AMERICAN LEFT HISTORY

This space is dedicated to the proposition that we need to know the history of the struggles on the left and of earlier progressive movements here and world-wide. If we can learn from the mistakes made in the past (as well as what went right) we can move forward in the future to create a more just and equitable society. We will be reviewing books, CDs, and movies we believe everyone needs to read, hear and look at as well as making commentary from time to time. Greg Green, site manager

Monday, October 21, 2013

***Once More Into The Time Capsule, Part Two- The New York Folk Revival Scene in the Early 1960’s-Buffy Sainte-Marie

A YouTube's film clip of Buffy Sainte-Marie performing her classic tribute to her Native American culture, "My Country 'Tis Of Thy People You're Dying" on Pete Seeger's "Rainbow Quest".

CD Review

Washington Square Memoirs: The Great Urban Folk Revival Boom, 1950-1970, various artists, 3CD set, Rhino Records, 2001

Except for the reference to the origins of the talent brought to the city the same comments apply for this CD. Rather than repeat information that is readily available in the booklet and on the discs I’ll finish up here with some recommendations of songs that I believe that you should be sure to listen to:

Disc Two: Dave Van Ronk on “He Was A Friend Of Mine” and You’se A Viper”, The Chad Mitchell Trio on “Last Night I Had The Strangest Dream”, Hedy West on “500 Miles”, Ian &Sylvia on “Four Strong Winds”, Tom Paxton on “I Can’t Help But Wonder Where I’m Bound”, Peter, Paul And Mary on “Blowin’ In The Wind”, Bob Dylan on “Boots Of Spanish Leather”, Jesse Colin Young on “Four In The Morning”, Joan Baez on “There But For Fortune”, Judy Roderick on “Brother, Can You Spare A Dime?”, Bonnie Dobson on “Morning Dew”, Buffy Sainte-Marie on “Cod’ine” and Eric Von Schmidt on “ Joshua Gone Barbados”.

Buffy Sainte-Marie on “Cod’ine”. One of the female folk singers that I did have in mind when I thought about doing a series on ‘not Joan Baez’ and their fates was very definitely Buffy Sainte-Marie. Her moth harp on “Cripple Creek” blew me away. Her “Until It’s Time For You To Go” was, at one point, something of a personal anthem in the stormy waters of young love. Of course the classic anti-war song, covered by Donovan and many other folk performers, is “Universal Soldier”. While I would disagree with some aspects of the song’s lyrics now since there are some fights, class- war fights, left before we can leave fighting behind this song drove a lot of my young pacifist inclinations. As for Buffy’s fate, I again have no clue except the liner notes in the booklet refer to the personal nature of this song as part of her own personal struggle against drugs. Sing on.

Note: Since this comment was originally written I have found out that Buffy is alive and well and has just produced a CD after many years. The "sing on" part still goes, though.

UNIVERSAL SOLDIER
Buffy Sainte-Marie
© Caleb Music-ASCAP

I wrote "Universal Soldier" in the basement of The Purple Onion coffee house in Toronto in the early sixties. It's about individual responsibility for war and how the old feudal thinking kills us all. Donovan had a hit with it in 1965.

He's five feet two and he's six feet four
He fights with missiles and with spears
He's all of 31 and he's only 17
He's been a soldier for a thousand years

He's a Catholic, a Hindu, an atheist, a Jain,
a Buddhist and a Baptist and a Jew
and he knows he shouldn't kill
and he knows he always will
kill you for me my friend and me for you

And he's fighting for Canada,
he's fighting for France,
he's fighting for the USA,
and he's fighting for the Russians
and he's fighting for Japan,
and he thinks we'll put an end to war this way

And he's fighting for Democracy
and fighting for the Reds
He says it's for the peace of all
He's the one who must decide
who's to live and who's to die
and he never sees the writing on the walls

But without him how would Hitler have
condemned him at Dachau
Without him Caesar would have stood alone
He's the one who gives his body
as a weapon to a war
and without him all this killing can't go on

He's the universal soldier and he
really is to blame
His orders come from far away no more
They come from him, and you, and me
and brothers can't you see
this is not the way we put an end to war.

***Once More Into The Time Capsule, Part Two- The New York Folk Revival Scene in the Early 1960’s-Buffy Sainte-Marie

In Honor Of The 64th Anniversary Year Of The Chinese Revolution of 1949- From The Pen Of Leon Trotsky-Problems Of The Chinese Revolution (1927) –What Is Happening in China?-November 9, 1929- Prinkipo

Click on link below to read on-line all of Leon Trotsky's book, Problems Of The Chinesee Revolution

http://www.marxists.org/archive/trotsky/1932/pcr/index.htm

Markin comment (repost from 2012):

On a day when we are honoring the 63rd anniversary of the Chinese revolution of 1949 the article posted in this entry and the comment below take on added meaning. In the old days, in the days when I had broken from many of my previously held left social-democratic political views and had begun to embrace Marxism with a distinct tilt toward Trotskyism, I ran into an old revolutionary in Boston who had been deeply involved (although I did not learn the extend of that involvement until later) in the pre-World War II socialist struggles in Eastern Europe. The details of that involvement will not detain us here now but the import of what he had to impart to me about the defense of revolutionary gains has stuck with me until this day. And, moreover, is germane to the subject of this article from the pen of Leon Trotsky -the defense of the Chinese revolution and the later gains of that third revolution (1949) however currently attenuated.

This old comrade, by the circumstances of his life, had escaped that pre-war scene in fascist-wracked Europe and found himself toward the end of the 1930s in New York working with the Trotskyist Socialist Workers Party in the period when that organization was going through intense turmoil over the question of defense of the Soviet Union. In the history of American (and international) Trotskyism this is the famous Max Shachtman-James Burnham led opposition that declared, under one theory or another, that the previously defendable Soviet Union had changed dramatically enough in the course of a few months to be no longer worth defending by revolutionaries.

What struck him from the start about this dispute was the cavalier attitude of the anti-Soviet opposition, especially among the wet-behind-the-ears youth, on the question of that defense and consequently about the role that workers states, healthy, deformed or degenerated, as we use the terms of art in our movement, as part of the greater revolutionary strategy. Needless to say most of those who abandoned defense of the Soviet Union when there was even a smidgeon of a reason to defend it left politics and peddled their wares in academia or business. Or if they remained in politics lovingly embraced the virtues of world imperialism.

That said, the current question of defense of the Chinese Revolution hinges on those same premises that animated that old Socialist Workers Party dispute. And strangely enough (or maybe not so strangely) on the question of whether China is now irrevocably on the capitalist road, or is capitalist already (despite some very un-capitalistic economic developments over the past few years), I find that many of those who oppose that position have that same cavalier attitude the old comrade warned me against back when I was first starting out. There may come a time when we, as we had to with the Soviet Union and other workers states, say that China is no longer a workers state. But today is not that day. In the meantime study the issue, read the posted article, and more importantly, defend the gains of the Chinese Revolution.

