*That Other Musician From The Hills Of Oklahoma-The Music Of Bob Wills And His Texas Playboys- “Fiddlin’ Man”

Click on title to link to YouTube's film clip of Bob Wills And His Texas Playboys performing "Sitting On Top Of The World"

DVD Review

Fiddlin’ Man: The Life And Times OF Bob Wills, Bob Wills and various artists who played with him under the name Texas Playboys, VIEW Video, 1996

I have spent an inordinate amount of time in this space reviewing the work of that quintessential product of the hills of Oklahoma, Woody Guthrie. And that has been appropriate in my long time search for the roots of American music, if for no other reason than, his decisive influence on such later folk revivalists as Pete Seeger and Bob Dylan (to speak nothing of son, Arlo Guthrie). But those Oklahoma hills (and Texas) also produced in an almost contemporary time frame a very different kind of roots music, western swing, that will always be associated with the name Bob Wills and the Texas Playboys. I may, personally be more at home with the 1930s city-driven swing music of Mr. Benny Goodman but only a complete fool would deny Bob Wills his place as a seminal influence in American roots music. This hour long musical documentary gives a rough biographic sketch of that career, and along the way some toe-tapping footage of Bob Wills and his various Texas Playboy configurations doing their swing music.

To set the tone for the DVD I post a paragraph from an entry that reviewed one of Bob Wills CD compilations:

“Every once in a while I like a little change of pace from my main folk/rock/mountain music interest. Usually, that entails getting out the old jazz classics like Duke Ellington or Benny Goodman. However, every so often it also includes getting up a little dust with old Bob Wills. His countrified swing from the heyday of that genre is a pleasant surprise taken in small doses. Remember not everyone who needed to swing in order to drive away those Great Depression and World War II blues was in the city. Wills played around with and adapted the swing idea to that rural Saturday night barn dance milieu. From ballads like "Right or Wrong" to stompers like "Sugar Blues" to the haunting "Lone Star Rag" you get a good beginner mix with this album. That is as far as I am willing to take you. If you need more then you are on your own.”

Bob Wills was, like Woody, a product of the dirt poor Greta Depression-era who latched onto the idea of mixing up a whole bunch of genres of music including what today is called Tex-Mex (or Tejan) , a whole bunch of instruments, and an uncanny sense of which way the rhythm trends were heading. Some country, some jazz, some city swing, a little mountain and, as always in early American recorded music, some kind of blues those are the influences heard in this film from cowboys movie songs to square dance type tunes to love ballads. And all, as the interviewees here, including various ex-band members, make clear led by the charismatic and demanding Wills.


If you are not interested in the Wills story though you must watch this film for the vintage footage of Wills and the boys (women are, as far as I could tell, used only for backup singing) on locale in Hollywood as background to the ubiquitous cowboy movies that many of us older devotees cut our teeth on watching (or watching the television re-runs). As well, here you will see and hear the Western swing treatment of the classic “San Antone Rose”, “Sitting On Top Of The World” , “Milk Cow Blues”, and the signature “Take Me Back To Tulsa”. See, even I know it was not only about Woody back in the days.

Note: I would point out that while Bob Wills, over a long career spanning almost half a century, is truly identified as the originator of western swing he was not the only “hot” swing man of the period. An argument can be made and has, by folk singer Geoff Muldaur, that the work of Wills contemporary Milton Brown whose career was cut short by his death in an automobile accident, was perhaps better than Wills’ during that period. I have heard some of Brown’s work. I would say the jury is still out on this question.


Bob Wills, San Antonio Rose Tabs/Chords

F7 F+ Bb
A song of old San An - tone.
Bb7 Eb C7
Where in dreams I live with a memory,
F7 Bb
Beneath the stars all alone.
Bb7Eb C7
It was there I found beside the Alamo
F7 Bb
Enchantment strange as the blue up above.
Bb7 Eb C7
A moonlit pass only she would know,
F7 Bb
Still hears my broken song of love.
F Fdim C7 F C7 Abm C9
Moon in all your splendor, know only my heart
C Abm C9 F
Call back my Rose, Rose of San Antone.
Fdim F C7 F C C9
Lips so sweet and tender, like petals falling apart.
C Abm C9 F F7
Speak once a - gain of my love, my own.
Bb Bb7 Eb C7 F7 F+ Bb
Broken song, empty words I know still live in my heart all a - lone
Bb Bb7 Eb C7 F7 Bb
For that moonlit pass by the Alamo, and Rose, my Rose of San Antone.

*That Other Musician From The Hills Of Oklahoma-The Music Of Bob Wills And His Texas Playboys-“Still Swingin’”

Click on title to link to YouTube's film clip of Bob Wills And His Texas Playboys performing "Take Me Back To Tulsa".

DVD Review

Still Swingin’: 100th Anniversary Special Edition: Bob Wills, , hosted by Red Steagall with various artists, VCI, 1994

The first two paragraphs of this review have been used in reviews of other Bob Wills And His Texas Playboys material.

I have spent an inordinate amount of time in this space reviewing the work of that quintessential product of the hills of Oklahoma, Woody Guthrie. And that has been appropriate in my long time search for the roots of American music, if for no other reason than, his decisive influence on such later folk revivalists as Pete Seeger and Bob Dylan (to speak nothing of son, Arlo Guthrie). But those Oklahoma hills (and Texas) also produced in an almost contemporary time frame a very different kind of roots music, western swing, that will always be associated with the name Bob Wills and the Texas Playboys. I may, personally be more at home with the 1930s city-driven swing music of Mr. Benny Goodman but only a complete fool would deny Bob Wills his place as a seminal influence in American roots music. This hour long musical documentary gives a rough biographic sketch of that career, some toe-tapping footage of Bob Wills and his various Texas Playboy configurations doing their swing music, and unlike another Wills documentary, “Fiddlin’ Man”, that I have reviewed in this space spends some time on his influence on later artists and later covers by the likes of Tracy Bird and Asleep At The Wheel who carry on the tradition as best they can.

To set the tone for the DVD I post a paragraph from an entry that reviewed one of Bob Wills CD compilations:

“Every once in a while I like a little change of pace from my main folk/rock/mountain music interest. Usually, that entails getting out the old jazz classics like Duke Ellington or Benny Goodman. However, every so often it also includes getting up a little dust with old Bob Wills. His countrified swing from the heyday of that genre is a pleasant surprise taken in small doses. Remember not everyone who needed to swing in order to drive away those Great Depression and World War II blues was in the city. Wills played around with and adapted the swing idea to that rural Saturday night barn dance milieu. From ballads like "Right or Wrong" to stompers like "Sugar Blues" to the haunting "Lone Star Rag" you get a good beginner mix with this album. That is as far as I am willing to take you. If you need more then you are on your own.”


Bob Wills was, like Woody, a product of the dirt poor Great Depression-era who latched onto the idea of mixing up a whole bunch of genres of music including what today is called Tex-Mex (or Tejan) , a whole bunch of instruments, and an uncanny sense of which way the rhythm trends were heading. Some country, some jazz, some city swing, a little mountain and, as always in early American recorded music, some kind of blues those are the influences heard in this film from cowboys movie songs to square dance type tunes to love ballads. And all, as the interviewees here, including various ex-band members, make clear led by the charismatic and demanding Wills.

