Where Have The Girls Gone- When Young Women’s Voices Ruled the Airwaves Before The British Rock Invasion, Circa 1964- With Ruby And The Romantics Our Day Will Come In Mind

Where Have The Girls Gone- When Young Women’s Voices Ruled the Airwaves Before The British Rock Invasion, Circa 1964- With Ruby And The Romantics Our Day Will Come In Mind

A YouTube film clip of Ruby & The Romantics performing the classic, Our Day Will Come. 

Our day will come
And we'll have everything.
We'll share the joy
Falling in love can bring.

No one can tell me
That I'm too young to know (young to know)
I love you so (love you so)
And you love me.

Our day will come
If we just wait a while.
No tears for us -
Think love and wear a smile.

Our dreams have magic
Because we'll always stay
In love this way
Our day will come.
(Our day will come; our day will come.)

[Break]

Our dreams have magic
Because we'll always stay
In love this way.
Our day will come.
Our day will come.

[Several years ago under the old regime headed by the now mercifully departed Allan Jackson, known here under his moniker Peter Paul Markin, there was an atmosphere of a privileged there is no other way to put the matter “good old boys club” that pervaded this space. Almost consciously I believe on Allan’s part in looking over the archives from the past several years to see what happened and to see if there was anything salvageable from those times. My proof-almost every writer was some old time friend of Allan’s or of Allan’s friends. All had come of age during the raucous 1960s and their work hinged, for better or worse, on a working nostalgia for those times. The clincher-these by-line writers were without exception men. The few women writers were stringers, free-lancers who wrote, and wrote many times well certainly better than some of the good old boys especially as the guys hit sixty.

The series that Josh Breslin, from Olde Saco, Maine but a good old boy nevertheless since he had met the real Peter Paul Markin out in California in the Summer of Love, 1967 and thereafter met Allan and the others, did on “girl groups” on be-bop doo-wop girl groups when doo-wop swept through the teenage scene in the late 1950s is a case in point. Josh apparently did about ten pieces, all pretty well done. But that rather begs the question. In reading those reviews where is the female voice heard  by any of the female artists who struggled to make beautiful music for the young or by women writers from the time who could give their perhaps very different take on what doo-wop meant and how young women reacted to this craze.

To make a small historical amends I have asked a stringer from that time, Leslie Dumont, who now has a by-line here to give her take on Josh’s series. She is qualified to do this in two ways. First she in her youth lived for this music and secondly at the time the series was written she was Josh Breslin’s companion. Which makes it even more obvious about the good old boy network since it is apparent that he didn’t even ask her opinion about the music. Ask to give a few experiences like he readily asked his good old boys. Or, and one would hope this were the case, Allan Jackson cut out any such references on the red pencil editing for his own reasons, mostly flimsy. I want to think the latter. Josh, who still works here, can come forward with an explanation if he dares. Greg Green]                      

By Leslie Dumont

When Greg Green handed me this great assignment since I hadn’t listen to most of this music to be reviewed for a while, probably since Josh Breslin who was then my companion did the original series , I searched around the dwindling number of North Beach record stores but couldn’t find the expanded series he worked through. What I did find and have previously done a short piece on was a two volume set found at Diamond Jack’s Record Shop in San Mateo which had some of the classic girl doo-wop on it. Subsequently I went on Amazon and was able to grab the whole six volume set. (Greg remind me to give you the bill for that purchase.)   

As I mentioned in that review of the two-volume set of, for lack of a better term, girl doo wop some of the songs which overlapped in the recently purchased six volume series, I have, of late, been running back over some rock material that formed my coming of age listening music (on that ubiquitous, and very personal, iPod, oops, battery-driven transistor radio that kept those snooping parents out in the dark, clueless, and that was just fine, agreed), and that of my generation, the generation of ’68, a term the departed manager of this site Allan Jackson insisted everybody use when referring to the denizens of the 1960s. Naturally, and here I agree with the sentiments expressed by Josh at the time, one had to pay homage to the blues influences from the likes of Muddy Waters, Big Mama Thornton whose original version of Hound Dog put Elvis in the shade no matter that she never made much dough on her work, and Big Joe Turner whose Shake, Rattle and Roll, puts all the white boy versions from the likes of Bill Haley, Elvis and Jerry Lee to shame. And, of course, given the performers their just due the rockabilly influences from Elvis think Good Rockin’ Tonight, Carl Perkins think Blue Suede Shoes although Elvis made the money, Wanda Jackson think Let’s Have A Party, and Jerry Lee Lewis think High School Confidential which still gets my hormones jumping.

Josh had noted in his series that one of the reasons that he was doing it was a kind of evening up of the balance of what had turned him on as a kid. He said that he had spent some time on the male side of the doo wop be-bop Saturday night led by Frankie Lymon and the Teenagers on Why Do Fools Fall In Love? (good question, right) but that he had not done much with the female side of the doo wop night, the great ‘girl’ groups that had their heyday in the late 1950s and early 1960s before the British invasion, among other things, changed our tastes in popular music. I will not, don’t need to, expand on his male doo wop efforts but

I would expand his observation here to include girls’ voices generally. I make some amends for his omission here. Or really to give the female slant on female singers.

[Although as I said I will not dwell on the male doo wop stuff the mention of Frankie Lyman first seen on ancient now gone Dick Clark’s American Bandstand a Monday to Friday run home from school afternoon fixture. That was where you not only saw what group’s Mr. Clark thought were hot but to see what the latest dances moves were “in” so you could try them out with your girlfriends to avoid being embarrassed, embarrass yourself, on the dance floor when some dreamy guy came by and picked you out of the crowd (or more than one happily any guy just to avoid that deadly “wallflower” tag that boys and girls alike were furiously trying to avoid).  And of course to see what was the latest in teenage girl fashion to lure the boys in at the times when you had begun to see the male sex as not quite as nasty as a couple of years before and that maybe they had something interesting to say if you could corral them for a few minutes.

Why Do Fools Fall In Love had special meaning as well since that was the first time I either kissed a boy or a boy kissed me I kind of forget which way it was. I had been invited to Kay Kelly’s twelfth birthday party which was held in her family’s family room in the basement of their house on Ridge Avenue in Cambridge, Massachusetts across the street from where I grew up. This family room basement business was all the rage with kids having parties then because usually the space was darker and being downstairs it was away from snooping parent eyes. Perfect.

Kay had invited a bunch of boys which made me, her, all our girlfriends nervous although not nervous enough not to invite them. When the big day came, big evening if I recall, although early like maybe six or since no tweens in those days would be partying later than say nine except for the over-chaperoned weekly Saint Peter’s dances when parents would pick up their charges at eleven. But like I said that dance was chaperoned so really didn’t count against the exotic basement fling. As usual the boy (and did the girls when invited to a boy’s party) arrived en masse including Kevin Murphy who I talked to in class (and daydreamed about at other times). The boys hugged one couch area, the girls around Kay’s father’s build-in bar where the refreshments including Kay’s mother-made birthday cake sat on the counter (no liquor, no way, present although we could have all probably used a drink to shake the nervousness even at twelve)    

 
Then Kay put on a 45 on her record player, Elvis’ Jailhouse Rock and as usual a bunch of girls although not I started dancing in pairs together. Nobody solo danced in those days for fear of looking uncool and maybe mentally unstable certainly no guys paired up, not in our crowd, just like nobody went to the senior prom as a single which nowadays is no big deal according to what my granddaughters tell me. Then dreamy Kevin Murphy broke into the crowd of girls and started to dance with Lucy Lavin. Lucy Lavin nothing but a plain jane at best who was also recognized as the smartest girl, maybe smartest person but don’t quote me on that in the whole sixth grade class. I was crushed, crushed enough since if Kevin was dancing with a plain jane like Lucy Lavin then maybe he wasn’t so dreamy after all and so had better begin looking elsewhere. (Dreamy or not later during the 1960s Kevin would be the first young man from our neighborhood to be killed in Vietnam and his name is etched on a memorial stone in front of City Hall with the too many others who laid down their beautiful young heads in that godforsaken  war. Probably etched down in Washington black granite too but I have never been brave enough to go near that memorial as many times as I have in that city since high school.)      

