could with what he had to offer. It had been a hard lesson to learn even with some leeway. So it was no accident that a few weeks after Si’s strange nocturnal “encounter” with his mother (being a man of science he had eventually dismissed, or half dismissed that “voice” as just some gusts of wind coming from outside his windows) he had an “encounter” with the ghost of his father. Si had for many years, going back to his college days been something of a folk music aficionado. Had breathed in the folk minute that passed through the world starting in the very early 1960s.

For some thirty years previously well after the folk minute had burst and the remnants were to be seen playing before small crowds in church basement monthly coffeehouses Si had dilly-dallied with playing the guitar and singing along some folk songs which he had picked up through a famous folk music book which had the imprimatur of the late folksinger extraordinaire Pete Seeger (and lately had picked up songs from another source-the Internet- which moreover provide d the chordal arrangements for many of the songs requested). His attention to the guitar and to practice had always been a hit or miss thing through three marriages and an assortment of children and lots of work to keep them in clover (and alimony and child support when those times came). Still Si never completely abandoned either singing or playing. (For lots of reasons but mainly to keep out of the family’s hair during the Maria marriage he had done his sporadic efforts on the third floor of their house far away from other distractions. But also to be able to say when serious folksingers, including Maria, asked about his abilities that he was a “third floor” folksinger, meaning third rate which seemed about right. That would draw a laugh from those, again including Maria, whom he considered “first floor” folksingers.)            

While he was in “exile” Si had had a fair amount of time on his hands not having to attend to family matters or the million and one other things that are required in a relationship. (Si had had to laugh, a  bitter laugh, one night when he was thinking about those million and one things that he had been about nine hundred thousand, maybe closer to a  million short on keeping the Maria relationship going.) He began one of the most consistent sustained efforts at playing and singing that he had ever done. He continued those efforts when he moved back to his hometown.

What he had begun to notice in exile was that the new material that he was picking up from the Internet or from song books were a lot of old time Hank Williams ballads. Now Si was a city boy, always made it clear that he hated country music, the music of the Grand Ole Opry being his standard for what passed for country music except for one very brief period in the early 1980s when he was attracted to the music of “outlaw” country singers and songwriters like Willie Nelson and Townes Van Zandt. But he always had had something of a soft spot for the anguished Williams. Had done so ever since not knowing that it was country music at the time he would pester Lawrence to play Williams’ Cold, Cold Heart for him when he was a kid. (Lawrence always had a guitar around the house and always like Si would sporadically play when he had a few minutes from the never-ending toil of providing for the five hungry boys and the one overwhelmed wife.)                       


One night in his condo in North Adamsville he began to practice on the guitar when he suddenly thought about his father’s playing of that Williams’ song. He went on the Internet to get the lyrics and chords and began to play. As he played a few times he got a very strong feeling that something was pushing him to play that song far better than he played most songs. On a final attempt Si felt that he had played the song almost like he had heard his father cover the classic. That night he began to realize that the ghosts of his youth weren’t always going to haunt his dreams. That present in that old neighborhood former schoolhouse were lots of things that would surface. Mostly though that night he shed a tear as he finished up knowing that he had cursed his father more than he should have he once again called out “Pa, you did the best you could, you really did.”      

***Stop The Killer-Drone Madness…Stop It Now

***Stop The Killer-Drone Madness…Stop It Now









Late one night in 2014 Ralph Morris and Sam Eaton had been sitting at a bar in Boston, Jack Higgin’s Grille, down a few streets from the financial district toward Quincy Market talking about various experiences, political experiences in their lives as they were wont to do these days since they were both mostly retired. Ralph having turned over the day to day operation of his specialty electronics shop in Troy, New York to his youngest son as he in his turn had taken over from his father Ralph, Sr. when he had retired in 1991 (the eldest son, Ralph III, had opted for a career as a software engineer for General Electric still a force in the local economy although not nearly as powerful as when Ralph was young and it had been the largest private employer in the Tri-City area) and Sam had sold off his small print shop business in Carver down about thirty miles south of Boston to a large copying company when he had finally seen a few years before the writing on the wall that the day of the small specialty print shop specializing in silk-screening and other odd job methods of reproduction was done for in the computerized color world. 

