Sunday, September 30, 2012

From The Pen Of Joshua Lawrence Breslin- From The "Ancient Dreams, Dreamed" Sketches- "Children Of Darkness"


“Okay, Peter Paul you’re going to cover me while I ‘clip’ that onyx ring for Sheila the one I told you about yesterday that I saw in Sam’s Jewelry Store, okay?,” slyly whispered one Billie Bradley (not Billy, no way, not some billy- goat name, not for Billie Bradley, no way), the king hell king of the Adamsville projects, junior division, junior division being twelve and under in that fast grow up project small time thief night. And later that day, that hot drawn out summer day, a day heaven-make for larcenies, big and small, Peter Paul, if for no other reason that he was just then in thrall to the prospects of the free and easy small- time hood night, stood his guard eyeing Sam, Sam James, owner of Sam’s Jewelry up the Square to see if he was looking Billie’s way. He wasn’t and Billie, once again, made the ‘clip’ like he did a million times before, or at least that is the number he gave Peter Paul any time he asked. Probably inflated, Billie inflated, but not by much.

 

Up the Square for those not in the know by the way was (is)  nothing but hokey old  Adamsville Square, heart of  the old time granite city (from the massive quarries, now depleted, that gave work and shelter to many working men and their hard-scrabble families back in the day), city of presidents, some guys named Adams that were presidents, big time United States Presidents if you want to know , back when they just hung out in Washington and did a little of this and a little of that. Not small time grifters like Billie and he from what Peter Paul remembered from school. But maybe they didn’t need to grift, or maybe they didn’t have some lady friend who needed an onyx ring (and as it later turned out on further Billie inspection an onyx ring with a diamond chip in the center).

 

Funny thing is that Shelia, Shelia McCabe for those who are also not in the know about who was foxy and who was not, junior division, twelve and under in that same fast growing Adamsville projects girl night, could have cared less about onyx rings, even onyx rings that turned out to have  diamond chips in the center. She was, let me use a coy word here,  smitten, smitten to hell and back by one Billie Bradley, king hell king of the junior varsity night from day one a few months back when she arrived here from poor town somewhere, oh yah, Peter Paul remembered, Lowell up the other end of Massachusetts from Adamsville.

 

If you can believe this she just wanted him, well, to herself. See Billie, and don’t take this the wrong way, was nothing but a girl trap and the other reason besides thralldom that Peter Paul Markin, late of trusted friend guard duty up the Square, hung with and on Billie was that maybe, just maybe one of his “rejects” would notice this awkward boy that Billie has taken pity on in order to learn the “trade.” The trade for those not in the know, well you already know what the trade is from what happened above.         

 

What Sheila didn’t know, and for that matter neither did Peter Paul, was that Billie was, well let me be coy again, smitten with Sheila and thought that in his little larcenous heart he had to shower her with things or else she would up and leave him for another guy. And Billie, king hell king of the night or not, was not a guy who would take to being “given the air” by any frail (his, Billie’s word, his ever-using word picked up from watching too many double feature 1940s crime noir repeats at the old Stand Theater on Saturday afternoons after a fit of off-hand larceny to pay for the ticket).

 

So about once a week or so, Billie got the “urge,” and he and some confederate moved out of the safety of the projects and headed for where the jewels were. It used to be George H, then Ronnie B., then Slim P., and now Peter Paul ( Peter Paul, not Peter, or damn, not, P.P. , like his mother called him). I am, by the way, using no last names on those earlier confederates just in case the coppers are still looking for “fall guys” for those up the Square capers, I ain’t no snitch, no way. And Billie, kind of superstitious like a lot of sneaky guys, professional sneaky guys not just guys who are sneaky to be sneaky, always took the same route (or that is what he told Peter Paul once) through the marshes up to C Street, then cross to Main and then on to Adams (yah, the town is hoopy for naming everything for those old guys, those president guys) until he and his pal of the moment got to the square proper.        

 

From there it was nothing but stealthy and shadow boxy  moves, no stopping for fear that someone who swore they saw someone just like Billie coming out of (or going into it did not matter) some store and coming out with stuff (no better description that that), might yell copper, and make it stick. And then where would our boy have been, more importantly, where would he stand then in Sheila’s eyes. His creep work was made easier by the set-up of the square all no trespass standing, low-slung granite buildings everywhere, granite steps leading to granite doors leading to granite gee-gad counters, I told you already about the granite that made the city work so you shouldn’t be surprised. 

 

Then when Billie had “selected” his target of the day he went silent (and his confederate had better not have said anything either, or else). Then Billie’s eyes, deep pool blue eyes that some of the older girls, not the junior division girls, not even Sheila, called “bedroom eyes” went stone cold like the granite that was found everywhere as he built up some imaginary hatred for some misbegotten small shop owner who was made to pay for society’s giving Billie, or rather Billie, Senior a raw deal and life in the projects. Yes, that hatred, no name hatred, low-head hatred, drove Billie once he made his move, after waiting slyly, standing back on heels, for the right moment . The, in a flash, going in furtively, hand signals driving the moves to his partner in crime, coming out ditto, presto coming out with a gold nugget jewel.

 

All this madness for some no carat, no russkie Sputnik panel glitter for his efforts. Such is the grab of young lumpen crime, project distorted values, no value, no look, just grab, grab hard, grab fast, grab get yours before the getting is over, or before the dark, dark  night comes, the dark pitched-night when the world no longer is young, and dreamed dreams make no more sense that this bodily theft. And Peter Paul for that minute before he ditched that life (although not Billie, or Billie friendship, no that would takes many long, long days) of silly crime for crime books, or just books, loved every minute, every moves just because it was Billie who made those moves, made the cheap glitter dance.

 

And what of Shelia, or rather of Sheila and her family.  Well, one week-end when Billie was away visiting some distant grandmother, they, not having paid rent from about day one, just flew the coop without a word. And Billie never heard from her again. But get this she left that onyx ring, that onyx ring complete with diamond chip in the center, with Peter Paul to give back to Billie, and with a kiss. See, as she explained to Peter Paul, she really was smitten with Billie, just Billie. And Peter Paul knew exactly what she meant.  

No, No Damn It- Not Obama's Twenty Months But Nine (Oops! Ten)Long Years In Afghanistan -Troops Out Now!-March Against The Wars October 7th


No, No Damn It- Not Obama's Thirty-Two Months But Ten (Oops! Eleven) Long Years In Afghanistan -Troops Out Now!- A Repost On The 11th Anniversary Of The Afgan War


Markin comment:

Apparently I can just keep reposting the entry from a couple of years back as long as Obama is in charge. And if someone else takes over in 2013 well then we will just delete and change the name. Except I have a better idea. Let's end this thing our way- Immediate Uncondtional Withdrawal From Afghanistan, Period!
*****
October 7, 2010

No, No Damn It- Not Obama's Twenty Months But Nine Long Years In Afghanistan -Troops Out Now!

Markin comment:

No, old Markin has not gotten lazy, at least not too lazy, in his old age and just casually reposted last year's commentary on this the anniversary (9th) of the American occupation of Afghanistan. When I went to read it over, in the main, it seemed a perfect fit, again. Except, of course, do the math-add 12 months to the eight and add an additional year. It will however take more than a calculator to get Obama out of Afghanistan! Let's get moving- I don't want to have to add another twelve to that twenty and a one to that nine. For the rest read below (except for General McChrytsal, that's old news now).
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Wednesday, October 07, 2009

* No, No Damn It- Not Obama's Eight Months But Eight Long Years In Afghanistan


Click on title to link to my September 4, 2009 blog entry of National Public Radio's report on September 1, 2009 of the musings of Afghan top commander, General Stanley "Search and Destroy first and let god sort it out)" McChrystal, about (another) future troop escalation in Afghanistan. Well,boys and girls, the time for Obamian illusions is over. It is time to settle up. The streets are not for dreaming now. Get the poster boards, the old bed sheets, magic markers, paint and cell phones ready. Obama-Immediate Unconditional Withdrawal Of All U.S./Allied Troops From Afghanistan ((And Iraq And Pakistan Too!)

Markin comment:

I really am, after a long political life, usually non-plussed by bizarre remarks from liberals and from those even further to the right, who I do not even bother rebutting these days, but a recent remark from one such liberal specimen after I made a comment about Obama’s Afghan war policy and troop escalations has got “my dander” up. It seems the rules of war, or at least of calculating the lengths of such wars, have changed in the “Age of Obama”. Apparently this person has been steeped in the educational philosophy of John Locke and his theory of tabula rasa. The logic of this position in terms of Obama’s innate Afghan War policy is that we should not count the war times under former President George W. Bush against newly-minted current President Obama.