*********
Leon Trotsky

Problems of the Chinese Revolution

What Is Happening in China?-November 9, 1929- Prinkipo

A Question Every Communist Must Ask Himself

Among the telegrams in Pravda there has been communicated several times during October, in the smallest type, that an armed Communist detachment under the command of comrade Zhu De is advancing successfully towards Chao-Cho (Guangdong), that this detachment has grown from 5,000 to 20,000, etc. Thus we learn, as if incidentally, from the laconic telegrams in Pravda that the Chinese Communists are conducting an armed struggle against Chiang Kai-shek. What is the meaning of this struggle? Its origins? Its perspectives? Not a word is breathed to us about it. If the new revolution in China has matured to the point that the Communists have taken to arms, then it would seem necessary to mobilize the whole International in the face of events of such gigantic historical importance. Why then do we hear nothing of the sort? And if the situation in China is not such as puts on the order of the day the armed struggle of the Communists for power, then how and why has a Communist detachment begun an armed struggle against Chiang Kai-shek, that is, against the bourgeois military dictatorship?
Yes, why have the Chinese Communists risen in rebellion? Perhaps because the Chinese proletariat has already found the time to heal its wounds? Because the demoralized and debilitated Communist Party has found the time to rise on the revolutionary wave? Have the city workers ensured their contact with the revolutionary masses of the country? Has the general strike pushed the proletariat to the insurrection? If such is the case, then everything is clear and in order. But then why does Pravda communicate these events in a few lines and in small type?
Or perhaps the Chinese Communists have risen in rebellion because they have received the latest comments of Molotov on the resolution on the “third period”?It is no accident that Zinoviev who, in distinction to the other capitulators, still pretends to be alive, has come out in Pravda with an article which shows that the domination of Chiang Kai-shek is entirely similar to the temporary domination of Kolchak, that is, is only a simple episode in the process of the revolutionary rise. This analogy is of course bracing to the spirit. Unfortunately, it is not only false, but simply stupid. Kolchak organized an insurrection in one province against the dictatorship of the proletariat already established in the greater part of the country. In China, bourgeois counter-revolution rules in the country and it is the Communists who have stirred up an insurrection of a few thousand people in one of the provinces. We think, therefore, we have the right to pose this question: Does this insurrection spring from the situation in China or rather from the instructions concerning the “third period”?We ask further, what is the political role of the Chinese Communist Party in all this? What are the slogans with which it mobilized the masses? What is the degree of its influence upon the workers? We hear nothing about all this. The rebellion of Zhu de appears to be a reproduction of the adventurist campaigns of Ho Lung and Ye Ting in 1927 and the Canton uprising timed for the moment of the expulsion of the Opposition from the Russian Communist Party.
Perhaps the rebellion broke out spontaneously? Well and good. But then what is the meaning of the Communist banner unfurled above it? What is the attitude of the official Chinese Communist Party towards the insurrection? What is the position of the Comintern in this question? And why, finally, in communicating this fact to us, does the Moscow Pravda abstain from any comment?
But there is still another explanation possible, which is perhaps the most alarming one: Have the Chinese Communists risen in rebellion because of Chiang Kai-shek’s seizure of the Chinese Eastern Railway? Has this insurrection, wholly partisan in character, as its aim to cause Chiang Kai-shek uneasiness at his rear? If that is what it is, we ask who has given such counsel to the Chinese Communists? Who bears the political responsibility for their passing over to guerrilla warfare?
It was not long ago that we decisively condemned the ramblings on the necessity of handing over so important an instrument as the Chinese Eastern from the hands of the Russian Revolution to those of the Chinese counter-revolution. We called to mind the elementary duty of the international proletariat in this conflict to defend the Republic of the soviets against the Chinese bourgeoisie and all its possible instigators and allies. But on the other hand it is quite clear that the proletariat of the USSR, which has power and an army in its hands, cannot demand that the vanguard of the Chinese proletariat begin a war at once against Chiang Kai-shek, that is, that it apply the means which the Soviet government itself does not find possible, and correctly so, to apply.
Had a war begun between the USSR and China, or rather between the USSR and the imperialist patrons of China, the duty of the Chinese Communists would be to transform this war in the shortest time into a civil war. But even in that case the launching of the civil war would have to be subordinated to general revolutionary policy; and even then the Chinese Communists would be unable to pass over arbitrarily, and at any moment at all, to the road of open insurrection, but only after having assured themselves of the necessary support of the worker and peasants masses. The rebellion in Chiang Kai-shek’s rear, in this situation, would be an extension of the front of the Soviet workers and peasants; the fate of the insurgent Chinese workers would be intimately bound up with the fate of the soviet republic; the tasks, the aims, the perspectives would be quite clear.
But what is the perspective opened up by this uprising of the today isolated Chinese Communists in the absence of war or revolution? The perspective of a terrific débâcle and of an adventurist degeneration of the remnants of the Communist Party.
In the meantime, it must be said openly: calculations based upon guerrilla adventure correspond entirely to the general nature of Stalinist policy. Two years ago, Stalin expected gigantic gains for the security of the soviet state from the alliance with the imperialists of the General Council of the British trade unions. Today, he is quite capable of calculating that a rebellion of the Chinese Communists, even without any hope, would bring “a little profit” in a precarious situation. In the first case, the calculation was grossly opportunist, in the second, openly adventurist, but in both cases, the calculation is made independently of the general tasks of the world labour movement, against these tasks and to the detriment of the correctly understood interests of the soviet republic.
We have not at our disposal all the necessary data for a definite conclusion. That is why we ask:

What is happening in China? Let it be explained to us! The Communist who does not pose the question to himself and to the leadership of his party will be unworthy of the name of Communist. The leadership that would like to remain discreetly on the sidelines in order, in case of a defeat of the Chinese partisans, to wash its hands and transfer responsibility to the Central Committee of the Chinese Communist Party – such a leadership would dishonour itself – not for the first time. it is true – by the most abominable crime against the interests of the international revolution.
We ask: What is happening in China? We will continue to pose this question until we have forced a reply.

***Fragment Of A Fragment Of A Teenage Dream-In Honor Of The “Kandy-Kolored Tangerine-Flaked Streamline Baby” World -The 1950s

Peter Paul Markin, North Adamsville Class Of 1964, comment:

There was a madness in this country in the 1950s. No, not the hoary Cold War the- atomic-bomb-is-going-to-get-us-and-we-are-all-going-to-be-dead-next-week or “better dead than red” kind of madness although there was plenty of that around. Some people, mostly older, whom I knew along the way in my life, while I was doing one thing or another, got caught up in that dragnet, that “red scare” dragnet, and took a beating over it, sometimes a physical beating but definitely a beating of their psyche, with or without the physical part. All for the simple proposition, when you think about it, that working people, and the people I am talking about to a person were working people not the high-flown intellectuals who abandoned ship when things got too hot, that those who make the goods of this sad old world, I mean really make the widget gismo stuff, should make the rules. I’ll tell you more on that some other time but today I want to about cars, just about cars, about guys crazy about them and the girls crazy about the guys crazy about them, and about what they meant, no, what they really meant back then.

Like I say there was a madness for the automobile, the sleeker, the more aerodynamically-refined, more powerfully-engined, especially the powerfully-engined part but also with a classy chassis, the better. Some people who ought to know, like wannabe “gonzo” journalist Tom Wolfe who got me started on this screed from an old article that I have used as part of the title here that he wrote in “Esquire” magazine in 1963 or a real “gonzo” journalist like Hunter Thompson, except it was motorcycles too, or maybe James Dean himself who knows, say the madness started even before then, the fifties that is, back at the tail end of the Second World War. Their idea is that there was so much money around, war boom production government dough, especially so much dough around for Depression-raised “no dough” kids that the kids, if you can believe this, started going after cars and, as kids will, taking the old-fashioned ones like Hudsons, Studebakers and old time Fords and “souping” them up. That is once cars started being produced again, instead of tanks, lots of tanks, in Detroit.

Not only that, according to the stories, the kids started to get a little whacky about it. Like spending all their time hammering down heavy chrome fender and bopping to get it just right, eternally , oil-drenched, grease-monkeyed engine-tweaking, forever high-end rear axle-lifting, and, don’t forget, applying rainbow color-coded flash-painting (and, maybe, decaling). And trying to look cool while doing it and…well, and trying to impress the be-bop, short shorts wearing, slinky, saucy, sultry (did I leave anything out) tweeny-teeny girls who just happened to be walking by.

And once you start trying to impress girls, or once you actually did impress them, then the only thing left was how you were going to feed them. I mean the girls not the cars, although come to think of it maybe I am thinking of the cars. Nah. Well, sure what else is a guy to do but run down to the ubiquitous now slice-of-nostalgic- Americana, save it for “American Graffiti” drive-in food shack, complete with short-skirted bunny hoppers waiting on you and your cravings, natch. And then you were up against how you were going to excite them, the girls that is, with all that power, car power that is, natch again, on those barely asphalt ,one lane, lonesome road Saturday night “chicken” runs out on the edge of the universe, at least it seemed like that on star-studded nights. So, the long and short of it is that a little cult kind of thing got going, or maybe it was just teenagers being teenagers. I don’t know but it sounds real good, doesn’t it.

Still I don’t really know about that story, good as it sounds, because it was suppose to be kind of a West Coast kid thing. Figures, right? You know, all those guys who couldn’t get close enough, or want to get close enough, to the water to be surfer guys, or just didn’t know what the heck “hanging ten” was all about, or didn’t care. Or, maybe, from another angle, because I have heard these kinds of stories too, just Southern good old boys running white liquor through the hollows and back roads of some woe begotten mountain valley beating hell out of the revenue agents. The easy part is beating those revenue guys but you need serious wheels to beat through muddy-encrusted back roads and hollows down Appalachia way and you had better have that big old V-8 “souped-up,” I don’t think a Super 6 would do it, to beat the band if you did not want to spent your sweet roll, high-kicking young life in some old jail, state or federal, take your pick. I am closer to the nut on that story seeing as my father came from there, down in those hollows and those winding roads and those mountain mists and breezes, but still it just ain’t my madness story.

