Thursday, November 21, 2013

***The Roots Is The Toots- The Music That Got Them Through The Great Depression And World War II- Dick Haymes’ Until The End Of Time

For Prentice John Markin and Delores Maude Markin (nee Riley) who lived through it all, survived it all, and never drew a blessed break…


…some guys, some guys like him, just though they were God’s gift to women. Maybe it was the wavy black hair and fierce brown eyes in a blue-eyed world, maybe it was the swaggering wiry figure behind the walk, maybe it was the soft-edged curlicue wisp of a southern drawl when he spoke, maybe it was the Marine dress blues set off against the Pacific island-hopping tan earned from the blistering sun but he had the girls turning their heads as he entered the USO dance that night. Some of the guys in the barracks, half-kidding, had named him the Sheik out of envy or out of respect for his full-blown prowess with the women, the cold  yankee women who helped people the weekly dances. Dances held each Friday night after the week’s work was done at the Hullsville Naval Depot (and hence the Marine contingent present).

 

The idea of the dance, simplicity itself when one thought about it,   was to keep up the morale of those like him, like the Sheik and his comrades stationed at Hullsville and other local military installations, who had returned from hard island-hopping battle, those whose number had been called, and those ready to board the troop transports being built just up the road at the Centerville Shipyard. And that morale was kept up best, as it has been since man first started fighting his fellow man for good reasons or bad, by enlisting all the eligible young women around the Depot and those who worked in the civilian office buildings across the road. And that was how the “Sheik” met her, met his match.

 

Funny she had noticed him, like every other girl in the room, when he walked in from her position behind the refreshment table which she had volunteered to cover the week before. Then she had been distracted by the needs of a customer and had dismissed him from her mind as just another love them and leave them Marine looking to cash in on his war hero status among the man-starved females on the ballroom floor.  And he gave no indication, not so much as a glance as he slid across the floor with Agnes, Gladys, Doris, Martha, from work and some other good-looking girl whom she did not know but who was dressed to the nines, that he was interested in her.

 

But as soon as Jimmy Mack and The Pack, the local cover band performing that night, finished up the first set after playing I’ll Get By to close the set and took an intermission break he appeared right behind her out of the blue. And began without as much as a hello, except to call out her name, to start what turned out to be his courting while she was busy serving donuts and coffee to the gathering crowds in front of her. (It was not until later, much later, that she realized how clever he had been to make his play at that time and in that way  when she could not abandon her duties and where to leave would require her to try go around him. She thought too that with that look in his fierce brown eyes she had as much chance of getting by him that night as an enemy soldier did out on some isolated desolate Pacific atoll.)

 

She secretly thrilled to his soft southern drawl as he told her that one of his dance partners, Agnes, he thought, told him her name and he had asked whether she was going with a fellow.  No, and so here he was the Sheik at her beck and call. (That sheik thing had nothing to do with being a lady’s man, as least that is what he told her then, but was taken from the name of a group of good old boys that he played music with up and down the Ohio River before the war who named themselves the Kentucky Shieks after the fashion down south in the 1930s for groups playing old time country and mountain music.) So she talked to him, or rather he laid out his case, while she poured coffee and yessed him to death, until she could hear Jimmy and the guys warming up for the final set. He asked her if it was alright for him to wait for her after the dance. She said no. He asked for a date. She said no. No way, as much as she wanted to leave her family house and get married to get away from her tyrant father, was she going to allow herself to fall into the clutches of this good-looking, soft- spoken love them and leave them Marine. And that was that …

 

*******

Peter Paul Markin comment on this series:

Whether we liked it or not, whether we even knew what it meant to our parents or not, or frankly, during that hellish growing up absurd teenager time in the 1950s trying to figure out our places, if any, in the cold war red scare world, if there was to be a world, and that was a close thing at times,  or whether we cared, music was as dear a thing to them as to us, their sons and daughters, who were in the throes of finding our own very different musical identities. As well, whether we knew it or not, knew what sacred place the music of the late 1930s and 1940s, swing, be-bop swing, be-bop flat-out, show tunes, you know jitter-bug stuff, and the like held in their youthful hearts that was the music, their getting through the tough times music, that went wafting through the house on the radio, on record player, or for some the television, of many of those of us who constitute the now graying fading generation of ‘68. And some of us will pass to the beyond clueless as to what our forebears were attuned to when they came of age in a world, a very darkly-etched world, which they too had not created, and had no say in creating.