A follow up discussion on that logic indicated that this person believed that one could, and should, draw a sharp distinction between Bush’ s “war of choice” and Obama’s “war of necessity” and give the President a break. No, no a thousand times no. But just to prove I do not remain forever with my “dander” up here is what I will do. Prior to 12 o’clock noon on January 20, 2009 Bush- Immediate Unconditional Withdrawal of All U.S./Allied Troops From Iraq and Afghanistan! After 12 o’clock noon on January 20, 2009 Obama- Immediate Unconditional Withdrawal of All U.S./Allied Troops From Iraq and Afghanistan! There, now let’s do the math starting from the bombing of Afghanistan- eight long ……years. Enough.

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Every once in a while (more frequently than I would like but today seems like a very appropriate time) old Pete Seeger's song about his World War II adventures that served as a parable for President Lyndon Johnson and his constant Vietnam escalations, Waist Deep In The Big Muddy just seems appropriate. This is one of those occasions. Just switch "Big Poppy" for "Big Muddy" and you will have it just about right.

Waist Deep In The Big Muddy-Pete Seeger

It was back in nineteen forty-two,
I was a member of a good platoon.
We were on maneuvers in-a Loozianna,
One night by the light of the moon.
The captain told us to ford a river,
That's how it all begun.
We were -- knee deep in the Big Muddy,
But the big fool said to push on.

The Sergeant said, "Sir, are you sure,
This is the best way back to the base?"
"Sergeant, go on! I forded this river
'Bout a mile above this place.
It'll be a little soggy but just keep slogging.
We'll soon be on dry ground."
We were -- waist deep in the Big Muddy
And the big fool said to push on.

The Sergeant said, "Sir, with all this equipment
No man will be able to swim."
"Sergeant, don't be a Nervous Nellie,"
The Captain said to him.
"All we need is a little determination;
Men, follow me, I'll lead on."
We were -- neck deep in the Big Muddy
And the big fool said to push on.

All at once, the moon clouded over,
We heard a gurgling cry.
A few seconds later, the captain's helmet
Was all that floated by.
The Sergeant said, "Turn around men!
I'm in charge from now on."
And we just made it out of the Big Muddy
With the captain dead and gone.

We stripped and dived and found his body
Stuck in the old quicksand.
I guess he didn't know that the water was deeper
Than the place he'd once before been.
Another stream had joined the Big Muddy
'Bout a half mile from where we'd gone.
We were lucky to escape from the Big Muddy
When the big fool said to push on.

Well, I'm not going to point any moral;
I'll leave that for yourself
Maybe you're still walking, you're still talking
You'd like to keep your health.
But every time I read the papers
That old feeling comes on;
We're -- waist deep in the Big Muddy
And the big fool says to push on.

Waist deep in the Big Muddy
And the big fool says to push on.
Waist deep in the Big Muddy
And the big fool says to push on.
Waist deep! Neck deep! Soon even a
Tall man'll be over his head, we're
Waist deep in the Big Muddy!
And the big fool says to push on!

From The Pen Of Joshua Lawrence Breslin- Svengali Redux- “Fear In The Night”- A Film Review

Click on the headline to link to a Wikipedia entry for the B- film thriller Fear In The Night DVD Review Fear In The Night, starring Paul Kelly, DeForest Kelley, Paramount Pictures, 1947

Yah, every crumb bum criminal always says he (or she) is as innocent as a lamb, wouldn’t touch somebody else’s dough for all the money in the world, wouldn’t knock off a guy who bothered him for an equal amount, and certainly wouldn’t get-trigger happy over some little misunderstanding with a dame. No way. Yah, that’s what they all say, and say it loud and often. We have been through that song and dance before and the alibi that the guy, the seemingly Walter Mitty guy, Vince (played by a young DeForest Kelley of Star Trek fame) who is on the hook in this film under review, Fear In The Night, stinks to high heaven. No way did his story made sense, no way even to a cop relative (played by Paul Kelly) who plays it by the book. No way he didn’t knock a guy and dame off just for kicks or some other perversion so forget going to the bother of looking for some clue that might get him off the hook. The kid is a weirdo, maybe a little flighty, maybe on dope, maybe just trying to put together some bizarre insanity plea. Sweat this boy, sweat him hard to get the truth, and get it quick before he caves in totally.

    Yes, I had this B-film thriller figured early. No question Vince did it and did it mean and rotten. How else did he know about the keys, about a button, and about a funny farm mirrored room? Yah, hang him, hang him high. But wait a minute it turns out this guy, the Vince fall guy, actually was innocent of murder anyway if not bad acting as he tried to make us get all tensed about his dilemma. As it turned out the pair that were murdered were bleeding some big time doctor dry, one way or another. Moreover the woman was, ah, married to the big time doctor. So rather than taking matters into his own hand and risk swinging from some high gallows ropes dear old Doc makes Vince the patsy. How? Easy, the power of suggestion, hypnosis, get it. The oldest gag in the book. Sorry Doc, your ticket has been punched.

As for Vince and this B-beauty you get what you pay for. If you want Alfred Hitchcock suspense that has you gnawing at your finger nails then look elsewhere, you know stuff like Strangers On A Train, Psycho and what not. If you want a low- budget black and white movie that looks like it was shot in about three days in somebody’s back yard wrapped around a twist and turns Cornell Woolrich story line then you are home. I still Vince should be doing a little time for letting Doc put him under his whammy. But I am just sore this guy really was innocent when I had him tagged as a lamester from square one. Enough said.

From #Un-Occupied Boston (#Un-Tomemonos Boston)-What Happens When We Do Not Learn The Lessons Of History- The Pre-1848 Socialist Movement-From The Pens Of Karl Marx And Friedrich Engels-Marx/Engels Internet Archive-The Communist League- An Introduction

Click on the headline to link to the Occupy Boston General Assembly Minutes website. Occupy Boston started at 6:00 PM, September 30, 2011.

Markin comment:

I will post any updates from that Occupy Boston site if there are any serious discussions of the way forward for the Occupy movement or, more importantly, any analysis of the now atrophied and dysfunctional General Assembly concept. In the meantime I will continue with the “Lessons From History ’’series started in the fall of 2011 with Karl Marx’s The Civil War In France-1871 (The defense of the Paris Commune). Right now this series is focused on the European socialist movement before the Revolutions of 1848.

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An Injury To One Is An Injury To All!-Defend The Occupy Movement And All Occupiers! Drop All Charges Against All Occupy Protesters Everywhere!

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Fight-Don’t Starve-We Created The Wealth, Let's Take It Back! Labor And The Oppressed Must Rule!
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A Five-Point Program As Talking Points

*Jobs For All Now!-“30 For 40”- A historic demand of the labor movement. Thirty hours work for forty hours pay to spread the available work around. Organize the unorganized- Organize the South- Organize Wal-Mart- Defend the right for public and private workers to unionize.

* Defend the working classes! No union dues for Democratic (or the stray Republican) candidates. Spent the dough instead on organizing the unorganized and on other labor-specific causes (good example, the November, 2011 anti-union recall referendum in Ohio, bad example the Wisconsin gubernatorial recall race in June 2012).

*End the endless wars!- Immediate, Unconditional Withdrawal Of All U.S./Allied Troops (And Mercenaries) From Afghanistan! Hands Off Pakistan! Hands Off Iran! U.S. Hands Off The World!

*Fight for a social agenda for working people!. Quality Healthcare For All! Nationalize the colleges and universities under student-teacher-campus worker control! Forgive student debt! Stop housing foreclosures!

*We created the wealth, let’s take it back. Take the struggle for our daily bread off the historic agenda. Build a workers party that fights for a workers government to unite all the oppressed.

Emblazon on our red banner-Labor and the oppressed must rule!

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Markin comment:

This foundation article by Marx or Engels goes along with the propaganda points in the fight for our communist future mentioned in other posts in this space.
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Marx/Engels Internet Archive-The Communist League

A congress of the League of the Just opened in London on June 2, 1847. Engels was in attendence as delegate for the League's Paris communities. (Marx couldn't attend for financial reasons.)

Engels had a significant impact throughout the congress -- which, as it turned out, was really the "inaugural Congress" of what became known as the Communist League. This organization stands as the first international proletarian organization. With the influence of Marx and Engels anti-utopian socialism, the League's motto changed from "All Men are Brothers" to "Working Men of All Countries, Unite!"

Engels: "In the summer of 1847, the first league congress took place in London, at which W. Wolff represented the Brussels and I the Paris communities. At this congress the reorganisation of the League was carried through first of all. ...the League now consisted of communities, circles, leading circles, a central committee and a congress, and henceforth called itself the 'Communist League'."

The Rules were drawn up with the participation of Marx and Engels, examined at the First Congress of the Communist League, and approved at the League's Second Congress in December 1847.

