Wednesday, September 26, 2018

Those Daring Young Men In Their Flying Machines-In Honor Of Icarus’s Progeny- With Cary Grant And Jean Arthur’s “Only Angels Have Wings” (1939) In Mind


Those Daring Young Men In Their Flying Machines-In Honor Of Icarus’s Progeny- With Cary Grant And Jean Arthur’s “Only Angels Have Wings” (1939) In Mind 





By Lance Lawrence

[Thanks to reader Lanny Lake who sent us the message that we had inadvertently cut the last few paragraphs from the original publication leaving her wondering what happened to Johnny Cielo after he left Barranca. This missing piece is more important now since young writer Will Bradley has unearthed some interesting details about Johnny which will raise some eyebrows-Watch for the commentary coming soon. Greg Green-site manager]   



[I am only the recorder, the light-touch editor on this piece, since these are basically the recollections of Billy Bartlett, a guy I met in a bar in Miami while having a couple after having a tough day tracing down some leads on a story about the below the radar scene in Palm Beach after the Pulitzer dust-up blew over. The person I was supposed to interview did a “dixie” on me which is not all that unusual in the business but gives the why of why I was having a couple (many three, okay) when Billy approached when he noticed I was writing some notes, asked if I was a writer, I answered journalist and then he hit me with the question-“buy me a drink”-also not unusual in the profession when everybody not connected to the damn thing thinks everybody from cub reporters to big byline guys and gals have an endless expense account.

Billy’s “hook,” his experienced hook, was to tell me about a guy, about Johnny Cielo, who I had never heard of before and how he was one of the real aces of the early aviation industry, the barn-stormer end when the guys, and it was mainly guys despite Amelia Earhart and Sally Southern, ready did fly by the seat of their pants. Took awful chances to fight for Icarus’s honor and would rather die in the sky that stay earthbound-simple. That homage to Johnny, whom Billy had met as a young man in the 1950s when he was hitch-hiking to the Florida Keys and wound up in Jack’s in Key West where Johnny hung his hat, was just the icing on the cake for the real hook which was that Johnny, for dough as always with these mercenary fly-boys, had met his end in the deep blue Caribbean seas running  guns or something for Fidel and his guys in the hills of Cuba.   

No question when Billy flamed that story he had my attention, especially after those four drinks and that “dixie” stand-up I had visions of a big sassy story which I felt certain that my editor, Greg Green, would spring for. Just for grins Billy told me that Johnny had bedded one Rita Hayworth the big Hollywood hot flash to guys before she went over to Morocco and the Aga Khan. I was all ears after that since I remember my father told me that his father had had a Rita Hayworth pin-up in his locker when he was in the service during World War II. He had showed me a photograph of her and I could see what he, what my grandfather, was all itchy about every time he mentioned her name. So here it is. L.L.]

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A tear comes to my eyes every time I hear the name Johnny Cielo, yes, Johnny, one of Icarus’s latter- day sons who was a pioneer in aviation when that was tricky business-when flying by the seat of your pants really was something more than a quaint saying. (By the way for passport trouble purposes, for cons and scams, for ducking the law, John Law he called them Johnny Cielo had many aliases; Johnny Too Bad, Johnny Blade, Johnny Blaze, Blaze Johnson, Johnny Icarus, Izzy Johns and who knows how many other those are just the ones I remember but I will use his real name, assuming that it is for my purposes here). Yes, Johnny was a piece of work, was somebody who gave as good as he got and who had that flight dream from very early on, from the first day he heard about Wilbur and Orville Wright and their successors. Johnny though was strictly a fly boy adventurer, although he could have had a piece of Alleghany Airlines and lived on easy street for the rest of his life. Could have been flying Piper Clubs for the country club rubes to gawk over. But our Johnny was not built that way, didn’t want to become an extended cycle repair shop guy, didn’t have Howard Hughes’ overweening desire to own it all, whatever “it” was for the moment.       

