Click on the headline to link to a "Wikipedia" entry for the early 19th century, pre-Marxist utopian socialist mentioned in the article below, Charles Fourier.
March Is Women's History Month
Markin comment:
The following is an article from the Winter 1986-87 issue of "Women and Revolution" that has some historical interest, for old "new leftists", perhaps. I will be posting more such articles from the back issues of "Women and Revolution" during this Women's History Month.
Additionally, when the issue of sex comes up, as it does in various disguises even in the left labor movement, I like to remind militants of the following. The left labor movement has set its main task among the three great human tragedies: hunger, sex, and death as the struggle against hunger. I like to remember the great Russian revolutionary, Leon Trotsky, and his words about his hope that once the struggle against hunger is victorious and that condition is overcome in our communist future sex and death will be less frightening and perilous. From personal experience, I sure hope so.
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Fourier's Phalanx, Reich's Sex-Pol:
The Trouble with Sexual Utopias
By Jack Shapiro
"It is a curious fact that with every great revolutionary movement the question of 'free love' comes in to the foreground. With one set of people as a revolutionary progress, as a shaking off of old traditional fetters, no longer necessary; with others as a welcome doctrine, comfortably covering all sorts of free and easy practices between man and woman," Frederick Engels noted in an article on the biblical "Book of Revelation" (printed in Progress: A Monthly Magazine of Advanced Thought, Vol. 1.2, 1883). Certainly the early, pre-Marxian socialists projected in elaborate detail what life, including sexual life, would be like in their ideal society of the future. The New Left of the 1960s, too, revived a radicalism centering on changing lifestyles. Herbert Marcuse, for example, criticized Marx as insufficiently radical for not directly linking the overthrow of capitalism to individual sexual fulfillment. Marx and Engels adamantly refused to engage in speculation on this question, however, insisting that their position was essentially negative, aimed at eliminating economic and social coercion in personal relations. As Engels stated in The Origin of the Family, Private Property and the State (1884):
"Thus, what we can conjecture at present about the regulation of sex relationships after the impending efracement of capitalist production is, in the main, of a negative character, limited mostly to what will vanish. But what will be added? That will be settled after a new generation has grown up: a generation of men who never in all their lives have had occasion to purchase a woman's surrender either with money or with any other means of social power; and of women who have never been obliged to surrender to any man out of any consideration other than that of real love, or to refrain from giving themselves to their beloved for fear of the economic consequences. Once such people appear, they will not care a rap about what we today think they should do. They will establish their own practice and their own public opinion, conformable therewith, on the practice of each individual—and that's the end of it."
This position was not a matter of intellectual modesty on Marx's or Engels' part. Rather it flowed organically from the dialectical materialist outlook. Under communism people will be genuinely and truly free to reshape their interpersonal relations. Of course, this freedom is not absolute. Man cannot transcend his biological make-up and relation to the natural environment. Communist man, too, will grow old and die. Neither can mankind sweep the slate totally clean and build society anew. Communist humanity will inherit for good and ill the accumulated cultural heritage of our species:
"Men make their own history, but they do not make it just as they please; they do not make it under circumstances chosen by themselves, but under circumstances directly encountered, given and trans¬mitted from the past.
—Karl Marx, The Eighteenth Brumaire of Louis Bonaparte (1851)
Nonetheless, men do make their own history, including the history of their sexual practices. We cannot know the sexual practices of communist society because these will be determined in the future. Any attempt to project, much less to prescribe, such sexual practices is an expression of attitudes, values and prejudices shaped by a repressive class society.
Consider two representative figures who sought to combine socialism with a positive program of sexual libertarianism: Charles Fourier and Wilhelm Reich. One of the greatest of the early socialist thinkers, Fourier developed a program for an ideal community— the phalanx—which would gratify all human passions. Wilhelm Reich, as a member of the Austrian and then German Communist parties in the late 1920s-early 1930s, attempted to fuse Marx and Freud both in theory and in practice.
Fourier and Reich were passionate and often insightful in denouncing the sexual repressiveness of bourgeois society. Yet as soon as they sought to positively prescribe codes of presumably liberated social/sexual relations, they went off the rails. They believed they knew what "human nature" is, but their efforts to establish lifestyles appropriate for free men of the future only shows that Fourier and Reich each brought to the notion of "human nature" a lot of the ideological baggage of his own particular time and circumstances, shaped by repressive, class-divided society. Fourier's phalanx, to eliminate sexual frustration, would institute mechanisms of sexual slavery. And Reich's "non-repressive" society would have sexual activities monitored by a central agency of bureaucrats.
Fourier: A Utopia Based on Passionate Attraction
Fourier described himself as being "born and raised in the mercantile shops." He existed in the netherworld of French commerce (traveling salesman, correspon¬dence clerk for an American firm, unlicensed stock¬broker). While never absolutely destitute, Fourier knew poverty. He lived in cheap travelers' pensions, boarding houses, dingy apartments. He was a recluse and may well have been a life-long celibate. Added to his personal isolation was his political isolation. His first work calling for the total reorganization of society was published in 1808. For the next 20 years he was totally ignored, a prophet unhonored and unacknowledged. Only in the last decade of his life did Fourier attract a small band of devoted followers. Fourier's was a lonely and miserable life. In his ideas of Utopia one sees the pent-up longings of this deeply frustrated man. This gives to his vision its passionate force and imaginative vividness. It also accounts for his fantastical and often downright weird ideas.
In this age of Penthouse and "adult" home videos, it is easy to be condescending toward old Fourier. Yet this neurotic dreamer was a towering figure in the struggle for social and sexual emancipation. Early in the 19th century it became apparent to those still committed to the ideals of the French Revolution that liberty, equality and fraternity were not compatible with private property in a competitive market economy. Fourier, the most incisive of the pioneer socialists, noted, "Philosophy was right to vaunt liberty; it is the foremost desire of all creatures. But philosophy forgot that in civilized society liberty is illusory if the common people lack wealth. When the wage-earning classes are poor, their independence is as fragile as a house without foundations" (quoted in Jonathan Beecher and Richard Bienvenu [Eds.], The Utopian Vision of Charles Fourier [1971]).
The status of women represented the most acute and manifest expression of the contradiction between capitalist society and its own ideals. The importance Fourier gave to women's liberation is exemplified in his famous statement:
"Social progress and changes of period are brought about by virtue of the progress of women toward liberty, and social retrogression occurs as a result of a
diminution in the liberty of women In summary, the
extension of the privileges of women is the fundamen¬tal cause of all social progress." —Ibid.
At a time when women were universally regarded and treated as nothing more than babymakers, Fourier championed not only complete social and political equality for women but also their right to sexual fulfillment. He was uniquely responsible for making the demand for the liberation of women from the oppressive nuclear family an integral part of the socialist program, a penetrating insight which the young Marx and Engels embraced. At a time when fathers exercised total authority over their families, especially their daughters, Fourier spoke for the freedom of children.
Even today reading Fourier would give Jerry Falwell or Pope John Paul Wojtyla apoplexy. He exposed the sexual boredom of monogamous marriage with a hitherto unheard-of savagery:
"This is the normal way of life among the mass of the people. Dullened, morose couples who quarrel all day long are reconciled to each other on the bolster be¬cause they cannot afford two beds, and contact, the sudden pin-prick of the senses, triumphs for a moment over conjugal satiety. If this is love it is the most material and the most trivial."
—quoted in Frank Manuel, The Prophets of Paris (1962)
He flayed the petty tyranny of the patriarchal family, especially the stifling of the sexual needs of children and adolescents:
"The children at the age of puberty think only of escaping the insipidity of the household: the young girl lives only for an evening when she is at a ball; the young man, preoccupied with parties, returns to his paternal home as to a place of exile. As to the children below the age of puberty, they are not satisfied except when they manage to escape the eye of the father and the eye of the tutor to enjoy everything that is forbidden to them."
—quoted in Nicholas V. Riasanovsky, The Teaching of Charles Fourier (1969)
Fourier's Phalanx: Outlawing Sexual Frustration
Fourier's answer to the repressiveness of bourgeois civilization was a system called Harmony, based on the phalanx. The phalanx was a basically self-contained social and economic unit of approximately 1,700 people. It would contain roughly two each of 810 basic psychological types. This would insure the necessary variety and complementarities. Life in a Fourierist phalanx is attractive. All work is voluntary and not for monetary reward. There is a great deal of sexual freedom and variety. Children especially are intended to enjoy life in a phalanx. They would be subject to little parental or other authority, and would spend most of the day with peer groups (the Little Bands and Little Hordes). Returning to the bosom of his parents at night, the child is overwhelmed with love and affection.
Yet Fourier's Utopia has oppressive and sexually abusive features. Fourier believed that homosexuality, both male and female, would disappear under his system of the phalanx. In the phalanx, "harmonious armies" of young men and women would engage in nonviolent warfare. The losers would for a brief time serve as slaves to the victors. These youthful captives would be expected to meet the sexual needs of older members of the phalanx so that "no age capable of love is frustrated in its desire." Fourier's difficulties arise from two interrelated factors: the problem of work and the guarantee of sexual satisfaction, not merely the pursuit of such happiness as Thomas Jefferson (Fouri¬er's older contemporary) put it in the American Declaration of Independence.
In the Fourierist phalanx, work is not only voluntary but positively pleasurable as well as more productive than under capitalism: "in a societary state varied work will become a source of varied pleasures."Yet this work is crude manual labor, mainly agricultural. One of the great advances of scientific socialism (Marxism) was the understanding that technological progress, which under capitalism is used by the ruling class to further enslave and immiserate the working people, will when freed from the fetter of private property provide the material basis for human freedom.
Fourier, with his passion for mathematical exactitude, projects that the phalanx economy will be four-fifths agriculture and one-fifth manufacturing. And by manufacturing he means literally production by hand: "The industrial revolution passes Fourier by; he failed completely to appreciate its significance.... [Division of labor meant to him the simple form well illustrated in market-gardening, not the complex form associated with the machine technique" (E.S. Mason, "Fourier and Anarchism," Quarterly Journal of Economics, February 1928).
The pre-industrial nature of Fourier's Utopia is not simply a reflection of the relative economic backward¬ness of France in his day. His great French contempo¬rary Henri de Saint-Simon projected a socialized system based on continual technological progress. Fourier, however, deliberately rejected this program: "The Saint-Simonian vision, as well as the subsequent Marxist dream, of mechanized socialist mankind wresting a bountiful living from a stingy and hostile environment would have seemed a horrible nightmare of rapine to Fourier, for he knew that the natural destiny of the globe was to become a horticultural paradise, an ever-varying English garden" (Introduction to Beecher and Bienvenu [Eds.], The Utopian Vision of Charles Fourier). In addition Fourier feared that, scientists and technical experts would exercise a new guardianship over society, establishing a new theocracy.
Given the primitive nature of work in the phalanx, Fourier could only offer variety, satisfying the "butterfly passion" to flit from one thing to another. In a typi¬cal day a member of the phalanx would care for the animals, engage in forestry, vegetable gardening, beekeeping and so on. Nicholas Riasanovsky, himself a sympathetic student of Fourier's doctrines, has nonetheless pointed out: "In general Charles Fourier's promise of most enthusiastic and most fruitful work by all in Harmony has aroused much skepticism— [Sjwitching in rapid succession from one unpleasant job to another would hardly improve anyone's productivity."
Marx's view of work is directly counterposed to Fourier's. For Marx, socialist economic planning would lead to a fully automated economy in which the "human factor is restricted to watching and supervising the production process" (Crundn'sse). Work then becomes increasingly creative artistic and scientific activity. At the same time, Marx insisted: "This does not mean that work can be made merely a joke, or amusement, as Fourier naively expressed it in shop-girl terms. Really free work, the composing of music for example, is at the same time damned serious and demands the greatest effort" (ibid.). We see here the difference between the Rousseauian and the Marxist outlooks. For Fourier, happiness meant a return to the spontaneous playfulness of childhood. Marx recognized that mankind had developed a real need to fully utilize and extend all its capacities. Artistic and scientific work is not and cannot be made fun in the sense that sex, eating good food and playing games are fun. But this kind of work has also become an object of passionate attraction.
It is not true, as Riasanovsky implies, that Fourier offered no motivation for enthusiastic work effort in the phalanx. In part, he solved this problem in his usual manner: by asserting that there is a psychological type in sufficient numbers to perform any and every needed social role. Who, for example, would do dirty work like collecting the garbage and spreading manure on the fields? Fourier's answer—little boys:
"Two-thirds of all boys have a penchant for filth. They love to wallow in the mire and play with dirty things— These children will enroll in the Little Hordes whose task it is to perform, dauntlessly and as a point of honor, all those loathsome tasks that ordinary workers would find debasing."
—Beecner and Bienvenu, op cit.
Fourier himself was city born and bred and so sentimentalized rural life. Children actually raised on farms, who have milked cows at 4 a.m. and slopped the pigs, can hardly wait to escape to urban civilization.
More fundamentally and generally, Fourier replaced money with sex as a reward for work effort. Sexually integrated work groups (the series) were to be an occasion for amorous dalliance. The connection between sexual fulfillment and work effort is especially clear and important in the recruitment and maintenance of industrial armies, huge bodies of tens of thousands which would clear new land, drain swamps, build dams and the like. Accompanying these industrial armies would be beautiful virgins (!) (the Vestals) of both sexes. Work performance in the industrial army would be the primary form of courtship: "the female Vestal is surrounded by her suitors, and she can watch them displaying their talents in the work sessions and the public games of the army." One can hardly imagine work conditions better designed to create anxiety and frustration than this intense, public sexual competition.
Nonetheless, Fourier assures us that the rejected suitors would not suffer sexual frustration. Indeed, eliminating sexual frustration is a basic principle of Harmony. Also accompanying the industrial armies are young women and men (the Bacchantes and Bacchants) who freely give their sexual favors to those wounded in love. Thus this passionate believer in women's equality is led by the logic of his system to project a class of free whores to meet the sexual needs of men. Fourier of course insisted: "Most women of twenty-five have a temperament suited to this role, which will then become a noble one." At the same time, he chastises attractive women who want a life¬long monogamous relation with their loved one:
"What is reason in the state of harmony? It is the employment of any method which multiplies relationships and satisfies a great number of individuals without injuring anybody. A beautiful woman operates in contradiction of this rule if she wants to remain faithful and to belong exclusively to one man all her life. She might have contributed to the happiness of ten thousand men in thirty years of philanthropic service, leaving fond memories behind among these ten thousand."
—quoted in Manuel, op cit.
Sexual libertarianism here becomes its opposite: social pressure toward promiscuity in the name of satisfying everyone's desires.
Sexual coercion outright enters Harmony through the problem of old people, something Fourier felt keenly. He once wrote, "life, after the end of love affairs, is nothing but a prison to which one becomes more or less adjusted according to the favors of fortune." Fourier was realistic enough to recognize that while old people still sexually desired the young, the reverse was not usually the case. His system therefore contains elaborate measures to solve this problem. As we have seen, the youthful captives in the nonviolent war games serve for a short while as slaves to older members of the phalanx. Sexually servicing the aged was also a penalty for transgressing the rules of Harmony. While Fourier's Utopia contains what we would call open marriage, there are also by mutual consent monogamous relations. If one partner in these engages in secret infidelity, he is brought before a "court of love." To expiate this transgression, he orshe may be sentenced to a few nights with older members of the phalanx.
Fourier's "ideal" society was certainly shaped by his own neurotic idiosyncracies. But his views also directly reflect the assumptions of his time. Fourier (and Reich)held that human passions or, in Freudian terms, instinctual drives, were unchanging and unchangeable. Fourier and, more narrowly and dogmatically, Reich believed they knew what was natural and healthy sexuality and what was depravity and perversion. Their program was to adjust social institutions around an emotional make-up conceived as unvarying. Fourier wrote to his disciple Victor ConsideVant: "I am the only reformer who has rallied round human nature by accepting it as it is and devising the means of utilizing it with all the defects which are inseparable from man."
Fourier and Reich belong to the intellectual tradition of Enlightenment naturalism, whose greatest represen¬tative was Jean-Jacques Rousseau. Late in life Rousseau wrote that all his doctrines were based on the "great principle that nature made man happy and good, but that society depraves him and makes him miserable." Fourier constantly counterposes the happy and natural man in the phalanx society to the artificial and miserable creature of existent civilization. For Reich, the Freudian concept of id corresponds to Rousseau's "state of nature," man not yet depraved by repressive civilization.
Social Utopias based on Rousseauian naturalism have an inherent tendency toward totalitarianism. If man is naturally good, then "unnatural" social orders can be maintained only through false ideas and ideologies (e.g., religion). Fourier insisted that a society based on the phalanx could have been established any time in the past two millennia—if only someone had thought of it before. Social liberation thus becomes a struggle against bad ideas—rooting them out and preventing recontamination.
The first attempt to establish a Fourierist phalanx was made in what is now Romania in the 1830s by a noble landowner for his serfs. Local Moral Majority types were outraged and launched an armed attack to destroy the phalanx. The peasants valiantly defended their "free love" commune though in the end they were overwhelmed by superior force. The Socialist Republic of Romania has built a historical monument to commemorate the last stand of the Fourierist peasants of Scani.