If you are not interested in the Wills story though you must watch this film for the vintage footage of Wills and the boys (women are, as far as I could tell, used only for backup singing) on locale in Hollywood as background to the ubiquitous cowboy movies that many of us older devotees cut our teeth on watching (or watching the television re-runs). As well, here you will see and hear the Western swing treatment of the classic “San Antonio Rose”, “Sitting On Top Of The World” , “Milk Cow Blues”, and the signature “Take Me Back To Tulsa”. See, even I know it was not only about Woody back in the days.

Note: I would point out that while Bob Wills, over a long career spanning almost half a century, is truly identified as the originator of western swing although he was not the only “hot” swing man of the period. An argument can be made and has, by folk singer Geoff Muldaur, that the work of Wills contemporary Milton Brown whose career was cut short by his death in an automobile accident, was perhaps better than Wills’ during that period. I have heard some of Brown’s work. I would say the jury is still out on this question.


Bob Wills, San Antonio Rose Tabs/Chords


F7 F+ Bb
A song of old San An - tone.
Bb7 Eb C7
Where in dreams I live with a memory,
F7 Bb
Beneath the stars all alone.
Bb7Eb C7
It was there I found beside the Alamo
F7 Bb
Enchantment strange as the blue up above.
Bb7 Eb C7
A moonlit pass only she would know,
F7 Bb
Still hears my broken song of love.
F Fdim C7 F C7 Abm C9
Moon in all your splendor, know only my heart
C Abm C9 F
Call back my Rose, Rose of San Antone.
Fdim F C7 F C C9
Lips so sweet and tender, like petals falling apart.
C Abm C9 F F7
Speak once a - gain of my love, my own.
Bb Bb7 Eb C7 F7 F+ Bb
Broken song, empty words I know still live in my heart all a - lone
Bb Bb7 Eb C7 F7 Bb
For that moonlit pass by the Alamo, and Rose, my Rose of San Antone.

Grifters, Drifters, Midnight Shifters- The Music of Tom Wait

CD REVIEWS

Mule Variations, Tom Waits


If, as I do, every once in a while from a distance you need to hear about boozers, losers, dopesters, hipsters, fallen sisters, grifters, drifters, the driftless, small-time grafters, hobos, bums, tramps, the fallen, those who want to fall, Spanish Johnnies, stale cigarette butts, whiskey-soaked barroom floors, loners, the lonely, sad sacks, the sad and others at the margins of society then this is your stop. Tom Waits gives voice in song to the characters that peopled Nelson Algren’s novels (The Last Carousel, Neon Wilderness, Walk on the Wild Side, and The Man with the Golden Arm). In short, these are the people who do not make revolutions, far from it, but they surely desperately could use one. If, additionally, you need a primordial voice and occasional dissonant instrumentation to round out the picture go no further. Finally, if you need someone who, with far more justification that ex-President Bill Clinton could possibly muster, “feels your pain” for his characters you are home. And that, my friends, is definitely a political statement.

*Another Small Victory For Same-Sex Marriage

Click On Title To Link To July 2, 2009 "New York Review Of Books" Article Entitled "The Same-Sex Future" By David Cole That Gives An Update On This Struggle And A Capsule Of The Various Positions On The Issue.

Commentary

With all the appalling economic news this week it is nice to have at least one small victory. That comes today with the Connecticut Supreme Court's decision declaring same-sex marriage constitutional in that state. This decision, while not as important as the first one in Massachusetts or as decisive as in California is still welcome. As always watch out for blow back on this issue.


Boston Globe news item- October 10, 2008


Connecticut became the third state to legalize same-sex marriage today in a 4-3 decision by the state Supreme Court.

In an 85-page decision issued at 11:30 a.m., the court struck down a law barring same-sex marriage, ruling that the state had "failed to establish adequate reason to justify the statutory ban."

The justices noted in the majority opinion that they recognized "as the Massachusetts Supreme Judicial Court did in Goodridge v. Dept. of Public Health … that 'our decision marks a change in the history of our marriage law.' "

The case, Kerrigan v. the state Commissioner of Public Health, was brought by eight same-sex couples who were denied marriage licenses by the Madison town clerk. They argued that the state's civil union law was discriminatory and unconstitutional because it established a separate and therefore inherently unequal institution for a minority group. Citing equal protection under the law, the state Supreme Court agreed.

The Lessons Of Vietnam- Vietnam: A Televison History

DVD REVIEW

Vietnam: A Television History, PBS, 1983

I have previously reviewed Stanley Karnow companion book, Vietnam-A History, that goes with this ten-part television series. I have reposted that review below for the convenience of the reader. Most of the political points that I have made there apply here as well. I would only add that visually some of the footage brought the message home more clearly that on the printed page and I would bring to the attention of the reader some of those highlights here.

This series spends much less time than Karsnow does on the long history of struggles against foreign invaders of Vietnam, particularly the Chinese. It really starts with the 19th century French occupation and more forcefully the take-over by the Japanese. When the dust of World War II settled there were massive forces in Vietnam who cried for independence but the vagaries of world politics and French imperialist designs to keep Indo-China as a colony frustrated that aim and led to the first of a series of post-war armed struggles for independence.

The Vietnamese fighting against the French occupation that culminated in their historic victory at Dien Bien Phu, the French withdrawal and the partition of Vietnam in 1954 is well-documented here, as is the then shadowy American presence. President John Kennedy’s early 1960's commitment to counter-insurgency as part of the global American-led fight against the expansion of the Soviet influence is explored. His initial escalation and the later increased escalation of President Lyndon Johnson are given full play here. Moreover, there are more than enough ‘talking head' high officials from various American administrations to give viewers a clue as to why, when the deal went down in Vietnam they were all, more or less, clueless- except the few, very few, who saw a quagmire in the making.

A subject that is done in great detail here is an examination of the morale of the American soldier as time when on and the reasons for continuing the war seemed hopelessly inadequate. Along those same lines, and for comparison's sake, is a rather nice introduction to what the ‘enemy’ thought about the whole thing, including interviews with General Giap, the military architect of the North Vietnamese strategies. Of course, no study of the course of the Vietnam War can be complete without an analysis of Tet 1968, both as a battlefield and in its relationship to a turn in American public opinion away from overt support for the war. Yes, for those who refuse to listen today in Iraq, Tet was a military defeat for the North Vietnamese. They admitted as much. However, in the modern world exclusively military objectives are not the only factors that will determine an outcome. Politically, the North by showing that this was indeed a strange adversary by American standards, moreover one committed to taking heavy casualties to achieve its goals, demonstrated that an American victory was no longer possible.

Or so one would have thought in 1968. Again American politics intervened with the election of one Richard Nixon. The war dragged on for five more years. As a result, as graphically documented here, the American army was almost broken in the process of the Vietnamization of the war. The part devoted to the collateral results in Laos and Cambodia in the early 1970's produced by American actions bears close watching as well as this has not received nearly enough detailed attention.

For those who want a case study in the limitations of a heavily armed army in modern warfare against a determined lightly armed but politically cohesive enemy this series is the place to look. If one solely wants a ten hour crash course into the Vietnam War era this is also your stop. This period of American history was part and parcel of my political coming of age and I found it informative and, as almost always with PBS productions, technically well done.

