Markin comment:
As almost always these historical articles and polemics are purposefully helpful to clarify the issues in the struggle against world imperialism, particularly the “monster” here in America.
Workers Vanguard No. 932
13 March 2009
From the Archives of Workers Vanguard
Fiscal Fiddling Can’t Stop Depression
Marx vs. Keynes
By Joseph Seymour
The deepening economic crisis has meant the loss of jobs, homes and savings for millions of working people. It has also demonstrated the utter fallacy of the economic doctrine of monetarism, which maintained that economic crises could be minimized, if not eliminated, by adjusting the amount of money in the banking system along with interest rates. Monetarism was the gospel for bourgeois economists in the right-wing climate marked by the ascendancy of Ronald Reagan and Britain’s Margaret Thatcher in the 1980s. The counterrevolutionary destruction of the Soviet Union in 1991-92 and the attendant “death of communism” triumphalism in the western imperialist countries, centrally the U.S., put more wind in the sails of the “free market” ideologues of monetarism.
Today, with the monetarist myth in tatters, bourgeois economists have rushed to embrace the ideas of John Maynard Keynes, the British economist who, during the Great Depression of the 1930s, championed the notion that capitalist economic crises could be overcome through government deficit spending. That is the idea behind President Barack Obama’s “stimulus” package, an expenditure of almost $800 billion financed by government borrowing that is supposed to “jump start” the economy. In reality, Keynesian economic schemes, no less than monetarist ones, run up against the destructive irrationality of the capitalist system, analyzed and explained by Karl Marx and highlighted by the boom-and-bust cycle.
The article reprinted below, first published in WV No. 64, 14 March 1975, presents a Marxist critique of Keynes’s economic theory.
The current extremely sharp economic downturn has produced a wave of pessimism extending from the Stock Exchange and White House to the academic redoubts of bourgeois economics. While President Ford proclaims that unemployment will not drop below 8 percent again for another two years, the president of the American Economics Association, Robert A. Gordon, declares: “I don’t think we have a body of economic theory that is of great help to use in today’s world” (Wall Street Journal, 30 December 1974).
During most of the 1960s U.S. government economic policy was dominated by Kennedyesque “whiz kids” who claimed to be able to simultaneously hold down prices and stimulate investment through adroit manipulation of fiscal “levers.” Now, however, with the onset of double-digit inflation and a slump of depression proportions, these claims are rapidly being debunked.
It was predictable that a world depression would lead to the collapse of optimism concerning Keynesian economic policies. The anti-Keynesian right (well represented in the Ford administration by the Ayn Randite Alan Greenspan and by former Wall Street bond dealer William Simon) had argued for years that government deficits must generate ever-increasing inflation, and now claims vindication.
Even the Keynesian liberals appear unsure of themselves, observing that the “trade-off” between inflation and unemployment has become most painful. Thus Sir John Hicks, one of the original architects of the “Keynesian Revolution,” has recently brought out a book entitled, significantly, The Crisis of Keynesian Economics. And revisionist Marxists who had earlier written about the “relative stability of neo-capitalism” are now dusting off their copies of Capital and asserting that its venerable truths still haunt the capitalist world.
We are witnessing a notable intellectual convergence ranging from bourgeois reactionaries (Milton Friedman) to ostensible Marxists (Ernest Mandel), and including a number of liberals (John K. Galbraith, John Hicks, Abba Lerner): Keynesian economics, which supposedly “worked” for a generation, has now been overcome, they agree, by unprecedented global inflation and the worst crisis since 1929. Despite its widespread acceptance, however, this thesis is false. Keynesian fiscal policies never did, and never could, stop the cyclical crises of overproduction which are inherent in the capitalist system.
A major world slump as severe as the present one has been possible at least since the world recession of 1958. That such a slump did not occur before 1974 is due to contingent factors and not to the effectiveness of Keynesian countermeasures. For example, in 1967 the U.S. would have had a recession except for the expansion of the Vietnam War. Output actually did fall in the first quarter of that year and there was a 1967 recession in West Germany, then the second-largest capitalist economy. Without the sudden escalation of the Vietnam War, this conjuncture would undoubtedly have caused a world economic crisis, possibly quite severe. Only an idiot objectivist could deny this historic possibility.
The fact that a major world slump did not occur in the 20 years preceding 1974 is not due to credit inflation, an ever-increasing arms budget, Keynesian stabilization policies or any other deliberate government policy. There has been no fundamental change in the structure of postwar capitalism that would justify the various labels popular in liberal and revisionist Marxist theorizing—e.g., neo-capitalism, the mixed economy, the permanent war economy, etc.
Myths of the “Keynesian Revolution”
John Maynard Keynes was not responsible for developing or even for popularizing the policy that capitalist governments should increase their expenditures during an economic downturn, financing this through borrowing rather than increased taxation. This bourgeois reform measure has a long and respectable history going back to at least the 1890s.
Thus the minority report of the English Poor Law Commission of 1909 stated, “We think that the Government can do a great deal to regularize the aggregate demand for labour as between one year and another, by a deliberate arrangement of its work of a capital nature.” In 1921 President Harding’s Conference on Unemployment recommended expanded public works during the postwar downturn, a recommendation endorsed by such conservative organizations as the U.S. Chamber of Commerce.
Moreover, in 1930 a bill was introduced into the U.S. Senate (No. 3059) calling for “advanced planning and regulated construction of certain public works, for the stabilization of industry, and for the prevention of unemployment during periods of business depression.” This principle was incorporated into the National Industrial Recovery Act of 1933, a half decade before the popularization of Keynesian economics.
What, then, is the significance of Keynesianism—why all the hullabaloo? While practical politicians had advocated and partly attempted expanded government expenditure during economic downturns, orthodox bourgeois economic theory (particularly in English-speaking countries) still held that slumps were easily self-correcting through a fall in the rate of interest. According to the textbooks, government policy during a downturn should be to expand bank reserves and run a balanced budget.
What Keynes did was to provide a theoretical justification, within the framework of bourgeois economic doctrine, for the deficit spending which most capitalist governments practiced in the 1930s, as well as in earlier slumps. The “Keynesian Revolution” was a revolution in university economics departments, in the writing of textbooks, not in actual government policy.
In the post-World War II period, capitalist politicians have claimed that the relative economic stability has been due to their effective use of Keynesian stabilization policies. This assertion—that capitalist governments can and do control the economy for the benefit of “the people”—is partly bourgeois propaganda and partly bourgeois false consciousness.
The notion that the proportion of government expenditure has increased greatly since World War II is so widespread that it is taken as a matter of course by virtually all political tendencies, including bourgeois reaction, Keynesian liberalism, social-democratic and Stalinist reformism, and revisionist “Marxism” à la Mandel. In truth, the supposed expanded role of state expenditure is the greatest of all myths of the “Keynesian Revolution.”
It can be easily disproved by a few statistics which indicate government expenditure as a percentage of gross national product for the major capitalist powers during the interwar period (1920-39) and during the 1961-70 decade:
Country 1921-1939 1961-1970
France 14% 13%
Germany1 18% 16%
Great Britain2 21% 19%
Japan 10% 8%
United States 11% 20%
Sources: OECD, National Accounts, 1961-1972; U.S. Department of Commerce, Long-Term Economic Growth, 1860-1970; Mitchell, Abstract of British Historical Statistics; Stolper, The German Economy, 1870-1940; Maddison, Economic Growth in the West; Ohkawa and Rosovsky, Japanese Economic Growth.
1German interwar figures only cover 1925-39.
2British figures are based on national product net of depreciation, giving them a slight upward bias relative to the other countries.
These few figures utterly destroy the notion of a “Keynesian Revolution” involving major structural changes in the capitalist system following World War II. Only in the United States was there a significant rise in the level of government expenditure. In all other major capitalist countries, the weight of the state budget in the economy declined slightly. And the expanded role of the state budget in the U.S. is entirely accounted for by the greatly increased military expenditure required by the emergence of American imperialism as world gendarme in the postwar period.
Moreover, the relative weight of military expenditure in the U.S. has been steadily declining since the Korean War, except for the Vietnam War years. In 1954 (the year following the end of the Korean War) the military budget accounted for 11 percent of the U.S. gross national product (GNP); by 1965 (the year before the Vietnam buildup) the figure had fallen to 7 percent; and in 1973 military spending accounted for only 6 percent of GNP (Economic Report of the President, 1974). So much for the “permanent war economy” theory!
Marxism vs. Keynesianism
Before undertaking a Marxist criticism of Keynesianism it is necessary to indicate more precisely what it is that the latter asserts. According to the pre-Keynesian orthodoxy of bourgeois economics, a fall in the volume of investment that precipitated a slump would also free money capital, which in turn would enter the loan market and drive down the rate of interest. This fall in interest rates would then stimulate investment to the point that full employment of resources was restored. All the government had to do was to see that the crisis did not disorganize the banking system, i.e., to ensure that the mechanisms of credit expansion remained functioning.
Keynes accepted the theory that a sufficient fall of interest rates would restore a full-employment level of investment in a slump. His major work, The General Theory of Employment, Interest and Money, is an attempt to explain why such a sufficient fall of interest rates does not occur. Keynes asserted that rentiers held some notion of a normal rate of interest. If the rate falls much below this, lenders will expect it to rise again, thereby producing a capital loss on bonds purchased at the lower rates. In a general sense, Keynesianism holds that at some abnormally low rate of interest (termed the “liquidity trap”) lenders will hoard money in anticipation of higher rates in the future. This is less an explanatory theory than a description of the monetary aspect of a crisis/slump.
From these premises Keynes argued that government efforts to expand money and credit during a slump would be ineffective, producing simply money hoards and/or excess bank reserves. Therefore, he argued that increased state expenditures would have to substitute for inadequate capital investment. This, in a nutshell, was the “Keynesian Revolution.”
In order to understand the difference between Marxist and bourgeois (including Keynesian) analyses of economic cycles, it is necessary to take account of a fundamental difference concerning the role played by the rate of interest. In bourgeois economics the level of investment is determined by the difference between the rate of interest on borrowed money capital and the rate of profit on the physical means of production. As long as the interest rate is substantially below the profit rate entrepreneurs will presumably borrow and invest until this gap is eliminated. A historical tendency for the rate of profit to fall, projected by many bourgeois economists (including Keynes), is not viewed as a fundamental barrier to expanded production. As long as the rate of interest is sufficiently low, a full-employment level of investment is supposedly assured.
In contrast, for Marx the level of investment is determined by the rate of profit on the privately owned means of production. The interest rate is part of and governed by the profit rate on the real means of production. During a slump, despite abnormally low rates of interest, loanable capital remains unused. Thus Marx referred to “the phase of the industrial cycle immediately after a crisis, when loanable capital lies idle in great masses” (Capital, Vol. III, Chapter 30).
The validity of the Marxist position was demonstrated during the late 1930s when excess bank reserves (an index of the difference between actual loans and the legally authorized lending capacity) were at the highest level in U.S. history, in spite of the unusually low interest rates. The exact same phenomenon is occurring in the present depression. Bank deposits in the U.S. are now declining at an annual rate of 0.6 percent as bank loans fall, although the falling interest rates are now even lower than the rate of inflation (International Herald Tribune, 15-16 February). The expansion and contraction of credit is a passive result, not a cause, of changes in production.
Underlying the analytical difference over the role of credit and interest between bourgeois and Marxist economics is the concept of class. In bourgeois economics there is no capitalist class. Instead, atomized non-capitalist entrepreneurs borrow from equally atomized rentiers, using the funds to establish productive enterprises. Entrepreneurs and rentiers are linked solely through the rate of interest.
According to Marxism, however, the capitalist class is a definite concrete group composed of those who own and have a monopoly over the means of production (including loanable capital). The capitalist class is bound together by innumerable personal, familial and organizational filiations; the atomized non-capitalist entrepreneur—the central figure of bourgeois economic theory—is a fiction. The capacity to borrow is strictly limited by one’s ownership of the capital assets required for security against loans. In reality, credit under capitalism is always rationed, on the basis of specific monopoly complexes involving financial, industrial and commercial capitalists. The clearest example of this is the Japanese zaibatsu system, but the same phenomenon holds throughout the capitalist world.
From the Marxist standpoint the fundamental fallacy of Keynesian economics is the assertion that the expansion of the government sector will leave the rate of profit, and therefore the level of private investment, unchanged. Whether financed through borrowing or taxation, government expenditure constitutes overhead costs of the capitalist system—a part of the total social capital expended and replaced, denoted by “constant capital” in Marx’s equation for the components of the commodity product. (For a fuller discussion of this question, see “Myth of Neo-Capitalism,” RCY Newsletter No. 10, January-February 1972.)
Assuming, as Marx did, that the share of wages of productive workers (variable capital) is determined in the labor market, then an increase in government overhead costs (constant capital) must reduce the potential surplus value and therefore the rate of profit as well. A constantly expanding government sector would tend to drive down the rate of profit, progressively arresting private capitalist investment.
The Limits of Mattick’s “Mixed Economy”
Published in 1969, Paul Mattick’s book Marx and Keynes, which carries the more indicative subtitle, The Limits of the Mixed Economy, accepts the common revisionist/reformist/liberal view that for a certain historic period Keynesianism produced “prosperity”:
“Government induced production may even bolster the rate of economic growth. Conditions of ‘prosperity’ more impressive than those brought forth under laissez-faire conditions may arise.... At any rate, recent economic history has demonstrated the possibility of a ‘prosperous’ development of a mixed economy.”
However, Mattick at least makes a serious attempt to develop the internal contradictions of Keynesian economic policy and holds that increased government expenditure must eventually destroy capitalist stability:
“Once non-profit production becomes an institutionalized part of the economy, a vicious circle begins to operate. Government production is begun because private capital accumulation is diminishing. Using this method diminishes private capital accumulation even more; so non-profit production is increased.... The limits of private capital production are thus, finally, the limits of government induced production.”
The most orthodox of the various revisionist theoreticians of postwar capitalism (e.g., Mandel, Paul Sweezy, Michael Kidron), Mattick is the most grudging in giving ground before the claims of Keynesianism. In contrast to Mandel and Sweezy, Mattick’s work has the virtue of recognizing that expanded government expenditure drives down the rate of profit on private capital and therefore inhibits productive investment. However, Mattick would have been more consistent with Marxist economics if instead of treating government expenditure as a non-profit component of surplus value he treated it as a subtraction from the gross value of output, in the form of constant capital expended and replaced.
Mattick’s work is a partially correct explanation of why those capitalist countries bearing a heavy burden of government expenditure (the U.S., Great Britain) have grown much slower than those economies with a relatively limited state sector (Japan, France). Yet his theory cannot explain the onset of a major world depression, nor does Mattick project such a development. The logic of his theoretical model is for progressive stagnation, not a general world slump.
According to Mattick’s model, a sharp fall in private investment such as occurred in 1974 should have been preceded and caused by a sharp rise in the share of government expenditure. But this did not at all happen during the 1972-73 boom. The share of government outlays in the advanced capitalist countries remained virtually unchanged during that period, as can be seen from the following figures:
Government Expenditures as Percentage of GNP
Country 1971 1973
France 12% 12%
Japan 9% 9%
United States 22% 22%
West Germany 17% 18%
Source: OECD, Economic Outlook, December 1972 and December 1974.
Thus even at the empirical level it is indisputable that the current world economic crisis cannot be attributed to the limits of Keynesianism, at least not in the sense of intolerably large government expenditure relative to private capitalist production.
The Mandelian School of Falsification
In “The Generalized Recession of the International Capitalist Economy” (Inprecor, 16 January 1975) Ernest Mandel, theoretician-leader of the pseudo-Trotskyist United Secretariat, attempts a major analysis of the world conjuncture. The article begins with a statement of self-praise to the effect that the author, unlike many others, always rejected the idea that Keynesian economic policies could stabilize capitalist industrial cycles:
“While the recession may be a surprise to all those in bourgeois and petty-bourgeois circles and in the workers movement who had been taken in by the claim that the governments of Capital endowed with neo-Keynesian techniques would henceforth be in a position to ‘control the cycle,’ it was foreseen and predicted by our movement, almost to the date.”
And who are these unnamed figures in the workers movement who believed—oh, how naively—that “neo-Keynesian techniques” could “control the cycle”? Perhaps Mandel is referring to the author of the following excerpts from a well-known book on Marxist economics published in 1962:
“Since the Second World War, capitalism has experienced four marked recessions: in 1948-49, 1953-54, 1957-58, and 1960-61. It has had no grave crisis, and certainly nothing of the dimensions of 1929 or of 1938. Have we here a new phenomenon in the history of capitalism? We do not think it necessary to deny this, as certain Marxist theoreticians do.... The origins of the phenomenon are connected with all the features of the phase of capitalist decline which we have listed. The capitalist economy of this phase tends to ensure greater stability both of consumption and of investment than in the era of free competition, or than during the first phase of monopoly capitalism; it tends toward a reduction in cyclical fluctuations, resulting above all from the increasing intervention of the state in economic life.” [emphasis in original]
What is this supposedly Marxist work which claims that state intervention has ensured “greater stability” and “a reduction of cyclical fluctuations”? It is entitled Marxist Economic Theory (the excerpts are from Chapter 14) and is written by one Ernest Mandel.
To be fair to Mandel, it should be noted that he always hedges his bets. He has not completely rejected the efficacy of Keynesian countercyclical measures. Buried in the Inprecor article is a statement that governmental intervention can arrest and reverse the present world economic crisis:
“The recession is precisely a crisis of overproduction whose breadth and duration are limited by an injection of inflationary buying power. Thus, if the economy is refloated by means of such injections—first of all in West Germany, then in the United States and Japan—the international capitalist economy will avert a grave depression this time.”
If this were possible, one wonders why the capitalist governments have let things go so far.
Despite his usual fine-print escape clauses, Mandel’s latest contribution is a dishonest repudiation of the analysis of contemporary capitalism expressed in his principal writings during the 1960s. Having served its purpose as an impressionistic justification for opportunist policies of adaptation to the labor bureaucracy, “neocapitalism” has now been discreetly removed from the Mandelian vocabulary.
A Professional Impressionist Views the Conjuncture
Having “disappeared” his belief in the efficacy of Keynesian stabilization policies, Mandel resorts to various ad hoc theories to explain the present conjuncture. His central theme is why there is a world crisis now, whereas during the past 20 years the various national slumps (sometimes severe) were largely isolated in time from one another. As Mandel puts it:
“The generalized recession will be the most serious recession in the post-war period, precisely because it is generalized. The lack of synchronization of the industrial cycle during the 1948-68 period reduced the breadth of recessions.”
It is an indisputable empirical fact that since the 1958 recession (not since 1948 as Mandel contends), the various national economic downturns have not reinforced and have partly offset each other. This statement can be transformed from an empirical description into a causal theory only if it is asserted that the absence of conjunctural synchronization was not due to contingent factors, but rather was inherent in the structure of postwar capitalism (at least until recently). This is precisely what Mandel now seeks to demonstrate:
“This synchronization is not an accidental feature. It results from deeper economic transformations that occurred during the long period of expansion that preceded the recession.”
Mandel advances three reasons to support this thesis. The first is that the world economy in the l950s-1960s was not sufficiently integrated (!) to permit a generalized crisis. But during that period, the world economy became sufficiently integrated, particularly due to the expansion of multinational firms:
“Internationalization of production took new leaps forward, marked by advances in the international division of labor among all the imperialist countries. From the standpoint of the organization of capital, this reflected itself in the rise of multinational firms which produced surplus value in a great number of countries simultaneously....”
Apparently it really is necessary to point out to Mandel that the world economy has been sufficiently integrated to generate international crises/slumps for more than a century! The principal basis of that integration is world commodity trade and its associated complex of financial claims. The principal “multinational firms” which extract surplus value in a “great number of countries simultaneously” are today, as they have been for centuries, the great banks, not industrial corporations.
World crises are marked and intensified above all by major bank failures: the Austrian Credit-Anstalt in 1931, Bankhaus Herstatt in West Germany and Franklin National Bank in the U.S. in 1974. The partial displacement of banks by industrial firms in financing international trade and investment has a certain effect on present-day capitalism. But it certainly does not qualitatively raise the level of international economic integration, permitting world economic crises for the first time.
Mandel’s second reason is that the displacement of the dollar exchange standard by managed fluctuating rates in 1971 has prevented competitive devaluation, thus requiring simultaneous deflationary policies:
“...as soon as the collapse of the international monetary system led to the system of floating exchange rates, that is, as soon as it became impossible to resort to sharp devaluations to boost exports, all governments were obliged by interimperialist competition to apply an antiinflationary policy simultaneously.” [emphasis in original]
This argument is simply false, totally wrong. The fixed exchange rate system set up at Bretton Woods in 1944 was deflationary and acted as a limit to deficit spending. Several prominent British Keynesians, such as Roy Harrod and James Meade, long advocated fluctuating exchange rates in order to pursue more expansionary monetary and fiscal policies.
Before August 1971 competitive devaluation was exceptional, to be used only in extremis; today it is the rule. During the 1950s and 1960s governments often resorted to deflationary measures to protect an overvalued exchange rate (for instance, the policies of the second Eisenhower administration, the austerity program of the early Gaullist regime and the “stop-go” policies of various British governments before the 1968 devaluation of the pound).
Mandel’s third reason is that since periods of national economic slump are becoming longer they are more likely to overlap with recessions in other countries:
“The phases of stagnation, and even recession, are beginning to be longer. Obviously, this leads to synchronization. When they occur in a dozen countries at once, recessions that last six months are less easily surmounted than recessions that last two years.”