Wilhelm Reich's Sex-Pol
Wilhelm Reich died in 1957 in Lewisburg, Pennsylvania federal penitentiary. He was imprisoned for violating a court order on a charge brought by the Food and Drug Administration that he had transported an empty box, the Orgone Energy Accumulator, across state lines. Medically, Reich had become a quack. Politically he was a rabid red-baiter, an outspoken supporter of McCarthyism.
Yet a quarter century earlier, Wilhelm Reich had attempted to fuse Marxism and Freudian psychoanalysis. Reich was simultaneously a member of Freud's inner circle of followers and of the German Communist Party, a mass workers party, at a critical moment in modern history: the rise to power of Nazism. In the 1960s the New Left rediscovered the early Reich and made him into a minor cult figure. A selection of his writings between 1929 and 1934, entitled Sex-Pol, was published in English in 1966, edited by Lee Baxandall of the defunct Studies on the Left. An introduction by Marxoid academic Bertell Oilman declared: "The revolutionary potential of Reich's teachings is as great as ever—perhaps greater, now that sex is accepted as a subject for serious discussion and complaint virtually everywhere."
Many of the activities of Reich and his supporters (who called themselves the Sex-Pol movement) within the Austrian and German Communist parties were entirely commendable. They agitated against sexually repressive legislation and campaigned for the greater economic independence of youth. The Reichian clinics in Vienna and Berlin provided working-class youth with information about contraception and preventing venereal disease, and doubtless performed useful individual counseling. Some of his early writings on character analysis and "body language" remain today standard texts for practicing analysts. Reich became attracted to Marxism by his work in the free psychoanalytic clinic in Vienna, where he became convinced that poverty and oppression contributed to neuroses, and thus that their cure demanded the restructuring of society.
In a 1932 work written for the German Communist Party's youth group he concluded: "In capitalist society there can be no sexual liberation of youth, no healthy, satisfying sex life; if you want to be rid of your sexual troubles, fight for socialism. Only through socialism can you achieve sexual joie de vivre.... Socialism will putan end to the power of those who gaze up toward heaven as they speak of love while they crush and destroy the sexuality of youth." This bouncy, bombastic rhetoric endeared Reich to the New Left. Rejecting the Marxist understanding that sexual life is essentially a private matter, Reich insisted that the Communist movement must struggle for a "satisfying sex life" both for its own members and for society at large.
Reich's basic message can be baldly stated as follows. The sexual repression practiced by the patriarchal, nuclear family (e.g., preventing children from masturbating) produces submissive adults, fearful of bour¬geois authority. Thus the struggle against sexual repression—itself a deep-felt source of discontent throughout society—is of strategic importance in releasing the revolutionary energy of the masses.
In opposition to orthodox Freudianism, Reich refused to accept the patriarchal, nuclear family as a cultural given. The Oedipus complex, the frustrated desire of a child to possess the parent of the opposite sex, he wrote,
"must disappear in a socialist society because its social basis—the patriarchal family—will itself disappear, having lost its raison d'etre. Communal upbringing, which forms part of the socialist program, will be so unfavorable to the forming of psychological attitudes as they exist within the family today—the relationship of children to one another and to the persons who bring them up will be so much more many-sided, complex and dynamic—that the Oedipus complex with its specific content of desiring the mother and wishing to destroy the father as a rival will lose its meaning."
—"Dialectical Materialism and Psychoanalysis" (1929)
Reich's particular recipe for "a satisfying sex life" was rigid and bizarre. At the core of his psychoanalytic theory was the function of the orgasm as the sole release for dammed up sexual energy. The failure of the orgasm to perform this function produced mental illness. He maintained that orgastic impotency was the sole cause of all neurotic and psychotic behavior.
Reich's fellow psychoanalysts objected that many neurotics had quite normal sex lives. But, to paraphrase George Orwell, for Reich some orgasms are more equal than others. To fulfill its function an orgasm must be heterosexual, without irrelevant fantasies and of sufficient duration:
"Orgastic potency is the capacity to surrender to the flow of biological energy, free of any inhibitions; the capacity to discharge completely the damned-up [sic] sexual excitation through involuntary, pleasurable convulsions of the body.'
—The Function of the Orgasm (1927)
In 1939 Reich invented the Orgone Energy Field Meter to measure sexual energy and its discharge. He had long since abandoned both Marx and Freud for the realms of science fiction.
Reich's reasoning is circular. He hypothesizes that mental illness is produced by undischarged sexual energy. But, since the latter is unmeasurable, he then deduces genital incapacity from psychological distress: "Not a single neurotic is orgastically potent, and the character structure of the overwhelming majority of me'n and women are neurotic." The psychoanalyst thus becomes the supreme arbiter of sexual health and unhealth. This opens the door to subjective arbitrari¬ness and outright bigotry.
For example, Reich maintained the orthodox Freudian position that homosexuality is arrested development, the failure of the child to overcome primary narcissism and develop love objects outside himself. He went further than Freud and also identified homosexuality with political reaction:
"The more clearly developed the natural heterosexual inclinations of a juvenile are, the more open he will be to revolutionary ideas; the stronger the homosexual tendency within him and also the more repressed his awareness of sexuality in general, the more easily he will be drawn toward the right."
—"What is Class Consciousness?" (1934)
His New Left admirers understandably turn a blind eye to this aspect of Reich's sexual theories. (To its credit, the Sex-Pol movement continued to call for an end to state laws against homosexuality.)
Like Fourier, Reich's view of what people are "really" like was shaped by the particularities of his time. Reich's brief career in the Communist movement coincided with the greatest defeat for the world proletariat in modern history: the triumph of fascism in Germany, then the strongest industrial power in Europe. Reich's analysis of Nazism was his only effort to apply his theories to a contemporary political problem—and the results are revealing.
Reich's response to Hitler's coming to power was the direct cause of his break with both Marxism and Freudianism. The Mass Psychology of Fascism, published a few months after Hitler became chancellor in early 1933, was denounced by the official Communist leadership as "counterrevolutionary." The official psychoanalytic movement likewise disavowed this work, and Reich was secretly expelled from the German Psychoanalytic Association in 1933.
Everyone in Germany recognized that the social base of the Nazi movement was the lower middle classes— small tradesmen, farmers, civil servants, white-collar workers. The German industrial proletariat remained loyal to the Social Democracy and, to a lesser extent, the Communist Party right up until and a good while after Hitler was appointed chancellor by the old Prussian aristocrat von Hindenburg.
Reich thus begins his famous The Mass Psychology of Fascism with an attempt at a class analysis. He maintains that children from a petty-bourgeois background are subject to a more authoritarian and sexually repressive upbringing than proletarian children. A typical German petty-bourgeois family—on the farm or running a small shop—was also an economic unit. The father was literally a boss who directed and supervised his children at work. Subjectively, a proletarian father might be as authoritarian and sexually repressive, but he had far less control over his children. He left the home for work while they went to school. In adolescence working-class children escaped into the factory, exchanging the tyranny of the family for the rigors of wage-slavery. Obviously such an analysis, even if valid, produced no useful course of action. The millions of Nazi supporters could hardly be psychoanalyzed to remove the neurotic character structure imposed by their upbringing.
A socialist revolution—if it is to be made at all—has to be made by people as they are shaped by an oppressive class society with all its deforming effects. Rejecting the possibility of progressive social struggle by such people, and positing individual psychic health as the precondition for collective political struggle for liberation, Reich was profoundly fatalistic.
In the critical year of 1923 the German petty-bourgeois masses veered sharply to the left and would have followed an aggressive Communist leadership. At that time fascist influence was marginal. Witness the almost comic-opera debacle of Hitler's "beer hall putsch" in Munich. The failure of the German Communist Party to provide genuine revolutionary leadership during the stormy years of the early 1920s left a strong residue of distrust among both the more conservative workers who supported Social Democracy and the petty-bourgeois masses, who turned to fascism under the catastrophic impact of the Great Depression.
That is not to imply that the German Communist Party in the early 1930s was helpless to prevent Hitler's eventual triumph. While Reich is highly critical of the official Communist leadership in many respects, he has little to say about the insane and suicidal policies of the so-called "third period" as laid down by Stalin. The German Communists not only opposed united-front actions with the Social Democrats to combat the fascist terror squads; they labeled the mass reformist party of the German proletariat as "social fascist" and at times treated the Social Democrats as the main enemy.
In 1934 Reich did retrospectively criticize the Communists' refusal to engage in united actions with the Social Democrats against the fascists, but he treated this as a question of third- or fourth-rate importance. One gets no sense reading The Mass Psychology of Fascism that there were millions of German workers, Social Democratic as well as Communist supporters, who were prepared to resist Hitler by civil war if necessary. On the contrary, Reich is obsessed with the "submissiveness" of the working class no less than of the petty bourgeoisie, with its respect for authority and fear of revolt:
"From (he standpoint of the psychology of the masses, Social Democracy is based on the conservative structures of its followers. As in the case of fascism, the problem here lies not so much in the policies pursued by the party leadership as it does in the psychological basis in the workers." (emphasis in original)
Within months after Reich wrote this, the Austrian working class, overwhelmingly supporters of SocialDemocracy, rose in armed insurrection against the clerical-fascist regime of Dollfuss.
In the course of writing and constantly revising The Mass Psychology of Fascism, Reich moved further and further from any kind of Marxism. Increasingly, a class analysis gives way to a mass-psychological approach. The terms worker and petty bourgeois are replaced by "the average unpolitical person," the proverbial man-in-the-street:
"Experience teaches that the majority of these 'nonpolitical' people can hardly be made to listen to anything about their socio-economic situation, whereas they are very accessible to the mystical claptrap of a National Socialist, despite the fact that the latter makes very little mention of economic interests. How is this to be explained? It is explained by the fact that severe sexual conflicts (in the broadest sense of the word), whether conscious or unconscious, inhibit rational thinking and the development of social responsibility."
At every level Reich shifts historic responsibility from political leaderships and social elites to the neurotic character structure of the masses. Paul A. Robinson, who is,generally sympathetic to Reich in his Marxist perio'd, observes that his view of fascism dovetails with that of certain German bourgeois rightists: "Ironically, Reich's mass-psychological analysis of the German problem bore a striking resemblance to the apologies of such German conservatives as Friedrich Meinecke and Gerhard Ritter, who, in their anxiety to excuse the German e"lite (whether cultural, political, or military), were quick to put the blame on the hoi polloi" (The Freudian Left [1969]). In a 1942 preface to The Mass Psychology of Fascism, Reich accepted fascism as essentially inevitable: "'fascism' is the basic emotional attitude of the suppressed man of our authoritarian machine civilization and its mechanistic-mystical conception of life." In fact, Reich's prescription for a supposedly nonrepressive society provided his own version of totalitarian Big Brother: "sexologically well-trained functionaries" to supervise sexual life "in conjunction with a central sexological agency."
Freud and Marx on Work and Love
Paul Robinson, in The Freudian Left, has stated that there was an underlying logic to Reich's break with both Freud and Marx in the mid-1930s. Freud believed that socialized man was beset by basic instinctual conflict; Marx saw civilization as it existed as funda¬mentally riven by class conflict. Reich, says Robinson, tended to regard man as naturally both sociable and productive, and therefore came to view both psychological distress and social conflict as easily and immediately solvable. Robinson concluded, "Freud and Marx may indeed have been fellow-revolutionaries, as Reich had argued in 1929, but they were also realists. Reich, on the other hand, was a romantic, as much in his politics as in his psychology."
While Robinson is probably correct about Reich, his coupling of Marx and Freud as fellow revolutionary realists is misleading. Freud was a historical pessimist; Marx was not. To understand the difference it is necessary to consider Freud's theory of instinctual conflict, or, rather, his two different theories of instinctual conflict.
Freud's original theory was the conflict between the pleasure and the reality principles. A child's striving for the immediate gratification of his needs and wants is blocked by social reality, initially represented by his parents. His desire to monopolize the affection and attention of his parents is frustrated with the birth of a sibling. His desire to defecate whenever he feels like is suppressed through toilet training. To live in society a child is taught to postpone immediate gratification. The socialized human being has learned to pursue by roundabout paths the satisfaction of his needs, especially his sexual needs.
The Marxist response to this Freudian concept is twofold. To a considerable extent we can change social reality to accommodate instinctual gratification. And to the extent there is an ineradicable tension between instinctual gratification and organized social life, why should this be a barrier to psychological well-being? Marxists have never believed that this is or can be made into the best of all possible worlds. But neither do we assume that the price of civilization is universal neurosis.
In 1920 Freud published Beyond the Pleasure Principle in which he posited the existence of innate aggression or "the death instinct." The dating of this work is anything but accidental. A mood of profound historical pessimism swept over European bourgeois intellectuals in the wake of the First World War, which shattered their seemingly stable civilization. This was especially pronounced in German-speaking Central Europe which had lost the war. Beyond the Pleasure Principle was written in the same intellectual climate as, for example, Oswald Spengler's The Decline of the West. Writing several years later to Albert Einstein, who was a pacifist, Freud maintained that a major cause of war was "a lust for aggression and destruction," that is, "the death instinct."
Freud's "discovery" of a death instinct in man was thus not simply, or even primarily, based on clinical experience with individual therapy but was rather an attempt to explain mass destruction on a political and historical plane. For Marxists, the explanation is class and national conflict ultimately rooted in economic scarcity. We thus do not accept that the human species has an inner drive toward self-destruction. Reich, incidentally, never accepted the death instinct and squarely based his own theories on the original Freudian concept of the pleasure versus reality principles.
Freud's most developed and comprehensive statement of historical pessimism is Civilization and Its Discontents, published in 1930. Reich maintained this work was a direct response to his own views. Whether or not this is the case, it does contain a polemic against communists, to whom Freud attributes the view that "man is wholly good and is well-disposed to his neighbour; but the institution of private property has corrupted his nature." In opposition to this he insists "that the inclination to aggression is an original, self-subsisting instinctual disposition in man...."Therefore he concludes that even the most radical and far-reaching changes in social institutions cannot alter the human psyche:
"If we do away with personal rights over material wealth, there still remains prerogative in the field of sexual relationships, which is bound to become the source of the strongest dislike and the most violent hostility among men who in other respects are on an equal footing. If we were to remove this factor, too, by allowing complete freedom of sexual life and thus abolishing the family, the germ-cell of civilization, we cannot, it is true, easily foresee what new paths the development of civilization could take; but one thing we can expect, and that is that this indestructible feature of human nature will follow it there."
However, even if we set aside the concept of innate aggression and "the death instinct," Freud still remains a historical pessimist toward the goals of communism. He was convinced there was a fundamental conflict between the enjoyment of sexual love and the work effort needed to create and sustain civilization. "When a love-relationship is at its height," he wrote, "there is no room left for any interest in the environment; a pair of lovers are sufficient to themselves, and do not even need the child they have in common to make them happy." By contrast, he maintained:
"... as a path to happiness, work is not highly prized by men. They do not strive after it as they do after other possibilities of satisfaction. The great majority of people only work under the stress of necessity, and this natural human aversion to work raises most difficult social problems."
What kind of work is Freud here talking about-plowing a field in the broiling sun,operating a machine on an assembly line, typing business letters at a hundred words a minute? Naturally people don't strive after this kind of work as a path to happiness.
The debate between Reich and Freud in the late 1920s over love and work was scholastic in the sense that the vast majority of people have neither the option of a rich, fulfilling sexual life nor of creative, self-expressing work. Most people have to do dull, tiring and often body-destroying labor. It is entirely illegitimate to speculate about communist man on the basis of the few, exceptional, creative individuals—a Leonardo da Vinci, Charles Darwin or Sigmund Freud—in oppressive, class-divided society. At the same time, most people cannot lead a gratifying erotic life. This is prevented not simply by repressive laws, ideologies (e.g., religion) and mores but also by basic economic factors—being physically exhausted after long hours of labor; youth forced to live with their parents long after puberty; the practical burdens of raising children.
For the Communist Future
Marx and Engels did not counterpose human nature to civilization, the individual to society. The individual's capacity for gratification and fulfillment is based upon the development and wealth of society. The oppression and degradation of the individual in class society has its roots in economic scarcity, ultimately in man's lack of sufficient control over nature, including his own nature:
"...it is only possible to achieve real liberation in the real world and by employing real means, that slavery cannot be abolished without the steam-engine and the mule and spinning-jenny, serfdom cannot be abolished without improved agriculture, and that, in general, people cannot be liberated as long as they are unable to obtain food and drink, housing and clothing in adequate quality and quantity. 'Liberation' is an historical and not a mental act—"
—Karl Marx and Frederick Engels, The German Ideology (1845-46)
It is this understanding which separates Marxism from the radical advocates of sexual liberation here and now.
Only under communism, when people have access to creative work and a rich erotic life, will it be possible to determine the relation between these two spheres of human activity. Is work always and necessarily a deflection of sexual energy as Freud believed? Or is a satisfying love life in the long run a necessary condition for work capacity as Reich insisted? Let's create a society in which we can find out.
The great 19th century French revolutionary Auguste Blanqui had little patience for the disputes among the Utopian radicals of his day. He once wrote that the debate between Cabet and Proudhon over the future ideal organization of society is like two men who "stand by a river bank, quarrelling over whether the field on the other side is wheat or rye. Let us cross and see."
Friday, March 27, 2009
The Slippery Slope To Escalation In Vietnam (Oops!), Sorry, Afghanistan
Click on title to link to "The Boston Globe" article of March 27, 2009 detailing Obama's Afghan troop escalation plans.
