An Encore Presentation-Out In The Be-Bop 1960s Night- Ain’t Got No Time For Corner Boys Down In The Street Making All That Noise-The Complete North Adamsville Corner Boy Stories-In Memory Of The Late Corner Boy Jimmy Higgins (1946-2018)

An Encore Presentation-Out In The Be-Bop 1960s Night- Ain’t Got No Time For Corner Boys Down In The Street Making All That Noise-The Complete North Adamsville Corner Boy Stories-In Memory Of The Late Corner Boy Jimmy Higgins (1946-2018)

A YouTube film clip of Tom Waits performing his cover of  Jersey Girl that formed part of the inspiration for this post.

By Seth Garth

[What goes around, comes around is an old tried and trite expression but sometimes it actually represents what has happened in certain circumstances. Like now. The original North Adamsville Corner Boy stories had been done under the guidance of then site manager Allan Jackson several years ago in what was something of a nostalgia trip for him and the rest of us who grew up in the Acre, the working poor section of old North Adamsville. That series, well-received at the time, was probably the beginning of some tipping point in the downfall of Allan as site manager in late 2017. From there he accelerated the nostalgia business culminating in the almost 24/7 coverage of the 50^th anniversary of the Summer of Love, 1967. That busted the dam among the younger writers who could have given a damn about stuff that they had to ask parents or other old-timers about and so the die was cast for a showdown. Allan lost that showdown, although he is now back as a contributing editor, which led to some very strange and frankly weird rumors about his exile whereabouts for a while.       

Here is the “comes around” part, the part about how this encore presentation saw the light of day again. Our old friend and corner boy Jimmy Higgins passed away in 2018 and after he passed on a number of us who write here and among the brethren sat around the Irish Pub in the old town and began talking about all the crazy, dangerous and illegal stuff we did with Jimmy in the thick of it. That got Allan thinking about resurrecting the Corner Boy series with some updates and current thoughts. Since I had written the series with plenty of help from the guys I was “elected” to approach current site manager Greg Green about an encore presentation. He kicked it “upstairs.” Upstairs meaning to Sam Lowell and the Editorial Board that the younger writers insisted on to keep the site manager in check a bit after the one-man-show Jackson regime. Since Sam is also an alumnus of the Acre corner boy scene Greg was just covering his ass with the younger writers. With Sam and the Board’s agreement here we are, with plenty of help from those surviving corner boys. RIP, Jimmy Higgins, RIP. Seth Garth]          

*******************

Ah, corner boys down those mean streets, down in those mean Adamsville streets, making all their noise, producing all their hopeless hubris, swirling all around just to stay in one place. Yes, now fifty years later it is easy to dismiss those guys, write them off as losers, wannabe somethings, and guys to turn your back to but there was a time, a time day and night, when they, the corner boys, ruled, ruled my imagination, and, and almost caught me in their fix. Oh, for those who are clueless on the great stream corner boy night that probably no longer exists except in wayward urban ghetto/barrio corners, or some mall-less hick small town this was the mode of existence for guys, working -class guys, with no dough, no hopes of getting dough (getting dough legally anyway), or maybe, just plain not wanting to work for dough like drudge fathers, uncles and older brothers and hang out in the mom and pop variety store, drugstore, pizza parlor, bowling alley corner waiting,… yah, mainly waiting.

(That waiting seemingly harmless as I tell the tale some fifty plus years later was not as innocent, innocent when you dream, as I have made it out about a bunch of madcap footloose guys getting ready to conquer unknown worlds if only a few bucks came to hand. No, I have purposefully left out the larcenous part, the part where kids without gainful employment but dreams of girls and cars took matters into their own hands under the intellectual influence of one Peter Paul Markin, the midnight caper man and “General” Frankie Riley the operational leader after the time when under Markin’s leadership we almost ran into the cops as we left a vagabond house with our ill-gotten loot. The plan was beautiful except for his forgetting that the coppers patrolled that swank neighborhood on the hour.]

You will get it all wrong if you think though it was all waiting, sipping Coke waiting, smoking some endless cigarette smoke waiting, white tee-shirt, (a leather jacket against the wind on colder nights), jeans, engineer boots, wide black-buckled belts (useful in combat as well as holding up pants), maybe a chain hanging down. The uniform, or else.

[There was a uniform like that coming out of the juvenile delinquent world chronicled by The Wild One and James Dean’s epic Rebel Without A Cause and the spike in post-World War I hubris and alienation-teen and older version. Our uniform though was more subdued tending to plaid shirts and chinos maybe loafers or sneakers, yeah, sneakers even then. Talking about “comes around” since most of us for our footsore existence are back in sneaker harness although the quality and price are much different from the Chuck Taylor’s of our youth.]  

You will get it all wrong because you will have missed the patter, the constant patter, the dream patter that animated those sidewalk nights, those dreams, pipe-dreams maybe, of jail-break out working- class life, of moving “uptown” one way or another. You would have heard such talk if you walked by Harry’s Variety on any given night, some guy taking a pinball wizard break to tell how his luck is going to change any day now. Or leader Red, Red Hickey, mapping out the night’s midnight creep work, shortcut to the good life work, at least to keep the heap running and honey in clover. Of cars, stolen or refinished, mainly stolen. Yah, and talk of sex, of what this girl would do and that one wouldn’t, and why to go with those cars. A rough crowd not to be trifled with for certain, but from the edges fascinating to watch, and learn about some stuff, some stuff never mentioned at home.

[I was the beneficiary of more than one free Red-etched pinball game when he had some pressing business with some honey in a tight cashmere sweater with matching tight skirt showing a nice ass (okay, politically incorrect now but we are referring to then and so I will take any heat for speaking what we thought and said then)  who was ready to show him the world, ready to play the flute as we used to say. Red then could have cared less about leaving twelve free games on the board. I was something of a mascot around that store since my grandmother lived down the street and Red liked me. Red whose end was about what you would expect of a hard-living guy who sought no quarter and gave none down in North Carolina in an armed robbery of a White Hen store. By the way make no mistake, or if you do accept the mistake, not all of Red’s girls were round-heels, were what we called sluts. Some very high-toned young women looking for a walk on the wild side before settling into whatever golden niche they were expecting to settle into gave Red whatever he wanted just like the round heels and sluts. That included a very virginal-looking girl I was interested in during high school who would not give me the time of day once Red homed in on her which we didn’t know about until after we saw her with him one afternoon on his motorcycle.]     


Or, on other corners, the gang around Doc’s Drugstore, a place where all the neighborhood boys, all the sixteen- year old boys, and maybe some girls too, all the plaid-shirted, black-chinoed, “cool”, max daddies came of drinking age, for medicinal purposes of course. They could tell of magic elixirs from rums and raw whiskies, and confess, yes, confess that that whisky taste was nasty.

[Markin, that bastard intellectual guardian who couldn’t lead anything more than his dick, and maybe not that either, had a funny story about his experience at Doc’s, his coming of age alcohol story which every corner boy had to tell since nobody waited until 21 to learn the drinking trade. Doc who was a freebooter and mad monk in his own way was his grandmother’s druggist and Markin would on occasion go for her prescriptions since she was basically housebound. Most of the time Doc would include as Granny’s required medicine, a pint of whiskey. And Doc would give it to Markin as if nothing was the matter with a fourteen- year old kid getting a pint. One day he went to get the script without Granny giving the whiskey order part. He decided to add it since Granny’s bill came due monthly with her pension check and she probably wouldn’t notice the charge. Doc gave the pint without a thought. Later that day Markin and the late Jimmy Higgins, who would have his own personal hell fight for sobriety got so drunk down at the seawall on Adamsville Beach they were ill for days.]  
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Or on earlier, easier corners, really not corners, but the back of old Adamsville South Elementary School, when Billie Bradley would wind us up, a few wayward boys with dreams, musical dreams, Elvis riches dreams, and begin to sing in a low voice, then a little higher and we would back him up, drawing, drawing like lemmings from the sea, girls, stick girls and shapes, but girls and that was dream enough for twelve- year old boys with wanderlust, or maybe just lust in their hearts

[I could write pages and pages about both Billie and about that switch from not caring a damn about girls one year to seeing them as kind of interesting the next as puberty kicked in but Sam told me to keep the updated comments on the short side. Billie had some serious dreams about breaking out of his horrendous, worse than mine, family life and making a ton of money as a singer. When his voice changed all that fell apart and he would wind up doing various stretches of time for armed robberies and such before we lost all track of him around high school time when he dropped out to seek a different “career” path. But in the old neighborhood Billie was ahead of us, had a way with music which really did draw the girls in. All kinds. At one point I was something like his best friend and he would give me his “leavings,” girls he was bored with or were too plain for him. I, in turn, would give my “leavings” to Jimmy who despite his class clown reputation was really shy. Who Jimmy gave his “leaving” to I don’t recall.]           

Or, even holy of holies, Salducci’s Pizza Parlor up the Downs when Frankie, Francis Xavier Riley, was king of the night (and a few days too) and I was his lord chamberlain. Maybe he'd tell us of some pizza dough secrets, or how to snag a girl with just the right jukebox combination. But no, no one has come forth to spew their whitewashed stories almost a half a century later so I must tell the tales. Probably, on some of the stuff, some of the kiddish schoolboy night stuff, those old corner boys don’t realize that the statute of limitations has run out and had ran out long ago. But that’s not my problem.

[I mentioned above, and Sam reminded me recently as well, that Markin could despite his larcenous magic had trouble tying his shoes so the operational command, the leader role fell almost naturally to Frankie Riley. He was smooth, very smooth which befits a guy who went on to become fairly well-known and important lawyer. The best example I can give, outside of  a few of the sexual escapades he was involved which I will not bother the reader with, was his ability to con some girl into playing songs on Tonio’s jukebox when he, we didn’t have money to do so. It seemed girls always had money for stuff like that. He took a stages approach, let the girl play her first choice and then he went to work, talking, talking and the next thing you know the air was filled with our beloved rock and roll. So you could see where he had little trouble usually talking some girl out of her virtue, or later a jury out of a conviction.]       

Ah, corner boys down those means streets, down in those mean Adamsville streets, making all their noise. Ah.
*******
Harry's Variety Store

Riding down the old neighborhood streets a while back, the old North Adamsville working- class streets, streets dotted with triple-deckers housing multiple families along with close-quarter, small cottage-sized single-family houses like the one of my own growing to manhood time. Houses, moreover, that reflected, no, exclaimed right to their tiny rooftops that seemingly eternal overweening desire to have, small or not, worth the trouble or not, something of one’s own against the otherwise endless servitude of days. Suddenly, coming to an intersection, I was startled, no, more than that I was forced into a double-take, by the sight of some guys, some teenage guys hanging, hanging hard, one foot on the ground the other bent holding up the infernal brick wall that spoke of practice and marking one’s territory, against the oncoming night in front of an old time variety store, a mom and pop variety from some extinct times before the 7/11 chain store, fast shop, no room for corner boys, police take notice, dark night. Memory called it Kelly’s, today Kim’s.

From the look of them, baggy-panted, latest fashion footwear name sneakered, baseball cap-headed, all items marked, marked with the insignia (secretly, and with no hope of outside decoding) signifying their "homeboy" associations (I would say gang, but that word is charged these days and this is not exactly what it looked like, at least to the public eye, my public eye) they could be the grandsons, probably not biological because these kids were almost all Asians speckled with a couple of Irish-lookers, shanty Irish-lookers, of the ghost be-bop night guys that held me in thrall in those misty early 1960s times.

Yah, that tableau, that time-etched scene, got me to thinking of some long lost comrades of the schoolboy night like the hang-around guys in front of Harry’s Variety, although comrades might not be the right word because I was just some punk young kid trying to be a wannabe, or half-wannabe, corner boy and they had no time for punk kids and later when I came of age, no left for college, I had no time for corner boys of the Harry’s Variety kind although I was knee-deep in another corner, Tonio’s Pizza Parlor corner holding up my share of the brick wall. Yah, that scene got me to thinking of the old-time corner boys who ruled the whole wide North Adamsville night (and day for those who didn’t work or go to school, which was quite a few on certain days, because most of these guys were between sixteen and their early twenties with very jittery school and work histories better left unspoken, or else).

Yah, got me thinking about where the white tee-shirted, blue-jeaned, engineer-booted, cigarette-smoking, unfiltered of course, sneering, soda-swilling, Coke, naturally, pinball wizards held forth daily and nightly, and let me cadge a few odd games when they had more important business, more important girl business, to attend to.

Yah, I got to thinking too about Harry’s, old Harry’s Variety over there near my grandmother’s house, over there in that block on Sagamore Street where the Irish workingman’s whiskey-drinking (with a beer chaser), fist-fighting, sports-betting after a hard day’s work Dublin Grille was. Harry’s was on the corner of that block. Now if you have some image, some quirky, sentimental image, of Harry’s as being run by an up-and-coming just arrived immigrant guy, maybe with a big family, trying to make this neighborhood store thing work so he can take in, take in vicariously anyway, the American dream like you see running such places now forget it. Harry’s was nothing but a “front.” Old Harry, Harry O’Toole, now long gone, was nothing but the neighborhood “bookie” known far and wide to one and all as such. Even the cops would pull up in their squad cars to place their bets, laughingly, with Harry in the days before the state became the bookie-of-choice with the lottery for most bettors. And he had his “book”, his precious penciled-notation book right out on the counter. But see punk kid me, even then just a little too book-unworldly didn’t pick up on that fact until, old grandmother, jesus, grandmother “hipped” me to it.

[I did not know until many years later that my grandmother made her two-dollar daily bet on the daily double on the cuff (pay later) for many years through Harry at Hialeah down in Florida of all places. Of course it didn’t matter what nag was running because she worked numbers or colors and not some racing form tout stuff.  I would unwittingly be the conduit for payment when she sent money over to Harry’s via me and on rare occasions I would be grabbing money from Harry when Granny’s ship came.  

Naturally Harry, whatever charmed life he led with the coppers would get “busted” by some of the same cops who were booking their bets with him. All show for her would be back in business a couple of days later with that precious book still out on the hardscrabble counter. The last I heard of Harry was when I was in college and my grandmother told me that Harry was “on the run,” had crossed up the South Boston Irish Mafia guys, although they were not called Mafia by any stretch of the imagination. Probably the late Whitey Bulger’s crowd when he was riding high in those days. Nobody ever saw Harry again at some point and the speculation ran that he was probably resting in the Quincy quarries the favorite resting place of Whitey’s victims. Sorry, Harry)    


Until then I didn’t think anything of the fact that Harry had about three dust-laden cans of soup, two dust-laden cans of beans, a couple of loaves of bread (Wonder Bread, if you want to know) on his dust-laden shelves, a few old quarts of milk and an ice chest full of tonic (now called soda, even by New Englanders) and a few other odds and ends that did not, under any theory of economics, capitalist or Marxist, add up to a thriving business ethos. Unless, of course, something else was going on. But what drew me to Harry’s was not that stuff anyway. What drew me to Harry’s was, one, his pin ball machine complete with corner boy players and their corner boy ways, and, two, his huge Coca Cola ice chest (now sold as antique curiosities for much money at big-time flea markets and other venues) filled with ice cold, cold tonics (see above), especially the local Robb’s Root Beer that I was practically addicted to in those days (and that Harry, kind-hearted Harry, stocked for me).