Really, I want to tell you about what I know about the madness and so I have to go from the 1950s. Like I say I don’t know, first hand anyway, about those other locales, their ethos, their humors or their quirks. I just don’t. See I think, for one thing, that those guys telling those earlier stories are just piecing us off by making it a cult thing or a small sub-set of a subset of a cult, or maybe just trying to tell colorful stories to make up for that “red scare” stuff that doesn’t sound right about America. You know democracy and all that stuff while you are running people out of town on a rail for just talking “red talk”, or trying to.

Besides, this story wasn’t just about, deafeningly mad as they were, those guys in the now almost sepia-faded photographic images of tight T-shirt wearing, rolled sleeve cigarette-packed, greased Pompadour-haired, long side-burned, dangling-combed , engineer-booted, chain-wielding, side of the mouth butt-puffing , didn’t care if school kept or not types bent over the hood of some souped-up ’57 Chevy working, no sweating pools of sweat, sweating to get even more power out of that ferocious V-8 engine for the Saturday night “ chicken" run. No way, it wasn’t.

And it wasn’t even just those mad faux James Dean-sneered, "rebel without a cause"-posed, cooled-out, maybe hop-headed guys either. And it was always guys, who you swore you would beat down if they ever even looked at your sister, if you had a sister, and if you liked her enough to beat a guy down to defend her honor, or whatever drove your sense of right. And, of course she, your sister no less, is looking for all she is worth at this “James Dean” soda jerk (hey, what else could he be) because this guy is “cute”. Go figure, right? , Aw, maybe I don’t like her all that much anyway, and we all have to fend for ourselves when the deal goes down. Jesus, a monosyllabic (uh) soda jerk. Come on, sis.

No, and, by the way, forget all those stereotypes that they, the writers and film guys, like to roll out when they want to bring a little “color”, or tap into “baby-boomer” nostalgia, to the desperately color-craving 1950s. With their monotonous line-up of blond, slick-haired, California sun-drenched, devil may care, second generation “Okie” car jockeys. This car madness really was driven, driven hard, driven white-knuckled hard right to the edge, by East Coast non-blond, non-slick, non-“Okie” guys like Stu who lived down the end of my growing up street. Down the car-wreck-filled, oil-slick splashed, gas-fume-smelling dead-end of my run down old working class, edge of the working class getting poorer not richer, neighborhood ready for the bulldozer anytime street.

And Stu was the “king” there. If such a place could have a king he was it, no question, and nobody, not us kids anyway, questioned his lordship. Stu, kind of non-descript, pimply-faced, deceptively Saturday afternoon television wrestler overweight although we swore, or we would swear, that he was just big. Hands so permanently oil-stained, so deeply gritted, that no Borax could ever penetrate. Wearing some kind of grease-ladened denims to accompany those hands too, when denim meant Farmer Brown more than fashionista. Mussed–up hair unfurled at odd angles like maybe he had just enough time for a “bowl cut” from some younger brother or maybe his mother before he got back under the hood or under the body where he “breathed’ the rarified air that kept him going. And always, always a “what the hell” smirk like he knew, and knew for certain, about the nature of the universe, as the smoke from his ever-present cigarette wrapped around in rings his (and your) head, and seemed to tell of new techniques learned and just a little more power gotten out of that old ’57 Chevy primo boss wagon that had all us neighborhood kids on the prowl for a ride (that we never ever got, but that’s a different story and you can figure out why after what I tell you the next stuff).

Ya, but that is not all, no, not by a long shot. Here is where you got to figure something is awry in the universe, or at least you’ve got to think of that possibility. “Stew-ball” Stu (that’s what we called him, although not to his face), for there was always the faint smell, and sometimes not so faint smell, of liquor, hard liquor like whiskey or scotch or who knows, maybe, Southern Comfort, it was cheap enough then, coming out of that tobacco-infested mouth of his, always had “babes” around. Hell, there were always a ton of them fussing over him and I swear I am not exaggerating because I would have been happy, very happy, to have one of his cast-offs, if I had been just a little older, and a lot wiser. And these were not just some old mirror-image Stu babes. These girls were “hot”, 1950s “hot”, ya, but still hot. A more mysterious, secretive, selective, “I wonder what she really looks like underneath” hot than today when you know, and know for certain, who is hot without having to ask that question.

I can still picture those oceans of flowing hair, that sea of tight jeans and stretch pants and those cashmere sweaters and who knows what else underneath, and what do I know what else, or care, because all I know is that to a supposedly oblivious young buck that I still was back then they smelled nice and a boy/man can dream, can’t he? And high school dropout, couldn’t care less if school kept or not, getting grease all over him, and maybe all over them Stu just kind of ignoring them. Ignoring them! Can you beat that?

Ya, but see here is what I didn’t know. I didn’t know about the late night beach Stu. The Stu watching the “submarine” races down by the now tepid ocean shore, with the waves apologizing to the beach sand for splashing it, with some quick choice girl. And they, the girls that is, were standing in line, just to get in line. And who is to say, and at least who am I to say, that they were wrong. It was a ’57 Chevy, after all. Did you hear me? I said it was a ’57 Chevy that had all the girls trembling like Stu was Elvis or something.

Okay, okay I will come clean. Here is what burns me up even today. Those girls weren’t interested, weren’t interested in the least, in what old Stu had read lately, or whether he even read anything at all. See that thing, that reading thing, was my wobbly pitch to the frails, junior grade, back then. I was a ragamuffin of a boy what with coming from a nowhere family from the wrong side of the tracks, not much of a dresser, and not that “cute,” although better looking than damn Stewball. So to make things equal I read like crazy and what I read I used as my calling card to the dames (read: teenage age girls, some of who wanted to be dames and some not).

And sometimes it worked, kind of. And this is where Stu comes in. One summer night, maybe about 1961 or ’62, I was working my book “magic” down at the Adamsville Beach seawall where we all hung out, we guys hung out perfecting our come hither girls pitches. At this time I was crazy for this Lolita, all blond, fluffy fill out a sweater, and legs, Lolita was not her real name, and that doesn’t matter now, and moreover she was young, maybe too young, and how do I know that the statute of limitations hasn’t run out on even thinking about what I was thinking about doing with her so let’s just call her Lolita. Now she might have been young but she was no stick and from what I could see she was no prude either. I knew her from some odd-ball class at school where I spent half my time looking at her legs and the other half holding forth out loud on some book, probably Charles Dickens or Thomas Hardy, something like that.

She stopped me one day after class and said she liked what I had to say. Well, thanks. And so we started not exactly dating but hanging out and that is why Lolita and were sitting kind of close talking, or I was talking she was listening, maybe half-listening a little distracted in the sultry night, about poetry, T.S. Eliot’s The Wasteland. Then Stu pulled up from off the boulevard kind of slow in his very cherry Chevy and just kind of sat there, engine high-idling, not saying nothing but looking, looking kind of intensely at Lolita and she started to look back and not answering a question I asked her about what I had just said. Stu bent over and opened the passenger door side of the car and before I could even say, “what the hell” Lolita and Stu were long gone. Somebody said they saw Stewball’s Chevy down at the “parking” end of the beach as the sun was coming up. Damn.

Hell, and you wonder why I speak of madness. Let me out of this place.

***From The Archives (2010)- Out In The Be-Bop Night- Fragments Of Working Class Culture- In The Time Of The High School Hop, Circa 1960

Click on the headline to link to a YouTube film clip of The Cadillacs performing She's So Fine.

Recently I have been in something of 1960s high school remembrance mode, mainly as a result of evaluating the influence of the “beats” (Jack Kerouac, Allen Ginsberg, William S. Burroughs, Neal Cassady and the usual suspects), on my youthful political (not much), social (a fair amount), and cultural (lots) development, but also as a result of re-watching George Lucas’ American Graffiti, a 1960s coming-of-age film that fits comfortably in my own high school mode. I have reviewed the film as a whole elsewhere in this space but I wish to make a special point about the high school dance segment of the film (Not Ready For Prime Time Class Struggle-The Baby-Boomer Birth Of The Search For The Blue-Pink American Western Night- “American Graffiti”-Film Review, dated September, 8, 2010).

