Click On Title To Link To YouTube's Film Clip Of Billy Bragg Singing Phil Och's Tribute To "Joe Hill".
Every Month Is Labor History Month
CD REVIEW
Don’t Mourn-Organize!: Songs Of Labor Songwriter Joe Hill, various artists, Smithsonian/Folkways, 1990
The name Joe Hill evokes, or at least it used to, very strong emotions among militants of the international labor movement. A casual check of any of the old time labor songs will, more likely than not, find Joe’s signature on or influence all over them. Thus, it is no surprise that Smithsonian/Folkways was able to find plenty of material and plenty of singer/songwriters ready and willing to pay tribute to an early labor militant and Industrial Workers Of The World (IWW, Wobblie) Joe Hill. As usual in a Smithsonian/Folkways production there are copious liner notes that give plenty of information about the Joe Hill’s life, his exploits, his influences and his frame-up execution in Utah in 1915. I will thus not spend much time on those areas but rather spend time on the highlights of the performances here.
By all indications Joe Hill was ready, as ready as a man (or woman) is ever ready to face his death by execution when the deal finally went down in 1915. That is the source of his legend and of the forthright admonition that he transmitted to fellow Wobblie the labor leader “Big Bill” Haywood- Don’t Mourn- Organize, or words to that effect. That sort phrase gives the substance of what Joe was trying to do every since he had landed in America several years earlier. As Hill pointed out one of the key ways that workers then (and now) get a sense of their conditions of life and from there get inspired to action is through song.
The long term truth of that strategy is open to debate but not the premise that song historically has been important to every progressive social movement (and others, as well, but here I am concerned with the international labor movement). In the propaganda wars of the class struggle Joe Hill produced some memorable songs that were set to popular melodies of the day or old time religious tunes. Those efforts are on full display here in such songs as “The Preacher And The Slave”, “The White Slave” and “Rebel Girl”. So if you hear melodies that sound familiar, as well as words that express the social concerns of his day and ours (white slavery, wage struggles, the influence of religion, union organizing, the fight against the bosses, etc.) your ears are not deceiving you.
As to the performances here there is a virtual who’s who of the labor left cultural workers, from the past and the present. Billy Bragg on the late pro-labor folksinger Phil Ochs’ tribute “Joe Hill”. The recently departed old unrepentant Wobblie Utah Phillips reciting “Joe Hill’s Last Will”. A nice piece about “Joe Hill’s Ashes” by Mark Levy. “The Tramp” by Cisco Houston, Woody Guthrie’s old traveling companion and comrade (who was an important folk figure in his own right). The above-mentioned “The White Slave” by Hill contemporary old Wobblie Alfred Cortez as well as “The Preacher And The Slave” by “Haywire Mac” McClintock of “Hard Rock Candy Mountain’ fame. That is enough to whet any labor historian or militant’s appetite. However there is more.
I want to pay special attention to three tracks. One is the powerful version of Alfred Hayes and Earl Robinson’s “Joe Hill” done by Paul Robeson. Anyone familiar with that name knows what I mean both about the voice and about his commitment to the labor movement (as a supporter of the Communist Party and its various cultural organizations). If not, then you are certainly in for a treat. The other is a narrative by the old ex-Wobblie and later Chairperson of the American Communist Party Elizabeth Gurley Flynn introducing the song that Joe Hill wrote for in 1915 just before his death, “Rebel Girl”. In the end she may have been less of a rebel girl than Brother Hill would have liked, but in those days she was a very effective militant IWW woman speaker (and pleasing to the male eye as well, a not unimportant trait in those days). Just hearing that voice from the history of the American labor movement talking about its heroic period was worth the price of admission. The then well-known mountain music singer and worker/woman’s rights advocate Hazel Dickens does the song. History, labor movement music and a tribute to Joe Hill. Nice.
Joe Hill’s Last Will
My will is easy to decide,
For there is nothing to divide,
My kin don’t need to fuss and moan-
“Moss does not cling to a rolling stone.”
My body? Ah, If I could choose,
I would to ashes it reduce,
And let the merry breezes blow
My dust to where some flowers grow.
Perhaps some fading flower then
Would come to life and bloom again.
This is my last and final will,
Good luck to all of you, Joe Hill
Joe Hill was an IWW man. The Industrial Workers of the World (IWW) was, and is a radical union dedicated to abolishing the wage system and replacing it with a democratic system of workplace organization.