BOOK REVIEW

VIETNAM –A HISTORY, STANLEY KARNOW, PENQUIN BOOKS, NEW YORK, 1983

As the current Bush Administration-directed quagmire continues in Iraq it is rather timely to look at the previously bout of American imperialist madness in Vietnam if only in order to demonstrate the similar mindsets, then and now, of the American political establishment and their hangers-on. This book, unintentionally I am sure, is a prima facie argument, against those who see Iraq (or saw Vietnam) as merely an erroneous policy of the American government that can be ‘fixed’ by a change to a more rational imperialist policy guided by a different elite. Undeniably there are many differences between the current war and the struggle in Vietnam. Not the least of which is that in Vietnam there was a Communist-led insurgency that leftists throughout the world could identify with and were duty-bound to support. No such situation exists in Iraq today where, seemingly, from the little we know about the murky politics of the parties there militant leftists can support individual anti-imperialist actions as they occur but stand away, way away from the religious sectarian struggle for different versions of a fundamentalist Islamic state that the various parties are apparently fighting for.

Stanley Karnow’s well-informed study of the long history of struggle in Vietnam against outsiders, near and far, is a more than adequate primer about the history and the political issues, from the American side at least, as they came to a head in Vietnam in the early 1960’s. This work was produced in conjunction with a Public Broadcasting System documentary in 1983 so that if one wants to take the time to get a better grasp of the situation as it unfolded the combination of the literary and visual presentations will make one an ‘armchair expert’ on the subject. A glossary of by now unfamiliar names of secondary players and chronology of events is helpful as are some very good photographs that lead into each chapter

This book is the work of a long time journalist who covered Southeast Asia from the 1950’s until at least the early 1980’s when he went back after the war was over and interviewed various survivors from both sides as well as key political players. Although over twenty years has passed since the book’s publication it appears to me that he has covered all the essential elements of the dispute as well as the wrangling, again mainly on the American side , of policy makers big and small. While everyone should look at more recent material that material appears to me to be essentially more specialized analysis of the general themes presented in Karnow’s book. Or are the inevitably self-serving memoirs by those, like former Secretary of War Robert McNamara, looking to refurbish their images for the historical record. Karnow’s book has the added virtue of having been written just long enough after the end of the war that memories, faulty as they are in any case, were still fresh but with enough time in between for some introspection.

The first part of Karnow’s book deals with the long history of the Vietnamese as a people in their various provincial enclaves, or as a national entity, to be independent of the many other powers in the region, particularly China, who wanted to subjugate them. The book also pays detailed attention to the fight among the European colonial powers for dominance in the region culminating in the decisive victory for control by France in the 1800’s. That domination by a Western imperialist power, ultimately defeated by the same Communist and nationalist forces that were to defeat the Americans and their South Vietnamese allies, sets the stage for the huge role that the United States would come to play from the time of the French defeat in 1954 until their own defeat a couple of decades later. This section is important to read because the premises of the French about their adversary became, in almost cookie-cutter fashion, the same premises that drove American policy. And to similar ends.


The bulk of the book and the central story line, however, is a study of the hubris of American imperialist policy-makers in attempting to define their powers, prerogatives and interests in the post-World War II period. The sub-title of the book, which the current inhabitants of the Bush Administration obviously have not read and in any case would willfully misunderstand, is how not to subordinate primary interests to momentary secondary interests in the scramble to preserve the Empire.

Apparently, common sense and simple rationality are in short supply when one goes inside the Washington Beltway. Taking into account the differences in personality among the three main villains of the piece- Kennedy, Johnson and Nixon- the similarities of response and need to defend some sense of honor, American honor, are amazingly similar, individual rhetoric aside. There thus can be little wonder the North Vietnamese went about their business of revolution and independence pretty much according to their plans and with little regard to ‘subtleties’ in American diplomacy. But, read the book and judge for yourselves. Do not be surprised if something feels awfully, awfully familiar.

Sarah Palin- Hands Off Professors Bill Ayers and Bernadine Dorhn

October 7, 2008

Apparently, for the third time this presidential season I have to dust off this old review of the Weather Underground and the activities of leftist Bill Ayers and Bernadine Dohrn. Why? Sarah Palin, self-proclaimed "hockey mom" Republican Vice-presidential candidate, has decided that the virtue of the American Republic requires a rehashing of that old chestnut concerning the supposed organic relationship between the "terrorist" professors and Democratic presidential candidate Barack Obama. I am reposting previous comments here because, frankly, I have nothing to add to the previous comments. Except this, Professors Ayers and Dohrn can now serve as prima facie evidence that ostensible leftists should be very careful in the choice of bourgeois capitalist candidates they "hang around with". In short, stay very far away from those types.



August 26, 2008

Apparently, the Republican presidential campaign of Arizona Senator John McCain is trying to get mileage out of some tenuous connection between Democratic presidential candidate Illinois Senator Barack Obama and very, very ex-Weatherpeople Professors Bill Ayers and Bernadine Dohrn. This same issue popped up in the spring of 2008. The introductory comment used there reposted directly below and a review of what The Weather Underground really meant politically still apply. I would only add that forty years of "cultural wars" by these reactionaries, led by Karl Rove and his ilk, is enough. I only hope that when our day comes we will relegate them to some nice island somewhere so they can "reflect" on their sins and leave the rest of us alone.

*******

May 2008

There is currently a tempest in a teapot swirling around Democratic presidential candidate Barack Obama concerning his relationship with former Weatherpeople Bill Ayers and Bernadine Dohrn. Here are a couple of reviews from last year on the historic significance of that movement. The real question to ask though is not why Obama was hanging around with Ayers and Dohrn but why they were hanging around with this garden-variety bourgeois candidate on the make. Enough said.

YOU DO NEED A WEATHERMAN (PERSON) TO KNOW WHICH WAY THE WIND BLOWS

DVD REVIEW

THE WEATHER UNDERGROUND: REBELS WITH A CAUSE, 2003

In a time when I, among others, are questioning where the extra-parliamentary opposition to the Iraq War is going and why it has not made more of an impact on American society it was rather refreshing to view this documentary about the seemingly forgotten Weather Underground that as things got grimmer dramatically epitomized one aspect of opposition to the Vietnam War. If opposition to the Iraq war is the political fight of my old age Vietnam was the fight of my youth and in this film brought back very strong memories of why I fought tooth and nail against it. And the people portrayed in this film, the core of the Weather Underground, while not politically kindred spirits then or now, were certainly on the same page as I was- a no holds- barred fight against the American Empire. We lost that round, and there were reasons for that, but that kind of attitude is what it takes to bring down the monster. But a revolutionary strategy is needed. That is where we parted company.

One of the political highlights of the film is centered on the 1969 Students for a Democratic Society (SDS) Convention that was a watershed in the student anti-war protest movement. That was the genesis of the Weathermen but it was also the genesis of the Progressive Labor Party-led faction that wanted to bring the anti-war message to the working class by linking up the student movement with the fight against capitalism. In short, to get to those who were, or were to be, the rank and file soldiers in Vietnam or who worked in the factories. In either case the point that was missed, as the Old Left had argued all along and which we had previously dismissed out of hand, was that it was the masses of working people who were central to ‘bringing the war home’ and the fight against capitalism. That task still confronts us today.

One of the paradoxical things about this film is that the Weather Underground survivors interviewed had only a vague notion about what went wrong. This was clearly detailed in the remarks of Mark Rudd, a central leader, when he stated that the Weathermen were trying to create a communist cadre. He also stated, however, that after going underground he realized that he was out of the loop as far as being politically effective. And that is the point. There is no virtue in underground activity if it is not necessary, romantic as that may be. To the extent that any of us read history in those days it was certainly not about the origins of the Russian revolutionary movement in the 19th century. If we had we would have found that that movement also fought out the above-mentioned fight in 1969. Mass action vs. individual acts, heroic or otherwise, of terror. The Weather strategy of acting as the American component of the worldwide revolutionary movement in order to bring the Empire to its knees certainly had (and still does) had a very appealing quality. However, a moral gesture did not (and will not) bring this beast down. While the Weather Underground was made up a small group of very appealing subjective revolutionaries its political/moral strategy led to a dead end. The lesson to be learned; you most definitely do need weather people to know which way the winds blow. Start with Karl Marx.