Article 1 of the Rules of the Communist League: "The aim of the league is the overthrow of the bourgeoisie, the rule of the proletariat, the abolition of the old bourgeois society which rests on the antagonism of classes, and the foundation of a new society without classes and without private property."

The first draft of the Communist League Programme was styled as a catechism -- in the form of questions and answers. Essentially, the draft was authored by Engels. The original manuscript is in Engels's hand.

The League's official paper was to be the Kommunistische Zeitschrift, but the only issue produced was in September 1847 by a resolution of the League's First Congress. It was First Congress prepared by the Central Authority of the Communist League based in London. Karl Schapper was its editor.

The Second Congress of the Communist League was held at the end of November 1847 at London's Red Lion Hotel. Marx attended as delegate of the Brussels Circle. He went to London in the company of Victor Tedesco, member of the Communist League and also a delegate to the Second Congress. Engels again represented the Paris communities. Schapper was elected chairman of the congress, and Engels its secretary.

Friedrich Lessner: "I was working in London then and was a member of the communist Workers' Educational Society at 191 Drury Lane. There, at the end of November and the beginning of December 1847, members of the Central Committee of the Communist League held a congress. Karl Marx and Frederick Engels came there from Brussels to present their views on modern communism and to speak about the Communists' attitude to the political and workers' movement. The meetings, which, naturally, were held in the evenings, were attended by delegates only... Soon we learned that after long debates, the congress had unanimously backed the principles of Marx and Engels..."

The Rules were officially adopted December 8, 1847.

Engels: "All contradiction and doubt were finally set at rest, the new basic principles were unanimously adopted, and Marx and I were commissioned to draw up the Manifesto." This would, of course, become the Communist Manifesto.

Let’s Redouble Our Efforts To Free Private Bradley Manning-President Obama Pardon Bradley Manning -Make Every Town Square In America (And The World) A Bradley Manning Square From Boston To Berkeley to Berlin-Join Us In Davis Square, Somerville –The Stand-Out Is Every Wednesday From 4:00-5:00 PM

Let’s Redouble Our Efforts To Free Private Bradley Manning-President Obama Pardon Bradley Manning -Make Every Town Square In America (And The World) A Bradley Manning Square From Boston To Berkeley to Berlin-Join Us In Davis Square, Somerville –The Stand-Out Is Every Wednesday From 4:00-5:00 PM

http://www.standwithbrad.org/

Click on the headline to link to the Private Bradley Manning Petition website page.

Markin comment:

The Private Bradley Manning case is headed toward a mid- winter trial. Those of us who support his cause should redouble our efforts to secure his freedom. For the past several months there has been a weekly stand-out in Greater Boston across from the Davis Square Redline MBTA stop (renamed Bradley Manning Square for the stand-out’s duration) in Somerville on Friday afternoons but we have since July 4, 2012 changed the time and day to 4:00-5:00 PM on Wednesdays. This stand-out has, to say the least, been very sparsely attended. We need to build it up with more supporters present. Please join us when you can. Or better yet if you can’t join us start a Support Bradley Manning weekly stand-out in some location in your town whether it is in the Boston area, Berkeley or Berlin. And please sign the petition for his release either in person or through the Bradley Manning Support Network. We have placed links to the Manning Network and Manning Square website below. ********
Bradley Manning Support Network http://www.bradleymanning.org/

Manning Square website http://freemanz.com/2012/01/20/somerville_paper_photo-bradmanningsquare/bradleymanningsquare-2011_01_13/


Remarks From The Pardon Bradley Manning Rally At Downtown Boston Obama Headquarters-September 6, 2012

Welcome one and all and I am glad you could be here for this important struggle. The Smedley Butler Brigade of Veterans for Peace proudly stands in solidarity with, and defense of, Private Bradley Manning and his fight for freedom from his jailers, the American military. Now usually when I get before a mic or am on a march I am shouting to high heaven about some injustice. Recently I was called strident by someone and when it comes to the struggle against this country’s wars, the struggle for social and economic equality, and for freedom for our political prisoners I am indeed strident. But I am looking for something today something personally important to me and so I will try to lower my temperature a bit- I want, like you, for President Obama to pardon Bradley Manning so I will be nice, or try to be.

Bradley Manning is in a sense the poster person for all of us who have struggled against the wars of the last decade. He stands charged with allegedly leaking information about American war crimes and other matters of public concern to Wikileaks. We, and we are not alone on this, do not see whistleblowing on such activities as a crime but as an elemental humanitarian act and public service. Private Manning has paid the price for his alleged acts with over 800 days of pre-trial confinement and is now facing life imprisonment for simple acts of humanity. For letting the American people know what they perhaps did not want to know but must know- when soldiers, American soldiers, go to war some awful things can happen and do. He has also suffered torture at the hands of the American government for his brave stand. We have become somewhat inured to foreign national being tortured by the American government at places like Guantanamo and other black hole locales. We have even become somewhat inured to American citizens being tortured and killed by the American government by drones and other methods. But we know, or should know, that when the American government stands accused of torturing an American soldier for not toeing the war line then we private citizens are in serious trouble.

Why does Private Manning need a pardon? Did he give away the order of battle or the table of organization for American military operations in Iraq and Afghanistan? No. Did he give away the design for drones and such weapons? No. He simply blew the whistle on something that is a hard fact of war- war crimes by American soldiers through release of the Collateral Murder tape and what have become known as the Iraq and Afghan War logs. This is what the American government had tried with might and main to cover up. And what needed to be exposed. All talk of bringing democracy, or national building, or having a war to end all wars, and the million other lame excuses for war pale before the hard fact that in the heat of war the real strategy is to kill and burn and let god sort out the innocent from the guilty. That is what Private Manning exposed.

I, and I am sure many other veterans from previous wars who saw or knew of such things and did nothing about it, are glad that such things were exposed. If for no other reason Private First Class Bradley Manning deserves presidential pardon for his service. To insure that event we urge everybody to ramp up their efforts in behalf of Bradley by signing here or online at the Bradley Manning Support Network site the petition to the Secretary of the Army for his release and to call the White House, the telephone number is listed on the flyer we are handing out, and demand that President Obama pardon Private Manning. Today’s event is the start of our fall campaign of behalf of Private Manning who at this time is expected to go to trial next February. We want to build toward that trial, assuming President Obama (or President Romney) has not pardoned him by then. We have been holding weekly stand-outs in Davis Square in Somerville outside the MBTA Red Line stop Wednesdays from 4:00to 5:00 PM and urge you to join us. Or better yet start a Free Bradley Manning stand-out in your own town square. Thank you

Saturday, September 29, 2012

404th Anniversary Birthday Greetings- John Milton, Revolutionary And Poet


Click on title to link to Wikipedia's entry for John Milton for background information about this important republican publicist of the English Revolution of the 17th century.

BOOK REVIEW

Milton And The English Revolution, Christopher Hill, Penguin Press, New York 1972

The name and work of the late British Marxist historian Christopher Hill should be fairly well known to readers of this space who follow my reviews on the subject of the 17th century English Revolution. That revolution has legitimately been described as the first one of the modern era and had profound repercussions, especially on the American Revolution and later events on this continent. Although Hill was an ardent Stalinist, seemingly to the end of his life, his works, since they were not as subjected to the conforming pressures of the Soviet political line that he adhered to, are less influenced by that distorting pressure. To our benefit.

More importantly, along the way Professor Hill almost single-handedly brought to life the under- classes that formed the backbone of the plebeian efforts during that revolution. We would, surely, know far less about Fifth Monarchists, Brownists, Ranters, panters, Shakers, Quakers and fakers without the sharp eye of the good professor. All to the tune of, and in the spirit of that famous last line from John Milton's "Paradise Lost" about the locus of paradise, except instead of trying to explain the ways of god to man the professor has tried to explain ways of our earlier plebeian brothers and sisters to us.

That said, on this the 400th Anniversary year of the birth of John Milton the great English revolutionary and poet it is fitting that the occasion be commemorated by a review of one of Professor Hill's major literary/historical works, "Milton and The English Revolution". Now with a figure like Milton, so central to the Western literary canon, it is, after 400 years of critique, entirely possible to analysis his life and work from a merely literary or religious point of view and "deep-six" his central role as a propagandist for Cromwell's republican English Commonwealth, as a defender of regicide in "The Tenure Of Kings and Magistrates" or as a man emerged in the various radical religious and political controversies of his day. The literary and political fight against such reductionism is, in fact, both the purpose of Hill's book and his core argument in order to take back the person of John Milton for the revolution. And along the way dispel the proposition that Milton was a cloistered "up-tight" Puritan exemplar, especially through his analysis of Milton's tracts on divorce and an examination of his career during the tumultuously 1640's. To this reviewer's mind Hill succeeds in the first task although I still have reservations in imagining the figure of a `rakish' John Milton on the second.