Joe Hill was a migrant laborer to the US from Sweden, a poet, musician and union radical. The term “pie in the sky” is believed to come from his satirical song, “The Preacher and the Slave”.
Hill was framed for murder and executed by firing squad in Salt Lake City, Utah on November 19, 1915. His last words were, “Fire!”
Just before his death he wrote to fellow IWW organizer Big Bill Haywood a letter which included the famous words, “Don’t mourn, Organize”.
The poem above was his will. It was set to music and became the basis of a song by Ethel Raim called “Joe Hill’s Last Will”.
A praise poem by Alfred Hayes became the lyrics of the best-known song about Joe Hill, written in 1936 by Earl Robinson. This was sung so beautifully by Joan Baez at Woodstock in 1969:
Joe Hill
words by Alfred Hayes
music by Earl Robinson
I dreamed I saw Joe Hill last night,
Alive as you and me.
Says I “But Joe, you’re ten years dead”
“I never died” said he,
“I never died” said he.
“In Salt Lake, Joe,” says I to him,
him standing by my bed,
“They framed you on a murder charge,”
Says Joe, “But I ain’t dead,”
Says Joe, “But I ain’t dead.”
“The Copper Bosses killed you Joe,
they shot you Joe” says I.
“Takes more than guns to kill a man”
Says Joe “I didn’t die”
Says Joe “I didn’t die”
And standing there as big as life
and smiling with his eyes.
Says Joe “What they can never kill
went on to organize,
went on to organize”
From San Diego up to Maine,
in every mine and mill,
where working-men defend their rights,
it’s there you find Joe Hill,
it’s there you find Joe Hill!
I dreamed I saw Joe Hill last night,
alive as you and me.
Says I “But Joe, you’re ten years dead”
“I never died” said he,
“I never died” said he.
"The Preacher And The Slave"
Long-haired preachers come out every night,
Try to tell you what’s wrong and what’s right;
But when asked how ’bout something to eat
They will answer in voices so sweet
You will eat, bye and bye,
In that glorious land above the sky;
Work and pray, live on hay,
You’ll get pie in the sky when you die
And the Starvation Army they play,
And they sing and they clap and they pray,
Till they get all your coin on the drum,
Then they tell you when you’re on the bum
Holy Rollers and Jumpers come out
And they holler, they jump and they shout
Give your money to Jesus, they say,
He will cure all diseases today
If you fight hard for children and wife-
Try to get something good in this life-
You’re a sinner and bad man, they tell,
When you die you will sure go to hell.
Workingmen of all countries, unite
Side by side we for freedom will fight
When the world and its wealth we have gained
To the grafters we’ll sing this refrain
You will eat, bye and bye,
When you’ve learned how to cook and how to fry;
Chop some wood, ’twill do you good
Then you’ll eat in the sweet bye and bye
The chorus is sung in a call and response pattern.
You will eat [You will eat] bye and bye [bye and bye]
In that glorious land above the sky [Way up high]
Work and pray [Work and pray] live on hay [live on hay]
You’ll get pie in the sky when you die [That's a lie!]
You will eat [You will eat] bye and bye [bye and bye]
When you’ve learned how to cook and how to fry [How to fry]
Chop some wood [Chop some wood], ’twill do you good [do you good]
Then you’ll eat in the sweet bye and bye [That's no lie]
THE REBEL GIRL
by Joe Hill /words updated/
There are women of many descriptions
In this cruel world as everyone knows
Some are living in beautiful mansions
And wearing the finest of clothes
There's the blue blooded queen and the princess
Who have charms made of diamonds and pearls
But the only and true kind of lady
Is the Rebel Girl
chorus:
She's a rebel girl, a rebel girl
To the working class she's the strength of this world
From Newfoundland to B.C.
She's fighting for you and for me
Yes she's there by our side
With her courage and pride
She's unequalled anywhere
And I'm proud to fight for freedom
With the rebel girl!
Pete Seeger Lyrics
Joe Hill Lyrics
I dreamed I saw Joe Hill last night
Alive as you or me.
Says I, "But Joe, you're ten years dead."
"I never died," says he,
"I never died," says he
"In Salt Lake, Joe," says I to him,
Him standing by my bed.