Some people, even people knowledgeable about the history of aviation in America, have claimed they never heard of Johnny Cielo until you mention the Barranca air service set-up. Then they are all ears-not so much about the aviation part, the desperate flights to get the mail out, to get stuff delivered to impossible places, but about Johnny’s red-hot affair with film siren of the 1930s and 1940s Rita Hayworth. Yeah, there was plenty of truth to his exploits with the females, with high class dames like Rita back then. Rita who was every military guy’s favorite pin-up and if not then second. Johnny led Rita a merry chase, had her abandoning that very promising and lucrative Hollywood career to follow him to the wilds of Barranca down in Central America and then ditched her leaving her no choice but to grab the next best thing (this before the Aga Khan took his run at her and snagged her for a while-even “a while” most guy’s idea of heaven). Left Rita for some vaudeville tramp down on her uppers, somebody who couldn’t even stand in the same room as Rita but Johnny was funny that way-would stay with one woman just so long and that not long. Told them straight out his fly-boy life was it and he did not expect a woman, wouldn’t ask a woman to follow him where he was going. And he was right, just ask Rita who did and got not even a by your leave.   

Maybe it is better to begin at the beginning, or at least how Johnny got down on his own uppers so bad he had to take a shot a running a fool’s errant airline down in sunny Banana Republic Barranca. Johnny got deep into running dope, you know, marijuana, opium stuff like that way before most people even know what the hell illegal drugs were about from sunny Mexico up north. Did it for a few years, made a ton of money and proceeded to blow it on dames, various experimental airplane projects and hand-outs to every drifter he ran across. Then one day an agent for whatever cartel he was working for at the time, such things are murky and best left murky told him he was through, that they had some new boy, their boy who would run the merchandise.

Johnny thereafter needed work, needed it bad to keep up with the fresh but expensive Rita. Nothing doing around America for a guy whose last job was a dope smuggler so he headed south to Central America when his old friend and comrade Letts Fagan said he had a deal for him if he came fast. The deal was a secured route for a mail and express delivery for everything south of Mexico to what the hell Antarctica if he wanted to go that far if they could set up the route through some pretty tough terrain in the days when propeller was king and planes still wobbly in inclement weather. Heading out he told Rita he was going, he didn’t expect her to follow, wouldn’t ask her to but can you believe she said “let’s go” and as a sign of her own seriousness she was ready the next day to travel-a world record maybe for a woman with a big wardrobe and plenty of luggage to pull off. Johnny was impressed-and pleased.      

Things started out pretty well for Johnny and Rita and Johnny and his new airline. Looked like he would meet all the deadlines imposed by the contract and by his own daring. Pulled a few rabbits out of the hat to get through a bunch of horrible weather to deliver whatever there was to deliver-typical Johnny Cielo magic. Then the roof caved in, or rather that tramp from some northward-bound tramp steamer trampled into town looking for some sweet sugar daddy- or a Johnny kind of guy. She wasn’t choosey especially when she found out that Johnny was carrying Rita in tow. Two minutes after she saw him she had him in a backroom at Letts’ restaurant doing whatever she wanted, whatever he wanted. (We are all adults and know what was what but when some guy, some Johnny latter-day devotee wrote up his biography the guy left the hard sexual description part out, just like they were doing in the films in those days but you know as well as I do, and I know, because before the end Johnny told me, it was oral sex, a blow job, said she was good at that, Rita too, but you had to coax Rita and not the tramp.)

Okay even tramps have names, as if it mattered to Johnny or any other guy when a woman leads him to some backroom, so hers was Jean, Jean Smith I think Johnny said she called herself. Like I said Johnny had a fistful of aliases, so she probably did too. She was from nowhere, had done nothing but was something new and shiny for Johnny and that was that. Of course two dames, a glamour gal and a tramp or any combination thereof, working the same guy in the small blistered and balmy town are not going to make anything work in the end. That was when Rita blew town, went back to Hollywood to be knocked off by the Aga Khan for a while until she got bored. (The funny thing and even that biography guy didn’t know about the situation until I sent him a letter and he looked the stuff up after Rita blew that Moslem prince off and went back-where else Hollywood not Brooklyn or wherever she was from she and Johnny went under the sheets again for a while until she blew him off-nice trick. Johnny always spoke highly of his sassy redhead after that though-always had that glean in his eye when he mentioned her name. 