So they had time for remembrances back to the days in the early 1970s when they had first met and had caught the tail-end of the big splash 1960s political and social explosion that stirred significant elements of their generation, “the generation of ’68” so-called by Sam’s friend from New York City Fritz Jasper although neither of them had been involved in any of the cataclysmic events that had occurred in America (and the world) that year. Sam had that year fitfully been trying to start his own small printing business after working for a few years for Mr. Snyder the premier printer in town and he was knee-deep in trying to mop up on the silk-screen craze for posters and tee shirts and had even hired his old friend from high school Jack Callahan who had gone to the Massachusetts School of Art as his chief silk-screen designer, and later when he moved off the dime politically his acting manager as well. Ralph’s excuse was simpler, simplicity itself for he was knee-deep in the big muddy in the Central Highlands of Vietnam trying to keep body and soul together against that damn Charlie who wouldn’t take no for an answer.

Occasionally over the years Ralph would come to Boston on trips at Sam’s invitation and they almost always would go have a few at Jack Higgin’s during his stay talking mainly family matters before Ralph would head back to Troy and his family but more frequently of late they would go back over the ground of their youth, would go over more that ground more than one time to see if something they could have done, or something they did not do, would have made a difference when the “counter-revolution,” when the conservative push-back reared its head, when the cultural wars began in earnest with the ebbing of that big good night 1960s explosion. Sam would return the favor by going out to Albany, or more frequently to Saratoga Springs where he, they could see who from the old days, Utah Phillips before he passed away, Rosalie Sorrels before she left the road, Ronnie Gilbert and Pete Seeger before they passed but you get the picture, the old folk minute of the early 1960s that Sam had been very interested in when he started to hang around Cambridge later in that decade, were still alive enough to be playing at the famous coffeehouse still going from the 1960s, the Café Lena, although minus founder Lena for quite a while now. Sam had never lost the bug, never lost that longing for the lost folk minute that in his mind connected in with him hanging around the Hayes-Bickford in Harvard Square on lonesome weekends nights seeing what was to be seen. Sam had dragged Ralph, who despite living on about less than an hour away had never heard of the Café Lena since he had been tuned to the AM stations playing the awful stuff that got air time after the classic period of rock went into decline and before rock became acid-tinged, along with him and he had developed a pretty fair appreciation for the music as well.          

The conversation that night in 2014 got going after the usual few whiskey and sodas used to fortify them for the night talkfest had begun to take effect had been pushed in the direction of what ever happened to that socialist vision that had driven some of their early radical political work together (in the old days both of them in these midnight gabfest would have fortified themselves with in succession grass, cocaine, speed and watch the sun come up and still be talking. These days about midnight would be the end point, maybe earlier.). The specific reason for that question coming up that night had been that Sam had asked Ralph a few weeks before to write up a little remembrance of when he had first heard the socialist-anarchist-communist-radical labor militant   international working class anthem, the Internationale, for Fritz Jasper’s blog, American Protest Music

Sam had noted that Ralph had with a certain sorrow stated that he no longer had occasion to sing the song. Moreover one of the reasons for that absence was that  despite his and Sam’s continued “good old cause” left-wing political activism socialism as a solution to humankind’s impasses was deeply out of favor (that activism as Ralph mentioned to Sam on more than one occasion these days considerably shortened from the old frenzied 24/7 desperate struggles around trying unsuccessfully end the Vietnam War from the American side by getting the government to stop the damn thing although the Vietnamese liberation forces in the end and at great cost had had no trouble doing so). 

People, intellectuals and working stiffs alike, no longer for the most part had that socialist vision goal that had driven several generations, or the best parts of those generations, since the mid-19th century to put their efforts into, did not have that goal on their radar, didn’t see a way out of the malaise through that route. Had moreover backed off considerably from that prospective since the demise of the Soviet Union and its satellites in the early 1990s if not before despite the obvious failure of capitalism to any longer put a dent in the vast inequalities and injustices, their suffered inequalities and injustices, in the world. Sam had had to agree to that sad statement, had had to agree that they, in effect, too had abandoned that goal in their own lives for all practical purposes even though they had been driven by that vision for a while once they got “religion” in the old days in the early 1970s, once they saw that the anti-war struggle that animated their first efforts was not going to get the war-makers to stop making war. 