"They framed you on a murder charge."
Says Joe, "But I ain't dead,
Says Joe, "But I ain't dead."
"The copper bosses killed you, Joe,
They shot you, Joe," says I.
"Takes more than guns to kill a man."
Says Joe, "I didn't die,"
Says Joe, "I didn't die."
And standing there as big as life,
And smiling with his eyes,
Joe says, "What they forgot to kill
Went on to organize,
Went on to organize."
"Joe Hill ain't dead," he says to me,
"Joe Hill ain't never died.
Where working men are out on strike,
Joe Hill is at their side,
Joe Hill is at their side."
"From San Diego up to Maine
In every mine and mill,
Where workers strike and organize,"
Says he, "You'll find Joe Hill."
Says he, "You'll find Joe Hill."
I dreamed I saw Joe Hill last night
Alive as you or me.
Says I, "But Joe, you're ten years dead."
"I never died," says he,
"I never died," says he.
Pete Seeger Lyrics
Talking Union Lyrics
If you want higher wages, let me tell you what to do;
You got to talk to the workers in the shop with you;
You got to build you a union, got to make it strong,
But if you all stick together, now, 'twont he long.
You'll get shorter hours,
Better working conditions.
Vacations with pay,
Take your kids to the seashore.
It ain't quite this simple, so I better explain
Just why you got to ride on the union train;
'Cause if you wait for the boss to raise your pay,
We'll all be waiting till Judgment Day;
We'll all he buried - gone to Heaven -
Saint Peter'll be the straw boss then.
Now, you know you're underpaid, hut the boss says you ain't;
He speeds up the work till you're 'bout to faint,
You may he down and out, but you ain't beaten,
Pass out a leaflet and call a meetin'
Talk it over - speak your mind -
Decide to do something about it.
'Course, the boss may persuade some poor damn fool
To go to your meeting and act like a stool;
But you can always tell a stool, though - that's a fact;
He's got a yellow streak running down his back;
He doesn't have to stool - he'll always make a good living
On what he takes out of blind men's cups.
You got a union now; you're sitting pretty;
Put some of the boys on the steering committee.
The boss won't listen when one man squawks.
But he's got to listen when the union talks.
He better -
He'll be mighty lonely one of these days.
Suppose they're working you so hard it's just outrageous,
They're paying you all starvation wages;
You go to the boss, and the boss would yell,
"Before I'd raise your pay I'd see you all in Hell."
Well, he's puffing a big see-gar and feeling mighty slick,
He thinks he's got your union licked.
He looks out the window, and what does he see
But a thousand pickets, and they all agree
He's a bastard - unfair - slave driver -
Bet he beats his own wife.
Now, boy, you've come to the hardest time;
The boss will try to bust your picket line.
He'll call out the police, the National Guard;
They'll tell you it's a crime to have a union card.
They'll raid your meeting, hit you on the head.
Call every one of you a goddamn Red -
Unpatriotic - Moscow agents -
Bomb throwers, even the kids.
But out in Detroit here's what they found,
And out in Frisco here's what they found,
And out in Pittsburgh here's what they found,
And down in Bethlehem here's what they found,
That if you don't let Red-baiting break you up,
If you don't let stool pigeons break you up,
If you don't let vigilantes break you up,
And if you don't let race hatred break you up -
You'll win. What I mean,
Take it easy - but take it!
Pete Seeger Lyrics
If I Had A Hammer Lyrics
If I had a hammer,
I'd hammer in the morning
I'd hammer in the evening,
All over this land.
I'd hammer out danger,
I'd hammer out a warning,
I'd hammer out love between my brothers and my sisters,
All over this land.
If I had a bell,
I'd ring it in the morning,
I'd ring it in the evening,
All over this land.
I'd ring out danger,
I'd ring out a warning
I'd ring out love between my brothers and my sisters,
All over this land.
If I had a song,
I'd sing it in the morning,
I'd sing it in the evening,
All over this land.
I'd sing out danger,
I'd sing out a warning
I'd sing out love between my brothers and my sisters,
All over this land.
Well I got a hammer,
And I got a bell,
And I got a song to sing, all over this land.
It's the hammer of Justice,
It's the bell of Freedom,
It's the song about Love between my brothers and my sisters,
All over this land.
