My Lesson in Mindfulness By Paul Krassner / The Rag Blog / June 30, 2011 (Or Songs To Aging Children, Ouch! AARP- Worthy Brothers and Sisters-Markin )

My Lesson in Mindfulness By Paul Krassner / The Rag Blog / June 30, 2011

In 1979, my life changed while I was covering the trial of Dan White for the San Francisco Bay Guardian.

Former police officer White had confessed to killing the progressive Mayor George Moscone and Supervisor Harvey Milk, who was becoming the gay equivalent of Martin Luther King. Now psychiatrist Martin Blinder was testifying that, on the night before the murders, White “just sat there in front of the TV set, binging on Twinkies.” Another psychiatrist stated, “If not for the aggravating fact of junk food, the homicides might not have taken place.”

In my notebook, I scribbled “the Twinkie defense” and wrote about it in my next report. On the 25th anniversary of those murders, the San Francisco Chronicle reported that, “During the trial, no one but well-known satirist Paul Krassner -- who may have coined the phrase ‘Twinkie defense’ -- played up that angle.”

The Twinkie defense rested comfortably between a severely bungled prosecution and a shrewdly manipulated defense. One juror remarked after the trial, “It sounded like Dan White had hypoglycemia.” The “diminished capacity” ploy had worked. And so it came to pass that a double political assassination was transmuted into simple voluntary manslaughter. White would be sentenced to serve only seven years behind bars. No wonder there was a post-verdict riot in front of City Hall.

A dozen police cars had been set on fire, which in turn set off their alarms, underscoring the angry shouts from a mob of five thousand understandably outraged gays. The police were running amuck in an orgy of indiscriminate sadism, swinging their clubs wildly and screaming profanity-laden homophobic epithets.

I was struck with a nightstick on the outside of my right knee and I fell to the ground. Another cop came charging at me and made a threatening gesture with his billy club. When I tried to protect my head, he jabbed me viciously on the exposed right side of my chest. Oh, God, the pain! It felt like an electric cattle prod was stuck between my ribs.

I had a fractured rib and a punctured lung. The injuries affected my posture, and I began to develop an increasingly unbalanced body -- twisted and in constant pain. I limped the gamut of therapists: from an orthodox orthopedic surgeon who gave me a shot of cortisone to ease the pain; to a specialist in neuromuscular massage who wondered if the cop had gone to medical school because “he knew exactly where to hit” me with his billy club; to a New Age healer who put one hand on my stomach, held the receptionist's hand with the other, and asked her whether I should wear a brace. The answer was yes.

But I decided to get a second opinion -- perhaps from another receptionist.

In 1987, I went to a chiropractor, who referred me to a podiatrist, who referred me to a physiatrist, who wanted me to get an MRI -- a CAT scan -- in order to rule out the possibility of cervical stenosis. But the MRI ruled it in. X-rays indicated that my spinal cord was being squeezed by spurring on the inside of several discs in my neck.

The physiatrist told me that I needed surgery. I panicked. I had always taken my good health for granted. I went into heavy denial, confident that I could completely cure my problem by walking barefoot on the beach every day for three weeks.

“You're a walking time bomb,” the podiatrist warned me. He said that if I were in a rear-end collision, or just out strolling and I tripped, my spinal cord could be severed, and I would be paralyzed from the chin down. I began to be conscious of every move I made. I was living, not one day at a time, not one hour at a time, not one minute at a time -- I was living one second at a time.

The head of orthopedics at UCLA assured me that I really had no choice but to have the operation. I asked if I could have avoided this whole situation with a different diet or by exercising more. He shook his head no. “Wrong parents,” he said, referring to hereditary arthritis.

My condition had been totally exacerbated by the police beating. I was one of 37 million Americans who didn't have insurance, nor did I have any savings. Fortunately, I had an extended family and friends all over the country who came to my financial rescue. The operation was scheduled to take place at the Hospital for Joint Diseases in New York.

A walking time bomb! I was still in a state of shock, but since I perceived the world through a filter of absurdity, now I would have to apply that perception to my own situation. The breakthrough for me came when I learned that my neurosurgeon moonlighted as a clown at the circus. “All right, I surrender, I surrender.”

I met him the night before the operation. He sat on my bed wearing a trench coat and called me Mr. Krassner. I thought that if he was going to cut me open and file through five discs in my upper spinal column, he could certainly be informal enough to call me Paul. He was busy filling out a chart.

“What do you do for a living, Mr. Krassner?”

“I'm a writer and a comedian.”

“How do you spell comedian?”

Rationally, I knew that you don't have to be a good speller to be a fine surgeon, but his question made me uneasy. At least his hands weren't shaking while he wrote. Then he told me about how simple the operation was and he mentioned almost in passing that there was always the possibility I could end up staying in the hospital for the rest of my life. Huh? There was a time when physicians practiced positive thinking to help their patients, but now it was a requirement of malpractice prevention to provide the worst-case scenario in advance.

The next morning, under the influence of Valium and Demerol, I could see that my neurosurgeon had just come from the circus, because he was wearing a clown costume, with a big round red nose over his surgical mask. He couldn't get close to the operating table because his shoes were so large, and when he had to cleanse my wound he asked the nurse to please pass the seltzer bottle...

“Wake up, Paul," the anesthesiologist, said, “Surgery's over. Wiggle your toes.”

My wife Nancy was waiting in the hall, and I was never so glad to see her smile. That evening, at a benefit in Berkeley, my friend, novelist and Merry Pranksters leader Ken Kesey, told the audience, “I spoke with Krassner today, and the operation was successful, but he says he's not taking any painkillers because he never does any legal drugs.”

Then Kesey led the crowd in a chant: “Get well, Paul! Get well, Paul!” And it worked. The following month I was performing again, wearing a neck brace at a theater in Seattle.

But, over the years, I gradually got gimpier and gimpier. My hip was so out of kilter that my right foot turned inward when I walked, and my left foot continuously was tripping on my right foot. More and more often, I found myself falling all over the place. Dozens of times. Finally, after I started inadvertently knocking down other people like dominoes at a book festival in Australia, I realized that I would definitely need to start walking with a cane.

Since then, at any airport, I have to put my cane on the conveyor belt, along with my carry-on bag and my shoes. And then the security guy hands me a different cane -- a wooden one, painted orange -- to help me walk through the metal detector without falling.

One time, in a restaurant, I tripped on my own cane and fell flat on my face -- bruising myself badly, yet grateful that I hadn’t broken any teeth. That’s my nature -- to perceive a blessing in disguise as soon as I stop bleeding. However, this time I was left with a dark, square-shaped scab between my nose and my lips. It looked like a Hitler mustache, and I became very self-conscious about it.

I will be 80 years old in April 2012, and now I really am a walking time bomb. I cannot afford to fall again. I must be careful when I walk. I have to be fully conscious of every step. Left. Right. Left. Right. Left. Right. Any fall could injure me. It might even be fatal. I have surrendered to a process that is truly an ongoing lesson in mindfulness. I’m learning that when you are mindful in one aspect of your life, you’ll strengthen mindfulness in other aspects.

I am, after all, a Zen Bastard -- a title bestowed upon me when Kesey and I co-edited The Last Supplement to the Whole Earth Catalog -- and I certainly have no desire to trip while hobbling along my particular path.

[Paul Krassner published the satirical magazine, The Realist (1958-2001). His latest book is an expanded edition of his memoir, Confessions of a Raving, Unconfined Nut: Misadventures in the Counterculture, available at paulkrassner.com. In 2010, the writers’ organization PEN honored him with their Lifetime Achievement Award. “I’m very happy to receive this award,” he announced, “and I’m even happier that it’s not posthumous.” Read more articles by Paul Krassner on The Rag Blog.]

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Posted by thorne dreyer at 8:39 AM

The 50th Anniversary Of The Summer Of Love, 1967-When “Doctor Gonzo” Was 'King Of The Hill'-The Master Journalism Of Hunter S. Thompson-"Songs Of The Doomed"

The 50th Anniversary Of The Summer Of Love, 1967-When “Doctor Gonzo” Was 'King Of The Hill'-The Master Journalism Of Hunter S. Thompson-"Songs Of The Doomed"

Zack James’ comment June, 2017:

You know it is in a way too bad that “Doctor Gonzo”-Hunter S Thompson, the late legendary journalist who broke the back, hell broke the neck, legs, arms of so-called objective journalism in a drug-blazed frenzy back in the 1970s when he “walked with the king”’ is not with us in these times. In the times of this 50^th anniversary commemoration of the Summer of Love, 1967 which he worked the edges of while he was doing research (live and in your face research by the way) on the notorious West Coast-based Hell’s Angels. His “hook” through Ken Kesey and the Merry Pranksters down in Kesey’s place in La Honda where many an “acid test” took place and where for a time the Angels, Hunter in tow, were welcomed. He had been there in the high tide, when it looked like we had the night-takers on the run and later as well when he saw the ebb tide of the 1960s coming a year or so later although that did not stop him from developing the quintessential “gonzo” journalism fine-tuned with plenty of dope for which he would become famous before the end, before he took his aging life and left Johnny Depp and company to fling his ashes over this good green planet. He would have “dug” the exhibition, maybe smoked a joint for old times’ sake (oh no, no that is not done in proper society) at the de Young Museum at the Golden Gate Park highlighting the events of the period showing until August 20^th of this year.   