Maybe it was the booze, maybe it was growing older and more reflective, maybe it was that Ralph’s comments had stirred up some sense of guilt for losing the hard edge of their youthful dreams but that night Sam wanted to press the issue of what that socialist prospective meant, what they thought it was all about (both agreed in passing, almost as an afterthought that what had happened, what passed for socialism in the Soviet Union and elsewhere was NOT what they were dreaming of although they gave third world liberation struggles against imperialism like in Vietnam dependent on Soviet aid plenty of wiggle room to make mistakes and still retain their support).        

Both men during the course of their conversation commented on the fact that no way, no way in hell, if it had not been for the explosive events of the 1960s, of the war and later a bunch of social issue questions, mainly third world liberation struggles internationally and the black liberation question at home they would not even be having the conversation they were having (both also chuckling a little at using the old time terms, especially the use of “struggle” and “question,” for example the  black, gay, woman question since lately they had noticed that younger activists no longer spoke in such terms but used more ephemeral “white privilege,” “patriarchy,”  “gender” terms reflecting the identity politics that have been in fashion for a long time, since the ebb flow of the 1960s).  

No, nothing in the sweet young lives of Samuel Eaton to the Carver cranberry bog capital of world in Carver (then) working-class born (his father a “bogger” himself when they needed extra help) and Ralph Morris, Junior to the Troy General Electric plants-dominated working- class born would have in say 1967, maybe later, projected that almost fifty years later they would be fitfully and regretfully speaking about the their visions of socialism and it demise as a world driving force for social change.  

Ralph and Sam had imbibed all the standard identifiable working-class prejudices against reds, some of those prejudices more widespread among the general population of the times, you know, like the big red scare Cold War “your mommy is a commie, turn her in,” “the Russians are coming get under the desk and hold onto your head,” anybody to the left of Grandpa Ike, maybe even him, communist dupes of Joe Stalin and his progeny who pulled the strings from Moscow and made everybody jumpy; against blacks (Ralph had stood there right next to his father, Ralph, Sr., when he led the physical opposition to blacks moving into the Tappan Street section of town and had nothing, along with his corner boys at Van Patten’s Drugstore, but the “n” word to call black people, sometimes to their faces and Sam’s father was not much better, a southerner from hillbilly country down in Appalachia who had been stationed in Hingham at the end of World War II and stayed, who never could until his dying breathe call blacks anything but the “n” word); against gays and lesbians (Ralph and his boys mercilessly fag and dyke baiting them whenever the guys and he went to Saratoga Springs where those creeps spent their summers doing whatever nasty things they did to each other and Sam likewise down in Provincetown with his boys, he helping, beating up some poor guy in a back alley after one of them had made a fake pass at the guy, Jesus; against uppity woman, servile, domestic child-producing women like their good old mothers and sisters and wanna-bes were okay as were “easy” girls ready to toot their whistles, attitudes which they had only gotten beaten out of them when they ran into their respective future wives who had both been influenced by the women’s liberation movement although truth to tell they were not especially political, but rather artistic.  Native Americans didn’t even rate a nod since they were not on the radar, were written off in any case as fodder for cowboys and soldiers in blue. But mainly they had been red, white and blue American patriotic guys who really did have ice picks in their eyes for anybody who thought they would like to tread on old Uncle Sam (who had been “invented” around Ralph’s hometown way).       