This is, of course, a statistical truism. However, since the prolongation of an economic crisis in one country is strongly influenced by simultaneous slumps in the rest of the world, Mandel’s reasoning is completely circular. Thus his third “reason” is no reason at all but simply another way of describing a general world downturn.
In short, of Mandel’s three reasons why a general world slump is occurring now but was not possible in the preceding period, the first is irrelevant, the second is false and the third is meaningless.
Is Inflation the Achilles Heel of Keynesianism?
Virtually all liberal bourgeois, reformist and revisionist economists maintain that the only obstacle to effective Keynesian policies is inflation. Expanded government expenditure can always produce full employment, they say, but sometimes only at the cost of intolerable rates of inflation. From bourgeois reactionaries like Milton Friedman to the pseudo-Marxist Ernest Mandel there is agreement that Keynesian policies must generate ever-higher levels of inflation. Is this contention valid?
The accelerated inflation of the past few years is an indisputable empirical fact. In the period 1961-71 consumer prices in the advanced capitalist countries increased at an annual rate of 3.7 percent; in 1972 this rose to 4.7 percent, in 1973 to 7.7 percent and in 1974 to 14.1 percent (OECD, Economic Outlook, December 1974)! Is this accelerated inflation an inevitable result of 20 years of Keynesian policies?
Earlier in this article it was pointed out that the share of government expenditure did not increase during the 1972-73 boom. Thus the price explosion during the past few years cannot be attributed to ever-greater budget deficits to finance ever-greater government spending. The very sharpness of the price increases since 1971 argues against the theory that it is an organic, inevitable outcome of a generation of deficit spending.
What then is the cause of the increased inflation of the past three years? One major cause has already been touched on. The dollar exchange standard, which collapsed in August 1971, had an effect partially similar to the pre-World War I gold standard. The maintenance of a fixed exchange rate served as an external limit to the expansion of domestic money and credit. Since 1971 capitalist governments have taken the “easy way” out of balance-of-payments deficits by allowing their currencies to depreciate. Exchange-rate devaluation further feeds domestic inflation, producing a vicious spiral. Britain and Italy are the clearest examples of this process.
The second reason for the accelerated inflation is that the sharp 1972-73 world boom had an effect on agricultural and raw material supplies similar to that of a major war. From the Korean War through 1971 the terms of trade for agricultural products/raw materials had deteriorated relative to manufactures, producing a fundamental imbalance in global productive capacity. During 1972 when industrial output in the advanced capitalist countries increased by 8 percent, global food production actually fell slightly (OECD, Economic Outlook, December 1973). These physical shortages quickly generated speculation, hoarding and cartel manipulation. Between 1971 and 1973 the index of world raw material prices increased by over 80 percent, as did the price of internationally traded food products (OECD, Economic Outlook, December 1974). Thus two factors—the widespread resort to competitive devaluation after 1971 and the effect of the 1972-73 boom on agricultural and raw material supplies—account for the price explosion of the last few years.
Even discounting the fact that it is empirically false, the argument that Keynesianism is now ineffective because it leads to intolerable inflation is not a fundamental but rather a temporary, conjunctural one. As an attempted objective analysis it is similar to the present position of certain right-wing Keynesians, such as Federal Reserve Board chairman Arthur F. Burns and Ford’s economic adviser William Fellner, who contend that a few years of high-unemployment slump are needed to drain the inflationary pressures out of the world capitalist system. After that, they contend, Keynesian policies can again produce 10 or 20 years of low-inflation, mild-recession expansion.
If there is no major war nor a mass revolutionary upheaval in West Europe during the next few years (both are genuine possibilities), the world depression should deepen this year, giving way to high-unemployment stagnation lasting at least through 1976. If this occurs, in two years the rate of inflation will be greatly reduced; it already shows numerous signs of slowing. Those leftists whose central argument against bourgeois economic reformism is that it leads to ever-accelerating inflation will then find themselves theoretically defenseless against the claims of resurgent Keynesianism.
The “theory” that for a generation capitalist governments were able to prevent major crises and stimulate exceptional economic expansion has an implacable revisionist logic. Whatever the subjective attitudes of its proponents this view leads straight to the conclusion that we have been living in an epoch of capitalist economic stability. Such arguments have nothing in common with Marxism. On the contrary, the Transitional Program of the Fourth International has as its corner-stone the Leninist theory of imperialism as the highest (last) stage of capitalism, its epoch of decay and a period of wars and revolutions. This must be our perspective.
Friday, March 13, 2009
Thursday, March 12, 2009
*The Revolutionary Ebb- Christopher Hill's English Revolution
Click on title to link to Wikipedia's entry for James Harrington one of the republican theorists (and founder of the Rota Club) mentioned by Christopher Hill in the book reviewed below.
Book Review
The Experience Of Defeat: Milton and Some Contemporaries, Penguin Books, New York, 1984
The first two paragraphs here have been used elsewhere in reviews of Professor Hill’s work.
The name and work of the late British Marxist historian Christopher Hill should be fairly well known to readers of this space who follow my reviews on the subject of the 17th century English Revolution that has legitimately been described as the first one of the modern era and that has had profound repercussions, especially on the American Revolution and later events on this continent. Christopher Hill started his research in the 1930’s under the tremendous influence of Karl Marx on the sociology of revolution, the actuality of the Soviet experience in Russia and world events such as the Great Depression of that period and the lead up to World War II.
Although Hill was an ardent Stalinist, seemingly to the end, his works since they were not as subjected to the conforming pressures of the Soviet political line that he adhered to are less influenced by that distorting pressure. More importantly, along the way Professor Hill almost single-handedly brought to life the under classes that formed the backbone of the plebeian efforts during that revolution. We would, surely know far less about Ranters, panters, Shakers, Quakers and fakers without the sharp eye of the good professor. All to the tune of, and in the spirit of John Milton’s "Paradise Lost", except instead of trying to explain the ways of god to man the Professor tried to explain ways of our earlier plebeian brothers and sisters to us.
In a sense this is a companion book to Hill’s earlier work on Milton’s role in the English Revolution and its aftermath that I have previously reviewed in this space (“Milton And The English Revolution”). However, the question posed by Hill has larger implications for radicals today. We have become, if we are in any way familiar with the trajectories of subsequent revolutions, especially the French and the Russian, painfully aware that revolutions flow and ebb. Not all the way back to the old regime, for the most part, but far enough back to cause anguish and demoralization in those who stood in the forefront of the revolution when it counted.
Not everyone, however, reacted to the new political realities in the same way. Some welcomed the new ‘conservative’ regimes, some stood on the side lines and some pondered what to do next. Thus we have such counterposed representative figures as Babeuf and Talleyrand in the French revolution or Trotsky and Molotov in the Russian. Needless to say, this phenomenon takes on a life of its own. However, as Professor Hill argues for the English Revolution and we should argue today this is no reason to give up on revolutions. Rather it is more necessary to learn to do a better job next time, if one gets the chance.
As for the English Revolution itself Professor Hill goes through his paces in pointing out the reactions of various factions and grouping within English society as the revolutionary events unfolded. Certainly the period just prior to the restoration was significantly difference from that early euphoria in the days of the military fight against the king. Thus for those religious radicals who thought that 1640 meant ‘Second Coming’ their reactions, most notably that of the Quakers after 1960, were to become quiet and inward-looking. For those like James Harrington and the Rota Club the restoration was more of a return to equilibrium and thus their reactions were mixed. Samuel Pepys, the famous diarist, is the ideal representative of this trend. The former Milton associate the poet Dryden can be taken as more extreme abject apologist.
For those intimately identified with the execution of Charles I the choices were grimmer. The executioner’s ax or flight. For those who were disturbed by the excess of the lower orders, like the clergyman Baxter, the restoration represented divine retribution against the ‘ungodly’. And for the literary lights like Milton it was time to reflect on the struggle and how to drive it forward even if this was a more circumspect propaganda effort than his previous work of behalf of the Commonwealth. Once again, for those familiar with Professor Hill’s work he has, like his muse Milton, tried to explain the ways of the English Revolution to today’s plebes. Kudos.
THE FOLLOWING IS A SONG BASED ON THE DIGGER EXPERIENCE IN 1650
If John Milton was the literary muse of the English Revolution then the Diggers and their leader, Gerrard Winstanley, were the political muses.
The World Turned Upside Down
We will not worship the God they serve, a God of greed who feeds the rich while poor folk starve.
In 1649 to St. George's Hill
A ragged band they called the Diggers came to show the people's
will
They defied the landlords, they defied the laws
They were the dispossessed reclaiming what was theirs.
We come in peace, they said, to dig and sow
We come to work the lands in common and make the waste
ground grow
This earth divided we will make whole
So it may be a common treasury for all "**
The sin of property we do disdain
No man has any right to buy or sell the earth for private gain
By theft and murder they took the land
Now everywhere the walls spring up at their command
They make the laws to chain us well
The clergy dazzle us with heaven, or they damn us into hell
We will not worship the God they serve,
a God of greed who feeds the rich while poor folk starve
We work and eat together, we need no swords
We will not bow to masters, nor pay rent to the lords
Still we are free, though we are poor
Ye Diggers all, stand up for glory, stand up now!
From the men of property the orders came
They sent the hired men and troopers to wipe out the Diggers'
claim
Tear down their cottages, destroy their corn
They were dispersed - only the vision lingers on
Ye poor take courage, ye rich take care
This earth was made a common treasury for everyone to share
All things in common, all people one
They came in peace - the order came to cut them down
WORDS AND MUSIC BY LEON ROSSELSON, 1981
Book Review
The Experience Of Defeat: Milton and Some Contemporaries, Penguin Books, New York, 1984
The first two paragraphs here have been used elsewhere in reviews of Professor Hill’s work.
The name and work of the late British Marxist historian Christopher Hill should be fairly well known to readers of this space who follow my reviews on the subject of the 17th century English Revolution that has legitimately been described as the first one of the modern era and that has had profound repercussions, especially on the American Revolution and later events on this continent. Christopher Hill started his research in the 1930’s under the tremendous influence of Karl Marx on the sociology of revolution, the actuality of the Soviet experience in Russia and world events such as the Great Depression of that period and the lead up to World War II.
Although Hill was an ardent Stalinist, seemingly to the end, his works since they were not as subjected to the conforming pressures of the Soviet political line that he adhered to are less influenced by that distorting pressure. More importantly, along the way Professor Hill almost single-handedly brought to life the under classes that formed the backbone of the plebeian efforts during that revolution. We would, surely know far less about Ranters, panters, Shakers, Quakers and fakers without the sharp eye of the good professor. All to the tune of, and in the spirit of John Milton’s "Paradise Lost", except instead of trying to explain the ways of god to man the Professor tried to explain ways of our earlier plebeian brothers and sisters to us.
In a sense this is a companion book to Hill’s earlier work on Milton’s role in the English Revolution and its aftermath that I have previously reviewed in this space (“Milton And The English Revolution”). However, the question posed by Hill has larger implications for radicals today. We have become, if we are in any way familiar with the trajectories of subsequent revolutions, especially the French and the Russian, painfully aware that revolutions flow and ebb. Not all the way back to the old regime, for the most part, but far enough back to cause anguish and demoralization in those who stood in the forefront of the revolution when it counted.
Not everyone, however, reacted to the new political realities in the same way. Some welcomed the new ‘conservative’ regimes, some stood on the side lines and some pondered what to do next. Thus we have such counterposed representative figures as Babeuf and Talleyrand in the French revolution or Trotsky and Molotov in the Russian. Needless to say, this phenomenon takes on a life of its own. However, as Professor Hill argues for the English Revolution and we should argue today this is no reason to give up on revolutions. Rather it is more necessary to learn to do a better job next time, if one gets the chance.
As for the English Revolution itself Professor Hill goes through his paces in pointing out the reactions of various factions and grouping within English society as the revolutionary events unfolded. Certainly the period just prior to the restoration was significantly difference from that early euphoria in the days of the military fight against the king. Thus for those religious radicals who thought that 1640 meant ‘Second Coming’ their reactions, most notably that of the Quakers after 1960, were to become quiet and inward-looking. For those like James Harrington and the Rota Club the restoration was more of a return to equilibrium and thus their reactions were mixed. Samuel Pepys, the famous diarist, is the ideal representative of this trend. The former Milton associate the poet Dryden can be taken as more extreme abject apologist.
For those intimately identified with the execution of Charles I the choices were grimmer. The executioner’s ax or flight. For those who were disturbed by the excess of the lower orders, like the clergyman Baxter, the restoration represented divine retribution against the ‘ungodly’. And for the literary lights like Milton it was time to reflect on the struggle and how to drive it forward even if this was a more circumspect propaganda effort than his previous work of behalf of the Commonwealth. Once again, for those familiar with Professor Hill’s work he has, like his muse Milton, tried to explain the ways of the English Revolution to today’s plebes. Kudos.
THE FOLLOWING IS A SONG BASED ON THE DIGGER EXPERIENCE IN 1650
If John Milton was the literary muse of the English Revolution then the Diggers and their leader, Gerrard Winstanley, were the political muses.
The World Turned Upside Down
We will not worship the God they serve, a God of greed who feeds the rich while poor folk starve.
In 1649 to St. George's Hill
A ragged band they called the Diggers came to show the people's
will
They defied the landlords, they defied the laws
They were the dispossessed reclaiming what was theirs.
We come in peace, they said, to dig and sow
We come to work the lands in common and make the waste
ground grow
This earth divided we will make whole
So it may be a common treasury for all "**
The sin of property we do disdain
No man has any right to buy or sell the earth for private gain
By theft and murder they took the land
Now everywhere the walls spring up at their command
They make the laws to chain us well
The clergy dazzle us with heaven, or they damn us into hell
We will not worship the God they serve,
a God of greed who feeds the rich while poor folk starve
We work and eat together, we need no swords
We will not bow to masters, nor pay rent to the lords
Still we are free, though we are poor
Ye Diggers all, stand up for glory, stand up now!
From the men of property the orders came
They sent the hired men and troopers to wipe out the Diggers'
claim
Tear down their cottages, destroy their corn
They were dispersed - only the vision lingers on
Ye poor take courage, ye rich take care
This earth was made a common treasury for everyone to share
All things in common, all people one
They came in peace - the order came to cut them down
WORDS AND MUSIC BY LEON ROSSELSON, 1981
*Poet's Corner- John Donne's "Death Be Not Proud"
Click On Title To Link To YouTube's Film Clip Of Julian Glover Reciting John Donne's "Death Be Not Proud".
Commentary
There is no accounting for tastes sometimes but I have always liked John Donne's poem "Death Be Not Proud". The recent past has been one where deaths have occurred in my family and among some close friends and so naturally I have thought of this poem. Yes, I know Donne was one of those metaphysical poets that were always harping on the "divided heart" or "two heart" literary tropes associated with that poetic style. Still that last line always seems right to me concerning the vagaries of our attitudes toward death.
Death, as the noted Marxist historian and biographer of Leon Trotsky Issac Deutscher once noted, is still one of the three great tragedies of life that that we face (sex and hunger being the other two, the last of which Marxists have focused their struggles on eliminating). Maybe in a more just future we will be able to cope with its terrors better. I note, as well, that the early 17th century when clergyman Donne wrote his poems and epistles is still considered the great age of meditation on the theme of death in the English-speaking world. But enough- here is his poem.
Guest Commentary
John Donne
"Death be not proud, though some have called thee"
DEATH be not proud, though some have called thee
Mighty and dreadfull, for, thou art not so,
For, those, whom thou think'st, thou dost overthrow,
Die not, poore death, nor yet canst thou kill me.
From rest and sleepe, which but thy pictures bee, 5
Much pleasure, then from thee, much more must flow,
And soonest our best men with thee doe goe,
Rest of their bones, and soules deliverie.
Thou art slave to Fate, Chance, kings, and desperate men,
And dost with poyson, warre, and sicknesse dwell, 10
And poppie, or charmes can make us sleepe as well,
And better then thy stroake; why swell'st thou then;
One short sleepe past, wee wake eternally,
And death shall be no more; death, thou shalt die.
Commentary
There is no accounting for tastes sometimes but I have always liked John Donne's poem "Death Be Not Proud". The recent past has been one where deaths have occurred in my family and among some close friends and so naturally I have thought of this poem. Yes, I know Donne was one of those metaphysical poets that were always harping on the "divided heart" or "two heart" literary tropes associated with that poetic style. Still that last line always seems right to me concerning the vagaries of our attitudes toward death.
Death, as the noted Marxist historian and biographer of Leon Trotsky Issac Deutscher once noted, is still one of the three great tragedies of life that that we face (sex and hunger being the other two, the last of which Marxists have focused their struggles on eliminating). Maybe in a more just future we will be able to cope with its terrors better. I note, as well, that the early 17th century when clergyman Donne wrote his poems and epistles is still considered the great age of meditation on the theme of death in the English-speaking world. But enough- here is his poem.
Guest Commentary
John Donne
"Death be not proud, though some have called thee"
DEATH be not proud, though some have called thee
Mighty and dreadfull, for, thou art not so,
For, those, whom thou think'st, thou dost overthrow,
Die not, poore death, nor yet canst thou kill me.
From rest and sleepe, which but thy pictures bee, 5
Much pleasure, then from thee, much more must flow,
And soonest our best men with thee doe goe,
Rest of their bones, and soules deliverie.
Thou art slave to Fate, Chance, kings, and desperate men,
And dost with poyson, warre, and sicknesse dwell, 10
And poppie, or charmes can make us sleepe as well,
And better then thy stroake; why swell'st thou then;
One short sleepe past, wee wake eternally,
And death shall be no more; death, thou shalt die.
*Poet's Corner- Andrew Marvell's "Upon The Death Of Oliver Cromwell
Click on title to link to Wikipedia's entry for Andrew Marvell.
A Poem upon the Death of O.C.- Andrew Marvell
That Providence which had so long the care
Of Cromwell's head, and numbred ev'ry hair,
Now in its self (the Glass where all appears)
Had seen the period of his golden Years:
And thenceforth onely did attend to trace,
What death might least so sair a Life deface.
The People, which what most they fear esteem,
Death when more horrid so more noble deem;
And blame the last Act, like Spectators vain,
Unless the Prince whom they applaud be slain.
Nor Fate indeed can well refuse that right
To those that liv'd in War, to dye in Fight.
But long his Valour none had left that could
Indanger him, or Clemency that would.
And he whom Nature all for Peace had made,
But angry Heaven unto War had sway'd,
And so less useful where he most desir'd,
For what he least affected was admir'd,
Deserved yet an End whose ev'ry part
Should speak the wondrous softness of his Heart.
To Love and Grief the fatal Writ was sign'd;
(Those nobler weaknesses of humane Mind,
From which those Powers that issu'd the Decree,
Although immortal, found they were not free.)
That they, to whom his Breast still open lyes,
In gentle Passions should his Death disguise:
And leave succeeding Ages cause to mourn,
As long as Grief shall weep, or Love shall burn.
Streight does a slow and languishing Disease
Eliza, Natures and his darling, seize.
Her when an infant, taken with her Charms,
He oft would flourish in his mighty Arms;
--------------------------------------------------------------------------------
-141-
And, lest their force the tender burthen wrong,
Slacken the vigour of his Muscles strong;
Then to the Mothers brest her softly move,
Which while she drain'd of Milk she fill'd with Love:
But as with riper Years her Virtue grew,
And ev'ry minute adds a Lustre new;
When with meridian height her Beauty shin'd,
And thorough that sparkled her fairer Mind;
When She with Smiles serene and Words discreet
His hidden Soul at ev'ry turn could meet;
Then might y' ha' daily his Affection spy'd,
Doubling that knot which Destiny had ty'd:
While they by sence, not knowing, comprehend
How on each other both their Fates depend.
With her each day the pleasing Hours he shares,
And at her Aspect calms her growing Cares;
Or with a Grandsire's joy her Children sees
Hanging about her neck or at his knees.
Hold fast dear Infants, hold them both or none;
This will not stay when once the other's gone.
A silent fire now wasts those Limbs of Wax,
And him with his tortur'd Image racks.
So the Flowr with'ring which the Garden crown'd,
The sad Root pines in secret under ground.
Each Groan he doubled and each Sigh he sigh'd,
Repeated over to the restless Night.
No trembling String compos'd to numbers new,
Answers the touch in Notes more sad more true.
She lest He grieve hides what She can her pains,
And He to lessen hers his Sorrow feigns:
Yet both perceiv'd, yet both conceal'd their Skills,
And so diminishing increast their ills:
That whether by each others grief they fell,
Or on their own redoubled, none can tell.
And now Eliza's purple Locks were shorn,
Where she so long her Fathers fate had worn:
And frequent lightning to her Soul that flyes,
Devides the Air, and opens all the Skyes:
--------------------------------------------------------------------------------
-142-
And now his Life, suspended by her breath,
Ran out impetuously to hasting Death.
Like polish'd Mirrours, so his steely Brest
Had ev'ry figure of her woes exprest;
And with the damp of her last Gasps obscur'd,
Had drawn such staines as were not to be cur'd.
Fate could not either reach with single stroke,
But the dear Image fled the Mirrour broke.
Who now shall tell us more of mournful Swans,
Of Halcyons kind, or bleeding Pelicans?
No downy breast did ere so gently beat,
Or fan with airy plumes so soft an heat.
For he no duty by his height excus'd,
Nor though a Prince to be a Man refus'd:
But rather then in his Eliza's pain
Not love, not grieve, would neither live nor reign.
And in himself so oft immortal try'd,
Yet in compassion of another dy'd.