Many an afternoon, a summer’s afternoon for sure, or an occasional early night, I would sip, sip hard on my Robb’s and watch the corner boys play, no sway, sway just right, with that sweet pinball machine, that pinball machine with the bosomy, lusty-looking, cleavage-showing women pictured on the top glass frame of the machine practically inviting you, and only you, the player, on to some secret place if you just put in enough coins. Of course, like many dream-things what those lusty dames really gave you, only you the player, was maybe a few free games. Teasers, right. But I had to just watch at first because I was too young (you had to be sixteen to play), however, every once in a while, one of the corner boys who didn’t want to just gouge out my eyes for not being a corner boy, would let me cadge a game while Harry was not looking. When you think about it though, now anyway, Harry was so “connected” (and you know what I mean by that) what the hell did he care if some underage kid, punk kid, cadged a few games and looked at those bosomy babes in the frame.

(Harry was connected before the fall, his watery grave as mentioned above. The important thing was that the leader of the pack Red Riley would give me his leftover games when he had some honey on the line, also mentioned before. None of the other guys gave a rat’s ass if I got free games or not. All I know is Red is the only guy who ever left free games for me. For any reason whatsoever. That he was busy getting some luscious girl of the time playing the flute for him was not on my radar just then.)      


Yah, and thinking about Harry’s automatically got me thinking about Daniel (nobody ever called him that, ever) “Red” Hickey, the boss king of my schoolboy night at Harry’s. Red, the guy who set the rules, set the style, hell, set the breathing, allowed or not and when, of the place. I don’t know if he went to some corner boy school to learn his trade but he was the be-bop daddy (at least all the girls, all the hanging all over him girls, called him that) because he, except for one incident that I will relate below, ruled unchallenged with an iron fist. At least I never saw his regular corner boys Spike, Lenny, Shawn, Ward, Goof (yes, that was his name the only name I knew him by, and he liked it), Bop (real name William) or the Clipper (real name Kenny, the arch-petty Woolworth’s thief of the group hence the name) challenge him or want to.

(Clipper was my idol. While Red held my respect for his giving me free pin ball games and for talking to me once in a while it was Clipper who held my imagination. He is the one who taught me the clip, grabbing stuff from department stores and jewelry shops. That stuff was easy once you got the knack and once you had your nervousness under control that some copper, or some snitch trying to get out from under some charge would roll you over. I had a short tenure as a clip artist because I was just a little too nervous to keep it up solo. I did better with group heists where Markin planning worked its magic, except once. I can still today though see Theresa Wallace giving me a big ass kiss, maybe more when I gave her a “clipped” black onyx ring with diamond chips.)    


Yah, Red, old red-headed Red was tough alright, and had a pretty good-sized built but that was not what kept the others in line. It was a certain look he had, a certain look that if I went into describing it now, I would get way overboard into describing it as some stone-cold killer look, some psycho-killer look but that would be wrong because it didn’t show that way. But that was what it was. Maybe I had better put it this way. Tommy Thunder, older brother of my middle school and high school best friend and a corner boy king in his own right, Frankie, Francis Xavier Riley, a big bruiser of a legendary North Adamsville football player and human wrecking machine who lived a few doors up from Harry’s went out of his way not to go near the place. Yah, Red was that tough.

(Toughness was at a premium in the old neighborhood from young guys to the “hoods” to fathers, uncles and older brothers getting drunk at the Dublin Pub or when they were in the chips the Irish Grille where “ladies were invited,” a long gone category in the barroom pantheon when of age women could go int the place without as escort, otherwise no go in the other places). Every night at closing you could heard some brawlers stinking up the air with their brash talk, including more than once my own father and I don’t know how many times my uncle when he lived with Granny after his wife threw him out of the house.)


See, he was like some general, or colonel or something, an officer at least, and besides being tough, he would “inspect” his troops to see that all and sundry had their “uniform” right. White tee-shirt, full-necked, no vee-neck sissy stuff, no muscle shirt half-naked stuff, straight 100% cotton, American-cottoned, American-textiled, American-produced, ironed, mother-ironed I am sure, crisp. One time Goof (sorry that’s all I knew him by, really) had a wrinkled shirt on and Red marched him up the street to his triple-decker cold-water walk-up flat and berated, berated out loud for all to hear, Goof’s mother for letting him out of the house like that. And Red, old Red like all Irish guys sanctified mothers, at least in public, so you can see he meant business on the keeping the uniform right question.

(One reason Red’s guys passed me by, kicked me around verbally many times never physically even though I could see a couple wanted to but were stopped by whatever they thought Red saw in me Red was I looked like a fucking ragamuffin, always dressed in hand-me-downs a little too large or small like some Salvation Army/Goodwill vagabond which was kind of true. True because Ma bought the whole collection of family outfits from the Bargain Center which was a local precursor of say Walmart, except even cheaper stuff from who knows where.)   

And like some James Dean or Marlon Brando tough guy photo, some motorcycle disdainful, sneering guy photo, each white tee-shirt, or the right sleeve of each white tee-shirt anyway, was rolled up to provide a place, a safe haven, for the ubiquitous package of cigarettes, matches inserted inside its cellophane outer wrapping, Luckies, Chesterfields, Camels, Pall Malls, all unfiltered in defiance of the then beginning incessant cancer drumbeat warnings, for the day’s show of manliness smoking pleasures.
And blue jeans, tight fit, no this scrub-washed, fake-worn stuff, but worn and then discarded worn. No chinos, no punk kid, maybe faux "beatnik," black chinos, un-cuffed, or cuffed like I wore, and Frankie, Francis Xavier Riley, king of the faux beatnik middle school night, including among his devotees this little too bookish writer, who was as tough a general, colonel, or some officer anyway, as corner boy Red was with his guys. Frankie example: no cuffs on those black chinos, stay home, or go elsewhere, if you are cuffed. Same kingly manner, right? Corner boys blue-jeaned and wide black-belted, black always, black-belt used as a handy weapon for that off-hand street fight that might erupt out of nowhere, for no reason, or many. Maybe a heavy-duty watch chain, also war-worthy, dangly down from those jeans. Boots, engineer boots, black and buckled, worn summer or winter, heavy, heavy-heeled, spit-shined, another piece of the modern armor for street fight nights. Inspection completed the night’s work lies ahead.

(It is even now hard to believe Frankie survived to lawyer-hood after the crap he laid on us, even Jimmy Higgins who despite his shyness, despite his class clown couldn’t care less if school kept or not was football player rough, and tough although grades kept him off the bad ass Red Raiders, our high school team. Yet when Frankie commanded everybody even Johnny Blade (Richard Rizzo) who would later get into trouble and wind up in Vietnam when the judge gave him the “choice”-Army or jail. Laid his head down there as well and we all when we go back to the old town see his name etched on the town memorial to the fallen in war or go to the black granite memorial down in Washington shed a tear or two for our fallen brother.}      

And most nights work, seemingly glamorous to little too bookish eyes at the time, was holding up some corner of the brick wall in front or on the side of Harry’s Variety with those engineer boots, one firmly on the ground the other bent against the wall, small talk, small low-tone talk between comrades waiting, waiting for… Or just waiting for their turn at that Harry luscious ladies pictured pinball machine. Protocol, strictly observed, required “General Red” to have first coin in the machine. But see old Red was the master swayer with that damn machine and would rack up free games galore so, usually, he was on that thing for a while.
Hey, Red was so good, although this is not strictly part of the story, that he could have one of his several honeys right in front of him on the machine pressing some buttons and he behind pressing some other buttons Red swaying and his Capri-panted honey, usually some blond, real or imagined, swaying, and eyes glazing, but I better let off with that description right now, because like I said it was strictly speaking not part of the story. What is part of the story is that Red, when he was in the mood or just bored, or had some business, some girl business, maybe that blond, real or imagined, just mentioned business would after I had been hanging around a while, and he thought I was okay, give me his leftover free games.

Now that was the “innocent” part of Red, the swaying pinball wizard, girl-swaying, inspector general part. But see if you want to be king of the corner boy night you have to show your metal once in a while, if for no other reason than the corner boys, the old time North Adamsville corner boys might be just a little forgetful of who the king hell corner boy king was, or as I will describe, some other corner boy king of some other variety store night might show up to see what was what. Now I must have watched the Harry’s corner boy scene for a couple of years, maybe three, the last part just off and on, but I only remember once when I saw Red show “his colors.” Some guy from Adamsville, some tough-looking guy who, no question, was a corner boy just stopped at Harry’s after tipping a couple, or twenty, at the Dublin Grille. He must have said something to Red, or maybe Red just knew instinctively that he had to show his colors, but all of a sudden these two are chain-whipping each other. No, that’s not quite right, Red is wailing, flailing, nailing, chain-whipping this other guy mercilessly, worst, if that is possible. The guy, after a few minutes, was left in a pool of blood on the street, ambulance ready. And Red just walked way, just kind of sauntering away.
(When the ambulance came to pick up the human wreak and the coppers right behind asked the bleeding guy what happened, who did it he clammed up, said, I think so car ran over him. Never mentioned Red once. Neither did I or anybody else. And not just because of Red fear and retribution. In that neighborhood, among the guys anyway, from very, very early on you did not snitch, you did not say swat to cops about anything, ever. And they never pressed the issue knowing, some of them growing up right in the neighborhood like one of my uncles, the code of silence. Anybody who broke ranks from that code had better hit the road or find a good plastic surgeon.)        

Of course that is not the end of the Red story. Needless to say, no work, no wanna work Red had to have coin, dough, not just for the pinball machine, cigarettes, and soda, hell, that was nothing. But for the up-keep on his Chevy (Chevvies then being the “boss” car, and not just among corner boys either), and that stream of ever-loving blond honeys, real or imagined, he escorted into the seashore night. Said corner boys did their midnight creep around the area grabbing this and that to bring in a little dough. Eventually Red “graduated” to armed robberies when the overhead grew too much for little midnight creeps and graduated to one of the branches of the state pen, more than once. Strangely, his end came, although I only heard about this second hand, after a shoot-out with the cops down South after he tried to rob some White Hen convenience store. There is some kind of moral there, although I will be damned if I can figure it out. Red, thanks for those free games though.

(Thinking about all the tough guys, even marginally tough like Goof and Johnny Blade as far as I know none of them got very far from prison or like Johnny some isolated Army death. Still we idolized them, loved them in our strange growing to manhood way which probably explains why most of us wound up in Vietnam at some point when all hell was breaking loose there. Some of us learned a couple of things from that experience but not everybody did, too bad.)    

*************


Doc's Drugstore

It wasn’t all be-bop night, rock ‘n’ roll sock hop, midnight drifter, midnight sifter, low-rider, hard-boiled corner boy 1950s life in old down and out working-class dregs North Adamsville. Not at all. But a lot of it was, a lot that bespoke of the early phases of American deindustrialization, although we would not have called that then, if we had been aware of it even, with the demise of the local mainstay ship- building and its associated industries, great world war warship ship-building and then later gigantic oil tankers and then, then nothing, maybe a sailboat, or a row boat for all I know, I just don’t know more, or why.

[That deindustrialization hit the Garth family hard, very hard at times in the 1950s. Very hard meaning we were without an automobile, and when we did it was a serious clunker, not worthy of note, and a signal that we, the Garth family had not arrived in the golden age of the automobile. (An automobile in every garage an update on a “chicken in every pot.”) The norm then was to trade in your car every three years to show you had arrived which we never had to worry about. Very hard meaning that it was tough tight time some months for my father to put food on the table and to pay the bills. Very hard meaning that my father not well educated but a proud veteran of service in World War II on the European front, depended on his livelihood on machine work for companies that provided the ship-builders with specialized materials. As that dried up so did my father’s paychecks. A lot of this was not aided by his need of hard drink, of his brawling, of his betting on the next sure thing.

Ah, let me move on or Sam will have my ass in a sling since his family’s situation was even more desperate that mine. The only one lower on the down side of the totem pole was Markin, beautiful crazy Markin and his totally dysfunctional family. Not that is not right I think now that poor Jimmy Higgins’ family who lived at the Bottoms near the river had that unfortunate distinction of being at the bottom. Let me say this and be done with it. I watched my mother, my now realized sainted mother, put out the white envelopes each week on the dining room table in order to pay a “little something” to each party we owed money to keep the wolves as far from the door as possible.]        


All I know, or at least all that I know from what I heard my father, and other fathers say, was that that industry was the life’s blood of getting ahead, ahead in the 1950s life in that beat down, beat up, beat thirteen ways to Sunday town (yah, I know it is only six but it sure did seem like thirteen on some hard father unemployed days). And so low-rider, hard-boiled corner boy, the easy life of pinball wizardry, dime store lurid magazines, slow-drinking Cokes (or Pepsis, but make mine local Robb’s Root Beer), draped around mascara-eyed, heavy form-filled girls, and the occasional armed robbery to break up the day, and bring in some much needed dough held a higher place that it might have, and almost certainly would in some new town West.

But what was a guy to do if to get out of the house, get away from Ma’s nagging (and it was almost always Ma, every Ma house in those days), siblings heckling, and just breathe in some fresh air, some fresh be-bop rock corner boy air, if at all possible.
See, this is way before mall rat-dom came into fashion since the nearest mall was way too far away to drag yourself to, and it also meant traveling through other corner boy, other maybe not friendly corner boy lands. So if you didn’t want to tie yourself down to some heavy felony on some soft misty, foggy better, night by hanging around tough corner boy, Red Hickey-ruled Harry’s Variety, or your tastes did not run to trying to cadge some pinball games from those same toughs, or you were too young, too innocent, too poor, too car-less or too ragamuffiny for those form-filled, Capri-panted girls with their haunting black mascara eyes then you had to hang somewhere else, and Doc’s, yah, Doc’s Drugstore is where you hung out in the more innocent section of that be-bop 1950s night.

(Even talking about corner boys these days may seem totally anachronistic since my be-bop first out of the box post-World War II generation was probably the last serious corner boy one having had a proud history going back a couple of generations in the Acre, and elsewhere. Hell, now even that mall stuff that I used to see when I went to the malls had been eclipsed by various downtrodden text-messaging and other high tech stuff as ways to communicate but they are clearly not the same thing. Not the same as sharing in person those corner boy dreams of getting out from under Acre death sentence.   

By the way Doc, the druggist that most families patronized in the days before CVS and Walgreen’s chain swoop, was as mentioned earlier when I detailed Markin and Jimmy Higgins’ first bout with the bottle was a laid-back guy. He actually for some reason liked us hanging around as long as it was not too late since then he would catch hell from those previously mentioned mothers who ruled the day to day roost while fathers scrambled for work.)

Wait a minute I just realized that I had better explain, and do it fast before you get the wrong idea, that I am not talking about some CVS, Rite-Aid, or Osco chain-linked, no soliciting, no trespassing, no loitering, police take notice, run in and run out with your fistful of drugs, legal drugs, places. Or run in for some notions or sundries, whatever they are. No way, no way in hell would you want to hang out where old-timers like your mothers and fathers and grandparents went to help them get well.

No this was Doc’s, Doc-owned (yah, Doc, Doc Adams, I think, or I think somebody told me once that he was part of some branch of that Adams crowd, the presidential Adams crowd that used to be big wheels in a town about twenty miles up the road), Doc-operated, and Doc-ruled. And Doc let, unless it got too crazy, kids, ordinary kids, not hard-boiled white tee-shirted corner boys but plaid-shirted, chino pant-wearing (no I am not going to go on and on about the cuffs, no cuffs controversy, okay, so keep reading), maybe loafers (no, inserted pennies, please, and no, no, no, Thom McAn’s), a windbreaker against some ocean-blown windy night on such nights, put their mark on the side walls, the side brick walls of his establishment. And let the denizens of the Doc night (not a too late night either) put as well, every self-respecting corner boy, tee-shirted or plaid, make his mark by standing, one loafer-shod foot on the ground, and the other knee-bent against the brick wall holding Doc’s place together. True-corner boydom. Classic pose, classic memory pose.