Yes they were crazy for the swing and sway of bespectacled Benny Goodman blowing that clarinet like some angel- herald letting the world know,  if it did know already, that it did not mean a thing, could not possibly matter in the universe, if you did not swing, with and without Miss (Ms.) Peggy Lee, better with, better with, swaying slightly lips moistened, swirling every guy in the place on Why Don’t You Do Right vowing he would do just that for a smile and a chance at those slightly swaying hips. Mr. Harry James with or without the orchestra , better with, blowing Gabriel’s horn, knocking down walls, maybe Jericho, maybe just some Starlight Ballroom in Kansas City blasting the joint with his You Made Me Love You to the top of the charts. Elegant Duke Ellington with or without Mr. Johnny Hodges blowing that sexy sax out into the ocean air night in some Frisco club, blowing out to the Japan seas, on Taking The ‘A’ Train. Tommy Dorsey all banded up if there is such a word making eyes misty with I’ll Never Smile Again.  Jimmy Dorsey too with his own aggregation wailing Tangerine that had every high school girl throwing dreamy nickels and dimes into the jukebox, with or without fanfare, Glenn Miller, with or without those damn glasses, taking that Sentimental Journey before his too soon last journey. Miss (Ms.) Billie Holiday, Lady Day, with or without the blues, personal blues, strung out blues too, singing everybody else’s blues away with that throaty thing she had, that meaningful pause, yeah, Lady Sings The Blues. Miss Lena Horne with or without stormy weather making grown men cry (women too) when she reached that high note fretting about her long gone man, Jesus.  Miss (Ms.) Margaret Whiting going for that Old Black Magic. Mr. Vaughn Monroe with or without goalposts. Mr. Billy Eckstine, too. Mr. Frank Sinatra doing a million songs fronting for the Dorseys and anybody who wanted to rise in that swinging world, with or without a horde of bobbysoxers breaking down his doors, putting everybody else to shame (and later too). The Inkspots, always with that spoken refrain catch that nobody seemed to tire of, doing teary I’ll Get By or If I Didn’tCare. The Mills Brothers with or without those paper dolls. The Andrews Sisters with or without rum in their Coca-Cola, The Dewdrops with or without whatever they were doing with or without. Mr. Cole Porter, with or without the boys, writing the bejesus out of  Tin Pan Alley and Broadway tunes. Mr. Irving Berlin with or without the flag, ditto Mr. Porter. And Mr. George Gershwin with or without his brother, creating Summertime and a thousand other catchy tunes. Yeah, their survival music.  

We the generation of ’68, baby-boomers, decidedly not what Tom Brokaw dubbed rightly or wrongly “ the greatest generation,”  decidedly not your parents’  or grandparents’ (please, please do not say great-grandparents’ even if it is true) generation could not bear to hear that music, could not bear to think anybody in the whole universe would think that stuff was cool. Those of us who came of age, biological, political and social age kicking, screaming and full of the post-war new age teenage angst and alienation in the time of Jack Kennedy’s Camelot were ready for a jail-break, a jail-break on all fronts and that included from “their song” stuff. Their staid Eisenhower red scare cold war stuff (he their organizer of victory, their gentile father Ike), hell, we knew that the world was scary, knew it every time we were forced to go down into some dank school basement and squat down, heads down too, hoping to high heaven that the Russkies had not decided to go crazy and set off “the bomb,” many bombs. And every righteous teenager had a nightmare that they were trapped in some fashionable family bunker and those loving parents had thoughtfully brought their records down into the abyss to soothe their savage beasts for the duration. Please, please, please if we must die then at least let’s go out to Jerry Lee’s High School Confidential.  