Commentary
Anyone who has caught today’s , Friday March 27, 2009, headlines is aware that the Democratic Party-run Obama government has called for some 4,000 additional troops for Afghanistan and what they, euphemistically, call civilian support teams in order to bolster the sagging regime of “Mayor of Kabul” Karzai. Those numbers are in addition to the 17,000 extras already committed by the Obama regime in February. Does the word escalation seem appropriate here?
One of the problems of having gone through the Vietnam experience in my youth (including periods of lukewarm support under John F. Kennedy, a hands off attitude in the early Lyndon B. Johnson years and then full-bore opposition under the late Johnson, Richard M. Nixon and Gerald Ford regimes) is a tendency to view today’s American imperial policy in the same by-the-numbers approach as I took as a result of observing the Vietnam War as it unfolded. There are differences, some of them hugely so, between Vietnam and Afghanistan. Just as, I have previously noted in this space, there are differences between Vietnam and the recently “completed” Iraq War (Hey, I’m just going by what the media tells me is going on. They wouldn’t lead us astray, would they?)
But, I keep getting this eerie feeling in the back of my neck every time I hear, or see, anything concerning Afghanistan coming out of this new Obama administration. They appear clueless, yet are determined to forge ahead with this policy that can only lead to the same kind of quagmire than Vietnam and Iraq turned into. That is where the analogies to Vietnam do connect up. In this regard, I have recently been re-reading Kennedy/Johnson War Secretary Robert Strange (that’s his middle name, folk, I didn’t make it up and didn’t need to) McNamara’s memoirs, written in 1995, of his central role in the development of Vietnam policy, “In Retrospect: The Tragedy and Lessons of Vietnam”.
Obviously McNamara put his own ‘spin’ on his personal role in order to absolve himself (a little) before history. That is to be expected. What comes through crystal clear, however, because in the final analysis McNamara still doesn’t get it, is that when you’re the number one imperial power all the decisions you make are suppose to fall into place for your benefit because you represent the “good guys”. Regardless of what you do, or do not, know about the internal workings of the situation at hand. That is why I have that eerie, very eerie, feeling about this Obama war policy.
This continual escalation, moreover, bears closer watching because as I have said since the Obama election, when push comes to shove, he has decided to stake his place in history on Afghanistan. He is running full steam ahead on his well-publicized campaign promises. So, for all those who have given Obama a pass on his war aims, mainly because he isn’t George Bush. For all of those who did not go out in the streets on March 19th and protest the Iraq/Afghan Obama war policy on the 6th anniversary of the start of the Iraq war. For all of those who have forgotten the lessons of Vietnam, or are not aware of them. Remember the fate of Robert Strange McNamara. And to be on the safe side call now for-Immediate Unconditional Withdrawal of All U.S./Allied Troops From Iraq and Afghanistan! And Hands Off Pakistan while we are at it.
Commentary
Anyone who has caught today’s , Friday March 27, 2009, headlines is aware that the Democratic Party-run Obama government has called for some 4,000 additional troops for Afghanistan and what they, euphemistically, call civilian support teams in order to bolster the sagging regime of “Mayor of Kabul” Karzai. Those numbers are in addition to the 17,000 extras already committed by the Obama regime in February. Does the word escalation seem appropriate here?
One of the problems of having gone through the Vietnam experience in my youth (including periods of lukewarm support under John F. Kennedy, a hands off attitude in the early Lyndon B. Johnson years and then full-bore opposition under the late Johnson, Richard M. Nixon and Gerald Ford regimes) is a tendency to view today’s American imperial policy in the same by-the-numbers approach as I took as a result of observing the Vietnam War as it unfolded. There are differences, some of them hugely so, between Vietnam and Afghanistan. Just as, I have previously noted in this space, there are differences between Vietnam and the recently “completed” Iraq War (Hey, I’m just going by what the media tells me is going on. They wouldn’t lead us astray, would they?)
But, I keep getting this eerie feeling in the back of my neck every time I hear, or see, anything concerning Afghanistan coming out of this new Obama administration. They appear clueless, yet are determined to forge ahead with this policy that can only lead to the same kind of quagmire than Vietnam and Iraq turned into. That is where the analogies to Vietnam do connect up. In this regard, I have recently been re-reading Kennedy/Johnson War Secretary Robert Strange (that’s his middle name, folk, I didn’t make it up and didn’t need to) McNamara’s memoirs, written in 1995, of his central role in the development of Vietnam policy, “In Retrospect: The Tragedy and Lessons of Vietnam”.
Obviously McNamara put his own ‘spin’ on his personal role in order to absolve himself (a little) before history. That is to be expected. What comes through crystal clear, however, because in the final analysis McNamara still doesn’t get it, is that when you’re the number one imperial power all the decisions you make are suppose to fall into place for your benefit because you represent the “good guys”. Regardless of what you do, or do not, know about the internal workings of the situation at hand. That is why I have that eerie, very eerie, feeling about this Obama war policy.
This continual escalation, moreover, bears closer watching because as I have said since the Obama election, when push comes to shove, he has decided to stake his place in history on Afghanistan. He is running full steam ahead on his well-publicized campaign promises. So, for all those who have given Obama a pass on his war aims, mainly because he isn’t George Bush. For all of those who did not go out in the streets on March 19th and protest the Iraq/Afghan Obama war policy on the 6th anniversary of the start of the Iraq war. For all of those who have forgotten the lessons of Vietnam, or are not aware of them. Remember the fate of Robert Strange McNamara. And to be on the safe side call now for-Immediate Unconditional Withdrawal of All U.S./Allied Troops From Iraq and Afghanistan! And Hands Off Pakistan while we are at it.
Thursday, March 26, 2009
***Yes, You Better Boot That Thing- Early Women Blues Singers From The 1920s Be-Bop Night
Click on title to link to YouTube's film clip of Victoria Spivey performing "TB Blues". Wow.
CD REVIEW
Better Boot That Thing: Great Women Blues Singers Of The 1920’s, BMG Music, 1992
One of the interesting facts about the development of the blues is that in the early days the recorded music and the bulk of the live performances were done by women, at least they were the most popular exponents of the genre. That time, the early 1920's to the 1930's, was the classic age of women blues performers. Of course, when one thinks about that period the name that comes up is the legendary Bessie Smith. Beyond that, maybe some know Ethel Waters. And beyond that-a blank.
I have tried elsewhere in this space to redress that grievance by reviewing the works of the likes of Memphis Minnie, Ida Cox and Ivy Anderson, among others. I also have scheduled a separate appreciation of one of the four women featured on this CD, Alberta Hunter. This CD format thus falls rather nicely in line with my overall intention to continue to highlight some of these lesser known women artists. Moreover, as fate would have it, this compilation included the work of Victoria Spivey, a singer that I have mentioned elsewhere and have wanted to discuss further. Finally, the conception of the producers here is enhanced by breaking up the CD into two parts-the urban blues part represented by Hunter and Spivey and the country blues part represented by Bessie Tucker and Ida May Mack. While both this trends have always shared some common roots and musicality they also represent two distinct trends in blues music as reflected in the increasing urbanization of the American black population in the 20th century.
Let’s use the urban/country divide as a frame of reference. The smoother style of Hunter and Spivey obviously reflected the need to entertain a more sophisticated audience that was looking for music that was different from that country stuff down home. And that laid back style was seemingly passé in the hectic urban world. Tucker and Mack reflect that old time country hard work on the farm, hard scrabble for daily existence found, as well, in the songs of their country blues male counterparts. What unites the two strands is the personal nature of the subject matter- you know, mistreating’ men, cheatin’ guys, two-timing fellas, money taking cads, squeakin’ man-stealing women friends, the dusty road out of town, and just below the surface violence and mayhem, threaten or completed. And that is just an average day’s misery.
So what is good here? I won’t spend much time on Alberta because I have looked at her work elsewhere but please give a listen to “My Daddy’s Got A Brand New Way To Love,” the title tells everything you need to know about this song and is classic Alberta. Of course for Bessie Tucker you need, and I mean need, to hear the title track “Better Boot That Thing” and then you will agree that you, man or woman, best stay home and take care of business. As for Ida May I flipped when I heard her saga of a fallen woman as she moans out on “Elm Street Blues” and her lament on “Wrong Doin’ Daddy”. However, what you really want to do is skip to the final track and listen to “Good-bye Rider” which for the nth time concerns the subject of that previously mentioned advice about “not advertising your man.” to your friends.
Victoria is just too much on “Telephoning The Blues,” again on that two timing man, wronged woman theme. “Blood Hound Blues” demonstrates that she was not afraid to tackle some thorny issues, including a reverse twist here about a woman driven to kill her hard-hearted physically abusive man, was jailed, escaped and is on the lam as she sings this song. The song that knocked me out on this more socially-oriented theme is her “Dirty Tee Bee Blues” about the tragic suffering of a gal who went the wrong way looking for love and adventure and now must pay the price. Powerful stuff.
A special note on Victoria Spivey. I have mentioned, in a review of some film documentaries (four altogether) entitled “American Folk Blues Festival, 1962-1966” that were retrieved a few years ago by German Cinema and featured many of the great blues artist still alive at that time on tour in Europe, that Victoria Spivey had a special place in the blues scene not only as a performer and writer (of songs and goings-on in the music business) but that she was a record producer as well (Spivey Records).
Back in the days when music was on vinyl (you remember them, right?) I used to rummage through a second hand- record store in Cambridge (talk about ancient history). One of my treasured finds there was a Spivey Records platter featuring Victoria, the legendary Otis Spann (of Muddy Waters’ band), Luther “Guitar” Johnson, and a host of other blues luminaries. She, like her black male counterpart impresario Willie Dixon (who she occasionally performed with), was a pioneer in this business end of the blues business, a business that left more than its fair share of horror stories about the financial shenanigans done to “rob” blues performers of their just desserts. That, however, is a tale for another day.
CD REVIEW
Better Boot That Thing: Great Women Blues Singers Of The 1920’s, BMG Music, 1992
One of the interesting facts about the development of the blues is that in the early days the recorded music and the bulk of the live performances were done by women, at least they were the most popular exponents of the genre. That time, the early 1920's to the 1930's, was the classic age of women blues performers. Of course, when one thinks about that period the name that comes up is the legendary Bessie Smith. Beyond that, maybe some know Ethel Waters. And beyond that-a blank.
I have tried elsewhere in this space to redress that grievance by reviewing the works of the likes of Memphis Minnie, Ida Cox and Ivy Anderson, among others. I also have scheduled a separate appreciation of one of the four women featured on this CD, Alberta Hunter. This CD format thus falls rather nicely in line with my overall intention to continue to highlight some of these lesser known women artists. Moreover, as fate would have it, this compilation included the work of Victoria Spivey, a singer that I have mentioned elsewhere and have wanted to discuss further. Finally, the conception of the producers here is enhanced by breaking up the CD into two parts-the urban blues part represented by Hunter and Spivey and the country blues part represented by Bessie Tucker and Ida May Mack. While both this trends have always shared some common roots and musicality they also represent two distinct trends in blues music as reflected in the increasing urbanization of the American black population in the 20th century.
Let’s use the urban/country divide as a frame of reference. The smoother style of Hunter and Spivey obviously reflected the need to entertain a more sophisticated audience that was looking for music that was different from that country stuff down home. And that laid back style was seemingly passé in the hectic urban world. Tucker and Mack reflect that old time country hard work on the farm, hard scrabble for daily existence found, as well, in the songs of their country blues male counterparts. What unites the two strands is the personal nature of the subject matter- you know, mistreating’ men, cheatin’ guys, two-timing fellas, money taking cads, squeakin’ man-stealing women friends, the dusty road out of town, and just below the surface violence and mayhem, threaten or completed. And that is just an average day’s misery.
So what is good here? I won’t spend much time on Alberta because I have looked at her work elsewhere but please give a listen to “My Daddy’s Got A Brand New Way To Love,” the title tells everything you need to know about this song and is classic Alberta. Of course for Bessie Tucker you need, and I mean need, to hear the title track “Better Boot That Thing” and then you will agree that you, man or woman, best stay home and take care of business. As for Ida May I flipped when I heard her saga of a fallen woman as she moans out on “Elm Street Blues” and her lament on “Wrong Doin’ Daddy”. However, what you really want to do is skip to the final track and listen to “Good-bye Rider” which for the nth time concerns the subject of that previously mentioned advice about “not advertising your man.” to your friends.
Victoria is just too much on “Telephoning The Blues,” again on that two timing man, wronged woman theme. “Blood Hound Blues” demonstrates that she was not afraid to tackle some thorny issues, including a reverse twist here about a woman driven to kill her hard-hearted physically abusive man, was jailed, escaped and is on the lam as she sings this song. The song that knocked me out on this more socially-oriented theme is her “Dirty Tee Bee Blues” about the tragic suffering of a gal who went the wrong way looking for love and adventure and now must pay the price. Powerful stuff.
A special note on Victoria Spivey. I have mentioned, in a review of some film documentaries (four altogether) entitled “American Folk Blues Festival, 1962-1966” that were retrieved a few years ago by German Cinema and featured many of the great blues artist still alive at that time on tour in Europe, that Victoria Spivey had a special place in the blues scene not only as a performer and writer (of songs and goings-on in the music business) but that she was a record producer as well (Spivey Records).
Back in the days when music was on vinyl (you remember them, right?) I used to rummage through a second hand- record store in Cambridge (talk about ancient history). One of my treasured finds there was a Spivey Records platter featuring Victoria, the legendary Otis Spann (of Muddy Waters’ band), Luther “Guitar” Johnson, and a host of other blues luminaries. She, like her black male counterpart impresario Willie Dixon (who she occasionally performed with), was a pioneer in this business end of the blues business, a business that left more than its fair share of horror stories about the financial shenanigans done to “rob” blues performers of their just desserts. That, however, is a tale for another day.
Wednesday, March 25, 2009
From The Archives Of "Women And Revolution"-How the Bolsheviks Fought for Women's Emancipation
Click on the headline to link to the "Leon Trotsky Internet Archive' online copy of his 1923 article, "From The Old Family To The New".
Markin comment:
The following is an article from the Spring 1988 issue of "Women and Revolution" that may have some historical interest for old "new leftists", perhaps, and well as for younger militants interested in various cultural and social questions that intersect the class struggle. Or for those just interested in a Marxist position on a series of social questions that are thrust upon us by the vagaries of bourgeois society. I will be posting more such articles from the back issues of "Women and Revolution" during Women's History Month and periodically throughout the year.
**********
Return to the Road of Lenin and Trotsky
How the Bolsheviks Fought fo Women's Emancipation
On the second anniversary of the Bolshevik Revolution, Lenin announced, "In the course of two years of Soviet power in one of the most backward countries of Europe more has been done to emancipate women, to make her the equal of the 'strong' sex, than has been done during the past 130 years by all the advanced, enlightened, 'democratic' republics of the world taken together" ("Soviet Power and the Status of Women," Collected Works). This truth has a fundamental materialist basis. Only a socialist revolution, breaking the bonds of private property, can create the conditions necessary for the emancipation of women. It's more than ever true today: amidst the barbarous social decay of the imperialist "democracies" like the United States, where reactionary bigots target women's rights, even a mere statement of formal equality like the ERA can't make it into law.
Women and Revolution here reprints three early Soviet decrees addressed to the emancipation of women. Codifying the hard-fought gains of the Bolshevik Revolution, these decrees laid out a perspective for the introduction of new social forms to replace the institution of the family and to draw women into the socialist construction of society. As Lenin said in November 1918, "The experience of all liberation movements has shown that the success of a revolution depends on how much the women take part in it. The Soviet government is doing everything in its power to enable women to carry on independent proletarian socialist work" ("Speech at the First All-Russia Congress of Working Women," Collected Works).
Women in the Russian Revolution
The Russian Revolution was sparked by the working women of St. Petersburg, when, 71 years ago, they celebrated International Women's Day with a spontaneous strike and march through the streets. Thousands of women standing in bread lines joined them; hastily improvised red banners rose above the crowd, demanding bread, peace and higher wages. Years of imperialist war had brought the mammoth social tensions of tsarist Russia, where modern capitalism existed superimposed upon entrenched medievalism, to the breaking point.
The Bolsheviks had long been active in organizing Russian proletarian women. The journal Rabotnitsa (The Working Woman), founded in 1914, was only one means by which the Bolsheviks sought to win the ranks of working women over to revolutionary socialism. Social backwardness and poverty in Russia before the revolution fell doubly hard on its women: even mai the minimal gains which capitalism had made possible in the more advanced industrialized countries Europe did not exist in semi-feudal Russia, where serfdom had been abolished a mere 56 years earlier, life lay in the grip of the Orthodox church an priests; religious prejudices were deeply rooted in poverty and ignorance. Peasant women in particular lived under indescribably primitive conditions, cultural impoverished that in 1897 the illiteracy rate was as as 92 percent.
The Bolsheviks understood that the oppression of women could not be legislated out of existence family as the capitalist economic institution for bearing the next generation could not simply be swept away by decree. It had to be replaced with socialized child and housework to remove the burden of doing chores from women, enabling them to participate fully in social and political life. Such a revolutionary restructuring of society could occur only with large-scale industrialization, necessarily years in the future. While fully committed to this revolutionary program, the Bolsheviks were handicapped by terrible objective conditions. For the first few years of Soviet rule their meager resources were absorbed by the Red Army's drive to defeat the imperialists and White Guards who launched a counterrevolutionary war against the young workers republic.