And see, Doc, kindly, maybe slightly mad Doc, and now that I think about it slightly girl-crazy himself maybe, let girls, girls even hang against the wall. Old Harry’s Variety Red Hickey would have shot one of his girls in the foot if they had ever tried that stunt. Girls were to be draped, preferably draped around Red not around Harry’s wall, brick or not. Now, after what I just described you know that you’re into a new age night because no way Harry, and definitely not Red (Daniel, don’t ever call him that though) Hickey, king hell king of the low-rider night that I told you about before, just a couple minutes ago would let some blond, real or imagined, Capri-panted, cashmere swearing wearing (tight, very tight cashmere sweater-wearing, if you didn’t know), boffed, bimbo (ouch, but that is what we called them, so be it) stand around his corner even. Dames (better, right) were for hot-rod Chevy, hard-driving, low-riding sitting on the seat next to, and other stuff. You can figure the other stuff. But plaid-shirted guys (loafer-shod) liked, do you hear me Red and Harry, liked having girls hanging with them to while away the be-bop hard night corner boy lands.

(Maybe I had better explain right now the stages of the rites of passage which will give you a better idea about why in what was then called junior high and now middle school although I hear that some places are joining middle and high schools together to create even more mayhem Doc liked having girls hang around his place. In elementary school you hung out at Eddie’s Variety which really was what it said it was stocked with real food and no betting sheets unlike Harry’s and no girls. In junior high Doc’s and then in high school or when you were maybe sixteen things branched toward Harry’s and the criminal life or Tonio’s Pizza Parlor and plaid shirts, loafers and outrageous dreams if you followed Markin’s logic which most of us did even Jimmy Higgin’s who was a little behind the curve on a lot of things. Not on having girls around though as shy as he was around then maybe reflecting that there were six boys and no girls among his siblings since he was happy as a clam when Billie Bradley passed his cast-offs my way and I passed mine to Jimmy.)   

And before you even ask, Doc’s had not pinball machine and no pinball wizards (as far as I remember, although a couple of guys and a girl were crackerjack bowlers). But see, Doc’s had the things that mattered, mattered for plaid-shirted guys with a little dough (their allowances, no snickering please for any hard-boiled readers, or poor ones) in their pockets, and lust, chaste lust maybe, in their hearts. Doc’s had a soda fountain, one, and, two, had a juke box. Where the heck do you think we heard a zillion times all those songs from back then that I keep telling you about? Come on now, smarten up.

(Needless to say Doc’s jukebox machine was the start of larcenous Brian Pennington’s moving to the top of the heap in our crowd and Billie Bradley went his dumb ass way after elementary school. Went to the top via that girl con stuff already mentioned to get them to play songs we wanted to hear AND getting us to realize that those “sticks” from elementary school who we had not time for, none and were menaces to civilization had gotten some shapes and gotten kind of interesting. Nod to Brian despite the future fistful of divorces we collectively went through in male adulthood.)

And, of course if you have corner boys, even nice corner boys, you have to have a king hell king corner boy. Red, Red Hickey, understood that instinctively, and acted on it, whip chain in hand. Other boys in other corners acted on it in that same spirit, although not that crudely. And corner boy king, Doc’s Drugstore corner boy king, Brian Pennington, plaid-shirted king of the soft-core corner boy night acted on that same Red premise. How Brian (“Bri” to most of us) came to be king corner boy is a good story, a good story about how a nowhere guy (my characterization nowhere guy) used a little influence to get ahead in this wicked old world. Red did it by knocking heads around and was the last man standing, accepting his “crown” from his defeated cronies. Brian took a very different route.

Now I don’t know every detail of his conquest because I only touched the edges of his realm, and of his crowd, as I was moving out of the neighborhood thralldom on to other things, Frankie, Francis Xavier Riley, scribe things during this time after Billie, my real home boy to use some more recent parlance although that seems faded too, got a little crazy when his voice changed). Apparently, Doc had a granddaughter, a nice but just then wild granddaughter whom Doc was very fond of as grandfathers will be. And of course he was concerned about the wildness, especially as she was coming of age, and nothing but catnip (and bait) for Red and his corner boys if Doc didn’t step in and bring Brian into the mix. Now, no question, Brian was a sharp dresser of the faux-collegiate type that was just starting to come into its own in that 1960s first minute. This time of the plaid shirts was a wave that spread, and spread quickly, among those kids from working- class families that were still pushing forward on the American dream, and maybe encouraging their kids to take college courses at North Adamsville High, and maybe wind up in that burgeoning college scene that everybody kept talking about as the way out.

(I have already mentioned how some nice girls, girls who went to Mass every Sunday and such, would wind up trying Red out for whatever reason and then head back to wherever soft cushion place where they would land. I remember one girl, already mentioned, who I was making a big play for in high school and got nowhere, had her Red moments. Went riding free as the breeze one summer day behind Red on his motorcycle on Adamsville Boulevard. Had been as virginal looking as any girl in town and only got my fervor up more after Red was done with her, or she him. I know because I actually had a few dates with her after college that she went to Wellesley and had a career as a professor at Smith from which she recently retired. And no I am not going after wife number four at this late date. So Doc had reason to be concerned about a wild child doing who knows what.)    

Brian was no scholar, christ he was no scholar, although he wasn’t a dunce either. At least he had enough sense to see which way things were going, for public consumption anyway, and put on this serious schoolboy look. That sold Doc, who had been having conversations with Brian when he came into the drugstore with books in one arm, and a girl on the other. I’ll give you the real low-down sometime about how book-worthy, book-worshipping Brian really was. Let me just relate to you this tidbit for now. One day, one school vacation day, Brian purposefully knocked the books out of my hands that I had borrowed when I was coming out of the Thomas Noble Public Library branch over on Atlantic Avenue (before it moved to the Downs) and yelled at me, “bookworm.” Like I didn’t know that already.

But enough about that because this is about Brian's rise, not mine. Somehow Brian and Lucy, Doc’s granddaughter came together, and without going into all the details that like I said I don’t really know anyway, they hit it off. And see, this is where Brian’s luck really held out, from that point on not only did Brian get to hang his loafer-ed (sic maybe) shoe on Doc’s brick wall but he was officially, no questions asked, the king of that corner boy night. That’s how I heard the story and that seems about right because nobody ever challenged him on it, not that I heard.

Now like I mentioned before, Doc’s was a magnet for his juke box-filled soda fountain and drew a big crowd at times, especially after school when any red-blooded kid, boy or girl, needed to unwind from the pressure-cooker of high school, especially we freshmen who not only had to put up with the carping teachers, but any upper classman who decided, he or she, to prank a frosh. That’s my big connection with Doc’s, that after school minute freshman year, but, and here I am getting my recollections second-hand, Doc’s was also a coming-of-age place for more than music, soft ice cream, and milk shakes. This is also the place where a whole generation of neighborhood boys, and through them, the girls as well had their first taste of alcohol.

How you say? Well, Brian, remember Brian, now no longer with Lucy (she went off to a private finishing school and drifted from the scene) but was still Doc’s boy, Doc’s savior boy, and somehow conned old Doc into giving him his first bottle of booze. After hearing about Markin and Jimmy Higgins’ escapade with Doc booze Bri got some big ideas about getting booze on his own. Not straight up, after all Brian was underage but Bri said it was, wink, wink, for his grandmother. Now let me explain, in those days in the old neighborhood, and maybe all over, a druggist could, as medicine, sell small bottles of hard liquor out of his shop legally. The standard for getting the prescription wasn’t too high apparently, and it was a neighborhood drugstore and so you could (and this I know from personal experience) tell Doc it was for dear old grandma, and there you have it. Known grandma tee-totalers and their grandkids would be out of the loop on this one but every self-respecting grandma had a “script” with Doc. Now Doc knew, had to know, about this con, no question, because he always had a chuckle on him when this came up. And he had his own Doc standards- no one under sixteen (and he was sharp on that) and no girls. So many a night the corner boys around Doc’s were probably more liquored up that Red and his boys ever were. Nice, right?

(That sixteen just mentioned was an add-on as the script for grandmother craze grew after Markin who was only fourteen and Bri led the way. The girl restriction was somehow related to their tolerance for alcohol, or rather what they might do, what they might give into when high. Doc wanted no girl going to see some “Aunt Emma” meaning she was pregnant at a time when such things were a matter of family shame. Funny though the girls were still getting their booze from the guys. As far as the correlation between that drinking and Aunt Emma I don’t remember.)    

********
When Billie Ruled The Roost- First Take

He was the first. A certified 1958 A-One prime custom model first. Yes, Billie was the first. Billie, William James Bradley that is if you did not know his full moniker, was the first. No question about it, no controversy, no alternate candidates, no hemming and hawing agonizing about this guy’s attributes or that guy’s style and how they lined up against Billie’s shine in order to pick a winner. No way get it. Billie, first in what anyway? Billie, first, see, first in line of the then ever sprouting young schoolboy king corner boy wannabes. Wannabes because the weres, the corner boy weres, the already king corner boy weres, the older, mainly not schoolboys or, christ, not for long schoolboys, mainly not working, jesus, mainly not working, mainly just hanging around (lying about was a name for it, a fit name at that) were already playing, really hip-swaying, lazily hip-swaying if you wanted to win games, wizard pinball machines in the sacred corner boy small town mom and pop variety night or cueing up in some smoke-filled big town pool hall.

(I have already detailed Red and his Harry’s Variety crowd, the max daddy model for one branch of the corner boy tree-not mine but guys on my street, guys like Clipper, named for being the max daddy of grabbing stuff gratis from department and jewelry stores. Thus I will move on.)  

Or working on hot souped-up cars, a touch of grease pressed, seemingly decaled pressed, into their uniform white tee-shirts (no vee-necks need apply) and always showed, showed an oily speck anyway, on their knuckles. But the cars were to die for, sleek tail-finned, pray to god cherry red if you put the finish on right (no going to some hack paint shop, no way, not for this baby, not for that ’57 Chevy), dual exhaust, big cubic engine numbers that no amateur had a clue to but just knew when sighted that thing would fly (well, almost fly) into the boulevard night, that sea air, sex-charged boulevard night. Tuned-up just right for that cheap gas to make her run, yah, that cheap City Service gas that was even cheaper than the stuff over at the Merit gas station, by two cents.

(No one today should underestimate the draw of sleek cars and fast night racing in the imagination of even plaid shirt and chino guys from the old neighborhood, from anyway USA come to think of it. Going back at least to the early post-war years, say 1948, 1949 young guys who didn’t get their fill of war being too young revved up the night seeking some other kinds of thrills running the “chicken runs” to see who was the king of the road (and who would take the prize, usually the losers girlfriend who probably was more than happy to change seats for the faster car around).

Strangely today’s young have no such admiration, have no big push desire to even get their drivers licenses the first possible minute to get mobile, to get on the road if anecdotal evidence that has come my way the past few years is any indication. They are happy to use Uber, Lyft, Ma and Pa in a pinch rather than dream our sullen dreams of “boss” cars. Not so strangely then, I, and I was not alone in this would pick friends in high school based on their having a car, wheels and for the price of 30 cents a gallon gas I could ride “shotgun” in some vehicle rather than depend on the foolish public service bus that always came late.)   


Or talking some boffo, usually blonde, although not always, maybe a cute rosy red-lipped and haired number or, in a pinch, a soft, sultry, svelte brunette, tight cashmere sweater-wearing, all, Capri pant-wearing, all, honey out of her virtue (or maybe into her virtue) down by the seashore after some carnival-filled night. A night that had been filled with arcade pinball wizardry, cotton candy, salt-water taffy, roller coaster rides, and a few trips into the tunnel of love, maybe win a prize from the wheel of fortune game too. A night capped with a few illicit drinks from some old tom, or johnny, Johnny Walker that is, rotgut to make that talking easier, and that virtue more questionable, into or out of. All while the ocean waves slap innocently against the shore, drowning out the night’s heavy breathed, hard-voiced sighs.

(Covered privacy by fog-filled windows come midnight. I have already described the boffo honeys and have as well the hard fact that “nice” every week at Sunday Mass girls that I was inevitably attracted to were as likely to be seen in some fast moving car as the bimbos seen on television or in the move is when movie land tried to depict ten alienation and angst. I am still miffed that my antennae were not as shape as Markin’s or for that matter Jimmy Higgins as he got older and somewhat less shy to realize that I was running the wrong track, was too easily discouraged by the cold freeze that most of those virginal girls put out. The name Theresa Wallace stands out even today as somebody I should have pursued more desperately, had thought to offer to take her down the beach to have a few drinks of Doc’s whiskey or that bought by the town wino who would buy for anybody as long as he got his bottle of wine, Thunderbird for the older folk who remember that cheapjack wine name.)_

Or, get this, because it tells a lot about the byways and highways of the high-style corner boy steamy black and white 1950s night, preparing, with his boys, his trusted unto death boys, his omerta-sworn boys, no less to do some midnight creep (waylaying some poor bedraggled sap, sidewalk drunk or wrong neighborhooded, with a sap to the head for dough, or going through some back door, and not gently, to grab somebody’s family heirlooms or fungibles, better yet cash on hand) in order to maintain that hot car, cheap gas or not, or hot honey, virtuous or not. Yah, things cost then, as now.

(I will let this one goes without comment since who knows maybe the statute of limitations has not run out on some of this stuff. I will check with our old leader and operations chief Frankie Riley now a high-priced “of counsel” lawyer for a bigtime Boston law firm on that matter and get back to you. (Markin by the way the “intellectual” genius who laid the plans and Jimmy Higgins the lead muscle.)

And, yah, in 1958, in hard look 1958, those king hell corner boy weres already sucked up the noteworthy, attention-getting black and white television, black and white newsprint night air. Still the lines were long with candidates and the mom and pop variety store-anchored, soda fountain drugstore-anchored, pizza parlor-anchored, pool hall-anchored corners, such as they were, were plentiful in those pre-dawn mall days. But see that is the point, the point of those long lines of candidates in every burg in the land or, at least became the point, because in 1948, or 1938, or maybe even 1928 nobody gave a rat’s ass, or a damn, about corner boys except to shuffle them out of town on the first Greyhound bus.

(You already know that Harry loved Red and the boys, had them around really to protect not only their turf but his just in case the coppers were on a tear or somebody was looking to take his bookie business somewhere. The majority, the adult majority opinion including tough fathers steeled by military service in hard ass war, was that they were an eyesore on the neighborhood and better run out of town-except nobody wanted a civil war. As for my Tonio’s Pizza Parlor corner boys Tonio loved us, no, loved Frankie Riley like a son for some reason which meant that we were okay too. We brought in the girls with some money, allowance money which we never came close to having for jukeboxes and pizza slices with soda which never heard. The majority, the adult majority opinion including tough fathers steeled by military service in hard ass war was we were an eyesore on the neighborhood and better run out of town-except nobody wanted a civil war.)   