Better yet he would have had this Trump thug bizarre weirdness wrapped up and bleeding from all pores just like he regaled us with the tales from the White House bunker back in the days when Trump’s kindred one Richard Milhous Nixon, President of the United States and common criminal was running the same low rent trip before he was run out of town by his own like some rabid rat. But perhaps the road to truth these days, in the days of “alternate facts” and assorted other bullshit    would have been bumpier than in those more “civilized” times when simple burglaries and silly tape-recorders ruled the roost. Hunter did not make the Nixon “hit list” (to his everlasting regret for which he could hardly hold his head up in public) but these days he surely would find himself in the top echelon. Maybe too though with these thugs he might have found himself in some back alley bleeding from all pores. Hunter Thompson wherever you are –help. Selah. Enough said-for now  

Book Review

Songs Of The Doomed; Gonzo Papers Volume Three, Hunter S. Thompson, 1978

In a review of Hunter Thompson's early journalistic work compiled under the title , The Great Shark Hunt, a retrospective sampling of his works through the early 1970s, many which appeared in the pages of Rolling Stone magazine during its more radical, hipper phase, I noted the following points that are useful to repost here in reviewing Songs Of The Doomed, another later , similar compilation of his journalistic pieces:

“Generally the most the trenchant social criticism, commentary and analysis complete with a prescriptive social program ripe for implementation has been done by thinkers and writers who work outside the realm of bourgeois society, notably socialists, like Karl Marx. Vladimir Lenin, and Leon Trotsky and other less radical progressive thinkers. Bourgeois society rarely allows itself, in self-defense if nothing else, to be skewered by trenchant criticism from within. This is particularly true when it comes from a man of big, high life appetites, a known dope fiend, a furious wild man gun freak, and all-around edge city lifestyle addict like the late, massively lamented, massively lamented in this quarter in any case, Dr. Hunter S. Thompson. Nevertheless, although he was far, very far, from any thought of a socialist solution to society's current problems and would reject such a designation, I think out of hand, we could travel part of the way with him. We saw him as a kindred spirit. He was not one of us-but he was one of us. All honor to him for pushing the envelope of mad truth-seeking journalism in new directions and for his pinpricks at the hypocrisy of bourgeois society. Such men are dangerous.

I am not sure whether at the end of the day Hunter Thompson saw himself, or wanted to been seen, as a voice, or the voice, of his generation but he would not be an unworthy candidate. In any case, his was not the voice of the generation of 1968, my generation, being just enough older to have been formed by an earlier, less forgiving milieu, coming of adult age in the drab Cold War, red scare, conformist 1950s that not even the wildly popular Mad Men can resurrect as a time which honored fruitful and edgy work, except on the coastal margins of society. His earlier writings show that effect. Nevertheless, only a few, and with time it seems fewer in each generation, allow themselves to search for some kind of truth even if they cannot go the whole distance. This compilation under review is a hodgepodge of articles over the best part of Thompson’s career, the part culminating with the demise of the arch-fiend, arch-political fiend, Richard Nixon. As with all journalists, as indeed with all writers especially those who are writing under the pressure of time-lines and for mass circulation media, these pieces show an uneven quality. Hunter's manic work habits, driven by high dope infusions and high-wire physical stress, only added to the frenzied corners of his work which inevitably was produced under some duress, a duress that drove his hard-boiled inner demons onward. However the total effect is to blast old bourgeois society almost to its foundations. Others, hopefully, will push on further.

One should note that "gonzo" journalism is quite compatible with socialist materialism. That is, the writer is not precluded from interpreting the events described within a story by interposing himself/herself as an actor in that story. The worst swindle in journalism, fostered by the formal journalism schools, as well as in the formal schools of other disciplines like history and political science, is that somehow one must be ‘objective’. Reality is better served if the writer puts his/her analysis correctly and then gets out of the way. In his best work that was Hunter’s way.

As a member of the generation of 1968 I would note that the period covered by this compilation was a period of particular importance in American history, the covering of which won Hunter his spurs as a journalist. Hunter, like many of us, cut his political teeth on wrestling with the phenomena of one Richard Milhous Nixon, at one time President of the United States, all-around political chameleon and off-hand common criminal. His articles beginning in 1968 when Nixon was on the rising curve of his never ending “comeback” trail to his fated (yes, fated) demise in the aftermath of the Watergate are required reading (and funny to boot). Thompson went out of his way, way out of his way, and with pleasure, skewering that man when he was riding high. He was moreover just as happy to kick Nixon when he was down, just for good measure. Nixon, as Robert Kennedy in one of his more lucid comments noted, represented the "dark side" of the American spirit- the side that appears today as the bully boy of the world and as craven brute. If for nothing else Brother Thompson deserves a place in the pantheon of journalistic heroes for this exercise in elementary political hygiene. Anyone who wants to rehabilitate THAT man before history please consult Thompson’s work.

Beyond the Nixon-related articles that form the core of the book there are some early pieces that are definitely not Gonzo-like. They are more straightforward journalism to earn a buck, although they show the trademark insightfulness that served Thompson well over the early part of his career. Read his pieces on Ernest Hemingway-searching in Idaho, the non-student left in the 1960’s, especially the earnest early 1960s before the other shoe dropped and we were all confronted with the madness of the beast, unchained , the impact of the ‘beats’ on the later counter cultural movements and about the ‘hippie’ invasion of San Francisco. The seminal piece on the Kentucky Derby in 1970 which is his ‘failed’ (according to him, not others) initial stab at “gonzo” journalism is a must read. And finally, if nothing else read the zany adventures of the articles that give us the title of the book, “The Great Shark Hunt”, and his ‘tribute’ to his friend the “Brown Buffalo” of future legend, Oscar Acosta. Those are high water marks in the great swirl of Hunter S. Thompson’s career. Hunter, I hope you find the Brown Buffalo wherever you are. Read this book. Read all his books.”

As for the pieces here, mainly the journalistic pieces that form the core of this compilation, the format of the book is divided up into decades starting from the pre-gonzo days of the1950s (although you can detect a certain flare for putting himself inside the story even then, note Prince Jellyfish) to the woe-begone mad efforts (on local law enforcement’s part) to legally destroy Brother Thompson in the early 1990s. In between, Thompson runs through side commentaries on the whys and wherefore of his famous “fear and loathing” works that were the bedrock of his version of gonzo journalism. Additionally, in the 1980s he makes, to my mind, something of a comeback with his reportage on the Pulitzer divorce proceedings in Palm Beach and some of his work (published more extensively elsewhere in another compilation as well) for the San Francisco Examiner. One piece, one short piece that may sum up what Hunter Thompson was trying to do, and what make be his best individual piece of flat-out king hell king good Hemingway/Fitzgerald writing is High Water Mark from Fear and Loathing In Las Vegas. That is “high” Thompson as well as very good exposition of where and when the tide ebbed for those of us seeking a “newer world” in the 1960s. Buy the ticket; take the ride as he would say.

In Honor Of The Late Rocker Chuck Berry Who Helped Make It All Possible-Out In The Be-Bop 1950s Night- Out In The Adventure Car Hop Night - A CD Review

Click on the headline to link to a YouTube film clip of the Dubs performing the classic Could This Be Magic? to set the mood for this piece.

In Honor Of The Late Rocker Chuck Berry Who Helped Make It All Possible-Out In The Be-Bop 1950s Night- Out In The Adventure Car Hop Night - A CD Review

CD Review

The Rock ‘N’ Roll Era: 1957: Still Rockin’, various artists, Time-Life Music, 1988

Now 1957 was a good year for rock, for "boss" cars, and for car hops if you could keep them, at least that was what some of the older guys told me later. In 1957 my drive-in restaurant experiences were limited to, when we had a car, a working car in our family which was an iffy proposition at best, sitting in the back seat of some beat up sedan waiting during the daytime (the night belonged to the teens and no self-respecting or smart parent would bring tender children to such a place at night) for some cold plastic hamburger with fries. Jesus.

But the music was on fire as the breakout of the previous couple of years hit the pre-teen audience that was just as starved for its own not parent-seal-of-approval music as the older kids. Elvis, Chuck Berry, Little Richard, and a ton of other talent was hitting the airwaves so that if you tired of hearing one song after the one thousandth consecutive playing you could move right on.