It's the hammer of Justice,
It's the bell of Freedom,
It's the song about Love between my brothers and my sisters,
All over this land.
Every Month Is Labor History Month
CD REVIEW
Don’t Mourn-Organize!: Songs Of Labor Songwriter Joe Hill, various artists, Smithsonian/Folkways, 1990
The name Joe Hill evokes, or at least it used to, very strong emotions among militants of the international labor movement. A casual check of any of the old time labor songs will, more likely than not, find Joe’s signature on or influence all over them. Thus, it is no surprise that Smithsonian/Folkways was able to find plenty of material and plenty of singer/songwriters ready and willing to pay tribute to an early labor militant and Industrial Workers Of The World (IWW, Wobblie) Joe Hill. As usual in a Smithsonian/Folkways production there are copious liner notes that give plenty of information about the Joe Hill’s life, his exploits, his influences and his frame-up execution in Utah in 1915. I will thus not spend much time on those areas but rather spend time on the highlights of the performances here.
By all indications Joe Hill was ready, as ready as a man (or woman) is ever ready to face his death by execution when the deal finally went down in 1915. That is the source of his legend and of the forthright admonition that he transmitted to fellow Wobblie the labor leader “Big Bill” Haywood- Don’t Mourn- Organize, or words to that effect. That sort phrase gives the substance of what Joe was trying to do every since he had landed in America several years earlier. As Hill pointed out one of the key ways that workers then (and now) get a sense of their conditions of life and from there get inspired to action is through song.
The long term truth of that strategy is open to debate but not the premise that song historically has been important to every progressive social movement (and others, as well, but here I am concerned with the international labor movement). In the propaganda wars of the class struggle Joe Hill produced some memorable songs that were set to popular melodies of the day or old time religious tunes. Those efforts are on full display here in such songs as “The Preacher And The Slave”, “The White Slave” and “Rebel Girl”. So if you hear melodies that sound familiar, as well as words that express the social concerns of his day and ours (white slavery, wage struggles, the influence of religion, union organizing, the fight against the bosses, etc.) your ears are not deceiving you.
As to the performances here there is a virtual who’s who of the labor left cultural workers, from the past and the present. Billy Bragg on the late pro-labor folksinger Phil Ochs’ tribute “Joe Hill”. The recently departed old unrepentant Wobblie Utah Phillips reciting “Joe Hill’s Last Will”. A nice piece about “Joe Hill’s Ashes” by Mark Levy. “The Tramp” by Cisco Houston, Woody Guthrie’s old traveling companion and comrade (who was an important folk figure in his own right). The above-mentioned “The White Slave” by Hill contemporary old Wobblie Alfred Cortez as well as “The Preacher And The Slave” by “Haywire Mac” McClintock of “Hard Rock Candy Mountain’ fame. That is enough to whet any labor historian or militant’s appetite. However there is more.
I want to pay special attention to three tracks. One is the powerful version of Alfred Hayes and Earl Robinson’s “Joe Hill” done by Paul Robeson. Anyone familiar with that name knows what I mean both about the voice and about his commitment to the labor movement (as a supporter of the Communist Party and its various cultural organizations). If not, then you are certainly in for a treat. The other is a narrative by the old ex-Wobblie and later Chairperson of the American Communist Party Elizabeth Gurley Flynn introducing the song that Joe Hill wrote for in 1915 just before his death, “Rebel Girl”. In the end she may have been less of a rebel girl than Brother Hill would have liked, but in those days she was a very effective militant IWW woman speaker (and pleasing to the male eye as well, a not unimportant trait in those days). Just hearing that voice from the history of the American labor movement talking about its heroic period was worth the price of admission. The then well-known mountain music singer and worker/woman’s rights advocate Hazel Dickens does the song. History, labor movement music and a tribute to Joe Hill. Nice.
Joe Hill’s Last Will
My will is easy to decide,
For there is nothing to divide,
My kin don’t need to fuss and moan-
“Moss does not cling to a rolling stone.”
My body? Ah, If I could choose,
I would to ashes it reduce,
And let the merry breezes blow
My dust to where some flowers grow.
Perhaps some fading flower then
Would come to life and bloom again.
This is my last and final will,
Good luck to all of you, Joe Hill
Joe Hill was an IWW man. The Industrial Workers of the World (IWW) was, and is a radical union dedicated to abolishing the wage system and replacing it with a democratic system of workplace organization.