Hell, in 1948 they were still in hiding from the war, whatever war it was that they wanted no part of, which might ruin their style, or their dough prospects. They were just getting into those old Nash jalopies, revving them up in the "chicken run" night out in the exotic west coast ocean night. In 1938 you did not need a Greyhound bus coming through your town because these guys were already on the hitchhike road, or were bindled-up in some railroad jungle, or getting cracked over the head by some “bull,” in the great depression whirlwind heading west for adventure, or hard-scrabble work. And in 1928 these hard boys were slugging it out, guns at the ready, in fast, prohibition liquor-load filled cars, and had no time for corners and silly corner pinball wizard games (although maybe they had time for running the rack at Gus’s pool hall, if they lived long enough).

(Nice run through of corner boy history which I can add nothing to except if you don’t believe me about the 1930s guys check some history and check too what Whitey Bulger in the South Boston Irish ghetto from whence my people came was doing in the 1940s-okay)  

That rarified, formerly subterranean corner boy way of life, was getting inspected, dissected, rejected, everything but neglected once the teen angst, teen alienation wave hit 1950s America. You heard some of the names, or thought you heard some of the names that counted, but they were just showboat celebrities, celebrities inhabiting Cornerboy, Inc. complete with stainless tee-shirt, neatly pressed denim jeans, maybe a smart leather jacket against the weather’s winds, unsmoked, unfiltered cigarettes at the ready, and incurably photogenic faces that every girl mother could love/hate.
Forget that. Down in the trenches, yah, down in the trenches is where the real corner boys lived, and lived without publicity most days, thank you. Guys like Red Hickey, tee-shirted, sure, denim-jeaned, sure, leather-jacketed, sure, chain-smoking (Lucky Strikes, natch), sure, angelic-faced, sure, who waylaid a guy, put him in an ambulance waylaid, just because he was a corner boy king from another cross-town corner who Red thought was trying to move in, or something like that. Or guys like Bruce “The Goose” McNeil, ditto shirted, jeaned, jacketed, smoked (Camels), faced who sneak-thieved his way through half of the old Adamsville houses taking nothing but high-end stuff from the swells. Or No Name McGee, corner boy king of the liquor store clip. Yah, and a hundred other guys, a hundred no name guys, except maybe to the cops, and to their distressed mothers, mainly old-time Irish and Italian novena-praying Catholic mothers, praying against that publicity day, the police blotter publicity day.
But you did not, I say, you did not hear those Hickey, McNeil, No Name stories in the big town newspapers or in some university faculty room when those guys zeroed in on the corner boy game trying to explain, like it was not plain as the naked eye to see, and why, all that angst and alienation. And then tried to tell one and all that corner boy was a phase, a minute thing, that plentiful America had an edge, like every civilized world from time immemorial had, where those who could not adjust, who could not decode the new American night, the odorless American night, the pre-lapsarian American night shifted for themselves in the shadows. Not to worry though it was a phase, just a phase, and these guys too will soon be thinking about that ticky-tack little white house with the picket fence.

Yah, but see, see again, just the talk through the grapevine about such guys as Red, The Goose, No Name, the legendary jewelry store clip artist, Brother Johnson (who set himself apart because he made a point of the fact that he didn’t smoke, smoke cigarettes anyway), and a whole host of guys who made little big names for themselves on the corners was enough to get guys like Billie, and not just primo candidate Billie either, hopped-up on the corner boy game. Yah, the corner boys whose very name uttered, whose very idea of a name uttered, whose very idea of a name thought up in some think-tank academy brain-dust, and whose very existence made a splash later (after it was all over, at least the public, publicity all over, part), excited every project schoolboy, every wrong side of the tracks guy (and it was always guys, babes were just for tangle), every short-cut dreaming boy who could read the day’s newspaper or watch some distended television, or knew someone who did.

And Billie was the first. The star of the Adamsville elementary schoolboy corner boy galaxy. No first among equals, or any such combination like that either, if that is what you are thinking. Alone. Oh sure his right-hand man, Peter Paul Markin, weak-kneed, bookwormy, girl-confused but girl-addled, took a run at Billie but that was seen, except maybe by Peter Paul himself, as a joke. Something to have a warm chuckle over on dreary nights when a laugh could not be squeezed out any other way. See, Peter Paul, as usual, had it all wrong on his figuring stuff. He thought his two thousand facts knowledge about books, and history, and current events, and maybe an off-hand science thing or two entitled, get this, entitled him to the crown. Like merit, or heredity, or whatever drove him to those two thousand facts meant diddly squat against style and will.

Billie tried to straighten him out, gently at first, with a short comment that a guy who had no denim blue jeans, had no possibility of getting denim blue jeans, and was in any case addicted to black chinos, black- cuffed chinos, has no chance of leading anybody, at any time, in anything. Still Peter Paul argued some nonsense about his organizing abilities. Like being able to run a low-rent bake sale for some foolish school trip, or to refurbish the U.S.S. Constitution, counted when real dough, real heist dough, for real adventures was needed. Peter simmered in high-grade pre-teen anguish for a while over that one, more than a while.

Billie and Peter Paul, friends since the first days of first grade, improbably friends on the face of it although Billie’s take on it was that Peter Paul made him laugh with that basketful of facts that he held on to like a king’s ransom, protecting them like they were gold or something, finally had it out one night. No, not a fist fight, see that was not really Billie’s way, not then anyway or at least not in this case, and Peter Paul was useless at fighting, except maybe with feisty paper bags or those blessed facts. Billie, who not only was a king corner boy contender but a very decent budding singer, rock and roll singer, had just recently lost some local talent show competition to a trio of girls who were doing a doo wop thing. That part was okay, the losing part, such things happened in show biz and even Billie recognized, recognized later, that those girls had be-bopped him with their cover of Eddie, My Love fair and square. Billie, who for that contest was dressed up in a Bill Haley-style jacket made by his mother for the occasion, did the classic Bill Haley and the Comets Rock- Around-The-Clock as his number. About halfway through though one of the arms of his just made suit came flying off. A few seconds later the other arm came off. And the girls, the coterie of Adamsville girls in the audience especially, went crazy. See they thought it was part of the act.

After that, at school and elsewhere, Billie was besieged daily by girls, and not just stick-shaped girls either, who hung off all his arms, if you want to know. And sensitive soul Peter Paul didn’t like that. He didn’t care about the girl part, because as has already been noted, and can be safely placed on golden tablets Peter Paul was plenty girl-confused and girl-addled but girl-smitten in his funny way. What got him in a snit was that Billie was neglecting his corner boy king duty to be on hand with his boys at all available times. Well, this one night the words flew as Billie tired, easily tired, of Peter Paul’s ravings on the subject. And here is the beauty of the thing, the thing that made Billie the king corner boy contender. No fists, no fumings, no forget friendships. Not necessary. Billie just told Peter Paul this- “You can have my cast-offs.” Meaning, of course, the extra girls that Billie didn’t want, or were sticks, or just didn’t appeal to him. “Deal,” cried Peter Paul in a flash. Yah, that was corner boy magic. And you know what? After that Peter Paul became something like Johnson’s Boswell and really started building up Billie as the exemplar corner boy king. Nice work, Billie.

You know Freddie Jackson too took his shots but was strictly out of his league against the Billie. Here it was a question not of facts, or books, or some other cranky thing bought off, bought off easily, by dangling girls in front of a guy a la Peter Paul but of trying to out dance Billie. See Freddie, whatever else his shortcomings, mainly not being very bright and not being able to keep his hands out of his mother’s pocketbook when he needed dough so that he had to stay in many nights, worst many summer nights, could really dance. What Freddie didn’t know, and nobody was going to tell him, nobody, from Peter Paul on down if they wanted to hang out with Billie was that Billie had some great dance moves along with that good and growing singing voice. See, Freddie never got to go to the school or church dances and only knew that Billie was an ace singer. But while Freddie was tied to the house he became addicted to American Bandstand and so through osmosis, maybe, got some pretty good moves too.

So at one after-school dance, at a time when Freddie had kept his hands out of his mother’s pocketbook long enough not to be house-bound, he made his big move challenge. He called Billie out. Not loud, not overbearing, but everybody knew the score once they saw Freddie’s Eddie Cochran-style suit. The rest of the guys (except Billie, now wearing jeans and tee-shirt when not on stage in local talent contests where such attire got you nowhere) were in chinos (Peter Paul in black-cuffed chinos, as usual) and white shirts, or some combination like that, so Freddie definitely meant business. Freddie said, “If I beat you at dancing I’m running the gang, okay?” (See corner boys was what those professors and news hawks called them but every neighborhood guy, young or old, knew, knew without question, who led, and who was in, or not in, every, well, gang). Billie, always at the ready when backed up against the wall, said simply, “Deal.” Freddie came out with about five minutes of jitter- buggery, Danny and the Juniors At The Hop kind of moves. He got plenty of applause and some moony-eyedness from the younger girls (the stick girls who were always moony-eyed until they were not stick girls any more).

Billie came sauntering out, tee-shirt rolled up, tight jeans staying tight and just started to do the stroll as the song of the same name, The Stroll, came on. Now the stroll is a line dance kind of thing but Billie is out there all by himself and making moves, sexual-laden moves, although not everybody watching would have known to call them that. And those moves have all the girls, sticks and shapes, kind of glassy-eyed with that look like maybe Billie needed a partner, or something and why not me look. Even Freddie knew he was doomed and took his lost pretty well, although he still had that hankering for mom’s purse that kept him from being a real regular corner boy when Billie got the thing seriously organized.
Funny thing, Lefty Wright, who actually was on the dance floor the night of the Freddie-Billie dance-off, pushed Billie with the Freddie challenge. And Freddie was twenty times a better dancer than Lefty. Needless to say, join the ranks, Lefty. Canny Danny O’Toole (Cool Donna O’Toole’s, a stick flame of Billie’s, early Billie, brother) was a more serious matter but after a couple of actions (actions best left unspecified) he fell in line. Billie, kind of wiry, kind of quick-fisted as it turned out, and not a guy quick to take offense knew, like a lot of wiry guys, how to handle himself without lots of advertising of that fact. He was going to need that fist-skill when the most serious, more serious than the Canny Danny situation came up. And it did with Badass Bobby Riley, Badass was a known quality, but he was a year older than the others and everybody knew was a certified psychopath who eventually drifted out of sight. Although not before swearing his fealty to Billie. After taking a Billie, a wiry Billie, beating the details of which also need no going into now. And there were probably others who stepped up for a minute, or who didn’t stay long enough to test their metal. Loosey Goosey Hughes, Butternut Walsh, Jimmy Riley (no relation to Badass), Five Fingers Kelly, Kenny Ricco, Billy Bruno, and on and on.

But such was the way of Billie’s existence. He drew a fair share of breaks, for a project kid, got some notice for his singing although not enough to satisfy his huge hunger, his way out, he way out of the projects, projects that had his name written all over them(and the rest of his boys too). And then he didn’t draw some breaks after a while, got known as a hard boy, a hard corner boy when corner boy was going out of style and also his bluesy rockabilly singing style was getting crushed by clean-cut, no hassle, no hell-raising boy boys. And then he started drawing to an outside straight, first a couple frame juvenile clip busts, amid the dreaded publicity, the Roman Catholic mother novena dread publicity, police blottered. Then a couple of house break-ins, taking fall guy lumps for a couple of older, harder corner boys who could make him a fall guy then, as he would others when his turn came. All that was later, a couple of years later. But no question in 1958, especially the summer of 1958 when such things took on a decisive quality, Billie, and for one last time, that’s William James Bradley, in case anyone reading needs the name to look up for the historical record was Billie's time. Yah, 1958, Billie, ah, William James Bradley, and corner boy king.

Funny, as you know, or you should know, corner boys usually gain their fleeting fame from actually hanging around corners, corner mom and pop variety stores, corner pizza parlors, corner pool halls, corner bowling alleys, corner pinball wizard arcades, becoming fixtures at said corners and maybe passing on to old age and social security check collection at said corner. Or maybe not passing to old age but to memory, memory kid’s memory. But feature this, in Billie’s great domain, his great be-bop night kingship, and in his various defenses of his realm against smart guys and stups alike, he never saw so much as a corner corner to rest his laurels on. And not because he did not know that proper etiquette in such matters required some formal corner to hang at but for the sheer, unadulterated fact that no such corner existed in his old-fashioned housing project (now old-fashioned anyway because they make such places differently today), his home base.
See, the guys who made the projects “forgot” that, down and out or not, people need at least a mom and pop variety store to shop at, or nowadays maybe a strip mall, just like everybody else. But none was ever brought into the place and so the closest corner, mom and pop corner anyway, was a couple of miles away up the road. But that place was held by a crowd of older corner boys whose leader, from what was said, would have had Billie for lunch (and did in the end).

But see here is where a guy like Billie got his corner boy franchise anyway. In a place where there are no corners to be king of the corner boy night there needs to be a certain ingenuity and that is where “His Honor” held forth. Why not the back of the old schoolhouse? Well, not so old really because in that mad post-World War II boom night (no pun intended), schools, particularly convenient elementary schools even for projects kids were outracing the boomers. So the school itself was not old but the height of 1950s high-style, functional public building brick and glass. Boxed, of course, building-boxed, classroom-boxed, gym-boxed, library-ditto boxed. No cafeteria-boxed, none necessary reflecting, oddly, walk to school, walk home for lunch, stay-at-home mom childhood culture even in public assistance housing world. And this for women who could have, if they could have stood the gaff from neighbor wives, family wives, society wives screamed to high heaven for work, money work. That was Billie world too, Billie day world. Billie September to June world.
But come dusk, summer dusk best of all, Billie ruled the back end of the school, the quiet unobserved end of the school, the part near the old sailors’ graveyard, placed there to handle the tired old sailors who had finished up residing at the nearby but then no longer used Old Sailors’ Rest Home built for those who roamed the seven seas, the inlet bays, and whatever other water allowed you to hang in the ancient sailors’ world. There Billie held forth, Peter Paul almost always at hand, seeking, always seeking refuge from his hellfire home thrashings. Canny Danny, regularly, same with Lefty and Freddie (when not grounded), and Bobby while he was around. And other guys, other unnamed, maybe unnamable guys who spent a minute in the Billie night. Doing? Yah, just doing some low murmur talking, most nights, mostly some listening to Billie dreams, Billie plans, Billie escape route. All sounding probable, all wistful once you heard about it later. All very easy, all very respectful, in back of that old school unless some old nag of a neighbor, fearful that the low murmur spoke of unknown, unknowable conspiracies against person, against the day, hell, even against the night. Then the cops were summoned. But mainly not.