As always in dealing with the controversies of the mid-17th in England it is best to have knowledge of the various religious controversies that were swirling through all classes as the showdown with the king, and more importantly, the theory of 'divine right' of kings and the heavy monarchical/church state apparatus based on it. Hill's main argument on this point is that Milton's known theological divergences from then orthodox Laudian Church of England dogma or, for that matter; orthodox Puritan dogma as well made him a prime candidate to be the leading propagandist for the republican side in the dispute.

Thus, Milton intellectually was totally emerged in the on-going controversies over mortalism, the Trinity, the divinity of Christ, the literalness (and timing) of the Second Coming, the virgin birth, arminianism, Arianism and the thousand and one varieties on this theme that had more than one champion in its day. As Hill notes these controversies may seem rather abstract or of merely academic interest today but then one could pay with his or her life for a wrong move. Most famously, look at the fate of Quaker James Nayler, for one, for the truth of that matter-and remember that man drew a severe sentence for his `folly' during the fairly "enlightened" Cromwellian Protectorate.

If one recognizes, as I following Professor Hill do, the politically shrewd aspect of Milton's career as well as that of his role as thoughtful if somewhat arbitrary advocate for various political causes that were dear to his heart then his role as propagandist for the Republic is easier to understand. As Secretary of Foreign Tongues he was the voice of the English Revolution to the known world. In that capacity, rather than that of a 'private intellectual' the reading of such treatises as his defense of regicide "Tenure of Kings And Magistrates" and his rebuttal to Charles I in "Eikonoklastes" makes more sense.

At one time I placed Milton as something of the 17th century equivalent of the Russian revolutionary Leon Trotsky in the 20th century who, according to no less an authority than George Bernard Shaw, was the "prince of pamphleteers" of his era. I now believe this earlier characterization of mine made Milton more organizationally and theoretically committed to the fate of the revolution, as he suffered later disillusions with the revolution under the Commonwealth, than he actually was. However, among the literary set of the English Revolution, his is the most outstanding voice trying to push the revolution, the "revolution of the saints" to put it in the parlance of the day, to the left. All the way to 1660 and beyond, despite his physical blindness. And then in defeat to explain what went wrong, as well.

Although Hill has drawn in this little political biography a portrait of Milton as a man enmeshed in his times his seminal poetic and other literary work after his narrow escape from the clutches of a vengeful Charles II in 1660- the trilogy, "Paradise Lost", "Paradise Regained" and "Samson Agonistes" are also well analyzed. I do not, however, want to enter into that post-revolutionary literary/political discussion which takes up the last part of the book here, interesting as it is. As mentioned above more than enough ink has been spilled over the last four hundred years deciphering the meanings of those works by the literary set. The reader can read this section and make up his or her mind without my layman's literary comments. To conclude then, this book pays due homage to the prime literary defender of the "Good Old Cause", a cause that WAS worth fighting for. All Honor To The Memory Of John Milton, Revolutionary And Poet.

When Literature Talked Politics- The Role of Literature In Revolutionary Politics-17th Century Style


Click on the headline to link to a Wikipedia entry for John Milton's Paradise Lost. Then you are on your own. But read it.

Book Review

Politics Of Discourse; The Literature and History Of Seventeenth-Century England, edited by Kevin Sharpe and Steven N. Zucker, University of California Press, Berkeley, 1987


No question these days in modern European democratic societies literature, high literature anyway, and politics do not mix, except by accident. This however has not always been true, and as the academic book under review here, Politics of Discourse, testifies to in the early modern democratic period the fit between the two was far tighter than the modern mind could imagine. And no where was this combination more prevalent that in 17th century England, from the immediate pre-revolutionary period through to the late restoration period. The specialized essays that make up this volume give a pretty clear impression that, at least at the level of “high culture” and courtier/bourgeois society, one could not be knowledgeable about the affairs of the day without reading the polemics, parables, and panegyrics of such luminaries as Ben Jonson, William Shakespeare, John Milton, Andrew Marvell, Thomas Carew, and John Dryden.

Of course the 17th century in England was the high point, or rather one of the high points, in the struggle over the role of religion in public life from such questions as toleration, an established state church, the nature of worship and liturgy, religious qualifications for public office, and the great internal and foreign policy struggles between international Protestantism and Roman Catholicism. So public men, literary sorts or not, had be aware of the stakes involved when they went about the business of polemicizing for their views. No question that given the very undemocratic nature of monarchical society under James I and Charles I (and the later Charles and James) that one had to couch their polemics for their positions in oblique terms. This is, after all, the great age of the parable, the masque, and the ethereal epic poem. Moreover, democratic stirrings or not, religious sentiment in public and private life at both the patrician and plebeian cultural levels drove all literary and political conversation, especially the manic drive to prove one’s point by reference to Scripture. Still this period produced some of the masterworks of English literature, none better than John Milton’s defense of Republican England under Cromwell, in Paradise Lost.

That said this book is not for those who are not at least somewhat familiar with the history of 17th century English, especially some knowledge of the issues around the titanic struggles in mid-century in the revolutionary period, the Puritan Revolution proper. With that in mind there are a few outstanding essay here worthy of taking the time to read: a great exposition on the Scottish historical sources that Shakespeare may, or may not have been familiar with when creating his saga on monarchical legitimacy in Macbeth; an interesting study of a literary patroness, Lucy, Countess of Bedford, to detail the audience that any literary figure needed to address their works to; a generally overlooked subject during this period, that of a courtier literary figure and his defense of the monarchy, Thomas Carew; the trials, tribulations and twists of a literary politician trying to read which way the wind was blowing in creating his works, Andrew Marvell; the usages of the fable in the Restoration period to telegraph dissent (a literary devise still necessarily in use today, unfortunately); and, lastly, a couple of great essays on the great defender of the English revolution and of its republican virtues, John Milton.

Those last essays were my reason for reading this volume, especially the essay on the politics of Paradise Lost by Mary Ann Radzinowicz, featuring some ideas that the great British Marxist historian and Milton devotee Christopher Hill alerted us to in an earlier time, but the others mentioned deserve a reading as well.

From The Pen Of Joshua Lawrence Breslin-From The "Ancient Dreams, Dreamed" Sketches -"Markin's Big Date"


Click on the headline to link to a YouTube film clip of Eddie Cochran performing Sittin’ in the Balcony to add a zest to this sketch.

Sittin' In The Balcony Recorded by Eddie Cochran Written by John D. Loudermilk


                         D7 G I'm just a sittin' in the balcony just a watching the movie D7 G Or maybe it's a symphony I wouldn't know D7 G I don't care about the symphonies just a cymbal and a timpani D7 G I'm just a sitting in the balcony on the very last row C G I'll hold your hand and I'll kiss you too A7 D7 The feature's over but we're not through G D7 G Just a sittin' in the balcony holding hands in the balcony D7 G Just a sittin' in the balcony on the very last row C G We may stop loving to watch bugs bunny A7 D7 But he can't take the place of my honey G D7 G Just a sittin' in the balcony just a smooching in the balcony D7 G Just a sittin' in the balcony on the very last row C G D7 G Just a hugging and a kissing with my baby in the very last row

You never knew what kind of story Peter Paul Markin my old yellow brick road compadre going back to the1960s was going to come up with back in those California “on the bus” searching for the great American West night days as we roamed up and down that state on Captain Crunch’s merry prankster bus. One day (night, more likely) he might be all high politics and want to talk about what was wrong with various slogans put forth on the workers’ government question at the Fourth Congress of the Communist International in 1922. The next day (or maybe that same night if we had hit the right kind of “high” for the occasion) he might just draw back to recall some childhood or teenage angst story. When he went into that mode it usually meant he wanted to discuss some forlorn “chick” that got away in those woe begotten days, or ones that didn’t and he wished they had.

This one though is about one that didn’t get away but didn’t work out either. Amazingly, thinking about it later after he told me this story, I noticed how many such no win tales he kept locked in that mind of his. For this one Peter Paul (I am under the equivalent of a court order not to use his nickname, his childhood stuck to adulthood nickname Pee-Pee when writing about him) reached way back to his elementary school days down at the Adamsville Housing Authority apartments (the “projects” in his terms) where he came of age. And where he “discovered” girls, although not without the usual ten tons of trauma, angst and alienation.

Of course the ins and outs of the boy-girl thing have eluded every guy from ten to ten times ten since girls were invented so his story is not one that I found so bizarre. Just the particulars of his dilemma. See, for a guy who thought nothing of spouting off those facts about the trials and tribulations of the Fourth Congress of the Communist International Peter Paul was (and is) an extremely shy guy. And was back in the back the day time he was talking about, maybe more so. His thing was always to kind of overwhelm the girls with about ten thousand arcane facts on about eleven thousand different things that he had read about.

