From The Pen Of Joshua Lawrence Breslin- For King And Country- The Small Back Room

Click on the headline to link to a Wikipedia entry for the British film The Small Back Room.

DVD Review

The Small Back Room, starring David Farrar, Kathleen Byron, British Lion Films, 1949

Sure, lots of people on both sides of the Atlantic admired the pluck of the under-armed, under-manned, under- led British in holding up Hitler’s plans for a while to conquer all of Europe and who knows where else. And everybody knows, who has thought about it for a while, that running a modern war machine requires more than having X number of battalions fully armed and mobile ready to fight on some god-forsaken front. Those two ideas combine (oh, yah, along with a little off-hand romantic interest this is after all a cinematic effort) to drive this film under review, The Small Back Room.

Sammy (played in a manic-depressive manner as befits the character by David Farrah) is an explosives expert who, having done his bit at the front and taken a hit, a painfully bothersome artificial leg resulting, is now working his magic in the back rooms of the war establishment figuring out what will work and will not work in terms of military hardware. Of course all of this is tangled up with his pain, his attempts to deal with it through drugs and alcohol, his affair with his resolute stiff-upper lip girlfriend, Susan, (played by Kathleen Byron), who is forced to leave him as he attempts to hit bottom, military bureaucratic snafus, and other impediments to the war effort in order to turn the tide against the Germans.

Oh yah, and to keep a little dramatic tension a little off-hand problem with booby-trapped bombs that the Germans keep dropping over the English countryside. Naturally Sammy, in his element then, has to have a go at defanging these dastardly instruments, does so successfully and receives a big boost to his self-esteem (and a small back room of his own). Oh yah, as well, Susan comes back to him. Hell, you knew that was coming I told you she was resolute.

From The Pen OfJoshua Lawrence Breslin – Down Sonora Way- The Ghost Of Bill Higgins

Frankie Riley was shocked, well maybe not shocked but stunned when he heard the news of Bill Higgins’ murder. Jesus, he had had just seen Bill in Los Angeles a couple of months before when Bill was passing through on his way south and he and Maria, his live-in mex girlfriend (immigration status fuzzy so Maria, okay), her of the sparkling laughing eyes and dark brown skin, had let Bill stay in their apartment for a couple of weeks while he worked on some plan that he had hatched, some vague plan connected with making a pile down in Mexico, down Sonora way that would put he and Clara on easy street.

Bill Higgins and Frankie Riley had known each other from the hunger days in the old 1960s Olde Saco (Maine, okay) neighborhood, the old just barely working- class neighborhood where the chronically unemployed, under-employed and just plain ne’er-do-wells, mainly Irish and hence locally known as Irishtown (although more generically to outsiders, combined with the French-Canadian streets, as the Acre), mainly third or fourth generation Irish and thus firmly planted by the prior toil of forbears lived, where they had met, beyond Olde Saco Junior High corridor nod (the junior high, and come to think of it, high school nod too, a subject worthy of its own sketch but not here, not now when dope, guns, and girls, ah, women, are central to what is what) met, while hugging the walls (literally according to both sources at the time) at the old Sacred Heart (Roman Catholic) Church at the weekly (except Lent, of course, and other odd-ball feast days like the Feast of the Immaculate Conception which even as ignorant, sex ignorant, flat- out sex ignorant, as these boyos were drew a guffaw) “sock hop” held by the senior parish priest, Monsignor Lally.

Held to, well, “keep an eye, maybe more than one, on the younger portion of his flock,” as the good father expressed it each Sunday when making the announcement for the next hop in the line-up. The real reason, of course, whispered among the young, including wall-huggers Higgins and Riley, was to keep said young angel sheep, away from too much heathen devil’s music (read: ersatz Protestant music probably a Baptist or Unitarian conspiracy, the good priest spouted both theories); that rock and roll music that was just then epitomized by that hip-swaying, butt-flaying, making the girls “wet” (wet in the wrong places) praying false god praying Elvis Presley. And by all means to keep them, that unprotected angel flock to a person, but especially those with access to automobiles, from dark seawalls down at Olde Saco Beach listening to fogged-up car radios in the back seat and digging the beat while, well, just while and leave it at that or for those without golden automobile access or who were too young, away from the Strand Theater, the exclusive upstairs balcony section of course, for the young set, the car-less healthy young interested in lightless dark night s-x (you know just in case the old bastard is still around).

Frankie still remembered the first song that they had heard upon meeting at that fateful junior high school time sock hop, Danny and the Juniors’ At The Hop. And the reason he remembered that song so vividly was one sparking blue-eyed, flaming red-haired Clara Murphy, just mentioned Clara, a girl who had given both of them her come hither twelve-year old look that night (and previously at school too) and they had been hooked, hooked as bad as men (okay, boys) could be hooked by a woman (okay, girl). So it was not surprising that they both had rushed over to ask her to dance when that number was being played at that fateful dance. And Clara in her Solomonic wisdom turned them both down. Or maybe not so solomonic. Clara Murphy couldn’t, just that moment, decide whether she liked Bill or Frankie better, or whether she liked either of them, according to Frankie’s intelligence source, his younger sister Amy who was friends with Clara’s sister Bonnie and so gave in to her budding feminine wiles and had turned them both down.

Naturally that denial after those come hither looks inflamed the boyos. So for the next several weeks Bill and Frankie made every mad school boy mad attempt to win her favors. Both had recklessly, although determinedly, courted legal danger by “clipping” (five finger discount, oh, you know, petty larceny) onyx rings (Frankie’s had a diamond in the center) for her at Sam’s Jewelry Store in downtown Olde Saco (again intelligence, reliable intelligence, Clara sister Bonnie via Amy, had informed them separately that she liked those kinds of rings). She accepted both as tokens of friendship she called it. Ditto 45 RPM Elvis and Jerry Lee records from Chuck’s Record Shop over on Main Street (an easy “clip” for these adventurers, just place under your undershirt and walk out, or better slide into your underpants, no salesperson, no girl salesperson on duty at the time was going there, no way). Accepted, dispassionately accepted. Not ditto though, not ditto“clipped” flowers and candy (especially when Clara heard how the previous goods were “purchased” although she did not go so far as to give them back). They had each worked, really dragged their butts carrying doubles, as caddies as the local golf course to gather the dough necessary for those expenses. And on it went like that for several weeks.

To no avail for Frankie though because, also exhibiting another aspect of budding wiles, Clara took up with Bill (and had really, according to other reliable intelligence sources, had her eye on him all along. Girls, ah, women, go figure). Reason: stated Clara reason. Bill had a head on his shoulders and, quote, was not so hung up on silly rock and roll that was just a passing thing like Frankie, unquote. Frankie laughed at the recollection, a bittersweet recollection, since later Clara married Bill, they thereafter had drifted west to the coast, formed and unformed a couple of rock and roll bands in the strobe light dreams 1960s with Clara as a Jefferson Airplane’s Grace Slick –like lead singer and Bill on lead guitar, and now in 1973 Bill had been killed, face-down killed, down in some dusty back alley, Sonora, back alley, when that plan, that major drug deal went south on him.

According to the reports, the police reports when he went to check, Mexican police reports, so maybe a little off on the details, but on point on the face-down dead part, Bill and Clara had“muled” many times for one of the budding drug cartels. (Frankie had known this, hell, had taken delivery of some goods himself, and had, once, accompanied Bill and Clara, down there, down there the time he had met Maria, met her down in that Mexicali whorehouse and brought her Norte but that was another story). Bill, while he was working on his plan in L. A. the details of which were unknown to Frankie, had decided to go “independent” trying to take-off with one of his cartel deliveries to be used as seed money for his own operation to Panama (the ideas being trying to get to the Canal Zone and some Estados Unidos protection if things went awry, he obviously never made it) and wound up in a back alley with six slugs in the back of his head for his efforts. End of story, just another number in the broken dreams world, the fast stuff of dreams world.