See Ralph, Sam too for that matter, had joined the anti-war movement for personal reasons at first which had to do a lot with ending the war in Vietnam and not a lot about “changing the whole freaking world” (Ralph’s term). Certainly not creeping around the fringes of socialism before the 1960s ebbed and they had to look to the long haul to pursue their political dreams. Ralph’s story was a little bit amazing that way, see, he had served in the military, served in the Army, in Vietnam, had been drafted in early 1967 while he was working in his father’s electrical shop and to avoid being “cannon fodder” as anybody could see what was happening to every “drafted as infantry guy” he had enlisted (three years against the draft’s two) with the expectation of getting something in the electrical field as a job, something useful. But in 1967, 1968 what Uncle needed, desperately needed as General Westmoreland called for more troops, was more “grunts” to flush out Charlie and so Ralph wound up with a unit in the Central Highlands, up in the bush trying to kill every commie he could get his hands on just like the General wanted. He had extended his tour to eighteen months to get out a little early from his enlistment not so much that he was gung-ho but because he had become fed up with what the war had done to him, what he had had to do to survive, what his buddies had had to do to survive and what the American government had turned them all into, nothing but animals, nothing more, as he told everybody who would listen. When he was discharged in late 1969 he wound up joining the Vietnam Veterans Against the War (VVAW), the main anti-war veterans group at the time. Such a move by Ralph and thousands of other soldiers who had served in ‘Nam a real indication even today of how unpopular that war was when the guys who had fought the damn thing arms in hand, mostly guys then, rose up against the slaughter, taking part in a lot of their actions around Albany and New York City mainly.

Here is the way Ralph told Sam in 1971 about how he came in contact with VVAW while they had plenty of time to talk when they were being detained in RFK Stadium after being arrested in a May Day demonstration. One day in 1970 Ralph was taking a high compression motor to Albany to a customer and had parked the shop truck on Van Dyke Street near Russell Sage College. Coming down the line, silent, silent as the grave he thought later, were a ragtag bunch of guys in mismatched (on purpose he found out later) military uniforms carrying individual signs but with a big banner in front calling for immediate withdrawal from Vietnam and signing the banner with the name of the organization-Vietnam Veterans Against the War (VVAW). That was all, and all that was needed. Nobody on those still patriotic, mostly government worker, streets called them commies or anything like that but you could tell some guys in white collars who never came close to a gun, except maybe to kill animals or something defenseless really wanted to. One veteran as they came nearer to Ralph shouted out for any veterans to join them, to tell the world what they knew first-hand about what was going on in Vietnam. Yeah, that shout-out was all Ralph needed he said, all he needed to join his “band of brothers.”                               

Sam as he recalled how he and Ralph had met in Washington had remembered that Ralph had first noticed that he was wearing a VVAW supporter button and Ralph had asked if he had been in ‘Nam. Sam, a little sheepishly, explained that he had been exempted from military duty since he was the sole support for his mother and four younger sisters after his father had passed away of a massive heart attack in 1965. (He had gone to work in Mister Snyder’s print shop where he had learned enough about the printing business to later open his own shop which he kept afloat somehow during the late 1960s with Jack Callahan’s help and which became his career after he settled down when the 1960s ebbed and people started heading back to “normal.”) He then told Ralph the reason that he had joined the anti-war movement after years of relative indifference since he was not involved in the war effort had been that his closest high school friend, Jeff Mullins, had been blown away in the Central Highlands and that had made him question what was going on. Jeff, like them had been as red, white and blue as any guy, had written him when he was in Vietnam that he thought that the place, the situation that he found himself in was more than he bargained for, and that if he didn’t make it back for Sam to tell people, everybody he could what was really going on. Then with just a few months to go Jeff was blown away near some village that Sam could not spell or pronounce correctly even all these many years later. Jeff had not only been Sam’s best friend but was as straight a guy as you could meet, and had gotten Sam out of more than a few scrapes, a few illegal scrapes that could have got him before some judge. So that was how Sam got “religion,” not through some intellectual or rational argument about the theories of war, just wars or “your country right or wrong wars,” but because his friend had been blown away, blown away for no good reason as far as that went.  