On Workers Asset Liquidation Committees Today

COMMENTARY

On October 1, 2008 I commented in an entry entitled Fantastic Musings On The Financial Meltdown- Are We Prepared To Lead The Struggle For State Power that one of our demand today, a transitional demand if you will, should be to call for the establishment of workers committees to liquidate the assets of bankrupt companies and distribute them to the workers. I have taken a little heat from a couple of comrades over my formulation. I purposefully placed this demand in the context of the need for us to take a more aggressively agitational approach during this period, an exceptional time of capitalist economic chaos when we can get a hearing from working people looking for SOME way out of this nightmare.

The gist of the criticism of my position was that I was “defeatist” in that what is called for today is workers control of the companies. Under a workers government, which by the way is not going to spring forth today, that is the correct demand. Under capitalist conditions with no realistic prospect of a workers government on the horizon- and here I intend to be humorous- workers, take the money and run. Fast.

Look, our whole reason for existence as socialists is that we believe that this capitalist/imperialist system is fundamentally flawed and that it needs to be replaced by a more equitable society based, at the start, on socialist economic planning in the spirit of social solidarity rather than greed. No serious reader of this space should disagree with that general premise. The point is how to get that message out in a way that people can relate to. We, rightly, had (and have) not interest in bailouts, rescues or other remedies that would put a bandage on this broken down financial system. We call for a big NO vote on that issue. Again there should be no dispute on this. But hear me out.

Whether we socialists have developed a propaganda circle mentality or not, as I noted in the above-mentioned previous entry, we still need to deal with today’s social reality as we shift gears and become more agitational in our work as OUR political prospects brighten. The demand for workers committees to take control of liquidation of assets is directly counterposed to what is happening today as larger financial institutions are gobbling up smaller companies at fire sale prices. That is leaving untold workers without jobs, pensions, personal assets, etc. So companies fail- those things happen by hook or by crook under capitalism- we are in no position today to affect that. We ARE in a position to speak on behalf of those who suffer the consequences of this crisis in order to see that they get some minimal relief. Moreover this demand, and here is the real historic point, lets working people get to take things, even if in a negative way, into their own hands. That is worth raising the slogan for by itself.

Lastly, we have no interest in the imperialists’ capitalist nationalization schemes. This, essentially, is what the Freddie Mae and Fannie Mae deals were about. We socialists have all sorts of positions on nationalizations, when we support or call for them as well as, and under what conditions we defend them, depending of who is doing the nationalization and for what purposes. A quick review of recent history, as always, tells the tale. The Cuban Revolution’s nationalizations (and expropriations) of, mainly, American properties, we supported with both hands. Right? The same is true with any such efforts with the oil under Chavez in Venezuela. And we, moreover, defend those actions against attempts by the imperialists to take them back. No question. We neither supported nor called for the nationalizations of the (bankrupt) coal industrial under capitalist control state in Great Britain after World War II. We did, however, defend against Prime Minister Thatcher’s bloody attempts to de-nationalize these mines in the 1980’s. That will give a flavor of what a correct policy should be. Once again this position calls forth not the need for capitalist nationalizations but, in effect, the need to create workers committees to liquidate assets rather than to solidify the capitalists in their current strategies to save THEIR system.

The USA Trilogy- The Work Of John Dos Passos In His Prime

BOOK REVIEW

USA Trilogy: The 42nd Parallel; 1919; The Big Money, John Dos Passos, Library of America, 1997

I believe that the USA trilogy presented here (thankfully, under one roof- when I first read it in my youth I had to scrounge around for the third book) was the first time that I had read a novel than used the literary devices that the author John Dos Passos employed here. Vignettes, bits of poetry, snap biographies, headline banners all are employed here to great effect to both set up the drama of the narrative (such as it is) and the interplay between the various characters. Today we are all very familiar with the device; as the modern reader has E.L. Doctorow to rely on to continue this tradition as he has done in such works as Ragtime and The Book of Daniel. But back then this was rather an unusual format and one that today’s academic literary scholars have taken apart piece by piece in their efforts discount this work as a worthy insight into a slice of Americana in the first third of the 20th century. However, back in his day he was rated right up there with old Hemingway. That was rarefied air indeed.

The stories here cross between the exploits of the rich (and their wannabes) and the exploitation of poor (and their gonnabes). As is natural in a novel, modern or otherwise, we also have the search for love, the trauma of lost love, the inevitable longings and the occasional betrayals of that condition. We have hustlers (in high and low places), drifters, grifters and midnight shifters. In short, a regular cross-section of the white native and immigrant populations of that period. We see these characters in America and the other noted spots of the period, such as Mexico, Europe and Russia. We see them as political, anti-political, non-political and clueless, wise or broken. In some 1300 pages we get a companion as much as a novel. For those of certain generations, including this writer’s generation of '68, these characters- designers, high powered executives, labor organizers, scabs, revolutionaries were types we were at least familiar with from stories in childhood. Well, friends they are back here in this edition. So take your time and get re-introduced to a slice of America that is long gone and ain’t coming back.

A short comment on the author's politics- at this period in his life (the 1920’s) he was an ardent leftist of some persuasion. (I have asked around but nobody believes that he was actually in the American Communist Party (any help here?). In Spain in the 1936-37 period he was, according to my sources, close to some of the Americans in the International Brigade (Abraham Lincoln Battalion) and wrote some good articles on their exploits and their trials and tribulations. All this is by way of saying that I think that Dos Passos' youthful leftist political slant helped fuel the book and gave it a vitality lacking in some of his latter work when he got old, cranky and right-wing about politics.

*From The Pages Of "Workers Vanguard"- The Fight For School Integration In Boston -A Guest Commentary

Click on the headline to link to a "Workers Vanguard" article, dated September 26, 2008, concerning the historic struggle to achieve school integration in America, and in Boston in particular.

Markin comment:

I will defer to the commentator in the linked article for now. I have my own memories and comments on this subject which I will place in this space when I get a chance. Overall though, as to the tasks necessary for the defense of the black school children in Boston, and the responses of most of the left to those tasks, it is pretty accurate.

Another Walk On The Wild Side with Nelson Algren

BOOK REVIEW

A Walk on the Wild Side, Nelson Algren, The Noonday Press, 1984

As I have mentioned in other reviews of Nelson Algren's work, such as The Man With The Golden Arm and The Neon Wilderness, I am personally very familiar with the social milieu that he is working. Growing up in a post-World War II built housing project this reviewer knew first hand the so-called `romance' of drugs, the gun, the ne'er do well hustler and the fallen sister. And I also learned the complex mechanisms one needed to develop in order to survive at that place where the urban working poor meet and mix with the lumpen proletariat- the con men, dopesters, grifters, drifters and gamblers who feed on the downtrodden. This is definitely not the mix that Damon Runyon celebrated in his Guys and Dolls-type stories. Far from it.

Nelson Algren has once again, through hanging around Chicago police stations (does anyone describe that milieu, cops and criminals, better?), other nefarious locales and the sheer ability to observe, gotten that sense of foreboding, despair and the just plain oblivion of America's mean streets down pat. In this, probably his best literary endeavor in that vein, Algren has gotten down to the core of existence for the would be world-beater hustler Dove Linkhorn a character who symbolizes a certain aspect of American life in his way, as say, Fitzgerald's Jay Gatsby or Hemingway's Robert Jordan do in theirs.