Well, we all have our ways of relating to the world, and the opposite sex (or the same-sex these days as far as preferences go). Personally I always thought he was crazy to do that routine when I saw him in action later when we were on the road. But some girls (and women more than I would have figured) were easily impressed by such odd-ball foolishness. My thing, personally, was just to say pretty things about them and take my chances like most normal guys.

Enter Belinda, Belinda Boylston, a blonde-haired stick (local Adamsville corner boy short-hand for girls who had not gotten a figure yet but who, well, who had some other charms only immature teen boys would notice) who had just that year (1958) moved into the new middle-class single family colonial-style houses up the street build for those, unlike Peter Paul’s family, moving up in the golden age of American post- World War II prosperity. She had entered the school in October and so was not aware like all the other girls in his class of his special “skills.” And not knowing that she one day, maybe the second or third day of class, gave him a smile, a thin Mona Lisa smile. He blushed, blushed seven shades of red the lightest being blood red. Done. Gone. Finished.

After that in class Peter Paul poured it on especially when he noticed that she was paying attention when he answered a question, or just started to ramble on. (Jesus, I know that one.) But how was he going to get to talk to her. That is where Billie Bradley, the king hell king of the young teen Adamsville corner boy night came to the rescue. Or rather his sister, Celina, who was a year ahead of the boys, did. She corralled Belinda one day at lunch and just came right out with it. Did she like Peter Paul, or not? Of course came the since time immemorial- let him ask me himself. And with that our tale ends.

Not end ends but ends for the few weeks that it took Peter Paul to get up the courage to talk to Belinda. And only under threat that Billie Bradley was going to take a run after her himself. Well the long and short of it was that Belinda had not been coquettish (although she could be that) when she gave her answer to Celina but was pretty shy herself. She had planned to have her new friend, Maude, Maude Riley, ask Peter Paul if he liked her but Celina got there first.

And so, finally, like some false-fated lovers out of some Greek tragedy (or Hollywood B script) they talked and she agreed to go on a “date.” with one Peter Paul Markin that next Saturday. Now this twelve year old “date” business is not (or was not) like a real date that older teens and we adults have but is strictly around the block stuff. First off it was strictly day time, strictly going to the movies or the beach (in summer) and strictly a few hours, no more. And with no car to drive them to the movies (nobody then, even shy nobodies, and I hope not now either, wanted to be chauffeured by some old foggy parents when they only had that precious few hours to make an impression) they took the bus to the Stand Theater in Adamsville Square for the Saturday matinee double-feature.

Peter Paul dressed in his best shirt and pants and his hair combed picked up Belinda at her house. Belinda looked nice too in her just slightly filling out cashmere sweater all the rage in those days. After the obligatory hi and goodbye (and parental list of dos and don’ts) they headed to the bus stop. Here is a funny part, or I thought it was funny. After leaving the Boylston house they were like two magpies talking about a storm like they had known each other forever. And every once in a while as he was talking she gave Peter Paul that fatal (to him) Mona Lisa smile.

Finally they got to the Square and headed for the theater. Peter Paul said the rest of the afternoon was a little hazy. They entered the theater although he confessed that on a stack of seven bibles he could not remember the movies being played that day. Maybe Peggy Sue Meets Godzilla he though, something like that. And here is why things were a little hazy. Now parents and old foggies when they go to the movie theater are looking for the best seats to view the film. Twelve year olds then (and maybe now too for all I know) on their first “date” had a different decision to make. Orchestra seats or balcony? The answer meant an ordinary old foggy-type date or holding hands, and lips, upstairs. Peter Paul shyly asked Belinda where she wanted to sit. She gave him that thin Mona Lisa smile and pointed upstairs.

I wish I could give a postscript that Peter Paul and Belinda lived happily ever after, or until something else came along. However in this wicked old world some things just can’t work out, work out for twelve and thirteen year olds. Peter Paul and Belinda were an “item” for the rest of the school year, or most of it. Then Belinda’s father got a promotion that required a transfer to another part of the state. Such is life. But he still remembers that Mona Lisa smile as she, unable to talk she was so shy at that moment, pointed to those stairs.

From The Pen Of Joshua Lawrence Breslin- The Girl With The Bette Davis Eyes-Part Three- “Marked Woman”- A Film Review





Click on the headline to link to a Wikipedia entry for the 1930s social drama Marked Woman.

DVD Review

Marked Woman, starring Bette Davis, Humphrey Bogart, Warner Brothers, 1937

You know sometimes the distance between a femme fatale and just an ordinary working woman down on her uppers is very slight, very slight indeed. So, say Frank never showed up at that ocean front diner out in California to watch Cora come through that back of the house door to the dining area in The Postman Always Rings Twice and seal his fate (and hers) as they dashed through every kind of murderous impulse and savage passion. Femme Cora would probably still be serving them off the arm, still be listening to Nick’s grousing, and maybe growing old gracelessly down by the seashore, Or, say, Robert Mitchum had actually done what he was paid to do in Out Of The Past and turned the errant femme Jane Greer over to Kirk Douglas for retribution instead of dashing through every kind of murderous impulse and savage passion with her. Dear Jane might still be sunning herself and drinking high-shelf drinks in some cabana and rattling around some big old hacienda. Or, finally, what if Irish Blackie had just turned the other corner and not been almost knocked over by that horse-driven carriage carrying on Rita Hayworth in The Lady From Shang-hai instead of dashing through every kind of, what, oh yes, every kind of murderous impulse and savage passion with her. Maybe, just maybe, Rita would have grown old weaving baskets or watching sub-titled films while passing the time at some high-end opium den. See for the femmes it is always a close thing, a very close thing.

So imagine how close that margin is when just an average girl, an average working class girl down on her uppers but loathe to spend her life in seven to three six day shift factories , just trying to do, well, do the best she can. That bit of social reality, that 1930s bit of social reality, is the theme behind the film under review, Warner Brothers’ Marked Woman (from the period when that studio was well-known for producing such socially significant drama). See, if you were (are) a sugar daddy “kept” woman then you have your well-honed femme charms to see you through. But say you are some Mary (yes, Mary will do as a name just fine for this point), not bad for looks, but just a little too world-wise, a little too jaded, just a little too smart, and just a little too un-femme to have the Mayfair swells lined up at your door. Then you either serve them off the arm, swab a mop, or tend some ungodly machine, unless of course you decide, as our film Mary did (played by Bette Davis, the girl with the, uh, Bette Davis eyes) to become a “hostess” at one of Johnny Vanning’s hot spot New York night clubs and “clip” the customers for drinks and dimes. And that was our Mary’s choice; she decided that she would see that career path through to “easy street” come hell or high water.

Of course this hostess dodge is just a polite way to say working girl (non-factory),whore or prostitute so let’s not fall into dreamland about what was expected, expected when master gangster Johnny Vanning took over the New York clubs and was determined to create more huge profit centers to add to his enterprises. Not if you wanted to stay above water, literally. But as the story unfolds the difference between that water and living to tell the tale was a near thing. See Mary had things figured out, or thought she did, her and her four other hostess roommates who were sharing a place to cut down on expenses in high-priced New York. Of course she didn’t count on two things to mess up her easy street plans -one that a “mark” she had set up for Johnny ‘s gambling tables was not able to pay his gambling debts, not even close, and therefore wound up rather dead for his mistake. Mary, as an accomplice of Johnny’s on this caper, threw the hammer-headed crusading District Attorney (played against type a bit by Humphrey Bogart then known mainly for the Duke Mantee gangster on the lam role in the also Betty Davis- starring Petrified Forest) a fast ball and Johnny walked, walked free as a bird and Mary thumbed her smart nose at old John Law.

The second thing was more serious, involving her visiting kid sister who got caught up in the dragnet around Johnny’s trial, and around knowledge of her sister’s real livelihood (a livelihood keeping sis in pencils and books at old something U) and decided she could not go back to college. On a fling she attended one of Johnny’s parties and wound up very dead for her troubles after she caught on that she was not really the hostess type and ran afoul of Johnny’s wrath. Mary, finally catching on that she was in a no win situation working in gangland, although only finally catching on after she took a merciless beating from Johnny’s boys, decided to play ball with the law for real this time. Naturally Johnny had to go down on that sister rap and he and his boys were convicted on the testimony of Mary and her other hostess friends. DA Humphrey got his glory and big headlines but what did Mary and the other women get? No question, being a working girl, working those mean streets and hard on the shoe leather clip joints then wasn’t exactly the road to easy street, no way. The streets were not for dreaming then. Now either come think of it.

A MODEST LABOR PROPOSAL-RECRUIT, RUN INDEPENDENT LABOR MILITANTS IN THE 2012 ELECTIONS.