End of blasé Mexican police report story, as usual, but not quite end of Bill’s story, some of which Frankie knew a little about other stuff he got when he went full bore to find out what happened (including a low-profile trip to Sonora, alone). After the 1960s died (when, the date, a million people have written about, with about two millions dates and about three million reasons for their particular date, Frankie had May Day, 1971 as his date when they, he included, tried to shut down D. C. over the Vietnam war and got nothing but eight million busts and a ton of bad hubris for their efforts) Bill and Clara having ridden the crest were broke, not just broke but in hock broke to about twenty different guys for various musical stuff, including a bust last concert in 1972. When the times were good Bill and Clara walked with the king but the music scene was changing and so acid rock, the thing that made them a thing, could not sustain a bunch of Airplane-look-a-likes. Familiar story ever since music started. That was when they started “muling” (Frankie knew the details of the connections but was keeping mum about that).

What Frankie didn’t know, although if he had thought about it for ten seconds he should have known, was that Clara, Clara with her chandelier Irish dreams, was the driving force behind their new careers, and kept prodding Bill on that plan to step up to the “bigs” and build his own operation. Jesus, girls, ah, women, go figure. See here is what is funny though. Clara who had accompanied him on that fateful trip (and had been holding that delivery, ten kilos of coke just then becoming the drug of choice for the hipsters, and never cartel recovered) was never heard from again. Just that moment, that reflected moment , Frankie raised his finger to his head and nodded that old schoolboy nod to Bill’ s memory and raised his drink to Clara Murphy, Clara of the sparkling eyes and flaming red hair, and of his youth.

P.S. Frankie, few years later, received a report that someone, second-hand, had heard that Clara was running a whorehouse stocked with anglo girls serving the booming drug cartels down in Tampico but he just let it pass, let the schoolboy nod and the drink stand.

***The Search For The Great Blue-Pink American West Night- "The Ballad Of Captain Cob And The S.S. Blue-Pink Night"

Markin comment:

I already told you today the story about the Moline Meltdown that was part of the search in the old days for the great blue-pink American West night so I don’t have to repeat that here but I did start to think that the story of Captain Cob and the S.S. Blue-Pink Night that was part of it would be easier to tell and I would not get myself so balled up in the telling if it was done as a ballad. Shorter and more to the point, if nothing else. Also an important source for this story, or model for the story if you will, was Red Sovine’s Big Joe and Phantom 309 as translated by Tom Waits. And Big Joe was nothing but a “talking” ballad in the old Hank Williams or Woody Guthrie style. So I am in good company. Here goes:

The Ballad Of Captain Cob And The S.S. Blue-Pink Night

Okay, let me tell this thing straight through even though I know it will sound off-kilter to you anyway I say it, hell, it will sound half off-kilter to me and I lived through it:

See, back a few years ago, yah, it was back a few years ago when I was nothing but a summer-sweltered sixteen year old high school kid, a city boy high school kid, with no dough, no way to get dough, and nobody I knew who had dough to put a touch on, I went off the deep end.

Plus, plus I had had about thirty-six beefs with Ma, around par for the course for a whole summer but way too many for a couple of weeks in, and not even Fourth of July yet.

Worst, worst, if you can believe this, I had a few, two maybe, beefs with the old man, and having a beef with him with Ma the official flak-catcher meant things were tough, too tough to stay around.

Sure, I know, how tough can it be at sixteen to stay put waiting for the summer heat to break and maybe have some clean clear wind bring in a change of fortune. But don’t forget, don’t ever forget when I’m telling you this story that we are talking about a sixteen year old guy, with no dough and plenty of dreams, always plenty of dreams, whatever color they turned out to be.

I threw a few things together in an old green, beaten to hell knapsack, you know enough to get by until things break, that stuff and about three dollars, and I headed out the door like a lot of guys headed out that same kind of door before me in search of fame and fortune.

I hit the main street with a swagger and immediately start thumbing as if my life depended on it. Right away a car, I didn’t see where it had come from before it came into my view, a late model car, looked like a 1961 Ford, slowed down, the driver rolled down his passenger side window and asked where was I heading.

I said “west, I guess,” he said “I’m heading up to Maine to work. Too bad I can’t help you.” As he readied to make tracks I say, “Hey, wait a minute, I‘ll take that ride, North or West it’s all the same to me.”

This guy, if you are thinking otherwise, turned out to be pretty interesting, he wasn’t any fruit like a lot of guys who stop when they see a young guy with a dour, carrying the weight of the world on his shoulders pan like mind, and are ready to pounce on that fact.

Seems that Kenny, Kenny of a thousand ships, his name was, worked the boats, the ferries out of Portland and Bar Harbor over to Nova Scotia and filled the time we traveled with stories about different funny things that happened on the trips back and forth.

And there was this one story that I didn’t think anything about when he told it. He was going on a bit about how one time out in the misty mist his uncle, Captain Cob, Captain Caleb Cob, some old swamp Yankee, whom he served under in some boat saved a bunch of people off an island ferry, off of Portland Light, got them to shore, and went back out looking for more.

Well, he is telling his stories, and I am telling mine about this and that, but mainly about my love of the sea, and about going west to see the Pacific when I get tired of the Atlantic.

Suddenly, Kenny says out of the blue, “Hey, if you’re gonna bum around I’ll leave you off at Old Orchard Beach, right at the beach, there’s plenty of places to sleep without being bothered."

See, though this guy, Kenny, was so good, such a good guy, that when we get there he doesn’t just let me off on Route One and so I have to thumb another ride into town like most guys would do but takes me right down to the pier, the amusement park pier.

Then he says you know it is probably better to get away from this crowded area, let me take you down Route 9 to the Saco jetty where you can set yourself up in an empty boat.

Okay, that sounds right and besides it’s won’t be dark for hours yet and it’s not dark enough for me to make my big teenage city boy moves.

I could see right away that Kenny was right, this place was quiet and there were many rows of boats just waiting to be used for housekeeping purposes. But, what got my attention was, maybe fifty yards away, the start of the longest jetty in the world, or so I thought.

Hey, I have walked a few jetties and while you have to be careful for the ill-placed boulders when you get to the end you are feeling like the king of the sea, and old Neptune better step aside. I started walking out,

Christ this is tough going I must be a little tired from all the travel. Nah it’s more than that, the granite slaps are placed helter-skelter so you can’t bound from one to another and you practically have to scale them. After about a hundred yards of scraping my hands silly, and raw, I say the heck with this and head back.

But put sixteen, hunger for adventure, and hunger to beat old fellaheen king Neptune down together and you know this is not the end. I go around looking at my boat selection just exactly like I am going to rent an apartment. Except before I set up housekeeping I am going to take an old skiff out along the jetty to the end. So I push one off the sand, jump in and start rowing.

Now I am an ocean guy, no question. And I know my way around boats, a little, so I don’t think much of anything except that I will go kind of slow as I work my way out. Of course a skiff ain’t nothing but a glorified rowboat, if that. It’s all heavy lifting and no “hi tech” like navigation stuff or stuff that tells you how far the end of jetty is. Or even that there is a heavy afternoon fog starting to roll in on the horizon. Yah, but intrepid that’s me.

Hey, I’m not going to England just to the end of the jetty. I said that as the fog, the heavy dark fog as it turned out, enveloped the boat and its new-found captain. I started rowing a little harder and a little more, I ain’t afraid to say it, panic-stricken.

See I thought I was rowing back to shore but I know, know deep somewhere in my nautical brain, that I am drifting out to sea. I’m still rowing though, as the winds pick up and rain starts slashing away at the boat.

Of course, the seas have started swelling, water cresting over the sides. Christ, so this is the way it is going to finish up for me. What seemed like a couple more hours and I just plain stopped rowing, maybe I will drift to shore but I sure as hell am not going to keep pushing out to sea. Tired, yah, tired as hell but with a little giddy feeling that old Neptune is going be seeing me soon so I decide to put my head down and rest.

Suddenly I am awakened by the distinct sound of a diesel engine, no about six diesels, and a big, flashing light coming around my bow. I yell out, “over here.” A voice answers, “I know.”