And then as dusk turned to dark and maybe a moon, an earth moon (who knew then, without telescope, maybe a man-made moon), that soft talk, that soft night talk, turned to a low song throat sound as Billie revved up his voice to some tune his maddened brain caught on his transistor radio (bought fair and square up at the Radio Shack so don’t get all huffy about it). Say maybe Frankie Lymon and The Teenagers Why Do Fools Fall In Love? and then the other ragamuffins would do harmony. Yah, that was twelve, maybe thirteen- year old night, most nights, the nights of no rough stuff, the nights of dreams, maybe. But like some ancient siren call that sound penetrated to the depths of the projects and soon a couple of girls, yes, girls, twelve and thirteen year old girls, what do you expect, stick girls and starting shape girls, would hover nearby, maybe fifty yards away but the electricity was in the air, and those hardly made out forms drove Billie and his choir corner boys on. Maybe Elvis’ One Night as a come on. Then a couple more girls, yes, twelve and thirteen- year old girls, have you been paying attention, sticks and starting shapes, join those others quietly swaying to the tempo. A few more songs, a few more girls, girls coming closer. Break time. Girl meet boy. Boy meet girl. Hell, even Peter Paul got lucky this night with one of Billie’s stick rejects. And as that moon turned its shades out and the air was fragrance with nature’s marshlands sea air smells and girls’ fresh soap smells and boys’ anxiety smells the Billie corner boy wannabe world seemed not so bad. Yah, 1958 was Billie’s year. Got it.
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When Frankie Was A Corner Boy King Of The North Adamsville Night
Pallid Peter Paul Markin, no way, two thousand facts bundled up and at hand or not. Nix "Fingers" Kelly (formerly known as "Five Fingers" Kelly but he gave that up and went respectable), "High Boy" McNamara (and no, not in the post-drug world that kind of high, the other older one), "Jumpin’ Johnny" O’Connor (and do not, please do not, ask what he was jumping, or trying to) as well. Hell, double nix no nickname Benny Brady, "Billy Bop" O’Brian (and do not, ditto Johnny O’Connor, ask what he bopped, or tried to), Ricardo Ricco, "Timid Timmy" McPartlin and a bunch of other, no name, guys who passed, passed fast, through the be-bop Salducci’s Pizza Parlor schoolboy night. No question, no question at all though that the king hell corner boy king of the early 1960s North Adamsville schoolboy night was one Frankie, Francis Xavier Riley, and no other. And here is why.

In a recent series of entries that formed of scenes, scenes from the hitchhike road in search of the great American West night in the late 1960s, later than the time of Frankie’s early 1960s old working class neighborhood kingly time, it was noted that there had been about a thousand truck stop diner stories left over from those old hitchhike road days. On reflection though, this writer realized that there really had been about three diner stories with many variations. Not so with Frankie, Frankie from the old neighborhood, stories. I have got a thousand of them, or so it seems, all different. Hey, you already, if you have been attentive to this space, know a few Frankie, Frankie from the old neighborhood, stories (okay, I will stop, or try to, stop using that full designation and just call him plain, old, ordinary, vanilla Frankie just like everybody else alright).

Yah, you already know the Frankie (see I told you I could do it) story about how he lazily spent a hot late August 1960 summer before entering high school day working his way up the streets of the old neighborhood to get some potato salad (and other stuff too) for his family’s Labor Day picnic. And he got a cameo appearance in the tear-jerk, heart-rendering saga of my first day of high school in that same year where I, vicariously, attempted to overthrow his lordship with the nubiles (girls, for those not from the old neighborhood, although there were plenty of other terms of art to designate the fair sex then, most of them getting their start in local teenage social usage from Frankie’s mouth). That effort, that attempt at coping his “style”, like many things associated with one-of-a-kind Frankie, as it turned out, proved unsuccessful.

More recently I took you in a roundabout way to a Frankie story in a review of a 1985 Roy Orbison concert documentary, Black and White Nights. That story centered around my grinding my teeth whenever I heard Roy’s Running Scared because one of Frankie’s twists (see nubiles above) played the song endlessly to taint the love smitten but extremely jealous Frankie on the old jukebox at the pizza parlor, old Salducci's Pizza Shop, that we used to hang around in during our high school days. It’s that story, that drugstore soda fountain story, that brought forth a bunch of memories about those pizza parlor days and how Frankie, for most of his high school career, was king of the hill at that locale. And king, king arbiter, of the social doings of those around him as well.

And who was Frankie? Frankie of a thousand stories, Frankie of a thousand treacheries, Frankie of a thousand kindnesses, and, oh yah, Frankie, my bosom friend in high school. Well let me just steal some sentences from that old August summer walk story and that first day of school saga because really Frankie and I went back to perilous middle school days (a.k.a. junior high days for old-timers) when he saved my bacon more than one time, especially from making a fatal mistake with the frails (see nubiles and twists above). He was, maybe, just a prince then working his way up to kingship. But even he, as he endlessly told me that summer before high school, August humidity doldrums or not, was along with the sweat on his brow from the heat a little bit anxious about being “little fish in a big pond” freshmen come that 1960 September.
Especially, a pseudo-beatnik “little fish”. See, he had cultivated a certain, well, let’s call it "style" over there at the middle school.

That “style” involved a total disdain for everything, everything except trying to impress girls with his long-panted, flannel-shirted, work boot-shod, thick book-carrying knowledge of every arcane fact known to humankind. Like that really was the way to impress teenage girls, then or now. Well, as it turned out, yes it was. Frankie right. In any case he was worried, worried sick at times, that in such a big school his “style” needed upgrading. Let’s not even get into that story, the Frankie part of it now, or maybe, ever. We survived high school, okay.

But see, that is why, the Frankie why, the why of my push for the throne, the kingship throne, when I entered high school and that old Frankie was grooming himself for like it was his by divine right. When the deal went down and I knew I was going to the “bigs” (high school) I spent that summer, reading, big time booked-devoured reading. Hey, I'll say I did, The Communist Manifesto, that one just because old Willie Westhaven over at the middle school (junior high, okay) called me a Bolshevik when I answered one of his foolish math questions in a surly manner. I told you before that was my pose, my Frankie-engineered pose, what do you want, I just wanted to see what he, old Willie, was talking about when he used that word. How about Democracy in America (by a French guy), The Age of Jackson (by a Harvard professor who knew idol Jack Kennedy, personally, and was crazy for old-time guys like Jackson), and Catcher In The Rye (Holden was me, me to a tee). Okay, okay I won’t keep going on but that was just the reading on the hot days when I didn’t want to go out. There was more.

Here's what was behind the why. I intended, and I swear I intended to even on the first nothing doing day of that new school year in that new school in that new decade (1960) to beat old Frankie, old book-toting, mad monk, girl-chasing Frankie, who knew every arcane fact that mankind had produced and had told it to every girl who would listen for two minutes (maybe less) in that eternal struggle, the boy meets girl struggle, at his own game. Yes, Frankie, my buddy of buddies, prince among men (well, boys, anyhow) who kindly navigated me through the tough, murderous parts of junior high, mercifully concluded, finished and done with, praise be, and didn’t think twice about it. He, you see, despite, everything I said a minute ago he was “in.”; that arcane knowledge stuff worked with the “ins” who counted, worked, at least a little, and I got dragged in his wake. I always got dragged in his wake, including as lord chamberlain in his pizza parlor kingdom. What I didn’t know then, wet behind the ears about what was what in life's power struggles, was if you were going to overthrow the king you’d better do it all the way. But, see if I had done that, if I had overthrown him, I wouldn’t have had any Frankie stories to tell you, or help with the frills in the treacherous world of high school social life (see nubiles, frails and twists above. Why don’t we just leave it like this. If you see the name Frankie and a slangy word when you think I am talking about girls that's girls. Okay?)

As I told you in that Roy Orbison review, when Roy was big, big in our beat down around the edges, some days it seemed beat six ways to Sunday working class neighborhood in the early 1960s, we all used to hang around the town pizza parlor, or one of them anyway, that was also conveniently near our high school as well. Maybe this place was not the best one to sit down and have a family-sized pizza with salad and all the fixings in, complete with family, or if you were fussy about décor but the best tasting pizza, especially if you let it cool for a while and no eat it when it was piping hot right out of the oven.
Moreover, this was the one place where the teen-friendly owner, a big old balding Italian guy, Tonio Salducci, at least he said he was Italian and there were plenty of Italians in our town in those days so I believed him but he really looked Greek or Armenian to me, let us stay in the booths if it wasn’t busy, and we behaved like, well, like respectable teenagers. And this guy, this old Italian guy, blessed Leonardo-like master Tonio, could make us all laugh, even me, when he started to prepare a new pizza and he flour-powdered and rolled the dough out and flipped that sucker in the air about twelve times and about fifteen different ways to stretch it out. Sometimes people would just stand outside in front of the doubled-framed big picture window and watch his handiwork in utter fascination.

Jesus, Tonio could flip that thing. One time, and you know this is true because you probably have your own pizza dough on the ceiling stories, he flipped the sucker so high it stuck to the ceiling, right near the fan on the ceiling, and it might still be there for all I know (the place still is, although not him). But this is how he was cool; he just started up another without making a fuss. Let me tell you about him, Tonio, sometime but right now our business to get on with Frankie, alright.

So there is nothing unusual, and I don’t pretend there is, in just hanging out having a slice of pizza (no onions, please, in case I get might lucky tonight and that certain she comes in, the one that I have been eyeing in school all week until my eyes have become sore, that thin, long blondish-haired girl wearing those cashmere sweaters showing just the right shape, please, please, James Brown, please come in that door), some soft drink (which we called tonic in New England in those days but which you call, uh, soda), usually a locally bottled root beer, and, incessantly (and that "incessantly" allowed us to stay since we were paying customers with all the rights and dignities that status entailed, unless, of course, they needed our seats), dropping nickels, dimes and quarters in the jukebox.

But here is where it all comes together, Frankie and Tonio the pizza guy, from day one, got along like crazy. Frankie, Francis Xavier Riley, map of Ireland, red-headed, fair-skinned, blue-eyed Frankie got along like crazy with Italian guy Tonio. That was remarkable in itself because, truth be told, there was more than one Irish/ Italian ethnic, let me be nice, dispute in those days. Usually over “turf”, like kids now, or some other foolish one minute thing or another. Moreover, and Frankie didn’t tell me this for a while, Frankie, my bosom buddy Frankie, like he was sworn to some Omerta oath, didn’t tell me that Tonio was “connected.” For those who have been in outer space, or led quiet lives, or don’t hang with the hoi polloi that means with the syndicate, the hard guys, the Mafia. If you don’t get it now go down and get the Godfather trilogy and learn a couple of things, anyway. This "connected" stemmed, innocently enough, from the jukebox concession which the hard guys controlled and was a lifeblood of Tonio's teenage-draped business, and not so innocently, from his role as master numbers man (pre-state lottery days, okay) and "bookie" (nobody should have to be told what that is, but just in case, he took bets on horses, dogs, whatever, from the guys around town, including, big time, Frankie's father, who went over the edge betting like some guys fathers' took to drink).

And what this “connected” also meant, this Frankie Tonio-connected meant, was that no Italian guys, no young black engineer-booted, no white rolled-up tee-shirted, no blue denim- dungareed, no wide black-belted, no switchblade-wielding, no-hot-breathed, garlicky young Italian studs were going to mess with one Francis Xavier Riley, his babes (you know what that means, right?), or his associates (that’s mainly me). Or else. Now, naturally, connected to "the connected" or not, not every young tough in any working class town, not having studied, and studied hard, the sociology of the town, is going to know that some young Irish punk, one kind of "beatnik' Irish punk with all that arcane knowledge in order to chase those skirts and a true vocation for the blarney is going to know that said pizza parlor owner and its “king”, king hell king, are tight. Especially at night, a weekend night, when the booze has flowed freely and that hard-bitten childhood abuse that turned those Italian guys (and Irish guys too) into toughs hits the fore. But they learn and learn fast.

Okay, you don’t believe me. One night, one Saturday night, one Tonio-working Saturday night (he didn’t always work at night, not Saturday night anyway, because he had a honey, a very good-looking honey too, dark hair, dark laughing eyes, dark secrets she wouldn’t mind sharing as well it looked like to me but I might have been wrong on that) two young toughs came in, Italian toughs from the look of them. This town then , by the way, if you haven’t been made aware of it before is strictly white, mainly Irish and Italian, so any dark guys, are Italian period, not black, Hispanic, Indian, Asian or anything else. Hell, I don’t think those groups even passed through; at least I don’t remember seeing any, except an Arab, once.

So Frankie, your humble observer (although I prefer the more intimate umbrella term "associate" under these circumstances) and one of his squeezes (not his main squeeze, Joanne) were sitting at the king’s table (blue vinyl-seated, white formica table-topped, paper place-setting, condiment-ladened center booth of five, front of double glass window, best jukebox and sound position, no question) splitting a Saturday night whole pizza with all the fixings (it’s getting late, about ten o’clock, and I have given up on that certain long blondish-haired she who said she might meet me so onions anchovies, garlic for all I know don’t matter right now) when these two ruffians come forth and petition (yah, right) for our table. Our filled with pizza, drinks, condiments, odds and ends papery, and the king, his consort (of the evening, I swear I forget which one) and his lord chamberlain.

Since there were at least two other prime front window seats available Frankie denied the petition out of hand. Now in a righteous world this should have been the end of it. But what these hard guys, these guys who looked like they might have had shivs (ya, knives, shape knives, for the squeamish out there) and only see two geeky "beatnik" guys and some unremarkable signora do was to start to get loud and menacing (nice word, huh?) toward the king and his court. Menacing enough that Tonio, old pizza dough-to-the-ceiling throwing Tonio, took umbrage (another nice word, right?) and came over to the table very calmly. He called the two gentlemen aside, and talking low and almost into their ears, said some things that we could not hear. All we knew was that about a minute later these two behemoths, these two future candidates for jailbird-dom, were walking, I want to say walking gingerly, but anyway quickly, out the door into the hard face of Saturday night.

We thereafter proceeded to finish our kingly meal, safe in the knowledge that Frankie was indeed king of the pizza parlor night. And also that we knew, now knew in our hearts because Frankie and I talked about it later, that behind every king there was an unseen power. Christ, and I wanted to overthrow Frankie. I must have been crazy like a loon.

Deep In The Heart Of Cold War II-Chris Pine and Kevin Costner’s “Jack Ryan: Shadow Recruit” (2014)-A Film Review

 Deep In The Heart Of Cold War II-Chris Pine and Kevin Costner’s “Jack Ryan: Shadow Recruit” (2014)-A Film Review

DVD Review

By Kenny Jacobs

Jack Ryan: Shadow Recruit, starring Chris Pine, Kevin Costner, Kiera Knightley, 2014

[At the end of my last film review the 1989 version of Batman starring Michael Keaton and Jack Nicholson (with Kim Basinger as eye candy and Batman aka Bruce Wayne aide) I noted that I was heartily sick of having to repeat older writer Phil Larkin’s by now almost patented but tired expression WTF to express some level of  displeasure. WFT apparently not enough though since I am once again stuck, maybe deeply stuck with another one of these turkey sequel action films, in this case fifth rendition, Jack Ryan: Shadow Recruit, an idea whatever its original virtue which is now played out, now tired.     

  

Frankly I had expected after joining Phil in the belly-aching crowd that was central to that piece to be off this so-called action adventure stuff. Belly-aching plus a little fringe review at the end which Phil has become something of a past master at doing. Expected to be reviewing some old time black and white film from the 1940s or 1950s like Humphrey Bogart’s The Maltese Falcon which I had noticed was on site manager Greg Green’s assignment list. Those oldies my preferred reviews young as I am and new to the site as well for reasons explained elsewhere and as a result of having done a well-recognized good job on the first couple I did before that dog of a Batman review.

Those reviews seemingly were my undoing since Phil felt that as an older writer, as somebody who had actually seen the films when he was a wide-eyed kid spending ill-spent Saturday afternoon matinee Strand Theater growing up town double feature complete with small bucket of popcorn spread out to last the distance, he should have dibs on those properties. That was the routine in the old days when his growing up buddy, and for all I know movie companion, Allan Jackson the now deposed and exiled somewhere, I think Utah, former site manager gave him whatever assignment he hankered after. Not so with the new more democratic regime geared more to the younger writers and seeking to reclaim the lost younger audiences who have drifted away from this site established by Greg and the newly-installed Editorial Board set-up by him in the wake of the Jackson purge.          