Joe Hill was a migrant laborer to the US from Sweden, a poet, musician and union radical. The term “pie in the sky” is believed to come from his satirical song, “The Preacher and the Slave”.
Hill was framed for murder and executed by firing squad in Salt Lake City, Utah on November 19, 1915. His last words were, “Fire!”
Just before his death he wrote to fellow IWW organizer Big Bill Haywood a letter which included the famous words, “Don’t mourn, Organize”.
The poem above was his will. It was set to music and became the basis of a song by Ethel Raim called “Joe Hill’s Last Will”.
A praise poem by Alfred Hayes became the lyrics of the best-known song about Joe Hill, written in 1936 by Earl Robinson. This was sung so beautifully by Joan Baez at Woodstock in 1969:
Joe Hill
words by Alfred Hayes
music by Earl Robinson
I dreamed I saw Joe Hill last night,
Alive as you and me.
Says I “But Joe, you’re ten years dead”
“I never died” said he,
“I never died” said he.
“In Salt Lake, Joe,” says I to him,
him standing by my bed,
“They framed you on a murder charge,”
Says Joe, “But I ain’t dead,”
Says Joe, “But I ain’t dead.”
“The Copper Bosses killed you Joe,
they shot you Joe” says I.
“Takes more than guns to kill a man”
Says Joe “I didn’t die”
Says Joe “I didn’t die”
And standing there as big as life
and smiling with his eyes.
Says Joe “What they can never kill
went on to organize,
went on to organize”
From San Diego up to Maine,
in every mine and mill,
where working-men defend their rights,
it’s there you find Joe Hill,
it’s there you find Joe Hill!
I dreamed I saw Joe Hill last night,
alive as you and me.
Says I “But Joe, you’re ten years dead”
“I never died” said he,
“I never died” said he.
"The Preacher And The Slave"
Long-haired preachers come out every night,
Try to tell you what’s wrong and what’s right;
But when asked how ’bout something to eat
They will answer in voices so sweet
You will eat, bye and bye,
In that glorious land above the sky;
Work and pray, live on hay,
You’ll get pie in the sky when you die
And the Starvation Army they play,
And they sing and they clap and they pray,
Till they get all your coin on the drum,
Then they tell you when you’re on the bum
Holy Rollers and Jumpers come out
And they holler, they jump and they shout
Give your money to Jesus, they say,
He will cure all diseases today
If you fight hard for children and wife-
Try to get something good in this life-
You’re a sinner and bad man, they tell,
When you die you will sure go to hell.
Workingmen of all countries, unite
Side by side we for freedom will fight
When the world and its wealth we have gained
To the grafters we’ll sing this refrain
You will eat, bye and bye,
When you’ve learned how to cook and how to fry;
Chop some wood, ’twill do you good
Then you’ll eat in the sweet bye and bye
The chorus is sung in a call and response pattern.
You will eat [You will eat] bye and bye [bye and bye]
In that glorious land above the sky [Way up high]
Work and pray [Work and pray] live on hay [live on hay]
You’ll get pie in the sky when you die [That's a lie!]
You will eat [You will eat] bye and bye [bye and bye]
When you’ve learned how to cook and how to fry [How to fry]
Chop some wood [Chop some wood], ’twill do you good [do you good]
Then you’ll eat in the sweet bye and bye [That's no lie]
THE REBEL GIRL
by Joe Hill /words updated/
There are women of many descriptions
In this cruel world as everyone knows
Some are living in beautiful mansions
And wearing the finest of clothes
There's the blue blooded queen and the princess
Who have charms made of diamonds and pearls
But the only and true kind of lady
Is the Rebel Girl
chorus:
She's a rebel girl, a rebel girl
To the working class she's the strength of this world
From Newfoundland to B.C.
She's fighting for you and for me
Yes she's there by our side
With her courage and pride
She's unequalled anywhere
And I'm proud to fight for freedom
With the rebel girl!
Pete Seeger Lyrics
Joe Hill Lyrics
I dreamed I saw Joe Hill last night
Alive as you or me.
Says I, "But Joe, you're ten years dead."
"I never died," says he,
"I never died," says he
"In Salt Lake, Joe," says I to him,
Him standing by my bed.
"They framed you on a murder charge."