Kevin, embers forgotten in a flash as befits the young and movable, I got up and danced with Brenda Sullivan the next dance which I thing was Bill Haley’s Rock Around The Clock when Larry Kiley cut in and started to dance with me. Goof, holy goof I would have called him later after reading Kerouac like we all did when we were getting antsy in the 1960s, Larry who I could barely stand and who was always saying something silly or pornographic around girls in class or in the lunchroom danced very well. Knew the stroll, the fug, stuff like that. So I let him talk to me for a while in between dances. Still a goof mostly but also mentioned how pretty I looked as against the other “homely” girls hanging out in that basement so maybe he wasn’t as bad as everybody thought.

Then it came slow dance time, time to put on Ruby and the Romantics doing Our Day Will Come. Most of the guys were too bashful to ask a girl to slow dance (as opposed to fast dance where you didn’t have to hold hands and could fake stuff as long as you moved fast enough) so things started slowly with the exception of Larry who asked me to dance right away and while I hesitated he had said I was pretty so that was something in his favor. On these slow dance things, at least in our neighborhood, that would be a very good time to put out the light, and see if anybody wanted to kiss anybody. As it turned out Larry did, or tried to. I was so excited about the prospect of being kissed, kissed even by a goof like Larry since I could chalk it up to experience, that when he tighten his grip around my waist and moved his head forward I moved my face quickly as well and I too this day don’t know if I kissed him first or he kissed me. All I know is that I liked it, liked Larry’s kiss, like it enough that we went “steady” the rest of the school year when we moved to the other side of town. And get this about not succumbing to teen bean peer pressure all my girlfriends still thought he was a goof, and not a holy one either. ]                  

Josh noted in his series and something I spoke to in that earlier review but bears repeating here one problem with the girl groups, and with these broader generic girl vocals for a guy like him, a serious rock guy like him was that the lyrics for many of the girl group songs did not as he said “speak to me.” He explained after all how much empathy could a young ragamuffin of boy brought up on the wrong side of the tracks like him have for a girl who breaks a guy’s heart after leading him on just because her big bruiser of a boyfriend is coming back and she needs some excuse to brush the heartbroken guy off in the Angels' My Boyfriend’s Back. Or, he continued, some lucky guy, some lucky Sunday guy, maybe, who breathlessly catches the eye of the singer in the Shirelles' I Met Him On Sunday from a guy who, dateless Saturday night, was hunched over some misbegotten book, some study book, on Sunday feeling all dejected. And finished up his examples asking about some two, or maybe, three-timing gal who berated her ever-loving boyfriend because she needs a good talking to, or worst, a now socially incorrect, very incorrect and rightly so, "beating" in Joanie Sommers’ Johnny Get Angry.

But see for girls, girls in my rat-pack, girls who endlessly called each other on the phone talking about all manner of things, who endlessly spent lunch time as well and obviously in the girl’s lavatory talking, talk mostly about boys and what to do about them-or not do about them these songs were coded messages of how to deal with guys from girls who we thought had been around, who knew stuff about guys that we were clueless about. So yes we would change boyfriends like changing socks (and made sure nobody in the group latched on to those “damaged” goods after we were done with them). Would meet a guy Monday and throw him over Tuesday for some met Tuesday guy. Would go head over heels for a guy for a while and then sent him packing if he made us wait by the midnight telephone and he didn’t call. Would have temper tantrum by the minute if a guy looked even skyward at another girl. All of this and more we “learned” from the girls whose lyrics told us we were not alone in the turbulent teenage hormonal night.

After reviewing the material in these volumes I got the same flash-back feeling I felt listening to the girl doo wop sounds. I won’t even go into such novelty silly songs as the title self-explanatory My Boy Lollipop by Barbie Gaye; the teen angst hidden behind the lyrics to Bobby's Girl by Marcie Blane; or, the dreamy, wistful blandness of A Thousand Stars by Kathy Young & The Innocents that would have set any self-respecting boy’s, or girl’s, teeth on edge. And prayed, prayed out loud and to heaven that the batteries in that transcendent transistor would burn to hell before having to continue sustained listening to such, well, such… and I will leave it at that. I will rather concentrate on serious stuff like the admittedly great harmonics on Our Day Will Come by Ruby & The Romantics that I actually, secretly, liked but I had no one to relate it to, no our to worry about that day, or any day until Larry came into my screen the night of Kay Kelly’s birthday party  or Tonight You Belong To Me by Patience & Prudence that I didn’t like secretly or openly but gave me that same teen angst feeling of having no one, no boy one, belonging to, me.

And while today it might be regarded as something of a pre-feminist feminist anthem for younger women, You Don't Own Me by Lesley Gore, was meaningful to me when a lot of time in high school I didn’t have a boy to own, or not own, to fret over his independent streak, or not. Moreover, since I was never, at least I never heard otherwise, that I was some damsel in distress’ pining away for the boy next store The Boy Next Door by The Secrets was wrapped with seven seals. And while I had many a silent, lonely, midnight waiting by the phone night when Cry Baby by The Bonnie Sisters, Lonely Blue Nights by Rosie & The Originals, and Lonely Nights by The Hearts gave me comfort when Jerry Lee Lewis and Chuck Berry hard-rockin’ the night away could not console me, and take away that blue heart I carried like a badge, a badge of almost monastic honor. Almost.

So you get the idea, this stuff did “speak to me.” Now you understand, right? Except, surprise, surprise foolish, behind the eight- ball, know-nothing youthful girl had it right but should have been listening, and listening like crazy, to these lyrics because, brothers and sisters, they held the key to what was what about what was on girls minds back in the day, and maybe now a little too, and if I could have decoded better this I would have had, well, the beginning of knowledge, girl knowledge. Damn. This, fellow baby-boomers, was our teen angst, teen alienation, teen love youth and now you know this stuff still sounds great.

And from girls even.

When The Big Boys From The East Got Their Wanting Habits On-A Saga From The Files of Ace Private Detective Phil Larkin

When The Big Boys From The East Got Their Wanting Habits On-A Saga From The Files of Ace Private Detective Phil Larkin 

By Lawrence Parker

The popular best-selling private detective writer Max Bloom says that Ray Chandler mostly got it all wrong back in the 1930s when Private Detective Phil Larkin landed the Sternwood case which made his nut for a long time. Maybe too long as it turned out because after some early successes he fell under the bus, wound up doing repo and key-hole peeping work for some sleazy Post Street agency and then as go-fer for the rising star Sheila Graham over on Bay Street when his star got pulled down in San Francisco. But that was later, later when the shades got pulled down tight. What Max, what Max told me okay, was from the days when Phil was the rough justice windmill guy ready to churn up bad guys and sweep the ladies off their feet and into some silky sheets.

A generation ago if I said the Sternwood case all ears would be listening since that was the one where the rich and famous of early Hollywood mixed freely with the gangster element out in California in the days before the boys from the East decided to crash the party and get some sun as well. Phil Larkin who had worked in the Los Angeles D.A.s office before getting the boot for not being able to look the other way when the graft came around for the office still had some friends there. One of them had some kind of connection to the Sternwoods, maybe had done the old man, a retired general among other things, a favor or two and was he was saying thank you. This Sternwood family by the way is yes the same family or at least the old man was who along with silent partners John D, Rockefeller and Jay Gatsby cornered the La Brea tar pits and the rest is history.      