We were moreover, some of us any way and I like to think the best of us, driven by some makeshift dream, ready to cross our own swords with the night-takers of our time, and who, in the words of Camelot brother Bobby, sweet ruthless Bobby of more than one shed tear, quoting from Alfred Lord Tennyson, were “seeking a new world.” Those who took up the call to action heralded by the new dispensation and slogged through that decade whether it was in the civil rights/black liberation struggle, the anti-Vietnam War struggle or the struggle to find one’s own identity in the counter-culture swirl before the hammer came down were kindred. To the disapproval, anger, and fury of more than one parent who had gladly slept through the Eisenhower times. And that hammer came down quickly as the decade ended and the high white note that we searched for, desperately searched for, drifted out into the ebbing tide. Gone. But enough about us this series is about our immediate forbears (but please, please not great grandparents) their uphill struggles to make their vision of the their newer world, their struggles to  satisfy their hunger a little, to stop that gnawing want, and the music that in their youth  they dreamed by on cold winter nights and hot summer days.

This is emphatically the music, the get by the tough times in the cities, on the farms, out in the wide spaces, of the hard born generation that survived the dust bowl all farms blown away when the winds gathered like some ancient locust curse to cleanse the earth and leave, leave nothing except silt and coughs. All land worthless no crops could stand the beating, the bankers fearful that the croppers would just leave taking whatever was left and the dusted crowd heading west with whatever was movable. They drifted west, west as far as California if the old buggy held up and they had enough gas in the tank, not knowing what some old time professor, from Harvard I think, knew about the frontier that it had been swallowed up, been staked out long ago and too bad. Not knowing as well what some old time Okie balladeer knew that if you did not have the dough California was just another Okie/Arkie bust.

Survived empty bowls, empty plates, wondering where the next meal would come from, many times, too many times from some Sally soup-line, some praise the lord before thy shall eat soup-line. Survived that serious hunger want that deprives a man, a woman, of dignity scratching for roots like some porcine beast in some back alley lot, too weak to go on but too weak to stop as well. Survived, if not west, then no sugar bowl city street urchin corner boy hard times of the 1930s Great Depression, always with that vagrant foot up against some brick-laid wall, killing time, killing some dreams,  sleeping under soot-lined railroad trestles, on splintered park benches newspapers for a pillow’s rest (one eye open for swarming festering jack-rollers and club-wielding sadistic cops), and hard bench bus stations (ditto jack-rollers and cops).  Survive the time of the madness just then beating the tom-toms of war and degradation coming from a hungry want-infested Europe filled with venom, those drums heralding the time of the night-takers casting a shadow over the darkened world, portending the plainsong of the time of the long knives, outlawing dreams for the duration.

Building up a pretty list of those wants on cold nights , name them, food, shelter, sex, two- bits in the pocket, name those hungers, success, dignity, not having to struggle against the want night. Building that phantom list while among tree-lined Hudson River “hobo jungle” riverside fires stoked by fugitives, brethren, the fellahin of the world, upstream from the clogged city, upstream from clogged city prying eyes and prickly cops, cities clogged with broken dreams, or worse of late no dreams, and not enough food to go around, not enough work either and that ate at him, her more that the food hungers. Down in dusty arroyos, parched, no water, no agua aqui senor, lo siento, as they, the bracero brethren, passed the water jug between them and pointed him west, west you cannot stay here gringo, no way. Under forsaken silver-plated bridges, steel beams to rest a weary head, rolled blanket for his pillow, trying to keep the winds at bay.  Survived god knows how by taking the nearest freight west, some smoke and dreams freight, sleeping on some straw-scratched floor, plugging ears with napkins to drown out the rattling rails and deep sleep snores. Taking Southern Pacific, Union Pacific, B&O, Illinois Central, Penn Central, Empire State, Boston and Maine, or one of a million trunk lines to go out, and young as he was, desperate as he was, penniless as he was, search for, well, search for…

