Monday, July 26, 2021

Lost In The Rain On Desolation Row -With Bob Dylan’s Highway 61 Revisited In Mind

Lost In The Rain On Desolation Row -With Bob Dylan’s Highway 61 Revisited In Mind



By Jack Callahan

“I’ve met Einstein disguised as Robin Hood, I’ve been in the tower with Ezra Pound and T.S. Eliot, “declared Robert South to no one in particular although Jake Devine was the only one in the room at the time. With those words Jake, Jake known as Jake since childhood to distinguish him from John Devine, Senior although his father a genial Irishman addicted to sports betting and drinking whiskey not always in that order was more the slap on the back Jake type while Jake in the throes of his high hippie moments was trying to shed that moniker for his new identity one Be-Bop Benny but old habits die hard and his old high school friends called him Jake and when he went on the hitchhike road west with them in 1965,1966 the name stuck whether he liked it or not, knew that Robert was two things-one, high as a kite on either speed or LSD just then the drug of choice among the “hip” (not always the same as Hippie but Jake did not want to argue the fine points on that one since he himself had been on a two day black beauty speed high-low) on the mind-expanding conscious West Coast cohort of the brethren and two, Robert had been listening to the whole of Bob Dylan’s Desolation Row at least once, probably more than once if he was high since he would not have had the stamina to switch the sound system that Captain Crunch had installed in their “digs” now that they were off the road for the winter and settled into Pablo’s mansion. By the way in compensation  for being called Jake by one and all on the bus, of which more in a minute, he had gathered some sense of respect because his latest flame, a serious “hippie chick” met on the road at Big Sur as they were heading south, Frilly Jilly, called him Be-Bop Benny,  called him a few other things once they high on grass, you know marijuana,  got down to the “do the do,” a term the guys still carried with them from the corner days in Riverdale after they had heard the bluesman Howlin’ Wolf do a song with those words in it, those words meaning hitting the sheets, having sex, what she called him in her high hormonal moments was left to them.              
 Yeah, Robert, Jimmy Jenkins, Frank Riley, and a guy, Josh Breslin, they met from a mill town in Maine on Russian Hill in San Francisco where they were camped out in a small park when he stopped by the bus and asked for a joint had been on quite a ride since coming West to see what it was all about and were learning quickly it was all about “drugs, sex and rock and roll” at its core but also about getting out from under the old ways of thinking and living. So when they hit Frisco they headed like lemmings to the sea to Golden Gate Park where all the hell was breaking loose met a few guys who “turned them on,” got them invited to a few parties, including one Captain Crunch was throwing around the new yellow brick road bus that he had just purchased (allegedly in a trade for a big sack of dope but all the time they were on the bus they never had that rumor confirmed by the Captain or anybody else and mainly it didn’t matter by then). This bus was nothing but an old school bus that had been turned into a moving commune after the seats had been torn out, mattresses thrown down, a storage area for family living material like utensils, dishes, and pots and pans, the thing had been repainted in every day-glo  psychedelic color under the sun and best of all hooked up with a great sound system Dippy Mike, the guy who did the sound system for Fillmore West and the Dead, put together for any trips they would take.
And almost from the start at Golden Gate Park the trips began once Captain had selected the Riverdale boys as part of his crew to head south with him. The reason for that heading south, the reason Robert was holding forth those lines from Desolation Row was to “house-sit” here in La Jolla at this mansion that belonged to Pablo Rios, a friend of the Captain’s and a serious south of the border drug dealer who was in Mexico for the winter and the Captain had agreed to doing the sitting as we got into “winter quarters.” Now that the bus was not being used, was being refitted with a new engine and so not useable, the sound system had been transferred to the house for the weekly parties the Captain threw for his friends (and whoever happened to hear about the event and knew where to find the place, not as easy as it sounds when stoned in hideaway between the cliffs La Jolla).                    
Robert, once settled in, once he got his own room with his lady-friend, Lavender Minnie, got heavily into the dope, got heavily into listening to the amped up music and Jake thought he had begun, like they had all heard about with kids who did too much dope, to go over the edge.      
Just as Jake thought that thought Robert rag out again with “they’re selling postcards of the hanging, they’re painting the passports brown,” and Jake knew that Robert had gone for the next plus minutes to his own world. Eleven plus minutes if he was lucky, since more than once Robert had decided that he needed to give his own take on what the whole thing meant, what the various references meant to him. For example that business with Ezra Pound and T.S. Eliot, the two exile poets who almost single-handedly broke from the old forms and created modern poetry and were treated like gods among the hip at one point was Dylan throwing on the gauntlet, telling those guys a new sheriff was in town. Well, maybe, if you think Dylan was a lyric poet rather than a song-writer, or maybe put the two together. For example that postcards of the hanging stuff was his political moment like Billie Holiday had with Strange Fruit about the scandalous open lynching of black men in the South put together with a new sense of masculinity turned in on itself with sailor boys caught out on the seven seas who transformed themselves in boy-girls with those all male crews. For example that stuff about Ophelia, you know Hamlet’s chick and how she was giving up the ghost (committing suicide) not because of some lost love but because she was pregnant and was not sure who the father was.