That part Ray Chandler got right but what he got wrong, wrong as rain was what the General wanted Phil for, what chore needed tidying up. Ray tried to chalk it up to the old man needing help trying to figure out what to do about Carmen, his youngest and wildest daughter’s gambling debts-pay and be bled or throw some rough stuff and be done with it. Even Ray admitted that the job if as described was one for a lawyer rather than a brute-like private eye. What the deal really was, and in the end it turned out to be not the General’s play but his equally wild and oldest daughter Vivian’s was to find her husband, a rough trade guy named Rusty Regan out of the IRA and Irish freedom fight so rough trade is right. It looked like she had tried to do the right thing when she decided to divorce him and take up with the legendary gangster Eddie Mars, the guy who ran every racket legal and illegal in Southern California by stepping over everybody else either with his good-looking charms or guns.  Sure it made for a better story if it looked like some old half dead General was looking for salvation, looking for his boon companion Rusty but there you have the skinny.    

Of course Phil took the case, he needed the dough, needed to work the case for twenty-five and expenses a day. Figured to ride the carousel for a month or two, come up empty and make a mint for little heavy lifting. Phil, an old-school street-smart guy knew he had to kick around the jams a little so he headed first to see what was what with that gambling debt stuff, see if there were any leads there. The General, or rather the General’s man-servant had given Phil the card demanding the gambling debt repayment with the name of a guy fronting a rare books operation out of Sunset Boulevard. An operation which had to have had plenty of protection from cops and gangsters alike since even a schoolboy knew back then that “rare books” were a fancy name for pornography, for smut. In this case for the high-end trade, the perverts with dough and no last names.         

That is where Max says Ray got it wrong although how knowing Phil and his thing for the ladies he didn’t know that Phil was not chasing after elderly male perverts and pedophiles to see what they were buying Max did not know. For no known reason once Phil figured the operation out (helped along by a female clerk who was clueless about rare books or anything else for that matter) he decided to confirm what was going on by following some dandy with a book in his arm grabbed from the bookstore. Bingo-smut. And good citizen Phil keeping such stuff off the streets. Reality. Phil went to another bookstore nearby to see if anybody knew what the owner looked like. Bingo-he found a curvy, vivacious bookworm who did and they whiled away the afternoon drinking brandy and whatever waiting for the owner to show. That owner would show but faced a tough night as Phil would find out after following him and his boyfriend to a secluded cottage where the smut was photographed. Photographs which included young Carmen in the buff. Somebody did not like that idea and shot our smut-peddler very dead. It turned out later that this Nancy and his boyfriend were cooking the books against the real boss-one Eddie Mars and found himself in front of a few slugs. So much for cleaning the streets of garbage.    

Max Bloom after reading and reviewing Phil Larkin’s manuscript about the Sternwood case realized exactly what Ray Chandler had done wrong. Not wrong in a literary sense but wrong as to the actual case and its solution which under his guidance the reader was left up in the air with more questions than answers about what was happening. Of course Chandler was writing his lurid detective novels in the 1930s at a time when every crime detection novel had to have some sexual hook into the case if for no other reason than to justify those saucy and sexy front covers with half-naked women in stressful situations to lure the mainly male readers in. In the usual run of the mill story that was the highlight of the event since about sixteen different codes were in play and everything was done by inference and suggestion.

This situation is where Chandler got played false. He, after setting up Phil on the case to find Rusty Regan via some queen rare books dealer named Geiger plays the scene as revenge for broken romance. According to Ray this young stud chauffer named Owen Wilson was all heated up over this hot pants Carmen Sternwood not knowing just how kinky she was and susceptible to any suggestion especially when she was high as the sky on drugs. One night this Owen followed the play to Geiger’s secluded house where Carmen was in the midst of a photo shoot. Bang, bang one stately queen of a Hollywood naughty book seller bites the dust.

Meanwhile a third party, a grifter named Brody connected to the Geiger operation vis his hard as nails girlfriend of the moment, having seen Geiger killed (and been accused of doing the deed himself) having grabbed some photos of Carmen as blackmail bait decided that he could live on easy street by grabbing the load of books and setting up shop for himself. And he almost succeeded, no, the whole set-up was too many moving parts for a small-time hood, a guy who couldn’t put two nickels together at most times. Ray got this part right. Phil caught up with this Brody looking for those Carmen photos which needed to be squashed. After some chatter and a guest appearance by Carmen to claim the photos (and screw things up) Brody saw Phil’s reasoning, gun in hand. Then Brody winds up making his last fatal move by answering his door. Bang, bang one less grifter is around town.

Along the way the reader finds out that young Owen, you remember Owen, got mysteriously washed up to shore after speeding over a guardrail in one of the Sternwood fleet of automobiles. Along the way Phil trailed the guy who he thinks shot Brophy who turned out to be the stately queen of Hollywood’s boyfriend Carl who thought Brody had done his lover (and meal ticket) in. When everybody put their heads together the whole thing looked like nothing but a classic murder revenge cycle with the dip that it involved homosexuals in the big love mix. That is what the coppers spread anyway.

All bullshit, or almost all although Owen was sexually crazy for Carmen and Carl and Geiger were not so closeted lovers.  What Ray missed, maybe others too was that the big boys from the East, the guys with the funny accents and plenty of muscle and firepower had played out the cities on the coast what with their white slave, prostitution, dope, gambling, protection rackets fully developed and needed to expand their operations. California and sun beckoned, wide open territory at least from the scouting reports. The big player in Southern California, the good-looking guy who could handle a gun and starlet at the same time was one Eddie Mars. Eddie who not so coincidentally was Geiger ‘s protection against coppers and interlopers alike. Let Geiger run the smut and rake in the dough while he provided some of the “models.”     

                     

When the big boys headed west, when they sent guys like Owen Wilson also known as the Boogie Kid which if Mars had known earlier might have saves some grief, their first target was the soft underbelly of the illegal trade-smut. This is why whatever feelings Owen developed for Carmen on the job he was sent West and found out that she was connected with Geiger who was the max daddy of the smut operations right out on Sunset Boulevard. Geiger had to go, and he went leaving for a short enough time room for a classic grifter like Joe Brody to get his fingers on the goods. Thinking he would run the easy street racket. Not knowing that the big boys were in town to start their work. Bang, bang Joe Brody farewell. What Joe didn’t know, and what his killer, Geiger’s boyfriend, Carl who actually wasted Joe had been sent out by those same big boys to soften up Geiger with his predilection for the odd and kinky stuff. They had originally thought they could use Geiger as their front, for a while but no go. With this description you know a soft shoe like Eddie Mars is going to find himself in the Pacific Basin in the not distance future. A lot different story than that romance noise Chandler bought into.  

       

Of course Phil Larkin had his own axe to grind, was protecting himself and that Vivian Sternowood he got tied up with for a while. They might have been married but at least they shacked up together for a while so there is that. Then there is the shadowy role, the not quite legal role Phil played in covering for Carmen around the Rusty Regan matter we all found out (via Phil’s memoir or the police files) was so much noise once it was clear that Regan was some kind of emissary from the big boys in the East. Letting Carmen take the slight fall for the death satisfied everybody. With all that, even the murk, everything falls into place better. It is easier to understand that this was nothing but a death knell for one Edward Mars late of Santa Monica shores. Why although everybody knows Bugsy, Lucky, Woody in the criminal pantheon out west Mars has disappeared from that history.     

The toughest thing Phil had to do once he figured the big move from the East was gaining an ally to find Rusty for the old man. Hot pants Carmen was out of the question so the logical choice was Vivian, after all she had been married to the renegade IRA commando. That was not as easy as it seemed since Eddie had for his own reasons mostly to get in with the old-line Sternwood crowd, let Vivian run up some serious gambling debts on her own and it was only after Eddie did a slow-burn double-cross letting her win one night on his off-limits casinos and then had one of his henchmen try to rob her outside the joint. Which would have happened if it wasn’t for Phil eagle-eyed intervention. So Vivian sees the light, or begins to.   

The main drag from there between Phil and Vivian is to keep Carmen out of the clutches of the coppers over what seemed to be Carmen’s murder of Rusty. That dog bone is what kept Vivian deep-tied to Eddie for so long not knowing that the big boys had Eddie earmarked for the Pacific Basin when they thought (correctly as it turned out) that Eddie had his big fingers in that death. Nobody in New York City, Brooklyn, Hoboken or Newark was going to shed tear number one if Eddie went down for the Rusty killing or because he got in the way of what the big boys were trying to muscle into. In short Eddie was one doomed mother.    