George Lucas’s inclusion of a local high school dance segment in this film was inspired. The segment is not central to the action, such as it is, of the film, but it certainly is calculated to evoke almost universal nostalgia for anyone (meaning almost everyone these days) who has very had to deal, in one way or another, with the question of this time-honored (if hoary) high school tradition. Each generation probably has its own take on what this experience was like, but most of the real action was behind the scenes. And in that sense the film caught the three high points. Women can fill in own blanks in reverse, but here are some of them from a man’s perspective.

First of all stag (single no way, with the guys, or not at all, although how many and who was always up for grabs, especially on the important “shotgun” question) or on a date (double-date, somebody’s left out sister, your sister, anything to not be a wallflower, a sickly wallflower among the ‘losers’ to boot, as those dance moments ticked slowly, so slowly by)? Many an ungodly hour was spent on that date question mulling over, no, not what you think, who to invite, no that was usually the easy part, but rather getting up enough nerve to make the call to make the invitation. And check this out, on more than one occasion, and I am sure the same was true for you, somehow your intelligence network had failed and it turns out that the certain she, your dreamy certain she, damn, her, had a “steady.” Christ, what a waste of time.

Secondly, grooming preparations- I will propose here, in best scientific method form (or at least quasi- scientific form for that is all this thing will hold) that there was an inverse relationship to the amount of time that one spent on this work, you know, shower, shave (in those days you had to, if you could), comb always at the ready, a little something for the underarms and some men’s fragrance to give the smell of being the least bit civilized, and the answer to the stag/date question. In this sense the inverse is the extra time spent in order to attract that certain she (remember women just reverse the gender, or today everyone fill in your own preference experience) so when the next goddam dance or mixed social event came up you were dated up with that certain she and you could just throw a little fatal after-shave on and fly out the door. Oh, by the way, I refuse, I totally refuse to go over the number of time that I cooled my heels while that occasional captured “she” made her grooming preparations, first date or any date, even if it was just to make preparations to the drugstore soda fountain. Mercifully, on that score I did not have a sister to scream at or else I might not be writing this screed today, at least this side of a cell block.

Thirdly, the gathering of the dough, the always short of dough problem that plagued our poor working class household and that I noticed did not seem to be any kind of problem in that California suburban valley locale of “American Graffiti”. Money for exotic appearing (hey, it was California, remember, even the fast food drive-ins had to be retro-fine) double-dip hamburgers (with fries), cherry cokes, for two, for two, my god, plus some gas money, plus, plus, plus, you know a guy has got expenses in this world. The real problem was whether to borrow from parents, or pick up some chattel slave job. Getting it from the parents always came with some awful terms, usually worthy of some international diplomatic accord, and more grief than it was worth, unless I was desperate, or girl-hungry. Oh ya, and you had to hear the obligatory we do this and that to keep a roof over your head along with the bucks. You know the drill, probably.

And while we are on the subject of parents the inevitable question comes up about what time one should be home by. They say X, and make that loan, that hard-scrabble hideous loan that has more conditions and enforcements than a loan shark, contingent on the observance of a “reasonable” (parent reasonable) hour. I say Y, because in the back of my mind I, if I get lucky (no further discussion necessary, right?) then I need plenty of time and can’t be worried about curfews, or reasonable times. Come to think of it, even fifty years later, come on Ma you be reasonable (and it was always Ma on this one in our old working class neighborhoods, and maybe yours too. Dad was brought in, if he was brought in at all, at this point in our lives only for the heavy artillery stuff).

Once these preparations and battles have been settled then, and here is where American Graffiti is like from a dream, the question of transportation to the dance comes into play. Here I mean a car, and if you’ve read my review of American Graffiti you know I mean a “boss” car. You would have to go to an automobile museum to see such treasures these days. By the way don’t even utter the words public transportation for this occasion or I will think that you grew up in New York City or some place like than and that you have not really been paying attention after all my paeans to the California endless highways and the search of the elusive blue-pink great American Western night.

In any case, this car-less writer, this foot-sore, shoe leather-beaten, car-less writer, depended, sometimes cynically so, on cultivating friendships with guys who had such “boss” cars, particularly the renowned ’57 Chevy that still makes me quiver at the thought of. Needless to say, in expectation at least, of the night’s successes a stop at the local gas station for a fill-up (a couple of bucks then) check the oil and water, kick the tires and so on preceded our big entrance at the dance.

Part of the charm of the American Graffiti segment on the local high school dance is, as I have noted previously, once you get indoors it could have been anyplace U.S.A. (and I am willing to bet anytime U.S.A., as well. For this baby-boomer, that particular high school dance, could have taken place at my high school when I was a student in the early 1960s). From the throwaway crepe paper decorations that festooned the place to the ever-present gym bleachers to the chaperones to the platform the local band (a band that if it did not hit it big would go on to greater glory at our future weddings, birthday parties, and other important occasion) covering the top hits of the day performed on it was a perfect replica.

Also perfect replica were the classic boys’ attire for a casual dance, plaid or white sports shirt, chinos, stolid shoes, and short-trimmed hair (no beards, beads, bell-bottoms, it's much too early in the decade for that) and for the girls blouses (or maybe sweaters, cashmere, if I recall being in fashion at the time, at least in the colder East), full swirling dresses, and, I think beehive hair-dos. Wow! Of course, perfect replica were the infinite variety of dances (frug, watusi, twist, stroll, etc) that blessed, no, twice blessed, rock and roll let us do in order to not to have to dance too waltz close. Mercy. And I cannot finish up this part without saying perfect replica hes looking at certain shes (if stag, of course, eyes straight forward if dated up, or else bloody hell) and also perfect replica wallflowers, as well.

Not filmed in American Graffiti, although a solo slow one highlighted the tensions between Steve and Laurie (Ron Howard and Cindy Williams) but ever present and certainly the subject of some comment in this space was that end of the night dance. I’ll just repeat what I have repeated elsewhere. This last dance was always one of those slow ones that you had to dance close on. And just hope, hope to high heaven, that you didn’t destroy your partner’s shoes and feet. Well, as I have noted before, one learns a few social skills in this world if for no other reason that to “impress” that certain she (or he for shes, or nowadays, just mix and match your sexual preferences) mentioned above. I did, didn’t you?

And after the dance? Well, I am the soul of discretion, and you should be too. Let’s put it this way. Sometimes I got home earlier than the Ma agreed time, but sometimes, not enough now that I think about it, I saw huge red suns rising up over the blue waters. Either way, my friends, worth every blessed minute of anguish, right?

***FromThe Archives -Out In The Be-Bop Night- In Defense Of The Blue-Pink Great American Western Night "Deviation"- A Short Note (2010)

Markin comment:

Okay, here is the genesis of this little commentary. Rather a “tempest in a teapot”, I think, in the grand scheme of things and in the same category as White House flak, Robert Gibbs, and his inane blathering about “professional leftists” and their alleged carping on the short-comings of his boss, Barack Obama. But at least it gives me a lead for today’s commentary. Unfortunately it will come at the expense of a comrade, someone I care about and whose opinion I value, unlike Robert Gibbs (or his boss, for that matter). Here are the details.

I have recently been taken to task by this fellow member of the local anti-imperialist, anti-war ad hoc committee that I have belonged to for the past several years (and that I have written about previously in this space) who is miffed (I am being polite) at me for my constant use of the term, or variations of the term, “the great American night”, especially when dealing with the 1950s “beat” generation writers (Kerouac, Ginsberg, Burroughs and the usual suspects). Now this is one of the comrades, a younger one, that I go back to the days of ancient memory Bush post-9/11 Afghan October war, bombing-them-back-them-to-the-stone-age, with, and who helped us, in all manner of ways, to get through those tough days when opposition to that war on the streets of Boston, and elsewhere in America, was an extremely dicey thing. So under normal circumstances I would be all ears when he had some comment or criticism. But here he is just “cannon fodder” for my commentary.

As readers may know this ad hoc committee is made up of various political types and is, most importantly, not bound by Leninist democratic centralist principles (nor could it be, as a patched together, if coherent, propaganda bloc composed of , well, I’ll be nice, characters ) and therefore I am not telling “tales out of school” by replying publicly here. Moreover, although Leninist organizations adhere to a single political line, publicly, and expect their members to maintain discipline on general questions those questions that fall outside of politics, like the subject of one’s attitude toward the “beats”, the use, or overuse of the term, “great American night”, or your favorite forms of music are matters of personal preference, as a rule. So I am firing away.