Sweeping Away the Filth of Tsardom
Once in power, the Bolsheviks moved immediately to end all the old legal impediments to women's equality. Women were given the vote, at a time when only Norway and Denmark had legalized women's suffrage. Marriage and divorce were made a simple matter of civil registration, while all distinctions between "legitimate" and "illegitimate" children were annulled. In 1919 the Communist Party created the Department of Working Women and Peasant Women, Zhenotdel, for special work among women, which included organizing over 25,000 literacy schools.
In 1920 the Soviet government legalized abortion and made it free. The People's Commissariat of Health pressed for development of and education about birth control methods, which barely existed in Russia at that time, while discouraging abortion as a threat to health in this age before antibiotics. Even more crucial was the workers government's commitment to eliminating the poverty which drove many women to abortion for sheer lack of ability to provide for their children. The Bolsheviks' aim was to build childcare centers and socialized dining halls to enable women to work knowing their children would be well cared for and fed; single mothers were to receive special help. Despite the severe objective limits facing Soviet society, the birth rate went steadily up and the infant mortality rate steadily down.
The workers revolution in Russia, in sweeping away the rotten filth of tsardom, also abolished in December 1917 all the old laws against homosexual acts. As Dr. Grigorii Batkis, the director of the Moscow Institute of Social Hygiene, pointed out in "The Sexual Revolution in Russia," published in the Soviet Union in 1923:
"Soviet legislation bases itself on the following principle:
'It declares the absolute non-interference of the state and society into sexual matters so long as nobody is injured and no one's interests are encroached upon.... "Concerning homosexuality, sodomy, and various other forms of sexual gratification, which are set down in European legislation as offenses against public morality—Soviet legislation treats these exactly the same as so-called 'natural' intercourse. All forms of sexual intercourse are private matters." [emphasis in original]
The Fight for Women's Rights in Soviet Central Asia
Nowhere was the condition of women more downtrodden than in the primitive Muslim areas of Soviet Central Asia. The Bolsheviks believed that women, having the most to gain, would be the link that broke the feudal chain in the Soviet East, but they could not with one blow abolish oppressive Muslim institutions. The Bolshevik approach was based on ma¬terialism, not moralism. The Muslim bride price, for example, was not some sinister plot against womankind, but had arisen as an institution central to distrib¬uting land and water rights among different clans (see "Early Bolshevik Work Among Women of the Soviet East," W&R No. 12, Summer 1976, for a fuller discussion).
Systematic Bolshevik work among Muslim women was only possible in 1921, after the end of the bitter Civil War. Dedicated and heroic members of the Zhenotdel donned veils in order to meet Muslim women and explain the laws and goals of the new Soviet republic. Special meeting places, sometimes "Red Yertas" or tents in nomadic areas or clubs in cities, were a key way for the Communist Party to begin to win the trust of these women. Such clubs followed Lenin's policy of using Soviet state power to carefully and systematically undermine native tribalism by demonstrating the superiority of Soviet institutions. The tremendous pro¬ductive capacity of the Soviet planned economy provided the services, education and jobs that finally decisively undercut the ancient order and liberated women from their stifling subjugation.
Today the condition of women in Soviet Central Asia is centuries removed from the oppression their sisters across the border in Afghanistan still face. We said "Hail Red Army in Afghanistan!" because the 1979 Soviet Army intervention against murderous Islamic counterrevolution (whose rallying cry is keeping women under the veil) posed the possibility of a revolutionary transformation of this hideously backward country. Under the protection of the Red Army, the women of Afghanistan have been taught to read and write, and a major¬ity of university students are now women and girls; many hold jobs outside the home; and there are 15,000 women in the Afghan army, defending their new freedoms.
Return to the Road of Lenin and Trotsky!
Many of the gains made by Soviet women under the Bolsheviks were subsequently reversed by the Stalinist political counterrevolution. In 1936, abortion was made illegal. (It was again legalized in 1955.) Divorce becar difficult to obtain, co-education was abolished, horr sexuality was again outlawed. As Trotsky said, "The actual liberation of women is unrealizable on a basis 'generalized want.' Experience soon proved this ai tere truth which Marx had formulated eighty years before." The cruel Civil War decimated the proletariat in the young workers state. Most fundamentally, failure to extend the Revolution internationally strengthened the Stalinist bureaucratic caste in the isola Soviet Union. Workers democracy was smashed." Leninist internationalist program was abandoned favor of the search for "peaceful coexistence" versus imperialism, while domestically the Stalinists sou social props and ideological justifications for bure cratic rule. Exploiting social backwardness to strenghten their grip over society, the Stalinists rehabilitated family as a useful institution of social conservatism control.
Trotsky denounced the Stalinist bureaucracy "Thermidor in the Family" (The Revolution Betray "These gentlemen have, it seems, completely fogooten that socialism was to remove the cause which impels woman to abortion, and not force her into the 'joys of motherhood' with the help of a foul police interference in what is to every woman the most mate sphere of life....
"Instead of openly saying, 'We have proven still poor and ignorant for trie creation of socialist tions among men, our children and grandchildren realize this aim,' the leaders are forcing people together against the shell of the broken family, and not only that, but to consider it, under threat of extreme penalties, the sacred nucleus of triumphant socialism. It is hard to measure with the eye the scope of the retreat."
Despite these counterrevolutionary measures, capitalist private property has not been restored in the Soviet Union. The tremendous productive capac the Soviet planned economy has opened opportunities for women—in education, jobs, social service—which capitalism can never provide. We defend the USSR today unconditionally against imperialism because the fundamental gains of the October lution remain; it is a society based on production for social needs, not capitalist profit. At the same time call for political revolution to re-establish workers democracy and to return the Soviet Union to the liberating goals and program of Lenin and Trotsky.
Today there is great interest in the Soviet Union, in part because of the visible difficulties of American imperialism, but also because of Gorbachev's promises of glasnost (openness). Yet this "enlightened bureaucrat" will never tell the truth about the revolutionary work of the Bolshevik Party. Between that tradition and today's bureaucracy lies the gulf of the bloody political counterrevolution carried out by Stalin.
To appease the nuclear nuts in the White House, Gorbachev appears willing to pull out of Afghanistan. The Kremlin bureaucracy's willingness to abandon Afghan women to illiteracy, the veil and chattel slavery starkly exposes the gulf separating them from the Bolsheviks, who understood that the question of women's liberation,was key, above all in such backward, feudal areas.
In imperialist countries like the United States, only the abolition of private property will make women's emancipation a historical reality. It will take a socialist revolution in the U.S. to win the basic rights and social institutions the Bolsheviks fought for in the early years of the USSR. Given the tremendous productive capacity of U.S. industry and a far higher level of culture than that which the Bolsheviks inherited from the tsar, we have no doubt that the American workers government will be able to quickly implement such far-reaching social programs. For women's liberation through socialist revolution!
Soviet Measures to Liberate Women
Decree of the People's Commissariat of Health and Social Welfare and the People's Commissariat of Justice in Soviet Russia
During recent decades the number of women interrupting pregnancy by abortion has risen both in the West and in our country.
The legislation of all countries combats this evil by severe punishment of the women undergoing abortions as well as of the doctors performing them. To date this method has succeeded only in making the operation illegal, performed in secrecy, and in making women the victims of ignorant quacks or unscrupu¬lous doctors who turn a profit from abortion. As a result, 50 percent of these women become seriously ill and 4 percent of these die from the consequences of the operation.
The Workers and Peasants Government regards this phenomenon as a terrible evil for the entire society. The Workers and Peasants Government sees the consolidation of the socialist order and agitation against abortion among the broad masses of the female working-class population as the way to successfully combat it. It combats this evil in practice with the most far-reaching protection of mothers and children, hoping that it will gradually disappear. However, as long as the remnants of the past and the difficult economic conditions of the present compel some women to undergo an abortion, the People's Commissariat of Health and Social Welfare and the People's Commissariat of Justice regard the use of penal measures as inappropriate and therefore, to preserve women's health and protect the race against ignorant or self-seeking profiteers, it is resolved:
I. Free abortion, interrupting pregnancy by artificial
means, shall be performed in state hospitals, where
women are assured maximum safety in the operation.
II. It is absolutely prohibited to perform this operation without a doctor.
III. Midwives or "wise women" who break this law
shall forfeit their license to practice and be handed over to the People's Court.
IV. Doctors performing this operation in their private offices for personal gain shall also be brought before the People's Court.
Women's Work in the Economy
Women as Participants in the Construction of Soviet Russia
Resolution of the Eighth Congress of Soviets
Considering that the primary task of the hour is raising the level of industry, transportation and agriculture; that women comprise more than half of the population of Soviet Russia—women workers and peasants; that implementing the proposed unified economic plan is only possible by involving all the female labor power: the Eighth
Congress of Soviets resolves that:
a) Women workers and peasants are to be
involved in all economic organizations which are
working out and realizing the unified economic
plan; likewise in factory administrations, in fac¬
tory committees and in the administration of the
trade-union organizations.
b) For the purpose of reducing the unproduc¬
tive work of women in the household and in child-
care, the Eighth Congress of Soviets requires that
the local Soviets encourage women workers to
support, with their initiative and activity, the
reforms of social institutions, the beginnings of
communist construction, such as organizing com¬
munal dwellings and workshops for washing and
mending laundry in city and village, organizing
squads of cleaning women, creating foster care
centers, communal laundries and dining halls.
The Eighth Congress of Soviets charges the newly constituted Central Executive Committee of the Soviets to immediately begin working out measures aimed at reducing the unproductive work of women in the household and family, thereby increasing the supply of free labor power to raise the people's standard of living and augment the productivity of the Workers Republic.
Social Institutions for the Relief of the Housewife Communal Kitchens in Moscow
The Russian Soviet bodies are committed to the opinion that the traditional housework performed by the mothers of families in individual households must pass over to socialized institutions. This is both in the interest of women, who squander their time and energy in arduous, grinding, unproductive tasks, and in the interest of society, which can make full use of women's talents and accomplishments in the economy and culture. In Moscow there are at present no fewer than 559 communal kitchens in which hot midday and evening meals are prepared daily for 606,100 adults. The children take their meals in the childcare and educa¬tional centers where they have found places or which they attend during the day.
Compare the blessings of "orderly conditions" in the states that are still capitalist with this result of "Bolshevik chaos"! Part and parcel of these "orderly conditions" is the fact that in all major cities, in all industrial centers, tens of thousands, hundreds of thousands go without a warm midday meal every day and in the evening in an uncomfortable home they choke down a meal their harried wives have prepared hurriedly and with insufficient means. Increasingly, women in the proletariat and also in the petty bourgeoisie must con¬tribute to the family's income. The double burden of working for a living and running the household rests on her. Meals in common—insofar as they occur at all— unite an overtired mother, a husband who is often grouchy because he does not find at home what he seeks, and children whose eyes and clothing bespeal their lack of care and attention.
'In Russia the working woman can throw off the burden of household obligations. She knows not only she herself, but, more importantly, her husband and children are better cared for than she could manage a home even with great energy and devotion. The home can now be a home in the most noble sense for husband and wife, for parents and children, a place to be together, for thinking and striving together, for enjoyment. Women have the time and leisure to learn, to educate themselves, to participate in all areas of social life, both giving and receiving. Oh, these Bolshevik "wreckers" and "destroyers"! Is that no what the philistines of all the capitalist countrie are still prattling?
Note on the documents: The three pieces reprinted here are our own translations from the April 1921 issue of Die Kommunistische Fraueninfernationat (Communist Women's International), the official German-language journal of the Women's Secretariat of the Communist International. In W&R No. 9 (Summer 1975) we reprinted another version of the abortion legislation, which included at the end the signature "N. Semashko, People's Commissar of Health; Kursk) People's Commissar of Justice." That was taken fron the book Health Protection in the U.S.S.R. by N./A Semashko, published in London by Gollancz in 1934 The date given for the decree on abortion in Semashki is 18 November 1920. Regarding "Women's Work in the Economy": the Eighth Congress of Soviets was held in Moscow from 22 to 29 December 1920. We were unable to find a date for the third piece; the Comintern women's journal did not give a source."
Markin comment:
The following is an article from the Spring 1988 issue of "Women and Revolution" that may have some historical interest for old "new leftists", perhaps, and well as for younger militants interested in various cultural and social questions that intersect the class struggle. Or for those just interested in a Marxist position on a series of social questions that are thrust upon us by the vagaries of bourgeois society. I will be posting more such articles from the back issues of "Women and Revolution" during Women's History Month and periodically throughout the year.
**********
Return to the Road of Lenin and Trotsky
How the Bolsheviks Fought fo Women's Emancipation
On the second anniversary of the Bolshevik Revolution, Lenin announced, "In the course of two years of Soviet power in one of the most backward countries of Europe more has been done to emancipate women, to make her the equal of the 'strong' sex, than has been done during the past 130 years by all the advanced, enlightened, 'democratic' republics of the world taken together" ("Soviet Power and the Status of Women," Collected Works). This truth has a fundamental materialist basis. Only a socialist revolution, breaking the bonds of private property, can create the conditions necessary for the emancipation of women. It's more than ever true today: amidst the barbarous social decay of the imperialist "democracies" like the United States, where reactionary bigots target women's rights, even a mere statement of formal equality like the ERA can't make it into law.
Women and Revolution here reprints three early Soviet decrees addressed to the emancipation of women. Codifying the hard-fought gains of the Bolshevik Revolution, these decrees laid out a perspective for the introduction of new social forms to replace the institution of the family and to draw women into the socialist construction of society. As Lenin said in November 1918, "The experience of all liberation movements has shown that the success of a revolution depends on how much the women take part in it. The Soviet government is doing everything in its power to enable women to carry on independent proletarian socialist work" ("Speech at the First All-Russia Congress of Working Women," Collected Works).
Women in the Russian Revolution
The Russian Revolution was sparked by the working women of St. Petersburg, when, 71 years ago, they celebrated International Women's Day with a spontaneous strike and march through the streets. Thousands of women standing in bread lines joined them; hastily improvised red banners rose above the crowd, demanding bread, peace and higher wages. Years of imperialist war had brought the mammoth social tensions of tsarist Russia, where modern capitalism existed superimposed upon entrenched medievalism, to the breaking point.
The Bolsheviks had long been active in organizing Russian proletarian women. The journal Rabotnitsa (The Working Woman), founded in 1914, was only one means by which the Bolsheviks sought to win the ranks of working women over to revolutionary socialism. Social backwardness and poverty in Russia before the revolution fell doubly hard on its women: even mai the minimal gains which capitalism had made possible in the more advanced industrialized countries Europe did not exist in semi-feudal Russia, where serfdom had been abolished a mere 56 years earlier, life lay in the grip of the Orthodox church an priests; religious prejudices were deeply rooted in poverty and ignorance. Peasant women in particular lived under indescribably primitive conditions, cultural impoverished that in 1897 the illiteracy rate was as as 92 percent.
The Bolsheviks understood that the oppression of women could not be legislated out of existence family as the capitalist economic institution for bearing the next generation could not simply be swept away by decree. It had to be replaced with socialized child and housework to remove the burden of doing chores from women, enabling them to participate fully in social and political life. Such a revolutionary restructuring of society could occur only with large-scale industrialization, necessarily years in the future. While fully committed to this revolutionary program, the Bolsheviks were handicapped by terrible objective conditions. For the first few years of Soviet rule their meager resources were absorbed by the Red Army's drive to defeat the imperialists and White Guards who launched a counterrevolutionary war against the young workers republic.
Sweeping Away the Filth of Tsardom
Once in power, the Bolsheviks moved immediately to end all the old legal impediments to women's equality. Women were given the vote, at a time when only Norway and Denmark had legalized women's suffrage. Marriage and divorce were made a simple matter of civil registration, while all distinctions between "legitimate" and "illegitimate" children were annulled. In 1919 the Communist Party created the Department of Working Women and Peasant Women, Zhenotdel, for special work among women, which included organizing over 25,000 literacy schools.
In 1920 the Soviet government legalized abortion and made it free. The People's Commissariat of Health pressed for development of and education about birth control methods, which barely existed in Russia at that time, while discouraging abortion as a threat to health in this age before antibiotics. Even more crucial was the workers government's commitment to eliminating the poverty which drove many women to abortion for sheer lack of ability to provide for their children. The Bolsheviks' aim was to build childcare centers and socialized dining halls to enable women to work knowing their children would be well cared for and fed; single mothers were to receive special help. Despite the severe objective limits facing Soviet society, the birth rate went steadily up and the infant mortality rate steadily down.