Several factors make this an exceptional work. Not the least is the beginning section’s description of the antecedents of the "white trash" phenomena, as exemplified by Dove, that as always been something of a hidden secret about the American experience. In short, what happens when the land runs out, or in Professor Frederick Jackson Turner's thesis-the frontier ends. Nobody has put this in literature better than Algren, even Steinbeck. Furthermore, he has moved the story line here back in time from his usual 1940's and 1950's to the 1930's when some cosmic shifts were occurring in American life.

Algren has also moved the geography from Chicago to New Orleans and integrated some of his short story characters and story lines found in his collection Neon Wilderness into this project. Changes in time, place and characters there may be but that raw struggle for survival for those down almost below the base of society is still the same. The only objection that I have is that the portrait of Linkhorn, as described here by Algren, gives me an impression that old Dove could never ever make it in his `chosen' world unlike, say, Frankie Machine who has that urban grit almost genetically build into him in order to survive. Frankly, I do not believe that Dove could have survived in my old housing project. Frankie Machine would have been the `king of the hill'. Read this valuable book about an America that, then and now, is hidden in the shadows.

*From The Archives Of "Women And Revolution"-"Silkwood"-A Film Review

Click on the headline to link to a "Wikipedia" entry for Karen Silkwood

Markin comment:

The following is an article from the Spring 1984 issue of "Women and Revolution" that may have some historical interest for old "new leftists", perhaps, and well as for younger militants interested in various cultural and social questions that intersect the class struggle. Or for those just interested in a Marxist position on a series of social questions that are thrust upon us by the vagaries of bourgeois society. I will be posting more such articles from the back issues of "Women and Revolution" during Women's History Month and periodically throughout the year.

**********

Silkwood. Directed by Mike Nichols. Written by
Nora Ephron and Alice Arlen. ABC Motion Pictures.
A Twentieth Century-Fox release, 1984.

By Amy Rath

The long-standing controversy over the death of Karen Silkwood is being debated yet again, as the release of the movie Silkwood brings the case into the public eye. Silkwood has long been embraced by feminist and ecology groups as a heroine and martyr to the atomic power industry—the "no-nuke" Norma Rae; many believe she was deliberately poisoned with radioactive material and murdered to shut her up. Now, the movie, starring Meryl Streep and directed by Mike Nichols, has been seized upon by such bourgeois mouthpieces as the New York Times and the Washington Post to propagandize for the nuclear energy industry and smear her name.

"Fact and Legend Clash in "Silkwood'," cired the Times' science writer William J. broad, masquerading as a movie critic in the Sunday Arts and Leisure section. "Chicanery," "meretricious," "a perversion of the reporter's craft," blasts a Times (25 December 1983) editorial. That same day the Washington Post printed a piece by one Nick Thimmesch, a free-lance journalist with ties to Silkwood's employer, the Kerr-McGee corporation, charging "glaring discrepancies between the known record and the film's representations."

These are lies. In fact, Silkwood sticks remarkably close to the documentary record. If anything, it is surprisingly devoid of politics for such an alleged propaganda tract. Frankly, it's a little dull. It includes a lot of material (some of it made up, presumably for dramatic interest) about Karen Silkwood's unremarkable personal life. Like most people, she had problems with her lovers and roommates, didn't get along with her ex-spouse, was often troubled, and drank and took drugs. The bulk of the movie is a retelling of the last few weeks of her life, and raises more questions than it answers. How were Karen Silkwood's body and home contaminated with plutonium? Was Kerr-McGee deliberately covering up faulty fuel rods, which could lead to a disastrous accident at the breeder-reactor in Washington state where the rods were to be shipped? What happened on that Oklahoma highway on 13 November 1974, when Karen Silkwood was killed in a car crash, en route to an interview with a New York Times reporter?

The ending of the movie shows Silkwood blinded by the headlights of a truck on the highway, then her mangled body and car, seeming to imply that she was run off the road, as indeed independent investigators have concluded from an examination of her car and the tire tracks on the road and grass. Then a written message on the screen reports that Oklahoma police ruled her death a one-car accident and found traces of methaqualone (Quaalude) and alcohol in her blood¬stream. The conclusion is left for the viewer to decide We may never know the answers to these questions. As we noted in Workers Vanguard (No. 146,25 February 1977) in an article titled "Conspiracy and Cover-Up in Atomic Industry: FBI Drops Inquiry in Karen Silkwood Death":

"The abrupt cancellation of the second Congressional investigation into FBI handling of the case of Karen Silkwood has added to a widespread belief that the facts surrounding the death of the young trade unionist two years ago are being covered up at the highest levels of industry and government.

"...her documentation of company negligence and falsification of safety records was damning to powerful interests and as long as the bourgeois courts and commissions are running the investigations of her death, the only results will be successive cover-ups of the cover-ups."

In the fall of 1974 Karen Silkwood had been working for two years as a laboratory technician at the Cimarron, Oklahoma plutonium processing facility owned by Kerr-McGee, one of the largest energy conglomerates in the U.S. She became interested in health and safety issues at the plant. She brought her worries to the union, the Oil, Chemical and Atomic Workers (OCAW), and was elected as a union safety inspector, the movie makes this appear to be her first interest in the union. In fact, she had been one of the few die-hards in a defeated strike the previous year; she never crossed the picket line and she remained in the union even when its membership went down to 20. Along with fellow unionists, she traveled to union headquarters in Washington, D.C., where officials assigned her to gather documentation of company cover-ups of faulty fuel rods, as well as other safety violations.

Early in November 1974, Silkwood was repeatedly contaminated with plutonium, one of the deadliest materials known to man, in circumstances which have never been fully explained. In the Hollywood movie Meryl Streep ends up with raw pink patches over her face from decontamination scrubdowns. Her panicked expression when she knows she has to face a second one imparts the horror of it. Yet it is only a pale image of the reality. Silkwood's first scrubdown was with Tide and Clorox; the two others which, occurred over the next two days employed a sandpaper-like paste of potassium permanganate and sodium bisulfate. De¬spite this chemical torture (try scrubbing yourself with Ajax sometime), her skin still registered high levels of radiation. Worse yet, three days of nasal smears (to monitor inhaled radioactive contamination) increased to over 40,000 disintegrations per minute (dpm)— normal background radiation from cosmic rays and naturally occurring isotopes is roughly 30 dpm.

Silkwood's house was contaminated as well; it was stripped and her belongings were sealed and buried— one scene poignantly portrayed in the movie. An examination conducted at the medical facility at Los Alamos showed that she had received internal contami¬nation possibly as high as 24 nanocuries of plutonium (about 50,000 dpm). The Atomic Energy Commission (AEC, now Nuclear Regulatory Commission) has set a lifetime limit of 16 nanocuries; many specialists consider this hundreds of times too high. The fact is that plutonium is an extremely potent carcinogen, inhalation of which is virtually certain to induce lung cancer at levels where other radioactive nuclides can be tolerat¬ed. And Silkwood was particularly susceptible—she was female, had lung problems (asthma) and was small, under 100 pounds. In short, the plutonium she received chained her to cancer and a painful, slow death.

It is for this contamination, which an Oklahoma jury ruled the responsibility of Kerr-McGee, that $10.5 million in punitive damages was assessed against the company for the Silkwood estate. On January 11 the Supreme Court ruled the court had a legitimate right to assess this penalty; however, the case has been returned to a Jower court where Kerr-McGee may challenge the award on new grounds. Kerr-McGee has held that the contamination was "by her own hand," as a plot to discredit the company, a contention repeated by the New York Times in its editorial, which doesn't even mention that a jury had ruled this imputation not proved.