For example….but Jake knew Robert was merely babbling, merely going through the numbers and beside, taking another sweet swift hit of meth to jet fuel those two black beauties that had kicked in hours ago he had his own “take” on those lyrics and with the “fake” wisdom brought on by the speed, which would bring hours of high and low thoughts he started to write some stuff down (he would say later so he would not forget it since the thoughts were flying fast and furious just then) and as he drifted into himself here is what came out on those stained yellow legal pad sheets that held whatever was written on them….                
I have to admit Robert was on to something, something sinister and devilish in the American psyche but he was dead wrong on what that “postcards of the hanging” was about, who was being hanged and for what reason. Sure, Billie sang her blessed, goddamn blessed junkie heart out and not just on Strange Fruit, sang her heart out until near the end and the dope, the hop got the best of her voice and her psyche.  Sure I would have seen the fixer man for her if she would just sing one more song to chase my blues away, make them sail into this freaking Pacific wind to the China seas reminding me that many a lost high white note found its way along that path blowing out from North Beach joints but Strange Fruits that dirge to what the fuck was going on in the damn Mister James Crow South during her times, hell ours too since there is a loss of train of thought when Billie couldn’t squeeze anymore life out of the needle and put the lights of New Jack City out in the shade and my running around in cracker North Adamsville trying to drum up books, can you believe this, books for little black kids, then Negro, now Afro-American is gaining currency, but black, black as night like Billie with that sweet orchid hair in god-forsaken Alabama where goddam, Nina Simone was right, goddam hell was breaking loose and Mississippi was burning, burning white stick crosses and white steepled churches, Baptist churches too but it might as well have been some mongrel Buddha swings congregation because the flame was going down in Negro-town.
Yeah, Billie sang it right, sang about that lonely stick figure, black, black as coal swinging in the wind, head bent from that awful snapped neck which could be heard back in the far reaches of the crowd where the children, the very white children stood to learn about who was boss and who was crap, hell, shit in Mister James Crow’s house and about how that lonely stick figure would provide a brisk short-term trade in Mister Brady’s photograph emporium among the fucking hillbilly white trash come to see yet another black man put to the ground, going to see his maker if the fuckin n---ers [edited by Greg Green to conform with publication policy around that “word” and its implications when white guys, even white guys who scratched and cajoled  around white bread, white bread, white trash North Adamsville to get books, can you believe books for black schoolchildren in heathen Alabama] had a maker, had their very own high Jehovah black as night maker. No Mr. Bob, Mr. Dylan taking a righteous war name from drunken sot and Welsh poet, maybe a welcher at the bar tab in the Village too meant to take a look at some hand-press printed postcards of the hanging of the avenging angel, the righteous son of that high Jehovah that made him and those sullen black Baptists too, John Brown, Captain John Brown late of Kansas prairie fires and Harpers Ferry fight(never sure whether there is an apostrophe between the “r” and the “s” on Harpers so no) against the same bastards, against the fathers and grandfathers of those white trash (and not just white trash either once you took the hoods off if they bothered to put them on just to hang a lonely stick figure n—ger, and you know what that coded word means for Miss Scarlett O’Hara and her beau sweet boy Rhett, or her children, all who could be seen swarming around those barren trees), and maybe great-grandfathers of those later photographs per Mr. Brady who watched in heated glean at yet another example of the rightness of keeping Mister James Crow’s laws in place, maybe forever…
…Hell, I don’t know what to make of that “painting the passports brown” so somebody else can figure that one out, maybe and I don’t think I would be that far off he was just holy goof trying to get lyrical and maybe was too stoned to see that there were no passports from those hanging trees…
Leave it to Robert to get the sex stuff all mixed up, “the beauty parlors are filled with sailors” part although he knew, flat out knew and I don’t know where from about what really goes on in isolated male society [again by publication policy maybe “isolated female society” like on the  isle of Lesbos), aboard ships with cozy dark bunks and several watches to do whatever had to be done with sore asses and sore mouths a cause for doctor looks when on land), in prisons where the cells are small and the lights are dim with the howl of someone, some fresh young boy getting his baptism, his deflowering, and of course, honey to the bee what they call in England public schools but here for some reason private school where half of the British ruling class, half the literati got their own de-flowerings. What he didn’t know, maybe couldn’t know although we spent some time down in P-town, excuse me, Provincetown, the kingdom of those guys who are “light on their feet,” fags, sissies (the site manager said he would let this go even though it was a close call) where we drunk as skunks would bash a few for sport for looking at us with those hungry ravenous eyes was that the whole expression was coded, was some Jean Genet Our Lady of the Flowers  reference to “dilly boys,” the guys who hung around the darkened wharves, the low-light taverns frequented by home-bound sailors looking for a change of pace, looking for fresh new faces once they had been deflowered, once they had had their share of sore, asses, sore mouths, damn, sore cocks. What he didn’t realize was that not only sailors were lusting for a workout with dilly boys but those public- school graduates were as well, were searching for some rough trade. Here is what nobody knew, nobody wanted to know running the whole show, running those dilly boys through their paces was none other that Sherlock Holmes, yeah, the so-called parlor pink detective who couldn’t open a bottle of wine without a page of instructions and his honey, his girlfriend if that is the right way to say it [today husband if married-boyfriend if not but that is what Josh wrote back then so onward] Doc Watson, not the famous blind or whatever you call guy who lost his sight late bluegrass star but some stumblebum backwater quack. They ran the rackets, dope, robberies, women, dilly boys, art heists, everything that ran through London while the public relations firm they hired to cover their asses, ha, literally, shilled the story about how they were true blue to king and country (to the stately queens of England too-another coded reference) fighting the much maligned and heterosexual Doc Moriarty who almost thwarted these bastards before they killed him.
The rumor was that the whole thing started, the whole Holmes-Watson criminal enterprise which was protected by men in high places in government, business and society, you know those fellow public-school boys who worked the political racket when Doc Watson went to the beauty parlor to get a fresh do so he would look nice for Sherlock when they went on vacation to Scotland, some islands off the coast, and ran into a couple of pretty sailors just off HMS Pinafore or some such ship and were getting their do’s to look pretty for the rough trade running through the notorious Black Lantern tavern, public house, okay, near the notorious Clapper wharves. Doc pressed a couple of their buttons, showed them some opium he was in legal possession of and they were off to the tavern. That is where to his delight Doc learned about dilly boys and about looking “pretty” checked out some of the merchandise and came home to Holmes who was reportedly frantic with the Doc’s genetic sore ass, sore mouth and sore cock. Sherlock, intrigued, always intrigued I will say that for him after he calmed down went with Doc to the Black Lantern, feasted on the boys, including those two pretty sailors who escorted Doc to that location and the rest is history.
Fuck I have been in that place, have been down the hellish parts of the row, maybe better called the River Styx after old opium-eater Sam Coleridge started seeing sunless seas and went off the deep end about it forgetting Wordsworth’s advice to smoke that madness bong in freaking moderation. Typical junkie’s remorse, lament, you pick the word but don’t give me some twelve step higher power bullshit. Been down there by myself, alone, and with every kind of woman, lately Frilly Jilly, like that moniker, she curls my toes, likes to swallow my cum when she giving me a blowjob, says the stuff is filled with protein which we don’t get enough of doing serious dope, serious speed which takes away the hungers, food hungers anyway and so she will suck me dry, and it is okay with me except once she tried to kiss me with a load in her mouth, wanted me to taste my own cum, wanted to French kiss with that freaking mouth, I freaked out. Jesus. I was just thinking that when we hung around the corner, hung around Riverdale waiting for something to happen we would speculate, boredom I guess, about who, which girls we knew, if they gave head, you know blowjobs would they swallow or spit. Frankie Kelly, who left us a few days ago to head back to Riverdale to check about his draft status and about how to get out of the thing somehow what with the war raging, was the first guy to bring it up and while we knew all about blowjobs we at first thought about the question it seemed strange, seemed kind of esoteric and who gives a fuck but Frankie said that if a girl spit that meant she didn’t like your cum, didn’t have any kinky traits and so maybe was not going to go the distance. Like I say Jilly is a swallower and when I mentioned that conversation she said girls, her girlfriends anyway, talked about the same thing except since it concerned them more they took it seriously and Jilly said the first time she gave a guy a blowjob back in junior high school a couple of years ago when she started getting sexy thoughts and wanted to do something about it, to experiment, she didn’t like it and spit it out. The guy, older, went crazy when she did that. That is when she talked to some girlfriends, the ones who were sexually active or wanted to be, one who told her to swallow fast and it would be okay, which she did the next time with the guy she still didn’t like it but got it down okay and so she has been a swallower ever since. She said she only started to like it, to feel better about taking it when she read last year about the protein and that made her thing of it like a vitamin, a supplement and that was why she liked to suck a guy dry to get as much protein as possible.  (By the way we never even considered that crazy joint swallow Jilly was into who said she learned it from a college guy who was worried about losing his cum to the bed or wherever they did it and she got hooked on doing it, did it with a girl once when they were in a motel room with two guys and the other girl, not the guys though, was interested. But these day Jilly was mostly about the protein, was about swallowing the cum to keep her energy up, and about curling my toes).     