In this The Rock ‘n’ Roll Era series some years, I believe reflecting banner years, have two CDs dedicated to the greatest hits for that year. For 1957, which has the magic two, I think that the other 1957 CD is a bit better but this one covers the rest of what should have been preserved. Stick outs here include Chuck Berry’s Rock & Roll Music (Christ, he had about ten hits in those years and most of them still crank up the teen-memory dark night air with their electricity); The Platters’ classic last dance, school dance (oh, please, please save that last dance for me certain she that I have eyed until my eyes got sore all night, and she, certain she, peeked at me too); Little Richard’s Jenny, Jenny (another guy who had a ton of hit in a short period, although they haven't worn as well as Chuck's); and Fats Domino’s Blue Monday (yah, back to school days Monday blahs, except for Monday morning boys' "lav" bragging rights if that certain she I just mentioned really did mean to look my way for that last dance, otherwise why have a Monday anyway).

Johnny Prescott’s Itch- With Kudos To Mister Gene Vincent's Be-Bop-A -Lula

Johnny Prescott’s Itch- With Kudos To Mister Gene Vincent's Be-Bop-A -Lula

A YouTube film clip of Gene Vincent performing his rock classic, Be-Bop-A-Lula.


He had the itch. John Prescott had the itch and he had it bad, especially since his eyes flamed up consumed with hell-bend flames when he saw Elvis performing live on the Ed Sullivan Show one Sunday night. And he had it so bad that he had missed, unbeknownst to his parents who would have been crestfallen and, perhaps, enraged, his last few piano lessons. Sure, he covered his butt by having saxophonist Sid Stein, drummer Eddie Shore, and bass player Kenny Jackson from his improvisational school jazz combo, The G-Clefs (ya, a well-thought out name for a musical group) come by his house to pick him up. While standing at the Prescott door parents and sidemen went through the “well aren’t things looking up for you boys,” and “they seem to be” scene without missing a beat. But as soon as Kenny’s 1954 Nash Rambler turned the corner of Walnut Street Johnny was a long-gone daddy, real long-gone. And where he was long-gone but not forlorn to was Sally Ann’s Music Shop over on the far end of West Main Street. Now the beauty of Sally Ann’s was that it was, well, Sally Ann’s, a small shop that was well off the main drag, and therefore no a likely place where any snooping eyes, ears or voices that would report to said staid Prescott parents when Johnny went in or out of the place. Everyone, moreover, knew Sally Ann’s was nothing but a run-down, past its prime place and if you really wanted all the best 45s, and musical instrument stuff then every self-respecting teenager hit the tracks for Benny’s Music Emporium right downtown and only about a quick five-minute walk from North Clintondale High where Johnny and the combo served their high school time, impatiently served their high school time.

Now while everybody respected old Sally Ann’s musical instincts (she was the queen of the jitterbug night in the 1940s, had been on top of the be-bop jazz scene with Charley, Dizzy and the guys early on, guys whom the G-Clefs covered, covered like crazy, and nixed, nixed big time that whole Patti Page, Teresa Brewer weepy, sad song thing in the early 1950s) she was passé, old hat when it came to the cool blues coming out of Chicago, and the be-bop doo wop that kids, white kids, because there were no known blacks, or spanish, chinese, armenians, or whatever, in dear old Clintondale were crazy for ever since Frankie Lyman and his back-up guys tore up the scene with Why Do Fools Fall In Love?

But her greatest sin, although up until a few weeks ago Johnny would have been agnostic on that sin part, was that she was behind, way behind the curve, on the rock ‘n’ rock good night wave coming though and splashing over everybody, including deep jazz man, Johnny Prescott. But Sally Ann had, aside from that secluded locale and a tell-no-tales-attitude, something Johnny could use. She had a primo Les Paul Fender-bender guitar in stock just like the one Gene Vincent used that she was willing to let clandestine Johnny play when he came by. And she had something else Johnny could use, or maybe better Sally Ann could use. She had an A-Number One ear for guys who knew how to make music, any kind of music and had the bead on Johnny, no question. See Sally Ann was looking for one more glory flame, one more Clintondale shine moment, and who knows maybe she believed she could work some Colonel Parker magic and so Johnny Prescott was king of the Sally Ann day.

King, that is, until James and Martha Prescott spotted the other G-Clefs (Kenny, Sid, Eddie) coming out of the Dean Music School minus Johnny, minus a “don’t know where he is, sir,” Johnny. And Mr. Dean, Johnny’s piano instructor, was clueless as well, believing Johnny’s telephone story about having to work for the past few weeks and so lessons were to be held in abeyance. Something was definitely wrong if Mr. Dean, the man more who than anyone else who recognized Johnny’s raw musical talent in about the third grade had lost Johnny's confidence. But the Prescotts got wise in a hurry because flutist Mary Jane Galvin, also coming out the school just, then and overhearing the commotion about Johnny’s whereabouts decided to get even with one John Prescott by, let’s call a thing by its right name, snitch on him and disclosed that she had seen him earlier in the day when she walked into Sally Ann’s looking for an old Benny Goodman record that featured Peggy Lee and which Benny’s Emporium, crazed rock ‘n’ rock hub Benny’s would not dream of carrying, or even have space for.

The details of the actual physical confrontation with Johnny by his parents (with Mr. Dean in tow) are not very relevant to our little story. What is necessary to detail is the shock and chagrin that James and Martha exhibited on hearing of Johnny’s itch, his itch to be the be-bop, long-gone daddy of the rock ‘n’ roll night. Christ, Mr. Dean almost had a heart attack on the spot when he heard that Johnny had, and we will quote here, “lowered himself to play such nonsense,” and gone over to the enemy of music. As mentioned earlier Mr. Dean, before he opened his music school, had been the roving music teacher for the Clintondale elementary school sand had spotted Johnny’s natural feel for music early on. He also knew, knew somewhere is his sacred musical bones, that Johnny’s talents, his care-free piano talents in particular, could not be harnessed to classical programs, the Bachs, Beethoven, and Brahms stuff, so that he encouraged Johnny to work his magic through be-bop jazz then in high fashion, and with a long pedigree in American musical life. When he approached the Prescotts about coordinating efforts to drive Johnny’s talents by lessons his big pitch had been that his jazz ear would assure him of steady work when he came of age, came of age in the mid-1950s.

This last point should not be underestimated in winning the Prescotts over. James worked, when there was work, as welder, over at the shipyards in Adamsville, and Martha previously solely a housewife, in order to pay for those lessons (and be a good and caring mother to boot) had taken on a job filling jelly donuts (and other donut stuff) at one of the first of the Dandy Donuts shops that were spreading over the greater Clintondale area.
Christ, filling donuts. No wonder they were chagrined, or worst.

Previously both parents were proud, proud as peacocks, when Johnny really did show that promise that Mr. Dean saw early on. Especially when Johnny would inevitably be called to lead any musical assemblage at school, and later when, at Mr. Dean’s urging, he formed the G-Clef and began to make small amounts of money at parties and other functions. Rock ‘n’ rock did not fit in, fit in at all in that Prescott world. Then damn Elvis came into view and corrupted Johnny’s morals, or something like that. Shouldn’t the authorities do something about it?

Johnny and his parents worked out a truce, well kind of a truce,kind of a truce for a while. And that kind of a truce for a while is where old Sally Ann enters again. See, Johnny had so much raw rock talent that she persuaded him to have his boys (yes, Kenny, Sid and Eddy in case you forgot) come by and accompany him on some rock stuff. And because Johnny (not Sally Ann, old Aunt Sally by then) was loved, loved in the musical sense if not in the human affection sense by the other boys they followed along. Truth to tell they were getting the itch too, a little. And that little itch turned into a very big itch indeed when at that very same dime-dropper, Mary Jane Galvin’s sweet sixteen party concert (yes, Mary Jane was that kind of girl), the G-Clefs finished one of their covers, Dizzy’s Salt Peanuts with some rock riffs. The kids started to get up, started dancing in front of their seats to the shock of the parents and Mary Jane(yes, Mary Jane was that kind of girl), including the senior Prescotts, were crazy for the music. And Johnny’s fellow G-Clefs noticed, noticed very quickly that all kinds of foxy frails (girls, okay), girls who had previously spent much time ignoring their existences, came up all dream-eyed and asked them, well, asked them stuff, boy-girl stuff.

Oh, the Sally Ann part, the real Sally Ann part not just the idea of putting the rock band together. Well, she talked her talk to the headmaster over at North Clintondale High (an old classmate, Clintondale Class of 1925, and flame from what the boys later heard) and got the boys a paying gig at the up coming school Spring Frolics. And the money was more than the G-Clefs, the avant guarde G-Clefs made in a month of jazz club appearances, to speak nothing of girls attached. So now the senior Prescotts are happy, well as happy as parents can be over rock ‘n’ roll. And from what I hear Johnny and the Rocking Ramrods are going, courtesy of Aunt Sally, naturally, to be playing at the Gloversville Fair this summer. Be-bop-a-Lula indeed.