So have I seen a Vine, whose lasting Age
Of many a Winter hath surviv'd the rage.
Under whose shady tent Men ev'ry year
At its rich bloods expence their Sorrows chear,
If some dear branch where it extends its life
Chance to be prun'd by an untimely knife,
The Parent-Tree unto the Grief succeeds,
And through the Wound its vital humour bleeds;
Trickling in watry drops, whose flowing shape
Weeps that it falls ere fix'd into a Grape.
So the dry Stock, no more that spreading Vine,
Frustrates the Autumn and the hopes of Wine.
A secret Cause does sure those Signs ordain
Fore boding Princes falls, and seldom vain.
Whether some Kinder Pow'rs, that wish us well,
What they above cannot prevent, foretell;
Or the great World do by consent presage,
As hollow Seas with future Tempests rage:
Or rather Heav'n, which us so long fore sees,
Their fun'rals celebrate while it decrees.
--------------------------------------------------------------------------------
-143-
But never yet was any humane Fate
By nature solemniz'd with so much state.
He unconcern'd the dreadful passage crost;
But oh what pangs that Death did Nature cost!
First the great Thunder was shot off, and sent
The Signal from the starry Battlement.
The Winds receive it, and its force out-do,
As practising how they could thunder too:
Out of the Binders Hand the Sheaves they tore,
And thrash'd the Harvest in the airy floore;
Or of huge Trees, whose growth with his did rise,
The deep foundations open'd to the Skyes.
Then heavy Showres the winged Tempests dead,
And pour the Deluge ore the Chaos head.
The Race of warlike Horses at his Tomb
Offer themselves in many an Hecatomb;
With pensive head towards the ground they fall,
And helpless languish at the tainted Stall.
Numbers of Men decrease with pains unknown,
And hasten not to see his Death their own.
Such Tortures all the Elements unfix'd,
Troubled to part where so exactly mix'd.
And as through Air his wasting Spirits flow'd,
The Universe labour'd beneath their load.
Nature it seem'd with him would Nature vye;
He with Eliza, It with him would dye.
He without noise still travell'd to his End,
As silent Suns to meet the Night descend.
The Stars that for him fought had only pow'r
Left to determine now his fatal Hour,
Which, since they might not hinder, yet they cast
To chuse it worthy of his Glories past.
No part of time but bore his mark away
Of honour; all the Year was Cromwell's day
But this, of all the most auspicious found,
Twice had in open field him Victor crown'd
When up the armed Mountains of Dunbar
He march'd, and through deep Severn ending war.
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-144-
What day should him eternize but the same
That had before immortaliz'd his Name?
That so who ere would at his Death have joy'd,
In their own Griefs might find themselves imploy'd;
But those that sadly his departure griev'd,
Yet joy'd remembring what he once atcheiv'd.
And the last minute his victorious Ghost
Gave chase to Ligny on the Belgick Coast.
Here ended all his mortal toyles: He lay'd
And slept in Peace under the Lawrel Shade.
O Cromwell, Heavens Favourite! To none
Have such high honours from above been shown:
For whom the Elements we Mourners see,
And Heav'n it self would the great Herald be;
Which with more Care set forth his Obsequies
Then those of Moses hid from humane Eyes;
As jealous only here lest all be less,
That we could to his Memory express.
Then let us to our course of Mourning keep:
Where Heaven leads, 'tis Piety to weep.
Stand back ye Seas, and shrunk beneath the vail
Of your Abysse, with cover'd Head bewail
Your Monarch: We demand not your supplies
To compass in our Isle; our Tears suffice;
Since him away the dismal Tempest rent,
Who once more joyn'd us to the Continent;
Who planted England on the Flandrick shoar,
And stretch'd our frontire to the Indian Ore;
Whose greater Truths obscure the Fables old,
Whether of British Saints or Worthy's told;
And in a valour less'ning Arthur's deeds,
For Holyness the Confessor exceeds.
He first put Armes into Religions hand,
And tim'rous Conscience unto Courage man'd:
The Souldier taught that inward Mail to wear,
And fearing God how they should nothing fear.
Those Strokes he said will pierce through all below
Where those that strike from Heaven fetch their Blow.
Note: The remainder is supplied from Ms Eng.poet.d.49
--------------------------------------------------------------------------------
-145-
Astonish'd armyes did their flight prepare:
And Cityes strong were stormed by his prayer.
Of that for ever Prestons field shall tell
The Story, and impregnable Clonmell.
And where the sandy mountain Fenwick scald
The Sea between yet henee his pray'r prevail'd.
What man was ever so in Heav'n obey'd
Since the commanded Sun ore Gibeon stayd.
In all his warrs needs must he triumph, when
He conquer'd God still ere he fought with men.
Hence though in battle none so brave or fierce
Yet him the adverse steel could never pierce:
Pitty it seem'd to hurt him more that felt
Each wound himself which he to others delt,
Danger it self refusing to offend
So loose an enemy so fast a freind.
Friendship that sacred versue long das claime
The first foundation of his house and name.
But within one its narrow limitts fall
His tendernesse extended unto all:
And that deep soule through every chanell flows
Where kindly nature loves it self to lose.
More strong affections never reason serv'd
Yet still affected most what best deservd.
If he Eliza lov'd to that degree
(Though who more worstly to be lov'd then she)
If so indulgent to his own, how deare
To him the children of the Highest were?
--------------------------------------------------------------------------------
-149-
For her he once did natures tribute pay:
For these his life adventur'd every day.
And it would be found could we his thoughts have
Their griefs struck deepest if Eliza's last.
What prudence more then humane did he need
To keep so deare, so diff'ring mindes agreed?
The worser sort as conscious of their ill,
Lye weak and easy to the rulers will:
But to the good (too many or too few).
All law is uselesse all reward is due.
Oh ill advis'd if not for love for shame.
Spare yet your own if you neglect his fame.
Least others dare to think your reale a maske
And you to govern only Heavens taske.
Valour, Religion, Friendship, Prudence dy'd
At once with him and all that's good beside:
And rue deaths refuse natures dreg's confin'd
To loathsome life Alas are left behinde:
Where we (so once we us'd) shall now no more
To fetch day presse about his chamber door;
From which he issu'd with that awfull state
It seem'd Mars broke through Janus double gate:
Yet alwayes temper'd with an Aire so mild
No Aprill suns that ere so gently smil'd:
No more shall heare that powerfull language charm.
Whose force oft spar'd the labour of his arm:
--------------------------------------------------------------------------------
-150-
No more shall follow where he spent the dayes
In warres in counsell, or in pray'r, and praise,
Whose meanest acts he would himself advance
As ungirt David to the Arks did dance.
All All is gone of ours or his delight
In horses fierce wild deer or armour bright.
Francisca faire can nothing now but weep
Nor with soft notes shall sing his cares asleep.
I saw him dead, a leaden slumber lyes
And mortall sleep over those wakefull eys:
Those gentle Rayes under the lidds were fled
Which through his lookes that piercing sweetnesse she
That port which so Majestique was and strong,
Loose and depriv'd of vigour stretch'd along:
All wither'd, all discolour'd, pale and wan,
How much another thing, no more thatman?
Oh humane glory vaine, Oh death, Oh wings,
Oh worthlesse worth. Oh transitory things.
Yet dwelt that greatnesse in his shape decay'd
That still though dead greater than death he lay'd.
And in his alter'd face you something faigne
That threatens death he yet will live againe.
Not much unlike the saired Oake which shoots
To heav'n its branches and through earth its roots:
Whose spacious boughs are hung with Trophees row
And honour'd wreaths have oft the Victour crown
When angry Jove darts lightning through the Aire
At mortalls sins, nor his own plant will spare
--------------------------------------------------------------------------------
-151-
(It groanes and bruses all below that stood
So many yeares the shelter of the wood)
The tree ere while foreshorten'd to our view
When foln shews taller yet then as it grew.
So shall his praise to after times increase
When truth shall be allow'd and faction cease.
And his own shadow with him fall. The Eye
Detracts from objects then it selfe more high:
But when death takes them from that envy'd seate
Seing how little we confesse how greate.
Thee many ages hence in martiall verse
Shall th' English souldier ere he charge rehearse:
Singing of thee influme themselves to fight
And with the name of Cromwell armyes fright.
As long as rivers to the seas shall runne.
As long as Cynthia shall relieve the sunne,
While staggs shall fly unto the forests thick,
While sheep delight the grassy downs to pick,
As long as future time succeeds the past,
Always thy honour, praise and name shall last.
Thou in a pitch how farre, beyond the sphere
Of humane glory towr'st, and raigning there
Despoyld of mortall robes, in seas of cliyse
Plunging dost bathe, and tread the bright Abysse:
There thy greate soule yet once a world das see
Spacious enough and pure enough for thee.
How soon thou Moses hast and Josua found
And David for the Sword, and harpe renown'd?
--------------------------------------------------------------------------------
-152-
How streight canst to each happy Mansion goe?
(Farr Better known above then here below)
And in those joyes dost spend the endlesse day
Which in expressing we our selves betray.
For we since thou art gone with heavy doome
Wander like ghosts about thy loved tombe:
And lost in tears have neither sight nor minde
To guide us upward through this Region blinde
Since thou art gone who best that way could'st fearn
Onely our sighs perhaps may thither reach.
And Richard yet where his great Parent led
Beats on the rugged track: He vertue dead
Revives, and by his milder beams assures;
And yet how much of them his griefe obscures?
He as his rather long was kept from sight
In private to be view'd by better light:
But open'd once, what splendour dos he throw
A Cromwell in an houre a Prince will grow.
How he becomes that seat, how strongly streins
How gently winds at once the ruling Reins?
Heav'n to this choise prepar'd a Diadem
Richer then any Eastern silk or gemme:
A pearly rainbow; where the Sun inchas'd
His brows like an Imperiall Jewell grac'd.
We find already what those Omens mean.
Earth nere more glad, nor Heaven more serene:
Cease now our griefs, Calme peace succeeds a war
Rainbows to storms, Richard to Oliver.
--------------------------------------------------------------------------------
-153-
Tempt not his clemency to try his pow'r
He threats no Deluge, yet fore tells a showre.
A Poem upon the Death of O.C.- Andrew Marvell
That Providence which had so long the care
Of Cromwell's head, and numbred ev'ry hair,
Now in its self (the Glass where all appears)
Had seen the period of his golden Years:
And thenceforth onely did attend to trace,
What death might least so sair a Life deface.
The People, which what most they fear esteem,
Death when more horrid so more noble deem;
And blame the last Act, like Spectators vain,
Unless the Prince whom they applaud be slain.
Nor Fate indeed can well refuse that right
To those that liv'd in War, to dye in Fight.
But long his Valour none had left that could
Indanger him, or Clemency that would.
And he whom Nature all for Peace had made,
But angry Heaven unto War had sway'd,
And so less useful where he most desir'd,
For what he least affected was admir'd,
Deserved yet an End whose ev'ry part
Should speak the wondrous softness of his Heart.
To Love and Grief the fatal Writ was sign'd;
(Those nobler weaknesses of humane Mind,
From which those Powers that issu'd the Decree,
Although immortal, found they were not free.)
That they, to whom his Breast still open lyes,
In gentle Passions should his Death disguise:
And leave succeeding Ages cause to mourn,
As long as Grief shall weep, or Love shall burn.
Streight does a slow and languishing Disease
Eliza, Natures and his darling, seize.
Her when an infant, taken with her Charms,
He oft would flourish in his mighty Arms;
--------------------------------------------------------------------------------
-141-
And, lest their force the tender burthen wrong,
Slacken the vigour of his Muscles strong;
Then to the Mothers brest her softly move,
Which while she drain'd of Milk she fill'd with Love:
But as with riper Years her Virtue grew,
And ev'ry minute adds a Lustre new;
When with meridian height her Beauty shin'd,
And thorough that sparkled her fairer Mind;
When She with Smiles serene and Words discreet
His hidden Soul at ev'ry turn could meet;
Then might y' ha' daily his Affection spy'd,
Doubling that knot which Destiny had ty'd:
While they by sence, not knowing, comprehend
How on each other both their Fates depend.
With her each day the pleasing Hours he shares,
And at her Aspect calms her growing Cares;
Or with a Grandsire's joy her Children sees
Hanging about her neck or at his knees.
Hold fast dear Infants, hold them both or none;
This will not stay when once the other's gone.
A silent fire now wasts those Limbs of Wax,
And him with his tortur'd Image racks.
So the Flowr with'ring which the Garden crown'd,
The sad Root pines in secret under ground.
Each Groan he doubled and each Sigh he sigh'd,
Repeated over to the restless Night.
No trembling String compos'd to numbers new,
Answers the touch in Notes more sad more true.
She lest He grieve hides what She can her pains,
And He to lessen hers his Sorrow feigns:
Yet both perceiv'd, yet both conceal'd their Skills,
And so diminishing increast their ills:
That whether by each others grief they fell,
Or on their own redoubled, none can tell.
And now Eliza's purple Locks were shorn,
Where she so long her Fathers fate had worn:
And frequent lightning to her Soul that flyes,
Devides the Air, and opens all the Skyes:
--------------------------------------------------------------------------------
-142-
And now his Life, suspended by her breath,
Ran out impetuously to hasting Death.
Like polish'd Mirrours, so his steely Brest
Had ev'ry figure of her woes exprest;
And with the damp of her last Gasps obscur'd,
Had drawn such staines as were not to be cur'd.
Fate could not either reach with single stroke,
But the dear Image fled the Mirrour broke.
Who now shall tell us more of mournful Swans,
Of Halcyons kind, or bleeding Pelicans?
No downy breast did ere so gently beat,
Or fan with airy plumes so soft an heat.
For he no duty by his height excus'd,
Nor though a Prince to be a Man refus'd:
But rather then in his Eliza's pain
Not love, not grieve, would neither live nor reign.
And in himself so oft immortal try'd,
Yet in compassion of another dy'd.
So have I seen a Vine, whose lasting Age
Of many a Winter hath surviv'd the rage.
Under whose shady tent Men ev'ry year
At its rich bloods expence their Sorrows chear,
If some dear branch where it extends its life
Chance to be prun'd by an untimely knife,
The Parent-Tree unto the Grief succeeds,
And through the Wound its vital humour bleeds;
Trickling in watry drops, whose flowing shape
Weeps that it falls ere fix'd into a Grape.
So the dry Stock, no more that spreading Vine,
Frustrates the Autumn and the hopes of Wine.
A secret Cause does sure those Signs ordain
Fore boding Princes falls, and seldom vain.
Whether some Kinder Pow'rs, that wish us well,
What they above cannot prevent, foretell;
Or the great World do by consent presage,
As hollow Seas with future Tempests rage:
Or rather Heav'n, which us so long fore sees,
Their fun'rals celebrate while it decrees.
--------------------------------------------------------------------------------
-143-
But never yet was any humane Fate
By nature solemniz'd with so much state.
He unconcern'd the dreadful passage crost;
But oh what pangs that Death did Nature cost!
First the great Thunder was shot off, and sent
The Signal from the starry Battlement.
The Winds receive it, and its force out-do,
As practising how they could thunder too:
Out of the Binders Hand the Sheaves they tore,
And thrash'd the Harvest in the airy floore;
Or of huge Trees, whose growth with his did rise,
The deep foundations open'd to the Skyes.
Then heavy Showres the winged Tempests dead,
And pour the Deluge ore the Chaos head.
The Race of warlike Horses at his Tomb
Offer themselves in many an Hecatomb;
With pensive head towards the ground they fall,
And helpless languish at the tainted Stall.
Numbers of Men decrease with pains unknown,
And hasten not to see his Death their own.
Such Tortures all the Elements unfix'd,
Troubled to part where so exactly mix'd.
And as through Air his wasting Spirits flow'd,
The Universe labour'd beneath their load.
Nature it seem'd with him would Nature vye;
He with Eliza, It with him would dye.
He without noise still travell'd to his End,
As silent Suns to meet the Night descend.
The Stars that for him fought had only pow'r
Left to determine now his fatal Hour,
Which, since they might not hinder, yet they cast
To chuse it worthy of his Glories past.
No part of time but bore his mark away
Of honour; all the Year was Cromwell's day
But this, of all the most auspicious found,
Twice had in open field him Victor crown'd
When up the armed Mountains of Dunbar
He march'd, and through deep Severn ending war.
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-144-
What day should him eternize but the same
That had before immortaliz'd his Name?
That so who ere would at his Death have joy'd,
In their own Griefs might find themselves imploy'd;
But those that sadly his departure griev'd,
Yet joy'd remembring what he once atcheiv'd.
And the last minute his victorious Ghost
Gave chase to Ligny on the Belgick Coast.
Here ended all his mortal toyles: He lay'd
And slept in Peace under the Lawrel Shade.
O Cromwell, Heavens Favourite! To none
Have such high honours from above been shown:
For whom the Elements we Mourners see,
And Heav'n it self would the great Herald be;
Which with more Care set forth his Obsequies
Then those of Moses hid from humane Eyes;
As jealous only here lest all be less,
That we could to his Memory express.
Then let us to our course of Mourning keep:
Where Heaven leads, 'tis Piety to weep.
Stand back ye Seas, and shrunk beneath the vail
Of your Abysse, with cover'd Head bewail
Your Monarch: We demand not your supplies
To compass in our Isle; our Tears suffice;
Since him away the dismal Tempest rent,
Who once more joyn'd us to the Continent;
Who planted England on the Flandrick shoar,
And stretch'd our frontire to the Indian Ore;
Whose greater Truths obscure the Fables old,
Whether of British Saints or Worthy's told;
And in a valour less'ning Arthur's deeds,
For Holyness the Confessor exceeds.
He first put Armes into Religions hand,
And tim'rous Conscience unto Courage man'd:
The Souldier taught that inward Mail to wear,
And fearing God how they should nothing fear.
Those Strokes he said will pierce through all below
Where those that strike from Heaven fetch their Blow.
Note: The remainder is supplied from Ms Eng.poet.d.49
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-145-
Astonish'd armyes did their flight prepare:
And Cityes strong were stormed by his prayer.
Of that for ever Prestons field shall tell
The Story, and impregnable Clonmell.
And where the sandy mountain Fenwick scald
The Sea between yet henee his pray'r prevail'd.
What man was ever so in Heav'n obey'd
Since the commanded Sun ore Gibeon stayd.
In all his warrs needs must he triumph, when
He conquer'd God still ere he fought with men.
Hence though in battle none so brave or fierce
Yet him the adverse steel could never pierce:
Pitty it seem'd to hurt him more that felt
Each wound himself which he to others delt,
Danger it self refusing to offend
So loose an enemy so fast a freind.
Friendship that sacred versue long das claime
The first foundation of his house and name.
But within one its narrow limitts fall
His tendernesse extended unto all:
And that deep soule through every chanell flows
Where kindly nature loves it self to lose.
More strong affections never reason serv'd
Yet still affected most what best deservd.
If he Eliza lov'd to that degree
(Though who more worstly to be lov'd then she)
If so indulgent to his own, how deare
To him the children of the Highest were?
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-149-
For her he once did natures tribute pay:
For these his life adventur'd every day.
And it would be found could we his thoughts have
Their griefs struck deepest if Eliza's last.
What prudence more then humane did he need
To keep so deare, so diff'ring mindes agreed?
The worser sort as conscious of their ill,
Lye weak and easy to the rulers will:
But to the good (too many or too few).
All law is uselesse all reward is due.
Oh ill advis'd if not for love for shame.
Spare yet your own if you neglect his fame.
Least others dare to think your reale a maske
And you to govern only Heavens taske.
Valour, Religion, Friendship, Prudence dy'd
At once with him and all that's good beside:
And rue deaths refuse natures dreg's confin'd
To loathsome life Alas are left behinde:
Where we (so once we us'd) shall now no more
To fetch day presse about his chamber door;
From which he issu'd with that awfull state
It seem'd Mars broke through Janus double gate:
Yet alwayes temper'd with an Aire so mild
No Aprill suns that ere so gently smil'd:
No more shall heare that powerfull language charm.
Whose force oft spar'd the labour of his arm:
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-150-
No more shall follow where he spent the dayes
In warres in counsell, or in pray'r, and praise,
Whose meanest acts he would himself advance
As ungirt David to the Arks did dance.
All All is gone of ours or his delight
In horses fierce wild deer or armour bright.
Francisca faire can nothing now but weep
Nor with soft notes shall sing his cares asleep.
I saw him dead, a leaden slumber lyes
And mortall sleep over those wakefull eys:
Those gentle Rayes under the lidds were fled
Which through his lookes that piercing sweetnesse she
That port which so Majestique was and strong,
Loose and depriv'd of vigour stretch'd along:
All wither'd, all discolour'd, pale and wan,
How much another thing, no more thatman?
Oh humane glory vaine, Oh death, Oh wings,
Oh worthlesse worth. Oh transitory things.
Yet dwelt that greatnesse in his shape decay'd
That still though dead greater than death he lay'd.
And in his alter'd face you something faigne
That threatens death he yet will live againe.
Not much unlike the saired Oake which shoots
To heav'n its branches and through earth its roots:
Whose spacious boughs are hung with Trophees row
And honour'd wreaths have oft the Victour crown
When angry Jove darts lightning through the Aire
At mortalls sins, nor his own plant will spare
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(It groanes and bruses all below that stood
So many yeares the shelter of the wood)
The tree ere while foreshorten'd to our view
When foln shews taller yet then as it grew.
So shall his praise to after times increase
When truth shall be allow'd and faction cease.