Next thing I know an old geezer, a real old geezer decked out in his captain’s gear, is putting a rope around the bow of my boat and telling me to get ready to come aboard.

After getting me a blanket, some water and asking if I wanted a nip of something (I said yes) he said I was lucky, lucky as hell that he came by. Then he asked what I was doing out here in the open sea with such a rig, and wasn’t I some kind of fool boy.

Well, I told my story, although he seemed to know it already like he made a daily habit of saving sixteen year old city boys from the sea, or themselves. So we swapped stories for a while as we headed in, and I had a nip or two more.

As we got close to Saco pier though he blurted out that he had to let me off before the dock because he had some other business on the Biddeford side.

Here is where it gets really weird though. He asked me, as we parted, did I know the name of his boat (a trawler, really). I said I couldn’t see it in all the fog and swirling sea. He told me she was the “S.S. Blue-Pink Night.”

I blurted out, “Strange name for a boat, what is it a symbol or something?”

Then he told me about how he started out long ago on land, as a kid just like me, maybe a little older, heading to California, and the warm weather and the strange blue-pink night skies and the dreams that come with them. I said how come you’re still here but he said he was pressed for time.

Here is the thing that really threw me off. He gave me a small dried sea shell, a clam shell really, that was painted on its inner surface and what was painted on it was a very intricate, subliminally beautiful scene of what could only be that blue-pink California sky.

I said, “Thanks; I’ll always remember you for this and the rescue.” He said,“Hell lad that ain’t nothing but an old clam shell. When you get over to that Saco café at the dock just show it to them and you can get a meal on it. That meal is what you’ll remember me by.”

And off he went.

Hungry, no famished, I stumbled into the Saco café, although that was not its name but some sea name, and it was nothing but a diner if you thought about it, a diner that served liquor to boot so there were plenty of guys, sea guys, nursing beers until the storm blew over, or whatever guys spend half the day in a gin mill waiting to blow over.

I stepped to the counter and told the waitress, no, I asked politely just in case this was a joke, whether this old clam shell from the captain of the“Blue-Pink Night” got me a meal, or just a call to take the air.

All of a sudden the whole place, small as it was, went quiet as guys put their heads down and pretended that they didn’t hear or else though the joint doubled up as a church.

I asked my question again and the waitress said, “What’ll you have?”

Then she said did I know anything about the captain, and how did he look, and where did he meet me, and a whole bunch of questions like this was some mystery, and I guess maybe there was at that.

Then the waitress told me this (and I think every other guy in the room by the loudness of her voice),“A few years back, yes, about six or seven years ago, there was a big storm that came through Portland Light, some say a perfect storm, I don’t know, but it was a howler. Well, one of the small ferries capsized out there and somehow someone radioed that there were survivors clinging to the boat. Well, the old captain and his first mate, I think, started up the old “Blue-Pink Night” and headed out, headed out hard, headed out full of whiskey nips, and one way or another, got to the capsized boat and brought the survivors into shore and then headed out again.

And we never saw them again.

And here is the funny part; when he was unloading his passengers he kept talking, talking up a perfect storm about seeing the blue-pink night when he was out there before and how maybe it was still there. I guess the booze got the best of him. But hear me son, old captain was square with everyone in this place, he used to own it then, and some of his kin are sitting right here now. He was square with them too. So, eat up kid, eat up on the house, ‘cause I want you to save that old clam shell and any time you’re on your uppers you can always get a meal here. Just remember how you got it.”

“Thanks, ma’am,” I said.

Then I slowly, like my soul depended on it, asked, “Oh, by the way what was that old captain’s first mate's name?” and I said it in such a way that she knew, knew just as well as I did, that I knew the answer.

“Kenny, Kenny Cob, bless his soul.”

Workers Vanguard No. 1012	9 November 2012

Free the Class-War Prisoners!

27th Annual PDC Holiday Appeal

(Class-Struggle Defense Notes)

This year marks the 27th Holiday Appeal for class-war prisoners, those thrown behind bars for their opposition to racist capitalist oppression. The Partisan Defense Committee provides monthly stipends to 16 of these prisoners as well as holiday gifts for them and their families. This is a revival of the tradition of the early International Labor Defense (ILD) under its secretary and founder James P. Cannon. The stipends are a necessary expression of solidarity with the prisoners—a message that they are not forgotten.

Launching the ILD’s appeal for the prisoners, Cannon wrote, “The men in prison are still part of the living class movement” (“A Christmas Fund of our Own,” Daily Worker, 17 October 1927). Cannon noted that the stipends program “is a means of informing them that the workers of America have not forgotten their duty toward the men to whom we are all linked by bonds of solidarity.” This motivation inspires our program today. The PDC also continues to publicize the causes of the prisoners in the pages of Workers Vanguard, the PDC newsletter, Class-Struggle Defense Notes, and our Web site partisandefense.org. We provide subscriptions to WV and accompany the stipends with reports on the PDC’s work. In a recent letter, MOVE prisoner Eddie Africa wrote, “I received the letters and the money, thank you for both, it’s a good feeling to have friends remembering you with affection!”

The Holiday Appeal raises the funds for this vital program. The PDC provides $25 per month to the prisoners, and extra for their birthdays and during the holiday season. We would like to provide more. The prisoners generally use the funds for basic necessities: supplementing the inadequate prison diet, purchasing stamps and writing materials needed to maintain contact with family and comrades, and pursuing literary, artistic, musical and other pursuits to mollify a bit the living hell of prison. The costs of these have obviously grown, including the exponential growth in prison phone charges.

The capitalist rulers have made clear their continuing determination to slam the prison doors on those who stand in the way of brutal exploitation, imperialist depredations and racist oppression. We encourage WV readers, trade-union activists and fighters against racist oppression to dig deep for the class-war prisoners. The 16 class-war prisoners receiving stipends from the PDC are listed below:

*   *   *

Mumia Abu-Jamal is a former Black Panther Party spokesman, a well-known supporter of the MOVE organization and an award-winning journalist known as “the voice of the voiceless.” Last December the Philadelphia district attorney’s office announced it was dropping its longstanding efforts to execute America’s foremost class-war prisoner. While this brings to an end the legal lynching campaign, Mumia remains condemned to spend the rest of his life in prison with no chance of parole, despite overwhelming evidence of his innocence.

Mumia was framed up for the 1981 killing of Philadelphia police officer Daniel Faulkner and was initially sentenced to death explicitly for his political views. Mountains of documentation proving his innocence, including the sworn confession of Arnold Beverly that he, not Mumia, shot and killed Faulkner, have been submitted to the courts. But from top to bottom, the courts have repeatedly refused to hear the exculpatory evidence.

The state authorities hope that with the transfer of Mumia from death row his cause will be forgotten and that he will rot in prison until he dies. This must not be Mumia’s fate. Fighters for Mumia’s freedom must link his cause to the class struggles of the multiracial proletariat. Trade unionists, opponents of the racist death penalty and fighters for black rights must continue the fight to free Mumia from “slow death” row in the racist dungeons of Pennsylvania.

Leonard Peltier is an internationally renowned class-war prisoner. Peltier’s incarceration for his activism in the American Indian Movement has come to symbolize this country’s racist repression of its native peoples, the survivors of centuries of genocidal oppression. Peltier’s frame-up for the 1975 deaths of two marauding FBI agents in what had become a war zone on the South Dakota Pine Ridge Reservation, shows what capitalist “justice” is all about. Although the lead government attorney has admitted, “We can’t prove who shot those agents,” and the courts have acknowledged blatant prosecutorial misconduct, the 68-year-old Peltier is still locked away. Peltier suffers from multiple serious medical conditions and is incarcerated far from his people and family. He is not scheduled to be reconsidered for parole for another 12 years!

Eight MOVE members—Chuck Africa, Michael Africa, Debbie Africa, Janet Africa, Janine Africa, Delbert Africa, Eddie Africa and Phil Africa—are in their 35th year of prison. They were sentenced to 30-100 years after the 8 August 1978 siege of their Philadelphia home by over 600 heavily armed cops, having been falsely convicted of killing a police officer who died in the cops’ own cross fire. In 1985, eleven of their MOVE family members, including five children, were massacred by Philly cops when a bomb was dropped on their living quarters. After more than three decades of unjust incarceration, these innocent prisoners are routinely turned down at parole hearings. None have been released.