Since then, theories about Silkwood's contamination have included such slanderous tales as that put forth by alleged FBI informer Jacque Srouji, who claimed that Silkwood was deliberately contaminated by the union, to create a martyr. This is a telling indication of how far the capitalists will go to discredit the only thing that stands between the workers and total disregard for any safety. In the movie the International union representatives are made to appear as a bunch of slick bureaucrats who push Silkwood way out front without anywhere near sufficient backup. Certainly the OCAW is as craven before the capitalists as any other union in the U.S. But it has fought, however partially, for safer conditions for the workers it represents.

In the movie, Silkwood posits that someone purposely contaminated her urine-specimen jar with plutonium while it was in her locker room, a jar she later accidentally broke in her bathroom at home. This explanation is plausible, but we can't know for certain. We do know that Silkwood had been a straight A student in school, the only girl in her high school chemistry class, a member of the National Honor Society. She had studied medical technology. She knew that tampering with plutonium was death. The idea that she would deliberately contaminate herself could originate only in the sick and vicious minds of a profit-mad industry like Kerr-McGee.

Even the New York Times had to admit that Kerr-McGee was "a hellish place to work." Between 1970 and 1974 there were 574 reported exposures to plutonium. Dr. Karl Morgan, formerly a health physicist at the Oak Ridge National Laboratory, testified at a Congressional investigation that he had never seen a facility so poorly run. The plant was constructed in a tornado alley; the tornado warnings were so frequent that the company never bothered to remove the plutonium to a safe place. Yet the hazards of the plant get barely a nod in the film. Only one other instance of contamination is shown, Silkwood's friend Thelma. But when Silkwood is shown leaving off her urine sample at the lab for analysis, the audience sees many such samples lined up, thus many more contaminations.

Yes, nuclear power is dangerous. An accident such as almost happened at Three Mile Island could kill thousands of people. But the only "solution" to this problem provided by the movie Silkwood—and shared in real life by the OCAW union tops—is, ironically enough, the New York Times! Get the Times to publish the damning evidence, and the AEC will make Kerr-McGee straighten things out. The crusading press will save America by publicly exposing wrong, and the government will step in and perform justice. Sure. This is a liberal pipedream: the AEC serves the interests of power conglomerates like Kerr-McGee, and the New York Times worships money, not justice.

The "no-nukers" hail the name of Silkwood in their campaign to abolish nuclear power. But the problem is that you have to replace it with something, and in this capitalist society there is no such thing as a danger-free source of energy. For generations workers have died miserably in coal mines and suffocated to death with black lung disease. Like any technology, nuclear power can be used and abused. It is not so much a question of a special technology, but the irrationality of the capitalist economy which makes all industry in the U.S., including the nuclear industry, hazardous. Meanwhile, Ronald Reagan threatens to blow up the world hundreds of times over to save American profits. Over 90 percent of the nuclear waste in this country is military. And that's nothing compared to the global nuclear holocaust plotted in the Pentagon. That is the real danger of nuclear power.

The no-nuke movement is part of a middle-class ecological concern that the disastrous conditions which workers have faced for generations might spread to the suburbs, perhaps even onto a college campus. Anti-nuke groups actively publicize and collect funds for the Silkwood lawsuit but not a peep is heard in protest against the murder of Gregory Goobic during a two-week strike by OCAW Local 1-326 in Rodeo, California last January. Goobic, a 20-year-old union member, was run down by a scab truck while picketing a Union 76 oil refinery. A company boss, with arms folded, stood in the dead striker's blood as cops kept the other picketers away. The capitalists and their government are not interested in the lives of their employees, particularly when adequate wages, work¬ing conditions and safety precautions stand in the way of profits. Obviously one thing militants in unions such as OCAW must do is fight for safety committees with the power to close down plants. But equally necessarily is the struggle to replace the pro-capitalist labor bureaucracy with a leadership that will break with both bourgeois parties and build a workers party. The world will be safe to live in when the ruling class has been expropriated by a workers government that runs society for the benefit of all, not the profits of a few.

Silkwood has been denounced by corporate spokesmen at the New York Times for portraying Karen Silkwood as "a nuclear Joan of Arc" when she was really "a victim of her own infatuation with drugs"; it has been denounced by anti-nuke fan Anna Mayo of the Village Voice for portraying her as a dope-smoking "bad girl" when she was really "beloved daughter, sister, friend, union martyr and heroine of the largest, most viable grass-roots force in the U.S. and Western Europe, the anti-nuclear movement."

Actually, Karen Silkwood was simply a union militant fighting the best she could for a better life for herself and her coworkers against one of the least safe, most powerful, biggest price-gouging capitalist enterprises in the country. And we think the movie did a nice job showing it."

Let Them Eat Cake- No To Government Bailout of Financial Institutions

Short Note

Build a Workers Party That Fight For A Workers Government!

Centralized planning, anyone? Yes, that fundamental principle of the socialist transformation of society should look pretty good right now, even in its old threadbare Stalinist bureaucratic form, as the height of rationality now even to hardcore plebeian anti-communists. Those old grey Soviet bureaucrats (and today’s Chinese bureaucrats) had at least to mouth some phrases about the interests of the working class. No such need here in the heart of imperial society as the capitalists have just taken the money and run- and now are back for a hand-out. The world financial markets have exploded as a result of their own overweening hubris, to speak nothing of garden variety greed, but they are nevertheless looking to be bailed out by their respective governments, in the first instance the American government.

Hell, these Wall Street guys and their hangers-on (and their international compatriots in the London Exchange, the French Bourse and elsewhere) obviously missed that class at the Harvard Business School about the relationship between actual capital on hand in a business and borrowing the bejesus out of someone else’s money. That is called, in other than polite society, larceny by fraud- grand larceny in this instance. The lowliest Soviet bureaucrat had more understanding, if less scope for his or her actions, than that. In fact, I recently read an article where some American high school business class students had, a couple of years ago, called this meltdown as it was forming- without an MBA. Go, figure. I have never aspired to be a financial officer but I do believe that I could have done as well in screening out the creditworthiness of the applicants that flowed in these institutions. Being able to breath in order to receive a big loan doesn’t seem all that difficult to figure out. Heck, sign me up for one. Oops, too late.

That is the nut here. Many commentators have waggled their fingers at those who were forced to face foreclosure on their homes and other credit instruments when pay-up time came. Yes, it is always easier to blame the guy or gal down at the bottom of the chain for the in-your-face greed exhibited by financial institutions and their expert staffs over the last decade or so. Look though, even in my poor bedraggled family the desire to have one’s own home in the 1950’s drove my parents’ imagination to distraction. That the house we lived in was not as good as the apartment in the public housing project where we had previously resided is beside the point. The dream, one way or another, was single family home ownership for that generation. Why should it, all things being equal, be different now? The wisdom of the struggle for that dream to the exclusion of other dreams is a debatable point, as Friedrich Engels the old socialist and companion of Karl Marx pointed out long ago in his essay On The Housing Question. But we need not get into that here as I will address that later in a longer commentary when the dust settles over this whole episode.