And his own shadow with him fall. The Eye
Detracts from objects then it selfe more high:
But when death takes them from that envy'd seate
Seing how little we confesse how greate.
Thee many ages hence in martiall verse
Shall th' English souldier ere he charge rehearse:
Singing of thee influme themselves to fight
And with the name of Cromwell armyes fright.
As long as rivers to the seas shall runne.
As long as Cynthia shall relieve the sunne,
While staggs shall fly unto the forests thick,
While sheep delight the grassy downs to pick,
As long as future time succeeds the past,
Always thy honour, praise and name shall last.
Thou in a pitch how farre, beyond the sphere
Of humane glory towr'st, and raigning there
Despoyld of mortall robes, in seas of cliyse
Plunging dost bathe, and tread the bright Abysse:
There thy greate soule yet once a world das see
Spacious enough and pure enough for thee.
How soon thou Moses hast and Josua found
And David for the Sword, and harpe renown'd?
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-152-
How streight canst to each happy Mansion goe?
(Farr Better known above then here below)
And in those joyes dost spend the endlesse day
Which in expressing we our selves betray.
For we since thou art gone with heavy doome
Wander like ghosts about thy loved tombe:
And lost in tears have neither sight nor minde
To guide us upward through this Region blinde
Since thou art gone who best that way could'st fearn
Onely our sighs perhaps may thither reach.
And Richard yet where his great Parent led
Beats on the rugged track: He vertue dead
Revives, and by his milder beams assures;
And yet how much of them his griefe obscures?
He as his rather long was kept from sight
In private to be view'd by better light:
But open'd once, what splendour dos he throw
A Cromwell in an houre a Prince will grow.
How he becomes that seat, how strongly streins
How gently winds at once the ruling Reins?
Heav'n to this choise prepar'd a Diadem
Richer then any Eastern silk or gemme:
A pearly rainbow; where the Sun inchas'd
His brows like an Imperiall Jewell grac'd.
We find already what those Omens mean.
Earth nere more glad, nor Heaven more serene:
Cease now our griefs, Calme peace succeeds a war
Rainbows to storms, Richard to Oliver.
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-153-
Tempt not his clemency to try his pow'r
He threats no Deluge, yet fore tells a showre.
Monday, March 09, 2009
*Yes- "What Have They Done To The Rain?"- The Music Of Rosalie Sorrels In Honor Of Malvina Reynolds
Click on title to link to YouTube's film clip of Malvina Reynolds performing "No Hole In My Head"
CD REVIEW
March Is Women’s History Month
No Closing Chord: The Songs Of Malvina Reynolds, Rosalie Sorrels, Red House Records, 2000
My first association of the name Rosalie Sorrels with folk music came, many years ago now, from hearing the recently departed folk singer/storyteller/ songwriter and unrepentant Wobblie (IWW) Utah Phillips mention his long time friendship with her going back before he became known as a folksinger. I also recall that combination of Sorrels and Phillips as he performed his classic “Starlight On The Rails” and she his also classic “If I Could Be The Rain” on a PBS documentary honoring Café Lena’ s in Saratoga, New York, a place that I am also very familiar with for many personal and musical reasons. Of note here: it should be remembered that Rosalie saved, literally, many of the compositions that Utah left helter-skelter around the country in his “bumming” days.
In the same spirit, if not for the same reasons, Rosalie here “rescues” the old time protest song writer and insightful social commentator Malvina Reynolds. Of course having been immersed in the folk revival of the 1960’s I was perfectly aware of Ms. Reynolds’s work although, if pressed, I could not name a song that I associated with her name. That, alas, is the fate of many songwriters who have written indelible songs that far outlast their names and fames. In this regard, for example, I did not realize until I listened here that the classic protest song against nuclear proliferation and in favor of nuclear disarmament from the 1960’s (and later) “What Have They Done To The Rain?" is Malvina’s composition. But enough of that: you want to know what is good here, right?
Well, obviously the above-mentioned song is fit for inclusion. “The Judge Said” a righteously (and justly) indignant outcry against trivializing sexual abuse by the courts is another. “Rosie Jane” about the trials and tribulations of the pro-abortion movement early on (just before the now tenuous victory in Roe v. Wade in 1973) and what that issue looked and felt like down “on the street”. Needless to say any song like “The Money Crop” that pays homage to one of my heroes of the 17th English Revolution the Digger (also known as True Levelers) theorist and leader Gerrrard Winstanley is going to get my attention (as I am sure it would as well for the late Professor Christopher Hill who did much to “rediscover” the work and actions of this important revolutionary).
Moving on, the heartfelt rendition of “This World”, with Bonnie Raitt on slide guitar, is a little bouquet by Rosalie to Malvina. Nice work Rosalie, and nice work Bonnie. Needless to say whether Rosalie is covering Malvina, as in this compilation, or paying tribute to her influence by pushing her own work forward she does a masterful and creative job (like bringing in children as chorus on a couple of the songs at the beginning and end of the CD) that has been the hallmark of her work since the early days.
Lyrics by Malvina Reynolds
What Have They Done to the Rain?
Notes: words and music by Malvina Reynolds; copyright 1962 as "Rain Song" then in 1964 as "What Have They Done to the Rain" by Schroder Music Company, renewed 1990. a.k.a. "Rain Song" and "Just a Little Rain." People now think of this as a song about acid rain, but it was originally written as part of a campaign to stop aboveground nuclear testing, which was putting strontium-90 in the air, where it was washed down by the rain, got into the soil and thence to the grass, which was eaten by cows. When children drank the cows’ milk the strontium-90, chemically similar to calcium but radioactive, was deposited in their bones. Mothers saved their children’s baby teeth and sent them in to be tested by scientists who indeed found elevated levels of strontium-90 in their teeth. A year after this song was written, President Kennedy signed the treaty against aboveground testing.
Just a little rain falling all around,
The grass lifts its head to the heavenly sound,
Just a little rain, just a little rain,
What have they done to the rain?
Just a little boy standing in the rain,
The gentle rain that falls for years.
And the grass is gone,
The boy disappears,
And rain keeps falling like helpless tears,
And what have they done to the rain?
Just a little breeze out of the sky,
The leaves pat their hands as the breeze blows by,
Just a little breeze with some smoke in its eye,
What have they done to the rain?
Just a little boy standing in the rain,
The gentle rain that falls for years.
And the grass is gone,
The boy disappears,
And rain keeps falling like helpless tears,
And what have they done to the rain?
“Rosie Jane”
This song is addressed to my sisters.
Any man who is present may listen,
Any priest, any public official, any physician.
But it gives him no license to touch us,
We make the decision.
Me and Lydia, Josie and Rosie and Eve,
We handle this matter ourselves,
You'd better believe, or you better leave.
Chorus:
Rosie Jane, are you pregnant again?
Rosie Jane, you can hardly take care
Of the four you had before.
What in heaven's name were you thinking of!
Rosie Jane, was it love?
I had an extra shot on top of what I'd got,
In a word I was drunk, so was Bill.
At least I think it was Bill,
And I'd forgot to take my pill.
I guess it was God's will.
(Chorus)
When that baby is a child,
It will suffer from neglect,
Be picked upon and pecked,
And run over and wrecked,
And its head will be crowned with the thorn.
But while it's inside her
It must remain intact,
And it cannot be murdered till it's born.
(Chorus)
The Money Crop
Notes: words and music by Malvina Reynolds; copyright 1966 Schroder Music Company, renewed 1994.
Well, money has its own way,
And money has to grow.
It grows on human blood and bone,
As any child would know.
It's iron stuff and paper stuff
With no life of its own,
And so it takes its growing sap
From human blood and bone.
And many a child goes hungering
Because the wage is low,
And men die on the battlefield
To make the money grow.
And those that take the money crop
Are avid without end,
They plant it in the tenements
To make it grow again.
The little that they leave for us,
It cannot be a seed.
We spend it for the shoddy clothes
And every daily need.
We spend it in a minute,
In an hour it is gone,
To find its way to grow again
On human blood and bone,
Blood and bone.
This World
Notes: words and music by Malvina Reynolds; copyright 1961 Schroder Music Company, renewed 1989. a.k.a. "Love It Like a Fool."
Baby, I ain't afraid to die,
It's just that I hate to say good-bye to this world,
This world, this world.
This old world is mean and cruel,
But still I love it like a fool, this world,
This world, this world.
I'd rather go to the corner store
Than sing hosannah on that golden shore,
I'd rather live on Parker Street
Than fly around where the angels meet.
Oh, this old world is all I know,
It's dust to dust when I have to go from this world,
This world, this world.
Somebody else will take my place,
Some other hands, some other face,
Some other eyes will look around
And find the things I've never found.
Don't weep for me when I am gone,
Just keep this old world rolling on, this world,
This world, this world.
CD REVIEW
March Is Women’s History Month
No Closing Chord: The Songs Of Malvina Reynolds, Rosalie Sorrels, Red House Records, 2000
My first association of the name Rosalie Sorrels with folk music came, many years ago now, from hearing the recently departed folk singer/storyteller/ songwriter and unrepentant Wobblie (IWW) Utah Phillips mention his long time friendship with her going back before he became known as a folksinger. I also recall that combination of Sorrels and Phillips as he performed his classic “Starlight On The Rails” and she his also classic “If I Could Be The Rain” on a PBS documentary honoring Café Lena’ s in Saratoga, New York, a place that I am also very familiar with for many personal and musical reasons. Of note here: it should be remembered that Rosalie saved, literally, many of the compositions that Utah left helter-skelter around the country in his “bumming” days.
In the same spirit, if not for the same reasons, Rosalie here “rescues” the old time protest song writer and insightful social commentator Malvina Reynolds. Of course having been immersed in the folk revival of the 1960’s I was perfectly aware of Ms. Reynolds’s work although, if pressed, I could not name a song that I associated with her name. That, alas, is the fate of many songwriters who have written indelible songs that far outlast their names and fames. In this regard, for example, I did not realize until I listened here that the classic protest song against nuclear proliferation and in favor of nuclear disarmament from the 1960’s (and later) “What Have They Done To The Rain?" is Malvina’s composition. But enough of that: you want to know what is good here, right?
Well, obviously the above-mentioned song is fit for inclusion. “The Judge Said” a righteously (and justly) indignant outcry against trivializing sexual abuse by the courts is another. “Rosie Jane” about the trials and tribulations of the pro-abortion movement early on (just before the now tenuous victory in Roe v. Wade in 1973) and what that issue looked and felt like down “on the street”. Needless to say any song like “The Money Crop” that pays homage to one of my heroes of the 17th English Revolution the Digger (also known as True Levelers) theorist and leader Gerrrard Winstanley is going to get my attention (as I am sure it would as well for the late Professor Christopher Hill who did much to “rediscover” the work and actions of this important revolutionary).
Moving on, the heartfelt rendition of “This World”, with Bonnie Raitt on slide guitar, is a little bouquet by Rosalie to Malvina. Nice work Rosalie, and nice work Bonnie. Needless to say whether Rosalie is covering Malvina, as in this compilation, or paying tribute to her influence by pushing her own work forward she does a masterful and creative job (like bringing in children as chorus on a couple of the songs at the beginning and end of the CD) that has been the hallmark of her work since the early days.
Lyrics by Malvina Reynolds
What Have They Done to the Rain?
Notes: words and music by Malvina Reynolds; copyright 1962 as "Rain Song" then in 1964 as "What Have They Done to the Rain" by Schroder Music Company, renewed 1990. a.k.a. "Rain Song" and "Just a Little Rain." People now think of this as a song about acid rain, but it was originally written as part of a campaign to stop aboveground nuclear testing, which was putting strontium-90 in the air, where it was washed down by the rain, got into the soil and thence to the grass, which was eaten by cows. When children drank the cows’ milk the strontium-90, chemically similar to calcium but radioactive, was deposited in their bones. Mothers saved their children’s baby teeth and sent them in to be tested by scientists who indeed found elevated levels of strontium-90 in their teeth. A year after this song was written, President Kennedy signed the treaty against aboveground testing.
Just a little rain falling all around,
The grass lifts its head to the heavenly sound,
Just a little rain, just a little rain,
What have they done to the rain?
Just a little boy standing in the rain,
The gentle rain that falls for years.
And the grass is gone,
The boy disappears,
And rain keeps falling like helpless tears,
And what have they done to the rain?
Just a little breeze out of the sky,
The leaves pat their hands as the breeze blows by,
Just a little breeze with some smoke in its eye,
What have they done to the rain?
Just a little boy standing in the rain,
The gentle rain that falls for years.
And the grass is gone,
The boy disappears,
And rain keeps falling like helpless tears,
And what have they done to the rain?
“Rosie Jane”
This song is addressed to my sisters.
Any man who is present may listen,
Any priest, any public official, any physician.
But it gives him no license to touch us,
We make the decision.
Me and Lydia, Josie and Rosie and Eve,
We handle this matter ourselves,
You'd better believe, or you better leave.
Chorus:
Rosie Jane, are you pregnant again?
Rosie Jane, you can hardly take care
Of the four you had before.
What in heaven's name were you thinking of!
Rosie Jane, was it love?
I had an extra shot on top of what I'd got,
In a word I was drunk, so was Bill.
At least I think it was Bill,
And I'd forgot to take my pill.
I guess it was God's will.
(Chorus)
When that baby is a child,
It will suffer from neglect,
Be picked upon and pecked,
And run over and wrecked,
And its head will be crowned with the thorn.
But while it's inside her
It must remain intact,
And it cannot be murdered till it's born.
(Chorus)
The Money Crop
Notes: words and music by Malvina Reynolds; copyright 1966 Schroder Music Company, renewed 1994.
Well, money has its own way,
And money has to grow.
It grows on human blood and bone,
As any child would know.
It's iron stuff and paper stuff
With no life of its own,
And so it takes its growing sap
From human blood and bone.
And many a child goes hungering
Because the wage is low,
And men die on the battlefield
To make the money grow.
And those that take the money crop
Are avid without end,
They plant it in the tenements
To make it grow again.
The little that they leave for us,
It cannot be a seed.
We spend it for the shoddy clothes
And every daily need.
We spend it in a minute,
In an hour it is gone,
To find its way to grow again
On human blood and bone,
Blood and bone.
This World
Notes: words and music by Malvina Reynolds; copyright 1961 Schroder Music Company, renewed 1989. a.k.a. "Love It Like a Fool."
Baby, I ain't afraid to die,
It's just that I hate to say good-bye to this world,
This world, this world.
This old world is mean and cruel,
But still I love it like a fool, this world,
This world, this world.
I'd rather go to the corner store
Than sing hosannah on that golden shore,
I'd rather live on Parker Street
Than fly around where the angels meet.
Oh, this old world is all I know,
It's dust to dust when I have to go from this world,
This world, this world.
Somebody else will take my place,
Some other hands, some other face,
Some other eyes will look around
And find the things I've never found.
Don't weep for me when I am gone,
Just keep this old world rolling on, this world,
This world, this world.
Saturday, March 07, 2009
*The First Folk Wave- Woody Guthrie and Lead Belly
Click on title to link to YouTube's film clip of Lead Belly performing "Bourgeois Blues".
CD REVIEW
Folkways: The Original Vision-Songs Of Woody Guthrie and Lead Belly, Woody Guthrie, Lead Belly, Smithsonian/Folkways, 2005
If any of the older generation, the “Generation of ‘68” needs an introduction to Woody Guthrie or Lead Belly then I ask what planet have you been on. Woody’s “This Land Is Your Land” is practically a national anthem (and in some quarters is just that). And Leadbelly’s “Goodnight, Irene” is in that same category. So to have the two highlighted on one program, as they had been in life on a number of occasions is a treat. This tribute has the further virtue of highlighting original performances by them unlike a DVD documentary and and accompanying CD “A Shared Vision” reviewed earlier in this space that was composed of tribute performances by some of those who, like John Mellencamp, have been influenced by their work, individually or collectively.
As always with a Smithsonian/Folkways production the CD includes a booklet of copious liner notes that detail, for the folk historian or the novice alike, the history of each song and its genesis. I am always surprised by the insightful detail provided and as much as I know about this milieu always find something new in them. Moreover, the information here provided inevitably details the rather mundane genesis of some very famous songs. Here, for example, “Bring Me Little Water, Sylvie” is just what it says back in Lead Belly’s old family farm hand days.
I do not believe that I need to detail the work of these two artists but will finish with a note of what you should make sure to hear. “Goodnight, Irene” and “This Land Is Your Land”, of course. “Rock Island Line” has aged well, as has “Do-Re-Mi”. A Woody ‘talking blues’, “Talking Hard Work”, will strike your funny bone. Lead Belly’s “Midnight Special” is fine. All of this is rounded out by a Woody/Lead Belly duet on “We Shall Be Free” that has subsequently been covered by many folkies, young and old.
Lead Belly - The Bourgeois Blues Lyrics
Lord, in a bourgeois town
It's a bourgeois town
I got the bourgeois blues
Gonna spread the news all around
Home of the brave, land of the free
I don't wanna be mistreated by no bourgeoisie
Lord, in a bourgeois town
Uhm, the bourgeois town
I got the bourgeois blues
Gonna spread the news all around
Well, me and my wife we were standing upstairs
We heard the white man say "I don't want no n----rs up there"
Lord, in a bourgeois town
Uhm, bourgeois town
I got the bourgeois blues
Gonna spread the news all around
Well, them white folks in Washington they know how
To call a colored man a n----r just to see him bow
Lord, it's a bourgeois town
Uhm, the bourgeois town
I got the bourgeois blues
Gonna spread the news all around
I tell all the colored folks to listen to me
Don't try to find you no home in Washington, DC
`Cause it's a bourgeois town
Uhm, the bourgeois town
I got the bourgeois blues
Gonna spread the news all around
"This Land Is Your Land"-Woody Guthrie
This land is your land This land is my land
From California to the New York island;
From the red wood forest to the Gulf Stream waters
This land was made for you and Me.
As I was walking that ribbon of highway,
I saw above me that endless skyway:
I saw below me that golden valley:
This land was made for you and me.
I've roamed and rambled and I followed my footsteps
To the sparkling sands of her diamond deserts;
And all around me a voice was sounding:
This land was made for you and me.
When the sun came shining, and I was strolling,
And the wheat fields waving and the dust clouds rolling,
As the fog was lifting a voice was chanting:
This land was made for you and me.
As I went walking I saw a sign there
And on the sign it said "No Trespassing."
But on the other side it didn't say nothing,
That side was made for you and me.
In the shadow of the steeple I saw my people,
By the relief office I seen my people;
As they stood there hungry, I stood there asking
Is this land made for you and me?
Nobody living can ever stop me,
As I go walking that freedom highway;
Nobody living can ever make me turn back
This land was made for you and me.
Deportee (Plane Wreck At Los Gatos)
The crops are all in and the peaches are rott'ning,
The oranges piled in their creosote dumps;
They're flying 'em back to the Mexican border
To pay all their money to wade back again
Goodbye to my Juan, goodbye, Rosalita,
Adios mis amigos, Jesus y Maria;
You won't have your names when you ride the big airplane,
All they will call you will be "deportees"
My father's own father, he waded that river,
They took all the money he made in his life;
My brothers and sisters come working the fruit trees,
And they rode the truck till they took down and died.
Some of us are illegal, and some are not wanted,
Our work contract's out and we have to move on;
Six hundred miles to that Mexican border,
They chase us like outlaws, like rustlers, like thieves.
We died in your hills, we died in your deserts,
We died in your valleys and died on your plains.
We died 'neath your trees and we died in your bushes,
Both sides of the river, we died just the same.
The sky plane caught fire over Los Gatos Canyon,
A fireball of lightning, and shook all our hills,
Who are all these friends, all scattered like dry leaves?
The radio says, "They are just deportees"
Is this the best way we can grow our big orchards?
Is this the best way we can grow our good fruit?
To fall like dry leaves to rot on my topsoil
And be called by no name except "deportees"?
Words by Woody Guthrie and Music by Martin Hoffman
© 1961 (renewed) by TRO-Ludlow Music, Inc.
Hard Travelin'
I've been havin' some hard travelin', I thought you knowed
I've been havin' some hard travelin', way down the road
I've been havin' some hard travelin', hard ramblin', hard gamblin'
I've been havin' some hard travelin', lord
I've been ridin' them fast rattlers, I thought you knowed
I've been ridin' them flat wheelers, way down the road
I've been ridin' them blind passengers, dead-enders, kickin' up cinders
I've been havin' some hard travelin', lord
I've been hittin' some hard-rock minin', I thought you knowed
I've been leanin' on a pressure drill, way down the road
Hammer flyin', air-hose suckin', six foot of mud and I shore been a muckin'
And I've been hittin' some hard travelin', lord
I've been hittin' some hard harvestin', I thought you knowed
North Dakota to Kansas City, way down the road
Cuttin' that wheat, stackin' that hay, and I'm tryin' make about a dollar a day
And I've been havin' some hard travelin', lord
I've been working that Pittsburgh steel, I thought you knowed
I've been a dumpin' that red-hot slag, way down the road
I've been a blasting, I've been a firin', I've been a pourin' red-hot iron
I've been hittin' some hard travelin', lord
I've been layin' in a hard-rock jail, I thought you knowed
I've been a laying out 90 days, way down the road
Damned old judge, he said to me, "It's 90 days for vagrancy."
And I've been hittin' some hard travelin', lord
I've been walking that Lincoln highway, I thought you knowed,
I've been hittin' that 66, way down the road
Heavy load and a worried mind, lookin' for a woman that's hard to find,
I've been hittin' some hard travelin', lord
Ludlow Massacre
It was early springtime when the strike was on,
They drove us miners out of doors,
Out from the houses that the Company owned,
We moved into tents up at old Ludlow.