Says Joe, "But I ain't dead,
Says Joe, "But I ain't dead."
"The copper bosses killed you, Joe,
They shot you, Joe," says I.
"Takes more than guns to kill a man."
Says Joe, "I didn't die,"
Says Joe, "I didn't die."
And standing there as big as life,
And smiling with his eyes,
Joe says, "What they forgot to kill
Went on to organize,
Went on to organize."
"Joe Hill ain't dead," he says to me,
"Joe Hill ain't never died.
Where working men are out on strike,
Joe Hill is at their side,
Joe Hill is at their side."
"From San Diego up to Maine
In every mine and mill,
Where workers strike and organize,"
Says he, "You'll find Joe Hill."
Says he, "You'll find Joe Hill."
I dreamed I saw Joe Hill last night
Alive as you or me.
Says I, "But Joe, you're ten years dead."
"I never died," says he,
"I never died," says he.
Pete Seeger Lyrics
Talking Union Lyrics
If you want higher wages, let me tell you what to do;
You got to talk to the workers in the shop with you;
You got to build you a union, got to make it strong,
But if you all stick together, now, 'twont he long.
You'll get shorter hours,
Better working conditions.
Vacations with pay,
Take your kids to the seashore.
It ain't quite this simple, so I better explain
Just why you got to ride on the union train;
'Cause if you wait for the boss to raise your pay,
We'll all be waiting till Judgment Day;
We'll all he buried - gone to Heaven -
Saint Peter'll be the straw boss then.
Now, you know you're underpaid, hut the boss says you ain't;
He speeds up the work till you're 'bout to faint,
You may he down and out, but you ain't beaten,
Pass out a leaflet and call a meetin'
Talk it over - speak your mind -
Decide to do something about it.
'Course, the boss may persuade some poor damn fool
To go to your meeting and act like a stool;
But you can always tell a stool, though - that's a fact;
He's got a yellow streak running down his back;
He doesn't have to stool - he'll always make a good living
On what he takes out of blind men's cups.
You got a union now; you're sitting pretty;
Put some of the boys on the steering committee.
The boss won't listen when one man squawks.
But he's got to listen when the union talks.
He better -
He'll be mighty lonely one of these days.
Suppose they're working you so hard it's just outrageous,
They're paying you all starvation wages;
You go to the boss, and the boss would yell,
"Before I'd raise your pay I'd see you all in Hell."
Well, he's puffing a big see-gar and feeling mighty slick,
He thinks he's got your union licked.
He looks out the window, and what does he see
But a thousand pickets, and they all agree
He's a bastard - unfair - slave driver -
Bet he beats his own wife.
Now, boy, you've come to the hardest time;
The boss will try to bust your picket line.
He'll call out the police, the National Guard;
They'll tell you it's a crime to have a union card.
They'll raid your meeting, hit you on the head.
Call every one of you a goddamn Red -
Unpatriotic - Moscow agents -
Bomb throwers, even the kids.
But out in Detroit here's what they found,
And out in Frisco here's what they found,
And out in Pittsburgh here's what they found,
And down in Bethlehem here's what they found,
That if you don't let Red-baiting break you up,
If you don't let stool pigeons break you up,
If you don't let vigilantes break you up,
And if you don't let race hatred break you up -
You'll win. What I mean,
Take it easy - but take it!
Pete Seeger Lyrics
If I Had A Hammer Lyrics
If I had a hammer,
I'd hammer in the morning
I'd hammer in the evening,
All over this land.
I'd hammer out danger,
I'd hammer out a warning,
I'd hammer out love between my brothers and my sisters,
All over this land.
If I had a bell,
I'd ring it in the morning,
I'd ring it in the evening,
All over this land.
I'd ring out danger,
I'd ring out a warning
I'd ring out love between my brothers and my sisters,
All over this land.
If I had a song,
I'd sing it in the morning,
I'd sing it in the evening,
All over this land.
I'd sing out danger,
I'd sing out a warning
I'd sing out love between my brothers and my sisters,
All over this land.
Well I got a hammer,
And I got a bell,
And I got a song to sing, all over this land.
It's the hammer of Justice,
It's the bell of Freedom,
It's the song about Love between my brothers and my sisters,
All over this land.
It's the hammer of Justice,
It's the bell of Freedom,
It's the song about Love between my brothers and my sisters,
All over this land.