Some women really do like to take it on the wild side. Jilly does, has ever since we picked her up on the Pacific Coast Highway around Carlsbad, maybe Oceanside where the freaking Marines do their blow-up stuff. Likes to give blowjobs and is good at it although since she is only sixteen and does not want to get “in the family way” that is as far as she will go, maybe a sneak hand-job when we are riding along on the bus but I am getting away from what I was thinking about, about circuses, about Lilly Ann, about Madame LaRue ‘s daughter Lilly Ann, who shilled for the Madame, brought in the customers for mother’s fortune-telling racket (with Lilly Ann grabbingly wallets in the dark but I didn’t know that until later, until she, Lilly Ann trusted me enough to believe that I would not turn her in. Jesus, a snitch, no fucking way, excuse my English if I haven’t said that, excuse me, before). Lilly Ann and mother, Madame came to Riverdale with Jim Calhoun’s Mighty Midget Circus, that was how it was billed on the posters and advertisements around town. Jim had been coming to town and I had been threatening when things got tense at home to leave with the operation once they folded up their tents and split, although I never did. That tells you how tense things were at times in the house with wild woman mother and four older brothers crowding me out. The year I am talking about was the year I met Lilly Ann when I was sixteen, she said she was also sixteen but she was really thirteen, going on fourteen she said when she told me the truth after she told me about the wallet-snatching operations that provided the real dough for her and the Madame (Lilly always called her Madame as did everybody else including me).
That was the year, not with her, that would come later, when I first had sex with a girl, a girl from school who you would never think was into sex, had been since doing since twelve when an older brother’s friend “broke her in” she called it when she made me promise not to tell anybody or else she would tell her mother what I had done and get me in serious trouble, was into moaning and groaning and who would scream when she came, screamed right in my ear. Got all wet, sweated some she moved her hips and stomach so much while she was in heat, while she was getting ready to climax (which the first time she did it I didn’t realize that women could do, couldn’t understand why she was so wet). In those days, funny that was just a few years ago but since I have been on the West Coast, since I have been “riding with the king” as Captain Crunch calls it, we, meaning all the corner boys, Robert too were totally interested in getting blowjobs and maybe regular sex, what some girl told me was called the missionary position which she did not like, did not like the weight on top of her and liked to be on top where she could move her hips frantically which was alright with me and made me realize how square we were in high school with our little regular missionary position lack of imagination, if that was available but most of us agreed that a blowjob was easier to figure, easier to get, and less hassle than figuring out how and where to “do the do” our expression for what we called going all the way. I tried to get this girl to give me some head but she balked, she balked as I put my cock near her mouth. Said that thing, my penis, was nasty, she didn’t want it in her mouth. Had tasted some guy’s come after giving him a hand-job and didn’t like the taste, hated it. So no sale. Some young girls are funny you think like with Jilly they would be more worried about getting pregnant than worried about the taste of cum in their mouths. I wish I knew that protein line Jilly mentioned then maybe she would have gone for that, she was a science whizz.
Lilly Ann was actually easy to make, to get in the rack once I won her a doll at Skeets, my favorite game at circuses and amusement parks. When I asked her for a blowjob one afternoon down by the beach she put the towel over us and went to work. Not as good as Jilly since she bared her teeth too much, not enough tongue-lashing   and stopped when I proved to take longer than expected before she started up again but beforehand she had asked me if I liked a girl to swallow or to spit out when she was done. I asked her which she preferred, and she said she didn’t care-if it tasted good she would swallow, if not spit it out. So girls are different in that regard. Lilly Ann was the first girl though who said that if she liked a guy and his cum didn’t taste good and he wanted her to swallow but she had spit it out the next time she would chew gum or something to kill the taste. A girlfriend had told her that when she was younger after some guy almost slugged her for spitting out. Liked to use bubble gum she said so she could make bubbles afterwards and we laughed about that. She sucked me dry said I tasted like maple syrup. We went together for the three weeks the circus was in town and once again home life had me hankering to go on the road when the circus left town, go with Lilly Ann and all the kid stuff romance ideas attached to that. Then one day I went into their trailer and there on the couch Lilly Ann was fucking Mr. Leonard, the city permit guy who okayed Jim’s permit for the city grounds used by the circus. Seems Lilly Ann was the graft for Leonard’s okay. Fuck. I ran out and maybe ran out of naiveite. Never saw Lilly Ann again and lost my taste for circuses- for a while.     
I don’t even want to talk about riot squads, coppers after all the hassles I, we have had between the corner in Riverdale where the cops had seven eyes each on us instead of checking out real crime and criminals and the few demonstrations against the freaking Vietnam War we got knocked around  in at Golden Gate Park in San Francisco topped off by about seven stops of our home, of Captain Crunch’s cruising yellow brick road bus looking not for dope, not for sanitary violations or something stupid like that which would be the usual excuse to stop us although our ace driver Chuck Cassady has everything under control but whether we have underage girls, presumably girls, hidden away with mothers and fathers wondering frantically where their wandering charges were and whether they have been deflowered, nice word, the latter really of concern since they, those parents didn’t want to have to send their young things to the mythical “Aunt Emma” if and when they get pregnant by who knows who. That Aunt Emma thing code for sending the girl away to someplace maybe never to be seen in town again to avoid the obvious stigma of pregnancy not for the girl who after all was just doing what came naturally to humans, having sexual feelings and doing something about it. As I write this Frilly Jilly said if she was ever picked up when the cops stopped us she would take them in back and give them the best blowjobs they ever had, would suck them dry until it hurt. She said a girlfriend of her ’s, maybe the first one who told her guys like it better overall when you swallow their cum, shows that you are part of them the girlfriend said, told she had to do that once and everything came out fine. Had made sure both cops were there even though she felt funny with one cop watching so that she had them cornered if they tried to take her in. One cop said sorry to bother her after. The cops didn’t know she was only fourteen years old so she had something on them. Smart girl. Smart girl Jilly too since she would use the same ruse although I hope she doesn’t have to use it when I am around, or she is around me. I know it has to be done but I am still smarting from Lilly Ann way back having to get out of tight spot by fucking some guy’s brains out.
Jesus this screed in turning into a sex story, a  male fantasy sex story and not staying on the skids of what the bard was getting to and then he lays this Cinderella meeting some charming prince, or some sidewalk Lothario anyway and he gives us the whole thing in a short expression, Cinderella although it could have been Snow White, could have been the Fairie Queen from John Dryden or was it Pope, Alexander Pope, could, well, could have been any fairy tale is easy which turns this whole section into another free for all. Stick with me this Cinderella story is kind of cute, our girl is working the hard life for some bitch mother and her sisters, half- sisters I guess…
No, this screed is getting too weird, getting again into another sex thing Cinderella, Snow White whoever had to “do the do” to get out from under some horrible situation by giving herself, by getting de-flowered  one night to some prince, or a guy who claimed to be a prince. We have been down this road before, so finis. Well not finis since Frilly Jilly read what I had written and said it got her kind of horny, got her thinking about “playing the flute” as she called it lately after one of the young women we partied with a few days ago told her what she called it. That girl also said that Jilly should, well you figure it out, figure out Desolation Row lyrics too                                              