I was worried bad about my children,
Soldiers guarding the railroad bridge,
Every once in a while a bullet would fly,
Kick up gravel under my feet.
We were so afraid you would kill our children,
We dug us a cave that was seven foot deep,
Carried our young ones and pregnant women
Down inside the cave to sleep.
That very night your soldiers waited,
Until all us miners were asleep,
You snuck around our little tent town,
Soaked our tents with your kerosene.
You struck a match and in the blaze that started,
You pulled the triggers of your gatling guns,
I made a run for the children but the fire wall stopped me.
Thirteen children died from your guns.
I carried my blanket to a wire fence corner,
Watched the fire till the blaze died down,
I helped some people drag their belongings,
While your bullets killed us all around.
I never will forget the look on the faces
Of the men and women that awful day,
When we stood around to preach their funerals,
And lay the corpses of the dead away.
We told the Colorado Governor to call the President,
Tell him to call off his National Guard,
But the National Guard belonged to the Governor,
So he didn't try so very hard.
Our women from Trinidad they hauled some potatoes,
Up to Walsenburg in a little cart,
They sold their potatoes and brought some guns back,
And they put a gun in every hand.
The state soldiers jumped us in a wire fence corners,
They did not know we had these guns,
And the Red-neck Miners mowed down these troopers,
You should have seen those poor boys run.
We took some cement and walled that cave up,
Where you killed these thirteen children inside,
I said, "God bless the Mine Workers' Union,"
And then I hung my head and cried.
1913 Massacre
Take a trip with me in 1913,
To Calumet, Michigan, in the copper country.
I will take you to a place called Italian Hall,
Where the miners are having their big Christmas ball.
I will take you in a door and up a high stairs,
Singing and dancing is heard everywhere,
I will let you shake hands with the people you see,
And watch the kids dance around the big Christmas tree.
You ask about work and you ask about pay,
They'll tell you they make less than a dollar a day,
Working the copper claims, risking their lives,
So it's fun to spend Christmas with children and wives.
There's talking and laughing and songs in the air,
And the spirit of Christmas is there everywhere,
Before you know it you're friends with us all,
And you're dancing around and around in the hall.
Well a little girl sits down by the Christmas tree lights,
To play the piano so you gotta keep quiet,
To hear all this fun you would not realize,
That the copper boss' thug men are milling outside.
The copper boss' thugs stuck their heads in the door,
One of them yelled and he screamed, "there's a fire,"
A lady she hollered, "there's no such a thing.
Keep on with your party, there's no such thing."
A few people rushed and it was only a few,
"It's just the thugs and the scabs fooling you,"
A man grabbed his daughter and carried her down,
But the thugs held the door and he could not get out.
And then others followed, a hundred or more,
But most everybody remained on the floor,
The gun thugs they laughed at their murderous joke,
While the children were smothered on the stairs by the door.
Such a terrible sight I never did see,
We carried our children back up to their tree,
The scabs outside still laughed at their spree,
And the children that died there were seventy-three.
The piano played a slow funeral tune,
And the town was lit up by a cold Christmas moon,
The parents they cried and the miners they moaned,
"See what your greed for money has done."
Oklahoma Hills
Many a month has come and gone
Since I wandered from my home
In those Oklahoma hills where I was born.
Many a page of life has turned,
Many a lesson I have learned;
Well, I feel like in those hills I still belong.
'Way down yonder in the Indian Nation
Ridin' my pony on the reservation,
In those Oklahoma hills where I was born.
Now, 'way down yonder in the Indian Nation,
A cowboy's life is my occupation,
In those Oklahoma hills where I was born.
But as I sit here today,
Many miles I am away
From a place I rode my pony through the draw,
While the oak and blackjack trees
Kiss the playful prairie breeze,
In those Oklahoma hills where I was born.
Now as I turn life a page
To the land of the great Osage
In those Oklahoma hills where I was born,
While the black oil it rolls and flows
And the snow-white cotton grows
In those Oklahoma hills where I was born.
Words and Music by Woody Guthrie and Jack Guthrie
© Copyright 1945 (renewed) by Woody Guthrie Publications , Inc.
and Michael Goldsen Music Inc / Warner-Chappell Music
Pastures Of Plenty
It's a mighty hard row that my poor hands have hoed
My poor feet have traveled a hot dusty road
Out of your Dust Bowl and Westward we rolled
And your deserts were hot and your mountains were cold
I worked in your orchards of peaches and prunes
I slept on the ground in the light of the moon
On the edge of the city you'll see us and then
We come with the dust and we go with the wind
California, Arizona, I harvest your crops
Well its North up to Oregon to gather your hops
Dig the beets from your ground, cut the grapes from your vine
To set on your table your light sparkling wine
Green pastures of plenty from dry desert ground
From the Grand Coulee Dam where the waters run down
Every state in the Union us migrants have been
We'll work in this fight and we'll fight till we win
It's always we rambled, that river and I
All along your green valley, I will work till I die
My land I'll defend with my life if it be
Cause my pastures of plenty must always be free
Pretty Boy Floyd
If you'll gather 'round me, children,
A story I will tell
'Bout Pretty Boy Floyd, an outlaw,
Oklahoma knew him well.
It was in the town of Shawnee,
A Saturday afternoon,
His wife beside him in his wagon
As into town they rode.
There a deputy sheriff approached him
In a manner rather rude,
Vulgar words of anger,
An' his wife she overheard.
Pretty Boy grabbed a log chain,
And the deputy grabbed his gun;
In the fight that followed
He laid that deputy down.
Then he took to the trees and timber
To live a life of shame;
Every crime in Oklahoma
Was added to his name.
But a many a starving farmer
The same old story told
How the outlaw paid their mortgage
And saved their little homes.
Others tell you 'bout a stranger
That come to beg a meal,
Underneath his napkin
Left a thousand dollar bill.
It was in Oklahoma City,
It was on a Christmas Day,
There was a whole car load of groceries
Come with a note to say:
Well, you say that I'm an outlaw,
You say that I'm a thief.
Here's a Christmas dinner
For the families on relief.
Yes, as through this world I've wandered
I've seen lots of funny men;
Some will rob you with a six-gun,
And some with a fountain pen.
And as through your life you travel,
Yes, as through your life you roam,
You won't never see an outlaw
Drive a family from their home.
Union Maid
There once was a union maid, she never was afraid
Of goons and ginks and company finks and the deputy sheriffs who made the raid.
She went to the union hall when a meeting it was called,
And when the Legion boys come 'round
She always stood her ground.
Oh, you can't scare me, I'm sticking to the union,
I'm sticking to the union, I'm sticking to the union.
Oh, you can't scare me, I'm sticking to the union,
I'm sticking to the union 'til the day I die.
This union maid was wise to the tricks of company spies,
She couldn't be fooled by a company stool, she'd always organize the guys.
She always got her way when she struck for better pay.
She'd show her card to the National Guard
And this is what she'd say
You gals who want to be free, just take a tip from me;
Get you a man who's a union man and join the ladies' auxiliary.
Married life ain't hard when you got a union card,
A union man has a happy life when he's got a union wife.
CD REVIEW
Folkways: The Original Vision-Songs Of Woody Guthrie and Lead Belly, Woody Guthrie, Lead Belly, Smithsonian/Folkways, 2005
If any of the older generation, the “Generation of ‘68” needs an introduction to Woody Guthrie or Lead Belly then I ask what planet have you been on. Woody’s “This Land Is Your Land” is practically a national anthem (and in some quarters is just that). And Leadbelly’s “Goodnight, Irene” is in that same category. So to have the two highlighted on one program, as they had been in life on a number of occasions is a treat. This tribute has the further virtue of highlighting original performances by them unlike a DVD documentary and and accompanying CD “A Shared Vision” reviewed earlier in this space that was composed of tribute performances by some of those who, like John Mellencamp, have been influenced by their work, individually or collectively.
As always with a Smithsonian/Folkways production the CD includes a booklet of copious liner notes that detail, for the folk historian or the novice alike, the history of each song and its genesis. I am always surprised by the insightful detail provided and as much as I know about this milieu always find something new in them. Moreover, the information here provided inevitably details the rather mundane genesis of some very famous songs. Here, for example, “Bring Me Little Water, Sylvie” is just what it says back in Lead Belly’s old family farm hand days.
I do not believe that I need to detail the work of these two artists but will finish with a note of what you should make sure to hear. “Goodnight, Irene” and “This Land Is Your Land”, of course. “Rock Island Line” has aged well, as has “Do-Re-Mi”. A Woody ‘talking blues’, “Talking Hard Work”, will strike your funny bone. Lead Belly’s “Midnight Special” is fine. All of this is rounded out by a Woody/Lead Belly duet on “We Shall Be Free” that has subsequently been covered by many folkies, young and old.
Lead Belly - The Bourgeois Blues Lyrics
Lord, in a bourgeois town
It's a bourgeois town
I got the bourgeois blues
Gonna spread the news all around
Home of the brave, land of the free
I don't wanna be mistreated by no bourgeoisie
Lord, in a bourgeois town
Uhm, the bourgeois town
I got the bourgeois blues
Gonna spread the news all around
Well, me and my wife we were standing upstairs
We heard the white man say "I don't want no n----rs up there"
Lord, in a bourgeois town
Uhm, bourgeois town
I got the bourgeois blues
Gonna spread the news all around
Well, them white folks in Washington they know how
To call a colored man a n----r just to see him bow
Lord, it's a bourgeois town
Uhm, the bourgeois town
I got the bourgeois blues
Gonna spread the news all around
I tell all the colored folks to listen to me
Don't try to find you no home in Washington, DC
`Cause it's a bourgeois town
Uhm, the bourgeois town
I got the bourgeois blues
Gonna spread the news all around
"This Land Is Your Land"-Woody Guthrie
This land is your land This land is my land
From California to the New York island;
From the red wood forest to the Gulf Stream waters
This land was made for you and Me.
As I was walking that ribbon of highway,
I saw above me that endless skyway:
I saw below me that golden valley:
This land was made for you and me.
I've roamed and rambled and I followed my footsteps
To the sparkling sands of her diamond deserts;
And all around me a voice was sounding:
This land was made for you and me.
When the sun came shining, and I was strolling,
And the wheat fields waving and the dust clouds rolling,
As the fog was lifting a voice was chanting:
This land was made for you and me.
As I went walking I saw a sign there
And on the sign it said "No Trespassing."
But on the other side it didn't say nothing,
That side was made for you and me.
In the shadow of the steeple I saw my people,
By the relief office I seen my people;
As they stood there hungry, I stood there asking
Is this land made for you and me?
Nobody living can ever stop me,
As I go walking that freedom highway;
Nobody living can ever make me turn back
This land was made for you and me.
Deportee (Plane Wreck At Los Gatos)
The crops are all in and the peaches are rott'ning,
The oranges piled in their creosote dumps;
They're flying 'em back to the Mexican border
To pay all their money to wade back again
Goodbye to my Juan, goodbye, Rosalita,
Adios mis amigos, Jesus y Maria;
You won't have your names when you ride the big airplane,
All they will call you will be "deportees"
My father's own father, he waded that river,
They took all the money he made in his life;
My brothers and sisters come working the fruit trees,
And they rode the truck till they took down and died.
Some of us are illegal, and some are not wanted,
Our work contract's out and we have to move on;
Six hundred miles to that Mexican border,
They chase us like outlaws, like rustlers, like thieves.
We died in your hills, we died in your deserts,
We died in your valleys and died on your plains.
We died 'neath your trees and we died in your bushes,
Both sides of the river, we died just the same.
The sky plane caught fire over Los Gatos Canyon,
A fireball of lightning, and shook all our hills,
Who are all these friends, all scattered like dry leaves?
The radio says, "They are just deportees"
Is this the best way we can grow our big orchards?
Is this the best way we can grow our good fruit?
To fall like dry leaves to rot on my topsoil
And be called by no name except "deportees"?
Words by Woody Guthrie and Music by Martin Hoffman
© 1961 (renewed) by TRO-Ludlow Music, Inc.
Hard Travelin'
I've been havin' some hard travelin', I thought you knowed
I've been havin' some hard travelin', way down the road
I've been havin' some hard travelin', hard ramblin', hard gamblin'
I've been havin' some hard travelin', lord
I've been ridin' them fast rattlers, I thought you knowed
I've been ridin' them flat wheelers, way down the road
I've been ridin' them blind passengers, dead-enders, kickin' up cinders
I've been havin' some hard travelin', lord
I've been hittin' some hard-rock minin', I thought you knowed
I've been leanin' on a pressure drill, way down the road
Hammer flyin', air-hose suckin', six foot of mud and I shore been a muckin'
And I've been hittin' some hard travelin', lord
I've been hittin' some hard harvestin', I thought you knowed
North Dakota to Kansas City, way down the road
Cuttin' that wheat, stackin' that hay, and I'm tryin' make about a dollar a day
And I've been havin' some hard travelin', lord
I've been working that Pittsburgh steel, I thought you knowed
I've been a dumpin' that red-hot slag, way down the road
I've been a blasting, I've been a firin', I've been a pourin' red-hot iron
I've been hittin' some hard travelin', lord
I've been layin' in a hard-rock jail, I thought you knowed
I've been a laying out 90 days, way down the road
Damned old judge, he said to me, "It's 90 days for vagrancy."
And I've been hittin' some hard travelin', lord
I've been walking that Lincoln highway, I thought you knowed,
I've been hittin' that 66, way down the road
Heavy load and a worried mind, lookin' for a woman that's hard to find,
I've been hittin' some hard travelin', lord
Ludlow Massacre
It was early springtime when the strike was on,
They drove us miners out of doors,
Out from the houses that the Company owned,
We moved into tents up at old Ludlow.
I was worried bad about my children,
Soldiers guarding the railroad bridge,
Every once in a while a bullet would fly,
Kick up gravel under my feet.
We were so afraid you would kill our children,
We dug us a cave that was seven foot deep,
Carried our young ones and pregnant women
Down inside the cave to sleep.
That very night your soldiers waited,
Until all us miners were asleep,
You snuck around our little tent town,
Soaked our tents with your kerosene.
You struck a match and in the blaze that started,
You pulled the triggers of your gatling guns,
I made a run for the children but the fire wall stopped me.
Thirteen children died from your guns.
I carried my blanket to a wire fence corner,
Watched the fire till the blaze died down,
I helped some people drag their belongings,
While your bullets killed us all around.
I never will forget the look on the faces
Of the men and women that awful day,
When we stood around to preach their funerals,
And lay the corpses of the dead away.
We told the Colorado Governor to call the President,
Tell him to call off his National Guard,
But the National Guard belonged to the Governor,
So he didn't try so very hard.
Our women from Trinidad they hauled some potatoes,
Up to Walsenburg in a little cart,
They sold their potatoes and brought some guns back,
And they put a gun in every hand.
The state soldiers jumped us in a wire fence corners,
They did not know we had these guns,
And the Red-neck Miners mowed down these troopers,
You should have seen those poor boys run.
We took some cement and walled that cave up,
Where you killed these thirteen children inside,
I said, "God bless the Mine Workers' Union,"
And then I hung my head and cried.
1913 Massacre
Take a trip with me in 1913,
To Calumet, Michigan, in the copper country.
I will take you to a place called Italian Hall,
Where the miners are having their big Christmas ball.
I will take you in a door and up a high stairs,
Singing and dancing is heard everywhere,
I will let you shake hands with the people you see,
And watch the kids dance around the big Christmas tree.
You ask about work and you ask about pay,
They'll tell you they make less than a dollar a day,
Working the copper claims, risking their lives,
So it's fun to spend Christmas with children and wives.
There's talking and laughing and songs in the air,
And the spirit of Christmas is there everywhere,
Before you know it you're friends with us all,
And you're dancing around and around in the hall.
Well a little girl sits down by the Christmas tree lights,
To play the piano so you gotta keep quiet,
To hear all this fun you would not realize,
That the copper boss' thug men are milling outside.
The copper boss' thugs stuck their heads in the door,
One of them yelled and he screamed, "there's a fire,"
A lady she hollered, "there's no such a thing.
Keep on with your party, there's no such thing."
A few people rushed and it was only a few,
"It's just the thugs and the scabs fooling you,"
A man grabbed his daughter and carried her down,
But the thugs held the door and he could not get out.
And then others followed, a hundred or more,
But most everybody remained on the floor,
The gun thugs they laughed at their murderous joke,
While the children were smothered on the stairs by the door.
Such a terrible sight I never did see,
We carried our children back up to their tree,
The scabs outside still laughed at their spree,
And the children that died there were seventy-three.
The piano played a slow funeral tune,
And the town was lit up by a cold Christmas moon,
The parents they cried and the miners they moaned,
"See what your greed for money has done."
Oklahoma Hills
Many a month has come and gone
Since I wandered from my home
In those Oklahoma hills where I was born.
Many a page of life has turned,
Many a lesson I have learned;
Well, I feel like in those hills I still belong.
'Way down yonder in the Indian Nation
Ridin' my pony on the reservation,
In those Oklahoma hills where I was born.
Now, 'way down yonder in the Indian Nation,
A cowboy's life is my occupation,
In those Oklahoma hills where I was born.
But as I sit here today,
Many miles I am away
From a place I rode my pony through the draw,
While the oak and blackjack trees
Kiss the playful prairie breeze,
In those Oklahoma hills where I was born.
Now as I turn life a page
To the land of the great Osage
In those Oklahoma hills where I was born,
While the black oil it rolls and flows
And the snow-white cotton grows
In those Oklahoma hills where I was born.
Words and Music by Woody Guthrie and Jack Guthrie
© Copyright 1945 (renewed) by Woody Guthrie Publications , Inc.
and Michael Goldsen Music Inc / Warner-Chappell Music
Pastures Of Plenty
It's a mighty hard row that my poor hands have hoed
My poor feet have traveled a hot dusty road
Out of your Dust Bowl and Westward we rolled
And your deserts were hot and your mountains were cold
I worked in your orchards of peaches and prunes
I slept on the ground in the light of the moon
On the edge of the city you'll see us and then
We come with the dust and we go with the wind
California, Arizona, I harvest your crops
Well its North up to Oregon to gather your hops
Dig the beets from your ground, cut the grapes from your vine
To set on your table your light sparkling wine
Green pastures of plenty from dry desert ground
From the Grand Coulee Dam where the waters run down
Every state in the Union us migrants have been
We'll work in this fight and we'll fight till we win
It's always we rambled, that river and I
All along your green valley, I will work till I die
My land I'll defend with my life if it be
Cause my pastures of plenty must always be free
Pretty Boy Floyd
If you'll gather 'round me, children,
A story I will tell
'Bout Pretty Boy Floyd, an outlaw,
Oklahoma knew him well.
It was in the town of Shawnee,
A Saturday afternoon,
His wife beside him in his wagon
As into town they rode.
There a deputy sheriff approached him
In a manner rather rude,
Vulgar words of anger,
An' his wife she overheard.
Pretty Boy grabbed a log chain,
And the deputy grabbed his gun;
In the fight that followed
He laid that deputy down.
Then he took to the trees and timber
To live a life of shame;
Every crime in Oklahoma
Was added to his name.
But a many a starving farmer
The same old story told
How the outlaw paid their mortgage
And saved their little homes.
Others tell you 'bout a stranger
That come to beg a meal,
Underneath his napkin
Left a thousand dollar bill.
It was in Oklahoma City,
It was on a Christmas Day,
There was a whole car load of groceries
Come with a note to say:
Well, you say that I'm an outlaw,
You say that I'm a thief.
Here's a Christmas dinner
For the families on relief.
Yes, as through this world I've wandered
I've seen lots of funny men;
Some will rob you with a six-gun,
And some with a fountain pen.
And as through your life you travel,
Yes, as through your life you roam,
You won't never see an outlaw
Drive a family from their home.
Union Maid
There once was a union maid, she never was afraid
Of goons and ginks and company finks and the deputy sheriffs who made the raid.
She went to the union hall when a meeting it was called,
And when the Legion boys come 'round
She always stood her ground.
Oh, you can't scare me, I'm sticking to the union,
I'm sticking to the union, I'm sticking to the union.
Oh, you can't scare me, I'm sticking to the union,
I'm sticking to the union 'til the day I die.
This union maid was wise to the tricks of company spies,
She couldn't be fooled by a company stool, she'd always organize the guys.
She always got her way when she struck for better pay.
She'd show her card to the National Guard
And this is what she'd say
You gals who want to be free, just take a tip from me;
Get you a man who's a union man and join the ladies' auxiliary.
Married life ain't hard when you got a union card,
A union man has a happy life when he's got a union wife.
Thursday, March 05, 2009
*From The Archives Of "Women And Revolution"-Black Freedom, Women's Rights and the Civil War
Click on the headline to link to a "Wikipedia" entry for black abolitionist Sojourner Truth.
Markin comment:
The following is an article from the Spring 1989 issue of "Women and Revolution" that may have some historical interest for old "new leftists", perhaps, and well as for younger militants interested in various cultural and social questions that intersect the class struggle. Or for those just interested in a Marxist position on a series of social questions that are thrust upon us by the vagaries of bourgeois society. I will be posting more such articles from the back issues of "Women and Revolution" during Women's History Month and periodically throughout the year.