Searching for something that was not triple- decker bodies, three to a room sharing some scraggly blanket, an old worn out pillow for rest, the faint smell of oatmeal, twenty days in a row oatmeal, oatmeal with.., being cooked in the next room meaning no Pa work, meaning one jump, maybe not even that, ahead of the sullen dreaded bastard rent- collector (the landlords do not dare come in person so they hire the task out), meaning the sheriff, his damn auction, and the streets are closing in. (What did the Sheriff care that all meager life-times possessions were street-ward bound he was paid by the item tossed.) Bodies, brothers and sisters, enough to lose count, piled high, cold-water flat high, that damn cold water splash signifying how low things have gotten, not even hot water for the weekly bath, with a common commode for the whole floor and brown-stained sink.

Later moving down the scale, down to the lower depths as some Russian writer called them in a book of that name, a rooming house room for the same number of bodies, smudged prison-paned window looking out onto the air- shaft, dark, dark with despair, no air but some fetid foul breeze from the basement furnace, the very, very faint odor of oatmeal, thinned out even further, who knows how many days in a row, from Ma’s make-shift hot plate on its last legs.  Hell, call it what it was a flop house stinking of perspiration and low-shelf whiskeys and wines. Stinking of winos and riffraff in the hallways howling at the moon all night and jack-rollers preying on whoever was witless enough to walk into his lair. All around shadows, moonlight shadows, moonless night shadows the times when the midnight sifters plied their trade and snuck in, snuck in these damn one room hells looking for anything, anything to pawn, anything to feed that junk habit that had them in its grip. Ma, yelling at the kids, jesus, at the kids, milling around the room, that why didn’t they, the jack-rollers, the midnight sifters, the junkies, and the twisted sister street tricks (whores she called them when the kids got older and knew what that word meant) go uptown and bother the Mayfair swells who had dough and leave respectable people alone.        

Others had it worse, tumbled down shack, window pane-less some wax paper taped to hold off the winds and rains coming from the north, tarpaper siding leaving exposed wood to rot and provide homes for fugitive termites and vermin, roof tiles falling leaving poorly patched spots where the spring rains would wash through, wash through to the six buckets which were placed beneath the patches to hold off collapse, a lean-to ready to fall to the first wind, the first red wind, an ill wind, a land wind the old sailors, old tars called it and maybe they were right, coming out of the mountains and swooping down the hills and hollows, ready to fall to the first downpour rain, washed away. Cold water flat, flop house room, tumbled-down shack, leave them behind, get out on the open road, blow the stinks off, get that bindle stick together, a cup, a plate, spoon, a comb just in case you are in a town, some matches, keep dry matches, a pouch of Bull Durham and papers, maybe some change all wrapped in a handkerchief, the worldly possessions of the fellahin, the fugitive, the hobo, the tramp and the bum, grab that slow moving freight before she picks up steam, watch out for the “bulls” and search for the great promised American night that had been tattered by world events, and greed.

Survived the Hoovervilles, the world come down to the great cardboard siding, tin can cartons, discarded boxes, found in some orphan street, dilapidated, to serve as buffer against the hard winter winds, the spring rains and that damn relentless summer heat. Tin can roof thundering sounds at every light rain, slap-dash jerry-built camp explosions along rivers. Mighty rivers like the Missouri and Mississippi and no account ones, trickle down ones, like the Elko and the Dearborn that no longer gushed ramparts. Survived down in hard rock- infested ravines filled with brambles, snakes, gnarly insects ready to do battle once some fugitive arm or leg was exposed. Survived under railroad trestles, the clanking freight trains above, what did Shakespeare call it, yes, murdering sleep, and murdering dreams too. No wonder some guy, some hobo philosopher-king, and don’t laugh there were such fellows, along with broken-down stockbrokers, wreaked high financiers, ex-movie moguls, unemployed cabbies, unemployable union organizers, out-of-work workers of all types, families attached, and habitual malingerers trying to weather another day without working, said that life, his life anyway, and maybe their lives, were nothing but train smoke and wishful thinking. Hell, he didn’t know the half of it, didn’t know that life could get much coarser out on the great Wilderness Road. 