But there is more gnawing at me than making a public point at his expense. Go back to that young comrade’s point. We all come to leftist politics, young or old, in our own ways, and in our own good time. I have always been somewhat amazed at the variety of such experiences that, by now, almost defy categorization. We also come to out personal predilections in much the same way. Jazz, be-bop, bop-bop, techno-hop, hip-hop, poetry slam, folk jam, and so on. For a fact though he knows not, and I have drilled him on this, of ancient dreams of blue-pink great American West night dreaming old men, passed down from older men (mostly). Know or not know though, here is his answer.

********

There is no question that over the past year or so I have been deep in remembrances of the influences, great and small, of the 1950s “beats” on my own sorry teen-aged alienation and teen-aged angst (sometimes they were separate anguishes, sometimes tied together like inseparable twins, mostly the later) and the struggle to find my place in the sun, to write in bright lights my own beat plainsong. Of course, that "beat" influence was blown over me second-hand as I was just a little too young, or a little too wide-world unconscious, to be there at the creation, on those first roads west, those first fitfully car-driven, gas-fuelled, thumb hanging-out, sore-footed, free exploration west roads, in body and mind. And of that first great rush of the adrenal in trying to discover, eternally discover as it has turned out, the search for the meaning of the great blue-pink American West night. Ah, pioneer-boys, thanks.

I just got a whiff, a passing whiff of that electric-charged air, the sweet “be-bop”, bop-bop, real gone daddy, cooled-out, pipe-filled with whatever, jazz-sexed, high white note blown, howling in the wind plainsong afterglow. Moreover, somewhat tarnished, a little sullen and withdrawn, and media-used up by my time. More than one faux black chino-wearing, black beret’d, stringy-bearded, nightshade sun-glassed, pseudo-poetic-pounding, television-derived fakir crossed my path in Harvard Square in those high stakes early 1960s high school days. And a few real ones, as well. (A couple, whom I still pass occasionally, giving a quick nod to, have never given up the ghost and still haunt the old square looking for the long-gone, storied Hayes-Bickford, a place where the serious and the fakirs gathered in the late night before dawn hour to pour out their souls, via mouth or on paper. Good luck, men.). More to the point, I came too late to be able to settle comfortably into that anti-political world that the “beats” thrived in. Great political and social events were unfolding and I wanted in, feverishly wanted in, with both hands (and,maybe,feet too).

You know some of the beat leaders, the real ones, don’t you? Remembered, seemingly profusely remembered now, by every passing acquaintance with some rough-hewn writing specimen or faded photograph to present. Now merely photo-plastered, book wrote, college english department deconstruction’d , academic journal-debated, but then in full glory plaid shirt, white shirt, tee shirt, dungarees, chinos, sturdy foot-sore cosmic traveler shoes, visuals of heaven’s own angel bums, if there was a heaven and there were angels and if that locale needed bums.

Jack, million hungry word man-child sanctified, Lowell mills-etched and trapped and mother-fed, Jack Kerouac. Allen, om-om-om, bop, bop, mantra-man, mad Paterson-trapped, modern plainsong-poet-in-chief, Allen Ginsberg. William, sweet opium dream (or, maybe, not so sweet when the supply ran out), needle-driven, sardonic, ironic, chronic, Tangiers-trapped, Harvard man (finally, a useful one, oops, sorry), Williams S. Burroughs. Neal, wild word, wild gesture, out of ashcan all-America dream man, tire-kicking, oil-checking, gas-filling, zen master wheelman gluing the enterprise together, Neal Cassady. And a whirling crowd of others, including mad, street-wise, saint-gunsel, Gregory Corso. I am a little fuzzy these days on the genesis of my relationship to this crowd (although a reading of Ginsberg’s Howl was probably first in those frantic, high school, Harvard Square-hopping, poetry-pounding, guitar-strummed, existential word space, coffee, no sugar, I’ll have a refill, please, fugitive dream’d, coffeehouse-anchored days). This I know. I qualified, in triplicate, teen angst, teen alienation, teen luddite as a card-carrying member in those days.

More recently that old time angst, that old time alienation and a smidgen of that old time luddite has casted its spell on me. I have been held hostage to, been hypnotized by, been ocean-sized swept away by, been word ping-pong bounced off of and collided into by, head over heels language-loved by, word-curled around and caressed by the ancient black night into the drowsy dawn 1950s child view vision Kerouac/Ginsberg/Burroughs/Corso-led “beats” homage to the great American West night. (Beat: life beat-up, fellaheen beat-down, beat around, be-bop jazz beat, beatified church beat, howl poem beat, beat okay, anyway you can get a handle on it, beat.). The great American West “beat” breakout from the day weary, boxed-in, shoulder-to-the-wheel, eyes forward, hands to the keyboard, work-a-day-world, dream-fleshed-out night. Of leaving behind on the slow-fast, two-lane, no passing, broken-lined old Route 6, or 66, or 666, or whatever route, whatever dream route, whatever dream hitchhike gas station/diner highway beyond the Eastern shores night, of the get away from the machine, the machine making machines, the “little boxes” machine night, and also of the reckless breakout of mannered, cramped, parlor-fit language night. Whoa!

This Kerouacian wordplay on-the-road’d, dharma-bummed, big sur’d, desolation angel’d night, this Ginsberg-ite trumpet howl, cry-out to the high heavens against the death machine night, this Burroughs-ish languid, sweet opium-dreamed, laid-back night, this Neal Cassady-driven, foot-clutched, brake-pedaled, wagon-master of the to and fro of the post-World War II American West night, was not my night but close enough so that I could touch it, and have it touch me even half a century later. So blame Jack and the gang, okay and I will give you his current Lowell, Massachusetts home address upon request so that you can direct your inquiries there.

Blame Jack, as well, for the busting out beyond the factory lakes, corn-fed plains, get the hell out of Kansas flats, on up into the rockiesmountainhigh (or is it just high) and then straight, no time for dinosaur lament Ogden or tumbleweed Winnemucca, to the coast, come hell or high water. Ya, busting out and free. Kid dream great American West night, car-driven (hell, old pick-up truck-driven, English racer bicycle-driven, hitchhike thumbed, flat-bed train-ridden, sore-footed, shoe-beaten walked, if need be), two dollar tank-filled, oil-checked, tires kicked, money pocket’d, surf’s up, surf’s crashing up against the high shoulder ancient seawalls, cruising down the coast highway, the endlessly twisting jalopy-driven pin-turned coast highway, down by the shore, sand swirling, bingo, bango, bongo with your baby everything’s alright, go some place after, some great American West drive-in place. Can you blame me?

So as for that comrade, that well-respected young comrade, what would he know, really, of the great blue-pink American West night that I, and not I alone, was searching for back in those halcyon days of my youth in the early 1960s. What would he know, for example, except in story book or oral tradition from parents or, oh no, maybe, grandparents, of the old time parched, dusty, shoe-leather-beating, foot-sore, sore-shouldered, backpacked, bed-rolled, going-my-way?, watch out for the cops over there (especially in Connecticut and Arizona), hitchhike white-lined road. The thirsty, blistered, backpacked, bed-rolled, thumb-stuck-out, eternally thumb-stuck-out, waiting for some great savior kindred-laden Volkswagen home/collective/ magical mystery tour bus or the commandeered rainbow-marked, life-marked, soul-marked yellow school bus, yellow brick road school bus. Hell, even of old farmer-going-to-market, fruit and vegetable-laden Ford truck, benny-popping, eyes-wide, metal-to-the-petal, transcontinental teamster-driving goods to some westward market or kid Saturday love nest, buddy-racing cool jalopy road. Ya, what would he know of that.