When Your Lost In The Rain In…Hollywood And You Don’t Know What To Do-Dick Powell’s “Hollywood Hotel” (1937)-A Film Review

When Your Lost In The Rain In…Hollywood And You Don’t Know What To Do-Dick Powell’s “Hollywood Hotel” (1937)-A Film Review




DVD Review

By Sarah Lemoyne

Hollywood Hotel, starring Dick Powell, the Lane sisters (important since this film involves mistaken identities, well-known gossip columnist Luella Parson, Benny Goodman and his Orchestra, classic song Hooray for Hollywood by Johnny Mercer, directed by master dance man Bugby Berkeley, 1937    

In case anybody is following the “dispute” between the old wizened ex-film editor and now in his dotage occasional spot reviewer Sam Lowell I can call a truce here in the film under review Bugby Berkeley’s Hollywood Hotel. Reason: Sam Lowell has been quoted, quoted around the water cooler and I have my mentor Seth Garth as witness that he wouldn’t touch a musical, a song and dance film, with a ten-foot pole and when he was, way back when probably when the films came out in the 1930s and he was dodging them, assigned them to stringers or some female in the office. (To set the record, a couple of records, straight Seth and Sam actually go a long way back to their days as what Seth calls “corner boy” days growing up in working class town North Adamsville but Seth is “pissed” off at Sam these days since he, Sam, had been a leader in getting their mutual old friend and former site administrator Allan Jackson dumped, purged some say, under the theme that the, as Seth put it to me, “torch had to be passed” and he has balked at doing so in his own case. But enough of internal office water cooler politics. More pressing, more pressing because my partner is getting “pissed” at the rumors, there is nothing, nothing romantic, between Seth and I although if he was younger and did not have a wife, all these guys, all these corner boys, seem to have set some record for collectively marrying, I would certainly be interested and let’s leave it at that. Hey, Seth is old enough to be my grandfather for Christ sakes.)              

Sam needed not have worried about getting this assignment since I was more than happy to take it as I had recently been talking to my grandmother and she mentioned, after hearing that I had been taken on at this publication although she mixed it up with American Film Gazette which she used to read to find out what critics thought of films she was interested in seeing, that she wished I would spent some time reviewing earlier films, films from the 1930s and 1940s when they were out in Hollywood producing films to get people through the gloomy Great Depression and what she called fretting  through World War II. She mentioned that she would take my mother during the 1960s to Ann Arbor, to the University Cinema, to watch retrospectives from that period. I mentioned that my mother had not done so, had not taken me to such events maybe having four kids stopped her in her tracks I don’t know. Grandma said that my mother had loved the musicals and that would be a good place for me to start. I actually watched a couple of Fred Astaire-Ginger Rogers films with fellow reviewer Leslie Dumont who was doing a retrospective on their ten- film series a while back. When Greg put this on the assignment board I went for it.       

Seth mentioned that if things were true to form, if he knew his old pal Sam Lowell he knew the reason why Sam would have passed this film on to some stringer, somebody down in the food chain. (I can’t resist this but there is a persistent rumor going around that after Sam made his big splash with what they still call the definitive book on film noir back in the 1970s he basically “mailed in,” had stringers do his reviews under his by-line or just ripped the press releases from the studios off the board and passed them in as his own but that is part of our dispute, so I will avoid going further here.) Sam would have turned his nose down at the lead performer here Ronnie Bowers, played by Dick Powell who started out as a song and dance man but who later did some serious noir work, especially in the film adaptation of crime novelist Raymond Chandler’s Farewell, My Lovely (on screen Murder, My Sweet). Old school Sam, very old school if you ask me, would have had a field day comparing the ah shucks, starry-eyed Dick Powell of this Bugby Berkeley production (according to Seth and my grandmother too he was the king of exotic spectacular chorus line dance productions although this film is mainly a musical effort) with the tough guy, wind-mill chasing, searching a little rough justice, dame-chasing, take a punch or two, a slug or two for the cause Dick Powell as Phillip Marlowe. ((The above courtesy of mentor Seth since I have not watched many earlier such noir films.)      