Here's the play on how Eddie went down in the end. Somehow that female clerk at Geiger’s storefront, the one who played footsies with the late Joe Brody found another daddy, a small time second-rate private eye with fewer brains than desires. That two-bit punk played emissary from the witch because she knew exactly where Eddie Mars’ wife was holed up. Eddie had the bright idea to cover tracks by putting his wife in cold storage and letting everybody think she had run off with Rusty. That two-bit private eye wasn’t as brittle in the end as one would have thought, as Phil thought. In any case Phil got the address. Although maybe he should not have wanted it since by the time he had gotten there the big boys’ agents had rubbed out Eddie’s small army. Eddie’s wife got away in the cross-fire with Vivian’s help.  The big boys got to Eddie and his two-so-called bodyguards and Eddie Mars left no trace of his small time Southern California criminal operations. (From Eddie’s perch new-found boss of bosses Bugsy branched out to very lucrative Vegas).

Upon The 50th Anniversary Of The Death Of "King OF The Beats" Jack Kerouac-From The Pen Of Frank Jackman- When Allen Ginsberg Put His Queer Shoulder To The Wheel- A Poetic Biography

Book Review

The Poetry And Life Of Allen Ginsberg: A Narrative Poem, Edward Sanders, The Overlook Press, 2000

…he came out of the womb, came out roaring, came out roaring maybe already with those life-long tinkle bells already welded to his fingers, asking ten thousand questions (and only getting about eight thousand, give or take a few, answers), life questions, death questions, hi how are you what makes you tick questions, hi how are you, why this, why that, in a world he had not created, and had not, no way, been asked about creating, a common malady of the young, of those fresh from the womb. He came out of the Jersey night, the already crowded William Appleton Williams-Louis Ginsberg Jersey night, all jet black against the red brick factory rivers, against the short breeze floating in from brave Atlantic seas, and against up-shore big river cities. He came out of the hard brick world to sing that queer shoulder to the wheel plainsong after escaping hard toil Paterson, all used up (since about 1912 or 1913) and headed to the bright lights of New Jack City (jack literally please, Jack Kerouac, Jack of the dark-haired night, jack of the beat, the sullen heart beat), the 1940s middle of war New Jack City night, hard-pressed to conquer million words, not prose words, but beat words, words that would flow together in that juiced-up be-bop jazz infused world.

But there was more, that plainsong was a dime a dozen, maybe cheaper, as every literary flash hitched his or her star to some cooled out Birdland blast, some Monkish madness, some Dizzy swagger, and so he , restless, 1930s generation restless, hobo nation restless, back from Pacific atolls and Saar valley hide-outs restless, ready to take that first Packard and head west, head to the frontier, the closed frontier and sing his plainsong there, and he did, and the world turned on his dime for just that minute. And no rest, no rest for those who chant howl, howl, howl to a candid world, kindred, brethren, and so he was able to world-historic flourish, to work, despite the mad devil’s workers around him (who, if you can believe this, called him mad, called him fag, called him obscene, called him, Christ-killer as if that would do any good among the felon youth ready to listen).

And then the music faded, the music of his be-bop youth (pictures still fresh in the mind’s eye of hard-edged Jack, golden all-American East boy, cigarette in his hand, golden west boy, all-American West boy, Neal, and Allen, the prophet, although not in prophet garb then, pulling the air out of the tires out of the New York City night) long gone to seed, long gone to souvenirs shops and literary hustles. The music of his manhood faded too (picture of Dylan and Allen up in Jack’s grave land a scene putting paid to two generations who tried to ride the curve, tried make that jail break before the deal went down, as the greed heads, the suit boys, the fruit salad boys, the spin doctors, the language thieves, pulled down the hammer on the last best hope). Pulled it down hard, hard enough to stick. He cried in the wilderness night, cried picking his spots, a cause here, an individual case there, and cried out over eleven hundred, count them, pages of collected non-stolen word s before doctor death who stalked him fiercely flitted the flame.

…and hence this song, this life song, the only real way the max daddy wordsmith of the beats, the max daddy wordsmith of the hippies could be remembered, remembered by one who lived the air of the break-out times, and they were the times.

If You Want The Stuff Senator Bernie Sanders Has Been Talking About For A Million Years Including Out In The Wilderness When It Was Not Fashionable About Medicare For All, Eliminating Student Debt, The Fight For $15 (Hell Now More Than That) To Happen Accept No Substitutes-Fight For Bernie 2020 Not Come Lately Elizabeth Warren

If You Want The Stuff Senator Bernie Sanders Has Been Talking About For A Million Years Including Out In The Wilderness When It Was Not Fashionable About Medicare For All, Eliminating Student Debt, The Fight For $15 (Hell Now More Than That) To Happen Accept No Substitutes-Fight For Bernie 2020 Not Come Lately Elizabeth Warren  

On This Good Green Universe Finally A Knight, Knights Too,  In Shining Armor Worth Of The Title-Hal Jordan’s “The Green Lantern” (2011)-A Film Review

DVD Review

By Will Bradley

Green Lantern, Ryan Reynolds, Blake Lively, 2011 

Finally, finally I can tout a legend worthy of the name-the Green Lantern (both in the individual assigned to protect section 2410, Earth and its environs, Hal Jordan, yes that Hal Jordan of Air Force fighter pilot fame and the 3600 members of the Corps protecting the big bang boogie universe from chaos and fear-provoking characters). As the constant reader well knows by now, I have skewered more than my fair share of dead-beat legends. Guys like Robin Hood, Captain Blood, Don Juan who collectively have via granted good press agents and cultist followings had over-blown, over-rated, fake, lying to beat the band reputations which have been hammered by me with facts and figures. A recent UCal poll (in conjunction with the well-regarded Harrison Foundation) has shown a righteous decline in believe in these popular braggards and blowhards. Now I can rightly play a real pilot, the legendary Jordan against the continuing legacy of one supposed  early aviator Johnny Cielo who has been exposed as having flown a freaking Piper Club, Jesus a Piper Club in his last years ferrying well-heeled playboys and their mistresses from Key West to Naples down in Florida. Hopefully, by comparison, Johnny’s fake legend, nothing but press agent blather will tumble like Larry Lawrence’s (real name of Sherlock Holmes), a guy named Casanova, a bunch of mutants from organizations calling themselves avengers and justice leaguers.       

The nice thing about doing a good public relations job for our protectors, for the Greens is that I can lay off the venom for while and sing the praises of our blessed defenders against, well, against fear (and sloth but let’s grab one at a time and fear has created more deaths that a little overeating-right). That guardianship turns out to have been a very tough and time-consuming job with only a small reprieve for an off- hand snuggling with one Carol Ferris, a little fox, no, a match for our boy’s wits.    

Here’s the play as my antagonist Seth Garth likes to say. The universe was, is in some chaos, engendered by that fear I was just talking about. Yeah, we all know fear is an emotion but what the average citizen does not know, what Hal Jordan before he got hipped, before in the days when all he cared about what wine and women, maybe a little dope to go off track a little, especially while flying those supersonic jets, did not know what that it had a material presence. Something like the worst serpent nightmare, worse that the Garden of Eden serpent who caused all the trouble thereafter. Something like a hundred tsunamis rolled into one with no reverse. This “fear” was relentless and had the old Alexander the Great, Genghis Khan, Hitler and pals dream, nightmare for us, desire to rule the whole known universe and maybe some black hole stuff too. A tough, tough adversary.  

That is where Hal comes in. He was not originally a Green but had been recruited by a Green who in battle with that dreaded “fear” came out on the short end, had been mortally wounded despite his bravery. Landed, seemingly by chance, on Earth, near Gotham, Metropolis, you know it as New Jack City and plucked Hal out for one very strong reason-he wasn’t afraid, had no fear when the deal went down as everybody knew it would. Once Hal bought in though he was, like his hero-worshipped by him father, in all the way. So despite the trials and travails and a little flare up or too with that honey of his he banished fear -for now. Without fanfare, with having to be bedecked with medals, and without some desperate press agent spinning lying weaves to gin up what Hal had done. Nice, thanks brother for saving our bacon.           