Out In The Be-Bop Be-Bop 1960s Night- Classic Rock: 1966: Shakin’ All Over- “You Are On The Bus Or Off The Bus”- The Transformation Of “Foul-Mouth” Phil Into “Far-Out” Phil- With Mad Writer Ken Kesey And His Merry Pranksters In Mind

Click on the headline to link to a YouTube film clip of The Chiffons performing their classic Sweet Talkin’ Guy

CD Review

Classic Rock: 1966: Shakin’ All Over, various artists, Time-Life Music, 1998

Scene: Brought to mind by one of the pieces of artwork that graces each CD in this series. In this case, this 1966 case, the then almost ubiquitous merry prankster-edged converted yellow brick road school bus, complete with assorted vagabond minstrel/ road warrior/ah, hippies, that “ruled” the mid-1960s highway and by-ways in search of the great American freedom night. We never found it in the end, but the search was worth it then, and still worth it now.
*****
A rickety, ticky-tack, bounce over every bump in the road to high heaven, gear-shrieking school bus. But not just any yellow brick road school bus that you rode to various educationally good for you locations like movie houses, half yawn, science museums, yawn, art museums, yawn, yawn, or wind-wept picnic areas for some fool weenie roast, two yawns there too, when you were a school kid. And certainly not your hour to get home daily grind school bus, complete with surly driver (male or female, although truth to tell the females were worst since they acted just like your mother, and maybe were acting on orders from her) that got you through K-12 in one piece, and you even got to not notice the bounces to high heaven over every bump of burp in the road. No, my friends, my comrades, my brethren this is god’s own bus commandeered to navigate the highways and by-ways of the 1960s come flame or flash-out.

Yes, it is rickety, and all those other descriptive words mentioned above in regard to school day buses. That is the nature of such ill-meant mechanical contraptions after all. But this one is custom-ordered, no, maybe that is the wrong way to put it, this is “karma” ordered to take a motley crew of free-spirits on the roads to seek a “newer world,” to seek the meaning of what one persistent blogger on the subject has described as "the search for the great blue-pink American Western night."

Naturally to keep its first purpose intact this heaven-bound vehicle is left with its mustard yellow body surface underneath but over that primer the surface has been transformed by generations (generations here signifying not twenty-year cycles but trips west, and east) of, well, folk art, said folk art being heavily weighted toward graffiti, toward psychedelic day-glo hotpinkorangelemonlime splashes and zodiacally meaningful symbols. And the interior. Most of those hardback seats that captured every bounce of childhood have been ripped out and discarded to who knows where and replaced by mattresses, many layers of mattresses for this bus is not merely for travel but for home. To complete the “homey” effect there are stored, helter-skelter, in the back coolers, assorted pots and pans, mismatched dishware, nobody’s idea of the family heirloom china, boxes of dried foods and condiments, duffle bags full of clothes, clean and unclean, blankets, sheets, and pillows, again clean and unclean.

Let’s put it this way, if someone wants to make a family hell-broth stew there is nothing in the way to stop them. But also know this, and know it now, as we start to focus on this journey that food, the preparation of food, and the desire, except in the wee hours when the body craves something inside, is a very distant concern for these “campers.” If food is what you desired in the foreboding 1960s be-bop night take a cruise ship to nowhere or a train (if you can find one), some southern pacific, great northern, union pacific, and work out your dilemma in the dining car. Of course, no heaven-send, merry prankster-ish yellow brick road school bus would be complete without a high-grade stereo system to blast the now obligatory “acid rock” coming through the radiator practically, although just now, as a goof, it has to be a goof, right, one can hear Nancy Sinatra, christ, Frank’s daughter how square is that, churning out These Boots Are Made For Walkin’.

And the driver. No, not mother-sent, mother-agent, old Mrs. Henderson, who prattled on about keep in your seats and be quiet while she is driving (maybe that, subconsciously, is why the seats were ripped out long ago on the very first “voyage” west). No way, but a very, very close imitation of the god-like prince-driver of the road, the "on the road” pioneer, Neal Cassady, shifting those gears very gently but also very sure-handedly so no one notices those bumps (or else is so stoned, drug or music stoned, that those things pass like so much wind). His name: Cruising Casey (real name, Charles Kendall, Harverford College Class of ’64, but just this minute, Cruising Casey, mad man searching for the great American be-bop night under the extreme influence of one Ken Kesey, the max-daddy mad man of the great search just then). And just now over that jerry-rigged big boom sound system, again as if to mock the newer world abrewin’ The Vogues’ Five O’ Clock World.

And the passengers. Well, no one is exactly sure, as the bus approaches the outskirts of Denver, because this is strictly a revolving cast of characters depending on who was hitchhiking on that desolate back road State Route 5 in Iowa, or County Road 16 in Nebraska, and desperately needed to be picked up, or face time, and not nice time with a buzz on, in some small town pokey. Or it might depend on who decided to pull up stakes at some outback campsite and get on the bus for a spell, and decide if they were, or were not, on the bus. After all even all-day highs, all-night sex, and 24/7 just hanging around listening to the music, especially when you are ready to scratch a blackboard over the selections like the one on now, James and Bobby Purify’s I’m Your Puppet, is not for everyone.

We do know for sure that Casey is driving, and still driving effortlessly so the harsh realities of his massive drug intake have not hit yet, or maybe he really is superman. And, well, that the “leader” here is Captain Crunch since it is “his” bus paid for out of some murky deal, probably a youthful drug deal, (real name, Samuel Jackman, Columbia, Class of 1958, who long ago gave up searching, searching for anything, and just hooked into the idea of "taking the ride"), Mustang Sally (Susan Stein, Michigan, Class of 1959, ditto on the searching thing), his girlfriend, (although not exclusively, not exclusively by her choice , not his, and he is not happy about it for lots of reasons which need not detain us here). Most of the rest of the “passengers” have monikers like Silver City Slim, Luscious Lois (and she really is), Penny Pot (guess why), Moon Man, Flash Gordon (from out in space somewhere, literally, as he tells it), Denver Dennis (from New York City, go figure), and the like. They also have real names that indicate that they are from somewhere that has nothing to do with public housing projects, ghettos or barrios. And they are also, or almost all are, twenty-somethings that have some highly-rated college years after their names, graduated or not). And they are all either searching or, like the Captain, at a stage where they are just hooked into taking the ride.

One young man, however, sticks out, well, not sticks out, since he is dressed in de rigeur bell-bottomed blue jeans, olive green World War II surplus army jacket (against the mountain colds, smart boy), Chuck Taylor sneakers, long, flowing hair and beard (well, wisp of a beard) and on his head a rakish tam just to be a little different, “Far Out” Phil (real name Phillip Larkin, North Adamsville High School Class of 1964). And why Far Out sticks out is not only that he has no college year after his name, for one thing, but more importantly, that he is nothing but a old-time working class neighborhood corner boy from in front of Salducci’s Pizza Parlor back in North Adamsville, a close-by suburb of Boston.

Of course then Far Out Phil was known, and rightly so as any girl, self-respecting or not, could tell you as “Foul-Mouth” Phil, the world champion swearer of the 1960s North Adamsville (and Adamsville Beach) be-bop night. And right now Far Out, having just ingested a capsule of some illegal substance (not LSD, probably mescaline) is talking to Luscious Lois, talking up a storm without one swear word in use, and she is listening, gleam in her eye listening, as ironically, perhaps, The Chiffons Sweet Talkin’ Guy is beaming forth out of his little battery-powered transistor radio (look it up on Wikipedia if you don’t know about primitive musical technology) that he has carried with him since junior high school. The winds of change do shift, do shift indeed.

***Out In The Be-Bop Be-Bop 1960s Night- The Heart Of Rock ‘n’ Rock: 1964-Just Before The Sea Change - With The Rolling Stones In Mind

Click on the headline to link to a YouTube film clip of the Dixie Cups performing their 1960s classic (who brought the house down with this number about 15 years ago at the Newport Folk festival of all places to show an example of a song with staying power Chapel Of Love

CD Review

The Heart Of Rock ‘n’ Roll: 1964, various artists, Time-Life Music, 1996

Scene: Brought to mind by one of the snapshot photos that grace each CD in this series.

“Isn’t that hair of yours a little long Mr. Edward Rowley, Junior,” clucked Mrs. Edward Rowley, Senior, “You had better get it cut before your father gets back from his conference trip, if you know what is good for you.” That mothers’-song was being endlessly repeated in North Adamsville households (and not just North Adamsville household either) ever since the British invasion brought longer hair (and a little less so, beards) into style. Of course when one thinks of the British invasion in the year 1964 one is not thinking about the American Revolution or the War of 1812 but the Beatles. And while their music has taken 1964 teen world by a storm, a welcome storm after the long mainly musical counter-revolution since Elvis, Bo, Jerry Lee and Chuck ruled the rock night, the 1964 parent world was getting up in arms.