The workers revolution in Russia, in sweeping away the rotten filth of tsardom, also abolished in December 1917 all the old laws against homosexual acts. As Dr. Grigorii Batkis, the director of the Moscow Institute of Social Hygiene, pointed out in "The Sexual Revolution in Russia," published in the Soviet Union in 1923:
"Soviet legislation bases itself on the following principle:
'It declares the absolute non-interference of the state and society into sexual matters so long as nobody is injured and no one's interests are encroached upon.... "Concerning homosexuality, sodomy, and various other forms of sexual gratification, which are set down in European legislation as offenses against public morality—Soviet legislation treats these exactly the same as so-called 'natural' intercourse. All forms of sexual intercourse are private matters." [emphasis in original]
The Fight for Women's Rights in Soviet Central Asia
Nowhere was the condition of women more downtrodden than in the primitive Muslim areas of Soviet Central Asia. The Bolsheviks believed that women, having the most to gain, would be the link that broke the feudal chain in the Soviet East, but they could not with one blow abolish oppressive Muslim institutions. The Bolshevik approach was based on ma¬terialism, not moralism. The Muslim bride price, for example, was not some sinister plot against womankind, but had arisen as an institution central to distrib¬uting land and water rights among different clans (see "Early Bolshevik Work Among Women of the Soviet East," W&R No. 12, Summer 1976, for a fuller discussion).
Systematic Bolshevik work among Muslim women was only possible in 1921, after the end of the bitter Civil War. Dedicated and heroic members of the Zhenotdel donned veils in order to meet Muslim women and explain the laws and goals of the new Soviet republic. Special meeting places, sometimes "Red Yertas" or tents in nomadic areas or clubs in cities, were a key way for the Communist Party to begin to win the trust of these women. Such clubs followed Lenin's policy of using Soviet state power to carefully and systematically undermine native tribalism by demonstrating the superiority of Soviet institutions. The tremendous pro¬ductive capacity of the Soviet planned economy provided the services, education and jobs that finally decisively undercut the ancient order and liberated women from their stifling subjugation.
Today the condition of women in Soviet Central Asia is centuries removed from the oppression their sisters across the border in Afghanistan still face. We said "Hail Red Army in Afghanistan!" because the 1979 Soviet Army intervention against murderous Islamic counterrevolution (whose rallying cry is keeping women under the veil) posed the possibility of a revolutionary transformation of this hideously backward country. Under the protection of the Red Army, the women of Afghanistan have been taught to read and write, and a major¬ity of university students are now women and girls; many hold jobs outside the home; and there are 15,000 women in the Afghan army, defending their new freedoms.
Return to the Road of Lenin and Trotsky!
Many of the gains made by Soviet women under the Bolsheviks were subsequently reversed by the Stalinist political counterrevolution. In 1936, abortion was made illegal. (It was again legalized in 1955.) Divorce becar difficult to obtain, co-education was abolished, horr sexuality was again outlawed. As Trotsky said, "The actual liberation of women is unrealizable on a basis 'generalized want.' Experience soon proved this ai tere truth which Marx had formulated eighty years before." The cruel Civil War decimated the proletariat in the young workers state. Most fundamentally, failure to extend the Revolution internationally strengthened the Stalinist bureaucratic caste in the isola Soviet Union. Workers democracy was smashed." Leninist internationalist program was abandoned favor of the search for "peaceful coexistence" versus imperialism, while domestically the Stalinists sou social props and ideological justifications for bure cratic rule. Exploiting social backwardness to strenghten their grip over society, the Stalinists rehabilitated family as a useful institution of social conservatism control.
Trotsky denounced the Stalinist bureaucracy "Thermidor in the Family" (The Revolution Betray "These gentlemen have, it seems, completely fogooten that socialism was to remove the cause which impels woman to abortion, and not force her into the 'joys of motherhood' with the help of a foul police interference in what is to every woman the most mate sphere of life....
"Instead of openly saying, 'We have proven still poor and ignorant for trie creation of socialist tions among men, our children and grandchildren realize this aim,' the leaders are forcing people together against the shell of the broken family, and not only that, but to consider it, under threat of extreme penalties, the sacred nucleus of triumphant socialism. It is hard to measure with the eye the scope of the retreat."
Despite these counterrevolutionary measures, capitalist private property has not been restored in the Soviet Union. The tremendous productive capac the Soviet planned economy has opened opportunities for women—in education, jobs, social service—which capitalism can never provide. We defend the USSR today unconditionally against imperialism because the fundamental gains of the October lution remain; it is a society based on production for social needs, not capitalist profit. At the same time call for political revolution to re-establish workers democracy and to return the Soviet Union to the liberating goals and program of Lenin and Trotsky.
Today there is great interest in the Soviet Union, in part because of the visible difficulties of American imperialism, but also because of Gorbachev's promises of glasnost (openness). Yet this "enlightened bureaucrat" will never tell the truth about the revolutionary work of the Bolshevik Party. Between that tradition and today's bureaucracy lies the gulf of the bloody political counterrevolution carried out by Stalin.
To appease the nuclear nuts in the White House, Gorbachev appears willing to pull out of Afghanistan. The Kremlin bureaucracy's willingness to abandon Afghan women to illiteracy, the veil and chattel slavery starkly exposes the gulf separating them from the Bolsheviks, who understood that the question of women's liberation,was key, above all in such backward, feudal areas.
In imperialist countries like the United States, only the abolition of private property will make women's emancipation a historical reality. It will take a socialist revolution in the U.S. to win the basic rights and social institutions the Bolsheviks fought for in the early years of the USSR. Given the tremendous productive capacity of U.S. industry and a far higher level of culture than that which the Bolsheviks inherited from the tsar, we have no doubt that the American workers government will be able to quickly implement such far-reaching social programs. For women's liberation through socialist revolution!
Soviet Measures to Liberate Women
Decree of the People's Commissariat of Health and Social Welfare and the People's Commissariat of Justice in Soviet Russia
During recent decades the number of women interrupting pregnancy by abortion has risen both in the West and in our country.
The legislation of all countries combats this evil by severe punishment of the women undergoing abortions as well as of the doctors performing them. To date this method has succeeded only in making the operation illegal, performed in secrecy, and in making women the victims of ignorant quacks or unscrupu¬lous doctors who turn a profit from abortion. As a result, 50 percent of these women become seriously ill and 4 percent of these die from the consequences of the operation.
The Workers and Peasants Government regards this phenomenon as a terrible evil for the entire society. The Workers and Peasants Government sees the consolidation of the socialist order and agitation against abortion among the broad masses of the female working-class population as the way to successfully combat it. It combats this evil in practice with the most far-reaching protection of mothers and children, hoping that it will gradually disappear. However, as long as the remnants of the past and the difficult economic conditions of the present compel some women to undergo an abortion, the People's Commissariat of Health and Social Welfare and the People's Commissariat of Justice regard the use of penal measures as inappropriate and therefore, to preserve women's health and protect the race against ignorant or self-seeking profiteers, it is resolved:
I. Free abortion, interrupting pregnancy by artificial
means, shall be performed in state hospitals, where
women are assured maximum safety in the operation.
II. It is absolutely prohibited to perform this operation without a doctor.
III. Midwives or "wise women" who break this law
shall forfeit their license to practice and be handed over to the People's Court.
IV. Doctors performing this operation in their private offices for personal gain shall also be brought before the People's Court.
Women's Work in the Economy
Women as Participants in the Construction of Soviet Russia
Resolution of the Eighth Congress of Soviets
Considering that the primary task of the hour is raising the level of industry, transportation and agriculture; that women comprise more than half of the population of Soviet Russia—women workers and peasants; that implementing the proposed unified economic plan is only possible by involving all the female labor power: the Eighth
Congress of Soviets resolves that:
a) Women workers and peasants are to be
involved in all economic organizations which are
working out and realizing the unified economic
plan; likewise in factory administrations, in fac¬
tory committees and in the administration of the
trade-union organizations.
b) For the purpose of reducing the unproduc¬
tive work of women in the household and in child-
care, the Eighth Congress of Soviets requires that
the local Soviets encourage women workers to
support, with their initiative and activity, the
reforms of social institutions, the beginnings of
communist construction, such as organizing com¬
munal dwellings and workshops for washing and
mending laundry in city and village, organizing
squads of cleaning women, creating foster care
centers, communal laundries and dining halls.
The Eighth Congress of Soviets charges the newly constituted Central Executive Committee of the Soviets to immediately begin working out measures aimed at reducing the unproductive work of women in the household and family, thereby increasing the supply of free labor power to raise the people's standard of living and augment the productivity of the Workers Republic.
Social Institutions for the Relief of the Housewife Communal Kitchens in Moscow
The Russian Soviet bodies are committed to the opinion that the traditional housework performed by the mothers of families in individual households must pass over to socialized institutions. This is both in the interest of women, who squander their time and energy in arduous, grinding, unproductive tasks, and in the interest of society, which can make full use of women's talents and accomplishments in the economy and culture. In Moscow there are at present no fewer than 559 communal kitchens in which hot midday and evening meals are prepared daily for 606,100 adults. The children take their meals in the childcare and educa¬tional centers where they have found places or which they attend during the day.
Compare the blessings of "orderly conditions" in the states that are still capitalist with this result of "Bolshevik chaos"! Part and parcel of these "orderly conditions" is the fact that in all major cities, in all industrial centers, tens of thousands, hundreds of thousands go without a warm midday meal every day and in the evening in an uncomfortable home they choke down a meal their harried wives have prepared hurriedly and with insufficient means. Increasingly, women in the proletariat and also in the petty bourgeoisie must con¬tribute to the family's income. The double burden of working for a living and running the household rests on her. Meals in common—insofar as they occur at all— unite an overtired mother, a husband who is often grouchy because he does not find at home what he seeks, and children whose eyes and clothing bespeal their lack of care and attention.
'In Russia the working woman can throw off the burden of household obligations. She knows not only she herself, but, more importantly, her husband and children are better cared for than she could manage a home even with great energy and devotion. The home can now be a home in the most noble sense for husband and wife, for parents and children, a place to be together, for thinking and striving together, for enjoyment. Women have the time and leisure to learn, to educate themselves, to participate in all areas of social life, both giving and receiving. Oh, these Bolshevik "wreckers" and "destroyers"! Is that no what the philistines of all the capitalist countrie are still prattling?
Note on the documents: The three pieces reprinted here are our own translations from the April 1921 issue of Die Kommunistische Fraueninfernationat (Communist Women's International), the official German-language journal of the Women's Secretariat of the Communist International. In W&R No. 9 (Summer 1975) we reprinted another version of the abortion legislation, which included at the end the signature "N. Semashko, People's Commissar of Health; Kursk) People's Commissar of Justice." That was taken fron the book Health Protection in the U.S.S.R. by N./A Semashko, published in London by Gollancz in 1934 The date given for the decree on abortion in Semashki is 18 November 1920. Regarding "Women's Work in the Economy": the Eighth Congress of Soviets was held in Moscow from 22 to 29 December 1920. We were unable to find a date for the third piece; the Comintern women's journal did not give a source."
Sunday, March 22, 2009
*From The Archives Of "Women And Revolution"-"The Color Purple" -A Guest Book Review
Click on the headline to link to a "Wikipedia" entry for author Alice Walker.
February Is Black History Month
March Is Women's History Month
Markin comment:
The following is an article from the Spring 1988 issue of "Women and Revolution" that may have some historical interest for old "new leftists", perhaps, and well as for younger militants interested in various cultural and social questions that intersect the class struggle. Or for those just interested in a Marxist position on a series of social questions that are thrust upon us by the vagaries of bourgeois society. I will be posting more such articles from the back issues of "Women and Revolution" during Women's History Month and periodically throughout the year.
**************
Race, Sex and Class:
The Clash Over The Color Purple
By Don Alexander and Christine Wright
"Well, you know wherever there's a man, there's trouble."
—Alice Walker, The Color Purple
'"Why do you always feel the need to castrate the black man?'"
—Ishmael Reed, Reckless Eyeballing
When The Color Purple, Stephen Spielberg's film of Alice Walker's Pulitzer Prize-winning novel, was released in 1985, it roused loud debates among blacks, picketing and furious letters to the editor across the country. Painting a compelling picture of a terribly abused black woman in rural Georgia between the two world wars, the film really hit a nerve; the controversy quickly got much bigger than the novel. While debates raged in community meetings, feminist supporters of Walker and her liberal and black nationalist critics took up their pens to wage a feud which still soaks up gallons of ink.
Many of Alice Walker's critics accuse her of presenting an image of the black male as a violent monster. Walker has responded that black men don't want to face her "truth-telling." As Marxists, we find what amounts to a highly literary contest for the status of "most oppressed" somewhat beside the point. Nonetheless, the furor over The Color Purple has raised some basic questions about the clash of race and sex in this deeply bigoted, anti-sex society, not least about the explosive tensions between black men and women bred by the destruction of the fabric of life through poverty and oppression.
The Color Purple tells the story of Celie and her struggle to survive and defeat a series of physical and psychological assaults by men. She is raped repeatedly by her father, who gives away her two children against her will. She is married off to a man (Mister) who only agrees to take her if he gets the cow too. Mister treats her worse than a dog, beats her, and has kids as rotten as you can get. As she is later mocked by her husband, "Look at you. You black, you pore, you ugly, you a woman. Goddam...you nothing at all."Then, through her relationship with Mister's lover, the blues singer Shug, Celie finds love and sexual pleasure, leaves her husband, goes into business making pants, discovers she is heiress to a fortune and is eventually reunited with her children, who have been raised in Africa by her missionary sister, Nettie.
Alice Walker's novel begins as a masterly evocation of Celie's nightmarish oppression through a series of letters in Celie's own words. But this artistic promise is betrayed to Walker's feminist agenda at the end of the book, which degenerates into a hokey miracle solution: Walker's "message" is that black women, however rotten and wretched their lives may be, can "make it." Celie embodies the liberal idealist myth that sheer individual will—and in her case, rather unbelievably good luck—can break the chains of oppression.
The novel largely ignores the social misery of the black sharecroppers in the rural Jim Crow South, and fails to so much as hint at the convulsive social struggles in the U.S. in the 1930s. The one exception is Celie's daughter-in-law, Sofia, who is destroyed when she tries to stand up to the white boss. Even then, no one else attempts to combat the vicious racism; Walker is already laying the basis for a retreat into "personal liberation." The novel also describes Nettie's experiences as a missionary in Africa, where she witnesses the destruction of tribal life by imperialism. All Walker can counterpose to this brutality is black Christian missionaries and throwbacks to such vicious, anti-woman tribal practices as ritual sexual mutilation.
Walker's brand of bourgeois feminism, which she calls "womanism," celebrates gooey, mystical "female bonding" not one whit different from the standard line in Ms., where she served on the editorial staff for years. Bourgeois feminism, preoccupied with the career advancement of female yuppies and closing porn shops in Times Square, cannot address the very real sexual and racial oppression of black women.
Who's Afraid of Alice Walker?
Most critics of The Color Purple enthusiastically embrace the liberal lies disguised in it. (Although the controversy exploded when Spielberg's movie was released, it's important to differentiate between Walker's novel and Spielberg's unintended parody.) Walker has been accused of reinforcing racist stereotypes because she wrote about a black woman who had been abused, raped and beaten by black men. There has also been a disgusting, moralistic streak in the outcry over The Color Purple, centering on opposition to Walker's sympathetic portrayal of black lesbianism. Black journalist/TV host Tony Brown, sounding like a Moral Majority Reaganite bigot, claims that anyone who liked the movie was either a "closet homosexual, a lesbian, a pseudo-intellectual or white."
Certain layers of the black establishment intelligentsia denounce as "racist" anything that presents black people in a negative or critical light. But this is another liberal lie just as dangerous as Walker's. Blacks are by no means exempt from 'social backwardness, such as anti-abortion and anti-gay bigotry. The real point (and Walker herself has made this point in previous novels such as The Third Life of Grange Copeland) is tha't terrible poverty and oppression breed personal cruelty and degradation such as that described in 7"he Color Purple. For example, in the eloquent film Nothing But a Man (1964), a spirited young black man, Duff, lives in a small Alabama town, where he is targeted by the racists for his independence and sense of pride. In one of the key scenes in the movie, Duff, blacklisted and unable to support his family, goes home to his wife feeling humiliated by racist mistreatment. Thinking that he sees his failure as a man reflected in his woman's eyes, he turns on her in rage, and their marriage is almost destroyed. Both Duff and his wife are victims of the
racist system which denies the black man his dignity.
When Richard Wright's Native Son was published in 1940, controversy broke out over his gripping portrayal of a brutalized and alienated young black man whose poverty and desperation turn him into a vicious anti-social criminal. Wright, influenced by the Stalinist Communist Party in the late '30s and early '40s, had been disturbed that even "bankers' daughters" were weeping over his earlier short stories, Uncle Tom's Children. As he said, "I swore to myself that if I ever wrote another book, no one would weep over it; that it would be so hard and deep that they would have to face it without the consolation of tears." And so Wright brought his readers face to face with the starkness of brutal racial oppression in the U.S., implicitly suggest¬ing that there was no room for sentimental liberal drivel.
While Walker seems to have even the bankers' granddaughters bawling, many of her critics are no different from Wright's. Such critics want to perpetuate the myth that blacks owe their condition of savage oppression to the fact that they "don't stick together"—another version of blaming the victim. These critics seek merely to uphold the "respectable" image of the petty-bourgeois black establishment, personified by the "black family life" portrayed on TV's The Bill Cosby Show. And guilty liberals—both white and black—cannot acknowledge the truth about racist America: the ugly degradation of brutalized ghetto life that strips its victims of their dignity and humanity.