The Brown Hills Of California- The Music Of Kate Wolf

The Brown Hills Of California- The Music Of Kate Wolf

CD Review

Gold In California-A Retrospective, Kate Wolf, Rhino, 1986

Well, what goes around comes around, as they say. I have spend much time this year in on this site going through a litany of roots performers, folk revivalists of the 1960s performers and more contemporary performers, folk, root or rock. I have not, as yet, uttered the name, Kate Wolf, in any previous reviews. I make that omission right here.

Kate Wolf is a name that is well known among my musical acquaintances, although frankly, before I reviewed a Utah Phillips album, "Starlight On The Rails", a few years ago I was not familiar with her work at all. And that Phillips connection, my friends, is the key to why Ms. Wolf is being reviewed here today. The imprimatur of the late Utah Phillips, an old Wobblie (IWW) singer/songwriter/storyteller and general gadabout was enough to get me to listen to her. And although I cannot say that she is at the top of my musical list she certainly, based mainly on her lyrics, has my attention.

Unlike Utah, with whom she traveled with to various folk venues when she was getting her start and who cadged her a few of his songs (or ideas for songs), she did not write many overtly political songs (except maybe for some antinuclear ones, dear to the hearts of many Californians at the time, when they were trying to shut down the nuclear power plants there in the late 1970s-early 1980s) that I know of. Mainly, as here, she wrote of love, longing for love, the misunderstandings of love, the traps and travails of love set out in, for the most part, the West, and particularly in those brown hills of California where she called home. Unfortunately, she died young so we will never know how good she really could have been, but off of this compilation of material we surely missed something. Stick outs here are “The Trumpet Vine,” Across The Great Divide,” and “Here In California”.

"Across The Great Divide"-Kate Wolf

I've been walkin' in my sleep
Countin' troubles 'stead of countin' sheep
Wher the years went I can't say
I just turned around and they've gone away

I've been siftin' through the layers
Of dusty books and faded papers
They tell a story I used to know
And it was one that happened so long ago

Chorus:
It's gone away in yesterday
Now I find myself on the mountainside
Where the rivers change direction
Across the Great Divide

Now, I heard the owl a-callin'
Softly as the night was fallin'
With a question and I replied
But he's gone across the borderline

Chorus

The finest hour that I have seen
Is the one that comes between
The edge of night and the break of day
It's when the darkness rolls away

Chorus

From The Veterans For Peace- The Twelve Days, Maybe More, Of ......The Struggle Against The Endless American Wars

From The Veterans For Peace- The Twelve Days, Maybe More, Of  ......The Struggle Against The Endless American Wars

“America-Where Are You Now We Can’t Fight Alone Against The Monster”- “Captain America: Winter Soldier” (2014)-A Film Review

“America-Where Are You Now We Can’t Fight Alone Against The Monster”- “Captain America: Winter Soldier” (2014)-A Film Review   

DVD Review

By Vance Villon

[As of December 1, 2017 under the new regime of Greg Green, formerly of the on-line American Film Gazette website, brought in to shake things up a bit after a vote of no confidence in the previous site administrator Peter Markin was taken among all the writers at the request of some of the younger writers abetted by one key older writer, Sam Lowell, the habit of assigning writers solely to specific topics like film, books, political commentary, and culture is over. Also over is the designation of writers in this space, young or old, by job title like senior or associate. After a short-lived experiment by Green designating everybody as “writer” seemingly in emulation of the French Revolution’s “citizen” or the Bolshevik Revolution’s “comrade” all posts will be “signed” with given names only. The Editorial Board]

Captain America: The Winter Soldier, starring Chris Evans, Scarlett Johansson, Samuel Jackson, Robert Redford, from the Marvel Comic series, 2014   

As I mentioned recently in my very first piece in this space The Dragon Man Goes Awry (check the December 2017 archives) I came into this work post-Allan Jackson the deposed site administrator now situated according to his close friend Sam Lowell, another writer here, out in Utah in what some have called retirement and others have called a “purge,” a controversy I don’t want to delve into because frankly I know very little and the rumor around the blogosphere is that same Sam Lowell is going to gather up all the various strands of the dispute, what did or did not happen, and who was harmed or not and write about it all soon.

The only point at which I intersected with the previous regime other than knowledge of my father-in-law Phil Larkin’s long-time friendship with Jackson, indirectly, was when I approached the new site administrator, Greg Green, and asked him if it would be possible to do a Captain America film review. The first one, The First Avenger subsequently assigned to a younger writer than me Kenny Jacobs is the one I had in mind with the idea of the Captain being the foundation stone as a resistance leader against the troubles laid on humankind by the bad guys who always seem to be with us. Given the nature of the times, the dreaded 2017 real time of this impeding cold civil war in America which might very well turn hot, very hot given the tensions and what one writer using a forest fire as his metaphor called the social timber ready to burn. This civil war business something that as young as I am I could never have imaged would turn up in my lifetime.

I had heard that Allan Jackson (who used the moniker Peter Paul Markin during his tenure the genesis of which has been explained in previous posts by other writers, young and old, so I need not go into it since it really involves stuff that Phil Larkin would know more about than me) had refused to countenance any writer reviewing anything related to comics. That despite his own well-verified youthful love of comics, and of films related to comic book entries like Superman and Batman. Greg said sure, go ahead but don’t get too heavy on the history of such comics and center on the plot and why such films are made. That is what I had intended to do since I frankly don’t have enough information about those old days and the effect of comics on the youth of America to go into that thicket much.

All of this was before the “controversy” between Phil and young up and coming writer Kenny Jacobs over who was to do the first review in the trilogy although last in the series so far-Captain America: Civil War blew up. In the end neither wanted to do the review but Greg to placate the younger writer and test his range with an old black and white film review had Phil wound up doing the piece. As part of his introduction Phil went out of his way to grouse about why the hell was he doing a kid’s thing review when a kid was getting the plum Bogie movie review which he would have been all over (Kenny did a good job on it). When Kenny wound up doing the review for the first film in the series The First Avenger he, in his turn, groused about having to do a review of something that interested him less than Phil despite his youth. You will not find me either grousing or saying like they both respectively did WFT about this assignment. I wanted it and here it is. Vinny Villon]         

              

****

Like most action packed movies, movies which depend on their very reason for existence on X number (some huge X number) of fast paced action per minute stunts and scenes the film under review Captain America: The Winter Soldier has plenty of that and very little on heavy dialogue or plotline. Except go forward, blindly or not, and crush the bad guys whatever guise they appear under. Of course since this film is the second in the series (which now stands at three) we already know how the character of Captain America came about during World War II. I think Phil Larkin hit the nail on the head (and even disgruntled Kenny used the idea) when he said that they had taken a 4-F runt, a scrawny weakling right off of what would have been then a matchbook cover Charles Atlas kick sand in your face advertisement and made him a he-man. A he-man who could jump high, jump down better, run like the wind even through New York City traffic no mean accomplishment, bump kill bad guys and have time for a nap before lunch. Just the kind of guy who all by his lonesome could eat a Panzer division alive during the big one . Get this though to get through the action of the first film the Captain, after dealing a death blow to a failed mutant experiment named Red Skull, had a moral obligation, at least by his lights to ditch a plane headed to that very New York City carrying horrible energies in as always a small box into the Artic snows to resurface seventy years later after being in a deep freeze for that long. Looking young and a bit bewildered by the sights and sound of New York City.  