Frankly I liked the starry-eyed going to Hollywood Dick Powell character, big band Benny Goodman sax player, since I once when I was about ten crazy with an idea that I would grow up to be a movie star, a dream like about ten million others trying to beat the odds against success and a trip to the seamy side of the Hollywood experience. Ronnie winds up in Hollywood in the hotel of the title to wait upon stardom, or go back to Peoria, Butte, Boise, Toledo, Portland or wherever he or any star-struck kid came from. Fate takes a hand early since not only can Ronnie play sax, although we never see that being used by our man but can sing which will be his “hook.” This is where the classic Hollywood hook, who knows maybe all of Western literary convention, boy meets girl that has saved many a B-film comes in. (This nugget according to Seth who can sniff out this trope in half the films ever produced according to Leslie Dumont).          

A famous star, Mona Marshall, a drama queen if there ever was one, played by one of the Lane sisters, was to attend a world premier with all the glitter Hollywood can muster and is supposed to attend that event with her co-star, her leading man. But she blows town in a snit. Problem, problem for the studio who is on the hook. Enter waitress Rosemary, played by the other Lane sister, who bears a striking resemblance to Mona. Bingo do the switch and bait. Problem, co-star would know the difference. Enter Ronnie. And the start of the boy meets girl romance (and singing duos too). When Mona gets wind of what happened she went storming creating holy hell. Meanwhile waitress goes back to work and Ronnie waits upon the fates until the next move. Next move turns on the ability to sing on key which co-star cannot as the next film premier demonstrated. Enter Ronnie to save the day for a price. Bingo.  But what about waitress budding romance (the good and steady Lane as opposed to the drama queen Lane). No problem as they do the old switch again and now both Ronnie and Rosemary can sing up a storm on the silver screen while legendary Hollywood gossip columnist Louella Parsons and Benny Goodman and his Orchestra look on. According to my grandmother this type film got her and her family through a few days of the Depression thinking golden thoughts of Hollywood dreams. And she is probably right in her recollections.               


Sunday, July 25, 2021

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)




By Book Critic Zack James

To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just kicks, stuff, important stuff has happened or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation.  Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my older brother Alex thy called “blowing to the China seas” out in West Coast jazz and blues circles, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the mean streets of New York, Chi town, North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps, half stirred left on corner coffees and cigarette stubs when the Bull Durham ran out).

I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50th anniversary is being commemorated this year as well. So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind. The kind that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter which would drive Alex west before he finally settled down to his career life (and to my sorrow and anger never looked back).              

Of course anytime you talk about books and poetry and then add my brother Alex’s name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Jack, Jimmy, Si, Josh, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967 just mentioned.  Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before (and which nobody in the crowd paid attention to, or dismissed out of hand what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie  and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.

But it was above all Jack’s book, Jack’s book which had caused a big splash in 1957, and had ripple effects into the early 1960s (and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain desert night but staying unsettled for a while anyway.     

Like I said above Alex was out two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely end. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly from hunger working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley the “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan that was for smooth as silk Frankie to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.

The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Dylan above all else) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)
Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like he wrote the final version of the thing on a damn newspaper scroll. So it was through Markin via Alex that I got the Kerouac bug. And now on the 60th anniversary I am passing on the bug to you.           

Book Review

On The Road, Jack Kerouac, Viking Press, New York, 1957


As I have explained in another entry in this space in reviewing the DVD of “The Life And Times Of Allen Ginsberg”, recently I have been in a “beat” generation literary frame of mind. I mentioned there, as well, and I think it helps to set the mood for commenting on Jack Kerouac’s seminal ‘travelogue’, “On The Road”, that it all started last summer when I happened to be in Lowell, Massachusetts on some personal business. Although I have more than a few old time connections with that now worn out mill town I had not been there for some time. While walking in the downtown area I found myself crossing a small park adjacent to the site of a well-known mill museum and restored textile factory space.

Needless to say, at least for any reader with a sense of literary history, at that park I found some very interesting memorial stones inscribed with excerpts from a number of his better known works dedicated to Lowell’s “bad boy”, the “king of the 1950s beat writers, Jack Kerouac. And, just as naturally, when one thinks of Kerouac then Allen Ginsberg, William Burroughs, Gregory Corso, Neal Cassady and a whole ragtag assortment of poets, hangers-on, groupies and genuine madmen and madwomen come to mind. They all show up, one way or another (under fictional names, of course), in this book. So that is why we today are under the sign of “On The Road”.

I have also mentioned elsewhere in this space that my appreciation of Jack Kerouac did not come from being a latter-day devotee of his spontaneous prose writing style or his standoffish, sideline view of life and consciously apolitical lifestyle, as was emphasized in a famous segment on William F. Buckley’s “Firing Line” public television show where he went out of his boozy way to dump on the counter-cultural movement (“hippies”, okay) of the 1960s. From early on in my youth I was more likely to be immersed in reading things like “The Communist Manifesto” (if only to dismiss it out of hand-then) and had no time for reading a “beat” travelogue like “On The Road” although I was personally struggling along those same lines to ‘find myself’ (sound familiar?) . Later I would devour the thing (repeatedly) along with the rest of his major works like “Dharma Bums", "Visions Of Cody”. “Big Sur”, “Doctor Sax” and others.

To appreciate Kerouac and understand his mad drive for adventure and to write about it, speedily but precisely, you have to start with “On The Road”. There have been a fair number of ‘searches' for the meaning of the American experience starting, I believe, with Whitman. However, each generation that takes on that task needs a spokesperson and Jack Kerouac, in the literary realm at least, filled that bill not only for his own generation that came of age in the immediate post-World War II era, but mine as well that came of age in the 1960s (and perhaps on later generations, as well, but I can only speculate on that idea here).

The big different between Whitman and Kerouac though for me was that those old pent-up energies, frustrations and fears (of aging, of not having sex, of the bomb, of industrial society, etc.) of Sal Paradise (Kerouac’s character), the legendary Dean Moriarty (the real life “beat”/hippie legend Neal Cassady), Carlos Marx (super-poet Allen Ginsberg) and the supporting cast were familiar, very familiar. I would argue that such a story could only have been written at that time when automobiles, highways and a good “thumb”, or fast feet to “ride the blinds” met , and we have been living off the crumbs of that adventure ever since. Not bad, Jack, not bad at all.