At first Sam had worked with Quakers and other pacifist types because he knew they were in Cambridge where he found himself hanging out more and more trying to connect with the happenings that were splitting his generation to hell and back. They got him doing acts of civil disobedience at draft boards, including the Carver Draft Board on Allan Road the place where Jeff had been drafted from (and which created no little turmoil and threats among the Eaton’s neighbors who were still plenty patriotic at that point, his mother and sisters took some of the fire as well), military bases and recruiting stations to try to get the word out to kids who might get hoodwinked in joining up in the slaughter. As the war dragged on though he started going to Cambridge meetings where more radical elements were trying to figure out actions that might stop the damn war cold and that appealed to him more than the “assuming the government was rational and would listen to reason” protest actions of those “gentile little old ladies in tennis sneakers.”

1971 though, May Day 1971 to be exact is, where these two stories, two very different stories with the same theme joined together. Sam at that point in 1971 was like Ralph just trying to get the war ended, maybe help out the Panthers a little but before May Day had no grandiose ideas about changing the “whole freaking world.” Sam had gone down to Washington with a group of Cambridge radicals and “reds” to do what he could to shut down the war under the slogan-“if the government does not shut down the war, we will shut down the government.” Ralph had come down with a contingent of ex-veterans and supporters from Albany for that same purpose. Sam and Ralph had as a result met on the bizarre football field at RFK Stadium which was the main holding area for the thousands of people arrested that day (and throughout the week)

So May Day was a watershed for both men, both men having before May Day sensed that more drastic action was necessary to “tame the American imperial monster” (Sam’s term picked up from The Real Paper, an alternative newspaper he had picked up at a street newsstand in Cambridge) and had come away from that experience, that disaster, with the understanding that even to end the war would take much more, and many more people, than they had previously expected. Ralph, in particular, had been carried away with the notion that what he and his fellow veterans who were going to try to symbolically close down the Pentagon were doing as veterans would cause the government pause, would make them think twice about any retaliation to guys who had served and seen it all. Ralph got “smart” on that one fast when the National Guard which was defending the Pentagon, or part of it that day, treated them like any Chicago cops at the Democratic Party Convention in 1968, treated them like cops did to any SDS-ers anywhere, and like anybody else who raised their voices against governmental policy in the streets.

Ralph told Sam while in captivity that he still worked in his father’s shop for a while but their relationship was icy (and would be for a long time after that although in 1991 when Ralph, Senior retired Ralph took over the business). He would take part in whatever actions he could around the area (and down in New York City a couple of times when they called for re-enforcements to make a big splash).

Ralph has like he said joined with a group of VVAW-ers and supporters for an action down in Washington, D.C. The idea, which would sound kind of strange today in a different time when there is very little overt anti-war activity against the current crop of endless wars but also shows how desperate they were to end that damn war, was to on May Day shut down the government if it did not shut down the war. Their task, as part of the bigger scheme, since they were to form up as a total veterans and supporters contingent was to symbolically shut down the Pentagon. Wild right, but see the figuring was that they, the government, would not dare to arrest vets and they figured (“they” meaning all those who planned the events and went along with the plan) the government would treat it somewhat like the big civilian action at the Pentagon in 1967 which Norman Mailer won a literary prize writing a book about, Armies of the Night. Silly them. 

They after the fall-out from that event were thus searching for a better way to handle things, a better way to make an impact because those few days of detention in D.C. that they had jointly suffered not only started what would be a lifelong personal friendship but an on-going conversation between them over the next several years about how to bring about the greater social change they sensed was needed before one could even think about stopping wars and stuff like that. (The story in short of how they got out of RFK after a few days was pretty straight forward. Since law enforcement was so strapped that week somebody had noticed and passed the word along that some of the side exits in the stadium were not guarded and so they had just walked out and got out of town fast, very fast, hitchhiking back north to Carver, and Ralph later to Troy). Hence the push by Sam toward the study groups led by “red collectives” that were sprouting up then peopled by others who had the same kind of questions which they would join, unjoin and work with, or not work with over the next few years before both men sensed the tide of the rolling 1960s had ebbed. 

Old time high school thoughts even with the cross-fire hells of burned down Vietnam villages melted into the back of his brain crossed his mind when Ralph thought of Marx, Lenin (he, they, were not familiar with Trotsky except he had “bought it” down in Mexico with an icepick from some assassin), Joe Stalin, Red Square, Moscow and commie dupes. Sam had not been far behind in his own youthful prejudices as he told Ralph one night after a class and they were tossing down a few at Jack’s in Cambridge before heading home to the commune where Sam was staying.