But that was mostly old hat by now. Obviously, mutant or not, a guy with the Captain’s powers is something worth having on your side. Here Captain America played by Chris Evans is working for the big time espionage agency S.H.I,E.L.D which is trying  to on the face of it bring world peace or something like that via getting rid of bad guys and settling for less than paradise in the process. That operation is opposed by the remnants of that nasty Hydra criminal enterprise that Red Skull had played a central role in who are up to their old tricks of trying to grab the latest technologies to control the world assuming humankind preferred stability and peace through a strong security apparatus than fudge along not knowing what will happen at any given moment. The key leaders Fury, played by Samuel E. Jackson and Pierce, played by now hard to view ex-beauty mummified Robert Redford who in his day would have probably had the Captain America role handed to him on a platter.            

Of course the Captain is not working solo these days for a high-flying intelligence operation as he has a wingman and a jumping jack played by ubiquitous Scarlett Johannsson. Fellow mutants to work the means streets.  The task is to prevent Hydra from grabbing some very high-end helicopters which can direct massive fire wherever whoever is guiding the thing wants. And guess what Hydra’s enforcer in chief is- the winter soldier, a bad ass dude no question who just happens to be an old Brooklyn growing up buddy of Barnes, played by Sebastian Stan, who wound up working, for or against his will it is never quite clear, for Hydra. And doing a very good job of it.

That turning to evil purposes by old Barnes, by the transformed winter soldier makes perfect sense. Especially as if as claimed he was subject to Soviet-era brainwashing. What I had, have, a hard time getting around is the fate of Pierce, of Robert Redford, who as it turns out was a Hydra “mole,” working the espionage racket. A guy who went to the mat with Butch Cassidy to waste the bad guys in the old West, a guy who put a greedy New York stockbroker into cheap street working the old con in The Sting turns out to be nothing but a cheapjack secret agent for the nefarious forces loose in the world. How the mighty have fallen. Therein lies one cautionary tale. The other don’t trust anybody from Brooklyn-or Queens if you know what I mean.   

How The Mighty Had Fallen On Hard Times-The Decline And Fall Of The Late Famous Late Private Detective Lew Archer-With The Chalmers Case In Mind-A Book Review-Sort Of

How The Mighty Had Fallen On Hard Times-The Decline And Fall Of The Late Famous Late Private Detective Lew Archer-With The Chalmers Case In Mind-A Book Review-Sort Of       

By Sam Lowell

The Good-bye Look, Ross MacDonald, 1969

[To be honest I had originally no intention of writing this bracketed introduction but am doing so now as the request, damn, make that order of site manager Greg Green. That little command despite the fact that I am chair of the Editorial Board of this publication and am in theory at least his boss, or one of his bosses. However Greg has pulled rank on me since there was great deal of blowback from readers and reviewers from other publications on my previous efforts to understand the demise of a man who would have been the greatest of all the private eye detectives Lew Archer. I had assumed that as a hard-hitting publication seeking the truth no matter I was on solid ground. I had freely posited that Lew’s trouble began (and ended) with his hushed-up sexual impotence sending him to the minor leagues where chasing skirts as well as criminals didn’t matter that much to a P.I.s reputation since that was mainly repo work or security stuff. The blowback mostly was why was I “defaming” a long-gone dead guy who had had some great successes. But they fail to  mention in the end a guy who through the breakthrough Hardman case and a few others looked like he was a shoo in for the P.I. Hall of Fame wound up peeking through keyholes in seedy U.S. 101 motels before “no-fault divorce” put and big crimp in that P.I. money-maker and then after he go this license yanked wound up shagging golf balls at the Bel Air Country Club for an ex-client who felt sorry for him.  

I would have let the whole thing fade to oblivion, easily fade to oblivion except I ran into Lew’s lawyer, his last lawyer who was sitting in a San Francisco gin mill when he spotted me and after the obligatory exchange of a few drinks which will always loosen up tongues he posed the question of questions about Lew’s demise. And like all lawyers thought he had the answer to before he asked the question. See I knew Lew in the old days, in his old age just before the hammer came down from the State of California that maybe for the good of the profession he “retire” meaning they were not going to renew his license after he got caught planting so-called evidence in the Miller case, a missing child case which never did get solved. Knew Lew from the time that I interviewed him for the East Bay Other as a young free-lance reporter interested in the wild crops of private eyes who populated the Left Coast (not called that then but later). Had an intense interest on film private eyes too as I was beginning to start my first steps as a film reviewer and wanted to compare Lew with some earlier immortals like Phil Larkin, Sam Spade and Phillip Marlowe, all three easily inducted into that hall of fame.          

Look, in the old days the cops, the DA, the police reporters and everybody else would cover for somebody like Lew who had started out as a public copper but those hero-worshipping days are long gone, long gone for guys whose feet were made of clay. Although those days are long gone and now every reporter, young or old, has to have a “hook” to stay in place even on the food chain of this cutthroat business I was prepared before I got this inside information to move on to other pursuits. Since I am “outing” Lew who was exceptional in that he tanked early I might as well mention that a guy like Phil Larkin was actually arrested as a “peeping Tom” on his last case and had to register as a sex offender in Pennsylvania where his graduate student girlfriend met on-line was doing her doctoral dissertation at Penn State. Sam Spade passed on in a mental hospital, that is what they called them then screaming out the name “Brigid” over and over again. Phillip Marlowe after he married Vivian Sternwood of the oil money billions and moved to Poodle Springs lost his edge. Took only high-end clients and cases until Vivian tossed him out after she caught him fooling around with younger sister Carmen in Las Vegas (that before he ran into Dotty Malone, the famous screen-writer who he would later marry). Not a word below has been changed as a result of the “boss’ command so read on.   Sam Lowell]     

***********

Lew Archer had been impotent, sexually impotent, which explains a lot about why he never entered the pantheon, the P.I. pantheon. The famous, or rather almost famous, Hollywood private detective who was expected to light up the 1950s professional firmament after guys like Philo Vance, Same Spade, Phillip Marlowe. Phil Larkin, even Nick Charles, stopped peeking through keyholes or cashed their checks whichever came first. Except poor Lew could not cut the mustard as we used to say in the old North Adamsville neighborhood when we had time on our hands and tried to figure who was homo, a fag, you know “light on their feet, ” a mama’s boy, a Nancy and some stuff I refuse to say in my old age after having learned a thing or two -including it ain’t  my business, or yours, who somebody loves. Except nobody, and I don’t here, is trying to “out” Lew at this late date nor do I think he was into same-sex relationships. I think he just lost steam, lost some sexual desire after maybe taking one, or twenty, too many hits on the noggin, a few off-hand slugs and maybe had some other physical problems like erectile dysfunction in those Viagra-less days as he grew older.

Hollywood though as I just learned recently from Seth Garth, a fellow writer at this publication and one of the guys who gay-baited with me in the old Acre working poor days when we had nothing but time on our hands for such foolishness was very protective of its own back in those same 1950s days. The recent comments he made in this publication in doing a quick review of a new biography about male icon and AIDS victim Rock Hudson and other well-known male hunk figures like Tab Hunter and Rory Calhoun show how well all that stuff was kept from the public in the interest of illusions and profits. At who knows at what cost to the actors and others involved. Hollywood, as is less well known, was as protective of its private investigators as its movie stars so it is understandable that Lew’s reputation as a “lady’s man” lasted so long. (Ironically, no, sadly Hollywood was not so protective of its personnel who were being tarred with the “commie, red” brush in the heart of the Cold War purges orchestrated by the U.S. government. They fed the grist mill with all hands in those days.)        

Naturally anybody would want proof or at least informed speculation to go with the “accusation” against Lew at this far remove and I would suggest that beginning with the Galton case, the case that made him very famous, Hollywood famous and thus fleeting he lost his way. And I will provide proof in due course but first it is necessary to set Lew and his manly failure up against what the public, hell, what the profession expected of its own practitioners. Guys like Phil Larkin, Sam Spade, Phillip Marlowe, hell, even married to Nora Nick Charles when Nora wasn’t looking, set a high bar for grabbing some serious femmes in their time. Hell a guy like Phil Larkin was still pushing himself forward, and succeeding, with young lovelies, with as the term went, or one of the terms for desirable women went, the frills, grabbing a foxy twenty-something graduate student, a Glennon daughter, when he was almost seventy after the Glennon murder case wrapped up. And Phil was a lesser light in the profession then.     