Lynne Stewart is a radical lawyer sentenced to ten years for defending her client, a blind Egyptian cleric imprisoned for an alleged plot to blow up New York City landmarks in the early 1990s. For this advocate known for defense of Black Panthers, radical leftists and others reviled by the capitalist state, her sentence may well amount to a death sentence as she is 73 years old and suffers from breast cancer. Originally sentenced to 28 months, her resentencing more than quadrupled her prison time in a loud affirmation by the Obama administration that there will be no letup in the massive attack on democratic rights under the “war on terror.” This year her appeal of the onerous sentence was turned down.

Jaan Laaman and Thomas Manning are the two remaining anti-imperialist activists known as the Ohio 7 still in prison, convicted for their roles in a radical group that took credit for bank “expropriations” and bombings of symbols of U.S. imperialism, such as military and corporate offices, in the late 1970s and ’80s. Before their arrests in 1984 and 1985, the Ohio 7 were targets of massive manhunts. Their children were kidnapped at gunpoint by the Feds.

The Ohio 7’s politics were once shared by thousands of radicals during the Vietnam antiwar movement and by New Leftists who wrote off the possibility of winning the working class to a revolutionary program and saw themselves as an auxiliary of Third World liberation movements. But, like the Weathermen before them, the Ohio 7 were spurned by the “respectable” left. From a proletarian standpoint, the actions of these leftist activists against imperialism and racist injustice are not a crime. They should not have served a day in prison.

Ed Poindexter and Wopashitwe Mondo Eyen we Langa are former Black Panther supporters and leaders of the Omaha, Nebraska, National Committee to Combat Fascism. They were victims of the FBI’s deadly COINTELPRO operation under which 38 Black Panther Party members were killed and hundreds more imprisoned on frame-up charges. Poindexter and Mondo were railroaded to prison and sentenced to life for a 1970 explosion that killed a cop, and they have now spent more than 40 years behind bars. Nebraska courts have repeatedly denied Poindexter and Mondo new trials despite the fact that a crucial piece of evidence excluded from the original trial, a 911 audio tape long-suppressed by the FBI, proved that testimony of the state’s key witness was perjured.

Hugo Pinell, the last of the San Quentin 6 still in prison, has been in solitary isolation for more than four decades. He was a militant anti-racist leader of prison rights organizing along with George Jackson, his comrade and mentor, who was gunned down by prison guards in 1971. Despite numerous letters of support and no disciplinary write-ups for over 28 years, Pinell was again denied parole in 2009. Now in his 60s, Pinell continues to serve a life sentence at the notorious torture chamber, Pelican Bay Security Housing Unit in California, a focal point for hunger strikes against grotesquely inhuman conditions.

Send your contributions to: PDC, P.O. Box 99, Canal Street Station, New York, NY 10013; (212) 406-4252.

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Today, Bradley Manning turns 25. It's his third birthday in prison without trial (recent proceedings have still all been pre-military commission). The unjust persecution and tortuous conditions Bradley has been put through are horrible, but only further expose the government whose crimes he showed the world. Let Bradley know just how much it means to all of us, throughout the world, that we have the truth about these wars in Iraq and Afghanistan provided through WikiLeaks. Send him a card or a letter (read about mail restrictions). Mail to: Commander, HHC USAG Attn: PFC Bradley Manning 239 Sheridan Ave, Bldg 417 JBM-HH, VA 22211

Those Oldies But Goodies…Out In The Be-Bop ‘50s Song Night- The Battle Rages- Jerry Lee or Elvis? - Jerry Lee Lewis’ “High School Confidential”

High School Confidential lyrics-Jerry Lee Lewis

You better open up honey it's your lover boy me that's a knockin'

You better listen to me sugar all the cats are at the High School rockin'

Honey get your boppin' shoes Before the juke box blows a fuse

Got everybody hoppin' everybody boppin'

Boppin' at the High School Hop

Boppin' at the High School Hop

Shakin' at the High School Hop

I've rollin' at the High School Hop

I've been movin' at the High School Hop

Everybody’s hoppin' Everybody's boppin'

Boppin' at the High School Hop


Come on little baby gonna rock a little bit tonight

Woooh I got get with you sugar gonna shake things up tonight

Check out the heart beatin' rhythm cause my feet are moving smooth and

Light

Boppin' at the High School Hop

Shakin' at the High School Hop

Rollin' at the High School Hop

Movin' at the High School Hop

Everybody’s hoppin' just a boppin' just a boppin'


Piano Solo!

Come on little baby let me give a piece good news good news good news

Jerry Lee is going to rock away all his blues

My hearts beatin' rhythm and my soul is singin' the blues

Oooooh Boppin' at the High School Hop

Shakin' at the High School Hop

Rollin' at the High School Hop

Gettin' it at the High School Hop

Everybody’s hoppin' Everybody's boppin'

Boppin' at the High School Hop

********

This is the back story, the teen listener back story if you like, going back to the primordial youth time of the mid to late 1950s with its bags full of classic rock songs for the ages. Of course, any such efforts have to include the views of one Billie, William James Bradley, the schoolboy mad-hatter of the 1950s rock jailbreak out in our “the projects” neighborhood. Yah, in those days, unlike during his later fateful wrong turn trajectory days, every kid, including best friend Markin, me, lived to hear what he had to say about any song that came trumpeting over the radio, at least every one that we would recognize as our own.

Billie (not Billy, not some billy goat billy, not if you didn’t want more trouble than you bargained for from the king hell king of our corner night, no questions asked) and I spent many, many hours mainly up in his tiny bedroom, his rock heaven bedroom, walls plastered with posters of Elvis, Bo Diddley, Chuck Berry, somewhat later Jerry Lee Lewis, and of every new teen heartthrob singer, heartthrob to the girls that is, around, on his night table every new record Billie could get his hands on, by hook or by crook, and neatly folded piles of clothing, also gathered by that same hook or by crook, appropriate to the king hell king of the schoolboy rock scene, the elementary school rock scene between about 1956 to 1960. Much of that time was spent discussing the “meaning” of various songs, especially their sexual implications, ah, their mystery of finding-out-about-girls worthiness.

Although in early 1959 my family had started the process of moving out of the projects, and, more importantly, I had begun to move away from Billie’s orbit, his new found orbit as king hell gangster wannabe, I still would wander back there until mid-1960 just to hear his take on whatever music was interesting him at the time. These commentaries, these Billie commentaries, are my recollections of his and my conversations on the song lyrics in this series. But I am not relying on memory alone. During this period we would use my father’s tape recorder, by today’s standard his big old reel to reel monstrosity of a tape recorder, to record Billie’s covers of the then current hit songs (for those who have not read previously of Billie’s “heroics” he was a pretty good budding rock singer at the time) and our conversations of those song meanings that we fretted about for hours. I have, painstakingly, had those reels transcribed so that many of these commentaries will be the actual words spoken during those conversations (somewhat edited, of course). That said, Billie, king hell rock and roll king of the old neighborhood, knew how to call a lyric, and make us laugh to boot. Wherever you are Billie I’m still pulling for you. Got it.
*********
“Who are you taking to the hop? Come on now, tell me, tell me, your old buddy Billie, who you asked? Was it Theresa? Was it Donna? Was it Karen?” That was the incessant bugging by my old elementary school boy compadre, Billie, William James Bradley if you didn’t know already, every time a school sock hop came up. But you know, or you should know, that was just a little way that he had to bait me about my shyness, or rather my awkwardness around girls. Around girls that he, king hell king of the late 1950s rock night “discarded” and left for the rest of us, especially for me.