The tramp won round one. A big win but Johnny was all business for a while trying to make the nut with that fucking two-bit contract that must have been written up by a Wall Street lawyer it had so many escape clauses for the owners. Johnny had by his own reckoning, a half dozen ex-World War I planes of no repute, or something like that to get the mail and goods over the hump. Tough going, very tough as he lost a few guys who like him would rather die than not fly so they took risks, big risks, just for the hell of it. And nobody, Johnny made sure of that, mourned out loud about the dead guy, grabbed his smack sack possessions and divvied them up so no moony stuff. After one guy got, a guy who was supposed to buy this Jean a steak when he tried to make a play for her behind Johnny’s back, to sit with the angels, that what they called it she sniffled up and Johnny told her to shut up or follow Rita (Johnny could be cutting). Here’s the real deal Johnny part though-five minutes after the guy flamed out Johnny was a sky pilot taking the undelivered load over the hump and back in some kind of hurricane. (That “hump” not the Burma World War II hump that almost broke the backs of English and American pilots but through Condor Pass the next country over from Barranca.)   

Of course knowing Johnny like I did it came as no surprise that things didn’t work out in Barranca, he couldn’t get Letts’ operation going by that freaking Wall Street deadline and he had to skip town owning everybody and their brother and sister dough-including a ton to Letts who swore if Johnny Too Bad, that was the alias he was using down there apparently and not a bad idea with the riff-raff that went through that place, cutthroats, grifters, midnight stabbers, and the like the one time I went through there in a homage to the places Johnny set down on after I found out he had passed away. Naturally the tramp, that Jean whatever her sexual attractions and practices, once Johnny had no dough went on to the next best thing-whatever male was walking with dough in his pockets. As for Johnny he went free-lancing for a few years staying away from any spots where he owed dough. Picked up a few floozies and left them and headed for Key West where I met him in Jack’s, the hangout for guys like Hemingway and Giles, women like Selma Johns and Loretta Oldfield if you remember all those names.

That is about it except to grab the end, grab how Johnny fell down. Somehow about 1957, early in the year a guy approached  Johnny, a guy who called himself Colonel Fiero, something like that, who claimed to have been on the Republican side in the Spanish Civil War (as if Johnny gave a fuck what a guy’s credentials were as long as the proposition made sense, it involved flying, the more dangerous the better and the dough was big and in cash) who wanted Johnny to fly from some point in Mexico to the Sierra Madres in Cuba. To fly to Fidel and his band of rural fighters who needed arms and supplies. I never did get the place in Mexico, Johnny wouldn’t say even to me and I don’t know how many flights in and out Johnny made. Probably a guy like Johnny didn’t even know he was supplying revolutionaries, guys opposed to the guy who was running Cuba for the Americans. In any case one fateful night Johnny cashed his check, took at dive down in the deep blue sea Caribbean from what some sailor who saw what happened told it. Yeah, every time I think about that bastard (he had stiffed me too for dough more than once in those days) I shed a tear.          

In Honor Of George Jackson And The Soledad Brothers As We Remember Attica- Free All The Class-War Prisoners!-FromThe Pen Of Bob Dylan-A tribute to a fallen Black Panther, George Jackson

GEORGE JACKSON
Words and Music by Bob Dylan
1971, 1976 Ram's Horn Music

I woke up this mornin',
There were tears in my bed.
They killed a man I really loved
Shot him through the head.
Lord, Lord,
They cut George Jackson down.
Lord, Lord,
They laid him in the ground.

Sent him off to prison
For a seventy-dollar robbery.
Closed the door behind him
And they threw away the key.
Lord, Lord,
They cut George Jackson down.
Lord, Lord,
They laid him in the ground.

He wouldn't take shit from no one
He wouldn't bow down or kneel.
Authorities, they hated him
Because he was just too real.
Lord, Lord,
They cut George Jackson down.
Lord, Lord,
They laid him in the ground.