The two big guys in the profession though who I want to highlight here to set up Lew’s problem were one Samuel Spade whose mother raised no fool and the ubiquitous Phillip Marlowe. First to Sam who, with or without his partner Miles Archer, no relation to Lew, solved many cases including that got him in the P.I. Hall of Fame the Astor case, the case where by the skin of his nose he avoided the noose, the big step off and sent a femme, his femme, Brigid who the hell knows her last name she used a million aliases to face the music. Beautiful and every private detective program from those established by the Pinkertons to those you used to see advertised on match book covers about learning the profession in ten easy lessons without leaving the comfort of your armchair (but leaving a few bucks behind as usual).

That Astor case is informative for it is the first time in public that a P.I. slept with a client, a lying bitch of a client but still a client under most state licensing rules and then turned her over the coppers after she nearly blew his brains out, and few other guys too. The point here being that with a wild one like the Astor dame you had better have, what did we call it up above, plenty of mustard if you are going to go the distance and not fall down in the cracks. I won’t even mention that Chinese beauty over in Chinatown that cleans his whistle in the Tong Wars case or what in the profession was called the “flute-player case,” although in public called the Bergman case, when this Scandinavian femme tried to leave him flat to take yet another fall after doing her thing with him. Great almost heroic mode stuff.      

If Sam set the standard, set the bar high, Phillip Marlowe, another P.I. Hall of Famer, went wild with the women once it didn’t matter, nobody gave a fuck as one wag had it whether you played it straight with the client or jumped immediately under the satin sheets with the femme. Had two sisters going at one point, the younger wilder one, Carmen, Carmen Sternwood, dropping in his lap even before he took his hat off. It is not clear whether he went under the silkies with both her and the older sister, Vivian whom he married for a while mostly for the sex and dough then blew their Poodle Springs mansion for the next best thing. Bopped swell Velma against all odds and against the mammoth client who would have put him six feet under if he got a whiff of that scent she gave off when Phillip came a-calling. Grabbed Honey in the big Hollywood star murder case no problem. I could go on and on but you get the message. Cut the mustard or get the hell out of town.  

Now to the case against Lew, why he didn’t measure up, why he was never even close to being voted into the P.I. Hall of Fame despite a fistful of nominations. There was a lot of speculation around over the years that Lew was never the same after the, what did they call it, oh yeah, the Ivory Grin case where he got egg all over his face when he was unable to figure out what happened to the guy his client was looking for. The client a fox if there ever was one but Lew never got to first base with her, never tried to get to first base which is worse from the story I heard from a very reliable source who knew the client and knew the guy she was looking for and couldn’t find through Lew. The public coppers wrapped it up in a week once there was another murder committed by the same warped doctor who couldn’t keep his hands off the women, some other guys’ women.       

Personally, and bear me out on this I think the turning point was when he balled up the Galton case, couldn’t connect the dots, couldn’t navigate the bevy of dames who passed his way and if that was the case then no way could he solve the case. As mentioned before, and if not then now, the public coppers had to come and save his bacon, Jesus, against a guy who hung himself rather than go back in stir, rather than face the inevitable California big step-off.

Funny how you will get information on the subject you are reporting on, the back channels connections that never get made public, by you or any reporter made public, not if you want to move up the tough racket food chain that is journalism the toughest racket of all except maybe film critics, reviewers whatever they call themselves these days. The operative word is you “dug” the nuggets out by the sweat of your brow like some coalminer rather than having it handed to you by some poor drunk like happened in the Johnny Cielo case down in Key West back in those same 1950s. But at this far remove I am not telling any tales out of school by saying that impotence theory was the opinion of a well-known lawyer who should know and whom I met when I was just starting out as a journalist at the East Bay Other, a place where a few other writers here did some free-lance work. Hell, it was all free-lance or free then since you never knew if you would get paid or not, paid enough at least to keep the wolves from your door. I had been sitting with that lawyer having drinks at the notorious KitKat Club in San Francisco in the days when “drag queen” culture was very much underground, and I was on assignment to write about it for the Eye. He was defending the establishment and the exotic entertainers against the city and against various violations of the health moral codes then existing. This in the days before Timmy Riley was the owner, when he was just working out his act, doing a lame impersonation of Miss Bette Davis and hardly keeping the wolves from his door. Somehow the subject of great private detectives came up, probably I brought it up since I knew that he had defended a number of famous private eyes, famous California ones anyway when they got into legal trouble.

Got Phillip Marlowe, yes that Phillip Marlowe from the Sternwood case P.I.s still talk about, still do case studies on in those matchbox cover ads touting how to be a detective in ten or so easy lessons-for hard cash and no refunds, buddy- out from under the big step off when they tried to wrap old-time gangster Eddie Mars’ murder, murder by his own bodyguards on Marlowe when he, Marlowe,   was allegedly doing a burglary of one of Eddie’s properties. Got Phil off in a million other cases too like the time he wasted some doctor, some pill-pusher who filled him up with junk to get him to spill where a guy named Moose Malone, no relation to Dorothy below, was to stop him from finding some femme who did not want to be found-by giant Moose anyway. From a million other cases and who I had found out later at that time had been married to Dorothy Malone, the famous screenwriter who just died this year at 98 and was the last living link to the great Marlowe legacy.

Got Nick Charles into a 12- Step program after he had attempted to “fly,” Nick’s drunken sot term on the QT after a million DUIs without his wife Nora, his mistress Jenny, or any Frisco cops who had an interest knowing about it. Got one Samuel Spade out from under about six felonies and the loss of his license when some twist named Brigit, Mary, who knew in the end what her real name was pointed the finger at him. That was the one where that Brigit femme walked to the big house and took some gaff for stuff, a fistful of murders, that she had attempted to tie to our boy Sam. So that lawyer and if you don’t know who he is by now then you just don’t lawyers who make their kale off the troubles of private detectives and giving the name would mean nothing to you knew from whence he spoke.

What would mean something, name or no name, was that lawyer’s theory about private detectives, and here he zeroed in specifically on Lew Archer and how he blew the Galton case, a few others too but the Galton case was pure fuck-up and made his point. What that big-time lawyer said was that any P.I. who wasn’t half crazy trying to get under the silky sheets with some femme is strictly impotent, can’t get it up. Not gay, asexual, intersexual, bi-sexual or anything like that that stuff is okay, was okay for him back then since he was hanging around such people in the KitKat Club before Timmy Riley, aka Miss Judy Garland, broke out of the pack with the Garland gag, took over and made the place a Mecca for tourists who wanted to take a quick walk on the wild side.

The funny thing as our lawyer described it was that Lew had about five opportunities to bed some dame starting when he first got on the case with Mrs. gallons of oil money Galton’s home companion, Ava, who was a knockout from the photos of her in a swimsuit when the case went to court (the case of officially adopting Granny Galton’s lost grandson as her sole heir not the murder case of her son which some lawyer had forced her to look into and which was a cold case, a frozen solid cold case when Lew put his grimy paws on the thing and screwed almost everything up before he was done and the public coppers had to come in and solve the damn thing, a rare occasion indeed then but the start of the downward spiral, the road to repo and keyhole peeking work). Then there was the guy who fingered Mrs. gallons of oil money son back in the 1930s whose wife, since remarried, practically threw herself at Lew to avoid her second husband, a good man according to all parties including Lew, finding out she was married to a shiftless bum, a con artist and accessory to murder of that Galton son. Passed her by.

We won’t even speak of the easy pickings he would have had, could have had if he had paid the least bit of attention to the wife, the second wife of the lawyer who hired Lew to find Mrs. Galton’s son (I won’t continue with that “gallons of oil money” gag you know who I mean now). Not only was she drugged to the gills, half naked at least half of the time in his presence at the nursing home she was placed in after she had a nervous breakdown over her role in the murder of that guy who fingered Galton’s son for the executioner’s ax back in the 1930s but she believed, when her lawyerly husband brainwashed her to perdition, she had killed that ex-lover. A piece of cake. Blown to perdition.