Here is the bottom line for now. The “invisible hand” of the market has been exposed for all to see. The relationship between the capitalists on Wall Street and elsewhere and THEIR government has been exposed for all to see. The usually do-nothing and lethargic Congress has stepped all over itself to do the masters’ bidding. Obviously their time to run society in some rational form is objectively over and has been for a very long time. Capitalists, financiers, their agents, sycophants and hangers-on- move over. Let working people run this society to fit their needs. And from the look of things it better be sooner rather than later. Build a workers party that fights for a workers government!

The Adventures of Augie March- Saul Bellow's Chicago

BOOK REVIEW

The Adventure of Augie March, Saul Bellows, Penquin Press, New York, 2002

These seem to be Chicago days for this reviewer. He has just done some reviews of Chicago’s Chess Records that essentially defined the sound of the electrified blues in what would be old Augie’s old neighborhood. Furthermore, I have reviewed the work of Chicago’s Nelson Algren who takes more than one look at the downside of Chicago life in the raw - what happens to the Augies when they do not break out of that place between the working poor and the lumpen proletariat. And this is a good place to set up the fundamental difference in Bellow’s take on life as compared to Algrens’s. Both describe lives and milieus that can expose the nasty, short and brutish side of life but unlike Algren’s Frankie Machine in The Man With the Golden Arm Augie is smart (and clean enough) to make the break.

To that extent Bellow’s Augie, his pals and his town are a celebration of the possibilities that the immigrants to this country believed was possible (and on too many occasions were dashed to pieces). A nice little devise that Bellow uses to highlight this contrast is the tension between the career paths of Augie and his brother. Both face the existential crisis of being left to one’s own devices in the world but the brother survives by creating wealth for himself and forgets, in fact scorns, the idea of intellectual reflections about man’s fate. Poor Augie though wants to know the meaning of life once he has finally broken out of the working class milieu- but travel, a rich lady friend and a whole different set of adventures do not satisfy that hunger to know that meaning.

I would argue, and here I go back to Augie’s days as a Trotskyist, that he might have cut against the grain of that modern day sense of self-isolation in a heartless world if he had organized others to create an alternative society where that alienation from productive labor could have been diminished. But, that is just this reviewer pontificating against Bellow’s facile early literary Trotskyism. Although I read this book initially about 25 years ago the first half still is gripping. The second half meanders a little more than I recall from the first reading. This is an early work though. Bellow gets better as a writer later, if not better in resolving humankind’s existential crisis.

From The Archives- The Struggle Against The Iraq War At The Base

Commentary

From The Archives- on the struggle in the lead up to the Iraq War in 2002

IT IS DESPERATELY NECESSARY TO WIN THIS BATTLE AGAINST BUSH’S WAR DRIVE….AND THE FIGHT BEYOND

Make no mistake Bush intends to go to war in Iraq despite the rational objection of the anti-war peoples of the world. We have, however, in rather short order been able to build an anti-war movement of massive proportions through shear determination. Now is the time to draw the lessons from the past about how to continue build this movement and lead it to political power so that we can end war once and for all. If we fail we may not soon have another chance. The following program can serve as a basis for such a change.


FOUR POINT PROGRAM FOR AN EFFECTIVE ANTI-WAR MOVEMENT

1. .TURN THE ANTIWAR MOVEMENT INTO AN ANTI-IMPERIALIST MOVEMENT- THE MAIN ENEMY IS AT HOME

One of the lessons drawn from the Vietnam anti-war movement was to demonstrate that the actions of the American government were not just a result of bad policies but were endemic to the nature of capitalism in the modern era. If we do not draw that same analysis now and bring it to those who can at least see that something is desperately wrong with this system then we never will. The pacifist mood of the masses while commendable is mainly unformed and directionless. We must draw the lessons of history. In that regard the lessons of the Russian Revolution of 1917, the only successful anti-war movement in history, must be absorbed. We must make our own the slogans stated by Karl Liebknecht the German socialist in voting against war credits to the German government in World War I. The main enemy is at home. Not one penny, not one person for this war.

2. STAND IN SOLIDARITY WITH THE IRAQI PEOPLE. DEFEND IRAQ AGAINST IMPERIALIST ATTACK.

The disparity between the mightiest military power the world has ever known and semi-colonial Iraq is apparent. It is the duty of every internationalist to understand that in the coming war we must stand in solidarity with the Iraqi people. The main danger to the peoples of the world today is not Saddam but the American government and its allies. We give no political support to Saddam and call for the people of Iraq to overthrow him. However, when war starts we must defend the Iraqi people DESPITE Saddam.

3. SUPPORT AND INITIATE ACTIONS THAT UNDERMINE U.S. AGGRESSION AGAINST IRAQ.

All actions to now, mainly demonstrations, against an invasion are helpful, However, as the anti-war movement against Vietnam demonstrated these actions are not enough. It is necessary in your schools, labor unions, workplaces and in your activist groups to raise the question of concretely stopping the war. Call for student strikes, political strikes, labor strikes and other actions such as “hot-cargoing" military goods. Develop actions that undermine the government’s ability to carry out their war plans. Speak to soldiers and their families about actions to stop their participation in the war effort.

4. BREAK WITH THE DEMOCRATIC AND REPUBLICAN PARTIES. FIGHT FOR A WORKERS PARTY.

The essential unity of the traditional parties in this country the Republicans and Democrats on the question of Iraq and other social questions makes it clear that they do not represent the fundamental interests of working people and minorities in this country. We must build our own party centered on the workers and minorities of this country to fight against imperialism abroad and for a workers government at home

BRING THESE IDEAS TO YOUR SCHOOL, YOUR WORKPLACE, YOUR UNION AND YOUR ACTIVIST GROUPS-------FORWARD

CONTACT: THE BOSTON COMMITTEE FOR AN ANTI-IMPERIALIST UNITED FRONT

LABOR DONATED

*Preserving The Roots Anyway We Can- The Saga Of Roots Music Preservationist Joe Bussard

Click on title to link to YouTube's film clip of the trailer for "Desperate Man's Blues".

DVD Review

Desperate Man's Blues: Discovering The Roots Of American Music, Jose Bussard and a cast of thousands of old 78 speed records, Cubic Media, 2006

Recently I went to great lengths, and rightly so, to tout the “Antone’s: House Of The Blues” DVD that was about the trials and tribulations of the late Austin, Texas blues club owner Clifford Antone in order to keep the blues tradition alive by keeping old time Chicago blues legends like Hubert Sumlin, Eddie Taylor, Sunnyland Slim and Jimmy Reed gainfully employed. Also his remarkable sense of talent-spotting in showcasing the new talent of the likes of Sarah Brown, The Fabulous Thunderbirds, and most famously the Vaughn brothers, Jimmie and later Stevie Ray. Well, apparently running music clubs is not the only way to go in preserving American roots music, as this ‘reality’ film documentary of the saga of a fifty plus years journey by record collector Joe Bussard rather strikingly points out.

Joe Bussard‘s trial and tribulations are of a different order than Clifford Antone’s. Joe had taken on the task of traveling many a mile to find rare old roots music wherever he could find it. In short, he has some of the same obsessive, traits that we saw in the ‘Antone” film. And that is to the good. Plus old Joe has an engaging, if definitely old-fashioned, sense of collecting. Nevertheless when he ‘played the platters’ of Clarence Ashley, Robert Johnson, Son House , Uncle Dave Mason, and a few I really didn’t from some obscure parts of the American songbook I was right there with him. That may say more about me than about him.