Prison guards, they cursed him
As they watched him from above
But they were frightened of his power
They were scared of his love.
Lord, Lord,
So they cut George Jackson down.
Lord, Lord,
They laid him in the ground.

Sometimes I think this whole world
Is one big prison yard.
Some of us are prisoners
The rest of us are guards.
Lord, Lord,
They cut George Jackson down.
Lord, Lord,
They laid him in the ground.

In Honor Of George Jackson And The Soledad Brothers As We Remember Attica- Free All The Class-War Prisoners!-From The Archives of The Class Struggle –Black Panther George Jackson’s “Blood In My Eye”- A Book Review



Book Review

Blood In My Eye, George Jackson, Bantam Books, New York, 1972
George Jackson Lyrics-Bob Dylan

Sent him off to prison
For a seventy-dollar robbery
Closed the door behind him
And they threw away the key
Lord, Lord
They cut George Jackson down
Lord, Lord
They laid him in the ground

He wouldn’t take shit from no one
He wouldn’t bow down or kneel
Authorities, they hated him
Because he was just too real
Lord, Lord
They cut George Jackson down
Lord, Lord
They laid him in the ground

Prison guards, they cursed him
As they watched him from above
But they were frightened of his power
They were scared of his love.
Lord, Lord,
So they cut George Jackson down.
Lord, Lord,
They laid him in the ground.

Sometimes I think this whole world
Is one big prison yard
Some of us are prisoners
The rest of us are guards
Lord, Lord
They cut George Jackson down
Lord, Lord
They laid him in the ground

Copyright © 1971 by Ram's Horn Music; renewed 1999 by Ram’s Horn Music
I have often had reason, when speaking of my long and painful trek to Marxism many years ago now, to note that the polemics of the third section of the Communist Manifesto, where Marx and Engels skewer the various left-wing political tendencies of their day for their short-comings, that I had probably espoused all the tendencies met there, or their modern day equivalents. That said, I have also noted that as a member (a member in good standing, by the way, meaning merely having survived the cultural wars of the past forty years or so and still standing) of the generation of ’68 I had run through all of the“theories” prevalent on the New Left (then New Left, now old and hoary with age) of the 1960s. They included such thread-worn “theories” as that the working class had then (and now by some new new left advocates) lost its central role (had sold out or been bought off in the vernacular of the times) as the vanguard for socialism, youth as a class was per se a revolutionary agent for change (perhaps best known in the“red” university premise), guerilla warfare (rural as in China, Cuba and many African countries and urban as in the Weathermen-like formations , and its various transformations, creating a second front for those rural struggles, just then, the Vietnamese Revolution, as the central fact of late 20thcentury revolutionary theory), and most importantly for the discussion here blacks, blacks as an oppressed minority in the United States were, without question, and without questioning, the vanguard of the socialist revolution. And, one way or another, torturously one way or another, constituted a nation, with all that implied for the right of national self-determination, rather than as a segregated caste at the bottom, and an adjunct of the main society.

One would think, given even cursory look at the condition of the international revolutionary movement today, and particularly its American component, that that last premise would have been proved false by history and by reality. Not so. Recently I had occasion to attend a local planning meeting around the question of police harassment and surveillance of basically peaceful anti-war protestors who wanted to take action, rightfully so, to expose this nefarious police activity in a public way. Fair enough, just put together a united front of all those from civil rights advocates, to the peaceful anti-war activists under attack, to the anarchists who right now are taking the brunt of police activity, to any other segment like immigrants, victims of the “war on drugs,” etc. who have come under the police dragnet, set a time, publicize the event(s) and you are off.
Well not so fast, not so fast by a long shot. Apparently, at least in some quarters, some old New Left and some new new left quarters, whites, generic whites with “white skin privilege” (the basic component that made up that meeting) cannot move in their own defense without“waiting” on more oppressed (read: communities of color, but really black and Latinos) to chime in. Therefore no action was taken (except, maybe, more meetings to discuss this “theory”). So the old theories (granted in new clothing) have reared their very hoary heads. And sent me back to the 1960s era books. Particularly to the grandfather of all such theories derived, somewhat unfairly and somewhat haphazardly, from Frantz Fanon’s seminal work, The Wretched Of The Earth. And from there books, books such as legendary Black Panther George Jackson’s Blood In My Eye which took heavily from the revolutionary violence as necessity, and as social cleansing agent aspects of Fanon’s work.