**********
Black Freedom, Women's Rights
and the Civil War
This article is based on a talk given by W&R associate editor Amy Rath at a public forum held 5 April 1988 at Howard University. For additional historical material on women in the anti-slavery struggle, see "The Grimke Sisters: Pioneers for Abolition and Women's Rights" (W&R No. 29, Spring 1985) and "Harriet Tubman: Fighter for Black Freedom" (W&R No. 32, Winter 1986).
The talk discusses the movement for women's rights in the U.S. prior to the Civil War, its link through the radical abolition movement with the fight against black slavery, and the destruction of that link to produce the antecedents of the present "feminists." It centers on the ideology of the antebellum abolitionists, the most far-sighted of whom saw that all democratic struggles were vitally linked and that deeply revolutionary changes would be required to establish equality. These men and women were not Marxists but bourgeois radicals of their time; for many, the primary political motivation was religion.
Northern anti-slavery activists espoused "free labor" and accepted the idea that if legal barriers to equality were removed, the American dream would be possible for anyone, given talent and hard work. In antebellum America, in the context of steady immigration and an expanding frontier, a propertyless farmhand could perhaps acquire land of his own, while a (white) laborer might look to becoming a small-scale employer of labor in a generation. But if the "free labor" ideology imagined a democratic political system of economic equals based on a society of skilled artisans and yeoman farmers, this model rapidly became a fiction. A capitalist class of Northern industrial, finance and railroad capitalists had the ascendancy. Though still a predominantly agricultural country, America was the fastest-growing industrial power (with the second-highest industrial output, after Britain). America was already the world's technological leader, very much feared as a competitor by Britain, birthplace of the Industrial Revolution.
The slave society of the South existed in the framework of a powerful Northern industrial sector which purchased staple crops from the South, first of all cotton. The rich plantations which possessed the South's best land and dominated the region politically were built on a pre-capitalist class relationship of black chattel slavery; at the same time they were part of a money economy in the world's most dynamic capitalist country. The conflict of social systems between the ever more powerful North and the backward South was a profound contradiction heading for collision, exacerbated by America's undemocratic "states' rights" political system which had given the South disproportionate control of the national government (especially the presidency and Supreme Court) since Independence.
The Progressive Bourgeoisie and the Limits of Reconstruction
The "irrepressible conflict" exploded in the Civil War, in the course of which Lincoln, the Northern bourgeoisie's ablest political leader, found himself obliged to go much further than he had intended in the direction of adopting the emancipation program of the abolitionists. Fifteen years before, abolitionists had been viewed as an isolated, if noisy, crew of radical fanatics.
The Civil War smashed slavery and left behind in the South a chaotic situation and four million ex-slaves who had been promised "freedom." But the war and its aftermath underlined that a truly egalitarian radical vision of social reconstruction already could not be promoted by a capitalist ruling class.
In her talk, comrade Rath emphasized the birth of a "feminist" women's movement as a rightward split at a crucial moment in American history: the era of "Reconstruction." Reconstruction posed a possibility of socially revolutionary transformations in the South: the regional ruling class, based on the ownership of land and slaves, had been militarily defeated; under the occupying Northern power, political rights were exercised by the former slaves and those willing to be allied with them.
Reconstruction brought not only black enfranchisement but significant democratic reforms: the 1868 South Carolina constitutional convention drafted the state's first divorce law, while Reconstruction legislatures established the South's first public schools and went to work on liberalizing the South's draconian penal codes and reforming the planters' property tax system (which had taxed the farmer's mule and the workman's tools while all but exempting the real wealth—land). But the Northern capitalists betrayed the promise of Reconstruction, allowing it to be physically smashed by forces such as the Ku Klux Klan, even though that meant the destruction of the Republican Party in the South.
Replacing slavery, a new system of racial subordination took shape: a refurbished system of labor discipline through such measures as one-year labor contracts and "vagrancy" laws to bind ex-slaves to the plantations, and a rigid system of Jim Crow segregation. The defeat of Reconstruction shaped the postwar South into modern times: the sharecropping, the poll taxes, convict labor (the chain gang), the "separate but equal" unequal facilities.
While the woman suffrage leaders described in comrade Rath's talk took a stand against the great democratic gains that hung in the balance, many women mobilized by the anti-slavery movement served honorably in Reconstruction, for example as freedmen's schoolteachers who risked their lives to participate in freeing black people from the chains of bondage.
During Reconstruction, debate raged over the agrarian question: the radical demand raised by the freed-men and destitute white Unionist Southerners that the secessionists' estates be confiscated and distributed to them. Some abolitionists saw that racial democracy could not be achieved if a class of whites continued to own the land where a class of blacks were laborers. They argued for justice to those who had been slaves (who created the wealth of the plantations, beginning by clearing the wilderness).
But the tide had turned: the triumphant Northern rulers would not permit such an attack on "property rights" (especially as Northerners directly and Northern banks were coming to own a good deal of Southern property). Fundamentally, the federal power reinvested political power in the hands of the former "best people" of the old Confederacy. In the sequel, intensive exploitation of black agricultural labor, rather than industrial development or capital investment in the modernization of agriculture, remained the basis of the Southern economy.
What was the alternative? Working-class power was shown by the 1848 and 1871 upheavals in Europe to be the alternative to bourgeois rule, as Marx and Engels explained from the Communist Manifesto onward, but conditions were not mature even in Europe for the small proletariat to seize and wield state power. In mid-19th century America, the Northern bourgeoisie under the pressure of a revolutionary Civil War possessed a genuinely progressive side, the basis for the abolitionists' support for the Republican Party. The abolitionists' great debates revolved around how far out in front of the progressive bourgeoisie they should be. There were "radicals" and those with a more "realistic" appraisal of what the Republican Party would support. Today, more than a century after Reconstruction, that debate is transcended. The ruling class long since passed firmly over to the side of reaction; the federal government is no defender of the oppressed. Those who look to find support for an egalitarian program in any wing of the ruling class are doomed to disappointment. To complete the unfinished democratic tasks of the bourgeois revolution is a responsibility of the modern working class.
When the post-Civil War suffragettes chose to focus on the narrowest political rights for middle-class women and turn their backs on the rights and survival of the most desperately oppressed, they prefigured all of today's "constituency" and "reform" politics which refuse to attack the profound class inequalities ingrained in capitalist society. Sojourner Truth's classic "Ain't I a Woman" speech (see below) today stands as a powerful indictment of these ladies as much as of the outright sexists she was debating. Those who renounce the revolutionary content of the demand for women's liberation so as to advance their schemes for election of female politicians or advancement of women in academia are direct descendants of those first "feminists" who refused to challenge the power structure of their time on behalf of justice for two million of their sisters who were freed slaves.
But there is another women's movement: the women who have joined in the front ranks of every revolutionary struggle on this planet, from the 19th-century radical abolitionists to the women workers who sparked the Russian Revolution to the communist women of today. When the October Revolution of 1917 smashed the old tsarist society in Russia, militant women were among the first recruits to communism in dozens of countries where women were oppressed by semi-feudal conditions and "customs." Young women radicalized around questions like women's education, the veil, wife-beating, religious obscurantism, arranged marriages, etc., recognized a road forward to uprooting social reaction and building a society freed from sexual, racial and class inequality. Our heroes are the revolutionary women who have shared in making all of revolutionary history, from the first moment that slaves rose up against the Roman Empire to the great struggles of today.
It was 1863, and the bloodiest war ever fought by the U.S. was raging. Abraham Lincoln had finally realized he must pronounce the destruction of slavery as the North's goal in this civil war. On 22 September 1862, his preliminary Emancipation Proclamation declared that on the first of January, 1863, all slaves in the Confederacy "shall be then, thenceforward, and forever free." Although the Emancipation Proclamation did not free the slaves in the border states loyal to the Union, it turned the tide of battle. The war was now indisputably a war to end slavery, not simply to repair the Union. Soon thereafter, the government began to enlist blacks into the army; these ex-slaves and sons of ex-slaves tipped the military balance in favor of the Union. It was a matter of time until black soldiers singing "John Brown's Body" marched into Charleston, South Carolina—the "soul of secession," as Karl Marx called it-after Sherman's march through Georgia to the sea.
In May of the revolutionary year 1863, the first convention of the Women's Loyal National League met in New York City. Its most eminent speaker was a woman whose name is little known today: Angelina Grimke" Weld. As part of her address she gave a keen analysis of the war:
"This war is not, as the South falsely pretends, a war of races, nor of sections, nor of political parties, but a war of Principles; a war upon the working classes, whether
white or black; a war against Man, the world over. In this war, the black man was the first victim, the workingman of whatever color the next; and now all who contend for the rights of labor, for free speech, free schools, free suffrage, and a free government...are
driven to do battle in defense of these or to fall with them, victims of the same violence that for two centuries has held the black man a prisoner of war "The nation is in a death-struggle. It must either become one vast slaveocracy of petty tyrants, or wholly the land of the free."
—Gerda Lerner, The Grimke Sisters from South Carolina
A resolution was presented: "There can never be a true peace in this Republic until the civil and political rights of all citizens of African descent and all women are practically established." Angelina Grimke' defended it against those who thought it too radical:
"I rejoice exceedingly that that resolution would combine us with the negro. I feel that we have been with him— True, we have not felt the slaveholder's lash; true, we have not had our hands manacled, but our hearts have been crushed I want to be identified with the negro; until he gets his rights, we shall never have ours."
It was only after the Civil War that an ideology arose which was later named "feminism": the idea that the main division in society is sex. In response to the debate over the role of the newly freed slaves in U.S. society, the leaders of the woman suffrage movement—Elizabeth Cady Stanton and Susan B. Anthony—sided with the counterrevolutionary assault on Reconstruction. The birth of bourgeois feminism was part of a right-wing process which shattered the vision of the left wing of the revolutionary democracy into separate, feeble bourgeois reform movements.
The Second American Revolution
The Civil War was one of the great social revolutions in the history of the world, destroying the slaveholding class in the South and freeing the black slaves. Not only Marxists saw that. The best fighters of the day—the Grimke sisters, the great black abolitionist Frederick Douglass, the Radical Republican Congressman Thaddeus Stevens—knew that the war would have to become a revolution against slavery before the North could win. They hated the feudalistic society of the South, with its degraded slaves, its cruelty, its arrogant, leisurely gentlemen planters, its impoverished rural whites, its lack of education, industry and general culture. The radical abolitionists wanted to wipe away that society, and also saw much wrong in the North, such as the subservience of women, and legal and social discrimination against blacks. Their ideology was to create a new order based on free labor and "equality before the law," a concept brought to the U.S. by the Radical Republican Charles Sumner out of his study of the 1789 French Revolution.
In Europe after the French Revolution the status of women was the most visible expression of the contradiction between capitalist society and its own ideals. But in the U.S. that was not so true, because of chattel slavery. The United States—the first country to proclaim itself a democratic republic—was the largest slaveholding country in the world, a huge historical contradiction which had to be resolved.
The Industrial Revolution
It was the Industrial Revolution, fundamentally, that generated what William Seward called the "Irrepressible Conflict." In broad historical terms the Industrial Revolution had created the material conditions for the elimination of slavery in society. Technological and social advances made possible a much more productive capitalist agriculture and industry. In 1854 the abolitionist clergyman Theodore Parker described slavery as "the foe to Northern Industry—to our mines, our manufactures, and our commerce...to our democratic politics in the State, our democratic culture in the school, our democratic work in the community" (quoted in James M. McPherson, Battle Cry of Freedom).
The Industrial Revolution had a contradictory effect on the condition of women. Production of goods had been primarily through cottage industry, but with the invention of the spinning jenny, the power loom and the steam engine, cottage industry was ended. The men left home to go to the factory, while women stayed home to do the housework, raise the children and to buy at the local store what once they had made at home.
Women's labor ceased to be productive labor in the strict Marxist sense. This is the material basis for the 19th-century ideology of the "women's sphere." While the material advances of the Industrial Revolution made life easier for women, it also locked them into the stifling confines of domesticity in the isolated nuclear family. Women also worked in factories, but even in the industries in which they were concentrated (in textile production they made up two-thirds of the labor force) generally they worked only for a few years before getting married.
The Fight for Women's Legal Rights
Slaves were a class, but women are a specially oppressed group dispersed through all social classes. Although all women were oppressed to some extent because of their position in the family, the class differences were fundamental between the black slave woman and the slave plantation mistress, or the Northern German-speaking laundress and the wife of the owner of the Pennsylvania iron mill. "Sisterhood" was as much a myth then as it is now. Women identified first with the class to which they belonged, determined by who their husbands or fathers were.
Before the Civil War, women were basically without any civil rights. They couldn't sue or be sued, they couldn't be on juries, all their property and earnings went to their husband or father. Although women did have the vote for a few years in New Jersey and Virginia after the American Revolution, this advance was quickly eliminated. (This was part of a general right-wing turn after the Revolution, when suffrage was restricted gradually through property qualifications. In New York State, for example, with some restrictions blacks could vote up to about 1821.) For the wealthy upper-class woman, this lack of legal rights loomed as a terrible injustice because it prevented her from functioning as a full member of the ruling class (Elizabeth Cady Stanton, the mother of American feminism and the daughter of a judge, felt this keenly). For the working-class or slave woman, if her property legally belonged to her husband it didn't seem a problem— she didn't have any property.
Though the legal question was a small matter for poor and slave women, nevertheless legal injustice is not insignificant for Marxists, and it is bound up with multi-layered social oppression. This was true for the position of women in pre-Civil War society. Until the 1850s wife-beating was legal in most states. Divorce was almost impossible, and when it was obtained children went with the husband. The accepted attitude toward women was assumption of their "inferiority," and the Bible was considered an authority. When anesthesia was discovered in the 1840s, doctors opposed its use for childbirth, because that suffering was women's punishment for Eve's sin.
The Anti-Slavery Struggle and Democratic Rights
But how were women to fight for equal rights in this society divided between slave and free? Angelina Grimke' was precisely correct when she said, "until the negro gets his rights, we will never have ours." It was necessary to destroy chattel slavery, which was retarding the development of the whole society. The movement for women's rights developed in the North out of the struggle to abolish slavery. It could hardly have developed in the South. In the decades before the war, in response to the growing Northern anti-slavery agitation, the South was becoming more reactionary than ever: more fanatical in defense of the ideology of slavery and more openly repressive. There were wholesale assaults on basic democratic rights, from attacks on the rights of the small layer of free blacks, who were seen as a source of agitation and insurrection, to a ban on the distribution of abolitionist literature.
In the South, there were no public schools. It was illegal to teach slaves to read, and almost half of the entire Southern population was illiterate. But in the North over 90 percent of the residents could read and write. Girls and boys went to school in about the same proportions, the only country in the world where this was true. So while in the North women teachers were paid less than men, and women factory hands received one-quarter the wage of men, in the South there were few teachers at all, and few industrial workers.
As a young slave in Maryland, and later while he was trying to earn a living as a refugee in New Bedford, Massachusetts, Frederick Douglass came to understand the common interests of all working people in the South, slaves and free blacks and whites. He learned a trade on the docks, where he experienced racist treatment from white workmen, who saw black labor as a threat to their jobs. But Douglass realized that the position of the workmen, too, against their boss was eroded and weakened by slavery and racism. As Marx said, "Labor cannot emancipate itself in the white skin where in the black it is branded." And indeed, the working-class movement met with little success in the antebellum U.S., whereas after the war there was an upsurge in unionism and labor struggle.
The vanguard of the abolitionist movement—the radical insurrectionist wing—believed in the identity of the interests of all the oppressed. John Brown, Frederick Douglass, Harriet Tubman, the great activist of the Underground Railroad, and the Grimke sisters were all inspired by a vision of human equality based in revolutionary democracy. Although their egalitarian principle was based on a religious view and ours is based on a Marxist understanding of society, we honor their essential work in leading the anti-slavery struggle. The abolition of slavery did profoundly alter the United States, it did open the road to liberation by making possible the development of the proletariat and its revolutionary vanguard, which will establish justice by abolishing the exploitation of man by man.
The Grimke Sisters of South Carolina
Penetrating insights into the situation of women in pre-Civil War America came from women who were committed abolitionists. Sarah and Angelina Grimke are examples, as is Sojourner Truth who is better known today. The Grimke sisters were unusual members of the ruling class who defected to the other side. As daughters of one of South Carolina's most powerful slave-holding families, they had grown up in luxury, but left the South because of their revulsion for slavery. The Grimke sisters became famous in 1837-1838 as agents of the American Anti-Slavery Society. The power of their personal witness of the atrocities of the slave system drew huge audiences. The sisters were quick to point out that as upper-class white women, they had seen only the "better" treatment of the house and city slaves, and not the more brutal treatment of plantation hands in the fields. But one of the things they did know about was the sexual exploitation of women slaves and the brutal breakup of black families through the slave trade.
Because the sisters addressed the issues of sexual exploitation frankly and often, it was one of the issues the opposition used to try to shut them up. The clergy complained that the Grimke's brought up a subject "which ought not to be named"—how dare these delicate .blossoms of Southern womanhood talk about sex! The very idea of women speaking publicly represented an attack on the proper relationship between the sexes and would upset "women's place" in the home. Contemporary observers were shocked by the sight of women participating actively in the debates of the anti-slavery movement, as they did especially in New England, the birthplace of radical abolitionism. The Grimkes replied by pointing out that the same argument was used against abolition itself: it would upset the established order of social relations. They effectively linked up women's rights and emancipation of the slaves.
Sojourner Truth: "Ain't I a Woman?"
Black women got it from both sides, as the life of Sojourner Truth shows. She was born a slave around 1797 in New York State and was not freed until 1827, under the "gradual emancipation" provisions of the state law. As a slave she was prevented from marrying the man she loved, who was brutally beaten for daring to visit her (they were owned by different masters). They were both forcibly married to other slaves. Her son was sold South as a small child, away from her. After she was freed, she lived a backbreaking existence in New York City, one of the more racist cities in the North and a center for the slave trade.
Sojourner Truth went to all the women's rights conventions. The famous story about her dates from 1853. The usual crowd of male hecklers had almost shut down the proceedings. The women were unable to answer their sneers of how delicate and weak women were. Sojourner Truth asked for the floor and got it, despite the opposition of a lot of the delegates to the presence of a black abolitionist. You have to keep in mind what this woman looked like in this gathering of ladies: she was six feet tall, nearly 60 years old, very tough and work-worn. She said:
"The man over there says women need to be helped into carriages and lifted over ditches, and to have the best place everywhere. Nobody ever helps me into carriages or over puddles, or gives me the best place—and ain't I a woman?
"Look at my arm! I have ploughed and planted and gathered into barns, and no man could head me—and ain't I a woman? I could work as much and eat as much as a man—when I could get it—and bear the lash as well! And ain't I a woman? I have born...children, and seen most of 'em sold into slavery, and when I cried out with my mother's grief, none but Jesus heard me—and ain't I a woman?"
—Eleanor Flexner, Century of Struggle
Sojourner Truth put her finger on the heart of the contradiction between the stifling idealization of women and their oppression as housewives and mothers and exploitation as slaves and workers.
Women's Rights and the Abolitionist Movement
Support for women's rights was tenuous within the politically diverse anti-slavery movement. Many free-soilers were not anti-racist; some opposed slavery because they didn't want blacks around. Even some of the most dedicated abolitionists argued that "women's rights" could harm the anti-slavery cause, and in 1840 a split in the American Anti-Slavery Society was precipitated by the election of a woman to the leading body.
That same year at an international anti-slavery meeting in London, women members of the American delegation were denied their seats. In the audience was the young Elizabeth Cady Stanton. Out of this experience she decided to begin organizing for women's rights. Eight years later, in 1848, at Seneca Falls, New York the first women's rights convention in the world was held. At first Stanton wasn't going to put forward the vote as a demand—she was afraid it was too extreme. She had to be argued into it by Frederick Douglass. It was the only demand that didn't get unanimous support at the meeting; it was considered too radical.
The role of Douglass was not an accident. The best fighters for women's rights were not the Elizabeth Cady Stantons and the Susan B. Anthonys—the ones who "put women first"—but the left-wing abolitionists. The most militant advocates of black equality, the insurrectionist wing, the prophets of the Civil War, were also the most consistent fighters for women's rights, because they saw no division of interest between blacks and women. Frederick Douglass not only attended all the women's meetings, arguing effectively for full equality for women, but he brought the message elsewhere. He put forward resolutions for women's rights at black conventions, and they were passed. He used to advertise the meetings in his paper and print reports on the proceedings. His paper's motto was, "Right is of no Sex—Truth is of no Color—God is the Father of us all, and we are all Brethren."
The Fight Over the 14th Amendment
Stanton and Anthony had suspended their woman suffrage campaign for the duration of the war. They circulated petitions for a constitutional amendment abolishing slavery, which became the 13th Amendment. After the war Stanton and Anthony set up an Equal Rights Association to agitate for the vote for both blacks and women. They thought because of the broad social upheaval the time was ripe for woman suffrage. But this proved not to be the case.
The question here was citizenship rights under capitalist law, specifically voting. Compare it with how voting rights and citizenship were looked at in another revolution at the same time: the 1871 Paris Commune, the first proletarian revolution (whose example dramatically reinforced ideological conservatism among the American bourgeoisie). The Commune subsumed nationality and citizenship to class considerations. Anybody who got elected from the working class, whatever country they were born in, sat on the legislative body of the Commune, while the industrialists and the bourgeois parliamentarians fled the city and were "disenfranchised" as their property was expropriated.