That was how things were supposed to be until Phil started his

f--king campaign against his having to do these silly action adventures, especially when it got to be worn-out nothing but greed-head sequel time. Against me in particular, a kid, a “teacher’s pet” he called me. And it worked as I had to exchange reviews with him with him now doing Bogie’s Across The Pacific which could be easily parlayed into a double-header with the super-classic The Maltese Falcon as the real prize. Phil will probably get that assignment as well. That is the genesis of my relief campaign outlined in that dreadful Batman movie review which backfired in my face because no matter how much venom I threw at the thing Greg, backed up by what is increasingly looking like his toady Ed Board, told me personally that he liked the job I did on that one. WTF.        

One day Greg took me into his office and explained like I didn’t know from nothing what this film reviewing assignment procedure was all about, what he was carrying over from his many years first at the hard copy American Film Gazette and later when it switched over to an on-line version. Greg mentioned, and this astounded me, that he had looked at the Gazette archives and noted that over the many years of its hard copy and on-line existence that over forty thousand film reviews had been published. He was not sure how many writers had been involved in that process but he guessed at least one hundred when he had been around the operation. Although the Gazette took advertisements for current movies with few exceptions it did not, he did not assign, reviewers for current films. What the assignment board looked like was usually a hodge-podge of films related to some genre that was surfacing or resurfacing or some actor who had maybe passed away, or had rebooted his or her career, or some particular quirk of the time. Writers would, to increase their range, get a mix of assignments.   

Greg stated that frankly he was bringing that same routine over to this site with the caveat that this would include not only films but books, music, culture, politics, social commentary, the whole wider purpose of the site. He noted that although this site had only produced maybe a couple of thousand film reviews, another figure which astounded me, that apparently Jackson had the same attitude although he had centered the reviews on older films and documentaries. (Something I am told that the younger writers chaffed at and which was central to their grievances which brought Jackson low.) Greg assured me that I would eventually get my fair share of good material to write about. With that I accepted this turkey of an assignment and have temporarily called a halt to my belly-aching campaign. Kenny Jacobs]       

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Guys, writers, so maybe gals too although I don’t know many who took the Cold War into the winter night genre seriously, must have been gnashing their teeth when the ex-Soviet Union went down in flames around 1991 and 1991. (I have no first- hand experience since I was born in 1992.) Guys like Britisher Le Carre with his George Smiley series and here American Tom Clancy, or at least in theory Tom Clancy since this dog of film, Jack Ryan: Shadow Recruit , the fifth in the film series is merely based on the character of Jack Ryan and not something Clancy actually wrote. That gives you an exact idea of how lame this whole greed-head production is, how tired even the most fervent devotee of the genre must be to wade through this mush. Yeah, those guys must be have been crying in their beer once the very real tensions of a bi-polar world complete with serious nuclear weaponry in the balance (still around in the USA and Russia but less threatening right now in those quarters) turned into the still current uni-polar world dominated by American military power with not much to stop it.    

That post-Soviet faded tension is reflected in the hardly stellar plotline of this film once the mighty USSR was reduced to mere Russia size and less of a threat to American world order (which may be taking another curve of late with the Trump America First era but the film pre-dates that situation). Jack, dear good guy clean Jack, played by Chris Pine, after 9/11 signed up like a lot of guys in America to do serious damage to Islamic fundamentalists in places like Afghanistan and Iraq. Jack took his beating in the former though and crippled up left the military for what would be a career on Wall Street based on his vast education in economic. The CIA though in the person of Tom Harper, played by visibly aging Kevin Costner, gets him to do some covert actions, to check for any dramatic changes in the world financial markets. Worked as a closed mouth “mole” until needed.

Our Jack does yeoman’s work for a while on the Street until  

some nefarious Russians, no longer able to wield their former military might have decided that melting down the world financial markets will restore some prestige to Mother Russia. Thus the chase in on. Jack a crackerjack trend spotter sees what those nefarious Russians are up to and takes action including the inevitable car chase/stand-off which entails a car bomb headed toward Wall Street. Surprise, surprise that car winds up in the East River without Jack of course and with the Russian plot crushed in the embryo. A little eye candy, sympatico by Kiera Knightley as Jack’s longtime live-in girlfriend gives the inevitable boy meets girl romantic twist a run. Sorry for my language but I have to say it- WTF.   

Down And Out In The City Of Angels-Danny Glover And Mel Gibson’s “Lethal Weapon 3” (1992)-A Film Review

Down And Out In The City Of Angels-Danny Glover And Mel Gibson’s “Lethal Weapon 3” (1992)-A Film Review

DVD Review

By Kenny Jacobs

[This time unlike in my last review in this space when I did a nice job, according to site manager Greg Green, on Cary Grant and Katharine Hepburn’s 1938 Bringing Up Baby now seen as a minor classic directed by Howard Hawks  I really can mimic old-time reviewer Phil Larkin’s now seemingly patented WFT. Why? Well it seems that the biggest way that you can get the attention of Greg and the Editorial Board (which Phil has lambasted to hell as Greg’s toadies but who are all working writers and so I take umbrage at his remarks that they are nothing but his voting fodder) is by belly-aching enough about the pick of assignments. At least that worked for Phil as mild-mannered and demur (if you can use that word describing a man) Greg Green bowed down to the onslaught and “switched” reviews with me now doing the one under review, Lethal Weapon 3, and Phil taking my justly earned plum assignment on the minor Bogart, Mary Astor, Sydney Greenstreet classic Across the Pacific. I was going to use my take on that review as a lead-in to another film by this trio the major classic film adaptation of Dashiell Hammett’s Sam Spade-led The Maltese Falcon.

So it looks like this place is starting to be run the way that I am told since I don’t know directly I am a new kid on the block the same way when the old site manager the now justly deposed and exiled out in Utah, Nevada, Siberia some place like that Allan Jackson ran the show. Basically cry big enough crocodile tears and Uncle Greg will chase your blues away whether you are capable of doing the job or not. Which off of Phil’s last review of the 1989 version of Batman starring Michael Keaton and Jack Nicholson is certainly in question. That is the one where Phil went off on popcorn-fattened and sugar-high soda filled young kids, their gullible parents, me as Greg’s goddam teacher’s pet which is all wrong, theater owners filling kids with fattening popcorn and cavity-producing sodas, Marvel comic screenwriters who couldn’t figure out a reasonable plot if they found one on the street, Captain America as a brainless twit, the Hulk as nothing but a ballooned-up mutant, Thor as nothing but a beauty queen, Ironman as a highly paid flunky and I don’t know what else since I stopped reading the thing when I knew there would be conveniently no plot summary. Hell Phil even took a swipe at eye candy Black Widow.

Guess what he wrote about three lines of real review. For that the bastard gets a minor Bogie plum on the way to the big Bogie one which I am sure he will argue for as I would to do the pair as a combo. So now you know why a young guy like me trying to break into the film reviewing business to prove to my parents that all that money they spent on college and graduate school wasn’t wasted is saying WTF. I won’t say I am a team player yet but I will soldier on as the older writers like to say all the time when they are behind deadline. Kenny Jacobs]             

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Funny after all I said about lame Phil Larkin above in the turf wars for good assignments I have to agree with him that these modern action films really are predictable. Really hard, if you want to know,   

to get a handle on since, again kudos to Phil, the plotline was done by some kid in elementary school whose father just happened to be the credited screenwriter on the leaden balloon. Harder still (and why I was going to go big on that Across The Pacific/The Maltese Falcon combination) why except for pure studio/theater owner greed and to fill production space these formula films have X number of sequels in this case three when the original idea if decent could not sustain further ramming. In the end all this one has going for it is a kind of play on the old older/younger buddy films from the likes of  Robert Redford and Paul Newman in vehicles like Butch Cassidy and the Sundance Kid and The Sting. What the latter-day-saint moneybags producers forget is that those two stars were backed-up by scripts definitely not written by some credited screenwriter’s child.         

Since I am right now behind the eight ball with Greg and his esteemed Editorial Board sucking wind on this pig of a film I had better follow the old Sam Lowell commandment and write a decent plotline summary if I ever expect to see the light of day again.

To keep the hoary tradition alive here is the “skinny” whatever that means. Our worldly and wary seen it all City of Angels coppers, and buddies from all appearances, older sensible cop Roger, played by Danny Glover, and younger but more rash cop Martin, played by pretty boy Mel Gibson, are in deep doo-doo after failed bomb caper. Working the demoted streets they run into the proverbial street gangs and their armament, high-grade stuff not some junkie’s Saturday night special. Stuff that as it turns out can’t be purchased at Wal-Mart’s. Stuff that could only come from police confiscations. So this is strictly an inside job. Strictly rogue cop, or better ex-cop stuff.        

Things get heavy when Roger has to take down some dope-addled black kid with nothing but semi-automatic weaponry firing back at him in single shot mode. Christ taking down a kid, a friend of his son’s, and him, this is a weak sister sub-plot him, days away from a well-deserved retirement. So Roger and Martin bear down, get everybody they know involved in shaking the palm trees, do some dirty cop work to get info that might in post-Michael Brown, Black Lives Matter time, not get a very positive reception. So after the standard rough stuff, the standard million car chases going the wrong way on death Los Angeles super-highways, the standard drawn out shoot-out between unequal forces, they the unequal side,  they take down that rogue ex-cop. Take him down good. Guess what after this caper old Roger has some wind still in his sails and will not retire for a while. Just in case there had to be a Lethal Weapon 4 segue.

By the way what is not so weak sister in this mix is the usual dance around between pretty boy Martin and Laura, the woman copper running the Internal Affairs investigation, played by fetching Rene Russo. She is female-wise Martin’s twin and before you can close your eyes they are going round and round under the sheets. She, out in the streets though, gives as good as she gets taking a few for the cause. What I am wondering is why not let good old boy Roger retire and let Martin and Laura go buddy-buddy. I hope to high heaven this is enough to get me back in good graces. I am tired of running Phil’s tired WFT.    

If You Want The Stuff Senator Bernie Sanders Has Been Talking About For A Million Years Including Out In The Wilderness When It Was Not Fashionable About Medicare For All, Eliminating Student Debt, The Fight For $15 (Hell Now More Than That) To Happen Accept No Substitutes-Fight For Bernie 2020 Not Come Lately Elizabeth Warren

If You Want The Stuff Senator Bernie Sanders Has Been Talking About For A Million Years Including Out In The Wilderness When It Was Not Fashionable About Medicare For All, Eliminating Student Debt, The Fight For $15 (Hell Now More Than That) To Happen Accept No Substitutes-Fight For Bernie 2020 Not Come Lately Elizabeth Warren  

Okay, Okay It’s The 350th Anniversary of Rembrandt’s (You Know The Dutch Painter With the Funny Last Name That Nobody Remembers Anyway) So Happy, Happy Birthday Brother

Okay, Okay It’s The 350^th Anniversary of Rembrandt’s (You Know The Dutch Painter With the Funny Last Name That Nobody Remembers Anyway) So Happy, Happy Birthday Brother

By Sam Lowell

By rights fellow writer here and budding amateur art critic (she insists I put that “amateur in) should be all over this short piece since she is much more involved in this aspect of human culture than I am theses days. Except Dutch painters (Flemish too or whatever they call the Netherlands painters at the art museum near you) leave her cold, do nothing for her despite their oversized place in the art world, at least in art books and generic museums.

Frankly I kind of shared her opinion about these dark color aficionados and their proper prosperous bourgeois subjects, their families, their towns and their inclinations toward showing family life from their home furnishings to their larder (those fish and fowl paintings still give me the willies). Two things changed my mind. One was that after some hiatus from museum-going I started up again and after having it up to my neck with every possible painting of the Blessed Virgin Mary, the death of Christ, the martyrdoms of the apostles and kindred and the whoredom of subjects like Mary Magdalene from the Middle Ages it was like a breath of fresh air to see even some hoary old bastard of bourgeois, his funky wife, and the general mayhem of urban Dutch society.

The other, strangely, was the theft many years ago of a famous Rembrandt self-portrait (among other stolen treasures taken during that heist) at the Isabella Stuart Gardner Museum in Boston which made me wonder why they had taken that painting. An example as shown here -a masterpiece of composition, lighting, and warts and all approach. So Happy Birthday Rembrandt and I hope they get that painting back to fill up that wall at the Gardner again.     

      

On The 50th Anniversary Of The Passing Of The “King Of The Beats” -Ti Jean Kerouac-A Series Of Appreciations-

On The 50^th Anniversary Of The Passing Of The “King Of The Beats” -Ti Jean Kerouac-A Series Of Appreciations-  

By Contributing Editor Allan Jackson

For Ti Jean Kerouac On The 50^th Anniversary Of His Death And The “Assistant King Of The Beats” Allan Ginsberg-Hard Rain’s A Going To Fall With Kudos To Bob Dylan “King Of The Folkies"

By Lance Lawrence

[In the interest of today’s endless pursue of transparency which in many cases covers up the real deal with a few fake pieces of fluff admit that I knew Jack Kerouac’s daughter, his now late daughter whom he never recognized for whatever cramped reason and which took its toll on her with an also early death, met out in Todo el Mundo south of Big Sur off the famous Pacific Coast Highway. I also knew Allan Ginsburg in his om-ish days when we fired up more than one blunt (marijuana cigarette for those who are clueless or use another term for the stick) to see what we could see out in the National Mall and later Greenwich Village night.

This piece first appeared in Poetry Today shortly after Allan Ginsburg’s Father Death death and caused a great deal of confusion among the readers, a younger group according to the demographics provided to me by the advertising department when I was trying to figure out where the thing got lost in the fog. Some readers thought because I mentioned the word “cat” I was paying homage to T.S. Eliot generally recognized in pre-Beat times as the ultimate modernist poet. That reference actually referred to “hep cats” as in a slang expression from the 1940s and 1950s before Beat went into high gear not a cat. Some readers, and I really was scratching my head over this one since this was published in a poetry magazine for aficionados and not for some dinky survey freshman college English class, that because I mentioned the word “homosexual” and some jargon associated with that sexual orientation when everybody was “in the closet” except maybe Allan Ginsburg thought I was referring W.H. Auden. Jesus, Auden, a great poet no question if not a brave one slinking off to America when things got too hot in his beloved England in September 1939 and a self-confessed homosexual in the days when that was dangerous to declare in late Victorian public morality England especially after what happened to Oscar Wilde when they pulled down the hammer was hardly the only homosexual possibility despite his game of claiming every good-looking guy for what he called the Homintern. Frankly I didn’t personally think anybody even read him anymore once the Beats be-bopped.