Certainly if one merely observed empirically the thrust of revolutionary activity in the post-World War II period one would have seen vast national liberation struggles of colonial subjects from Algeria (Fanon’s revolution) to Cuba to Vietnam and everywhere in between to become free from the fetters of empire. And see, see in general, the relative decline of revolutionary activity by the Western working classes. Thus Marxism, or the parody of Marxism, was turned on itself to proclaim that new third world forces would create a new type of socialism (one based not on plenty since not frontal assault on the imperial centers after liberation was contemplated for the most part, but rather some ancient forms of societal existence, if any) led by new types of revolutionary organizations not tainted with the smell of sell-out Western and urban-centered communist and socialist parties or their colonial adherents, and creating a “new man”culture. But first the liberation, and the ethos of liberation.
Obviously such theories, based as they were on dismissal of the historic Marxist centrality of the working classes take state power and creating working class forms of economic and social life, could only work as theories of military defeat of the imperial centers by revolutionary declassed intellectuals and lumpenproletariat elements freed from the land in the black ghetto enclaves of America. In short the creation of urban guerilla armies, left to their own devices and not dependent on any correctives from the masses, guided by an ethos of revolutionary violence as cleansing its supporters in the process of knocking out the old order. In short, as well, a variant of the Narodnik theories in the old time19th century Russian Empire that socialist revolutionaries like Lenin and Trotsky had to fight against in their time. As the Russian case showed, and as the fate of George Jackson, his heroic younger brother Jonathan (who seriously tried to implement this strategy with his raid on the Marin County courthouse in 1971), and the systematic decimation of the Black Panthers by the American state and its security agencies (aided by their own hubris) verified such self-isolating strategies in the face of passive (or hostile) populations cannot succeed.

The real problem with such lumpen-dependent strategies, borne out over time, and now in re-reading Blood In My Eye , painfully borne out, is that the masses play no, or a passive role, in their liberation with all the distortions that a strategy based on a central military strategy creates. Revolutionary violence is probably, very probably, necessary to overturn American imperial power but the cult of the gun, the cult of the purifying gun is not, and has not, worked in the struggle for a new socialist culture. The most dramatic example from the American left scene as comes shining through here was the fate of the Black Panthers whose best elements (George and Jonathan Jackson, Fred Hampton, etc.) bought into the Fanon substitutionalist revolutionary thesis (the internal black nation theory they got elsewhere including from early American Communist party doctrine on black self-determination as advocated by Harry Haywood and his fellows). And some very good Panthers wound up dead, wound up in jail (and some are still in jail) and wound up cynical for their efforts. Let that example set in as you read George Jackson’s personal political handbook, a book like I said earlier that was very influential in my own early left-wing thinking, and that of the generation of’68.


In Honor Of George Jackson And The Soledad Brothers As We Remember Attica- Free All The Class-War Prisoners!




YouTube entries for the martyred Black Panther Party leader, George Jackson. You can link to the other parts from this entry


Click below to listen to Stanley Nelson speak about his latest documentary –The Black Panthers: Vanguard Of The Revolution on the Terry Gross show Fresh Air on NPR (Sept 24, 2015)  


In Honor Of George Jackson And The Soledad Brothers As We Remember Attica- Free All The Class-War Prisoners!

In Honor Of George Jackson  And The Soledad Brothers As We Remember Attica- Free All The Class-War Prisoners!