And he knew, he knew damn well that I had not gotten up the nerve to ask any of those three ex-flames, or any girl, to the dance coming up in a few days. For one thing because, as king hell king of the rock night, and therefore king, crowned or uncrowned, of the sock hop he had all the configurations, combinations, set-ups, and, and, no-go bust-ups all computed out, no, not on some machine memory depot but in his head. For another because he didn’t know that I had decided just to go to the dance alone and maybe getting lucky there. Heck, I had done it before, a few times, although not with any great success but if there is any rhyme or reason to youth it is around the possibilities of getting lucky. Of course, old Billie had “selected” Laura as his escort, no awkwardness in Billie, although I had heard, heard from more than one budding teenage source that she “liked me,”(don’t ever tell him this though for I will deny it on seven stacked bibles). Or liked my seriousness, and my clowny, get in the way bookishness. So I am going “stag” on the hope, the hell or high water hope that Billie will let his old buddy, his old amigo, his, well you know, have a dance with his escort to see if I have some “magic.”

Now, and ever since I heard about her opinion of me, I have been wracking my brain to figure out this question. How could she “like me,” or not like me for that matter, I do not know because although I had looked over in her direction in class dreamily (yes, dreamily) more than somewhat I had never said word one to her, or her to me. Now this Laura, if you want a description is not drop-dead beautiful, at least by Billie-Markin defined drop-dead beautiful, twelve and thirteen year old girl beautiful, but she has something else that I would not (and Billie definitely would not) figure out how to say for many years, she was fetching. Definition: nice figure, meaning having a shape, if you really want to know, because when you think about it, boy or girl, twelve and thirteen year old boy or girl, any girl that had a shape (meaning had womanly contours, hips, breasts, nicely-formed legs) rather than a stock stick figure tomboy-like girl was bound to get ahead in that be-bop night, and probably now too.

But more than that, for me, if not for Billie, she didn’t giggle, silly giggle like the other girls when a boy said something stupid-funny (and the twelve and thirteen year old boy universe is more than somewhat filled with stupid-funny stuff done by eons of clueless guys, trying, trying just like me, and just like Billie if he could have ever been honest about it, to figure out the key to the girl-charm thing, yes, there is plenty of room in that universe even now for the stupid-funny) and, she carried herself in a way, sometimes with a certain thoughtful look, sometimes by a thing she did by putting her fingers to her lips, and maybe the most important, that she knew she was a girl and was content with that knowledge. She would lack for no dates or admirers, ever. Oh, yah she was also smart, not Billie street smart, not Markin two-thousand facts smart but asking and answering teacher smart, without being crazy smart about it that you also knew every boy, or almost every boy, in the twelve and thirteen year old boy universe did not like in girls then, and maybe now for all I know. It only gets sifted out later.

But enough of Laura, of Billie, christ of Markin as well, of pre-sock hop arrangements, derangements and dreamily kid in the night be-bop stuff let us get to the sock hop. Hey, wait a minute, you know what sock hops are, or you heard from your parents or grandparents what sock hops are, right? Back in the fifties, yes, the1950s (and a little bit into the 1960s but the term had kind of died out by then, at least for “non-squares”). If you don’t then I’ll fill you in quickly now, but you’ll see you really know about all of this because it is nothing but a “primitive,” maybe Stone Age when you hear it, version of any school dance scene since they started making teenagers a separate social category in the world, the whole wide world even. Okay the idea was to hem in this mad dash, this mad craze to dance, and dance guys with girls and vice versa, that kids have been into since the radio and jukebox came on the scene, maybe back in that Stone Age now that I think about it.

So dear mother and father, you name the generation, figured out if you can’t beat them join them, and the schools (and churches later) were in cahoots. So every once in a while to keep three eyes on this stuff (and to avoid the feared, seriously feared, basement or “family room”-launched “petting parties”if kids are left to their own devices), maybe a few times a month they would throw a sock hop (the sock part comes from the fact, the hard fact, that most girls, most twelve and thirteen year old girls, wore ankle socks. Yah, no nylons, etc. If you don’t believe me look it up on Wikipedia, or something). Now, most times, this was nothing but some parent or teacher acting as dee-jay and "spinning platters” (records) in some dank, well-lighted, too well-lighted school gym or church basement, christ more than once in the school cafeteria when the gym was being used for other purposes that night. Yes, the night, the night in those days being from seven to about ten in the evening so you would have to think pretty hard about not going, stag or dated up, to the dance if for no other reason than to be able to get out of the house, the cramped, nowhere project house (really apartment) for a few hours un-cramped freedom.

This night, this night that Billie kidded me about, this Billie and Laura night, though somehow, although I am vague on the details of how they were brought in, we are not reduced to cranky, scratchy records but a real live local band, a band that prided itself, I heard, on doing covers of the “hot” new singers and groups we knew from American Bandstand (an afternoon television show that had Philly kids, older Philly kids, dancing and swaying to whatever dee-jay Dick Clark, is he still around?, decided was wholesome and fit for the ears of America’s afternoon rock obsessed youth). So this is a time you definitely did not want to miss. And to truth to tell I went early, nervously early if you must know, to see what was up and watch the band set up.

Now this is not just any time in the 1950s, although the sock hop thing, the worried parent, worried about those “petting party” things(and more, much more, about sex things) and this wild and woolly rock obsessed thing their no understand what kids are into could have been anytime from about 1955 on, from the time that Elvis exploded onto the scene with those swiveling hips, that jumping girl guitar, that unkempt hair (yah, unkempt to them), and that permanent sneer came onto the scene.

No, this is 1958 when the Elvis thing had died down a little now that he was dead, or we thought he was dead, and for a fact he might have well have been dead in the constant teen chew-up of rock talent from the kind of music and movies he was into after giving us such great stuff like Jailhouse Rock,Good Rockin’ Tonight, Heartbreak Hotel and One Night With You. Yah, the king was dead, long live the king, and let’s move on, okay. Billie and I talked about it, about how guys, rock guys that is, seen to have a short shelf-life, but as Billie knew, knew from his own bumpy rock “career,” that’s show biz. So this night we were wondering, wondering like crazy, how the band would work out and whose music they will cover.

Like I said I got there early and watched the band set up, including a piano besides the guitar and drums so I figure maybe they will do some Little Richard or Fats Domino stuff. Seven o’clock comes and here comes Billie with Laura. Wow, Billie has on a nice jacket, wide lapels like all the rock guys are wearing these days (I’ll tell you about how he got it sometime but you can figure that a projects boy didn’t get it as a birthday present from Ma and Pa). Really sharp. But double wow on Laura who has on a cashmere sweater, some wide skirt and, can you believe this, nylons, to show off her nice legs. Oh yah, and just a hint of smile on her face like she is here with the king of the rock night, crowned or uncrowned, and she has staked out the territory as queen, demure queen, but queen nevertheless.

Yes, fetching (although we will agree between ourselves that I don’t know that word, or how to use it in relationship to describing girls and their charms just yet, alright). But here is where the sweetest part comes in when Billie and Laura make their royal entrance and come over to where I am standing when Billie introduces me, formally introduces Laura to me, she gives me this, well, I don’t care if I do wear out the word, fetching smile and says “I’ve seen you in class but you never seem to pay any attention to me. I thought that report you gave on Greek democracy in class was very well done.” Be still my heart, she actually remembered the report… and me. And here I am wearing some bedraggled (always bedraggled, always) striped (stripes, jesus) white collared shirt, ratty black pants, and old Thom McAn Easter-bought brown shoes. Well, she remembered my report, that’s a start, and it actually was a pretty good report because I went to the Thomas Crane Public Library right up in Adamsville Square to look the stuff up.

But enough of reports, and "be still my hearts" because the music is going on. A few covers of Little Richard and Fats as I expected, with that piano and all, some Buddy Holly that sounded a little tinny, a few other non-memorable odd and ends, including some Elvis that sounded, and I again swear on seven bibles, like old time parents’ music, like Frank Sinatra, or those guys. Then suddenly, the leader of the band said that he had a special guest on the piano for the next number. We all wondered what the song would be while they were setting the piano up closer to the front. I heard somebody say it was going to be something by a new guy, Jerry Lee Lewis. Whoa! I have only heard him once or twice but I thought his piano was smoking so maybe this guest guy could do a good cover on it.