Note: I, on re-reading the book very recently, was struck by something that never even came to my attention when I first read the book in the late 1960s or early 1970s, and on later re-readings. Although this may be a 'search' for America it is very much a man’s book, young or old. The women in the book, and I believe in the “beat” movement itself, seemed to be mere appendages of some male, or washing dishes or as sex objects. Now this book was written well before the rise of the women’s liberation movement and one would not expect to see a great deal of male sensitivity, especially from a guy coming out of the French-Canadian/Catholic milieu of a working class mill town of the 1940s and 1950s. However, I would be interested in knowing how women today, or who read it back then, would react to it. Mainly, in my circle, the women think, with the obvious acknowledgement of the politically incorrect caveats mentioned above, that it is great literature. I agree.

Yeah, No Question War Is Hell-With Peter Weir’s “Gallipoli” In Mind

Yeah, No Question War Is Hell-With Peter Weir’s “Gallipoli” In Mind 




By Film Critic Emeritus Sam Lowell

As the readers of this site [this review initially posted on the American Left History blog and the on-line at American Literary Gazette site] may know I recently have retired, maybe semi-retired is a better way to put it, from the day to day, week to week grind of reviewing film old and young as I just hit my sixty-fifth year on this whacky old planet. That stepping aside to let Sandy Salmon, my friend and competitor from the Gazette, take his paces on a regular basis did not mean that I would be going completely silent as I intended, and told the site administrator Pete Markin as much, to do an occasional film review and general commentary. This is one of those general commentary times.

What has me exercised is Sandy’s recent review of Australian director Peter Weir’s World War I classic Gallipoli starring Mark Lee and Mel Gibson. I take no issue with Sandy since he did a fine job. What caught my attention was Sandy’s comment about Archie’s, the role played by Mark Lee, fervent desire to join his fellow Aussies on Gallipoli peninsula as a patriotic duty and a manly adventure. When I did my own review of the film back in 1981 when it first came out I make a number of comments about my own military experiences and those of some of the guys I hung around with in high school who had to make some decisions about what to do about the war of our generation, the Vietnam War of the decade of the 1960s. 

While the action of the Australian young men itching to get into the “action” of World War I (which by the way we are commemorating the 100th anniversary of the third year of this year) preceded us by fifty years a lot of the same ideas were hanging around our old-time working class neighborhood in Vietnam War times. More than a few guys like Jim Leary and Freddie Lewis were like Archie ready, willing and able to go fight the “red menace,” tip the dominoes our way, do their patriotic duty take your pick of reasons. Maybe in Freddie’s case to get out of the hostile household that he grew up in and maybe Jim like Archie a little for the adventure, to prove something about the questions he had about his manhood. I did not pick those two names out accidently for those names now are permanently etched on that hallowed black granite wall down in Washington that brings tears to my eyes old as I am every time I go there.       

Then there were guys like me and Jack Callahan, Pete Markin who didn’t want to go into the military, didn’t want to enlist like Jim and Freddie but who having no real reason not to go when our local draft boards sent “the letter” requesting our services did go and survived. The main reason that we did not want to go, at least at the time, not later when we got a serious idea of what war was about, was it kind of cramped our style, would put a crimp in our drinking, doping, and grabbing every girl who was not nailed down style. Later Pete and I got religion on the issues of war and peace and being on the right side of the angels on the question, realized that the other options like draft refusal which might have meant jail or fleeing to Canada were probably better options. But we were like Archie and Frank in Gallipoli working class kids even though we had all been college students as well. When in our past was there even a notion of not going when the military called, of abandoning the old life in America for who knows what in Canada. We did what we did with what made sense to us at the time even if we were dead-ass wrong.         

And then of course there is a story from our town like Frank Jackman’s who grew up in a neighborhood even down lower on the social scale than ours, grew up in “the projects,” the notorious projects which our parents would threaten us with if we didn’t stop being a serious drain the family’s resources. Frank somehow was a college guy too and like us “accepted” induction although he had more qualms about what the heck was going on in Vietnam and about being a soldier. But like us he also accepted induction because he could see no other road out. This is where the story changes up though. Frank almost immediately upon getting to basic training down at Fort Dix knew that he had made a mistake-had no business in a uniform. And by hook or by crook he did something about it, especially once he got orders for Vietnam. The “hook” part was that through a serious of actions which I don’t need to detail here he wound up doing a little over a year in an Army stockade for refusing to go to Vietnam. Brave man.  The “crook” part was also through a series of actions which need not detain us now, mostly through the civilian courts, he was discharged, discharged from the stockade, honorably discharged as a conscientious objector.            

Archie, Frank and their Aussie comrades only started to get an idea, a real idea about the horrors of war when they were in the trenches in front of the Turks also entrenched on Gallipoli peninsula and being mowed down like some many blades of grass. Archie and most of the crew that joined up with him were among those blades of grass. It was at the point where Archie was steeling himself to go over the top of the trenches after two previous waves had been mowed down and then being cut down by the Turkish machine-gun firing that I realized how brave Frank Jackman’s actions were in retrospect.


In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)- A Kerouac/Burroughs Joint Effort From The Pre-"Beat" Days

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)- A Kerouac/Burroughs Joint Effort From The Pre-"Beat" Days




By Book Critic Zack James

To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just kicks, stuff, important stuff has happened or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation.  Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my older brother Alex thy called “blowing to the China seas” out in West Coast jazz and blues circles, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the mean streets of New York, Chi town, North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps, half stirred left on corner coffees and cigarette stubs when the Bull Durham ran out).

I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50th anniversary is being commemorated this year as well. So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind. The kind that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter which would drive Alex west before he finally settled down to his career life (and to my sorrow and anger never looked back).             

Of course anytime you talk about books and poetry and then add my brother Alex’s name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Jack, Jimmy, Si, Josh, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967 just mentioned.  Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before (and which nobody in the crowd paid attention to, or dismissed out of hand what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie  and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.

But it was above all Jack’s book, Jack’s book which had caused a big splash in 1957, and had ripple effects into the early 1960s (and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain desert night but staying unsettled for a while anyway.    

Like I said above Alex was out two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely end. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly from hunger working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley the “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan that was for smooth as silk Frankie to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.

The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Dylan above all else) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)


Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like he wrote the final version of the thing on a damn newspaper scroll. So it was through Markin via Alex that I got the Kerouac bug. And now on the 60th anniversary I am passing on the bug to you.           