IN THIS TIME OF THE ‘GREAT FEAR’ WE NEED CANDIDATES TO FIGHT FOR A WORKERS GOVERNMENT.

FORGET DONKEYS AND ELEPHANTS - BUILD A WORKERS PARTY!

In the summer of 2006 I originally wrote the following commentary (used in subsequent election cycles and updated a little for today’s purpose) urging the recruitment of independent labor militants as write-in candidates for the mid-term 2006 congressional elections based on a workers party program. With the hoopla already in full gear for the 2012 election cycle I repost that commentary below with that same intention of getting thoughtful leftists to use the 2012 campaign to further our propagandistic fight for a workers’ party that fights for a workers government.

A Modest Proposal-Recruit, Run Independent Labor Militants In The 2012 Elections

All “anti-parliamentarian”, “anti-state”, “non-political” anarchist or anarcho-syndicalist brothers and sisters need read no further. This writer does not want to sully the purity of your politics with the taint of parliamentary electoral politics. Although I might remind you, as we remember the 75th anniversary of the beginning of the Barcelona Uprising, that your political ancestors in Spain were more than willing to support the state and enter the government when they got the chance- the bourgeois government of a bourgeois state. But, we can fight that issue out later. We will, hopefully, see you on the barricades with us when the time comes.

As for other militants- here is my modest proposal. Either recruit fellow labor militants or present yourselves as candidates to run for public office, especially for Congress, during the 2012 election cycle. Why? Even a quick glance at the news of the day is calculated to send the most hardened politico screaming into the night. The quagmire in Afghanistan (and unfinished business in Iraq and threats to Iran), immigration walls, flag-burning amendments, anti -same-sex marriage amendments, the threat to separation of church state raised by those who would impose a fundamentalist Christian theocracy on the rest of us, and the attacks on the hard fought gains of the Enlightenment posed by bogus theories such as ‘intelligent design.’ And that is just an average day. Therefore, this election cycle provides militants, at a time when the dwindling electorate is focused on politics, a forum to raise our program and our ideas. We use this as a tool, like leaflets, petitions, meetings, demonstrations, etc. to get our message across. Why should the Donkeys, Elephants, and the other smaller bourgeois parties have a monopoly on the public square?

I mentioned in the last paragraph the idea of program. Let us face it if we do not have a program to run on then it makes no sense for militants to run for public office. Given the political climate our task at this time is to fight an exemplary propaganda campaign. Our program is our banner in that fight. The Democrats and Republicans DO NOT RUN on a program. The sum of their campaigns is to promise not to steal from the public treasury (or at least not too much), beat their husbands or wives, or grossly compromise themselves in any manner. On second thought, given today’s political climate, they may not promise not to beat their husbands or wives or not compromise themselves in any untoward manner. You, in any case, get the point. Damn, even the weakest neophyte labor militant can make a better presentation before working people that this crowd. This writer presents a five point program (you knew that was coming, right?) that labor militants can run on. As point five makes clear this is not a ‘minimum’ program but a program based on our need to fight for power.

1. FIGHT FOR THE IMMEDIATE AND UNCONDITIONAL WITHDRAWAL OF U.S. TROOPS FROM THE MIDDLE EAST NOW (OR BETTER YET, YESTERDAY)! U.S. HANDS OFF THE WORLD! VOTE NO ON THE WAR BUDGET!

The quagmire in Afghanistan and elsewhere in the Middle East (Iraq, Syria, Libya, Palestine, Iran) is the fault line of American politics today. Every bourgeois politician has to have his or her feet put to the fire on this one. Not on some flimsy ‘sense of the Congress’ softball motion for withdrawal next, year, in two years, or (my favorite) when the situation is stable. Moreover, on the parliamentary level the only real vote that matters is the vote on the war budget. All the rest is fluff. Militants should make a point of trying to enter Congressional contests where there are so-called anti-war Democrats or Republicans (an oxymoron, I believe) running to make that programmatic contrast vivid.

But, one might argue, that would split the ‘progressive’ forces. Grow up, please! That argument has grown stale since it was first put forth in the “popular front” days of the 1930’s. If you want to end the wars in Afghanistan and elsewhere fight for this position on the war budget. Otherwise the same people (yes, those 'progressive Democrats') who almost unanimously voted for the last war budget get a free ride on the cheap. War President Barack Obama desperately needs to be opposed by labor militants. By rights this is our issue. Let us take it back.

2. FIGHT FOR A LIVING WAGE AND WORKING CONDITIONS-UNIVERSAL FREE HEALTH CARE FOR ALL.

It is a ‘no-brainer’ that no individual, much less a family can live on the minimum wage (now $7/hr. or so). What planet do these politicians live on? We need an immediate fight for a living wage, full employment and decent working conditions. We need universal free health care for all. End of story. The organized labor movement must get off its knees and fight to organize Wal-Mart and the South. A boycott of Wal-Mart is not enough. A successful organizing drive will, like in the 1930’s; go a long way to turning the conditions of labor around.

3. FIGHT THE ATTACKS ON THE ENLIGHTENMENT.

Down with the Death Penalty! Full Citizenship Rights for All Immigrants who make it here! Stop the Deportations! For the Separation of Church and State! Defend abortion rights! Down with anti-same sex marriage legislation! Full public funding of education! Stop the ‘war on drugs’, basically a war on blacks and minority youth-decriminalize drugs! Defend political prisoners! This list of demands hardly exhausts the “culture war” issues we defend. It is hard to believe that in the year 2012 over 200 years after the American Revolution and the French Revolution we are fighting desperately to preserve many of the same principles that militants fought for in those revolutions. But so be it.

4. FIGHT FOR A WORKERS PARTY.

The Donkeys, Elephants and other smaller bourgeois parties have had their chance. Now is the time to fight for our own party and for the interests of our own class, the working class. Any campaigns by independent labor militants must highlight this point. And any campaigns can also become the nucleus of a workers’ party network until we get strong enough to form at least a small party. None of these other parties, and I mean none, are working in the interests of working people and their allies. The following great lesson of politic today must be hammered home. Break with the Democrats, Republicans!

5. FIGHT FOR A WORKERS AND XYZ GOVERNMENT. THIS IS THE DEMAND THAT SEPARATES THE MILITANTS FROM THE FAINT-HEARTED REFORMISTS.

We need our own form of government. In the old days the bourgeois republic was a progressive form of government. Not so any more. That form of government ran out of steam about one hundred years ago. We need a Workers Republic. We need a government based on workers councils with a ministry (I do not dare say commissariat in case any stray anarchists are still reading this) responsible to it. Let us face it if we really want to get any of the good and necessary things listed above accomplished we are not going to get it with the current form of government.

Why the XYZ part? What does that mean? No, it is not part of an algebra lesson. What it reflects is that while society is made up mainly of workers (of one sort or another) there are other classes (and parts of classes) in society that we seek as allies and could benefit from a workers government. Examples- small independent contractors, intellectuals, the dwindling number of small farmers, and some professionals like dentists. Yes, with my tongue in my cheek after all my dental bills, I like the idea of a workers and dentists government. The point is however you formulate it you have got to fight for it.

Obviously any campaign based on this program will be an exemplary propaganda campaign for the foreseeable future. But we have to start now. Continuing to support or not challenging the bourgeois parties does us no good. That is for sure. While bourgeois electoral laws do not favor independent candidacies write-in campaigns are possible. ROLL UP YOUR SHEEVES! GET THOSE PETITIONS SIGNED! PRINT OUT THE LEAFLETS! PAINT THOSE BANNERS! GET READY TO SHAKE HANDS AND KISS BABIES.

Friday, September 28, 2012

Pete Seeger Redux- Appleseed Record- 2012


Click on the headline to link to a "YouTube" film clip of Bruce Springsteen performing his "Ghost Of Tom Joad".

CD Review

Sowing The Seeds-The Tenth Anniversary, Pete Seeger and various artists, Appleseed Records, 2007


Most of the musical reviews in this space center on individual and group performers or particular musical genres, especially folk, blues and classic rock and roll. Very occasionally this space salutes record labels like Chess, Sun, Rounder, Smithsonian/Folkway, Red House, and here, Appleseed Records. On those occasions the record label may be as important to the genre as the performances of the artists because they established a genre, drove it forward, keep it alive or acted as a repository, or all of the above. That is the case here with a CD salute to the 10th Anniversary of Appleseed Records (2007).