And not just about hair styles either. But about trips to Harvard Square coffeehouses to hear, to hear if you can believe this, folk music, mountain music, harp music or whatever performed by long-haired (male or female), long-bearded (male), blue jean–wearing (both), sandal-wearing (both), well, for lack of a better name “beatniks” (parents, as usual, being well behind the curve on teen cultural movements). Why can’t Eddie (he hated that name by the way) be like he was when he listened to Bobby Vinton and his Mr. Lonely or that lovely-voiced Roy Orbison and his It’s Over and other nice songs on the local teen radio station, WMEX, mused Mrs. Rowley to herself. Now it’s the Beatles, the Rolling Stones and a cranky-voiced guy named Bob Dylan that has his attention. And that damn Judy Jackson with her short skirt and her, well her…

Since Mrs. Rowley, Alice to the neighbors, was getting worked up it anyway, "What about all the talk about doing right by the down-trodden Negros down in Alabama and Mississippi. And Eddie and that damn Peter Paul Markin, who used to be so nice when they all hung around together at Salducci’s Pizza Parlor and you at least knew they were no causing trouble, talking about organizing a book drive to get books for the little Negro children down there. If Eddie’s father ever heard that there would be hell to pay, hell to pay and maybe a strap coming out of the closet big as Eddie is. Worst though, worst that worrying about Negros down South is that treasonous talk about leaving this country, leaving North Adamsville, defenseless against the communists with his talk of nuclear disarmament. Why couldn’t he have just left well enough alone and stick with his idea of forming a band that would play nice songs that make kids feel good like Gale Garnet’s We’ll Sing In The Sunshine or that pretty Negro girl Dionne Warwick and Her Walk On By instead of getting everybody upset."

Scene: “Young lady, that dress is too short for you to wear in public, take it off, burn it for all I care, and put on another one or you are not going out of this house,” barked Mrs. James Jackson, echoing a sentiment that many worried North Adamsville mothers were feeling (and not just North Adamsville mothers either) about their daughters dressing too provocatively and practically telling the boys, well practically telling them you know what as she suppressed the “s” word that was forming in her head. "And that Eddie (“Edward, Ma,” Judy keep repeating every time Mrs. Jackson, Dorothy to the neighbors, said Eddie), and his new found friends like Peter Paul Markin taking her to those strange coffeehouses instead of the high school dances on Saturday night. And endless talk about the n-----s down South and other trash talk. Commie trash about peace and getting rid of weapons. They should draft the whole bunch and put them over in front of that Berlin Wall. Then they wouldn’t be so negative about America."

Scene: Edward, Judy and Peter Paul Markin sitting in the Club Nana in Harvard Square sipping coffee, maybe pecking at the one brownie between, and listening to a local wanna-be folk singing strumming his stuff (who turned out to be none other than Eric Von Schmidt). Beside them cartons of books that they are sorting to be taken along with them when head South this summer after graduation exercises at North Adamsville High School are completed in June. They have already purchased their tickets as far as New York’s Port Authority where they will meet other heading south. Pete Paul turns to Edward and says, “Have you heard that song, Popsicles and Icicles by the Mermaids, it has got great melodic sense.” Yes, we are still just before the sea change. Good luck, young travelers.

*Frankie’s North Adamsville Fourth of July-For Arlene, North Adamsville Class Of 1965

Click on the headline to link to a Wikipedia entry for Fourth of July (Independence Day) celebrations.

Frankie, Frankie Riley, couldn’t quite remember exactly when he heard his first Fourth of July fire-cracker, or seen and heard his first fireworks for that matter. He got it all mixed and confused together with his recollections of two-bit carnival times, which also included, at least sometimes, setting off fire-crackers or fireworks displays. But it must have been early, very early, in his life at a time when he, and his mother and father and two brothers, two brothers just then, would visit his grandparents’ house on the Fourth. And the beauty of where those grandparents lived was that it was a bee-line directly across the street from Welcome Young Field on Sagamore Street. Sagamore Street of now blessed memory.

One thing Frankie was sure of though as he thought about Sagamore Street days was that he was going to need help in relating the details of what happened because, frankly, he was confused and mixed up about more than just when he first saw and heard fire-crackers and fireworks displays. But for just this moment he was going to fly on his own. And while depending on his own memories, such as they were, he also knew, knew, flat-out what he wasn’t going to be talking about. Nix, to the tattoo of marching drums, some yankee doodle threesome all bed-sheet patched up from wounds suffered at the hands of the bloody British but still carrying, carrying proudly, the brand new American flag all aflutter, and tattooing that beat up drum and playing the fife to kingdom come. That was standard fare at these Fourth celebrations but that battered patriot thing was not his Fourth, although he had to admit it might have been somebody’s.

No also to an overblown description of some Hatch Shell Fourth, streams of humanity stretched out as far as the eye could see along the Charles River, sweating in the July suns, searching for cool, for water, for shade against the madness and waiting, patiently or impatiently as the case may have been, for the night cools, and the big boom symphony Overture of 1812 finale. Again, frankly, that was not his thing, although he knew just by the numbers that it was certainly somebody else’s. And while he was at it he would not go on and on about the too quickly over fireworks displays the directly succeeded that big boom overture. All of that, collectively, was too much noise, sweat, heat, swelter, and just plain crowdedness for what he wanted to remember about the Fourth. Instead he wanted to lower the temperature a little, lower the noise more, and lessen the logistics, the picnic basket, cooler, blankets, umbrellas, child’s toys logistics, and return to those Sagamore streets of his 1950s youth when Welcome Young Field in North Adamsville’s Atlantic section (why it was called that particular name he never really did get except Sagamore Street Grandma Riley always called it one-horse Atlantic so it had to mean something) was the center of the universe, and if not, it should have been.

Frankie knew that, probably like in your neighborhood in the old days, every year in late June the local older guys, mainly guys from the Dublin Grille and some scattered fathers, including Joseph Riley, Senior, Frankie's father and denizen of the Dublin Grille, would put together a kitty, collecting contributions and seeking donations from local merchants to put together a little “time” for the kids on the 4th of July. Now this Dublin Grille was the favored watering hole (and maybe the only one close enough to be able to “drop in for glass” and also be able to walk home afterwards when that glass turned into glasses) for all the working class fathers in the neighborhood. And nothing but a regular hang-out for all the legions of single Irish guys who were still living at home with dear, sweet mother. Said mother who fed (and fed on time), clothed, darned socks, holy socks worn out from hard living on the Welcome Young softball field, and whatnot for her son (or, more rarely, sons) who was too afraid of woman, or a woman’s scorn at late night Dublin Grille antics, to move out into the great big world. But come late June they, the fathers and occasional older brothers, were kings among men as they strong-armed neighbors and merchants alike for dough and goods.

What Frankie was not clear on (and he is looking for help here) was the details of the organization of this extravaganza, how the money was gathered, what merchant provided what goods, where did the lads get the various Fourth fixings. However he could surely speak to the results. As these things go it was pretty straight forward, you know; foot races of varying lengths for various age groups, baby contests, beauty contests, some sort of parade, pony rides and so forth. But that is only the frame. Here is the real story of the day. Here is what any self-respecting kid lived and died for that day.

Tonic (you know, soda, pop) and ice cream. And not just one tonic or one ice cream but as much as you could hoard. Twice during the day (Frankie thought maybe about 10:00AM and 1:00PM) there would be what one can only describe as a free-for-all as everybody scrambled to get as many bottles of tonic (you know, soda) and cups of ice cream as they could handle. Here is the secret to the success that Frankie’s older brothers, Timmy and Tommy, and he had in grabbing much more than their fair share of the bounty. Go back to that part about where Grandma and Grandpa lived. Ya, right on the corner of Welcome Young Field on Sagamore Street. So, the trio would sprint with one load of goods over to their house and then go back for more until they had filled up the back-door refrigerator.

Just thinking about it now Frankie thought, “Boy that was work, as we panted away, bottles clanking in our pockets, ice cream cups clutched in every hand.” But then, work completed, they could savor their one tonic (read: soda) and one ice cream cup that they showed for public consumption just like the nice boys and girls. There were other sounds of the day like the cheering for your friends in the foot races, or other contests, the panting and the hee-haws of the ponies. As the sun went down it went down to the strains of some local pick-up band of the era in the tennis court as the dancing started. But that was adult time. Our time was to think about our day's work, our hoard and the next day's tonic and ice cream. Ah....

Frankie’s call for remembrance help was heeded. Below is the traffic, mostly unedited, giving other information about those Atlantic Fourth of July celebrations.

Richard Mackey:

Frankie it was, like you said, organized by the guys at the Dublin Grille, guys like my father and yours, and my older brother, Jimmy, in his thirties at the time, who, as you also said, was afraid to go out in the world and lived at home forever with dear, sweet mother (and she was sweet, too sweet). He never married, never missed a softball game, never had a dirty, unsewed sock, or missed a free glass of beer (Pabst Blue Ribbon, if you remember that brand). Jimmy and his buddies, his softball buddies, did a lot of the leg work when he was younger and then they kind of took over the show as the older guys, like my father and yours, had too much to do or something and handed it over to them.