Book Review

And The Hippos Were Boiled In Their Tanks, Jack Kerouac and William Burroughs, Grove Press, New York, 2008


In the past I have looked at Jack Kerouac’s densely-packed explanations of his early days in such thinly-veiled autobiographical novels as “Maggie Cassidy” and “Visions Of Dulouz”, detailing his leap from working class Lowell to the bright lights of New York City in the very early 1940s. I have also gone on and on about the importance of William Burroughs’ “Naked Lunch” in the modern American literary canon. Here, in “Hippos” (for short), we are treated to both a very, very thinly- veiled novel about the fate of their mutual friend, Lucien Carr, and his troubles with the law as a result of his killing of an older man who was seemingly psychotically sexually attracted to the young man.

The novel is meant to work at the level of straight forward, straight talking exploration of the milieu behind the Carr crime and in the process gave this reader a very interesting take on war time New York, the goings-on of the emerging “Beat” crowd and their antics, and a look at the budding literary careers of two stalwarts of the American literary canon. None of those antics, however, are remarkable or really much different from the youth adventures of other writes except the always surprising New York City night life in war time. Parties, men who want women, dope, booze, jazz, blues, women who want men, men who want men, women who want women, more booze, more dope, and a few more cigarettes. Sounds very familiar. What makes this story a cut above the rest for an early literary effort is the crime story embedded in the overall scheme of things.

Does this joint effort work? Certainly this novel tells me that both authors are “literary” men destined for bigger things, even this early on. The literary device of telling the tale from two perspectives that do not necessarily give the same emphasis to events is interesting. However, whatever reason, literary or confessional, that drove this joint effort describing a story that both were personally involved in (including some criminal complicity, after the fact) there is not enough of either man giving his all to the telling. As community-oriented (fellow “beat” community-oriented, that is) as Kerouac and Burroughs were something is missing here. And what explains what is missing is the hard fact that “beat” writers, whatever their philosophical inclinations were primarily loners, at least loner writers. See if you agree.

Note: Although this novel has been touted mainly as a prime example of an early “beat” work the real virtue of its publication is the Afterword where William Burroughs’ literary executioner gives a very detailed and important description about how this “lost” work came to see the light of day. For “beat” literary scholars presumably already familiar with the Carr case in the careers of the authors this is priceless. Even I was fascinated by the twists and turned needed to get the thing published at all.

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-“The Drugstore Cowboy”, William Burroughs’-“Naked Lunch”

In Honor Of Jean Bon Kerouac On The 60th Anniversary Of “On The Road” (1957)-“The Drugstore Cowboy”, William Burroughs’-“Naked Lunch”

By Book Critic Zack James

To be honest I know about On The Road Jack Kerouac’s epic tale of his generation’s search for something, maybe the truth, maybe just kicks, stuff, important stuff has happened or some such happening strictly second-hand. His generation’s search looking for a name, found what he, or someone associated with him, maybe the bandit poet Gregory Corso, king of the mean New York streets, mean, very mean indeed in a junkie-hang-out world around Times Square when that place was up to its neck in flea-bit hotels, all night Joe and Nemo’s and the trail of the “fixer” man on every corner, con men coming out your ass too, called the “beat” generation.  Beat, beat of the jazzed up drum line backing some sax player searching for the high white note, what somebody told me, maybe my older brother Alex thy called “blowing to the China seas” out in West Coast jazz and blues circles, dead beat, run out on money, women, life, leaving, and this is important no forwarding address for the desolate repo man to hang onto, dread beat, nine to five, 24/7/365 that you will get caught back up in the spire wind up like your freaking staid, stay at home parents, beaten down, ground down like dust puffed away just for being, hell, let’s just call it being, beatified beat like saintly and all high holy Catholic incense and a story goes with it about a young man caught up in a dream, like there were not ten thousand other religions in the world to feast on- you can take your pick of the meanings, beat time meanings. Hell, join the club they all did, the guys, and it was mostly guys who hung out on the mean streets of New York, Chi town, North Beach in Frisco town cadging twenty-five cents a night flea-bag sleeps, half stirred left on corner coffees and cigarette stubs when the Bull Durham ran out).

I was too young to have had anything but a vague passing reference to the thing, to that “beat” thing since I was probably just pulling out of diapers then, maybe a shade bit older but not much. I got my fill, my brim fill later through my oldest brother Alex. Alex, and his crowd, more about that in a minute, but even he was only washed clean by the “beat” experiment at a very low level, mostly through reading the book (need I say the book was On The Road) and having his mandatory two years of living on the road around the time of the Summer of Love, 1967 an event whose 50th anniversary is being commemorated this year as well. So even Alex and his crowd were really too young to have been washed by the beat wave that crashed the continent toward the end of the 1950s on the wings of Allan Ginsburg’s Howl and Jack’s travel book of a different kind. The kind that moves generations, or I like to think the best parts of those cohorts. These were the creation documents the latter which would drive Alex west before he finally settled down to his career life (and to my sorrow and anger never looked back).             

Of course anytime you talk about books and poetry and then add my brother Alex’s name into the mix that automatically brings up memories of another name, the name of the late Peter Paul Markin. Markin, for whom Alex and the rest of the North Adamsville corner boys, Jack, Jimmy, Si, Josh, and a few others still alive recently had me put together a tribute book for in connection with that Summer of Love, 1967 just mentioned.  Markin was the vanguard guy, the volunteer odd-ball unkempt mad monk seeker who got several of them off their asses and out to the West Coast to see what there was to see. To see some stuff that Markin had been speaking of for a number of years before (and which nobody in the crowd paid attention to, or dismissed out of hand what they called “could give a rat’s ass” about in the local jargon which I also inherited in those cold, hungry bleak 1950s cultural days in America) and which can be indirectly attributed to the activities of Jack, Allen Ginsburg, Gregory Corso, that aforementioned bandit poet who ran wild on the mean streets among the hustlers, conmen and whores of the major towns of the continent, William Burroughs, the Harvard-trained junkie  and a bunch of other guys who took a very different route for our parents who were of the same generation as them but of a very different world.