For the history of the label there is a more than informative booklet that comes with the 2-disc CD set, including plenty of discology–type information about each track. I want to concentrate here on the performers and the performances to give the reader who may not be familiar with any of this some sense of what the label has tried to do. I will just drop the name Pete Seeger in first place here because it is his spirit that has driven this project, his sense of the desperate necessity of preserving and continuing the folk and political protest traditions and because many of the songs here are performed by him, or are covered by other artists. Beyond that the litany of performers range from “born again” folkie Bruce Springsteen, actor and activist Tim Robbins, Pete’s half-sister , Peggy, a folk legend in her own right, old time folkies like Eric Andersen and Tom Paxton, and some newer folkies like Ani DiFranco. A nice mix.

Of course, that description begs the question of what is good here. What do you need to listen to get the essence of the Appleseed tradition? Well, Pete and Bruce on Bruce’s “Ghost Of Tom Joad” that evokes the original Great Depression “Grapes Of Wrath” pathos (and very timely today when such messages are needed). A patriotic (too patriotic for my tastes) Pete on “Bring Them Home”. Tom Paxton’s heartfelt and fully justified tribute to the fallen New York 9/11 fire fighters, “The Bravest”. David Bromberg’s rousing, bluesy “Try Me One More Time”. And today very appropriate, as well, Pete Seeger tune's, “The Emperor Is Naked Today-O”.

*********

THE EMPEROR IS NAKED TODAY-O!

As the sun
Rose on the rim of eastern sky
And this one
World that we love was trying to die
We said stand!
And sing out for a great hooray-o!
Your child may be the one to exclaim
The emperor is naked today-o!

Four winds that blow
Four thousand tongues, with the word: survive
Four billion souls
Striving today to stay alive
We say stand!
And sing out for a great hooray-o!
Why don't we be the ones to exclaim
The emperor is naked today-o!

Men - have failed
Power has failed, with papered gold.
Shalom - salaam
Will yet be a word where slaves were sold
We say stand!
And sing out for a great hooray-o!
We yet may find the way to exclaim
The emperor is naked today-o!

Originally titled "As the Sun"
Words and Music by Pete Seeger (1970)
(c) 1977, 1979 by Fall River Music Inc.

From The Pen Of Joshua Lawrence Breslin-From The "Ancient Dreams, Dreamed" Sketches-Adamsville South Monday, Summer 1957



Adamsville South Monday, Summer 1957

 


 

[Click on the headline to this sketch to link to a YouTube film clip of Danny and The Juniors performing their classic  At The Hop to give a little flavor of the time of this entry-JLB].

 
Setting The Mood- Peter Paul Markin In His Own Words

 
I, once a while back, was asked, in earnest, what I meant by the “blue-pink western skies” that has formed the backdrop for several of Josh’s sketches. Or rather the way I would prefer to formulate it, and have taken some pains to emphasize it this way, “the search for the blue-pink great American West night.” Well, of course, there was a literal part to the proposition since ocean-at-my back (sometimes right at my back) New England homestead meant unless I wanted to take an ill-advised turn at piracy or high-seas hijacking or some such thing east that the hitchhike road meant heading west.

 

So that night is clearly not in the vicinity of the local Blues Hills or of the Berkshires since early childhood ocean-fronted Massachusetts, those are too confined and short-distanced to even produce blues skies much less that west-glanced sweet shade just before heaven, if there was a heaven shade, blue-pink. And certainly not hog-butcher-to-the-world, sinewy Midwest Chicago night, Christ no, nor rarefied, deep-breathed, rockymountainhigh Denver night, although jaded sojourner-writer not known for breathe-taking, awe-bewilderment could have stopped there for choice of great western night. Second place, okay.

 

But no, onward, beyond, beyond pioneer, genetically-embedded pioneer America, past false god neon blue-pink glitter Las Vegas in the Nevada desert night to the place where, about fifty miles away from sanctified west coast, near some now nameless abandoned ghost town, nameless here for it is a mere speck on the map and you would not know the name, you begin, ocean man that you are, if you are, and organically ocean-bred says you are, to smell the dank, incense-like, seaweed-driven, ocean-seized air as it comes in from the Japanese stream, or out there somewhere in the unknown, some Hawaii or Guam or Tahiti of the mind, before the gates of holy city, city of a thousand, thousand land’s end dreams, San Francisco. That is where the blue-pink sky devours the sun just before the be-bop, the bop-bop, the do wang-doodle night, the great American Western star-spangled (small case) night I keep reaching for, like it was some physical thing and not the stuff of dreams. And it started early.

*******

<b>The scene below stands (or falls) as a moment in support of that eternal search.

 

Scene One: The Prequel- Adamsville South Monday, Summer 1957

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I wake up early, with a sudden start like something hit me but it kind of missed, kind of just glanced off me, something that felt like a pebble, maybe thinner and a little lighter, but I don’t see anything out of my watery, half-closed eyes. And I don’t feel anything around me in this feeble excuse for a bed that my father lashed together out of old blankets when my previous mattress fell apart, something like you see down at the Plymouth Plantation when the Pilgrims, a few hundred years ago, made beds for their kids except not with the corn husking filler they used. See, Ma and Pa couldn’t see their way clear to getting me a new one since my younger brother, Kevin, really needed one for his “problem”. A “problem” that I don’t understand about, and that nobody ever talks about, even Grandma, and she talks about everything and will tell me anything, anything but that, at least when I am around they don’t talk about it, okay.

 

Maybe, I wouldn’t understand it even if they blabbed about it all day, but here I am with this low-rent sleeping bag, our lord in the manger kind of a bed. And Kevin’s sleeping like a king in the room across the hall all by himself away from this midget-sized room that they must have thought of when kids were smaller than they are these days, what with us drinking more milk with “Big Brother” Bob Emery every school day when we go home at lunchtime. Ma says I should be thankful (including to the Lord, as she always says, without fail) that I have any bed at all as some kids in India don’t even have that. The reasons for that, I guess, are ‘cause those people don’t thank the Lord, or at least thank our “the Lord.”

 

Darn it, I now suddenly remember, whatever it was that hit me, maybe something from outer space, broke up a nice half-formed dream that was just starting to get somewhere and that was about being on some television show and winning something like a thousand dollars and me getting to buy stuff for me and my friends like serious bicycles or a big record player, and getting girls stuff too, like a box of candy from the Rexall drugstore up in Adamsville Square, and just like that its gone, gone, now long gone. Just like shutting off the television before the end and the good guys, or whoever has the right to be on the right side of the law like Maverick, wins; just like missing American Bandstand before Dick Clark gets to the big dance off thing at the end where everybody’s jumping and grooving and having a good time, the band is rocking, and the guys, especially the guys that get the cute girls and not the left-over ones that they must just put on to be nice, or something are smiling, smiling the smile of the just. Double darn it.

 

Ya, something’s out of whack, something’s definitely out of whack, or it’s gonna be. Every time I have one of these broken-up dreams something goes awry pretty soon only not today please, and I am scared, no, really scared about it this time. Wouldn’t you be? I suddenly notice something in a split-second that confirms this bad omen coming-Oh no, not again, for the hundredth hundredth time this ratty old summer, this boring never-ending summer that I wish would end so bad I am praying, and praying hard, that it will be over and we can go back to the cool air in Adamsville South Elementary School that we left the last part of last month. I told you it was bad, bad as all that. I’m all sweaty, I feel under my arms, underarms sticky, underwear, all cottony, sticking to me like it’s part of my skin forever, eyes sticky and half shut from a nighttime’s worth of perspiration, and maybe more than a night at that. I don’t think I took a bath yesterday, did I? I sniff, no. Sticky, that me, that’s gonna be my middle name before long if this mind-numbing weather keeps up.

 

Heck, I’m tired, tired to hell and back, no, farther than that, of these half-sleep, restless nights; god awful humid, sultry, breathless summer’s nights, no relief and no air conditioning in sight. No air, no wind coming from the channel across the parking lot from our house, or I should say apartment. No air, less than no air, coming from Adamsville Bay, so still that throwing a rock on it would make ripples all the way to Merrymount. And certainly no air coming from god forsaken Hough’s Neck. I know that for sure, ‘cause I went over there, walked all the way up to Rock Island and down that dusty dirt road all the way to Nut Island almost before I realized that the air had died, or gone on vacation.

 

Ma, making fun of me and my sweating every second of every minute of every day for about a week now, the other day told me that this was my own personal preview of what it is gonna be like for me in hell, if I don’t change my ways. Yes, ma. But that is just her con, she’s always conning me and my brothers, trying make us do good by bringing God, his son, his holy ghost, his mother, his father, his sisters and brothers and whoever else she can conjure up using to make us do good, to do as she’s says every chance she gets in order to do God’s work, but that’s impossible using her tried and true method. She must have learned that “method” from some priest over at Saint Boniface, or something. She sure didn’t learn it from that cool doctor, Doctor Spock, I think was his name, that I saw on TV the other day on that Mike Dowling, or one of them talk shows. He knows a lot about kids, they say, at least that’s what someone said. I wouldn’t know, I ‘m stuck with Ma, and that ain’t no nice to kids lady, nor does she want to be. 