They had a truck, maybe rented or maybe from one of the grocery stores, with a loud speaker that would go up and down the streets and had some of the older kid (15 or 16 years old ) going door to door for donations. I don’t know about the strong-arming part, but maybe. Probably not the neighborhood families so much as the merchants. Remember those were hard-nosed corner boys days and Jimmy was a serious corner boy when things got tight. I know Jimmy used to “set up” his buddies a lot during that collecting time and he never worked all that much.

The day [Fourth of July] started at around 8:00 am and ended with the talent show in the tennis court. I think Mr. Burke won every year that I can remember for his "crazy legs dancing.” Joe Gill, who worked at Estrella’s Market on Newbury Ave, was part of the group that set the whole celebration up. He was a friend of Jimmy’s as well so maybe that is where they got the tonic and ice cream from. The last one I remember was around 1975, because I had my oldest son there.

Frankie Riley:

That Joe Gill Richard Mackey mentioned lived, with his dear sweet Irish-brogued mother, forever, never married, never missed a softball game, never had a dirty, unsewed sock, and never missed a free beer (Knickerbocker, if you remember that brand) directly across the street from my grandparents, Daniel and Anna Riley, on Sagamore Street. That house is the place where we stashed our loot (the tonic and ice cream). Joe, when he worked for Estrella's, would also take my grandfather, disabled from a stroke and a retired North Adamsville fireman, riding around with him when he delivered orders. My grandfather was a, to be kind, difficult man to deal with so Joe must have had some charm.

Sticky Fingers McGee:

The earliest recollection I have of the July 4th festivities at Young Field was when I returned to Atlantic in July 1945, when I was six, after being away for a couple years. I seem to remember that they had foot races and other activities. I remember running one of the races which was close between me and another kid, Spider Jones. They declared Spider the winner, but I threw a fit. Nothing big, just a little shoving, no fists or anything like that. It was just a race, okay. I still think that I won that race and if they had had proper equipment like a camera for photo finishes at the finish line I could have proved that I won. After writing that last thing I guess I still haven’t yet learned to take a loss gracefully but like I said the camera would not have lied.

Later, in the 50's maybe, I remember hearing a girl who sang like Theresa "Tessie" Brewer at the Young Field tennis courts. I think somebody said she was the sister of one Joseph “Babe” Baldwin (Class of 1958) who later became one of North's best all-round athletes. That's all I remember of the Atlantic 4th celebrations, and I'm not totally sure of the accuracy of those memories. The years continue to cloud some memories.

Frank Riley:

Sticky, glad to see you haven’t mellowed with age, at least according to fellow class-mate Jimmy Callahan. Jimmy says hello and to tell you that Spider Jones had you by a mile in that race. He was right at the finish line when you exploded. (He says you did punch Spider, by the way). As for the forget memories part we all know that well-traveled path. Although your memory for some flea-bitten thirty-yard dash for some crumb-bum dollar prize gives me pause on that one.

Irene Devlin:

Hi

Back in the 50's the first 9 1/2 years of my life was on the top floor of a three-decker on Sagamore St., and Welcome Young was were we spent every day. We all waited for the Fourth. Richard [Mackey]is right about the truck. My grandfather, George Kelley, and my uncles would ride on the back of the flatbed truck going up and down the streets playing their musical instruments while others collected donations. We would throw change to the people collecting. On the big day we would line up early in the morning with our costumes on. Buddy Dunne and Elliot Thompson had a lot to do with getting everything together along with a lot of the guys from the Dublin Grille. On our way down Sagamore Street from Newbury Ave heading to Welcome Young everyone would get a shiny quarter for marching. I do remember going to Harry’s Variety Store (later owned by my Uncle Harry Kelley) for free ice cream and "tonic."

The rest of the day would be filled with games and shows, and yes the tennis court would be converted to a stage for the day and night activities.

Richard, didn't you live on the second floor of the Parker's Sagamore Street house?
******

In The Time Of The Time Of An Outlaw Country Music Moment- The Belfast Cowboy Rides Again Van Morrison’s “Pay The Devil”

Click on the headline to link to a YouTube film clip of Van Morrison performing his pre-Belfast Cowboy Into The Mystic.

CD Review

Pay The Devil, Van Morrison, Exile Productions, 2006

Apparently just now, although this time rather accidentally, I am on something of an outlaw country moment tear, again. I have mentioned on previously occasions when I have discussed county music, or rather more correctly outlaw country music, that I had a very short, but worthwhile period when I was immersed in this genre in the late 1970s. After tiring somewhat of Willie Nelson, Waylon Jennings and other more well know country outlaws I gravitated toward the music, eerily beautiful and haunting music, of Townes Van Zandt whose Steve Earle tribute album Townes I have recently reviewed in this space. As I noted there, as well, while this outlaw country thing was short-lived and I scrambled back to my first loves, blues, rock and folk music I always had time to listen to Townes and is funny mix of blues, folk rock, rock folk, and just downright outlaw country.

And that brings us to the album under review, Pay The Devil, and another “outlaw” country music man, the Belfast cowboy Van Morrison. Wait a minute, Van Morrison? Belfast cowboy? Okay, let me take a few steps back. I first heard Van Morrison in his 1960s rock period when I flipped out over his Into The Mystic on his Moondance album. And when I later saw him doing some blues stuff highlighted by his appearance in Martin Scorsese PBS History of Blues series several years ago I also flipped out, and said yes, brother blues. But somewhere along the way he turned again on us and has “reinvented” himself as the “son”, the legitimate son, of Hank Williams. And hence the Belfast cowboy.

If you do not believe me then just listen to him ante up on There Stands The Glass, a classic honky-tonk midnight sorrows tune; the Williams’ classic Your Cheatin’ Heart; the pathos of Back Street Affair; the title song Pay The Devil; and, something out of about 1952, and the number one example of his cowboyishness (whee!),Till I Gain Control Again. The Belfast cowboy, indeed, although I always thought that was in the North.

***From The Rag Blog- Into That 1960s Good Night- People's Park and beyond:

People's Park and beyond:
The way we were

By Chellis Glendinning / The Rag Blog / May 26, 2011

I plopped down onto the sidewalk in the first row of cross-legged protestors, eye-level with the shin-guards of the first row of National Guardsmen. My hair dropped down my back in a braid, and I was wearing a shirt made of an Indian-print bedspread. The blonde next to me leaned over and disclosed that she was on acid, in fact that she took acid every day.

I know all the details because a photograph of us showed up in Newsweek a few days later: me, the acid head, the dudes with their gas masks and rifles. It was snapped by photojournalist Peter Barnes, who later broke from the “objectivity” of press work, wrote a book on the oppression of soldiers, founded the progressive credit-card company Working Assets, wrote some more books -- and even later than that, by 20 years and wild providence, became lovers with the subject of his camera aim whose Indian-print shirt had long since shredded into compost.

Another photo appeared in that article about the rabble-rousers in Berkeley: a helicopter soaring between the Campanile and Sproul Hall dropping toxic CS gas into the plaza like it was Vietnam. Down at ground level people were screaming, fainting, falling down, blinded, retching, and the National Guard was advancing into the crowds cracking skulls with their batons.

My husband Bill and I somehow ratcheted our bodies away from the toxic clouds, into the cafeteria, down the spiral staircase of the kitchen, and out into the lower plaza. It was the first (and last) time I ever hurled a rock through a window, I was so appalled by the military exercise, and I wonder to this day whatever happened to the woman on acid.


On Bloody Thursday, May 29, 1969, a crowd at Dwight Way and Telegraph is despersed with teargas, a few minutes before the Alameda County deputies came down the street with their shotguns. Photo by Kathryn Bigelow / Peoples Park.



The Third World Liberation Strike demanded that we students skip classes, so I regrouped in the Victorian house that Bill and I rented on Walnut Street, turned my attention to cooking Adele Davis-style, shook my fist during protests against racism, played volleyball with my professor-pal Troy Duster and his social-science comrades... and quietly kept up with my homework.

I was taking The Sociology of the Family. At the end of the quarter, when I decided I’d hand in my paper on women in the Soviet Union and take the final so I could still graduate, the template was laid for a nightmare that plagued my dreams for decades after.

I nervously approached the lecture hall that I hadn’t stepped Swedish clog into for three months. To my terror it was empty. Abandoned, reassigned, unavailable, gone. No students. No prof. No sign redirecting the Returning Striker.

Panic emanated from The Sociology of the Family again when I sheepishly edged toward the departmental office to retrieve the paper and final exam I had somehow managed to hand in. I rifled through the pile to no avail: neither was there -- and I felt as adrift as a hippie waif on Telegraph Avenue. I finally mustered the courage to ask the secretary, and she offered that I must be “the one” who was instructed to see the prof.