Click on the headline to link to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month

Markin comment (reposted from 2010)

In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

That last notion set me to the task at hand. Readers of this space know that I am a long time supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!
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Markin comment from June 8, 2011 entry:

From The Partisan Defense Committee "Class Struggle Defense" Archives- What Defense Policy for Revolutionaries?-"An Injury To One Is An Injury To All"

Markin comment:
The several documents presented in this compilation cover a wide range of issues that confront any serious left-wing class struggle defense organization committed to non-sectarian defense based on the old Wobblie (and maybe before the Wobblies, around the time of the Haymarket martyrs if an article that I have read lately is any indication) of “an injury to one is an injury to all.” Most of those issues have been adequately addressed in one form or another by the writers and/or editors of the documents.

There is one point, however, mentioned here that I would like to highlight a little more based on my own long- time experience with legal defense cases, work, given the dearth of more direct class-struggle issues, that has consumed much more of my political time (and that of others who I have spoken to on the matter) lately than I would have expected. That is the question of “hiding” the relationship between the defense organization and the political organization leading up the case, the question of front groups. Most of these radical legal cases from defense of the Panthers back in the 1960s to the latest death penalty cases start with some leftist organization’s impetus.

Those seeking to center their campaigns on beseeching hard-core liberal support (and some vital cash nexus that goes with seeking such support) will “hide’ their “parent” organizational affiliations and “pretend” the cause is a simple democratic one. The Stalinists of the Communist Party, after their short bout with “third period” purity in the late 1920s were past masters of this technique. The clearest example of this that I can give, and that radicals today might either remember or be somewhat familiar with, was the Angela Davis case in connection with her involvement with the Jonathan Jackson (George Jackson’s brother)/Sam Melville Brigade. Now Angela Davis was then, and now, a hard Stalinist and then a leading public member of the party. One would have thought that her party affiliation would have been front and center since everybody knew it anyway.

And, more importantly, that those Communist Party members working on this important campaign would have identified themselves proudly with their fellow comrade. Well, I guess you cannot teach an old dog new tricks as the worn-out adage goes. At least a Stalinist old dog. One meeting that I went to concerning her defense had about fifty people in attendance. Some liberals, known to me. Some unaffiliated radicals, also known to me. And the rest CPers. Except, if you were not politically savvy you would not have known that last fact because not one CPer, not one identified him or herself as such. Oh sure there were representatives from the Croatian Anti-Fascist League, The League For International Peace, Mothers for Peace and the like. Yes, you guessed it all CPers. And to what end? You see, maybe the liberals could be fooled, or wanted to be, and maybe even a few radicals who believe in some “family of the left” notion of politics, as well. But when the deal goes down the bourgeoisie is not fooled, not by a long shot. And then not only are you defending one comrade but the whole organization. So learn a new trick, okay?

Note:
An additional twist on the CP's catering to the liberals in the Angela Davis case was that they left class-war prisoner Ruchell McGee, Ms. Davis' co-defendant, to basically fend for himself. His profile would not have gone down as well with such elements enamored with celebrity Davis. I also note that forty years later I am still calling for Ruchell McGee's freedom as part of my June Class-War Prisoners series. Enough said.

When Private Detective Novels Went From The Parlors To Hard-Boiled-The Transition-The Film Adaptation (Once Removed) Of Dashiell Hammett-Inspired “After The Thin Man”(1936)- A Film Review, Of Sorts


When Private Detective Novels Went From The Parlors To Hard-Boiled-The Transition-The Film Adaptation (Once Removed) Of Dashiell Hammett-Inspired “After The Thin Man”(1936)- A Film Review, Of Sorts




DVD Review

By Sam Lowell

After The Thin Man, starring Myra Loy, William Powell, James Stewart, a sequel from Dashiell Hammett’s The Thin Man, 1936



I admit up front I am a hard-boiled private detective guy (the public coppers, police procedurals if you like don’t even rate a mention today although I have reviewed a million of them in my forty plus years as a film critic, editor, reviewer) in the eternal battle to find some reason to pay hard-earned money to either sit down and read a crime novel or view a film noir. I have spent my career defining my take on film noir detectives and the like. Have written what almost all film critics have called the “bible” a tome about the film noir of the 1930s and 1940s, the golden age. I have also gone to bat for the creators of this hard-boiled genre, the guys who took private detection out of the parlor, usually the high-end parlor, out of the hands of amateur, actually almost accidental private detectives slumming while clipping their stock coupons or something. Above all I have paid homage to Raymond Chandler’s Phillip Marlowe series where private detection is for real including fists and slugs and Dashiell Hammett’s Sam Spade ditto on fists and slugs.   