This was not on the agenda in the United States in the 1860s. The historical tasks of the Civil War and Reconstruction were to complete the unfinished bourgeois revolution, to resolve questions like slave versus free, national sovereignty and democratic rights. In his novel Gore Vidal calls Lincoln the Bismarck of his country, and this is justified. For example, before the Civil War, each state printed its own money. Greenbacks were first made by the Union to finance the war. The Supreme Court regularly said, "the United States are." Only after the war did this country's name become a singular noun—one national government.
But the big question was what to do with the newly emancipated slaves, and this question focused on two things: land and the vote. The debate over the vote represented, in legal terms, a struggle to determine what "citizenship" meant in relation to the state. Many Northern states did not allow blacks to vote, either. The 14th Amendment, which was passed to answer this question, says that all persons born or naturalized in the U.S. are citizens of the nation and of the state in which they live, and that states can't abridge their "privileges and immunities" or deprive them of life, liberty, or property without "due process of law" or deny them "equal protection of the laws."
The Republican Party, which was founded as an anti-slavery party, contained within it many shades of political opinion. It has been argued that the only reason the Republicans gave the vote to blacks was to maintain political control over the states in the conquered Confederacy. This was true of some Republicans, but the men who politically dominated Congress during the period of Radical Reconstruction were committed revolutionary democrats, as observers of the time said of Thaddeus Stevens, who was called the "Robespierre, Danton, and Marat of America." There were good reasons for Douglass' loyalty to the Republicans, given after much early hesitation and sometimes combined with scathing criticism.
But there were a lot of contradictions. The party that was trying to implement black rights was also the party that was massacring the Indians in the West, breaking workers' strikes in the North, presiding over a new scale of graft and corruption, and trying to annex Santo Domingo. In the fight to replace slavery with something other than a peonage system which mimicked bondage, the land question was key. And the robber barons—the moneylords, the triumphant ruling class-rapidly got pretty nervous about the campaign to confiscate the plantations and give them to the blacks. It was an assault on property rights, in line with what those uppity workers in the North were demanding: the eight-hour day, unions, higher wages. The ruling class was quite conscious about this; an 1867 New York Times editorial stated:
"If Congress is to take cognizance of the claims of labor against capital...there can be no decent pretense for confining the task to the slave-holder of the South. It is a question, not of humanity, not of loyalty, but of the fundamental relation of industry to capital; and sooner or later, if begun at the South, it will find its way into the cities of the North.... An attempt to justify the confiscation of Southern land under the pretense of doing justice to the freedmen, strikes at the root of all property rights in both sections. It concerns Massachusetts quite as much as Mississippi."
—Eric Foner, Politics and Ideology in the Age of the Civil War
This question was not resolved quickly, but over a couple of decades. But to collapse a lot of complex history, the revolutionary tide receded under the weight of triumphant capitalism. In 1877 Union troops were withdrawn from Southern occupation as part of the compromise making Rutherford B. Hayes president. The Civil War did not establish black equality, and the 14th and 15th Amendments which codified in law the war's revolutionary gains were turned into virtual dead letters. Nor did the Civil War liberate women, not even in a limited, legalistic sense. They continued to be denied even the simple right to vote (although in some districts in South Carolina in 1870, under the encouragement of black election officials, black women exercised the franchise for a brief time).
From the defeat of Reconstruction was spawned the kind of society we have now. On top of the fundamental class divisions in the U.S. is pervasive and institutionalized racial oppression. The black slaves were liberated from bondage only to become an oppressed race/color caste, segregated at the bottom of society— although today, unlike the immediate aftermath of Reconstruction, blacks also constitute a key component of the American proletariat.
The Birth of American Feminism
Many Radical Republicans were critical of the 14th Amendment, which was a true child of compromise. Sumner called it "uncertain, loose, cracked, and rickety." Opposition centered on a loophole that allowed a state to opt for losing some representation in Congress if it chose to restrict black suffrage—and Southern states exploited this concession. But what Elizabeth Cady Stanton didn't like about it was that for the first time, the word "male" appeared in the Constitution. And this fight was the birth of American feminism.
Of course the 14th Amendment should have given women the vote, and the importance of suffrage for black women was not inconsiderable. But a Civil War had just been fought on the question of black freedom, and it was indeed the "Negro's Hour," as many abolitionists argued. The biggest benefit for women's rights would have been to struggle for the biggest expansion possible in black freedom—to campaign for the land, for black participation in government on the state and federal level, to crush racism in the North, to integrate blacks in housing, education, jobs—to push to the limit the revolutionary possibilities of the period. But Stanton and Anthony sided with the right-wing
assault on the revolutionary opening that existed. They wrote:
"Think of Patrick and Sambo and Hans and Ung Tung who do not know the difference between a Monarchy and a Republic, who never read the Declaration of Independence or Webster's spelling book, making laws for [white abolitionists] Lydia Maria Child, Lucretia Mott, or Fanny Kemble."
Stanton and Anthony embraced race-hatred and anti-immigrant bigotry against the Irish, blacks, Germans and Asians, grounded in class hostility.
They took this position at a time when blacks in the South faced escalating race-terror. The Ku Klux Klan was founded in 1866 to terrorize Southern blacks; hundreds were murdered. Republicans of both colors were targeted, and a special object of Klan hatred was the schoolhouse and the schoolteacher (many of them Northern women). In the North as well there was a struggle over the vote, over integrated schools. There was a fight to end Jim Crow in the Washington, D.C. trolley system (after the law desegregating streetcars was passed there in 1865, Sojourner Truth herself went around the capital boarding the cars of companies that were refusing to seat blacks). The freedmen's struggles for a fundamental transformation of race relations triggered in the North what some historians have called the first racist backlash. Frederick Douglass' home in Rochester, New York was burned to the ground; Republican and abolitionist leaders routinely received death threats.
So in this period of violent struggle over the race question, the feminists joined forces with the Democrats, the political party of the Klan and the Confederacy, who hoped to exploit the women's issue against blacks. Henry Blackwell (Lucy Stone's husband) argued that white women voting in the South would cancel out the black vote. Stanton and Anthony teamed up with George Train, a notorious racist, who financed their newspaper, Revolution. They adopted the slogan "educated suffrage"—that is, a literacy test for voters—which was deliberately formulated against non-English-speaking immigrants and ex-slaves.
Frederick Douglass made a valiant attempt to win the feminists over to support for the amendments at a meeting of the Equal Rights Association in 1869, where he argued for the urgency of the vote for blacks:
"When women, because they are women, are dragged from their homes and hung upon lamp-posts; when their children are torn from their arms and their brains dashed to the pavement; when they are objects of insult and outrage at every turn; when they are in danger of having their homes burnt down over their heads; when their children are not allowed to enter schools; then they will have an urgency to obtain the ballot."
—Eleanor Flexner, Century of Struggle
At this convention Douglass proposed a resolution which called the 15th Amendment the "culmination of one-half of our demands" while imploring a redoubling of "our energy to secure the further amendment guaranteeing the same sacred rights without limitation to sex." But by this point, a split was inevitable. The feminists blamed the Republican Party and the abolitionists for the defeat in Kansas of an 1867 referendum on woman suffrage. They decided that "men" could not be trusted, and for the first time argued that women must organize separately for their own rights. They even flirted with male exclusionism. The movement split in two, one maintaining a formally decent posture on the race question as a cover for doing nothing. The main wing led by Stanton and Anthony wanted to address broad issues, but their capitulation to racist reaction defined them.
They claimed the ballot would solve everything. Their paper was printed in a "rat" office (below union scale). Anthony urged women to be scabs to "better" their condition, then whined when the National Labor Congress refused to admit her as a delegate! Stanton said it proved the worst enemy of women's rights was the working man.
After Reconstruction went down to defeat, the first "feminists" dedicated themselves to the reactionary attempt to prove woman suffrage wouldn't rock the Jim Crow boat. But in the South, the restabilization of a system of overt racist injustice set the context for all social questions. In the South, any extension of the franchise was feared as a threat to "white supremacy" stability. By 1920, when woman suffrage was passed nationally— largely because of World War I which brought women into industry and social life—not a single Southern state had passed the vote for women, although almost every other state had some form of it.
Today, the bourgeois feminists like to hark back to the struggle over the 14th Amendment as proof there must be a separatist women's movement. They claim Stanton and Anthony as their political mothers. Let them have them! We stand in a different tradition: the heritage of Frederick Douglass, John Brown, Harriet Tubman, the Grimke sisters, of revolutionary insurrectionism against the class enemy. Today, to complete the unfinished tasks of the Civil War and emancipate women and blacks from social slavery requires a communist women's movement, part of a multiracial vanguard party fighting for workers power in the interests of all the oppressed.
Markin comment:
The following is an article from the Spring 1989 issue of "Women and Revolution" that may have some historical interest for old "new leftists", perhaps, and well as for younger militants interested in various cultural and social questions that intersect the class struggle. Or for those just interested in a Marxist position on a series of social questions that are thrust upon us by the vagaries of bourgeois society. I will be posting more such articles from the back issues of "Women and Revolution" during Women's History Month and periodically throughout the year.
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Black Freedom, Women's Rights
and the Civil War
This article is based on a talk given by W&R associate editor Amy Rath at a public forum held 5 April 1988 at Howard University. For additional historical material on women in the anti-slavery struggle, see "The Grimke Sisters: Pioneers for Abolition and Women's Rights" (W&R No. 29, Spring 1985) and "Harriet Tubman: Fighter for Black Freedom" (W&R No. 32, Winter 1986).
The talk discusses the movement for women's rights in the U.S. prior to the Civil War, its link through the radical abolition movement with the fight against black slavery, and the destruction of that link to produce the antecedents of the present "feminists." It centers on the ideology of the antebellum abolitionists, the most far-sighted of whom saw that all democratic struggles were vitally linked and that deeply revolutionary changes would be required to establish equality. These men and women were not Marxists but bourgeois radicals of their time; for many, the primary political motivation was religion.
Northern anti-slavery activists espoused "free labor" and accepted the idea that if legal barriers to equality were removed, the American dream would be possible for anyone, given talent and hard work. In antebellum America, in the context of steady immigration and an expanding frontier, a propertyless farmhand could perhaps acquire land of his own, while a (white) laborer might look to becoming a small-scale employer of labor in a generation. But if the "free labor" ideology imagined a democratic political system of economic equals based on a society of skilled artisans and yeoman farmers, this model rapidly became a fiction. A capitalist class of Northern industrial, finance and railroad capitalists had the ascendancy. Though still a predominantly agricultural country, America was the fastest-growing industrial power (with the second-highest industrial output, after Britain). America was already the world's technological leader, very much feared as a competitor by Britain, birthplace of the Industrial Revolution.
The slave society of the South existed in the framework of a powerful Northern industrial sector which purchased staple crops from the South, first of all cotton. The rich plantations which possessed the South's best land and dominated the region politically were built on a pre-capitalist class relationship of black chattel slavery; at the same time they were part of a money economy in the world's most dynamic capitalist country. The conflict of social systems between the ever more powerful North and the backward South was a profound contradiction heading for collision, exacerbated by America's undemocratic "states' rights" political system which had given the South disproportionate control of the national government (especially the presidency and Supreme Court) since Independence.
The Progressive Bourgeoisie and the Limits of Reconstruction
The "irrepressible conflict" exploded in the Civil War, in the course of which Lincoln, the Northern bourgeoisie's ablest political leader, found himself obliged to go much further than he had intended in the direction of adopting the emancipation program of the abolitionists. Fifteen years before, abolitionists had been viewed as an isolated, if noisy, crew of radical fanatics.
The Civil War smashed slavery and left behind in the South a chaotic situation and four million ex-slaves who had been promised "freedom." But the war and its aftermath underlined that a truly egalitarian radical vision of social reconstruction already could not be promoted by a capitalist ruling class.
In her talk, comrade Rath emphasized the birth of a "feminist" women's movement as a rightward split at a crucial moment in American history: the era of "Reconstruction." Reconstruction posed a possibility of socially revolutionary transformations in the South: the regional ruling class, based on the ownership of land and slaves, had been militarily defeated; under the occupying Northern power, political rights were exercised by the former slaves and those willing to be allied with them.
Reconstruction brought not only black enfranchisement but significant democratic reforms: the 1868 South Carolina constitutional convention drafted the state's first divorce law, while Reconstruction legislatures established the South's first public schools and went to work on liberalizing the South's draconian penal codes and reforming the planters' property tax system (which had taxed the farmer's mule and the workman's tools while all but exempting the real wealth—land). But the Northern capitalists betrayed the promise of Reconstruction, allowing it to be physically smashed by forces such as the Ku Klux Klan, even though that meant the destruction of the Republican Party in the South.
Replacing slavery, a new system of racial subordination took shape: a refurbished system of labor discipline through such measures as one-year labor contracts and "vagrancy" laws to bind ex-slaves to the plantations, and a rigid system of Jim Crow segregation. The defeat of Reconstruction shaped the postwar South into modern times: the sharecropping, the poll taxes, convict labor (the chain gang), the "separate but equal" unequal facilities.
While the woman suffrage leaders described in comrade Rath's talk took a stand against the great democratic gains that hung in the balance, many women mobilized by the anti-slavery movement served honorably in Reconstruction, for example as freedmen's schoolteachers who risked their lives to participate in freeing black people from the chains of bondage.
During Reconstruction, debate raged over the agrarian question: the radical demand raised by the freed-men and destitute white Unionist Southerners that the secessionists' estates be confiscated and distributed to them. Some abolitionists saw that racial democracy could not be achieved if a class of whites continued to own the land where a class of blacks were laborers. They argued for justice to those who had been slaves (who created the wealth of the plantations, beginning by clearing the wilderness).
But the tide had turned: the triumphant Northern rulers would not permit such an attack on "property rights" (especially as Northerners directly and Northern banks were coming to own a good deal of Southern property). Fundamentally, the federal power reinvested political power in the hands of the former "best people" of the old Confederacy. In the sequel, intensive exploitation of black agricultural labor, rather than industrial development or capital investment in the modernization of agriculture, remained the basis of the Southern economy.
What was the alternative? Working-class power was shown by the 1848 and 1871 upheavals in Europe to be the alternative to bourgeois rule, as Marx and Engels explained from the Communist Manifesto onward, but conditions were not mature even in Europe for the small proletariat to seize and wield state power. In mid-19th century America, the Northern bourgeoisie under the pressure of a revolutionary Civil War possessed a genuinely progressive side, the basis for the abolitionists' support for the Republican Party. The abolitionists' great debates revolved around how far out in front of the progressive bourgeoisie they should be. There were "radicals" and those with a more "realistic" appraisal of what the Republican Party would support. Today, more than a century after Reconstruction, that debate is transcended. The ruling class long since passed firmly over to the side of reaction; the federal government is no defender of the oppressed. Those who look to find support for an egalitarian program in any wing of the ruling class are doomed to disappointment. To complete the unfinished democratic tasks of the bourgeois revolution is a responsibility of the modern working class.
When the post-Civil War suffragettes chose to focus on the narrowest political rights for middle-class women and turn their backs on the rights and survival of the most desperately oppressed, they prefigured all of today's "constituency" and "reform" politics which refuse to attack the profound class inequalities ingrained in capitalist society. Sojourner Truth's classic "Ain't I a Woman" speech (see below) today stands as a powerful indictment of these ladies as much as of the outright sexists she was debating. Those who renounce the revolutionary content of the demand for women's liberation so as to advance their schemes for election of female politicians or advancement of women in academia are direct descendants of those first "feminists" who refused to challenge the power structure of their time on behalf of justice for two million of their sisters who were freed slaves.
But there is another women's movement: the women who have joined in the front ranks of every revolutionary struggle on this planet, from the 19th-century radical abolitionists to the women workers who sparked the Russian Revolution to the communist women of today. When the October Revolution of 1917 smashed the old tsarist society in Russia, militant women were among the first recruits to communism in dozens of countries where women were oppressed by semi-feudal conditions and "customs." Young women radicalized around questions like women's education, the veil, wife-beating, religious obscurantism, arranged marriages, etc., recognized a road forward to uprooting social reaction and building a society freed from sexual, racial and class inequality. Our heroes are the revolutionary women who have shared in making all of revolutionary history, from the first moment that slaves rose up against the Roman Empire to the great struggles of today.
It was 1863, and the bloodiest war ever fought by the U.S. was raging. Abraham Lincoln had finally realized he must pronounce the destruction of slavery as the North's goal in this civil war. On 22 September 1862, his preliminary Emancipation Proclamation declared that on the first of January, 1863, all slaves in the Confederacy "shall be then, thenceforward, and forever free." Although the Emancipation Proclamation did not free the slaves in the border states loyal to the Union, it turned the tide of battle. The war was now indisputably a war to end slavery, not simply to repair the Union. Soon thereafter, the government began to enlist blacks into the army; these ex-slaves and sons of ex-slaves tipped the military balance in favor of the Union. It was a matter of time until black soldiers singing "John Brown's Body" marched into Charleston, South Carolina—the "soul of secession," as Karl Marx called it-after Sherman's march through Georgia to the sea.
In May of the revolutionary year 1863, the first convention of the Women's Loyal National League met in New York City. Its most eminent speaker was a woman whose name is little known today: Angelina Grimke" Weld. As part of her address she gave a keen analysis of the war:
"This war is not, as the South falsely pretends, a war of races, nor of sections, nor of political parties, but a war of Principles; a war upon the working classes, whether
white or black; a war against Man, the world over. In this war, the black man was the first victim, the workingman of whatever color the next; and now all who contend for the rights of labor, for free speech, free schools, free suffrage, and a free government...are
driven to do battle in defense of these or to fall with them, victims of the same violence that for two centuries has held the black man a prisoner of war "The nation is in a death-struggle. It must either become one vast slaveocracy of petty tyrants, or wholly the land of the free."
—Gerda Lerner, The Grimke Sisters from South Carolina
A resolution was presented: "There can never be a true peace in this Republic until the civil and political rights of all citizens of African descent and all women are practically established." Angelina Grimke' defended it against those who thought it too radical:
"I rejoice exceedingly that that resolution would combine us with the negro. I feel that we have been with him— True, we have not felt the slaveholder's lash; true, we have not had our hands manacled, but our hearts have been crushed I want to be identified with the negro; until he gets his rights, we shall never have ours."
It was only after the Civil War that an ideology arose which was later named "feminism": the idea that the main division in society is sex. In response to the debate over the role of the newly freed slaves in U.S. society, the leaders of the woman suffrage movement—Elizabeth Cady Stanton and Susan B. Anthony—sided with the counterrevolutionary assault on Reconstruction. The birth of bourgeois feminism was part of a right-wing process which shattered the vision of the left wing of the revolutionary democracy into separate, feeble bourgeois reform movements.
The Second American Revolution
The Civil War was one of the great social revolutions in the history of the world, destroying the slaveholding class in the South and freeing the black slaves. Not only Marxists saw that. The best fighters of the day—the Grimke sisters, the great black abolitionist Frederick Douglass, the Radical Republican Congressman Thaddeus Stevens—knew that the war would have to become a revolution against slavery before the North could win. They hated the feudalistic society of the South, with its degraded slaves, its cruelty, its arrogant, leisurely gentlemen planters, its impoverished rural whites, its lack of education, industry and general culture. The radical abolitionists wanted to wipe away that society, and also saw much wrong in the North, such as the subservience of women, and legal and social discrimination against blacks. Their ideology was to create a new order based on free labor and "equality before the law," a concept brought to the U.S. by the Radical Republican Charles Sumner out of his study of the 1789 French Revolution.
In Europe after the French Revolution the status of women was the most visible expression of the contradiction between capitalist society and its own ideals. But in the U.S. that was not so true, because of chattel slavery. The United States—the first country to proclaim itself a democratic republic—was the largest slaveholding country in the world, a huge historical contradiction which had to be resolved.
The Industrial Revolution
It was the Industrial Revolution, fundamentally, that generated what William Seward called the "Irrepressible Conflict." In broad historical terms the Industrial Revolution had created the material conditions for the elimination of slavery in society. Technological and social advances made possible a much more productive capitalist agriculture and industry. In 1854 the abolitionist clergyman Theodore Parker described slavery as "the foe to Northern Industry—to our mines, our manufactures, and our commerce...to our democratic politics in the State, our democratic culture in the school, our democratic work in the community" (quoted in James M. McPherson, Battle Cry of Freedom).
The Industrial Revolution had a contradictory effect on the condition of women. Production of goods had been primarily through cottage industry, but with the invention of the spinning jenny, the power loom and the steam engine, cottage industry was ended. The men left home to go to the factory, while women stayed home to do the housework, raise the children and to buy at the local store what once they had made at home.
Women's labor ceased to be productive labor in the strict Marxist sense. This is the material basis for the 19th-century ideology of the "women's sphere." While the material advances of the Industrial Revolution made life easier for women, it also locked them into the stifling confines of domesticity in the isolated nuclear family. Women also worked in factories, but even in the industries in which they were concentrated (in textile production they made up two-thirds of the labor force) generally they worked only for a few years before getting married.
The Fight for Women's Legal Rights
Slaves were a class, but women are a specially oppressed group dispersed through all social classes. Although all women were oppressed to some extent because of their position in the family, the class differences were fundamental between the black slave woman and the slave plantation mistress, or the Northern German-speaking laundress and the wife of the owner of the Pennsylvania iron mill. "Sisterhood" was as much a myth then as it is now. Women identified first with the class to which they belonged, determined by who their husbands or fathers were.