Clash of Race and Sex
Of all Walker's critics, the novelist and poet Ishmael Reed has made the best case against The Color Purple. Moving beyond concerns with mere image, Reed has raised some of the hard questions, and for this he has been smeared as a "misogynist" by the feminists. But Reed, whose seven novels are brilliant parables against American racism, is no more a misogynist than Walker is a racist. What the feminists can't stand is that he has got their number: drawing a simplistic sex line in society can put you on the wrong side on some fundamental questions. It simply is not woman-hating point out that Walker's man-hating is relentless. Celie says to Mister, "You a lowdown dog is what's,
wrong It's time to leave you and enter into Creation. And your dead body is just the welcome m need." And Celie berates her stepson, "If you had tried to rule over Sofia the white folks never would Pu caught her."
Reed's barbed and effective satire of feminism, Reckless Eyeballing, is the story of Ian Ball, a black dramal who has been "sex-listed" for his play about a black woman who likes having sex (with men). To make peace with the feminists Ball writes a new play in whi the body of a young black man, lynched by a racist mob for ogling (called "reckless eyeballing" in the South white woman, is exhumed so he can be tried for his se ist crime, which the feminists denounce as equally bad as the murder.
Those who think Reed is exaggerating should thir back about ten years to Susan Brown miller's Again Our Will, one of the bibles of contemporary Americc feminism. As part of her thesis that rape (or the threat of rape) is the main way that all women are controlled t all men, Brownmiller reviewed the famous case of Emmett Till, a 14-year-old black youth who was lynched in Mississippi in 1955 for whistling at a white man's wife.
This monstrous racist murder was a touchstone on th race question. But as a feminist, Brownmiller disgustingly insisted that Till and J.W. Millam (one of th murderers) had something in common: "They both understood that... it was a deliberate insult just short o physical assault, a last reminder to Carolyn Bryant tha this black boy, Till, had in mind to possess her." As result, Brownmiller says, "Today a sexual remark on the street causes within me a fleeting but murderous rage.' Brownmiller's sex-war politics put her in bed with i racist lynch mob.
In the course of Reckless Eyeballing, successful black woman playwright Tremonisha Smarts (who some say was modeled after Alice Walker) was accosted by a man who:
"tied her up, and shaved all of her hair off. His twisted explanation: this is what the French Resistance did to those women who collaborated with the Nazis. The man had said that because of her 'blood libel' of black men, she was doing the same thing. Collaborating with the enemies of black men."
The horrifying racist murder at Howard Beach in December 1986 inspired Reed to make his definitive argument against Alice Walker and other black feminists in an essay serialized in the Amsterdam News in January-February 1987. But when Reed takes his argument out of the realm of fiction, where poetic license allows him to get at a core of truth, he goes astray. Citing the fact that Jon Lester, the teenager who led the lynch mob that murdered Michael Griffith, was said toj be "real emotional" about the film The Color Purple Reed argues that the description of black male violence incites race-terror. He claims that black feminism's "group libel campaign" against black men "is the kind of propaganda spread by the Ku Klux Klan and the American Nazi Party." Reed has a point when he describes his "justifiable paranoia"—he knows it could have been him killed on that highway in Queens. (As black comedian Godfrey Cambridge said , "Paranoia is the occupational disease of black people.")
But the strutting little Mussolinis in Howard Beach could care less what black men do to black women in Harlem, and to lay the blame on "bad propaganda" is a dangerous trivialization of the real threat the race-terrorists pose. It is, however, to Reed's credit that in the days of the black nationalist anti-Semitic demagogue Farrakhan, Reckless Eyeballing savagely denounces anti-Semitism. The book's title page quotes an epigram: "What's the American dream? A million blacks swimming back to Africa with a Jew under each arm." Characters in Reed's novel include a psychotic New York City cop notorious for blowing away blacks and Puerto Ricans, and a Jewish writer who is beaten to death by a mob at the mythical Mary Phegan College. (Mary Phegan was in fact a young white woman murdered in Georgia in 1915; a Jewish businessman, Leo Frank, was framed up for the crime and lynched. The racist upsurge led to the resurgence of the Ku Klux Klan.) Reed uses such themes to calculate by sex and ethnic group the chances of being murdered in the U.S. As the critic Darryl Pinckney said: "Reed's subtext might be that the rape of black women and the lynching of black men are part of the same historical tragedy" (New York Review of Books, 29 January 1987). As a vivid picture of the viciousness of social relations in the United States, Reckless Eyebslling is eons ahead of The Color Purple—and a much better read, too.
The Talented Tenth Squares Off
In a certain sense, the literary debate over The Color Purple reflects the careerist interests of the black intelligentsia, struggling over shrinking economic opportunities in the absence of any movement for radical change. Thus Walker can snipe at black men from her sanctuary at Ms., the darling of white bourgeois feminists, while Reed raves that there is a publishing conspiracy against black male writers. (We thought this was even nuttier than it is, until we tried to buy his books and discovered they were all out of print!) While seemingly Reed and Walker are at loggerheads, they have at bottom the same program. Walker envisages a female Horatio Alger; Reed sees the "solution" in independent black art. Both posit individual struggle within capitalist society, which necessarily pits one section of the oppressed against another. Their message is, "see, you can pull yourself up by your bootstraps," ignoring the fact that the majority have no boots.
What lies behind these squabbles is the frustration of the "talented tenth"—the tiny selection of minority people who have been able to integrate into the professional layers of American society. In the face of the swift elimination of the token and reversible gains of the civil rights movement and in the absence of any mass struggle for social change, such debates among the black intelligentsia take on the air of a dispute over the shrinking job market.
But we must say in passing that even during the heyday of the civil rights movement the reality of sexual oppression was never addressed. The ensuing black social struggle under revolutionary leadership which today allows the fundamentally despairing ideologies of black nationalism and feminism to flourish among those who see themselves as spokesmen for the oppressed. Walker and Reed, in their different ways accepting the basically hopeless framework of the capitalist status quo, see black women's progress as necessarily coming at the expense of black men—and vice versa. Only an anti-capitalist perspective provides the basis for uniting all the oppressed in a fight for freedom at the expense of the class enemy which aims to keep us divided and in chains.
Capitalism and "American Apartheid"
In the 1980s the harsh realities of a decaying class system have become ever more bleak. Especially for blacks, capitalism has less and less to offer. The unemployment rate has soared with the closing of giant industrial plants in the Midwest, which once provided decent union wages and basic social power to a crucial component of the working class. Funding for educa¬tion has been slashed, while segregation in schools and
in housing has increased. Blacks are not safe in many neighborhoods throughout the U.S. as lynch mob terrorists are emboldened by racist government policy. "Political power" for blacks has come to mean more black elected officials, who the Democratic Party has deemed useful to preside over the deterioration of the big cities, where they exact racist cutbacks and enforce "law and order." Philadelphia mayor Wilson Goode, whose police firebombed an entire black neighbor¬hood in order to wipe out eleven MOVE members, including five of their children, is no more a champion of black rights than New York's fascistic Ed Koch.
With the exception of a very few who have "made it," the hellish conditions are compounded for black women through sexual oppression. Unskilled black women remain confined to the lowest-paying, most menial jobs, earning starvation wages as maids, laundresses and waitresses. Black women are made to bear the brunt of devastating cutbacks in social welfare. In the U.S., twice as many black girls are pregnant before the age of 18 as whites, twice the number of black infants die. The American bourgeoisie has long upheld the lie that ghetto poverty and degradation are the fault of the "deviant" promiscuous black "matriarch." In 1969 Daniel Moynihan argued that the black "matriarchy" was responsible for the breakdown of the black family and suggested that young black men should learn the right values by joining Uncle Sam's army. Over the years the black woman has been variously stereotyped as a presumed tower of strength, a sexless and obese mammy, a promiscuous baby machine, an emasculating fiend.
Yet the picture for black men is not much less bleak. The unemployment rate in big cities for a young black man is 50 to 60 percent. There is also the problem of "permanent unemployability"—e.g., black industrial workers, "last hired, first fired," who under today's conditions will never be rehired. Women account for two-thirds of all the professional jobs held by blacks: black women are seen by racist employers as docile,non-criminal, non-militant, non-violent, an upgraded version of what used to scrub floors; whereas that young black man in a suit who seems articulate and ambitious is suspected of being Malcolm X in disguise. In the 3 December 1987 New York Review of Books, the article "American Apartheid" describes the grim reality:
"...black men are more likely [than whites] to be in prisons or the military, or die at an early age. The fact that upward of 20 percent are missed by the census would point up their lack of stable jobs or even settled addresses. Moreover, of those black men the census manages to reach, fewer than half have full-time jobs."
It all comes home to roost in the black family. In a society which defines manhood as the ability to support a family, black men are often denied that very ability. "Single-parent households" are growing throughout the U.S., a phenomenon which affects blacks more heavily but by no means exclusively. Over 56 percent of black families are headed by women. Capitalist society needs the institution of the nuclear family not only to produce the next generation of wage laborers, but as an important force for social conservatism. At the same time, capitalist decay undermines the family through grinding poverty and oppression. The family is the main social institution by which women are oppressed. But in the absence of alternatives, those who fall outside the classic pattern of the family have nothing at all. Thus, this vicious racist system cannot but lead to embittered personal relations between men and women. Out of this rises the frustration which takes The Color Purple controversy out of the literary realm into the community, where it exploded in angry debates.
In this sense, Alice Walker triumphed as an artist: the depth of the controversy shows that she began to lay bare a painful reality. The solution to the reality she and Ishmael Reed have described in their novels lies not in the realm of art or bourgeois politics, but in the struggle for the socialist transformation of society."
February Is Black History Month
March Is Women's History Month
Markin comment:
The following is an article from the Spring 1988 issue of "Women and Revolution" that may have some historical interest for old "new leftists", perhaps, and well as for younger militants interested in various cultural and social questions that intersect the class struggle. Or for those just interested in a Marxist position on a series of social questions that are thrust upon us by the vagaries of bourgeois society. I will be posting more such articles from the back issues of "Women and Revolution" during Women's History Month and periodically throughout the year.
**************
Race, Sex and Class:
The Clash Over The Color Purple
By Don Alexander and Christine Wright
"Well, you know wherever there's a man, there's trouble."
—Alice Walker, The Color Purple
'"Why do you always feel the need to castrate the black man?'"
—Ishmael Reed, Reckless Eyeballing
When The Color Purple, Stephen Spielberg's film of Alice Walker's Pulitzer Prize-winning novel, was released in 1985, it roused loud debates among blacks, picketing and furious letters to the editor across the country. Painting a compelling picture of a terribly abused black woman in rural Georgia between the two world wars, the film really hit a nerve; the controversy quickly got much bigger than the novel. While debates raged in community meetings, feminist supporters of Walker and her liberal and black nationalist critics took up their pens to wage a feud which still soaks up gallons of ink.
Many of Alice Walker's critics accuse her of presenting an image of the black male as a violent monster. Walker has responded that black men don't want to face her "truth-telling." As Marxists, we find what amounts to a highly literary contest for the status of "most oppressed" somewhat beside the point. Nonetheless, the furor over The Color Purple has raised some basic questions about the clash of race and sex in this deeply bigoted, anti-sex society, not least about the explosive tensions between black men and women bred by the destruction of the fabric of life through poverty and oppression.
The Color Purple tells the story of Celie and her struggle to survive and defeat a series of physical and psychological assaults by men. She is raped repeatedly by her father, who gives away her two children against her will. She is married off to a man (Mister) who only agrees to take her if he gets the cow too. Mister treats her worse than a dog, beats her, and has kids as rotten as you can get. As she is later mocked by her husband, "Look at you. You black, you pore, you ugly, you a woman. Goddam...you nothing at all."Then, through her relationship with Mister's lover, the blues singer Shug, Celie finds love and sexual pleasure, leaves her husband, goes into business making pants, discovers she is heiress to a fortune and is eventually reunited with her children, who have been raised in Africa by her missionary sister, Nettie.
Alice Walker's novel begins as a masterly evocation of Celie's nightmarish oppression through a series of letters in Celie's own words. But this artistic promise is betrayed to Walker's feminist agenda at the end of the book, which degenerates into a hokey miracle solution: Walker's "message" is that black women, however rotten and wretched their lives may be, can "make it." Celie embodies the liberal idealist myth that sheer individual will—and in her case, rather unbelievably good luck—can break the chains of oppression.
The novel largely ignores the social misery of the black sharecroppers in the rural Jim Crow South, and fails to so much as hint at the convulsive social struggles in the U.S. in the 1930s. The one exception is Celie's daughter-in-law, Sofia, who is destroyed when she tries to stand up to the white boss. Even then, no one else attempts to combat the vicious racism; Walker is already laying the basis for a retreat into "personal liberation." The novel also describes Nettie's experiences as a missionary in Africa, where she witnesses the destruction of tribal life by imperialism. All Walker can counterpose to this brutality is black Christian missionaries and throwbacks to such vicious, anti-woman tribal practices as ritual sexual mutilation.
Walker's brand of bourgeois feminism, which she calls "womanism," celebrates gooey, mystical "female bonding" not one whit different from the standard line in Ms., where she served on the editorial staff for years. Bourgeois feminism, preoccupied with the career advancement of female yuppies and closing porn shops in Times Square, cannot address the very real sexual and racial oppression of black women.
Who's Afraid of Alice Walker?
Most critics of The Color Purple enthusiastically embrace the liberal lies disguised in it. (Although the controversy exploded when Spielberg's movie was released, it's important to differentiate between Walker's novel and Spielberg's unintended parody.) Walker has been accused of reinforcing racist stereotypes because she wrote about a black woman who had been abused, raped and beaten by black men. There has also been a disgusting, moralistic streak in the outcry over The Color Purple, centering on opposition to Walker's sympathetic portrayal of black lesbianism. Black journalist/TV host Tony Brown, sounding like a Moral Majority Reaganite bigot, claims that anyone who liked the movie was either a "closet homosexual, a lesbian, a pseudo-intellectual or white."
Certain layers of the black establishment intelligentsia denounce as "racist" anything that presents black people in a negative or critical light. But this is another liberal lie just as dangerous as Walker's. Blacks are by no means exempt from 'social backwardness, such as anti-abortion and anti-gay bigotry. The real point (and Walker herself has made this point in previous novels such as The Third Life of Grange Copeland) is tha't terrible poverty and oppression breed personal cruelty and degradation such as that described in 7"he Color Purple. For example, in the eloquent film Nothing But a Man (1964), a spirited young black man, Duff, lives in a small Alabama town, where he is targeted by the racists for his independence and sense of pride. In one of the key scenes in the movie, Duff, blacklisted and unable to support his family, goes home to his wife feeling humiliated by racist mistreatment. Thinking that he sees his failure as a man reflected in his woman's eyes, he turns on her in rage, and their marriage is almost destroyed. Both Duff and his wife are victims of the
racist system which denies the black man his dignity.
When Richard Wright's Native Son was published in 1940, controversy broke out over his gripping portrayal of a brutalized and alienated young black man whose poverty and desperation turn him into a vicious anti-social criminal. Wright, influenced by the Stalinist Communist Party in the late '30s and early '40s, had been disturbed that even "bankers' daughters" were weeping over his earlier short stories, Uncle Tom's Children. As he said, "I swore to myself that if I ever wrote another book, no one would weep over it; that it would be so hard and deep that they would have to face it without the consolation of tears." And so Wright brought his readers face to face with the starkness of brutal racial oppression in the U.S., implicitly suggest¬ing that there was no room for sentimental liberal drivel.
While Walker seems to have even the bankers' granddaughters bawling, many of her critics are no different from Wright's. Such critics want to perpetuate the myth that blacks owe their condition of savage oppression to the fact that they "don't stick together"—another version of blaming the victim. These critics seek merely to uphold the "respectable" image of the petty-bourgeois black establishment, personified by the "black family life" portrayed on TV's The Bill Cosby Show. And guilty liberals—both white and black—cannot acknowledge the truth about racist America: the ugly degradation of brutalized ghetto life that strips its victims of their dignity and humanity.
Clash of Race and Sex
Of all Walker's critics, the novelist and poet Ishmael Reed has made the best case against The Color Purple. Moving beyond concerns with mere image, Reed has raised some of the hard questions, and for this he has been smeared as a "misogynist" by the feminists. But Reed, whose seven novels are brilliant parables against American racism, is no more a misogynist than Walker is a racist. What the feminists can't stand is that he has got their number: drawing a simplistic sex line in society can put you on the wrong side on some fundamental questions. It simply is not woman-hating point out that Walker's man-hating is relentless. Celie says to Mister, "You a lowdown dog is what's,
wrong It's time to leave you and enter into Creation. And your dead body is just the welcome m need." And Celie berates her stepson, "If you had tried to rule over Sofia the white folks never would Pu caught her."
Reed's barbed and effective satire of feminism, Reckless Eyeballing, is the story of Ian Ball, a black dramal who has been "sex-listed" for his play about a black woman who likes having sex (with men). To make peace with the feminists Ball writes a new play in whi the body of a young black man, lynched by a racist mob for ogling (called "reckless eyeballing" in the South white woman, is exhumed so he can be tried for his se ist crime, which the feminists denounce as equally bad as the murder.
Those who think Reed is exaggerating should thir back about ten years to Susan Brown miller's Again Our Will, one of the bibles of contemporary Americc feminism. As part of her thesis that rape (or the threat of rape) is the main way that all women are controlled t all men, Brownmiller reviewed the famous case of Emmett Till, a 14-year-old black youth who was lynched in Mississippi in 1955 for whistling at a white man's wife.