Here is the funny part, the seemingly contradictory part. Hammett also made a great private detective (public copper turned private by the way which should not be held against him) in Nick Charles, played by William Powell, and his wife companion Nora, played by Myra Loy,  in his The Thin Man. Problem for a guy like me is that Nick and Nora, due to Nora’s money, are slumming on the high side, on the parlor side taking on cases where the rich have something at stake. Which brings us to my idea of the transition-the little sliver from parlor to hard-boiled taking a slight detour. Gentile surroundings but with enough fists and slugs to go around. This pacing which started with the film adaptation of The Thin Man continues in the first sequel After The Thin Man done in the aftermath of the success of the original film adaptation.                

Most of the actions takes place in high-end digs, maybe Russian or Nob Hill in San Francisco, and gin mills after Nick and Nora come back from vacation (maybe after having solved that original with the missing inventor, the thin man, caper although that was in New York City). Why? The errant husband, Robert, of a young Mayfair swell matron, West Coast division, Selma, has gone missing and the family, through its wicked witch of the West matriarch and arbiter of social norms is looking to discreetly look into the matter. Enter hated Nick (who had been brought up on the wrong side of the tracks AND was a public copper) who is egged on by Nora to take the case and maybe make some family peace-fat chance with the swells once they tag you with the low rent district whammy.

Turns out the errant hubby, still adored unconditionally by that naïve young Mayfair swell, has been hitting the gin mills and playing footsie with a torch singer, Polly, at a swank Chinese-themed nightclub run by a gangster, Nolo, and fronted by a Chinese businessman. This grifter, this errant husband, let’s say his name again to separate him from the other grifters making plans of their own, Robert, is nothing but a gold-digger, male division, whose only play is to try to get enough dough to split with Polly, the torch singer without  a heart of gold. Here’s where things get weird although you never know what a grifter will think up to get dough. Seems that a Mayfair swell eligible bachelor, David, played by young James Stewart, who made a portion of his career playing second fiddle to sexier errant males like Cary Grant, loved that young jilted Selma, had wanted to marry her before Robert fogged the night. Robert’s play was to touch David up for a big number (those days’ big number laughable today) pay-off and he would clear out (and do whatever he planned to do with that tramp Polly). Of course down in the mud, down in the gin mills and low life lanes where Polly and her boss Nolo resided the play was to grab the dough Robert got from David and play their own version of house. Nice crowd, right.     

All this action got stopped in its tracks though when dear Robert took a few slugs and fell down, fell down forever if you want to know. Guess who the prime suspect was though who was right there gun in hand. Selma, who had motive, means and opportunity after what this cad Robert had done to her. Despite all the circumstantial evidence against her it just can’t be holy goof Selma, not Nora’s relative. Nick is off and running to find the real murderer, actually multiple murderer because the real killer was seen by other parties. Nick, in the classic Nick way, piled up the evidence, figured out the half dozen possible real suspects and brought them all together under one roof with the public coppers present ready to escort the villain to the clink once he, or she, screamed “uncle” under Nick’s relentless interrogation. Guess what, you know the saying beware a woman scorned. Guys can work under that assumption as well. Turns out psycho holy goof David was the mad monk murderer who got unhinged after Selma gave him the air.  Go figure.  

[This Nick-Nora combo may be a transitional private detective, plus wife, plus dog but give me a guy like Sam Spade who was ready to turn over a femme just to save his own neck and didn’t think twice about it or Phil Marlowe going round and round with a couple of kinky sisters who liked to walk the wild side and lived to tell about it. S.L.]