Of the road out, out anywhere, anywhere west, from the stuffy confines of worn-out, hard-scrabble, uptight, ocean-at-you-back, close-quartered, neighbor on top of neighbor, keep your private business private, used-up New England granite-grey death-chanting night. Of the struggle, really, for color, to change the contour of the natural palette to other colors brighter than the New England leafy greens and browns of the trees and the blues, or better blue-greens, or even better yet of white-flecked, white foamed, blue-greens of the Eastern oceans. (Ya, I know, I know, before you even start on me about it, all about the million tree flaming yellow-red-orange autumn leaf minute and the thousand icicle-dropped, road strewn dead tree branch, white winter snow drift eternity, on land or ocean but those don’t count, at least here, and not now)

Or of the infinite oil-stained, gas-fumed, rag-wiped, overall’d, gas-jockey, Esso, Texaco, Mobil, Shell stations named, the rest lost too lost in time to name, two dollar fill-up-check-the-oil, please, the-water-as-well, inflate the tires, hit the murky, fetid, lava soap-smelled bathrooms, maybe grab a Coke, hey, no Hires Root Beer on this road. This Route 66, or Route 50 or Route you-name-the route, route west, exit east dream route, rolling red barn-dotted (needing paints to this jaded eye), rocky field-plowed (crooked plowed to boot), occasionally cow-mooed, same for horses, sheep, some scrawny chickens, and children as well, scrawny too. The leavings of the westward trek, when the westward trek meant eternal fields, golden fields, and to hell with damned rocks, and silts, and worn-out soils absent-mindedly left behind for those who would have to, have to I tell you, stay put in the cabin'd hollows and lazily watered-creeks. On the endlessly sulky blues-greens, the sullen smoky grey-black of mist-foamed rolling hills that echo the slight sound of the mountain wind tunnel, of the creakily-fiddled wind-song Appalachian night.

Or of diner stops, little narrow-aisled, pop-up-stool’d, formica counter-topped, red (mostly) imitation leather booth, smoked-filled cabooses of diners. Of now anchored, abandoned train porter-serviced, off-silver, off-green, off-red, off any faded color “greasy spoon” diners. Of daily house special meat loaf, gravy-slurp, steam-soggy carrots, and buttered mashed potato-fill up, Saturday night pot roast special, turkey club sandwich potato chips on the side, breakfast all day, coffee-fill-up, free refill, please, diners. Granddaddies to today’s more spacious back road highway locales, styled family-friendly but that still reek of meat loaf-steamed carrots- creamed mashed tater-fill. Spots then that spoke of rarely employed, hungry men, of shifty-eyed, expense account-weary traveling men, of high-benny, eyes-wide, mortgaged to the hilt, wife ran off with boyfriend, kids hardly know him, teamsters hauling American product to and fro and of other men not at ease in more eloquent, table-mannered, women-touched places. Those landscape old state and county side of the highway diners, complete with authentic surly, know-it-all-been-through-it-all, pencil-eared, steam-sweated uniform, maybe, cigarette-hanging from tired ruby red lips, heavily made-up waitress along the endless slag-heap, rusting railroad bed, sulphur-aired, grey-black smoke-belching , fiery furnace-blasting, headache metal-pounding, steel-eyed, coal dust-breathe, hog-butcher to the world, sinewy-muscled green-grey, moonless, Great Lakes night.

Or of two-bit road intersection stops, some rutted, pot-holed country road intersecting some mud-spattered, creviced backwater farm road, practically dirt roads barely removed from old time prairie pioneer day times, west-crazy pioneer times, ghost-crazy-pioneer days. Of fields, vast slightly rolling, actually very slightly rolling, endless yellow, yellow–glazed, yellow-tinged, yellow until you get sick of the sight of yellow, sick of the word yellow even, acres under cultivation to feed hungry cities, as if corn, or soy, or wheat, or manna itself could fill that empty-bellied feeling that is ablaze in the land. But we will deal with one hunger at a time. And dotted every so often with silos and barns and grain elevators for all to know the crops are in and ready to serve that physical hunger. Of half-sleep, half hungry-eye, city boy hungry eyes, unused to the dark, dangerous, sullen, unknown shadows, bed roll-unrolled, knapsack pillowed, sleep by the side of the wheat, soy, corn road ravine, and every once in a blue moon midnight car passings, snaggly blanket-covered, knap-sack head rested, cold-frozed, out in the great day corn yellow field beneath the blue black, beyond city sky black, starless Iowa night.

Or of the hard-hilled climb, and climb and climb, breathe taken away magic climb, crevice-etched, rock-interface, sore-footed magic mountain that no Thomas Mann can capture. Half-walked-half-driven, bouncing back seat, back seat of over-filled truck-driven, still rising up, no passing on the left, facing sheer-cliff’d, famous free-fall spots, still rising, rising colder, rising frozen colder, fearful of the sudden summer squalls, white out summer squalls. Shocking, I confess, beyond shocking to New England-hardened winter boy, then sudden sunshine floral bursts and jacket against the cold comes tumbling off. And I confess again, majestic, did I say majestic and beats visions of old Atlantic ocean swells at dawn crashing against harmless seawalls. Old pioneer-trekked, old pioneer-feared, old rutted wheeled, two-hearted remembrances, two-hearted but no returning back (it would be too painful to do again) remembrances as you slide out of Denver into the icy-white black rockymountainhigh night.

Of foot-swollen pleasures in some arid back canyon arroyo, etched in time told by reading its face, layer after layer, red, red-mucked, beige, beige-mucked, copper, copper-mucked, like some Georgia O'Keeffe dream painting out in the red, beige, copper black-devouring desert night. Sounds, primal sounds, of old dinosaur laments and one hundred generations of shamanic Native American pounding crying out for vengeance against the desecrations of the land. Against the cowboy badlands takeover, against the white rampages of the sacred soil. And of canyon-shadowed, flame-shadowed, wind swept, canteen stews simmering and smokey from the jet blue, orange flickering campfire. Of quiet, desert quiet, high desert quiet, of tumbleweed running dreams out in the pure sandstone-edged, grey-black Nevada night.

And then... .

the great Western shore, surf’s up, white, white wave-flecked, lapis-lazuli blue-flecked ocean, rust golden-gated, no return, no boat out, lands end, this is it coast highway, heading down or up now, heading up or down gas stationed, named and unnamed, side road diners, still caboose’d, ravine-edged sleep and beach sleeped, blue-pink American West night.

Yes, but there is more. No child vision but now of full blossom American West night, the San Francisco great American West night, of the be-bop, bop-bop, narrow-stepped, downstairs overflowed music cellar, shared in my time, the time of my time, by “beat” jazz, “hippie’d folk”, and howled poem, but at this minute jazz, high white note-blown, sexed sax-playing godman, unnamed, but like Lester Young’s own child jazz. Smoke-filled, blended meshed smokes of ganja and tobacco (and, maybe, of meshed pipe smokes of hashish and tobacco), ordered whisky-straight up, soon be-sotted, cheap, face-reddened wines, clanking coffee cups that speak of not tonight promise. High sexual intensity under wraps, tightly under wraps, swirls inside it own mad desire, black-dressed she (black dress, black sweater, black stockings, black shoes, black bag, black beret, black sunglasses, ah, sweet color scheme against white Madonna, white, secular Madonna alabaster skin. What do you want to bet black undergarments too, ah, but I am the soul of discretion, your imagination will have to do), promising shades of heat-glanced night. And later, later than night just before the darkest hour dawn, of poems poet’d, of freedom songs free-verse’d, of that sax-charged high white note following out the door, out into the street, out the eternity lights of the great golden-gated night. I say, can you blame me?

Of later roads, the north Oregon hitchhike roads, the Redwood-strewn road not a trace of black-dressed she, she now of blue serge denim pants, of brown plaid flannel long-sleeved shirt, of some golfer’s dream floppy-brimmed hat, and of sturdy, thick-heeled work boots (undergarments again left to your imagination) against the hazards of summer snow squall Crater Lake. And now of slightly sun-burned face against the ravages of the road, against the parched sun-devil road that no ointments can relieve. And beyond later to goose-down bundled, hunter-hatted, thick work glove-clad, snowshoe-shod against the tremors of the great big eternal bump of the great Alaska highway. Can she blame me? Guess.

Ya, put it that way and what does that young comrade, a dreamer of his own dreams, and rightly too, know of an old man’s fiercely-held, fiercely-defended, fiercely-dreamed beyond dreaming blue-pink dreams. Or of ancient blue-pink sorrows, sadnesses, angers, joys, longings and lovings, either.