Ralph had gone out of his way to note in that blog entry for Fritz that before he got “religion” on the anti-war and later social justice issues he held as many anti-communist prejudices as anybody else in Troy, New York where he hailed from, not excluding his rabidly right-wing father who never really believed until his dying days in 2005 that the United States had lost the war in Vietnam. Ralph had realized that all the propaganda he had been fed was like the wind and his realization of that had made him  a very angry young man when he got out of the Army in late 1969. He tried to talk to his father about it but Ralph, Senior was hung up in a combination “good war, World War II, his war where America saved international civilization from the Nazis and Nips (his father’s term since he fought in the Pacific with the Marines) and “my country, right or wrong.” All Ralph, Senior really wanted Ralph to do was get back to the shop and help him fill those goddam GE defense contract orders. And he did it, for a while.

Ralph had also expressed his feelings of trepidation when after a lot of things went south on the social justice front with damn little to show for all the arrests, deaths, and social cataclysm he and Sam had gotten into a study group in Cambridge run by a “Red October Collective” which focused on studying “Che” Guevara and the Russian revolutionary Leon Trotsky after an introduction to the Marxist classics. Sam who was living in that commune in Cambridge at the time, the summer of 1972, had invited Ralph to come over from Troy to spent the summer in the study group trying to find out what had gone wrong (and what they had gotten right too, as Sam told him not to forget), why they were spinning their wheels trying to change the world for the better just then and to think about new strategies and tactics for the next big break-out of social activism. At the end of each meeting they would sing the Internationale before the group broke up. At first Ralph had a hard time with the idea of singing a “commie” song (he didn’t put it that way but he might as well have according to Sam) unlike something like John Lennon’s Give Peace A Chance, songs like that. As he, they got immersed in the group Ralph lightened up and would sing along if not with gusto then without a snicker.

That same apprehensive attitude had prevailed when after about three meetings they began to study what the group leader, Jeremy, called classic Marxism, the line from Marx and Engels to Lenin and the Bolsheviks. A couple of the early classes dealt with the American Civil War and its relationship to the class struggle in America, and Marx’s views on what was happening, why it was necessary for all progressives to side with the North and the end of slavery, and why despite his personal flaws and attitudes toward blacks Abraham Lincoln was a figure to admire all of which both men knew little about except the battles and military leaders in American History classes. What caused the most fears and consternation was the need for revolution worked out in practice during the Russian revolutions of 1905 and 1917. They could see that it was necessary in Russia during those times but America in the 1970s was a different question, not to speak of the beating that they had taken for being “uppity” in the streets in Washington, D.C. in 1971 when they didn’t think about revolution (maybe others had such ideas but if so they kept them to themselves) and the state came crashing down on them.    

The biggest problem though was trying to decipher all the various tendencies in the socialist movement. Ralph, maybe Sam more so, though if everybody wanted the same thing, wanted a better and more peaceful system to live under then they should all get together in one organization, or some such form. The split between the Social Democrats and the Communists, later the split between Stalinists and Trotskyists, and still later the split between Stalinists and Maoists had their heads spinning, had then thankful that they did not have to fight those fights out.

All in all though they had the greatest respect for Trotsky, Trotsky the serious smart intellectual with a revolver in his hand. Had maybe a little sympathy for the doomed revolutionary tilling against the windmills and not bitching about it. Maybe feeling a little like that was the rolling the rock up the hill that they would be facing. That admiration of Trotsky did not extend to the twelve million sects, maybe that number is too low, who have endlessly split from a stillborn organization he started when he felt the Communist International had stopped being a revolutionary force, the Fourth International. Sam brought up a Catholic would make Ralph laugh when he compared those disputes to the old time religious disputes back in the Middle Ages about how many angels would fit on the tip of a needle. They, after spending the summer in study decided that for a while they would work with whoever still needed help but that as far as committing to joining an ongoing organization forget it. 