 

Saying all that ain’t doing me any good, lying here in a pool of sweat, thinking about getting up. But I’m getting mad, even though I know getting mad today is tempting fate, I guess I was born mad, or got that way early because even though I know it’s gonna get me in trouble , I’m mad . You would think that in the year 1957, in a year when everybody else seems to have money and is spending it, that even in this woe begotten tiny airless apartment filled to the brim with three growing boys and two grown, overgrown if you ask me, adults; in this woe begotten tiny airless room filled to the brim with two growing boys, one sleeping like a log, sleeping the sleep of the just, I guess, across from me right now; in this woe begotten no account housing project where you can’t get anything fixed without about twenty forms and a six month wait and even then you have to wait, nothing less. Even for a light fixture it takes a civil war. Christ, how long, in this woe begotten town before we could have this “necessity,” air- conditioning.  Ma says we can’t afford it, or whatever her excuse of the week is. “How about a fan, Ma?” Nope, can’t afford the extra electricity ‘cause Dad just got laid off, whatever that means. He’s always getting laid off so I can’t tell what is so different about this time so that we can’t get air conditioning. Johnny Jakes has it, and his father hasn’t ever worked. Can’t, for some reason.

 

Enough of this, I‘m getting up, if only to splash some water on my face and get my eyes unstuck, or get a cool drink of water to bring down what has got be about a 110 degrees of temperature running through my body, maybe 115. Nah, that can’t be right, we learned about body temperatures in class. I would have to be some alien from outer space maybe. But I’m feverish, that’s for sure. Just then I am stopped short by a sound, a familiar sound. A sound that if I had just one sound to hear in the whole universe of sounds that I have heard in my long eleven year old life it would be that one. The sound of fleeing this hellish, airless place for parts unknown, any unknown. Ya, that old, sweet, lonesome, high whistle sound that cuts me to the bone, that sweet old fog horn sound when the air is like pea soup down the channel ‘cause that means a big old firemen’s red, rubber tire-draped tugboat, or maybe two, is bringing a low-riding, rusty old tanker, or some ship to port across the channel to the Proctor & Gamble factory, the place of a thousand perfume smells, as we call it when the wind is up and all the world here smells like a bar of soap.

 

If I live to be a hundred, if I live to be a thousand, I’m always gonna watch, even if only in my mind, when some old tanker comes down the line, dragging or getting dragged by that old tug, whistling away, to keep river traffic away, and like it just as much then I bet. I know what I will be doing this morning, or the first part of the morning, heat or no heat, air- conditioning or no air- conditioning. I will be perched on my very own private, for invited guests only which means nobody, viewing stand at the little point along the shoreline that is my real home, or the home that I wish was my home except maybe in winter, just across from where the big boy boat will settle in.

 

“Hey, a boat’s coming in, I’m off,” I yell to no one in particular. And from not one of those no one in particulars do I get an answer. My brothers don’t suffer the sweats like I do, they have their own problems which I already sense will be their undoing later, but it ain’t the sweats and so they just sleep away. I rush, and I mean rush, to the bathroom, use the toilet, splash that life-saving water on my face, it always feels good, brush my teeth perfunctorily, and run down the stairs. “Ma, a ship’s coming in,” I say excitedly, even though it’s about the hundredth time I’ve seen one come in, to my mother who is distracted by something, as usual, especially when my father is out of work, and especially today, Monday, when he goes off in search of new work with a lot of hope about getting some job that will keep the wolves from the doors, that is the constant phrase that he uses to deal with the situation. I’ll tell you about him sometime but today I ain’t got any time for nothing but my ship coming in, and that ain’t no lie either.

 

“Well, it is not our ship that is coming in so don’t worry about it and just eat your breakfast,” she, dear old Ma, blurred out, and then I know she is in a fit and even if my ship wasn’t coming in I know the ropes enough to know to keep low, very low and out of the range of fire that I know is coming from her direction. I go to the cabinet, grab a cracked, slightly cracked bowl, get a spoon and go over to the stove, take the cover off the pot, steam escaping, and without even looking start dishing out my Quaker Oats oatmeal. Rain, shine, sleet or snow, summer, winter, spring or fall that is my nectar of the gods. With a little milk, when we have it, and even if we don’t a little Karo syrup, I am fortified for the day. Ma, can be a pain, Ma and I have a thousand battles a week over two thousand different things, and I know that already things are never gonna be right between us, even if at times we have an armed truce but, mark this down I always got my oatmeal, and always when I wanted it. I guess that put her on the right side of the angels, a little.

 

A few gulps later, washed down with about a half glass of milk, I am out the door. Hell, even my blessed oatmeal gets short shrift when the tankers blow in. Now going out the door most places that you know about means just going out the door straight.  Bu in this urban planner’s nightmarish hangover not at 666 Taffrail Road. First you have the obstacle course of getting around the ten million poles and fences that are plucked right in the “courtyard” when my mother and the other housewives in the other three units that make up our mega-plex hang out their daily washing, or dry their curtains or whatever people like my mother do to keep places like this from reverting back to caveman times. Then I have to cross the parking lot, a lot filled with all kinds of cars, for those that have them. These days we don’t have one, in case I didn’t tell you before, because Dad is out of work so we are all reduced to waiting for an eternity for that slow-rolling, seems never to be here when you need it, Eastern Mass. bus that ambles on to Adamsville Square, making so many stops that I usually just walk it, if I am in a hurry to get something, even on a hot, sweltering summer day like this.

 

As I hit the already hot asphalt of the lot I look around longingly at the vast array of cars; Plymouths with fins that look like a fish; Chevies, my favorite, sleek and so, Timmy McDevitt tells me, go real fast when you get onto Route 128 and let her rip; Fords that look like something they want to use to go up into space with, and I don’t know what else, but there are plenty. Finally I get to the lower parking lot that’s for guests or people who don’t get a parking spot in front of their house, or maybe just run out of steam before making the turn into hell-bent Taffrail Road. I don’t know and I am now passed that spot on the move along the fence anyhow to get to the little opening that will take me to my grand viewing area. I’m okay though, I still hear the old tug whistle coming up the line so I have some time to wait.

 

I get to my little sliver of land, just a little jut out of the shoreline, covered with old, oil-slicked quarry rock probably from the ground around here about a million years ago, ‘cause this town is known for its granite rock, cause it’s a granite city, even though the real work done around here is over at the Five Rivers Shipyard that is just across the bridge from the Proctor & Gamble factory, and where even on this hot, god forsaken morning I can faintly hear the sounds of metal being banged by hammers or whatever they use to put the ship together, and the flashes of welders’ torches as they put that banged metal in seamless water-tight condition.

 

I also notice some empty beer cans, cigarette butts, chip bags left haphazardly all over my viewing stand, somebody last night, or the night before, must have said the hell with it and got out one of the sweltering houses and came over here to get whatever little, little breeze that could be eked out of the windless night. I rule the day here in this spot, especially when the boats come in, no question about that, but what others do at night I have no control over. I just wish they wouldn’t leave a mess on my sacred site.

 

But that is all so much made-up irritation, probably ‘cause I am so hot, for now I can see the first glimmer of the smokestack of a ship coming up the line. I wonder whose oil it is, Esso? Texaco? Shell? Esso has been in the lead this year, and they are bigger ships and ride real low in the water coming in, and real high going out. I can start to see specks on the bridge, human specks that are busy doing the work of preparing the ship for the dock.

 

I wonder, wonder a lot, about these guys and the work they do and whether they like it and like being on the sea and whether they ever have any trouble like in stories that I read down at the Thomas Crane Library attached to the school, and where they have been and what adventures they have had, and where, and with whom. Maybe that’s the life for me. And I wonder about the girls they know from all over and whether they are nicer than the girls in the "projects" who are beginning to get on my nerves, for some reason. At least I don’t know what to do or what to say around them, or what they want me to do, or want me to say. I hope this is just being a boy kid and that it goes away, and I hope it a lot.

 

Oh, there she is, an Esso. The tugs are in position, gently nudging her and getting her ready to go dockside, tie up and unload. Wonder how long she will stay? Usually its takes a couple of days and then they are gone, sometimes in the middle of the night and they are not there in the morning depending on the tides and the traffic on the roads, oh, ocean roads, that is.

 

Hey, it’s almost lunchtime, guess I’ll go home and eat and go down the cellar, maybe to try to cool off. I know one thing now though that kind of had me worried and kind of bothered me for a while 'cause I am just a kid. I now know I will always take time to watch the boats as they blow in, and dream about catching a boat out, wherever I am. Maybe, that is an omen, a good omen, about my future. I'll let you know.