***Out In The Be-Bop Night- The Search For The Blue-Pink Great Western Night-Postscript- The Torch Is Passed- February 2011

Markin comment:

Maybe it was the sheer, hard fact of the California night calling after too long an absence, the California be-bop late 1960s night, the eternal California be-bop night after years of Maine solitude, of Maine grey-blue-white washed, white-crested, white-capped, foam-flecked Atlantic ocean-flotsam and jetsam strewn waters. After all no all oceans are created the same, not all oceans speak to one in the same way, although they are all old Father Neptune’s thoughtful playgrounds. California’s, yes, white-washed, yes, white-crested, yes, white-capped, yes, foam-flecked speak to gentle, warm lapis lazuli blue wealth dreams of the quest, the long buried life long quest for the great blue-pink great American West night, blue-pinked skies of course. Yes maybe it was just that sheer hard fact that pushed me out of Eastern white, white to hate the sight of white, snowed-in doors, Eastern gale winds blowing a man against the sand-pebbled seas, and into the endless starless night. Yes, maybe just a change of color, or to color, from the white white whiteness of the sea walk white-etched night. Right down to the shoreline white.

Maybe it was the sheer, hard fact of preparing, against the timetable of that Eastern white night, this and that for the winter California day, and night, the ocean California that set the thoughts of the be-bop night, and the quest for the blue-pink skies humming once again in the, admittedly, older-boned voyager, voyeur of dreamed once sultry, steamy nights. A different proposition, a different proposition, on most days, from preparing to face fierce Maine winter mornings, unaided by the graces and forms nature provides its hardier creations. No thoughts today of heavy woolen coats, double-stitched, double-plied, doubled-vested, old nor’ easter worthy, or heavy woolen pants, same chino pants of youth, same black chino pants, no cuffs, except winter weight, not the always summer weight on no knowledge youth, or heavy boots, heavy clunky rubberish boots mocking against the snow-felt, ocean-edged soft sand streets, or maybe, more in tune with aged-bone recipes heavy-soled, heavy-rubber soled (or was it rubber souled) running shoes (also known in the wide world of youth as sneakers, better Chuck’s). Of scarves, and caps, full-bodied caps, better seaman’s caps, heavy, wool, dark blue, built to stand against the ocean-stormed waves crashing and thrashing against ships hulls, and gloves, gloves to keep your hands from frosty immobility I need not speak. Or will not speak.

No, today we think of great controversies of age, well, mini-controversies anyway, between hi-tech-derived aero-flow, toe-fitted, sheer meshed sneakers, or just old-fashioned, Velcro-snapped criss-cross leather sandals, toe-dangling in the sand streets ready. Or between jungle-fitted, twelve-pocketed (or so it seems), straight from the Ernest Hemingway African safari night ( so it seems, again) else, maybe, out of mad man gonzo journalist Hunter Thompson in full loathing regalia, or Reebok, Nike, Adidas, New Balance free-for-all athletic shorts. Or between hearty windbreakers, fit for eastern gales and western el ninos, versus light denim, light blue, tight fit, well, maybe tight fit, be young Marlon Brando or James Dean-worthy in some motorcycle hidden fantasy, jackets. All decisions, all timed but irrevocable once inside the airport terminal, and its maze, no beyond maze, beyond rate maze, of security and scrutiny.

Maybe it was the sheer, hard fact of just that airport invasion, the hard fact of the post-9/11 travel world. The running the gauntlet of checkpoints, charts, human body scanning screens, magic forgery detecting pens, bells, whistles, and surly, or maybe better, indifferent, human scanners, human searchers, human checkers. The piles of thrown away, seemingly harmless, harmless to these eyes, water bottles, pure-springed water bottles (Evian, Poland Springs, Belmont Springs, home-filled reusable, filtered tap water L.L. Bean bottles, whatever) which now are deadly weapons, or could be, are a twisted metaphor for the scene. All in order to get from point A (east coast angry ocean waters) to point B (west coast, or hipper, at least used to be hipper, left coast gentle, spa-like, or faux spa waters) in less than six hours. No more of timeless trips, or at least of months long trips, aimless but aim-full in their purposeful search. No more of Boston to Angelica Steubenville to roots Prestonsburg to Lexington (Kentucky that is, not revolutionary battlefield Lexington, not that trip anyway). No more Moline meltdowns and Neola corn field nights and Aunt Betty lazy, crazy, hazy suppers or solidarity rides to the desert Native American ghost sky night, drums beating back to primal times, and then over the last mountains down into California blue-pink haze. No, six hours, no more, or else breakdown against those bone-aged facts, and bone-aged stiffness rebellions. Or worst surrender to the think better, or at least twice, of such a trip gods, Egad has it come to that.

Maybe it was the sheer, hard fact of riding a rental car, a rental car, my god, a mid-sized, almost brand new, gadget-filled lights, horns, windshield wipers all controlled, whiplash computer-controlled, at the touch power steering. And I like a kid, a dumb, no California hot-rod head under the hood kid with car-ness in the very blood, but more of a youth spent no car, not dough for a car, miles walked, sneaker miles walked, kid, scratching my head to figure out what goes where and screaming onto that good night about how the hell have we come to such a complicated place where it requires seven degrees in astro-physics, at least, to get the damn thing started. No more of drowsy early morning truck stop diner pick-ups by benny-high, reds-low, mortgaged to the teeth zen truck-driving road masters carrying freights from here to there (I would say from point A to point B but that is used up already). No more of psychedelic- painted, further night, magical tour buses, old time yellow brick road school buses converted to living, breathing space on the endless hippie hitchhike 1960s road. No more even of old country hay wagons named, or misnamed, trucks picking up likely farm hands, penny-poor likely farm hands, to work for a few days before moving on. No more of that, indeed.

Maybe, and here we are reaching some home truths, it was the sheer, hard fact of seeing the azul ocean sea coming over the horizon at Laguna Hills or one of those endless, one-name-fits-all or should fit all Southern California beach towns filled with the mandatory fake, yes, fake Spanish décor. Of the ticky-tack rows (thanks Malvina Reynolds via Pete Seeger) of “Spanish” houses, oh, I mean, estates, where I see kids, kids no different than I was just waiting for the jail-break event of their generation, if it comes, and if they want long enough but not too long. Of the million and one surf shops for the youngsters to wax and wane on seeking of their own blue-pink nights (or days, more likely), the endless quest for the perfect wave. Of the strip mall rows of fast food eateries, fast clothes chanceries (swim suits a specialty), of sun-free indoor tanning against the rages of father sun. Of the quaint (nice word, right?), yes, quaint lobster dinner (lobster flown in from, from, ah, Maine), California fresh fish of the day, freshly caught, beach view restaurants or other finery, and of cruising (no, not that cruising) pedestrians of all sizes and shapes. Shapes including show-off lovely formed younger girls, ah, women, maybe a young Angelica waiting to splash her first splash in mother Pacific, peaceful mother pacific. And all races and languages and ethnicities trying to figure out the lure of the heathered (almost like Scotland, Scotland of no burr) coastal shore to the Okies, Arkies and Texies, who descended here a couple of generations ago, planted roots, their migratory roots, not Eastern forever and a day roots, and never left. But still the gnawing question, the question of questions-where to go west from here. Not back to the okie dust bowl, that is for sure, not for those now corn-fed, yellow-haired (maybe genetically yellow from that corn) beauties of both sexes who are tied to the sea, to the endless quest for the perfect wave sea, even though from the look of them if I posed the question that way, that perfect wave search way, I would shunted away screaming in that previously mentioned good night.

Maybe it was the sheer, hard fact of walking ancient shoreline walks, soft sand kicking, shodless feet kicking, tracing new written configurations to ancient gods in the previously clean-slated sand surface, occasionally pebble-dotted, seashell-scattered, as the ocean screams for quiet from those walking in its space and pleads, like some latter day librarian, not to disturb others. Of thoughts of ancient sorrows, and ancient laughters. Remembrances of Angelica first time ocean splashes, of riptide saves, of hero’s rewards for heroic saves, rewards better left to the imagination, ancient imagination. Of scaled seawalls that hold back tide, time and the brick-a-brack whims of fickle man, of humankind. Of squirrels, everlasting, ever-present seashore-loving burrowing squirrels filching, filching and begging, begging for human food against all good nature’s wisdom. And getting it. The food that is. Of ocean side night campfires to protect against the force of the ocean chill, of ocean shadows, and of ocean smokes, thinking back to the days when cigarette smokes filled many pubic spaces. But better smells now of mesquite wood smells, of charcoals broils smells, of sea-drug up woods smoothed from ocean pounds smells. Of high ganja smells, of pellets and pills to ward off the ocean calls to the endless sleep, of the return to the homeland, of the homeland seas. And of skies of daytime blue, blue, blue enough to make a pair of pants out of, cloudless in afternoon after fogged-down mornings. Ah, but you what’s coming, what the whole shore line walk means. Yes, the night, no, not the night night, the dark, starless night of the poet’s lament, of ancient times wonder, and of modern no night human-crafted light beams breaking the will of the dark night. No, not that night but rather the earlier part, the part after the sun goes on its business below the horizon and leaves as a reminder the blue-pink night hanging over the ocean, tourist taking pictures, taking camera, digital camera pictures today, instant, mainly, but, hell who need such tacky reminders when the mind’s eye reeks of blue-pink memory, ancient blue-pink memories.