There were a few others who were presented as the person I was championing. James Lawson because some of his exploits were similar to the ones I described but those events were hardly rare in the burned over 1950s down in the mud of society. Jack Weir because of some West Coast references. Jeffery Stein, the poet of the new age shtetl because of the dope. All wrong. That poet had a name an honored name Allan Ginsburg who howled in the night at the oddness and injustice of the world after saying Kaddish to his mother’s memory and not be confused with this bag of bones rough crowd who refused to learn from the silly bastard. This piece was, is for ALLAN GINSBURG who wrote for Carl Solomon in his hours of sorrow just before he went under the knife and I for him when he went under the ground. Lance Lawrence]

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I have seen the best poet of the generation before mine declare that he had seen that the best minds of his generation had turned to mush, turned out in the barren wilderness from which no one returned except for quick stays in safe haven mental asylums. Saw the same Negro streets he saw around Blue Hill Avenue and Dudley Street blank and wasted in the sweated fetid humid Thunderbird-lushed night (and every hobo, vagrant, escapee, drifter and grafter yelling out in unison ‘what is the word-Thunderbird-what is the price forty twice” and ready to jackroll some senior citizen lady for the price-ready to commit mayhem at Park Street subway stations for their “boy,” to be tamped by girl but I will be discrete since the Feds might raid the place sometime looking for the ghost of Trigger Burke who eluded them for a very long time. Thought that those angel-headed hipsters, those hep cats hanging around Times, Lafayette, Dupont, Harvard squares) crying in pools of blood coming out of the wolves-stained sewers around the black corner would never stop bleating for their liquor, stop until they got popular and headed for the sallow lights of Harvard Square where they hustled young college students, young impressionable college students whose parents had had their best minds wasted in the turbid streets of south Long Island (not the West Egg of Gatsby’s dream of conquering everything in sight like any other poor-boy arriviste with too much money and not enough imagination and not East Egg of the fervid elites but anytown, Levitttown of those who would escape to Boston or Wisconsin to face the angel of death up front and say no go, pass, under luminous moons which light up sparks and say to that candid world which could have given a fuck hard times please come again no more.

Saw hipsters cadging wine drinks from sullen co-eds staying out too late in the Harvard Square night who turned out to be slumming from some plebian colleges across the river maybe good Irish girls from frail Catholic parishes with rosaries in their fair-skinned hands and a novena book between their knees who nevertheless has Protestant lusts in their pallid hearts but unrequited (here’s how-they would arrive at the Café Lana with ten bucks and their virginity and leave with both and some guy with dreams of salty sucking blowjobs walking out the backdoor and doing the whack job behind the dumpster –a waste of precious fluids and according to Norman Mailer world-historic fucks which would product the best minds of the next generation all dribbled away). Maybe tasty Jewish girls from the shtetl in not East or West Egg who flocked to the other side of the river and gave Irish guys who previously had dribbled their spunk behind dumpsters after losing out to ten bucks and virginity in tack tickey-tack Catholic girls who refused to give that head that would have brought some of best mind some freaking relief (better not say fucking relief because that would be oxymoronic). Maybe some sullen fair-skinned and blonded Protestant girls who spouted something about one god and no trinities, no god and no trinities and just feel good stuff. All three varieties and yes there were more but who knew of Quakers, Mennonites, lusty Amish girls run away from home, Tantic card-wheelers, and fresh- faced red light district sluts who at least played the game straight-played the cash nexus for pure pleasure and maybe to even up some scores. All-Catholic, Jewish, Protestant, yeah, Quakers (fakirs, fakers and Shakers included), the sluts, Mennonites and yes those lusty red-faced Amish runaways all coming together after midnight far from the negro streets but not far from the all night hustlers and dime store hipsters with their cigar store rings and cheap Irish whiskeys bought on the installment plan who converged around the Hayes-Bickford just a seven league jump from the old end of the line dead of night Redline subway stop in order to keep the angel of death at arms’ length. There to listen until dawn to homosexuality affixed hungry for the keyhole blast or the running sperm fakir poets and slamming singsters fresh out of cheapjack coffeehouses where three chords and two- line rhymes got you all the action you wanted although maybe a little light on the breadbasket sent around to show that you were appreciated. Yeah, now that I think about the matter more closely hard times please come again no more.                    

Saw the angel of death make her appearance one night at the Café Lana and then backstopped the Club Nana to fetch one young thing who warbled like heaven’s own angel. Hipster turned her on to a little sister and the some boy and she no longer warbled but did sweet candy cane tricks for high-end businessmen with homely wives or fruitless ones who had given up that sort of “thing” after the third junior had been born and who were ready to make her his mistress if she would just stop singing kumbaya after every fuck like she was still a freaking warbler, a freaking virgin or something instead of “used” goods or maybe schoolboys whose older brothers took them to her for their first fling at going around the world, welcome to the brotherhood or maybe some old fart who just wanted to relive his dreams before the booze, the three wives and parcel of kids did him in and then the hustler sent her back to the Club Nana to “score” from the club owner who was connected with Nick the dream doper man, the Christ who would get him- and her well –on those mean angel-abandoned death watch streets but who knew that one night at the Hayes (everybody called it just that after they had been there one night, one after midnight night where they had that first cup of weak-kneed coffee replenished to keep a place in the scoreboarded night where hari-kara poets dreamed toke dreams and some Mister dreamed of fresh-faced singer girls looking for kicks. So please, please, hard times come again no more.              

I have seen frosted lemon trees jammed against the ferrous night, the night of silly foolish childhood dreams and misunderstanding about the world, the world that that poet spoke of in a teenage dream of indefinite duration about who was to have who was to have not once those minds were de-melted and made hip  to the tragedies of life, the close call with the mental house that awaits us all.

By Lance Lawrence

Sometimes you just cannot win. Sometimes you just let it pass and other times as now anything less than incarceration or the bastinado will not permit me to say some words on a subject that I care about. Attentive readers of Growing Up Absurd In The 1950s or its sister publication where such material is something like syndicated know that I, and most of the older writers here and for that matter other publications who grew up in the 1950s have some relationship to “the Beats” to Jack Kerouac and Allan Ginsberg above but lesser lights stationed in North Beach, San Francisco and Greenwich Village, New York City and other sullen outposts. Know that although we were way too young or too interested in our generation’s salvation-rock and roll music-to be washed clean by the Beats that by some process of osmosis we picked up some of the ideas, words, be-bop, lust, homosexual slang, road terminology. Courtesy of Jack Kerouac and the crowd whether he accepted the honorific “King of the Beats” or like Bob Dylan dubbed by the mass media always looking for a hook “King of the Folkies” for the next generation, the folkie-hippie counterculture abdicated.        

Personally, and I have the scars and restless writerly nights to prove it, I was very second-wave influenced by Kerouac and not only by his most famous book, bible really when the time for such things was ripe, On The Road. Maybe less that books like Big Sur which got me to Todo el Mundo just south of Big Sur and some wild escapades and near fatal escapes toked to the gills on weed or whatever came through the very open door. Influences which have made it natural to recount some of those adventures in print of one sort or another. Natural as well this 50^th anniversary year since Jack Kerouac’s death in 1969 to make a big deal out of that milestone. To write some fresh material as below or to republish some older material. And not just memories of Kerouac’s influence but what I called in one article the “assistant king of the beats” Allan Ginsburg.    

That is where the sometimes you can’t win comes in and the have to “speak to the issue” rears its head as well. Recently both to acknowledge the 50^th anniversary of Kerouac’s passing and to honor Allan Ginsburg’s as well I had an article Hard Rain’s A Going To Fall originally published in Poetry Today in 1997 republished in several publications under the title For Ti Jean Kerouac On The 50^th Anniversary Of His Death And The “Assistant King Of The Beats” Allan Ginsberg-Hard Rain’s A Going To Fall With Kudos To Bob Dylan “King Of The Folkies."   

In a new introduction to the piece I mentioned that in the interest of today’s endless pursue of transparency which in many cases covers up the real deal with a few fake pieces of fluff admitted that I knew Jack Kerouac’s daughter, his now late daughter whom he never recognized for whatever cramped reason and which took its toll on her with an also early death, met out in Todo el Mundo south of Big Sur off the famous Pacific Coast Highway. Those were the fast and loose days when everybody wanted to be out somewhere around Big Sur and one day I happened to be in The Lost Way restaurant (now still open under another name serving wholesome food unlike the burgers and fries and beer that sustained us then) and somebody mentioned that Jack’s daughter, unacknowledged daughter as I said, Jan was sitting a few tables away having as I learned later from her had just come from  Pfeiffer Beach which played a role in a few of Jacks’ books. One thing led to another and we wound up taking Jan with us to our digs (house) in Todo el Mundo several miles away.    

That simple fact has now led in 2019 to some fool, a fool with a name very familiar in the age of the Internet of Anonymous, to assume without proof that Jan and I, or Jan and somebody in the house were having an affair, and most probably me. The only “proof” given, maybe asserted is better was that a guy by the name of Johnny Spain told him that he had been there at our house when Jan came tumbling and that we had a party for about four days when booze, sex, and drugs flowed freely. I knew Johnny Spain back in those days so that part is real. He was on the run from the coppers for either drug possession or for assault I forget which since we had a few such characters some our way and as we were not fond of the coppers then, maybe not now either we gave him shelter. Johnny probably saw many things as he imbibed in whatever was around the place, but he would not have seen me hanging with Jan. Simple reason: one Carol Riley forever known as Butterfly Swirl in those times when many of us, including me the Duke of Earl (yes from the 1950s hit single), were carrying monikers to reflect our new-found freedoms was slumming from her perfect wave boyfriend existence down in Carlsbad in the days before young women took to the surf themselves and had come north to see what was happening. Butterfly was very possessive which I didn’t mind but would have ditched me and/or has it out with Jan if we had been having an affair. End of story, well, not quite the end Butterfly returned to Carol and her perfect wave surfer before long after finding out “what was what.”          

This is really where my real ire is hanging though. In that same introduction I mentioned that I also knew Allan Ginsburg in his om-ish days long before he became a professor when we fired up more than one blunt (marijuana cigarette for those who are clueless or use another term for the stick) to see what we could see out in the D.C. National Mall and later Greenwich Village night. Like I said that piece which formed the basis for republication first appeared in Poetry Today shortly after Allan Ginsburg’s Father Death death and caused a great deal of confusion among the readers. I gave a few examples of what went awry in the responses. Some readers thought because I mentioned the word “cat” I was paying homage to T.S. Eliot generally recognized in pre-Beat times as the ultimate modernist poet. That reference actually referred to “hep cats” as in a slang expression from the 1940s and 1950s before Beat went into high gear not a cat. In any case there was no way the staid and high Victorian sensibilities Eliot would know anything about the bohemia of his day except maybe knowing some bonkers Bloomsbury cadre. One would be totally remiss to call him the max daddy of anything as I did in my homage.

Some readers, and I really was scratching my head over this one since this was published in a poetry magazine for aficionados and not for some dinky survey freshman college English class, that because I mentioned the word “homosexual” and some jargon associated with that sexual orientation when everybody was “in the closet” except maybe Allan Ginsburg thought I was referring W.H. Auden. Jesus, Auden, a great poet no question if not a brave one slinking off to America when things got too hot in his beloved England in September 1939 and a self-confessed homosexual in the days when that was dangerous to declare in late Victorian public morality England especially after what happened to Oscar Wilde when they pulled down the hammer was hardly the only homosexual possibility despite his game of claiming every good-looking guy for what he called the Homintern. Frankly I didn’t personally think anybody even read him anymore once the Beats be-bopped.

There were a few others who were presented as the person I was championing. James Lawson because some of his exploits were similar to the ones I described but those events were hardly rare in the burned over 1950s down in the mud of society. The flight from downtrodden home life made worse by plodding square parents whose dreams for their off-spring were life-deadening civil servant jobs although admittedly a step up from the dregs down at the working poor base of society.  Jack Weir because of some West Coast references, the usual suspects North Beach, Big Sur, Todo el Mundo (where Allan Ginsburg never went or never went while I was there, Fillmore Street dreams and drugs, the inevitable Golden Gate reference. Jeffery Stein, the poet of the new age shtetl because of the dope and self-identification with the downtrodden and the caged inmates at the mental hospitals which he frequented more times than he liked to admit.

All wrong. That poet had a name an honored name Allan Ginsburg who howled in the night at the oddness and injustice of the world after saying Kaddish to his mother’s memory and not be confused with this bag of bones rough crowd readership who refused to learn from the silly bastard. This piece was, is for ALLAN GINSBURG who wrote for Carl Solomon in his hours of sorrow just before he went under the knife and I for him, for Allan the sad day when he went under the ground.

That all was twenty some years ago and while those readers responses were stone-cold crazy they at least had the virtue of ignorance since I did not mention the name Allan Ginsburg in the title nor in the piece. Frankly I did not think I had to do so. What, however, is to be made of readers in 2019 who I assume had read my introduction and its named poet in bold print who still believe that I am referring to some other poet, some of them pretty obscure and old school which makes me think these readers were maybe college freshman survey course takers. I won’t go through them all since unlike 1997 where one actually had to write and mail with proper postage whatever was on their minds today they can just flail away and done so many more responses showed up at my in-box.

Here are today’s scratching my head entries. What Sam Lowell a fellow writer here has seen it all in his forty plus years as a film critic calls trolls since they are tied to alternate facts and more importantly whatever they have on their minds, if that is what they have. Maybe they just don’t read introductions or are among the dwindling few who still take umbrage that someone would tout the virtuous of long-time known homosexual when everybody else has moved on, has bought into a very sensible idea that it is nobody else’s business who you love-and now wed. So a few of the rabid went along that line but rather than grab onto Ginsburg have assumed that I was writing about Walt Whitman, since I mentioned the grand civil war and the fate of boys and men including a semi-erotic paean to Abe Lincoln. Of course they got that wrong since Whitman’s ode to Lincoln Oh Captain, My Captain is one of the few truly chaste and un-coded poems he wrote. But that is a classic example of this troll contingent’s faking reality to suit some odd-ball political agenda from we should all run like hell.

It only got worse after Greg Green, site manager for the on-line publications here who in the old hard copy days would have been called the editor, started publishing some of the e-mails which only fueled the flames. Declared open season on reason until on advice of wise Sam Lowell mentioned above who chairs the Editorial Board that sits to clamp down on an editor’s more off-the-wall decisions. To continue a vague off-hand reference to the various Eggs off Long Island Sound got one F. Scott Fitzgerald the brass ring mainly so that Jay Gatsby could be extolled as the upwardly mobile paragon of American virtue for a new century (that is exactly what was said if you can believe that since in the unlamented Jazz Age except for the jazz Jay got himself shot and dumped in some coal bin.) A couple more to make my point since I suddenly realized that to even present these holy goofs, an expression learned at the feet of one Jack Kerouac who had I believe more talented types in mind, but the expression just popped out at me. Yeats, Yeats of all poets drew some fan-dom based on talk of Irish girls losing their virtues in sullen Cape Cod gin mills. How that goes with muse Maude Gonne escapes me. Finally, and at least this person had some literary sense he thought because I mentioned Time Square hipsters, drifters and grifters waking up in sullen midnight sweats looking for some savior not the Lord fixer man to get them well and ready to do an occasional soft-core armed robbery or jack-roll (I was impressed with the sue of that term since nobody uses that expression for a very old trick of taking a slender club or maybe a roll of fisted quarters and bopping some drunk or old lady for their ready cash I was speaking of one Gregory Corso the bandit-poet. Sorry I was reaching for the big Howl and Kaddish master and beautiful lumpen dream Corso was a secondary player back in those long-gone daddy days. Enough. Lance Lawrence]

[Back in 2007 and then in 2017 when we commemorated the 50^th and 60^th anniversaries respectively of the publication of Jack Kerouac’s landmark travel book of a different kind On The Road which ignited a generation maybe two to “hit the road” I was the site manager, then called general editor, a throw-back from the times when American Left History was a hard copy publication. At those times I had been re-reading a series of Ti Jean’s books after senior writer Sam Lowell had pointed out to me that the previous years had been the 50^th and 60^th anniversaries respectively of fellow Jack “beat” brother Allan Ginsberg’s landmark poem (really screed) Howl which for a while took poetry into a different direction which we had neglected to commemorate (and which we did belatedly). Now Sam has again reminded that we have come to a certain commemoration date, the 50^th anniversary of the death of Jack Kerouac and we are again in need of evaluation, no, re-evaluating the place of his work, his place as “king of the beats” whether than title fits or not and his place in the sun.    