He had a beard and glasses (as if I even remembered what he looked like). With a stern voice he told me to sit down, and I felt the axe about to fall. He then smiled and explained that there had been only two A’s in the whole quarter... and they were my paper and my exam. It was hardly the moment to speak of irony, as he blubbered on encouraging me to pursue graduate sociology. I had a flare for it, apparently. Somehow the news was more stultifying than if he’d announced I’d been kicked out for fraud.

The strike was a raging success, laying the ground for what then became a norm in higher education: Black, Chicano, Asian, and Native American studies. I went on to write books that sprang from such experiences as our Third World Liberation Strike -- and at least hinted that I might have kind-of taken some sociology classes.


National Guardsmen confront students at Sproul Hall on the Berkeley campus, May 20, 1969. Photo Dick Corten / Peoples Park.


I really can’t figure out how I have wrangled my way through this life, somehow doing the most out-there-outrageous things -- and at the same time being so timid.

The Café Mediterraneum was clearly the place to hang out. Michael Delacour was always there in his pea coat, earnestly talking revolution. There was Moe, with his waning hairline and cigar. Marty Schiffenbauer with his shorts, combat boots, and curly red locks flying every which-way. Old Carroll, the ghetto astrologer. Street poet Julia Vinograd in her yellow cap.

It was all I could do to go in there, I was so nervous: the place was that cool.

It was where the hot-and-heavy political strategizing took place. Where the Red Family grabbed a break from haggling about who did the dishes in the commune. Where the seekers from Shambhala Bookstore talked Krishnamurti, astrology, and Tibetan Buddhism. Where Simone de Beauvoir mixed it up with Martin Heidegger. Where the espresso machine swooshed, Vivaldi’s “Primavera” echoed, and folks sported Mao caps. Where, for Chrissake, everyone smoked... Galoise.

I went, at first ordering cappuccino dusted with chocolate and toting the de rigueur blue pack of cancer sticks, later (after I launched a brief stint with a two-hour-a-day yoga-meditation practice), the far thinner rose-hips tea.

But I always felt a tad “thin” in the cool department.

I cottoned right up to the fashion side of things, though. I mean, how many cases of scabies can be traced to the ultra-wide bell-bottoms scrounged from piles of threads on the concrete floor of the San Pablo army-navy store?

As my signature, I donned the Pirate Coat I paid $15 for at the Paris flea market. Some days I boasted a green leather jacket hinting of London Mod, purchased at the hippest of boutiques, Red Square, and my closet burst with slinky 1930s dresses.

But maybe the finest of couture happened when we dressed up in garb appropriate to the film we were seeing: tux and gowns for Fred Astaire-Ginger Rogers; trench coats for noir; boxy 1940s suits and spectators for Preston Sturges; kimonos for Rashomon.

Being in jail had its perks. Quiet time, good food, ample bedding, exercise, books for illumination, freedom to roam -- they were not among them.

But it was a pre-feminist moment for us women to be together. I know now that we could have done things differently. There simply did not have to be that pre-midnight crescendo of panicked voices in a solitaire cell that some 100 women from the Mass Bust were now crammed into; we could have gathered into small groups to quietly discuss terror and claustrophobia. We could have been more supportive of our disparate needs. We could have meditated. Or done a ritual.

But what did we know?

We did know that the big bust was coming. Our own private rendition of Deep Throat within the police department had tipped us off, and a few had met in a living room just off campus to weigh our options. Tom Hayden was there. Wendy Schlesinger. Delacour. Bill Miller.

But somehow any planning we mustered had zero effect when the shit hit the fan and the cops cordoned off Shattuck Avenue, hemming in not just us anti-war protestors, but also innocent mailmen and shopping mothers. I was one of the Health Food 15. Guilty as all get-out, we had rushed into Goodson’s, grabbed wire shopping baskets, and pretended to be buying organic oatmeal -- but sure enough, a policeman emerged tall and angry through the back door and rounded us up for the bus ride to Santa Rita Detention Center.

Knowing it was coming, I had made my own plan for bail. It’s not a plan that -- what with post-9-11 paranoia -- would fly today, but it did back then. I had hand-penned a letter to Wells Fargo bank authorizing my commune-mate to take out $300 from my savings account, and when he showed up at the jail with papers for my release, I was never happier to see a parking lot.

The stories that came out of the men’s section were grim. While we women had had the freedom to fashion the plastic bags filled with Wonder-bread-bologna sandwiches into “volleyballs” for our nervous amusement, the men had been jammed face down in the yard and made to lie there without flinching through the night. One had his head tied to an iron pipe, and an officer had banged the pipe till blood gushed from his eyes, nose, and mouth.

In the end, the Health Food 15 got off through the efforts of our pro bono lawyer Bob Treuhaft. And in the end, the perk was seeing the system from the inside out.

In their humongous leather jackets, the Black Panthers came on as fierce as the police they were bucking. One day a militaristic line-up of them made the trek from downtown Oakland to hold forth at the noon rally in Sproul Plaza.

Their message was kind of confusing to those of us who had grown up on “We Shall Overcome” and sharpened our political teeth in the South during Mississippi Summer. Bristling with the radicalism of the international liberation/decolonization movements, the Black Panthers announced that the new revolutionary tack was to stand alone, Whitey not invited. At the same time, they demanded our support.

After that, a lot of interracial marriages broke apart in a frenzy of political realignment. Along with everyone else, I was reading Eldridge Cleaver’s Soul on Ice, and Frantz Fanon’s notion of violence against whites as a cleansing act was flying through the halls of academia, so I wasn’t completely in the dark about rage, separatism, and self-empowerment.

Just then something began to appear in the dark, hung on a peg in the hallway of the apartment we shared with a university secretary, who was white. It was the fiercest black-leather jacket of all. Every time it was there, a heavy silence emanated from behind her closed door, and soon she began to show up in a black beret behind the card table, taking the money and handing out leaflets, at Panther events.

I could only think that she, among very few, had mastered the delicacies of white support.

I had no idea that we activists -- sometimes amassed in crowds of 3,000, sometimes 100,000 -- had, through the years of rampaging around campus and in the streets, developed an unspoken method: a way of forming, spreading, taking over the city, then dispersing, and finally re-congealing like a dance that was in our genes.

That is, until the neophytes arrived -- which happened the summer after People’s Park when every Tom, Dick, and Hari Krishna east of Sproul Plaza decided that Berkeley was the place to hone one’s revolutionary skills. Suddenly, up against the Alameda County Sheriff’s Department “Blue Meanies,” the streets became a place of edginess, chaos, and utter lack of method.

I said, “To Hell With It,” and retired to my commune on Vine Street. It was a good time to pull back for a spell. The obvious next step was something akin to what we’d seen in the film Battle of Algiers, and indeed many in the New Left were joining gun clubs, just as some Students for a Democratic Society radicals back East were morphing into the Weather Underground.

Bill and I hightailed it to Europe, bought a second-hand Deux Chevaux in Amsterdam, and tooled at 40 m.p.h. through Holland, Denmark, Sweden, France, Andorra, Spain, and Morocco. When we got back and retreated to a maple-sugar farm in Vermont, sure enough, the FBI tracked us down and paid a visit to see what we were up to.

Things being as they were, Bill refused to ID any of the folks in the photos and told the FBI dude to shove it.

[Chellis Glendinning is the author of five books, including My Name Is Chellis and I’m in Recovery from Western Civilization. Her Off the Map: An Expedition Deep into Empire and the Global Economy and Chiva: A Village Takes on the Global Heroin Trade, both won the National Federation of Press Women book award in nonfiction, in 2000 and 2006 respectively. She lives in Marquina, Bolivia, and can be reached via www.chellisglendinning.org.]



The Rag Blog

Posted by thorne dreyer at 11:45 AM
Labels: American History, Berkeley, Chellis Glendinning, New Left, People's Park, Rag Bloggers, Sixties

5 Make/read comments:
Mariann said...
This is brilliant -- thanks so much -- rings true in every detail. Indeed, the way we were.

May 26, 2011 2:46:00 PM
sg65 said...
Thank, Chellis.
You uncovered some details I never knew. You've revealed some of the intensity, perplexity, and endurance of the issues and the insanity of that time. Your lookalike, Jane Fonda, wrote a similar review of a shorter and less intense protest of that era in Cleveland Heights.

May 26, 2011 6:02:00 PM
Anonymous said...
This is a valuable historical gift, especially for a 16-year-old guy missing all the excitement because he had sailed to Europe.

I sort of made up for it by living near People's Park in 2005-2006, and playing on the stage in the Park my "Have a Global Warming Day."

In my May 2011 essay "Social Justice Activists Must Take Into Account Ecological, Cultural, and Economic Transformation" I wrote:

The alternative to the faltering "$ociety," the love tribe, has been practiced long before the hippies began the Back to the Land movement at People's Park, Berkeley, in 1969. Today, some of us still live so as to constructively undermine the dominant system, living outside it as much as possible. We thereby hasten -- at least by example -- the end of the corporate economy and the U.S. as we know it. We are messengers and preservers of viable natural systems. We stand for nonviolence, and thus support a truly sustainable culture. Perhaps at best we are showing the way modestly and minimally, through a tough transformation beyond the settling of the dust.
(Read the whole essay at http://www.culturechange.org/cms/content/view/725/1/ )
- Jan Lundberg

May 26, 2011 9:55:00 PM
Dana said...
Thanx for taking us all back to that time and place.