Maybe it was the sheer, hard fact of leaving, of returning east fast, faster as it turns out that heading west, west to the blue-pink night, to the be-bop night. I will not speak of that airport maze, rat-like or not, again it does not vary on the way back any more than going to. Now I speak of those haunts, those dreaded ancient haunts of having to return to eastern concerns, eastern worries, eastern woes, and a feeling, an old feeling an old Joyel-time feeling of having to go back to routines, not the regular routines that make life bearable but the routines of routines that drive one out on the midnight run to wherever, whenever. And to see, although see only in a flash, the contours of the American night, of the sense of the American landscape, of roads and rivers it took months for ancient pioneer Conestoga wagons to traverse, and weeks for ancient hitchhike roads to swallow.
All blaze past in a flash, all lighted strange patterns civilization.

Maybe it was the sheer, hard fact of grabbing a midnight-like cab for the ride home, eastern home, eastern snow-drenched home that had not changed in sight but changed from still present blue-pink memories as always, from leaving but still necessary to face. On such cab rides, such youthfully scorned cab rides, and truth be known youthfully unaffordable rides, I now take when language is no barrier to asking for cabbie stories (although many times such is a problem as this is now a profession, a city profession, by recent immigrants, dominated, seemingly oxymoronic, since how would such fellows know the ancient trails of the east, at least in pre-techno- GPS days) in the hopes of finding some gem story to feed the literary lights, not blue-pink lights by any means, just fill-in road stories. And this night, this night when thoughts have been whirling for weeks about ancient things, ancient things described above, I find a kindred. Cabbie X, ancient cabbie X, fires back in full-bodied, “I don’t have any cabbie stories to tell, but I have some hitchhike stories.” Hell, hell on wheels, be still my heart, tell, brother, tell kindred tell all, and drive slow, stop at every traffic light slow, I have dough in my pocket and a hunger, an unspeakable, unquenchable just now hunger, to hear your tales, your ancient 1960s hitchhike road tales. Tales about his road from Missoula, Montana to New Haven, Connecticut. (Yes, avoid hitching on those Connecticut roads, and Arizona’s too. Agreed). Of Truckee truck stops. Of truck stop road side diners, and endless cups of coffee, and badgering truckers for long-haul rides. Of hard driving, get to the coast, benny-high truckers seeking to spill their guts to some lone stranger in order to keep awake and pass the hard highway mile. Of Pacific Coast highways brimming with converted magical mystery tour school buses, converted to living housing for the broken-hearted, the love-lorn, the be-bop nighters. Ah, memory. “Hey, you almost didn’t stop at that last traffic light, brother.”

More, more please. Of Nevada desert stops, waiting by lonely crossroads for hours, reading scrawled signs from ancient forbears, maybe those very Conestoga folk, warning that one may wait for a ride to perdition there. Of dope smoke, of friendships, many fleeting, but a feel for that good moment. And at the close of that cabbie night a thought , a cabbie thought- we made it, we were better for it, and we can survive in this old world because we made that venture. No need to speak of the blue-pink night to this brother, such words would be wasted. This is that now dwindling fraternity that sought, maybe still seeks that good night, and that is all that needs to be said. A revolutionary brotherhood handshake, a handshake too hard to describe here but fraught with meaning back in those days, at my door seals our night’s work. Yes, memory almost like a yesterday memory, finely-etched in our collective minds, recallable at an instant.

Maybe it was the sheer, hard fact of carrying around , winter long, winter, snow-blasted long, a song/story in my head, a story recorded by Red Sovine and which I heard by way of the inscrutable Tom Waits, Big Joe and Phantom 309. A story of a fellow hitchhike roader caught out in one of those lonely crossroads to nowhere that every seeker knows about, although they are not always windswept and rain-drenched. Sometimes they are snow-frozen, sometimes, heat-drowned, sometimes, not enough times, just plain, ordinary sunny-dayed. Out of the mist comes the mythical trucker, Big Joe will serve as well any other name, although when I think trucker I always think Denver Slim as he was neither slim (far from it) nor from Denver, and that tells a tale right there. So they ride the night away telling lies and other stories until they come near a truck stop and Big Joe freaks, and the hitchhiker is left, after Big Joe pitches him a dime, to go in for a cup of coffee on Big Joe. Said hitchhiker goes in and tells his story of the ride and with whom and gets the lowdown from a waiter. See Big Joe died, truck-faithful, Phantom 309 faithful died, when he avoided a school bus filled with kids out on that lonely pick-up crossroad. But see Big Joe did another favor, a hitchhike brotherhood favor as the waiter says “have another cup of coffee and keep the dime, keep the dime as a souvenir of Big Joe and Phantom 309.” Great story and I have my own just like it, and Brother Cabbie X had his own, and every man and woman who ever hit the road, by force or desire, has that same story just mix it up a little.

Maybe it was just the sheer, hard fact of listening, listening attentively, listening eagerly on the rented car California roads to old road warrior, Wobblie, kindred of tramps, bums, and hoboes of an earlier age, an age which intersected with the hippie hitchhike road of the 1960s, the late folksinger/songwriter Bruce “Utah” Phillips and his definite Songbook. Listening to old songs of struggle from prairie days, of hobo jungles by the railroad tracks (not today’s high speed ones, no way), and train-jumpers (a different breed that we highway hitchhikers but still searchers. I never had much luck on the trains, and got tossed off a few by the railroad bulls, so I will leave that mode of transportation alone), skid row nights, sidewalk sneers, and destruction of the western hobo night by gentrification. Of paperless street benches, of paper-filled bus depot benches, of public bathroom stenches, of half-way house snores and hostels bland food that dotted the old transient landscape, and have seemingly faded from memory, except on twilight California streets as the homeless hoboes make way to the beach and night time sleeps, sleep it offs, mainly.

Ya, maybe it was all those sheer, hard facts, collectively or individually, that brought me back to memories of the ancient hitchhike road, especially that brother cabbie scene but, finally, here is the real reason. Let me go back to those California roads for a minute, no, not the Pacific Coast highway freedom road (Routes 1 and 101) but the high volume, hard-driving, eighty billion-laned (okay, I exaggerate) Interstate 5 that, one way or another, goes up and down the length of the state. Actually let me go back to the one of the entrances, one of the Oceanside entrances, where beyond belief I spy two youths, a male and female, two youthful Markins and Angelicas maybe, standing on the corner, waiting, waiting for a what. A hitchhike ride of course. In the second it took me to realize that this is what they were doing (they held out no thumb, nor had a sign indicating where they were heading, obviously “green” at this work) and slammed on the brakes I was beside them. “Where are you heading?” asks ancient seeker narrator of this tale. “L.A.,” they shoot back. “Get in.” And they do, the guy (Brandon) in the front and the gal (Lillian) in back. At least they have enough sense to make that configuration, that pair male –female configuration, like we did in the old days just in case things got weird. And I had no intention, no intention in hell, of going back to L.A. that day, except one million questions about their purpose, their reasons for being on the road, and ancient courtesies that dictated that I pick up hitchhikers, a rare, incredibly rare occurrence these days. I will let them tell their stories some other time because this after all is my story but their quest, in any case, involves nothing as grandiose as the search for the blue-pink night although it involved Generation X dreams, and that will have to do.

So the torch is passed, maybe…

Or maybe it is the sheer, hard fact of that knapsack, old Army surplus olive green knapsack, moth-eaten, maybe, moldy, well hitchhike-traveled, well-worn, a lasting memento to that 1969 Angelica-paired road trip sitting in some back closet, up in the attic, or worst, down in the forlorn cellar crying to get out, or maybe some old sea shell of infamous origin also back there calling me back, back to our homeland the road, and the eternal, now I know it is eternal, search for that blue-pink great American West night.

AMERICAN LEFT HISTORY

Monday, October 21, 2013

Leon Trotsky

Problems of the Chinese Revolution

What Is Happening in China?-November 9, 1929- Prinkipo

A Question Every Communist Must Ask Himself

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