Billie, Billie king hell king of the rock night, must have known something was up, and why (always why) because he brought Laura over and asked me if wanted to dance the next dance with her. Me, two left feet, or two right feet, stag, coming to the dance stag just hoping that I would get lucky with “discarded”Theresa, Donna, or Karen dance with fetching Laura. No way. The she said “but I really want to dance with you, you being Billie friend, and he says you are a good dancer,” and then turns a very whimsical smile on me.

Well what are you going to do when a woman (alright girl, but a girl with a shape) wants to dance with you, and had something nice to say about your school report, and, oh yes had that smile, that come hinter smile that leaves a man (okay, boy) anywhere from twelve to twelve hundred weak at the knees. Well, the music is starting so I say yes, okay yes.

And what does our guest pianist do but a cover, a hot cover by the way, of Jerry Lee Lewis’ latest, High School Confidential, which I had heard about but had not heard. Great. Laura and I are dancing away and she is doing nothing but give me meaningful smiles and, maybe that rumor about her “liking me” was true. I am just dancing away like crazy and people are looking at me like where did he learn how to do that. After the dance I returned Laura to Billie, a little miffed Billie but I could have been wrong on that. And then Theresa came over and asked if I wanted to dance. A few dances, a few Laura-less dances later the call for last dance came, and not feeling like watching Laura with Billie just then I headed home.

The next morning, a Sunday morning, if I recall, Billie came over to the house and was fuming/hangdog as we talked, talked obviously about the sock hop doings. Fuming because I had switched up on him. How? Well, apparently, Laura, sweet fetching Laura, had spent more than the allotted time talking about me, rather than about Billie’s virtues and he had used the dance, the Jerry Lee Lewis manic rock number that he had found out the band was going to play to make me look silly (his word, although mine when I heard it was more of an expletive). Hangdog because he felt bad now that he had done his best friend wrong, wrong over a girl although, in Billie fashion, he tried to step back and argue that maybe he did me a favor getting me out on the dance floor. See, though what he didn’t know (and don’t tell him either, if you know his whereabouts) is that I had been taking lessons from his slightly older sister, Carol, on how to dance this latest faster dance stuff.

So that is the end of the story, or almost the end. A few days later Laura knocked at our apartment door in the afternoon after school. My mother answered the door and invited her in, although she, my mother that is, said Laura was coming in no matter what from the look on her face. Laura was fuming, although as it turns out good fuming, because she said she had been smiling at me like crazy when we were dancing to give me the “hint” to ask her for the last dance, the last close to her dance. Sorry, Laura. And then she blurted out her command,“You and I are going to the next sock hop together and you had better not say no.” Well, when a woman (girl, are you happy) "insists” on something, almost anything like that, and on top of that had that kind remark about that school report, and that shape, what is a boy, a boy of the twelve and thirteen year old universe to do but say yes. So at the next dance I won’t be dancing with Billie “discard” Theresa, Donna, or Karen although they are okay but with fetching Laura. So there Billie, we are even. And if anybody asks you, like they asked me once-Elvis or Jerry Lee? Jerry Lee, long live the king.

***From The Pen Of Joshua Lawrence Breslin- Alfred Hitchcock’s “I Confess”- A Film Review

DVD Review

I Confess, starring Montgomery Clift, Anne Baxter, Karl Malden, directed by Alfred Hitchcock, Warner Brothers, 1953

Apparently the late British thriller film director Alfred Hitchcock did not have a high regard for the capacities of the police to do more than cursory investigations of crimes, pick a suspect at random, a nearby suspect, frame him (or occasionally her), let the chips fall where they may and go out for coffee and crullers, oh, yah, after giving that suspect, that nearby suspect, the third degree down at the station house just for chuckles. At least that is the way it seemed to this reviewer after having recently reviewed Hitchcock’s 1956 B-film thriller The Wrong Guy, oops The Wrong Man, where a totally innocent citizen of New York City, a second-rate musician named Manny, was framed, signed, sealed and delivered, for a series of armed robberies around the neighborhood and only got off, barely, because the real wrong-doer, the real wrong gee, was found out up to his old tricks. That same sloppy police work is at play here, except this time the nefarious police work is done up in La Belle Province, up in Quebec City.

Here is the lay of the land. A post-World War II German refugee (maybe Nazi, maybe no, but his demeanor and actions said that was at least a possibility) who landed up in Quebec working as a handyman at a church rectory with his housekeeper wife can’t live another day seeing her youth fading away doing hard labor so he plans to rob a sleazy lawyer about town who had some off-hand dough laying around using a priest’s cassock as disguise. Things went awry, as they sometimes do with amateurs in over their heads, especially those eaten up with rage about wifely faded beauty, and the lawyer winds up dead, very dead. Said handyman in remorse, maybe, decided to confess his sin to one of the parish priests, Father Logan (played by Montgomery Clift), in the privacy of the confessional. That act created the drama of the film since it is well known that such confessions cannot be divulged to anybody, not even the law, the cops, you know the priest-penitent rule.

That is where the nifty police work comes in, comes in the in person of one pug-nosed pugnacious (is that combination possible?) anglo detective, played by Karl Malden, who while investigating the murder came up with the bright idea that a priest did the deed, end of story. Well, not quite, because he had to figure out which priest in 1950s Gallic old-style Roman Catholic priest-ridden Quebec with a church on every block did the deed. And so he grabs onto the nearest priest, Father Logan of course. And the good father is made to order for the frame because, as we find out by a series of flash backs, it turned out that his pre-priesthood old flame, his married, very married old flame, Ruth (played by fetching Anne Baxter) confessed to the cops (in order to give Logan an alibi) she was being blackmailed by the sleaze lawyer (and that she was still in love with her good-looking priest friend), she had sought the good father’s help, and so his actions on her behalf took on a sinister note. And don’t forget that old confession rule.

So beat daddy cop Karl had a slam-dunk and could join the other guys down at Chez somebody’s for coffee and crullers. Father Logan took the heat like a man, went on trial for murder, and just barely avoided stepping off the big step by a jury (all men) who seemingly figured he was fooling around with the good madame the night of the murder. Not guilty he might be legally but not innocent according to the town’s mores as his alleged unpriestly actions were over the top and in reaction they threatened him as he came out of the courthouse. The murderous handyman’s fading beauty housekeeper wife (who also knew of her man’s act but who would have pled the married exception against her husband in court I guess if it came to that) broke down and declared the good father’s innocence. The handyman, further unhinged, shoots her, runs away and then later dies in a shoot-out while still looking for the good father’s forgiveness as he dies in his arms. Here is the beauty of the tale though that lying handyman was the star witness against old Father Logan and so the cops took his word for everything right down the line, without a murmur. Yah, Alfred, your right, cops.

From The Pen Of Joshua Lawrence Breslin- “RailroadBill”-With Ti Jean Kerouac’s “Vanishing American Hobo” in Mind

Here is the way High Street Hank told the story one night, one 1979 November night, as best I remember it, the story of the famous hobo king (real title, no kidding, they have their social gradations just like the rest of us), Railroad Bill, who even I had heard of previously in some mist of time way, told the story one campfire cold sludge coffee stew broth boiling in the kettle night, one miserable hell foggy raw under the bridge Frisco town night, maybe a half dozen guys (Spokane Spike, Portland Phil, Graybeard Gary, and I forgot who else) gathered close around to keep warm against the Pacific squalls, and to share the bottle night (Thunderbird so somebody had dough, had been successful panhandling that afternoon down the Embarcadero, or had cadged it, otherwise Tokay was the cheap jack beverage of choice), yah, Hank told the Railroad Bill story, the story of a prince of the American road, of the long vanishing race of master-less men.