I still remember (fondly) the going away party that was thrown for you when you chose to move away from the San Francisco Bay Area. I called you a "cross-over" revolutionary...because you were involved in so many revolutions (political, spiritual, health, women's rights)...and you continue to work and be on these frontlines.

Blessings and blissings to you...

May 27, 2011 12:00:00 PM
Didier said...
The way you were
"To assure that our history survives the inevitable tendency of revisionism, it's critically important that we grow our own versions of what happened and why"

Reading the FBI files.http://vault.fbi.gov/cointel-pro/new-left
COINTELPRO\New Left- San Francisco Part 03 of 03 P 86
"Students and Revolution : a discussion. Patterns of irrationality" by Lewis S. Feuer,

According to Feuer, "every student movement is a last desperate protest on behalf of the children’s world ". And many other insanities. Read it.
And tell and write your story, for the next generations.
Keep on trucking
Didier

Writer's Corner-From The Pages Of "Socialism Today (September 2011)"-DASHIELL HAMMETT: HARD-BOILED WRITER, COMMUNIST FIGHTER-A Review

Click on the headline to link to an American Left History post on the crime noir writer, Dashiell Hammett.

DASHIELL HAMMETT: HARD-BOILED WRITER, COMMUNIST FIGHTER-A Review Socialism Today No.151 September 2011

EARLIER THIS year it was announced that 15 previously unpublished short stories by the US writer Dashiell Hammett had been discovered in a university archive in Texas, provoking much excitement among fans of the hardboiled detective fiction genre.

Hammett is regarded by many literary critics as one of the most important writers of the 20th century. His most famous book, The Maltese Falcon, featuring the immortal detective, Sam Spade, was made into a film three times in the 1930s and 1940s. The best known version featured Humphrey Bogart, turning him into an international film star. His stories are still used by writers and film-makers today as a source and inspiration. The Coen brothers' film, Miller's Crossing, for example, lifts ideas from both The Glass Key and Red Harvest, books written by Hammett 80 years ago.

Hammett was also an antifascist activist and a member of the Communist Party of America. He went to jail rather than hand over evidence that could have been used against other activists during the anti-communist witch-hunt led by Senator Joseph McCarthy in the 1950s.

Hammett was born in 1894, growing up in a working-class area of Baltimore. He left school at 13 and had a variety of jobs, including a freight clerk, a newsboy and a messenger for the B&O railroad. It was on the Baltimore waterfront that Hammett first came across socialist ideas, though he did not become active at that time. Instead, he made a contradictory career move when, in 1915, he joined the Pinkerton Private Detective Agency.

The Pinkertons carried out 'traditional' detective work but they were more often used as a private strike-breaking force by bosses. From the 1870s to the 1930s, labour movement activists were beaten up and many killed fighting for their rights. For example, in the 'Homestead' strike in Pittsburgh in 1892 pitched battles were fought between steel strikers and the Pinkertons, leading to 16 deaths.

Hammett worked for the Pinkertons until 1922, interrupted by service in the first world war. In 1920, he was sent to the Anaconda copper strike in Butte, Montana, in which copper workers led by the Industrial Workers of the World were battling for increased wages and the eight-hour day. Hammett revealed much later that he had been offered $5,000 by the mine-owners to murder one of the workers' leaders. In another incident, a striking miner was shot in the back, probably by a Pinkerton agent. The experience at Anaconda, together with his poor health - in 1919 he was a victim of the influenza epidemic that swept the world and was later struck down with bronchial pneumonia -seems to have been decisive in leading Hammett to leave the Pinkertons.

While recovering from illness, Hammett began writing the detective stories that made
his name. In the early 1920s, a key starting point for an aspiring writer was the short
story magazines. Many of these magazines, aimed at a working-class readership, were
printed on cheap pulp-wood paper, hence they became known as 'pulps'. Typically, they cost ten cents and were made to be read and then thrown away. Pulp fiction writers were paid by the word. The more a writer wrote, the more he or she got paid. Not surprisingly, the quality of much of what was produced was questionable.

Hammett's decision to start story writing coincided more or less with the appointment of a new editor at what was to become the most important of the detective pulp magazines, The Black Mask. Joseph Shaw, or Cap Shaw as he became known, transformed The Black Mask magazine into a pulp that featured a new 'hard-boiled' style of writing. Hammett became the master of this style and type of story.

Hardboiled detective fiction differed from earlier 'cosy' detective stories in that they tended to feature a more violent career "criminal than the lords, ladies, retired colonels, vicars and rich aunts who cropped up in stories typified by those written by Agatha Christie. Hardboiled stories tended to be fast paced, often narrated through the first person private investigator.

It was not accidental that the hardboiled detective story developed in the USA in the 1920s. Prohibition (the alcohol ban) had created an opportunity for gangsters to add to the huge profits they were already making from prostitution, protection rackets and gambling. Organised crime would often control or at least have a significant influence over the police and city politics. This was the America of Al Capone and Bugsy Siegel. Violence and corruption were everywhere.

This violent backdrop provided the perfect canvas on which Hammett could write his stories. While the traditional detective fiction featured an eccentric 'thinking machine' like Hercule Poirot or Sherlock Holmes, the hard-boiled detective had to be good with his fists and a gun. Hammett's short stories mostly featured an anonymous private detective known as 'the Op'. He is certainly intelligent but not exceptionally so. The people he encountered were often ordinary and spoke with the language of the street. Hammett's brilliance was in capturing the language of ordinary Americans and putting it on the page. This, together with a crisp style of short staccato sentences, gave a pace and authenticity to his stories.

While not politically active during the bulk of his writing career, many of his stories brilliantly expose the link between crime and the nature „ of capitalist society. As Hemet has Sam Spade say in The Maltese Falcon, "most things in San Francisco can be bought, or taken".

In Red Harvest, Hammett's first novel, the Op is sent to Clean up a town called Person-ville. The opening paragraph typifies Hammett's genius: "I first heard Personville called Poisonville by a red-haired mucker named Hickey Dewey in the Big Ship in Butte. He also called his shirt a shoit. I didn't think anything of what he'd done to the city's name.

Later I heard men who could manage their r's give it the same pronunciation. I still didn’t see anything in it but the meaningless sort of humor that used to make richard-snary the thieves' word for dictionary. A few years later I went to Personville and learned better".
Personville/Poisonville is loosely based on Anaconda but is a metaphor for America: "Don't kid yourselves that there's any law in Poisonville except what you make for yourself. For Hammett, it was not just a case of cleaning up a town or removing a few bad eggs. Corruption and violence are structural in capitalist society.

In the 1930s, Hammett gave up writing and became more politically active. He joined the Communist Party (CP) although his membership was kept secret because the party leadership thought that he would thereby be able to reach a wider audience. Instead, he was involved in a number of CP front organizations. Hammett wanted to play a more active role and volunteered to fight against the fascists in the Spanish civil war by joining the International Brigade. The CP stopped him, however, preferring to use him as a spokesperson in the USA.

Unfortunately Hammett, like many CP members, loyally followed the 'party line', dictated by the Stalinist bureaucracy that had removed all vestiges of workers' democracy in Russia. He publicly supported the Moscow purge trials that were used by the Stalinists to attack Leon Trotsky and other opponents of Stalinism. He followed the CP line in condemning the second world war up until the Nazi invasion of Russia. Once Russia had been invaded, Hammett was among the first to volunteer for army service.

Hammett was not a 'bohemian communist' who joined the CP because it was trendy. At the height of the cold war, when hundreds of ex-communists and former sympathisers were desperate to distance themselves, he loyally stood by the party and his comrades.

Hammett was a trustee of the New York branch of the Civil Rights Congress, a CP front set up to provide legal and financial assistance for activists. In 1951, the McCarthyite witch-hunt was at its height. Hemet was subpoenaed to appear in court. Asked to name any contributors to the civil rights fund he refused. He was then asked to hand over the records of the fund. This would have meant giving the names of thousands of activists to the state, potentially leaving them vulnerable to the witch-hunt. Again he refused.

The court sentenced him to six months in jail. Hammett offered no defence. After his release, he was blacklisted. His books that had sold in their hundreds of thousands were removed from public libraries. Screenings of film versions stopped. He became a non-person, dependent on the support of a few loyal friends for accommodation and food in his final years, finally dying from lung cancer in January 1961.

Dashiell Hammett was a principled though at times mistaken socialist who believed in a better life for all. We should remember him for his courage in standing up to the American state and going to prison rather than reveal the names of his comrades. However, most of all we should treasure the marvelous legacy of his writing, which is as entertaining today as it was when he wrote it. O

Mick Whale