It doesn’t end there, and maybe I will miss a few other opportunities today when I think about the long-ago case but I will give you enough examples that my lawyer friend gave me to condemn Lew to strictly third-rate private detective-dom. There was the grandson’s college time, Ann Arbor, University of Michigan girlfriend who had enough dough to sink a ship, was ready to give the kid cars, and whatever else he wanted. The kid walked away, went to greener pastures. When Lew interviewed the twist, trying to find out what she knew about the kid’s whereabouts, what made him tick, and why he was the pawn in some nefarious scheme to dupe Mrs. Galton into believing that he was really her grandson, she was as ready to have a soft shoulder to cry on as anybody in the world. Lew walked. Wouldn’t give her the time of day, made some excuse up about his time of the month, male version. Hell even ancient Phil Larkin, he of the famed Simmons case which made his name, grabbed some twenty-something graduate student from Penn State, led her a merry chase, and he was almost seventy. Poor Lew.

(My lawyer checking into that Big Blue dame’s fate just because he was interested, maybe grab her on the rebound told me she already had a new boyfriend about five days after Lew talked to her although he still was able to get a date with her since she and the new lover were not “exclusive,” whatever that meant.)  

Now I think that the next women Lew passed on maybe he wasn’t wrong to not take a run at although my lawyer was infuriated that I would say such a stupid journalist kind of thing. This was a dame, an older dame but not that old who frankly didn’t keep up her appearances as they used to say in the days before body-shaming became taboo, very taboo whether for good or evil. She would have been easy pickings too, maybe a one-night stand but here is what she was about. She had actually been married to Mrs. Galton’s son, has seen him killed out on the coast south of Frisco where they were staying, had had an affair or two with the finger man and her husband’s murderer before under threat of murder to her son, that Galton heir grandson, she had married the guy and fled to Canada with him. Stayed with him trying to protect her son she said-likely story. No go for Lew though even though she had locked the door behind them when he was “interviewing” her. No, not poor Lew, sad sack Lew.

Here is the one I don’t figure, the one he should have taken a run at with all hands. Once Mrs. Galton found out that her son had been murdered but that she had a grandson who had been missing for years and who turned up during Lew’s tenure as her private investigator that case was over. Still there were plenty of people who for their own reasons believed the kid, John was the name he used but as usual any name will do since they are all aliases, was an impostor, was in it for the big payoff when Granny croaked. One was Mrs. Galton’s doctor who had a young daughter whose was at just that age when she was as flirtatious to older guys as young guys. The doctor wasn’t happy when he found out that said daughter was having an affair with John after Lew basically frosted up on her. Jesus how many chances can a guy have and flub everyone.

My lawyer friend also had a theory about the cause of Lew’s impotency which led to his royally screwing up the case so badly. It is tough being third or fourth fiddle in the private detective game (and that was only in California we won’t even discuss the whole country). Lew tried I think, maybe to be a lady’s man but it didn’t work, so he tried a different route, the no sex with clients or persons of interest. It didn’t work but that is that. It now makes perfect sense that he didn’t believe John was the real deal, that the lawyer who hired him played him like a yo-yo. That everybody lied through their teeth to him and he bought it, or at least followed more false flag leads than you could shake a stick at. The funny thing was that all the loose ends got collected up without him. The Galton son's murderer hung himself rather than going back to jail. The finger-man’s ex-wife got redemption from her second husband. John got his girl and his mother’s forgiveness. Mrs. Galton got her real heir, despite the murderous machinations of her scoundrel lawyer and his bedazzled wife got a clear conscience. Lew, well, Lew got egg on his face, lots of egg and a lonely roll-away bed in his low-rent rooming house.                     

It never really got better for Lew as the cases got fewer, as the femme world got the cold shoulder fast even before they could coo a few words. Take the odd-ball Shafer case, an odd-ball case because he took the thing on “spec” from his lawyer who was trying to help a long time neighbor and his wife, The Chambers, whose son had been off the rails, had been as they said in those day, looney, cuckoo ever since he had been abducted as a child had killed the abductor the minute he got a chance. This neighbor, Jim, the man had bags of money either inherited from his late mother or gathered from some unknown sources, and had been too boot a war hero, World War II version, as a pilot out in the briny Pacific death traps. Jim had a wife, a beauty named Oona, nice right who once Lew got on the case could tell was not in love with her husband, was going through the motions. She had looked Lew up and down the minute he came into view but despite being in her presence for a goody part of the case, passed.     

Jim and Oona’s kid really was in a bad way after two events one the so-called robbery of a bunch of his father’s letters to his mother and the stacking up of bodies like cordwood anytime Nick was within fifty miles on any murder. He blamed himself and found his way into the nearest mental hospital which just so happened to be run by a psychiatrist, and his wife Moira, more on her in a minute, trained as a social worker whose benefactor, whose “angel” in funding the clinic had been Jim after Nick got away from that bad ass abductor. Of course anytime the Nick name came up in Lew’s lawyer’s presence he went apoplectic since he did not want his young daughter, young at twenty-five several years younger than Lew but very appealing. She was looking for a shoulder to cry on, another unhappy California woman who seemed to have populated Lew’s life. She could not have been more obvious about her needs but again Lew turned his face away. 

We need not go into the stack of dead bodies that Lew always wound up having to figure out who the murderer was, in the early days he would have had this thing nailed down before sunset by he was clueless for a long while, just like that horrible end to the Galton case when started him down the road to cheap street. What was important though is that he ran through about three other women who would not have turned him down with slightest encouragement. By now you know the drill though.  

I mentioned that Moira, that buxom, curvy woman, Lew’s description not mine I never saw her, married to the shrink who was treating young Nick, the natural fall guy for any bad stuff in the neighborhood. No question she was brighter and kinder than her husband whom she hated with a passion since he went off the deep end running the clinic factory. She was ripe for Lew’s arms, ready to “do the do” as we used to say in the old neighborhood. Why I bring this up with what we know about Lew’s state of mine at the time one story that was circulating at the time was that they, Moira and Lew let’s be clear, went off to some vacant clinic bed and did the “deed.” That was the story then then went around and people were relieved that at least Lew was back on track to be a real private detective.

Baloney, the real story that my lawyer friend who gave me the skinny on the Galton screwups ran into Moira one night in some gin mill in Brentwood. Since he knew her slightly from sending some of his clients to her husband’s in attempts to make a mental incapacity case for them when all else failed he bought her a drink and the subject of Lew Archer and the Shafer case came up. She turned seven shades of red and probably knew right there where the discussion would lead. My guy brought up the subject by way of thanking her for saving Lew’s reputation, for bringing back his “ladies’ man reputation which every serious P.I. needed or got knocked down to repo work or worse. She told him the real story, the story Lew made her tell certain persons who would make sure it got around. Despite about six different attempts arouse him usually every trick she knew from the Kama Sutra nothing. Being a kind if sexually frustrated by the encounter she went along with his wishes. That night hubby got a joy ride she blurted out.  

As for the fate of poor Nick, well, things got better for him once he figured out he was no stone-cold killer. The solution as Lew’s lawyer figured out and passed on to the coppers was simplicity itself, P.I. 101. Nick was set up by somebody who knew he was vulnerable and knew he knew “what was what” about the stolen letters. His “father” Jim had set the poor kid up having committed a burglary of his mother’s house for dough and those damn letters. Jim was a fake, was not Nick’s father, was a worse fake in general because he was one of those “stolen valor” guys, had washed out of pilot school because he got airsick or something. Wound up doing KP, shining officers’ shoes, and policing the grounds around the naval station in San Diego being laughed at by real pilots who had flown serious missions in the Pacific. The only good thing he did when exposed, or about to be, was to slit his worthless throat. As for Lew he got a reprieve from his fading reputation and that was it. Tough slide for a guy who could have been a hall of famer.