This monstrous racist murder was a touchstone on th race question. But as a feminist, Brownmiller disgustingly insisted that Till and J.W. Millam (one of th murderers) had something in common: "They both understood that... it was a deliberate insult just short o physical assault, a last reminder to Carolyn Bryant tha this black boy, Till, had in mind to possess her." As result, Brownmiller says, "Today a sexual remark on the street causes within me a fleeting but murderous rage.' Brownmiller's sex-war politics put her in bed with i racist lynch mob.
In the course of Reckless Eyeballing, successful black woman playwright Tremonisha Smarts (who some say was modeled after Alice Walker) was accosted by a man who:
"tied her up, and shaved all of her hair off. His twisted explanation: this is what the French Resistance did to those women who collaborated with the Nazis. The man had said that because of her 'blood libel' of black men, she was doing the same thing. Collaborating with the enemies of black men."
The horrifying racist murder at Howard Beach in December 1986 inspired Reed to make his definitive argument against Alice Walker and other black feminists in an essay serialized in the Amsterdam News in January-February 1987. But when Reed takes his argument out of the realm of fiction, where poetic license allows him to get at a core of truth, he goes astray. Citing the fact that Jon Lester, the teenager who led the lynch mob that murdered Michael Griffith, was said toj be "real emotional" about the film The Color Purple Reed argues that the description of black male violence incites race-terror. He claims that black feminism's "group libel campaign" against black men "is the kind of propaganda spread by the Ku Klux Klan and the American Nazi Party." Reed has a point when he describes his "justifiable paranoia"—he knows it could have been him killed on that highway in Queens. (As black comedian Godfrey Cambridge said , "Paranoia is the occupational disease of black people.")
But the strutting little Mussolinis in Howard Beach could care less what black men do to black women in Harlem, and to lay the blame on "bad propaganda" is a dangerous trivialization of the real threat the race-terrorists pose. It is, however, to Reed's credit that in the days of the black nationalist anti-Semitic demagogue Farrakhan, Reckless Eyeballing savagely denounces anti-Semitism. The book's title page quotes an epigram: "What's the American dream? A million blacks swimming back to Africa with a Jew under each arm." Characters in Reed's novel include a psychotic New York City cop notorious for blowing away blacks and Puerto Ricans, and a Jewish writer who is beaten to death by a mob at the mythical Mary Phegan College. (Mary Phegan was in fact a young white woman murdered in Georgia in 1915; a Jewish businessman, Leo Frank, was framed up for the crime and lynched. The racist upsurge led to the resurgence of the Ku Klux Klan.) Reed uses such themes to calculate by sex and ethnic group the chances of being murdered in the U.S. As the critic Darryl Pinckney said: "Reed's subtext might be that the rape of black women and the lynching of black men are part of the same historical tragedy" (New York Review of Books, 29 January 1987). As a vivid picture of the viciousness of social relations in the United States, Reckless Eyebslling is eons ahead of The Color Purple—and a much better read, too.
The Talented Tenth Squares Off
In a certain sense, the literary debate over The Color Purple reflects the careerist interests of the black intelligentsia, struggling over shrinking economic opportunities in the absence of any movement for radical change. Thus Walker can snipe at black men from her sanctuary at Ms., the darling of white bourgeois feminists, while Reed raves that there is a publishing conspiracy against black male writers. (We thought this was even nuttier than it is, until we tried to buy his books and discovered they were all out of print!) While seemingly Reed and Walker are at loggerheads, they have at bottom the same program. Walker envisages a female Horatio Alger; Reed sees the "solution" in independent black art. Both posit individual struggle within capitalist society, which necessarily pits one section of the oppressed against another. Their message is, "see, you can pull yourself up by your bootstraps," ignoring the fact that the majority have no boots.
What lies behind these squabbles is the frustration of the "talented tenth"—the tiny selection of minority people who have been able to integrate into the professional layers of American society. In the face of the swift elimination of the token and reversible gains of the civil rights movement and in the absence of any mass struggle for social change, such debates among the black intelligentsia take on the air of a dispute over the shrinking job market.
But we must say in passing that even during the heyday of the civil rights movement the reality of sexual oppression was never addressed. The ensuing black social struggle under revolutionary leadership which today allows the fundamentally despairing ideologies of black nationalism and feminism to flourish among those who see themselves as spokesmen for the oppressed. Walker and Reed, in their different ways accepting the basically hopeless framework of the capitalist status quo, see black women's progress as necessarily coming at the expense of black men—and vice versa. Only an anti-capitalist perspective provides the basis for uniting all the oppressed in a fight for freedom at the expense of the class enemy which aims to keep us divided and in chains.
Capitalism and "American Apartheid"
In the 1980s the harsh realities of a decaying class system have become ever more bleak. Especially for blacks, capitalism has less and less to offer. The unemployment rate has soared with the closing of giant industrial plants in the Midwest, which once provided decent union wages and basic social power to a crucial component of the working class. Funding for educa¬tion has been slashed, while segregation in schools and
in housing has increased. Blacks are not safe in many neighborhoods throughout the U.S. as lynch mob terrorists are emboldened by racist government policy. "Political power" for blacks has come to mean more black elected officials, who the Democratic Party has deemed useful to preside over the deterioration of the big cities, where they exact racist cutbacks and enforce "law and order." Philadelphia mayor Wilson Goode, whose police firebombed an entire black neighbor¬hood in order to wipe out eleven MOVE members, including five of their children, is no more a champion of black rights than New York's fascistic Ed Koch.
With the exception of a very few who have "made it," the hellish conditions are compounded for black women through sexual oppression. Unskilled black women remain confined to the lowest-paying, most menial jobs, earning starvation wages as maids, laundresses and waitresses. Black women are made to bear the brunt of devastating cutbacks in social welfare. In the U.S., twice as many black girls are pregnant before the age of 18 as whites, twice the number of black infants die. The American bourgeoisie has long upheld the lie that ghetto poverty and degradation are the fault of the "deviant" promiscuous black "matriarch." In 1969 Daniel Moynihan argued that the black "matriarchy" was responsible for the breakdown of the black family and suggested that young black men should learn the right values by joining Uncle Sam's army. Over the years the black woman has been variously stereotyped as a presumed tower of strength, a sexless and obese mammy, a promiscuous baby machine, an emasculating fiend.
Yet the picture for black men is not much less bleak. The unemployment rate in big cities for a young black man is 50 to 60 percent. There is also the problem of "permanent unemployability"—e.g., black industrial workers, "last hired, first fired," who under today's conditions will never be rehired. Women account for two-thirds of all the professional jobs held by blacks: black women are seen by racist employers as docile,non-criminal, non-militant, non-violent, an upgraded version of what used to scrub floors; whereas that young black man in a suit who seems articulate and ambitious is suspected of being Malcolm X in disguise. In the 3 December 1987 New York Review of Books, the article "American Apartheid" describes the grim reality:
"...black men are more likely [than whites] to be in prisons or the military, or die at an early age. The fact that upward of 20 percent are missed by the census would point up their lack of stable jobs or even settled addresses. Moreover, of those black men the census manages to reach, fewer than half have full-time jobs."
It all comes home to roost in the black family. In a society which defines manhood as the ability to support a family, black men are often denied that very ability. "Single-parent households" are growing throughout the U.S., a phenomenon which affects blacks more heavily but by no means exclusively. Over 56 percent of black families are headed by women. Capitalist society needs the institution of the nuclear family not only to produce the next generation of wage laborers, but as an important force for social conservatism. At the same time, capitalist decay undermines the family through grinding poverty and oppression. The family is the main social institution by which women are oppressed. But in the absence of alternatives, those who fall outside the classic pattern of the family have nothing at all. Thus, this vicious racist system cannot but lead to embittered personal relations between men and women. Out of this rises the frustration which takes The Color Purple controversy out of the literary realm into the community, where it exploded in angry debates.
In this sense, Alice Walker triumphed as an artist: the depth of the controversy shows that she began to lay bare a painful reality. The solution to the reality she and Ishmael Reed have described in their novels lies not in the realm of art or bourgeois politics, but in the struggle for the socialist transformation of society."
*When The Blues Was Dues- The "Second Coming"
Click on title to link to YouTube's film clip of Sippy Wallace performing "Women Be Wise". Wow!
DVD REVIEW
The American Folk Blues Festival: 1962-1966: Volume 1, Reelin’ In The Years Production, 2003
You know when we were listening to all those folkies like Bob Dylan, Dave Van Ronk and Joan Baez or starting to pick up on the Beatles or The Rolling Stones the American home grown blues was traveling to Europe to be appreciated by those audiences. Well, what goes around comes around. Here we have a ‘second’ chance to see what we missed from the legends that were just winding down their careers.
So what do we have here? A sizzling T-Bone Walker. Sonny and Brownie. Memphis Slim. The underrated Otis Rush. John Lee Hooker, Junior Wells, Willie Dixon, Muddy Waters and on and on. The stealers of the show- Lonny Johnson and Sippy Wallace (doing her classic “Don’t Advertise Your Man”. Wow.). Those who follow the blues will be familiar with all the line up here. Practically every one of these performers has been reviewed by this writer elsewhere in this space (with the exception, I think, of Otis Rush). So here you get them all under one roof while they are ‘hot’. For those who are unfamiliar with the performers or with classical acoustic and electric blues here’s your primer. Get working.
Women Be Wise
Sippy Wallace
(Additional lyrics by John Beach)
Olwen Music- BMI
Women be wise, keep your mouth shut, don't advertise your man
Don't sit around gossiping, explaining what your good man really can do
Some women nowadays, Lord they ain't no good
They will laugh in your face, Then try to steal your man from you
Women be wise, keep your mouth shut, don't advertise your man
Your best girlfriend, she might be a highbrow, she changes clothes 3 times a day
What do you think she's doing now, while you're so far away
She's loving your man in your own damn bed
You better call for the doctor, mama, try to investigate your head
Women be wise, keep your mouth shut, don't advertise your man
Women be wise, keep your mouth shut, don't advertise your man
Don't sit around, girl, telling all your secrets,
telling all those good things he really can do
If you talk about your baby, you tell me he's so fine
Lord honey, I just might sneek up and try to make him mine
Women be wise, keep your mouth shut, don't advertise your man
Don't be no fool, don't advertise your man (baby don't do it)
"The Red Rooster" by Willie Dixon
I have a little red rooster, too lazy to crow for day
I have a little red rooster, too lazy to crow for day
Keep everything in the barnyard, upset in every way
Oh the dogs begin to bark, and the hound begin to howl
Oh the dogs begin to bark, hound begin to howl
Ooh watch out strange kind people, cause little red rooster is on the prowl
If you see my little red rooster, please drag him home
If you see my little red rooster, please drag him home
There ain't no peace in the barnyard, since the little red rooster been gone
Bukka White - Aberdeen, Mississippi blues Lyrics
Album: Parchman Farm Blues
I was over in Aberdeen
On my way to New Orlean
I was over in Aberdeen
On my way to New Orlean
Them Aberdeen women told me
Will buy my gasoline
Hey, two little women
That I ain't ever seen
They has two little women
That I ain't never seen
These two little women
Just from New Orlean
Ooh, sittin' down in Aberdeen
With New Orlean on my mind
I'm sittin' down in Aberdeen
With New Orlean on my mind
Well, I believe them Aberdeen women
Gonna make me lose my mind, yeah
(slide guitar & washboard)
Aber-deen is my home
But the mens don't want me around
Aberdeen is my home
But the men don't want me around
They know I will take these women
An take them outta town
Listen, you Aberdeen women
You know I ain't got no dime
Oh-oh listen you women
You know'd I ain't got no dime
They been had the po' boy
All up and down.
(guitar & washboard to end)
DVD REVIEW
The American Folk Blues Festival: 1962-1966: Volume 1, Reelin’ In The Years Production, 2003
You know when we were listening to all those folkies like Bob Dylan, Dave Van Ronk and Joan Baez or starting to pick up on the Beatles or The Rolling Stones the American home grown blues was traveling to Europe to be appreciated by those audiences. Well, what goes around comes around. Here we have a ‘second’ chance to see what we missed from the legends that were just winding down their careers.
So what do we have here? A sizzling T-Bone Walker. Sonny and Brownie. Memphis Slim. The underrated Otis Rush. John Lee Hooker, Junior Wells, Willie Dixon, Muddy Waters and on and on. The stealers of the show- Lonny Johnson and Sippy Wallace (doing her classic “Don’t Advertise Your Man”. Wow.). Those who follow the blues will be familiar with all the line up here. Practically every one of these performers has been reviewed by this writer elsewhere in this space (with the exception, I think, of Otis Rush). So here you get them all under one roof while they are ‘hot’. For those who are unfamiliar with the performers or with classical acoustic and electric blues here’s your primer. Get working.
Women Be Wise
Sippy Wallace
(Additional lyrics by John Beach)
Olwen Music- BMI
Women be wise, keep your mouth shut, don't advertise your man
Don't sit around gossiping, explaining what your good man really can do
Some women nowadays, Lord they ain't no good
They will laugh in your face, Then try to steal your man from you
Women be wise, keep your mouth shut, don't advertise your man
Your best girlfriend, she might be a highbrow, she changes clothes 3 times a day
What do you think she's doing now, while you're so far away
She's loving your man in your own damn bed
You better call for the doctor, mama, try to investigate your head
Women be wise, keep your mouth shut, don't advertise your man
Women be wise, keep your mouth shut, don't advertise your man
Don't sit around, girl, telling all your secrets,
telling all those good things he really can do
If you talk about your baby, you tell me he's so fine
Lord honey, I just might sneek up and try to make him mine
Women be wise, keep your mouth shut, don't advertise your man
Don't be no fool, don't advertise your man (baby don't do it)
"The Red Rooster" by Willie Dixon
I have a little red rooster, too lazy to crow for day
I have a little red rooster, too lazy to crow for day
Keep everything in the barnyard, upset in every way
Oh the dogs begin to bark, and the hound begin to howl
Oh the dogs begin to bark, hound begin to howl
Ooh watch out strange kind people, cause little red rooster is on the prowl
If you see my little red rooster, please drag him home
If you see my little red rooster, please drag him home
There ain't no peace in the barnyard, since the little red rooster been gone
Bukka White - Aberdeen, Mississippi blues Lyrics
Album: Parchman Farm Blues
I was over in Aberdeen
On my way to New Orlean
I was over in Aberdeen
On my way to New Orlean
Them Aberdeen women told me
Will buy my gasoline
Hey, two little women
That I ain't ever seen
They has two little women
That I ain't never seen
These two little women
Just from New Orlean
Ooh, sittin' down in Aberdeen
With New Orlean on my mind
I'm sittin' down in Aberdeen
With New Orlean on my mind
Well, I believe them Aberdeen women
Gonna make me lose my mind, yeah
(slide guitar & washboard)
Aber-deen is my home
But the mens don't want me around
Aberdeen is my home
But the men don't want me around
They know I will take these women
An take them outta town
Listen, you Aberdeen women
You know I ain't got no dime
Oh-oh listen you women
You know'd I ain't got no dime
They been had the po' boy
All up and down.
(guitar & washboard to end)
*When The Blues Was Dues- A Wrap-Up
Click on title to link to YouTube's film clip of Sister Rosetta Tharpe performing "Above My Head".
DVD Review
Those who follow the blues will be familiar with all the line up here. Practically every one of these performers has been reviewed by this writer elsewhere in this space (with the exception, I think, of Memphis Slim). So here you get them all under one roof while they are ‘hot’. For those who are unfamiliar with the performers or with classical acoustic and electric blues here’s your primer. Get working.
The American Folk Blues Festival: The British Tours 1963-1966, Reelin’ In The Years Production, 2003
You know when we were listening to all those folkies like Bob Dylan, Dave Van Ronk and Joan Baez or starting to pick up on the Beatles or The Rolling Stones the American home grown blues was traveling to Europe, in this volume to Britain, to be appreciated by those audiences. Well, what goes around comes around. Here we have a ‘second’ chance to see what we missed from the legends that were just winding down their careers.
So what do we have here? A sizzling Sonny Boy Williamson. The primordial Howlin’ Wolf. Big Joe Williams. The underrated Big Joe Turner. The underrated Sister Rosetta Tharpe. Junior Wells, Otis Rush, Willie Dixon, Muddy Waters and on and on. The stealer of the show- Lightnin’ Hopkins. Those who follow the blues will be familiar with all the line up here. Practically every one of these performers has been reviewed by this writer elsewhere in this space (with the exception, I think, of Otis Rush). So here you get them all under one roof while they are ‘hot’. For those who are unfamiliar with the performers or with classical acoustic and electric blues here’s your primer. Get working.