At the beginning in any case, and that might have affected his ultimate decision, some of Ralph’s old habits kind of held him back, you know the anti-red stuff, Cold War enemy stuff, just like at first he had had trouble despite all he knew about calling for victory to the Viet Cong (who in-country they called “Charlie” in derision although after  Tet 1968 with much more respect when Charlie came at them and kept coming despite high losses). But Ralph got over it, got in the swing. 

The Marxism did not come easy, the theory part, maybe for Ralph a little more than Sam who had taken junior college night classes to bolster the small print shop he had built from nothing after Mister Snyder moved his operation to Quincy to be nearer his main client, State Street Bank and Trust (although for long periods his old Carver friend, Jack Callahan, managed the place when Sam was off on his campaigns). They got that the working-class, their class, should rule and be done with inequalities of all kinds but the idea of a revolution, or more importantly, a working class party which was on everybody’s mind in those days to lead that revolution seemed, well, utopian. The economic theory behind Marxism, that impossible to read Das Capital and historical materialism as a philosophy were books sealed with seven seals for them both. Nevertheless for a few years, say until 1975, 1976 when the tide really had ebbed for anybody who wanted to see they hung around with the local “reds,” mostly those interested in third world liberation struggles and political prisoner defense work. Those were really the earnest “socialist years” although if you had asked them for a model of what their socialism looked like they probably would have pointed to Cuba which seemed fresher than the stodgy old Soviet Union with their Brezhnev bureaucrats.

After that time while they would periodically read the left press and participate any time somebody, some group needed bodies for a rally, demonstration, some street action they would be there in their respective hometowns that they both eventually filtered back to. Then 2002 came and the endless wars in Afghanistan, Iraq and seemingly a million other places drove them to drop their “armed truce” (Sam’s term picked up by Ralph) with society and return to the streets , return with an almost youthful vengeance. They would see young people at the rallies hocking their little Marxist papers, maybe buy one to read a home but that flame that had caused them to join study groups, to work with Marxist-oriented “red collectives,” to read books that were hard to fathom had passed, had passed just as socialism as a way to end humankind’s impasses had fallen out of favor once the Soviet Union and its satellites had gone up in a puff of smoke. Sam thought one time that maybe those earnest kids with their wafer-thin newspapers will study the classics and make more sense out of them than Sam and Ralph could. As for Sam and Ralph they would now just keep showing up to support the “good old cause.”              
 And here is what Ralph, an ex-Vietnam veteran and no stranger to war up close and personal  had to say about the damn drones:   

If one takes a quick look at military history not at the pre-conditions that set any particular war up but, you know, what was decisive in the victory of one side over the other you will, except those times when desperate valor saved the day, actually an unusual occurrence in the great scheme of warfare, notice that the side with the technological advantage, the latest gadget usually will prevail. Or at least that is what the average run of military historians will highlight. Taking an example from American internal war history, the Civil War of the 1860s, the decisive edge had been given to the industrial power of the North to produce as many cannon, guns, wagons, etc. as needed whereas the South, especially after Billy Sherman and his “bummers” marched through Georgia and its environs squeezing whatever industrial capacity that region did have, was starved for such materials. Thereafter the massing of high caliber accurate firepower weaponry became the standard on the battlefield.





All of this simple-simon history is presented to make a point about what military strategists are up to these days with the incessant use of killer-drones, those gadgets that now, whether recognized as such or not are seen as the solution to reducing the need for boots on the ground which in turn means that those like the American military and its civilian administrators need to worry less about outraged citizens when the body count gets too high. That has not deterred every administration, including the current Obama one from anteing up the boots on the ground when the deal goes down and land needs to be secured. So needless to say this military “new age” thinking is hogwash since while drones had more than occasionally hit their targets they have more than occasionally created what is euphemistically termed “collateral damage” to anybody in the area of the strike.

That fact alone, that fact of innocent civilian causalities, is why I along with others, hopefully a growing number of others, are out in the streets at anti-war rallies and elsewhere telling presidents and generals to stop their killer-drone programs. Join us on this one just like you would when the American government throws boot on the ground in some ill-conceived plan to make the world “safe for democracy.”