Tossed, hither and yon, cold- water flats, flop-houses, tarpaper shacks, then the great outdoors, what did that guy call it, that writer guy, I forget his name, called it probably from his cozy fireplaced study, fully nourished from the look of his pipe-smoking face on the back jacket of his latest pot-boiler, oh yeah, the romance of the road. Tossed around about six million different ways, name each one instead of counting sheep at night, murdered sleep. But it all came down to this, to the rivers, ravines, trestled-bridges, when the banks, yeah, the banks, the usual suspects, and rightly so from all the evidence, robbed people of their shacks, their cottages, their farm houses, their smokeless back forty dreams, and left them with nothing but the romance of the road. Even that smug pipe-filled writer, Jesus, what was his name, should pause to wonder. Yah, those bastards robbed them, picked them clean, as an old-time balladeer, a free-wheeling, song-writing red, a commie, hell, nothing but a Russkie-loving home-grown Bolshevik in the days when in some quarters, say, Frisco town, Akron, Minneapolis, blessed shut-down Flint, lion Detroit, hog-butcher to the world Chi town, smelter to the world Pittsburgh, sailing under that banner was a badge of honor, or just another fist in the struggle, welcome brother, welcome sister, we need all the hands, no, all the clenched fists we can get, said at the time not with a gun but with a fountain pen, but still robbed them. Cleaned them out, to get lost on that Wilderness Road, that trail of one thousand tears leading west.

Survived the soup kitchens hungers, the gnawing can’t wait in the endless waiting line for scraps, dreaming of some by-gone steak or dish of ice cream, and always that hunger, not the stomach hunger although that was ever present, but the hunger that hurts a man, hurts his pride, hurts a woman’s too, hurts when he, they have to stick their hands out, stick them out and not know why. Not know why a year before the sun was shining, they had dreams of living in that little house, a cottage really, ending their patterned days there, and now had shutter dreams of living in that cold-water flat, the flop-house room, the tar-paper shack forever turning their mouths to ashes. Not knowing why Bill up the street, Jack down the road, Leroy across the way was working, worrying but working, while his two hands were idle, and a million human things still needed to be fixed, to be built, to be created. And she cried a tear on those hands to see how his ignorance of what made the world go round ate at him, ate at his beautiful heart.  