Women Be Wise
Sippy Wallace
(Additional lyrics by John Beach)
Olwen Music- BMI
Women be wise, keep your mouth shut, don't advertise your man
Don't sit around gossiping, explaining what your good man really can do
Some women nowadays, Lord they ain't no good
They will laugh in your face, Then try to steal your man from you
Women be wise, keep your mouth shut, don't advertise your man
Your best girlfriend, she might be a highbrow, she changes clothes 3 times a day
What do you think she's doing now, while you're so far away
She's loving your man in your own damn bed
You better call for the doctor, mama, try to investigate your head
Women be wise, keep your mouth shut, don't advertise your man
Women be wise, keep your mouth shut, don't advertise your man
Don't sit around, girl, telling all your secrets,
telling all those good things he really can do
If you talk about your baby, you tell me he's so fine
Lord honey, I just might sneek up and try to make him mine
Women be wise, keep your mouth shut, don't advertise your man
Don't be no fool, don't advertise your man (baby don't do it)
"The Red Rooster" by Willie Dixon
I have a little red rooster, too lazy to crow for day
I have a little red rooster, too lazy to crow for day
Keep everything in the barnyard, upset in every way
Oh the dogs begin to bark, and the hound begin to howl
Oh the dogs begin to bark, hound begin to howl
Ooh watch out strange kind people, cause little red rooster is on the prowl
If you see my little red rooster, please drag him home
If you see my little red rooster, please drag him home
There ain't no peace in the barnyard, since the little red rooster been gone
DVD Review
Those who follow the blues will be familiar with all the line up here. Practically every one of these performers has been reviewed by this writer elsewhere in this space (with the exception, I think, of Memphis Slim). So here you get them all under one roof while they are ‘hot’. For those who are unfamiliar with the performers or with classical acoustic and electric blues here’s your primer. Get working.
The American Folk Blues Festival: The British Tours 1963-1966, Reelin’ In The Years Production, 2003
You know when we were listening to all those folkies like Bob Dylan, Dave Van Ronk and Joan Baez or starting to pick up on the Beatles or The Rolling Stones the American home grown blues was traveling to Europe, in this volume to Britain, to be appreciated by those audiences. Well, what goes around comes around. Here we have a ‘second’ chance to see what we missed from the legends that were just winding down their careers.
So what do we have here? A sizzling Sonny Boy Williamson. The primordial Howlin’ Wolf. Big Joe Williams. The underrated Big Joe Turner. The underrated Sister Rosetta Tharpe. Junior Wells, Otis Rush, Willie Dixon, Muddy Waters and on and on. The stealer of the show- Lightnin’ Hopkins. Those who follow the blues will be familiar with all the line up here. Practically every one of these performers has been reviewed by this writer elsewhere in this space (with the exception, I think, of Otis Rush). So here you get them all under one roof while they are ‘hot’. For those who are unfamiliar with the performers or with classical acoustic and electric blues here’s your primer. Get working.
Women Be Wise
Sippy Wallace
(Additional lyrics by John Beach)
Olwen Music- BMI
Women be wise, keep your mouth shut, don't advertise your man
Don't sit around gossiping, explaining what your good man really can do
Some women nowadays, Lord they ain't no good
They will laugh in your face, Then try to steal your man from you
Women be wise, keep your mouth shut, don't advertise your man
Your best girlfriend, she might be a highbrow, she changes clothes 3 times a day
What do you think she's doing now, while you're so far away
She's loving your man in your own damn bed
You better call for the doctor, mama, try to investigate your head
Women be wise, keep your mouth shut, don't advertise your man
Women be wise, keep your mouth shut, don't advertise your man
Don't sit around, girl, telling all your secrets,
telling all those good things he really can do
If you talk about your baby, you tell me he's so fine
Lord honey, I just might sneek up and try to make him mine
Women be wise, keep your mouth shut, don't advertise your man
Don't be no fool, don't advertise your man (baby don't do it)
"The Red Rooster" by Willie Dixon
I have a little red rooster, too lazy to crow for day
I have a little red rooster, too lazy to crow for day
Keep everything in the barnyard, upset in every way
Oh the dogs begin to bark, and the hound begin to howl
Oh the dogs begin to bark, hound begin to howl
Ooh watch out strange kind people, cause little red rooster is on the prowl
If you see my little red rooster, please drag him home
If you see my little red rooster, please drag him home
There ain't no peace in the barnyard, since the little red rooster been gone
*When The Blues Was Dues- Volume Three
Click on title to link to YouTube's film clip of Bukka White performing "Aberdeen Mississippi Woman". Wow!
DVD Review
The American Folk Blues Festival: 1962-1966: Volume 3, Reelin’ In The Years Production, 2003
You know when we were listening to all those folkies like Bob Dylan, Dave Van Ronk and Joan Baez or starting to pick up on the Beatles or The Rolling Stones the American home grown blues was traveling to Europe to be appreciated by those audiences. Well, what goes around comes around. Here we have a ‘second’ chance, thanks to these recently discovered archives rescued by German cinema, to see what we missed from the legends that were just winding down their careers.
So what do we have here? A sizzling T-Bone Walker. Sonny and Brownie. Memphis Slim, as always. Good solo performances by Roosevelt Sykes, a young Buddy Guy and “Big Joe” Turner. A nice section featuring the old country blues singers Skip James, Son House and Bukka White. A finale led by Helen Humes with an All-Star lineup including T-Bone, Willie Dixon, Jumping Jack and a host of others. For my money though the stealer of this show is Bukka White mentioned above. I might add that this is not the first time I have made mention of that fact, even against my favorites Son House and Howlin’ Wolf. Bukka’s long version of his classic “Cannonball” flipped me out. When he gets to flailing on that old National Steel guitar he “owns” it.
Women Be Wise
Sippy Wallace
(Additional lyrics by John Beach)
Olwen Music- BMI
Women be wise, keep your mouth shut, don't advertise your man
Don't sit around gossiping, explaining what your good man really can do
Some women nowadays, Lord they ain't no good
They will laugh in your face, Then try to steal your man from you
Women be wise, keep your mouth shut, don't advertise your man
Your best girlfriend, she might be a highbrow, she changes clothes 3 times a day
What do you think she's doing now, while you're so far away
She's loving your man in your own damn bed
You better call for the doctor, mama, try to investigate your head
Women be wise, keep your mouth shut, don't advertise your man
Women be wise, keep your mouth shut, don't advertise your man
Don't sit around, girl, telling all your secrets,
telling all those good things he really can do
If you talk about your baby, you tell me he's so fine
Lord honey, I just might sneek up and try to make him mine
Women be wise, keep your mouth shut, don't advertise your man
Don't be no fool, don't advertise your man (baby don't do it)
"The Red Rooster" by Willie Dixon
I have a little red rooster, too lazy to crow for day
I have a little red rooster, too lazy to crow for day
Keep everything in the barnyard, upset in every way
Oh the dogs begin to bark, and the hound begin to howl
Oh the dogs begin to bark, hound begin to howl
Ooh watch out strange kind people, cause little red rooster is on the prowl
If you see my little red rooster, please drag him home
If you see my little red rooster, please drag him home
There ain't no peace in the barnyard, since the little red rooster been gone
Bukka White - Aberdeen, Mississippi blues Lyrics
Album: Parchman Farm Blues
I was over in Aberdeen
On my way to New Orlean
I was over in Aberdeen
On my way to New Orlean
Them Aberdeen women told me
Will buy my gasoline
Hey, two little women
That I ain't ever seen
They has two little women
That I ain't never seen
These two little women
Just from New Orlean
Ooh, sittin' down in Aberdeen
With New Orlean on my mind
I'm sittin' down in Aberdeen
With New Orlean on my mind
Well, I believe them Aberdeen women
Gonna make me lose my mind, yeah
(slide guitar & washboard)
Aber-deen is my home
But the mens don't want me around
Aberdeen is my home
But the men don't want me around
They know I will take these women
An take them outta town
Listen, you Aberdeen women
You know I ain't got no dime
Oh-oh listen you women
You know'd I ain't got no dime
They been had the po' boy
All up and down.
(guitar & washboard to end)
DVD Review
The American Folk Blues Festival: 1962-1966: Volume 3, Reelin’ In The Years Production, 2003
You know when we were listening to all those folkies like Bob Dylan, Dave Van Ronk and Joan Baez or starting to pick up on the Beatles or The Rolling Stones the American home grown blues was traveling to Europe to be appreciated by those audiences. Well, what goes around comes around. Here we have a ‘second’ chance, thanks to these recently discovered archives rescued by German cinema, to see what we missed from the legends that were just winding down their careers.
So what do we have here? A sizzling T-Bone Walker. Sonny and Brownie. Memphis Slim, as always. Good solo performances by Roosevelt Sykes, a young Buddy Guy and “Big Joe” Turner. A nice section featuring the old country blues singers Skip James, Son House and Bukka White. A finale led by Helen Humes with an All-Star lineup including T-Bone, Willie Dixon, Jumping Jack and a host of others. For my money though the stealer of this show is Bukka White mentioned above. I might add that this is not the first time I have made mention of that fact, even against my favorites Son House and Howlin’ Wolf. Bukka’s long version of his classic “Cannonball” flipped me out. When he gets to flailing on that old National Steel guitar he “owns” it.
Women Be Wise
Sippy Wallace
(Additional lyrics by John Beach)
Olwen Music- BMI
Women be wise, keep your mouth shut, don't advertise your man
Don't sit around gossiping, explaining what your good man really can do
Some women nowadays, Lord they ain't no good
They will laugh in your face, Then try to steal your man from you
Women be wise, keep your mouth shut, don't advertise your man
Your best girlfriend, she might be a highbrow, she changes clothes 3 times a day
What do you think she's doing now, while you're so far away
She's loving your man in your own damn bed
You better call for the doctor, mama, try to investigate your head
Women be wise, keep your mouth shut, don't advertise your man
Women be wise, keep your mouth shut, don't advertise your man
Don't sit around, girl, telling all your secrets,
telling all those good things he really can do
If you talk about your baby, you tell me he's so fine
Lord honey, I just might sneek up and try to make him mine
Women be wise, keep your mouth shut, don't advertise your man
Don't be no fool, don't advertise your man (baby don't do it)
"The Red Rooster" by Willie Dixon
I have a little red rooster, too lazy to crow for day
I have a little red rooster, too lazy to crow for day
Keep everything in the barnyard, upset in every way
Oh the dogs begin to bark, and the hound begin to howl
Oh the dogs begin to bark, hound begin to howl
Ooh watch out strange kind people, cause little red rooster is on the prowl
If you see my little red rooster, please drag him home
If you see my little red rooster, please drag him home
There ain't no peace in the barnyard, since the little red rooster been gone
Bukka White - Aberdeen, Mississippi blues Lyrics
Album: Parchman Farm Blues
I was over in Aberdeen
On my way to New Orlean
I was over in Aberdeen
On my way to New Orlean
Them Aberdeen women told me
Will buy my gasoline
Hey, two little women
That I ain't ever seen
They has two little women
That I ain't never seen
These two little women
Just from New Orlean
Ooh, sittin' down in Aberdeen
With New Orlean on my mind
I'm sittin' down in Aberdeen
With New Orlean on my mind
Well, I believe them Aberdeen women
Gonna make me lose my mind, yeah
(slide guitar & washboard)
Aber-deen is my home
But the mens don't want me around
Aberdeen is my home
But the men don't want me around
They know I will take these women
An take them outta town
Listen, you Aberdeen women
You know I ain't got no dime
Oh-oh listen you women
You know'd I ain't got no dime
They been had the po' boy
All up and down.
(guitar & washboard to end)
*When The Blues Was Dues- The "Second Coming"-Volume Two
Click on title to link to YouTube's film clip of Howlin' Wolf performing "Smokestack Lightning". Wow.
DVD Review
The American Folk Blues Festival: 1962-1966: Volume 2, Reelin’ In The Years Production, 2003
You know when we were listening to all those folkies like Bob Dylan, Dave Van Ronk and Joan Baez or starting to pick up on the Beatles or The Rolling Stones the American home grown blues was traveling to Europe to be appreciated by those audiences. Well, what goes around comes around. Here we have a ‘second’ chance, thanks to these recently discovered archives rescued by German cinema, to see what we missed from the legends that were just winding down their careers.
So what do we have here? A sizzling T-Bone Walker. Sonny and Brownie. Memphis Slim, as always. A nice performance by Victoria Spivey (with those dazzling eye movements of hers giving expression to her song). “Big Mama” Thornton leads an All-Star cast of harmonica players (including John Lee Hooker) in one of the most outlandish outfits I have seen in a while. But, Big Mama rocks here. However, the performer who steals this show is the ever great Howlin’ Wolf. I commented in a previous review of his work that in a video clip that I had seen he practically devoured the microphone performing “The Red Rooster”. Here he practically obliterates his small (for him) guitar when he gets rolling. Wow.
Those who follow the blues will be familiar with all the line up here. Practically every one of these performers has been reviewed by this writer elsewhere in this space (with the exception, I think, of Memphis Slim). So here you get them all under one roof while they are ‘hot’. For those who are unfamiliar with the performers or with classical acoustic and electric blues here’s your primer. Get working.
Note: Check out the bonus track section for a couple of ‘hot’ guitar efforts by the great Earl Hooker, another underrated artist who deserves (and will receive)
separate consideration in this space later.
Women Be Wise
Sippy Wallace
(Additional lyrics by John Beach)
Olwen Music- BMI
Women be wise, keep your mouth shut, don't advertise your man
Don't sit around gossiping, explaining what your good man really can do
Some women nowadays, Lord they ain't no good
They will laugh in your face, Then try to steal your man from you
Women be wise, keep your mouth shut, don't advertise your man
Your best girlfriend, she might be a highbrow, she changes clothes 3 times a day
What do you think she's doing now, while you're so far away
She's loving your man in your own damn bed
You better call for the doctor, mama, try to investigate your head
Women be wise, keep your mouth shut, don't advertise your man
Women be wise, keep your mouth shut, don't advertise your man
Don't sit around, girl, telling all your secrets,
telling all those good things he really can do
If you talk about your baby, you tell me he's so fine
Lord honey, I just might sneek up and try to make him mine
Women be wise, keep your mouth shut, don't advertise your man
Don't be no fool, don't advertise your man (baby don't do it)
"The Red Rooster" by Willie Dixon
I have a little red rooster, too lazy to crow for day
I have a little red rooster, too lazy to crow for day
Keep everything in the barnyard, upset in every way
Oh the dogs begin to bark, and the hound begin to howl
Oh the dogs begin to bark, hound begin to howl
Ooh watch out strange kind people, cause little red rooster is on the prowl
If you see my little red rooster, please drag him home
If you see my little red rooster, please drag him home
There ain't no peace in the barnyard, since the little red rooster been gone
DVD Review
The American Folk Blues Festival: 1962-1966: Volume 2, Reelin’ In The Years Production, 2003
You know when we were listening to all those folkies like Bob Dylan, Dave Van Ronk and Joan Baez or starting to pick up on the Beatles or The Rolling Stones the American home grown blues was traveling to Europe to be appreciated by those audiences. Well, what goes around comes around. Here we have a ‘second’ chance, thanks to these recently discovered archives rescued by German cinema, to see what we missed from the legends that were just winding down their careers.
So what do we have here? A sizzling T-Bone Walker. Sonny and Brownie. Memphis Slim, as always. A nice performance by Victoria Spivey (with those dazzling eye movements of hers giving expression to her song). “Big Mama” Thornton leads an All-Star cast of harmonica players (including John Lee Hooker) in one of the most outlandish outfits I have seen in a while. But, Big Mama rocks here. However, the performer who steals this show is the ever great Howlin’ Wolf. I commented in a previous review of his work that in a video clip that I had seen he practically devoured the microphone performing “The Red Rooster”. Here he practically obliterates his small (for him) guitar when he gets rolling. Wow.
Those who follow the blues will be familiar with all the line up here. Practically every one of these performers has been reviewed by this writer elsewhere in this space (with the exception, I think, of Memphis Slim). So here you get them all under one roof while they are ‘hot’. For those who are unfamiliar with the performers or with classical acoustic and electric blues here’s your primer. Get working.
Note: Check out the bonus track section for a couple of ‘hot’ guitar efforts by the great Earl Hooker, another underrated artist who deserves (and will receive)
separate consideration in this space later.
Women Be Wise
Sippy Wallace
(Additional lyrics by John Beach)
Olwen Music- BMI
Women be wise, keep your mouth shut, don't advertise your man
Don't sit around gossiping, explaining what your good man really can do
Some women nowadays, Lord they ain't no good
They will laugh in your face, Then try to steal your man from you
Women be wise, keep your mouth shut, don't advertise your man
Your best girlfriend, she might be a highbrow, she changes clothes 3 times a day
What do you think she's doing now, while you're so far away
She's loving your man in your own damn bed
You better call for the doctor, mama, try to investigate your head
Women be wise, keep your mouth shut, don't advertise your man
Women be wise, keep your mouth shut, don't advertise your man
Don't sit around, girl, telling all your secrets,
telling all those good things he really can do
If you talk about your baby, you tell me he's so fine
Lord honey, I just might sneek up and try to make him mine
Women be wise, keep your mouth shut, don't advertise your man
Don't be no fool, don't advertise your man (baby don't do it)
"The Red Rooster" by Willie Dixon
I have a little red rooster, too lazy to crow for day
I have a little red rooster, too lazy to crow for day
Keep everything in the barnyard, upset in every way
Oh the dogs begin to bark, and the hound begin to howl
Oh the dogs begin to bark, hound begin to howl
Ooh watch out strange kind people, cause little red rooster is on the prowl
If you see my little red rooster, please drag him home
If you see my little red rooster, please drag him home
There ain't no peace in the barnyard, since the little red rooster been gone
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