Of course on those prior occasions I could assign whatever I wanted to whomever I wanted since I was the person who was handing out the assignments. Now after a prolonged internal fight in which I was deposed and sent into “exile” I am back but solely as a contributing editor, not as the person handing out assignments. That task is now in the capable hands of one Greg Green whom I knew over at American Film Gazette many years ago and had brought over a couple of years ago to run the day to day operation here. Greg and I have had our ups and downs especially after I was in desperate straits when I was sent into exile and had no current source of income and had to depend “on the kindnesses of strangers.” But that is past and since I was instrumental in the previous commemorations Greg decided that I should as with a couple of other major projects that I have done since my return oversee the Kerouac death watch this year.   

Needless to say, since this dark cloud anniversary is upon us I have to do a new introduction, a setting of the tone. One thing that I was not able to do when I was overseeing the previous commemorations was to write about something that has haunted me for a long time-how different Jack’s experiences were from those of my parents, from any Acre neighborhood parents despite some very strong similarities between the way he grew up and the way they did. In short they were near contemporaries having all been born and raised in the 1920s and forward. Nevertheless they could not have been more different in their lifestyles and life dreams. It would take their son, and their son’s generation to at least momentarily connect with the older man and what he brought to the table. Maybe the link between “beat” and “hippie” was tenuous, but it was there, and is there fifty years after his passing to the unsettled grave. That will be the thread that runs through this new series. Adieu, Ti Jean.     

*************

Jack fifty tears, fifty years gone in some bastard grave in holy, holy, holy Edson Merrimack River ground busted asunder by holy goofs looking for timely relics, looking for that one word which would spring them into some pantheon, some parity with the king (we will not even mention that other king that animated our dreams for we now speak of parent, parent of class of ’68 dream. Funny non-Catholic ground Lowell given his deep sea dive to right his ship around the beatitudes that the class of ’68 left in the shade if you wished to know. Mere turning in her old Quebec come down to the textile mills from desolate turn of the century farms which gave to the bloody English overlords, another common sticking point against heathen English overrunning the small patch farms with enclosures and encumbered debts devotion grave, with the times out of sorts the young passing before ancient hatreds mother. Not a stranger come the end on Hard Rock Mountain and no place but some stinking trailer benny and that fucking crucifix that never helped anybody that far gone into the haze.

Not strange for assuredly lapsed Catholic cum Buddha swings devotee coming out of Desolation Mountain, Dharma bum frills and assorted other spiritual trips, (won’t even think about that black boy, and he was just a boy, who against some grandmother dreads blew the high white note out to the China Seas, via, well, via Frisco Bay drove the writing, the what, the unvarnished truth  until it drove him into the ground. That and those endless whiskeys and cheap Thunderbird wines when dimes were scarce a few times down on his luck cadging wino bottles from buying for underaged kids, with his bottle the kicker and what the hell if he didn’t go it, didn’t get his some sterno junkie would dip into Salvation Army surplus and the thirst was great. Not “his” thirst but “the” thirst and don’t mix the two up buddy as he told that straggly bearded kid, some hippie bastard from Omaha clueless about the decadent night which lie ahead, the compromises too.

Strangely bisected, fuck finally my real point (another luxury of not having to be general editor with parsing and editing to make “nice” for the academic journals which thrive, which throttle on  Jack’s sputum and can get down in the mud with the real critics like Artie Shaw and Bugs Malone and not worry about half-ablaze in the head, half fire in the head Patti Griffin called it once),  through my own parents too who had no idea of hip, no idea of “beat,” except maybe mother in beatitude but that is a different story, a story about common roots high holy day Catholic stuff. Another common point, emerged in veiled tears, speaking of tears, to rear their ugly heads come feast days. (Wondering if her, their fairy sons would see the light, would submit to the calling that every grandmother hoped without saying leaving it to transient daughters to do their own parsing. Father no hipster born to the hills and hollows which hallowed by memory played no part in big boom beat-beat time coming out of World War II like houses on fire. No speedy cross-country by 1947 Hudson (hell no car a public transportation might as well say welfare crude bum and fuck that is all a guy like that deserved.) With big ideas of shaking things up, making merry with the always with us squares and other geometric forms. Jesus the worst part knowing that they knew not of square or any other geometric dreams. Too bad, too bad when they chance came around and the call went out looking for junkie hipsters, con men and queers hanging around public toilets on Seventh Avenue in New York City.  

No Dean Moriarty, hell call a thing by its right name, no Max Fame, no Allan Ginsberg, no Kenneth Rexforth, no Hank James, or his brother William speaking in tongues trying to figure what a guy named Freud meant when he wanted to go where his mother lived, after killing cosmic fathers and brothers, no Gregory Corso, no John three names somebody a throwback to ancient Boston Brahmin bouts with legitimacy speaking of bastards, trace the genealogy back to Mayfair swells days, nothing for the bastard who is bothering one Laura Perkins who I have been sweet on for an eternity but who only has eyes for Sam Lowell about her sexy takes on serious 19^th century artist who were as capable of going down into the mud, blowing some high white note out in the Japan seas for a change. Above all no Neal Cassidy, no fake Dean Moriarty to skirt the libel laws with wives and mistresses searching for vagrant unknown fathers in some dusty coal bins but a poor old good old boy and maybe in another time said Dean, Adonis Dean against Father Sheik, would have wandered out in the cowboy West night looking for drunken fathers with hip-ness but that was not the play, not at all. Father Sheik coming like a bat out of hell from those hazardous coal bins looking to break the eternal hills and hollows existence that plagued his fathers since the time the first clan were cast out of England for stealing pigs or consorting with them in any case with not unfamiliar family refrain of “leave, or the gallows,” such were the tempers of the times.

And Father Sheik, hell, Adonis Dean too, with no way out except that passport via some Nippon adventure over Pearl always Pearl nothing else needed and he off to Pacific battles and raiments. Jack to the North Seas and merchant marine bunks with odd-ball seasick sailors (and me wondering whether having looked of late at YouTube should attribute my borrowed words but the hell with it plenty of seasick sailors had nothing to do with YouTube or song lyrics). And forsaken Dean too young to know the face of battles hung up in reformatory secret vices which an earlier generation (and later ones too) would “dare not speak their names” (Catamite, Sodomite, homosexual, pug ugly, suck-head, your call.) How quaint.

Two years and two places do make a different no Bette Davis eyes in the hills and hollows but Jack-induced Merrimack adventures of boys seeking pleasures in riverside woods and hamming it up for all the world to see. If only the old man could have written out his dreams, if he could have written out anything. Jack to the library born to take his fill of whatever classics that river textile town had to offer and whiskey you’re the devil which should have given even a blinded son something to think about with dear Jack fifty years dead and the old man still trembling in his teeth. My God.

But he never made, he the old man never made New York ever as far as I could tell, knew none but obvious landmarks like tall Empire State Building or Lady Liberty. Mother Jacked on some Cape Cod Canal cutaway small steamer to the Big Apple (not Big Apple then but who knows) and Automats, evoking Laura’s Edward Hopper sad-assed dreams of a guy who couldn’t even draw smiling faces and hence the queen of 20^th century angst and alienation and five cent ferry rides to Staten Island. The Village, okay for me to call it Village as I was a denizen once for Jack too might as well have been on some planet’s moon for all she knew-him too, too rich for his blood but Jack’s meat, no problem. Even if strangely Times Square hipsters, grifters, drifters and Howard Johnson hot dog eaters were mixed into the new wave, then new wave against Big Band Duke, Artie, Lionel jazz boys coming up with their sullen lipped riffs to spring a new alienated be-bop on the square world. Jack knew square, knew father square, knew mother, Mere, square in large letters of unrequited love but shook it off long enough to cross the great desert America giving Lady Liberty the boot, the un-shod sole, or maybe taking a cue from Jack book lamming it out on Bear Mountain just for the hell of it. But this old mother, not Mere mother, never knew, never had an idea of even in her big Catholic, Irish Catholic dream of meeting the boy next door and finding steady white-collar civil servant heaven. Jesus is that what she was about when the deal went down and Jack split for Ohio with two bucks and six bologna sandwiches stale well before Toledo believe me I know.             

Life took a different tact though she never found that clever test-worthy boy next door (he was some greaser with a big hog of a bike which would have inflamed Dean, would have gotten his wanting habits on and maybe a run to the Coast). So she having had her fill of Coney Island dreams and Automat five cent pies took a chance on the Sheik (strange on looking at Jack photographs how sheik-like our boy was and father too like some lost tribe members) found guarding the country’s defense not far from her home but he of Pacific wars, many with manly Marines. Jack flopped the Navy but did dangerous merchant marine runs out in the North Atlantic, out to the Murmansk seas (that makes three China and Japan alongside) not honored even in Washington until much later down in front of Arlington National bravos resting places. And a not so funny twist of sagging fate brought her dish loads of kids and some undefined alienation from which she was excluded, and he too by association. They didn’t prosper far from it but they also didn’t have that run, no, those runs, to the West looking for lost fathers, looking for the Adonis of the West to shake up his love. Could two worlds be any more different and only about say forty miles apart. That not a question but maybe a quiet condemnation for some woe-begotten life of quiet desperation, her mantra for all the good it did her.

It would take a son, some son, some great girth of sons and daughters to jailbreak, to Jack their ways out of that parent, remember their parents’ contemporary, that snare set for those who didn’t get to Times Square, didn’t get to the Village but stuck it out in Hoboken, Elko, Oceanside. It would take some unsettled sense that all was not right with the world, that too many kids were stuck with Modesto hot-rod dreams, Hell’s Angels angers, Louisville thwarts, and many La Jolla searches for perfect waves to jumpstart what Jack, and not just Jack but he is fifty tears, fifty years gone. Oh, what might have been. 

Down And Out In Gotham Town- “Batman” (1989)-A Film Review

Down And Out In Gotham Town- “Batman” (1989)-A Film Review

DVD Review

By Phil Larkin

Batman, starring Jack Nicholson, Michael Keaton, Kim Basinger, 1989

WTF. Yeah WFT I am still standing although for the life of me I don’t why after the screed I ran through in the last film review I did if you could call it that Marvel Comics’ The Avengers. WTF too that I am still doing kids’ silly super-hero comic book airheads turned to the multi-plex screens all because everybody, boy or girl from the look of things, between the age of about eight to twenty-one no longer can sit through the twenty minutes it takes to read a comic book. Said kids will only sit through a couple of hours of swill, as long as the dialogue doesn’t exceed short sentences and grunts, there is kick-ass action every thirty seconds for no apparent reason, and there is an ample supply of vat- tubbed butter-drenched popcorn and gigantic refillable soda cups.

Although you and I both know if you have been following this race to the bottom of filmdom being forced on me with this brainless twit stuff that this is the first stages of a purge by the recently installed new leadership which seems to be making every effort to get rid of the old writers who held this operation together in the days when the assuredly purged, don’t believe that voluntary retirement stuff, Allan Jackson (aka Peter Paul Markin on this site) was made to fall on his sword. We who voted for his retention, meaning against the installation of the new pope Greg Green and his flunky Ed Board, are expected to follow suit. And assuredly as well the quickest way to get rid of senior writers is to give them assignments picking up the popcorn tubs and soda cups after a bunch of lazy kids who won’t read.          

Here is the latest step in the big step-off for this writer in this space (needless to say I won’t give them the satisfaction of quitting even if I do take that now obvious big step-off-no way). Greg Green has ordered me put on “probation” and hence this disciplinary assignment from hell  (yeah, yeah through the Ed Board but even those know nothing eight to twenty-one year olds know this has the earmarks of the “boss” making the decision and not some hireling nonsense). The reason? Well off that last review if not the first one there are a million possibilities. Start off with my WFT assorted languages that might offend those eight to twenty year olds who emphatically don’t read much less peep at screed-like film reviews. Even there PG parents don’t care as long as they don’t hear their precious Jills and Johnnies don’t use that language around the house. How very liberal. But strangely, or maybe not so strangely since “teacher’s pet” Kenny Jacobs mimicking me started using salty language that is not the reason. Although given this new crew’s kind of left-handed way of doing things since Allan’s purge now that they have wind in their sails that could be the disguised reason. Probably not though since in some weird modern let’s be hip and let everything but the very worse language slide through they are catering to that younger crowd which see the whole thing as picturesque. How very liberal.       

       

You might think that daring them to print that last damn review after skewering not only the film’s reasons for existence but basely calling the whole thing an empty shell would be the reason. After all a bad review, which by the way Alan Jackson cared less about which way the review went as long as it was well-written and less than three thousand words (so he didn’t have to pay a premium bonus number of words although in cyberspace being meaningless). This crew from what I have heard in order to grab some extra revenue is taking “advertisements” from the movie companies in this space. And the surest way to lose such lucrative emoluments is to have one of your writers declare their whole operation a house of cards. Call the whole thing a charade, an insult to the intelligence of amoebas and sea pods. However Greg mentioned to, I think, Lance Lawrence that these modern day studios still work on the old premise that the only bad publicity is no publicity. So no sale.      

You might think, and again be wrong, that skewering the characters and their personal identities would draw the line and put me beyond the pale. Calling patriotic Captain America a brawny brainless twit who would be hard-pressed to figure out how to use a spoon if he ever had occasion to use one. Ditto the Hulk except dumber when he goes off the deep end and turns into a green balloon-ish cretin. Calling beautiful Thor a wooden head, as wooden as those Valhalla Viking ships that faded from history fast for no known explanation except brain death. Sorrowfully calling Black Widow nothing but a commie bitch, eye candy for the jet set, and not to be trusted under any circumstances. Mutants, social misfits and rogues all. Even the brainy Ironman who in the end didn’t want to play ball, thought for at least a minute that going after a half dozen well-recognized thugs didn’t require making half of  humankind “collateral damage” in their wide-open wake, got all crazy and stuff.       

No, the reason if you can believe, this that I am on “probation’ is that as has been standard policy at this site since the old days when Sam Lowell, now really in retirement but of late muzzled, ruled the roost as official Senior film critic, a title now abolished in the new ‘democratic’ era that I did not give an adequate plot-line summary. What? What plot beyond kick-ass bad guys every thirty seconds in between gulps of soda or throated popcorn for the audience and don’t get any scratches on the uniforms or one’s person. Does it matter if the “enemy” is Hydra or Thor’s aunt? No, I think not and so there is the very real substance to my feeling that my days in this space are numbered. Once they say they have a pressing assignment for me out with the now exiled Allan Jackson out in Utah I can kiss my ass good-bye.    

That brings to the so-called plot-line of this Batman film from 1989. I am doomed anyway so once again I will say –what plot. Batman, played by mild-mannered Michael Keaton in between bouts of going under the Wayne mansion downy billow beds with investigative reporter Kim Basinger has a run-in or seven with the Joker, played by living maniac Jack Nicholson, who got caught short in an acid vat after killing his mobster boss which skewed his personality quite a bit although he was always a thug. In the end, ho-hum, the Joker takes the big fall, takes the trip six feet under. Any more plot line than that Greg Green can sue me. Enough said.