Before the Civil War, women were basically without any civil rights. They couldn't sue or be sued, they couldn't be on juries, all their property and earnings went to their husband or father. Although women did have the vote for a few years in New Jersey and Virginia after the American Revolution, this advance was quickly eliminated. (This was part of a general right-wing turn after the Revolution, when suffrage was restricted gradually through property qualifications. In New York State, for example, with some restrictions blacks could vote up to about 1821.) For the wealthy upper-class woman, this lack of legal rights loomed as a terrible injustice because it prevented her from functioning as a full member of the ruling class (Elizabeth Cady Stanton, the mother of American feminism and the daughter of a judge, felt this keenly). For the working-class or slave woman, if her property legally belonged to her husband it didn't seem a problem— she didn't have any property.
Though the legal question was a small matter for poor and slave women, nevertheless legal injustice is not insignificant for Marxists, and it is bound up with multi-layered social oppression. This was true for the position of women in pre-Civil War society. Until the 1850s wife-beating was legal in most states. Divorce was almost impossible, and when it was obtained children went with the husband. The accepted attitude toward women was assumption of their "inferiority," and the Bible was considered an authority. When anesthesia was discovered in the 1840s, doctors opposed its use for childbirth, because that suffering was women's punishment for Eve's sin.
The Anti-Slavery Struggle and Democratic Rights
But how were women to fight for equal rights in this society divided between slave and free? Angelina Grimke' was precisely correct when she said, "until the negro gets his rights, we will never have ours." It was necessary to destroy chattel slavery, which was retarding the development of the whole society. The movement for women's rights developed in the North out of the struggle to abolish slavery. It could hardly have developed in the South. In the decades before the war, in response to the growing Northern anti-slavery agitation, the South was becoming more reactionary than ever: more fanatical in defense of the ideology of slavery and more openly repressive. There were wholesale assaults on basic democratic rights, from attacks on the rights of the small layer of free blacks, who were seen as a source of agitation and insurrection, to a ban on the distribution of abolitionist literature.
In the South, there were no public schools. It was illegal to teach slaves to read, and almost half of the entire Southern population was illiterate. But in the North over 90 percent of the residents could read and write. Girls and boys went to school in about the same proportions, the only country in the world where this was true. So while in the North women teachers were paid less than men, and women factory hands received one-quarter the wage of men, in the South there were few teachers at all, and few industrial workers.
As a young slave in Maryland, and later while he was trying to earn a living as a refugee in New Bedford, Massachusetts, Frederick Douglass came to understand the common interests of all working people in the South, slaves and free blacks and whites. He learned a trade on the docks, where he experienced racist treatment from white workmen, who saw black labor as a threat to their jobs. But Douglass realized that the position of the workmen, too, against their boss was eroded and weakened by slavery and racism. As Marx said, "Labor cannot emancipate itself in the white skin where in the black it is branded." And indeed, the working-class movement met with little success in the antebellum U.S., whereas after the war there was an upsurge in unionism and labor struggle.
The vanguard of the abolitionist movement—the radical insurrectionist wing—believed in the identity of the interests of all the oppressed. John Brown, Frederick Douglass, Harriet Tubman, the great activist of the Underground Railroad, and the Grimke sisters were all inspired by a vision of human equality based in revolutionary democracy. Although their egalitarian principle was based on a religious view and ours is based on a Marxist understanding of society, we honor their essential work in leading the anti-slavery struggle. The abolition of slavery did profoundly alter the United States, it did open the road to liberation by making possible the development of the proletariat and its revolutionary vanguard, which will establish justice by abolishing the exploitation of man by man.
The Grimke Sisters of South Carolina
Penetrating insights into the situation of women in pre-Civil War America came from women who were committed abolitionists. Sarah and Angelina Grimke are examples, as is Sojourner Truth who is better known today. The Grimke sisters were unusual members of the ruling class who defected to the other side. As daughters of one of South Carolina's most powerful slave-holding families, they had grown up in luxury, but left the South because of their revulsion for slavery. The Grimke sisters became famous in 1837-1838 as agents of the American Anti-Slavery Society. The power of their personal witness of the atrocities of the slave system drew huge audiences. The sisters were quick to point out that as upper-class white women, they had seen only the "better" treatment of the house and city slaves, and not the more brutal treatment of plantation hands in the fields. But one of the things they did know about was the sexual exploitation of women slaves and the brutal breakup of black families through the slave trade.
Because the sisters addressed the issues of sexual exploitation frankly and often, it was one of the issues the opposition used to try to shut them up. The clergy complained that the Grimke's brought up a subject "which ought not to be named"—how dare these delicate .blossoms of Southern womanhood talk about sex! The very idea of women speaking publicly represented an attack on the proper relationship between the sexes and would upset "women's place" in the home. Contemporary observers were shocked by the sight of women participating actively in the debates of the anti-slavery movement, as they did especially in New England, the birthplace of radical abolitionism. The Grimkes replied by pointing out that the same argument was used against abolition itself: it would upset the established order of social relations. They effectively linked up women's rights and emancipation of the slaves.
Sojourner Truth: "Ain't I a Woman?"
Black women got it from both sides, as the life of Sojourner Truth shows. She was born a slave around 1797 in New York State and was not freed until 1827, under the "gradual emancipation" provisions of the state law. As a slave she was prevented from marrying the man she loved, who was brutally beaten for daring to visit her (they were owned by different masters). They were both forcibly married to other slaves. Her son was sold South as a small child, away from her. After she was freed, she lived a backbreaking existence in New York City, one of the more racist cities in the North and a center for the slave trade.
Sojourner Truth went to all the women's rights conventions. The famous story about her dates from 1853. The usual crowd of male hecklers had almost shut down the proceedings. The women were unable to answer their sneers of how delicate and weak women were. Sojourner Truth asked for the floor and got it, despite the opposition of a lot of the delegates to the presence of a black abolitionist. You have to keep in mind what this woman looked like in this gathering of ladies: she was six feet tall, nearly 60 years old, very tough and work-worn. She said:
"The man over there says women need to be helped into carriages and lifted over ditches, and to have the best place everywhere. Nobody ever helps me into carriages or over puddles, or gives me the best place—and ain't I a woman?
"Look at my arm! I have ploughed and planted and gathered into barns, and no man could head me—and ain't I a woman? I could work as much and eat as much as a man—when I could get it—and bear the lash as well! And ain't I a woman? I have born...children, and seen most of 'em sold into slavery, and when I cried out with my mother's grief, none but Jesus heard me—and ain't I a woman?"
—Eleanor Flexner, Century of Struggle
Sojourner Truth put her finger on the heart of the contradiction between the stifling idealization of women and their oppression as housewives and mothers and exploitation as slaves and workers.
Women's Rights and the Abolitionist Movement
Support for women's rights was tenuous within the politically diverse anti-slavery movement. Many free-soilers were not anti-racist; some opposed slavery because they didn't want blacks around. Even some of the most dedicated abolitionists argued that "women's rights" could harm the anti-slavery cause, and in 1840 a split in the American Anti-Slavery Society was precipitated by the election of a woman to the leading body.
That same year at an international anti-slavery meeting in London, women members of the American delegation were denied their seats. In the audience was the young Elizabeth Cady Stanton. Out of this experience she decided to begin organizing for women's rights. Eight years later, in 1848, at Seneca Falls, New York the first women's rights convention in the world was held. At first Stanton wasn't going to put forward the vote as a demand—she was afraid it was too extreme. She had to be argued into it by Frederick Douglass. It was the only demand that didn't get unanimous support at the meeting; it was considered too radical.
The role of Douglass was not an accident. The best fighters for women's rights were not the Elizabeth Cady Stantons and the Susan B. Anthonys—the ones who "put women first"—but the left-wing abolitionists. The most militant advocates of black equality, the insurrectionist wing, the prophets of the Civil War, were also the most consistent fighters for women's rights, because they saw no division of interest between blacks and women. Frederick Douglass not only attended all the women's meetings, arguing effectively for full equality for women, but he brought the message elsewhere. He put forward resolutions for women's rights at black conventions, and they were passed. He used to advertise the meetings in his paper and print reports on the proceedings. His paper's motto was, "Right is of no Sex—Truth is of no Color—God is the Father of us all, and we are all Brethren."
The Fight Over the 14th Amendment
Stanton and Anthony had suspended their woman suffrage campaign for the duration of the war. They circulated petitions for a constitutional amendment abolishing slavery, which became the 13th Amendment. After the war Stanton and Anthony set up an Equal Rights Association to agitate for the vote for both blacks and women. They thought because of the broad social upheaval the time was ripe for woman suffrage. But this proved not to be the case.
The question here was citizenship rights under capitalist law, specifically voting. Compare it with how voting rights and citizenship were looked at in another revolution at the same time: the 1871 Paris Commune, the first proletarian revolution (whose example dramatically reinforced ideological conservatism among the American bourgeoisie). The Commune subsumed nationality and citizenship to class considerations. Anybody who got elected from the working class, whatever country they were born in, sat on the legislative body of the Commune, while the industrialists and the bourgeois parliamentarians fled the city and were "disenfranchised" as their property was expropriated.
This was not on the agenda in the United States in the 1860s. The historical tasks of the Civil War and Reconstruction were to complete the unfinished bourgeois revolution, to resolve questions like slave versus free, national sovereignty and democratic rights. In his novel Gore Vidal calls Lincoln the Bismarck of his country, and this is justified. For example, before the Civil War, each state printed its own money. Greenbacks were first made by the Union to finance the war. The Supreme Court regularly said, "the United States are." Only after the war did this country's name become a singular noun—one national government.
But the big question was what to do with the newly emancipated slaves, and this question focused on two things: land and the vote. The debate over the vote represented, in legal terms, a struggle to determine what "citizenship" meant in relation to the state. Many Northern states did not allow blacks to vote, either. The 14th Amendment, which was passed to answer this question, says that all persons born or naturalized in the U.S. are citizens of the nation and of the state in which they live, and that states can't abridge their "privileges and immunities" or deprive them of life, liberty, or property without "due process of law" or deny them "equal protection of the laws."
The Republican Party, which was founded as an anti-slavery party, contained within it many shades of political opinion. It has been argued that the only reason the Republicans gave the vote to blacks was to maintain political control over the states in the conquered Confederacy. This was true of some Republicans, but the men who politically dominated Congress during the period of Radical Reconstruction were committed revolutionary democrats, as observers of the time said of Thaddeus Stevens, who was called the "Robespierre, Danton, and Marat of America." There were good reasons for Douglass' loyalty to the Republicans, given after much early hesitation and sometimes combined with scathing criticism.
But there were a lot of contradictions. The party that was trying to implement black rights was also the party that was massacring the Indians in the West, breaking workers' strikes in the North, presiding over a new scale of graft and corruption, and trying to annex Santo Domingo. In the fight to replace slavery with something other than a peonage system which mimicked bondage, the land question was key. And the robber barons—the moneylords, the triumphant ruling class-rapidly got pretty nervous about the campaign to confiscate the plantations and give them to the blacks. It was an assault on property rights, in line with what those uppity workers in the North were demanding: the eight-hour day, unions, higher wages. The ruling class was quite conscious about this; an 1867 New York Times editorial stated:
"If Congress is to take cognizance of the claims of labor against capital...there can be no decent pretense for confining the task to the slave-holder of the South. It is a question, not of humanity, not of loyalty, but of the fundamental relation of industry to capital; and sooner or later, if begun at the South, it will find its way into the cities of the North.... An attempt to justify the confiscation of Southern land under the pretense of doing justice to the freedmen, strikes at the root of all property rights in both sections. It concerns Massachusetts quite as much as Mississippi."
—Eric Foner, Politics and Ideology in the Age of the Civil War
This question was not resolved quickly, but over a couple of decades. But to collapse a lot of complex history, the revolutionary tide receded under the weight of triumphant capitalism. In 1877 Union troops were withdrawn from Southern occupation as part of the compromise making Rutherford B. Hayes president. The Civil War did not establish black equality, and the 14th and 15th Amendments which codified in law the war's revolutionary gains were turned into virtual dead letters. Nor did the Civil War liberate women, not even in a limited, legalistic sense. They continued to be denied even the simple right to vote (although in some districts in South Carolina in 1870, under the encouragement of black election officials, black women exercised the franchise for a brief time).
From the defeat of Reconstruction was spawned the kind of society we have now. On top of the fundamental class divisions in the U.S. is pervasive and institutionalized racial oppression. The black slaves were liberated from bondage only to become an oppressed race/color caste, segregated at the bottom of society— although today, unlike the immediate aftermath of Reconstruction, blacks also constitute a key component of the American proletariat.
The Birth of American Feminism
Many Radical Republicans were critical of the 14th Amendment, which was a true child of compromise. Sumner called it "uncertain, loose, cracked, and rickety." Opposition centered on a loophole that allowed a state to opt for losing some representation in Congress if it chose to restrict black suffrage—and Southern states exploited this concession. But what Elizabeth Cady Stanton didn't like about it was that for the first time, the word "male" appeared in the Constitution. And this fight was the birth of American feminism.
Of course the 14th Amendment should have given women the vote, and the importance of suffrage for black women was not inconsiderable. But a Civil War had just been fought on the question of black freedom, and it was indeed the "Negro's Hour," as many abolitionists argued. The biggest benefit for women's rights would have been to struggle for the biggest expansion possible in black freedom—to campaign for the land, for black participation in government on the state and federal level, to crush racism in the North, to integrate blacks in housing, education, jobs—to push to the limit the revolutionary possibilities of the period. But Stanton and Anthony sided with the right-wing
assault on the revolutionary opening that existed. They wrote:
"Think of Patrick and Sambo and Hans and Ung Tung who do not know the difference between a Monarchy and a Republic, who never read the Declaration of Independence or Webster's spelling book, making laws for [white abolitionists] Lydia Maria Child, Lucretia Mott, or Fanny Kemble."
Stanton and Anthony embraced race-hatred and anti-immigrant bigotry against the Irish, blacks, Germans and Asians, grounded in class hostility.
They took this position at a time when blacks in the South faced escalating race-terror. The Ku Klux Klan was founded in 1866 to terrorize Southern blacks; hundreds were murdered. Republicans of both colors were targeted, and a special object of Klan hatred was the schoolhouse and the schoolteacher (many of them Northern women). In the North as well there was a struggle over the vote, over integrated schools. There was a fight to end Jim Crow in the Washington, D.C. trolley system (after the law desegregating streetcars was passed there in 1865, Sojourner Truth herself went around the capital boarding the cars of companies that were refusing to seat blacks). The freedmen's struggles for a fundamental transformation of race relations triggered in the North what some historians have called the first racist backlash. Frederick Douglass' home in Rochester, New York was burned to the ground; Republican and abolitionist leaders routinely received death threats.
So in this period of violent struggle over the race question, the feminists joined forces with the Democrats, the political party of the Klan and the Confederacy, who hoped to exploit the women's issue against blacks. Henry Blackwell (Lucy Stone's husband) argued that white women voting in the South would cancel out the black vote. Stanton and Anthony teamed up with George Train, a notorious racist, who financed their newspaper, Revolution. They adopted the slogan "educated suffrage"—that is, a literacy test for voters—which was deliberately formulated against non-English-speaking immigrants and ex-slaves.
Frederick Douglass made a valiant attempt to win the feminists over to support for the amendments at a meeting of the Equal Rights Association in 1869, where he argued for the urgency of the vote for blacks:
"When women, because they are women, are dragged from their homes and hung upon lamp-posts; when their children are torn from their arms and their brains dashed to the pavement; when they are objects of insult and outrage at every turn; when they are in danger of having their homes burnt down over their heads; when their children are not allowed to enter schools; then they will have an urgency to obtain the ballot."
—Eleanor Flexner, Century of Struggle
At this convention Douglass proposed a resolution which called the 15th Amendment the "culmination of one-half of our demands" while imploring a redoubling of "our energy to secure the further amendment guaranteeing the same sacred rights without limitation to sex." But by this point, a split was inevitable. The feminists blamed the Republican Party and the abolitionists for the defeat in Kansas of an 1867 referendum on woman suffrage. They decided that "men" could not be trusted, and for the first time argued that women must organize separately for their own rights. They even flirted with male exclusionism. The movement split in two, one maintaining a formally decent posture on the race question as a cover for doing nothing. The main wing led by Stanton and Anthony wanted to address broad issues, but their capitulation to racist reaction defined them.
They claimed the ballot would solve everything. Their paper was printed in a "rat" office (below union scale). Anthony urged women to be scabs to "better" their condition, then whined when the National Labor Congress refused to admit her as a delegate! Stanton said it proved the worst enemy of women's rights was the working man.
After Reconstruction went down to defeat, the first "feminists" dedicated themselves to the reactionary attempt to prove woman suffrage wouldn't rock the Jim Crow boat. But in the South, the restabilization of a system of overt racist injustice set the context for all social questions. In the South, any extension of the franchise was feared as a threat to "white supremacy" stability. By 1920, when woman suffrage was passed nationally— largely because of World War I which brought women into industry and social life—not a single Southern state had passed the vote for women, although almost every other state had some form of it.
Today, the bourgeois feminists like to hark back to the struggle over the 14th Amendment as proof there must be a separatist women's movement. They claim Stanton and Anthony as their political mothers. Let them have them! We stand in a different tradition: the heritage of Frederick Douglass, John Brown, Harriet Tubman, the Grimke sisters, of revolutionary insurrectionism against the class enemy. Today, to complete the unfinished tasks of the Civil War and emancipate women and blacks from social slavery requires a communist women's movement, part of a multiracial vanguard party fighting for workers power in the interests of all the oppressed.
Wednesday, March 04, 2009
*A "Torch Singer" Revisted-Ethel Waters
Click on title to link to Ethel Waters performing "Eye On The Sparrow" in "Member Of The Wedding"
CD REVIEW
February is Black History Month. March is Women's History Month
Cabin In The Sky: Le Hot Club De France Archival Series, Ethel Waters, 1991
Readers of this space know that I consider Billie Holiday above all, doped up or straight, the undisputed “Queen” of female jazz singers. From a Cole Porter tune like “Let’s Do It” to a soulful “Strange Fruit” her timing and sense of the song was uncanny. However, even a great singer like Billie had earlier singers that influenced her and that is where we pick up the career of the jazz singer under review here, Ethel Waters. Her name may not be known today, except to early jazz aficionados or those who recall her award-winning role as a force of Mother Nature housekeeper in “Member Of The Wedding” who had her hands full supervising characters played by the very young Julie Harris and Brandon DeWilde. Well, if that is your only recollection then do you remember the song that she sings there “Lonesome Swallow”? Okay, that's Ethel Waters.
Ms. Waters performed many early jazz classics here in America and in the more racially and culturally friendly Paris of the 1930’s, a place of exile for more than one creative black talent, and had a fair career as a movie actress and theatrical performer (given the extremely limited role selection, mainly housekeeper or servant roles, and the extremely stereotyped characteristics expected of black actors and actresses during her prime). This CD gives a good cross section of her musical work over three decades (about 1925 to 1955). More importantly, it also displays the talented musicians whom she worked with and who wanted to work with her. A review of the liner notes lists Benny Goodman, Tommy Dorsey, the fabled Fletcher Henderson (of early Bessie Smith fame) and James Johnson. Not bad company, right?
Ms. Waters is another one of those performers, like the early Bessie Smith, who you don’t necessarily get a feel for right away. However, about half way through this CD you start to wonder whether you will have time to play the damn thing again. Here’s why. Put “ Brother You’ve Got Me Wrong” together with the above-mentioned “Lonesome Swallow” mix in “My Handy Man” and a beautiful rendition of “West End Blues” stir and pick up the pace with “Dinah” and top off with a bouncy version of “Am I Blue” (although Billie’s version is the cat’s meow for me). That’s the ticket. Enjoy.
CD REVIEW
February is Black History Month. March is Women's History Month
Cabin In The Sky: Le Hot Club De France Archival Series, Ethel Waters, 1991
Readers of this space know that I consider Billie Holiday above all, doped up or straight, the undisputed “Queen” of female jazz singers. From a Cole Porter tune like “Let’s Do It” to a soulful “Strange Fruit” her timing and sense of the song was uncanny. However, even a great singer like Billie had earlier singers that influenced her and that is where we pick up the career of the jazz singer under review here, Ethel Waters. Her name may not be known today, except to early jazz aficionados or those who recall her award-winning role as a force of Mother Nature housekeeper in “Member Of The Wedding” who had her hands full supervising characters played by the very young Julie Harris and Brandon DeWilde. Well, if that is your only recollection then do you remember the song that she sings there “Lonesome Swallow”? Okay, that's Ethel Waters.
Ms. Waters performed many early jazz classics here in America and in the more racially and culturally friendly Paris of the 1930’s, a place of exile for more than one creative black talent, and had a fair career as a movie actress and theatrical performer (given the extremely limited role selection, mainly housekeeper or servant roles, and the extremely stereotyped characteristics expected of black actors and actresses during her prime). This CD gives a good cross section of her musical work over three decades (about 1925 to 1955). More importantly, it also displays the talented musicians whom she worked with and who wanted to work with her. A review of the liner notes lists Benny Goodman, Tommy Dorsey, the fabled Fletcher Henderson (of early Bessie Smith fame) and James Johnson. Not bad company, right?
Ms. Waters is another one of those performers, like the early Bessie Smith, who you don’t necessarily get a feel for right away. However, about half way through this CD you start to wonder whether you will have time to play the damn thing again. Here’s why. Put “ Brother You’ve Got Me Wrong” together with the above-mentioned “Lonesome Swallow” mix in “My Handy Man” and a beautiful rendition of “West End Blues” stir and pick up the pace with “Dinah” and top off with a bouncy version of “Am I Blue” (although Billie’s version is the cat’s meow for me). That’s the ticket. Enjoy.
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