The only problem I have, a big problem I must confess, is old Joe’s dismissal of “rock and roll” music. Part of that is generational, to be sure. But part is a different understanding of the nature of American roots music. Jerry Lee Lewis when he was in high jump jitterbug form, Elvis when young and hungry, Carl Perkins and on and on in the rockabilly and rhythm and blues traditions that served as the foundation of the best of rock. No, I do not agree with Joe that that was all junk. For the rest though, Joe I am right with you.

Down The Mean Streets With Nelson Algren

BOOK REVIEW

The Man With The Golden Arm, Nelson Algren, Penquin Books, New York, 1949

Growing up in a post World War II built housing project this reviewer knew first hand the so-called ‘romance’ of drugs, the gun and the ne’er do well hustler. And also the mechanisms one needed to develop to survive at that place where the urban working poor meet and mix with the lumpen proletariat- the con men, dopesters, grifters drifters and gamblers who feed on the downtrodden. This is definitely not the mix that Damon Runyon celebrated in his Guys and Dolls-type stories. Far from it.

Nelson Algren has gotten, through hanging around Chicago police stations and sheer ability to observe, that sense of foreboding, despair and the just plain oblivion of America’s mean streets down pat in a number of works, including this one. Here the plot revolves around Frankie Machine an urban hustler with a jones (and more than just the dope jones, his whole life is twisted by the vagaries of his fate). Alone the way we meet an array of stoolies, cranks, crackpots and nasty brutish people who are more than willing to put obstacles in the way of our anti-hero. And we have, at this point, not even mentioned his ‘home’ life with his ‘ever-loving’ disabled wife (or so he thinks). She might make anyone reach for the needle.

We, of late, have become rather inured to dope stories either of the death and destruction type or of the rehabilitative kind but at the time that this story was put together in the late 1940’s this was something of an eye-opener for those who were not familiar with the seamy side of urban life. The dead end jobs, the constant run-ins with the ‘authorities’ in the person of the police, many times corrupt as well. The dread of going to work, the dread of not going to work, the fear of being victimized and the glee of victimizing. The whole jumbled mix of people with few prospects and fewer dreams.

Algren has put it down in writing for all that care to read. These are not pretty stories. And he has centered his story on the trials and tribulations of a dope addict trying to get clean, to boot. That fight is a near thing. Damn, as much as I knew about the kind of things that Algren was describing this is still one gripping story. And, the truth be told, you know as well as I do that unfortunately this story could still be written today. Read Algren if you want to walk on the wild side.

In the movie version of this film that unfortunately cannot capture the pathos of the mean urban streets Frank Sinatra plays the lead role of the junkie in a very understated way. He gives an extremely strong performance, especially in those scenes when he is going ‘cold turkey’. Probably overrated as a singer he nevertheless was underrated as an actor, especially in his early career (think From Here to Eternity, Some Came Running and Suddenly). Kudos Frank.

*From The Marxist Archives- The Anti-Vietnam War Struggle, The Struggle Within, Warts And All- A Guest Commentary

Click on the headline to link to a "Workers Vanguard" article, dated September 12, 2008, concerning the internal struggle to create a real anti-imperialist, anti-capitalist anti-Vietnam war movement.


Markin comment:

This blog has spend many postings trying pose the lessons on how to fight to build an effective anti-Iraq and Afghan wars movement in light of the old anti-Vietnam war experiences. If you want to learn how NOT to create such movements then read this article about the Socialist Workers Party's (U.S.) and American Communist Party's struggle for organization control of their respective popular front operations. Oh, the struggle to defend the Vietnamese Revolution here in a America. Don't be silly. That was secondary to the organizational manipulations. Believe me, I was there. Fortunately the Vietnamese took matters into their own hands. Defend the Vietnamese Revolution!

In Defense Of John Lennon

DVD REVIEW

The U.S. vs. John Lennon, directed by David Leaf, 2006

In a recent DVD review of A Tribute to John Lennon, a film that chronicled a concert held in New York City in early October, 2001 in the immediate aftermath of the World Trade Center attacks, I started the review with the following paragraph:

“I am here to rain on this tribute to the work of John Lennon in New York City in early October 2001 on two counts- musically and politically. As to the music. I make no bones about the fact that, as a product of the Generation of ’68, I grew to adulthood with this music, however, in any choice between The Beatles and The Rolling Stones, in my book The Stones win hands down. The same applies to comparisons to Lennon as an individual artist. John Lennon could write lyrics with the best of them, no question, but here is the real question- which song, for example, better expresses the sense of working class alienation and, more importantly, what to do about it- Lennon’s Working Class Hero or The Stones’ Street Fighting Man?"

I then went on to detail my militant leftist political differences with Lennon’s essentially pacific, almost childishly naïve politics. I stand by those remarks here. Nevertheless, as my headline indicates, in this documentary we are dealing with a different issue that traces the American government’s (with who knows what other governments’complicity) nefarious persecution of Lennon and his wife Yoko Ono for their brand of radical political activities. In their efforts to avoid deportation all our sympathies are with the Lennons (as they would be for anyone in that situation, cultural icon or not). We do not have to agree on Lennon’s “music is the revolution” ideas or anything else to know this simple fact- Against one Richard M. Nixon and his cohorts (as represented here by J. Edgar Hoover, various INS officials and, seemingly, G. Gordon Liddy) we are comrades in arms.

This somewhat choppily-segmented documentary that is moreover top heavy with ‘talking heads’ nevertheless does a good job of presenting the progress of John Lennon from the moppet Beatle to somewhat angry working class youth to a Gandhi-like prophet to something like America’s Public Enemy Number something as opposition to the Vietnam war escalated. And the American government reacted to Lennon, as it to others, in its pathological fear of anything left of Billy Graham in the spiritual field (or any field for that matter). This film traces the illegal harassment of the Lennons and their co-workers, their forthright long drawn out legal fight with immigration authorities to avoid deportation and their vindication after several years with the award of permanent resident status.

Along the way we get a glimpse back at the various be-in activities conducted by the Lennons, their various attempts at making political connections with other well-known political radicals and their essential political retreat in the face of the American governmental onslaught over their visa status. Add in an all-star cast of those, mainly repentant, radicals on both sides of the Atlantic like Tariq Ali and John Sinclair and you indeed have a trip down memory lane. But here is the kicker- yes, remember John Lennon’s visa fight- yes, remember when you take on the American state be ready for any madness, and I mean any madness and, no- do not for a minute believe "music is the revolution” or other notions presented here. That is the lesson we ultimately learn from this film.

*An Inside Look At The Great Gastonia Textile Strike Of 1929-From The Pen Of Communist Organizer Vera Weisbord

Click on title to link to article from the Albert and Vera Weisbord Internet Archives by then American Communist Party organizer Vera Weisbord about the heroic Gastonia textile strike of 1929. This, my friends, was the class war at its rawest in the anti-labor America "Jim Crow" South of the late 1920s. As the 1973 "Norma Rae" film about organizing in the late 1960s and today's struggles to organize places like Smithfield in the South testify to things are not that much changed for labor now.

*Labor's Untold Story- The Capitalist Anti-Labor Offensive,Part One, The Post-World War I "Red Scare"

Click on title to link to Wikipedia's entry for the post World War I "red scare" during the administration of Democratic President Woodrow Wilson and led by his Attorney-General Palmer.

Every Month Is Labor History Month

This Commentary is part of a series under the following general title: Labor’s Untold Story- Reclaiming Our Labor History In Order To Fight Another Day-And Win!

As a first run through, and in some cases until I can get enough other sources in order to make a decent presentation, I will start with short entries on each topic that I will eventually go into greater detail about. Or, better yet, take my suggested topic and run with it yourself.