Railroad Bill (real name Theodore Greene, from one of the branches of the Greene family that used to run, or thought they used to run, Albany, although like Hank kept saying don’t hold him to the truth of that real name of that late knight, first- class, of the road since these guys were clumsy with names, aliases, addresses, mail-drops and stuff like that, nine to five stuff that keep the rest of us going, and connected, when he did some begging around looking for Bill’s roots after he passed on, not to inform any kin of his passing but just so he would know that Bill wouldn’t wind up in some potter’s field nameless, numbered, simple county-paid pine box, unadorned and un-remembered, like a million other hoboes, tramps, bums, winos, con men, grifters, sifters, and midnight drifters he had run into in his time, and with the idea that maybe too when old High Street Hank, (his road moniker, although he used others like every guy on the road but that one stuck more often than not and after a while gained a certain privilege, a certain “sure, come on in and have some stew or a swig , brother,” when uttered after some serious time in the jungles), passed on some roadie would wonder, wonder, curious wonder, big time and think big thoughts about his roots and about what he did, or did not, bullshit about, and maybe beg around a little to find out where he came from, or where he had been, but maybe too Railroad Bill the name Hank knew him by was just good enough and the rest was what Hank called his mind, the nine-to-five mind part of it, working overtime), now the late Railroad Bill, always laughed that he had never worked, and he never will (and now won’t), never had a steady job for more than a few days at a time and not many of them either (mainly washing dishes, pearl-diving he called it, some bracero hot sun work out in the California field when he was high on some hot tamale dark-eyed mex dame, some senorita all dark and with Spanish dancing eyes and ready to take him around the world [ you figure it out] for a dollar and a quarter and couple of shots of tequila, and mex dope), never worked for a check (cash only, no deductions brother, or else and Bill was big, and tough, tough enough to enforce that against almost any guy, sometimes guys), hell, never cashed a check ( a real check, although for a while he kited a few, and did some time for that little effort, a few months, maybe a year, guys were always a little shaky on their time after they got out and sometimes built it up a little to impress the new guys, up in Shawshank in Maine) and never, never had a master over him, the kiss of death for any self-respecting ‘bo (and he was a ‘bo, hobo in the “class” structure of the railroad jungle, ahead of tramps, bums, con men, grifters, and bottom-feeding midnight sifters).

So Hank said this was to be Railroad’s story, nah, sketch, or something like that, he said, a story would make you think it was just for entertainment, and this one was about times when honest men (sorry there wasn’t much room for women except whorehouses, slave tents, houses, and getting knocked around by “what the hell” angry men, sorry too) hit the road just to hit the road, and not to write talk-talk immense books about it, literature, or get a feel for the great American night before heading back to academia and attend delicious cozy little conferences for the next fifty years about the plight of the master-less men, 20th  century variety [or to write down told homey little sketches told by campfires about hobo kings after coming off the minute road either-JLB]. A time when if you didn’t have what it takes, if you weren’t strong enough to shimmy yourself on some box car to ride the rails, if you weren’t fast enough to outrun some bull railroad cop with a billy club with your name on it, if you didn’t have enough sense god gave geese to “clip” the necessities for the day at some Woolworth’s (more recently replaced by Wal-Mart and, frankly, easier to do since nobody cared whether anybody “stole” some gabacho three for a dollar stuff, not the people who work there anyway unlike the child-like fawns who worked for fifty years and a good watch for Ma Woolworth), if your talk wasn’t smooth enough to make a few bucks to tide you over pan-handling (and cadge at least a couple of packs of cigarettes so you didn’t have to constantly roll your own Bull Durham coffin nails), if you couldn’t dream enough about some phantom white dress Phoebe Snow to get you through those hard first women-less days, if you didn’t have enough sense to latch on to some queen of the rails mutt to keep you company (and make “cute dog” hitchhike rides easier on the days when there were no rails in sight), then you would wind up with old Denver Slim (Railroad Bill’s first road brother), or a thousand other guys, buried early under some railroad trestle, down some deserted ravine, or beside some hollows hillside and nameless, nameless forever:

Hank woke with a start that dreary late October 1976 night when he first ran into Bill, early morning really from the look of the lightened sky, last cold night, or so he thought to himself , before drifting south then heading west to warmer climes for “winter camp.” Yes, he had the routine down pretty pat back then after a few years of scuttling around just short of getting it right, getting away from the damn winter colds that shortened more than one frozen stiff’s life. Summering in the Cambridges away from the congestion of the big towns (downtown Boston and fetid Pine Street Inns or sanctimonious Sallies [Salvation Army] flops , ditto Frisco, ditto L.A., ditto Chi town), and then wintering in the Keys (maybe Key Largo for the air but Key West if he needed hurry money, or in some Pancho Villa bandito arroyo near the border in desert California, or maybe higher up near Joshua Tree (where he had earlier, before his vagabond wandering days, holed up with a couple of mex senoritas with those sparkling eyes himself, some herb, and a couple of Phoebe Snows too, and with dough to go with the herb, when he rode the merry prankster yellow brick road bus back in the early 1970s). But just that minute that cold dreary morning minute his summer was interrupted by a loud sound of snoring and short breathe coughing from some fellow resident who had parked himself about twenty feet from his exclusive turf.

Hell, Hank laughed, explaining to everyone around that campfire [like we were school boys and couldn’t figure it out by ourselves that he was trying to be funny about it] he didn’t mean to tease us about his itinerary he said (although the gist of schedule was real enough, damn real), or about his mayfair swell digs. The fact was that back then he had been in kind of a bad streak and so sweet home Eliot Bridge right next to the Charles River, but not too next to Harvard Square had been his “home” of late then while he prepared for those sunnier climes just mentioned. Those last few previous months have been tough for him though after trying to make a go of it off the road [like a lot of road guys always try to do whether to beat up some bogus parole trap, beat some promise some family to do better trap, or just beat some road tired trap, except the serious winos who would not know where to begin, wouldn’t want to begin, or even give it a thought] first losing that swell paying job “diving for pearls” at Elsie’s, the deli where all the Harvard Johns hung out for some real food after they got tired of the frat house/Lowell house fare, then losing his apartment when the landlord decided, legally decided, that six months arrears was all that he could take, and then losing Janie over some spat, and getting so mad he “took” a couple of hundred dollars from her pocketbook as he went out the not-coming-back door that last time. So there he was at “home” waiting it out. But that was his story not Bill’s and so he moved on.

He had a pretty good set-up under the bridge, he thought. Far enough away from the Square so that the druggies and drunks wouldn’t dream of seeking shelter so far from their base. But close enough for him to try to panhandle a stake to head west with in rich folks Harvard Square (although apparently the rich those days preferred to tithe in other ways than to part with their spare change to, uh, itinerants since he was having a rough time getting the bread together). And, moreover, the bridge provided some protection against the chilly elements, and a stray nosey cop or two ready to run a stray itinerant in order to fill his or her quota on the run-in sheet.

All that precious planning had gone for naught though because some snoring be-draggled newspaper- strewn hobo had enough courage to head a few hundred yards up river and disturb his home. There and then he decided he had better see what the guy looked like, see if he was dangerous, and see if he could get the hobo the hell out of there so he could get back to sleep for a couple more hours before the damn work-a-day world traffic made that spot too noisy to sleep in. Besides, as is the nature of such things on the down and out American road (and in other less exotic locales as well), the hobo might have other companions just ready to put down stakes there before he was ready to head west.

He unfolded his own newspaper covering, folded up his extra shirt pillow and put it in his make-shift ruck-sack, and rolled (rolled for the umpteenth time) his ground covering and placed it next to his ruck-sack. No morning ablutions to brighten breath and face were necessary that early, not in that zip code, he was thus ready for guests. He ambled over to the newspaper pile where the snoring had come from and tapped the papers with a stick that he had picked up along the way (never, never use your hand or you might lose your life if the rustling newspaper causes an unseen knife-hand to cut you six ways to Sunday. Don’t laugh it almost happened to him once, and only once.).