But it was above all Jack’s book, Jack’s book which had caused a big splash in 1957, and had ripple effects into the early 1960s (and even now certain “hip” kids acknowledge the power of attraction that book had for their own developments, especially that living simple, fast and hard part). Made the young, some of them anyway have to spend some time thinking through the path of life ahead by hitting the vagrant dusty sweaty road. Maybe not hitchhiking, maybe not going high speed high through the ocean, plains, mountain desert night but staying unsettled for a while anyway.    

Like I said above Alex was out two years and other guys, other corner boys for whatever else you wanted to call them that was their niche back in those days and were recognized as such in the town not always to their benefit, from a few months to a few years. Markin started first back in the spring of 1967 but was interrupted by his fateful induction into the Army and service, if you can call it that, in Vietnam and then several more years upon his return before his untimely end. With maybe this difference from today’s young who are seeking alternative roads away from what is frankly bourgeois society and was when Jack wrote although nobody except commies and pinkos called it that. Alex, Frankie Riley the acknowledged leader, Jack Callahan and the rest, Markin included, were strictly from hunger working class kids who when they hung around Tonio Pizza Parlor were as likely to be thinking up ways to grab money fast any way they could or of getting into some   hot chick’s pants as anything else. Down at the base of society when you don’t have enough of life’s goods or have to struggle too much to get even that little “from hunger” takes a big toll on your life. I can testify to that part because Alex was not the only one in the James family to go toe to toe with the law, it was a close thing for all us boys as it had been with Jack when all is said and done. But back then dough and sex after all was what was what for corner boys, maybe now too although you don’t see many guys hanging on forlorn Friday night corners anymore.

What made this tribe different, the Tonio Pizza Parlor corner boys, was mad monk Markin. Markin called by Frankie Riley the “Scribe” from the time he came to North Adamsville from across town in junior high school and that stuck all through high school. The name stuck because although Markin was as larcenous and lovesick as the rest of them he was also crazy for books and poetry. Christ according to Alex, Markin was the guy who planned most of the “midnight creeps” they called then. Although nobody in their right minds would have the inept Markin actually execute the plan that was for smooth as silk Frankie to lead. That operational sense was why Frankie was the leader then (and maybe why he was a locally famous lawyer later who you definitely did not want to be on the other side against him). Markin was also the guy who all the girls for some strange reason would confide in and thus was the source of intelligence about who was who in the social pecking order, in other words, who was available, sexually or otherwise. That sexually much more important than otherwise. See Markin always had about ten billion facts running around his head in case anybody, boy or girl, asked him about anything so he was ready to do battle, for or against take your pick.

The books and the poetry is where Jack Kerouac and On The Road come into the corner boy life of the Tonio’s Pizza Parlor life. Markin was something like an antennae for anything that seemed like it might help create a jailbreak, help them get out from under. Later he would be the guy who introduced some of the guys to folk music when that was a big thing. (Alex never bought into that genre, still doesn’t, despite Markin’s desperate pleas for him to check it out. Hated whinny Dylan above all else) Others too like Kerouac’s friend Allen Ginsburg and his wooly homo poem Howl from 1956 which Markin would read sections out loud from on lowdown dough-less, girl-less Friday nights. And drive the strictly hetero guys crazy when he insisted that they read the poem, read what he called a new breeze was coming down the road. They could, using that term from the times again, have given a rat’s ass about some fucking homo faggot poem from some whacko Jewish guy who belonged in a mental hospital. (That is a direct quote from Frankie Riley at the time via my brother Alex’s memory bank.)

Markin flipped out when he found out that Kerouac had grown up in Lowell, a working class town very much like North Adamsville, and that he had broken out of the mold that had been set for him and gave the world some grand literature and something to spark the imagination of guys down at the base of society like his crowd with little chance of grabbing the brass ring. So Markin force-marched the crowd to read the book, especially putting pressure on my brother who was his closest friend then. Alex read it, read it several times and left the dog- eared copy around which I picked up one day when I was having one of my high school summertime blues. Read it through without stopping almost like he wrote the final version of the thing on a damn newspaper scroll. So it was through Markin via Alex that I got the Kerouac bug. And now on the 60th anniversary I am passing on the bug to you.          




Book Review

Naked Lunch, William S. Burroughs, Olympia Press, 1959


As I have explained in another entry in this space in reviewing the DVD of “The Life And Times Of Allen Ginsberg”, recently I have been in a “beat” generation literary frame of mind. I mentioned there, as well, and I think it helps to set the mood for commenting on Jack Kerouac’s ‘mentor’ William S. Burroughs and his famous (or infamous) work “Naked Lunch”, that it all started last summer when I happened to be in Lowell, Massachusetts on some personal business. Although I have more than a few old time connections with that now worn out mill town I had not been there for some time. While walking in the downtown area I found myself crossing a small park adjacent to the site of a well-known mill museum and restored textile factory space.

Needless to say, at least for any reader with a sense of literary history, at that park I found some very interesting memorial stones inscribed with excerpts from a number of his better known works dedicated to Lowell’s “bad boy”, the “king of the 1950s beat writers”, Jack Kerouac. And, just as naturally, when one thinks of Kerouac then Allen Ginsberg, William S. Burroughs, Gregory Corso, Neal Cassady and a whole ragtag assortment of poets, hangers-on, groupies and genuine madmen and madwomen come to mind. They all showed up, one way or another (under fictional names of course- Burroughs as Bull Lee), in Kerouac’s “On The Road”. So that is why we today, fifty years after its original publication (and only after much literary and governmental controversy), are under the sign of Burroughs’ minor classic “Naked Lunch”.

Minor classic? Well, yes. The various sketches, pieces and partials that make up the commentary in this science fiction-like exposition is filled with “weird " characters and likewise is filled with future prophecies that became, in some cases like AIDS-type diseases, realities at a later time. No question this is a difficult book to get through cold sober. In fact I put it down a few times before I completed it back in the days. But look at it this way, if Kerouac represented a different way of telling a story through his use of spontaneous writing Burroughs also showed innovation by taking the haphazard, the derelict and the off-beat and made literary music out of it.

Maybe not your music, or for that matter mine, but surely music nevertheless. This “novel”, moreover, extols thing that today are rather taken for granted like personal (and in the book and in Burroughs personal seemingly excessive) drug use, homosexuality, the use of ‘obscene language’, the dehumanization of modern society. Sound familiar? Of course, but Burroughs said it when it was not fashionable to do so. No wonder he was the ‘mentor’ for those young kids, Kerouac, Ginsberg, Corso, etc. when they hit New York in the mid-1940s looking for “something”.