The hobo stirred, stirred again, and then opened his eyes saying “Howdy, my name is Boulder Shorty, what’s yours?” (A rule of the road in strange country was never to give your real moniker straight out but maybe some old time one and for Bill Boulder Shorty was just such a thing from when he first headed out with Denver Slim his first road companion. Bill later told Hank that he had never been to Boulder, nor Denver Slim to Denver, could not have picked it out on a map if he was given ten chances, and was six feet two inches tall so go figure on monikers. The way they got hanged on a guy was always good for a story in some desolate railroad fireside camp before Hank got wise enough to stay away from those sites, far away.) He told Bill his, his road moniker, his real road moniker at the time not having been out on the road long enough to get wise to the protective switch-up then, “Be-Bop Benny.” Bill laughed, muttering about beatniks and faux kid hobos in thrall of some Jack London call of wild down and out story or some on the road Jack Kerouac or something vision between short, violent coughs. Funny Bill’s bringing up that last name because Hank, having had a couple of years of junior college on the G.I Bill after ‘Nam ,1968-70, had gone to the library when he first headed out on the road back in the early 1970s after things first fell apart to read Kerouac’s On The Road and a couple of other books whose names he had forgotten to see if he could pick up any hobo tips, no sale, not for real hoboing, just book hoboing.

Funny too about different tramps, hobos, and bums (and there are differences, recognized differences just like in regular society). He, Boulder Shorty turned Railroad Bill once he knew Hank was no danger to him after sizing up Hank as a raw kid, and after showing that raw kid a little later when they visited a railroad jungle set up near the abandoned Revere railroad tracks what happens when a six-two wiry guy who had been through it all chain-whipped a guy who was trying to steal his bottle of Muscatel, or whom he thought was trying to steal it, same thing, one campfire night, and Hank, were hobos, the kings of the river, ravine, and railroad trestle. Some start out gruff, tough and mean, street hard mean. Others like Bill, kings, just go with the flow. And that go with the flow for a little while anyway (a little while being very long in hobo company) kept Bill and Hank together for a while, several weeks while before that short violent cough caught up with old Railroad (you didn’t have to know medicine, or much else, to know that was the small echo of the death-rattle coming up).

In those few weeks Railroad Bill taught Hank more about ‘bo-ing, more about natural things, more about how to take life one day at a time than anybody else, his long gone father included. About staying away from bums and tramps, the guys who talked all day about this and that scan they pulled off in about 1958 and hadn’t gotten over it yet. About how they slipped a couple of shirts under their sweaters or something and walked right out of Goodwill and nobody stopped them. Or about how some padre bought their story about being far from home and a little tough on the luck side and gave them a fiver. Or about how they ponzi’d some scheme and netted about sixteen dollars and change one time. All about 1958, like he said, and a river of dreams, sorrows and booze ago. [And as if to show the “class” distinction more clearly Hank went into an aside about how Railroad showed him how to hustle for serious dough from the padres (private social service agencies like the Sallys, U-Us, Universalist-Unitarians joined together under one god, and the Catholic Worker-type outfits), fifty buck dough, just by being not too dressed up but clean, and maybe having showered recently, and having a line of patter. Not too strong, not like you overplay you are scamming them (winos need not apply just keep that empty coffee cup out in front of you), and they know it too, but with a plausible plan to present to get you “back on your feet” with their little help. Hank said he would tell us about the details sometime, he never did, but he got fifty easy dollars, cash money, thanks to Railroad’s advice. A couple of times]

Bill told him about guys who took your money, your clothes, hell, and your newspaper covering in the dead of night just to do it, especially to young hobo kings. And about staying alone, staying away from the railroad, river, ravine camps that everybody talked about being the last refuge for the wayward but were just full of disease, drunks and dips. (He let Railroad talk on about that although that was one thing he was already hip to, a river camp was where he almost got his throat handed back to him by some quick- knife tramp that he had mentioned before when he talked about disturbing guys while they were newspaper roll sleeping ).

Yes, Railroad Bill had some street smart wisdom for a guy who couldn’t have been past forty, at least that’s what figured from the times he gave in his stories. (Don’t try to judge a guy on the road’s age because between the drugs or booze, the bad food, the weather-beaten road, and about six other miseries most guys looked, and acted, like they were about twenty years older. Even Hank, before a shower to take a few days dirt off and maybe hadn’t eaten for a while, looked older than his thirty-something years then.) But most of all it was the little tricks of the road that Railroad taught and showed him that held him to the man.

Like right off how Hank’s approach, his poor boy hat in hand approach, was all wrong in working the Harvard Square panhandle. You had to get in their faces, shout stuff at them, and block their passage so that the couple of bucks they practically threw at you were far easier to give than have you in their faces. Christ, Railroad, complete with unfeigned cough, collected about twenty bucks in an hour one day, one day when he was coughing pretty badly. And a ton of cigarettes, good cigarettes too, that he asked for when some guys (and a few gals) pled no dough. It was art, true art that day. Railroad said one girl wanted to take him home, said she wanted to feed him and help him out, implying some big sex wet dream thing out of some mex senorita sparkling eyes past. But Hank just let it go as so much hobo hot air and bravado. Still next time out pan-handling he made about twelve bucks, a ton of smokes, a joint and some girl went into Cardillo’s and brought him out a sandwich and coffee. Beautiful.

Or Railroad told him about how a hobo king need never go hungry in any city once he had the Sallies, U/U good and kindly neighbor feeding schedule down. No so much those places, any bum or tramp could figure that out, and wait in line, but to “volunteer” and get to know the people running the thing and get invited to their houses as sturdy yeoman “reclamation” projects. A vacation, see. Best of all let he said before was him showing how to work the social service agencies for ten here, and twenty there, as long as you could hold the line of patter straight and not oversell your misery. Tramps and bums need not apply for this kind of hustle, go back and jiggle your coffee cup in front of some subway station, and good luck.

[Railroad also taught him the ins and outs of jack-rolling, what you would call mugging, if things got really bad. Jack-rolling guys, bigger and smaller than you but Hank said he ‘d rather keep that knowledge to himself especially when the guys around the campfire started looking mean-eyed at him.]

Funny they never talked about women, although he tried once to talk to Railroad about Janie. Railroad cut him short, not out of disrespect he didn’t think, but he said they were all Janie in the end. He said talking about women was too tough for guys on the road with nothing but drifter, grifter, midnight sifter guys to stare at. Or looking too close at women when on the bum was bad for those longings for home things when you couldn’t do anything about it anyway. Although he did let on once that he was partial to truck stop road side diner waitresses serving them off the arm when he was in the clover (had dough) and was washed up enough to present himself at some stop along the road. Especially the ones who piled the potatoes extra high or double scooped the bread pudding as acts of kindred kindness. One night near the end, maybe a week before, time is hard to remember on the meshed together bum, Railroad started muttering about some Phoebe Snow, some gal all dressed in white, and he kind of smiled, and then the coughing started again.

Hank tried to get Railroad moving south with him (and had delayed his own departure to stick with him for as long as he figured he could get south before the snows hit) but Bill knew, knew deep in his bones, that his time was short, that he wanted to finish up in Boston (not for any special reason, he was from Albany, but just because he was tired of moving) and was glad of young hobo company.

It was funny about how he found out about Railroad’s Albany roots. One night, a couple of nights before the end, coughing like crazy, he seemingly had to prove to Hank that he was from Albany. Bill had mentioned that he was mad for William Kennedy’s novels, Ironweed and the like, that had just come out a couple of years before. He went on and on about the Phelans this and that. Jesus he knew the books better than Hank did. He say that is what made hobos the intelligentsia of the road. Some old Wobblie folksinger told him that once when they heading west riding the rails on the Denver & Rio Grande. When holed up in some godforsaken library to get out of the weather hobos read rather than just get curled up on some stuffed chair. Yes, Railroad was a piece of work. He was always saying stuff like that.

Then one morning, one too cold Eliot Bridge morning, he tried to shake his newspaper kingdom and got no response. Old Bill had taken his last ride, his last train smoke and dreams ride he called it. He left him there like Bill wanted him to and like was necessary on the hobo road. He made a forlorn anonymous call to the Cambridge cops on his way out of town. But after that on those few occasions when High Street Hank passed some potter’s field he tipped his fingers to his head in Railroad Bill’s memory, his one less hobo king memory.