Planning the fruitless day, fruitless since he was born to work, took pride in work, had worked since twelve to help a struggling family even in good times,  planning around dark hour Sally breakfasts don’t be late, six to nine, but with sermon and song attached, mission stuff in heat-soaked rooms, men smelling of unwashed men, and drink (quick drink, an eye-opener they called it in the shelter,    before entry and hence a strong smell of cheap rotgut). Planning around city hall hand-out lunches eaten on park benches or lawns, peanut butter sandwiches, slapped slap-dash together with a pint box of milk and an apple, maybe. Worse, worse by far the nightly Saint Vincent DePaul suppers, soup, bread, some canned vegetable, something they called meat but was in dispute, lukewarm coffee. Such a feast had only, only if you could prove you were truly destitute with a letter from some churchman, a Catholic churchman, like Protestants, Jews, Seventh-Day Adventist, Quakers, Shakers, Devil-worshippers, Jainists, Buddhists, Moslems, and every other kind of fellahin religionists were not hungry just then, and, in addition to the religious test, under some terrible penalty, you had to say that you had searched for work that day. A hard dollar, hard dollar indeed.
Jesus, out of work for another day, and with three hungry growing kids to feed, and a wife sickly, sick unto death of the not having he thought, little work waiting for anybody that day, that day when all hell broke loose and the economy tanked, at least that is what it said in the Globe (ditto New York Times, Washington Post, Chicago Tribune, Los Angeles Times, San Francisco Examiner if anybody was asking), said that there was too much around, too much and he with nothing for those kids, nothing and he was too proud to ask for some damn letter to give to those Vincent DePaul hard-hearts.  And that day not him, not him yet, others, others who read more that the Globe (and the dittos)  were dreaming of that full head of steam day to come in places like big auto Flint, waterfront Frisco town, rubber Akron, hog butcher to the world prairie Chicago, hell, even in boondock trucker Minneapolis, a day when the score would get evened, evened a little, and a man could hold his head up a little, could at least bring bread to those three hungry growing kids who didn’t understand the finer point of world economics just hunger. Until then though he is left shifting the scroungings of the trash piles of the urban glut, the discard of the haves, the have nots throw nothing away, and on other horizons the brethren curse the rural fallow fields, curse the banks, and curse the weather, but curse most of all having to pack up and head, head anyway, anywhere but the here, and search, search like that brother on that urban glut pile for a way to curb  that gnawing  hungry that cried out in the night-want, want that is all. 

Survived too the look, the look of those, the what did FDR (Franklin Delano Roosevelt for the young, or forgetful) call them, oh yeah, the economic royalists, today’s 1%, the rack-renters, the coupon-clippers, the guys, as one of their number said, who hired one half of the working class to fight the other, who in their fortified towers, their Xanadus, their Dearborns, their Beacon Hills, their Upper East Sides, their Nob Hills, and a few other spots, tittered that not everybody was built to survive to be the fittest. That crowd, and let’s name names, a few anyway, Ford, General Motors, Firestone, U.S. Steel, fought tooth and nail against the little guy trying to break bread. Fought that brother too out pounding the mean streets to proud to ask for a letter, Jesus, a letter for some leftover food, before he got “religion” about what was what in the land of “milk and honey.”  Wreaked havoc on that farmer out in the dust bowl not travelling some road, some road west knowing that the East was barred up, egging him on to some hot dusty bracero labor filed picking, maybe “hire” him on as a scab against those uppity city boys. Yes, fought every guy trying to get out from under that cardboard, tar paper, windowless soup kitchen world along with a hell of a lot of comrades, yes, comrades, not Russkie comrades although reds were thick in those battles, took their lumps in Frisco, Flint, Akron and Minneapolis, hell, any place where a righteous people were rising, kindred in the struggle to put that survival of the fittest on the back-burner of human history. To stand up and  take collective action to put things right, hell, made the bosses cry bloody murder when they shut down their factories, shut them down cold until some puny penny justice was eked out. And maybe just maybe make that poor unknowingly mean-street walking city brother and that sweated farm boy thing twice about helping those Mayfair swells.      

Survived but took time out too, time out if young perhaps, as if such things were embedded in some secret teen coda, to stretch those legs, to flash those legs, to sway those hips, to flash the new moves not, I repeat, not the ones learned at sixth grade Miss Prissy’s Saturday dance classes but the ones that every mother, every girl mother warned her Susie against, to a new sound coming out of the mist, coming to take the sting out of the want years nights, and the brewing night of the long knives. Coming out of New York, always New York then, Minton’s, Jimmy’s, some other uptown clubs,   Chicago, Chicago of the big horns and that stream, that black stream heading north, following the northern star, again, for jobs and to get the hell away from one Mister James Crow, from Detroit, with blessed Detroit Slim and automobile sounds, and Kansas City, the Missouri K.C. okay, the Bird land hatchery, the Prez’s big sexy sax blow home. Jesus no wonder that madman Hitler banned it, along with dreams.  

The sound of blessed swing, all big horns, big reeds, big, well big band, replacing the dour Brother, Can You Spare a Dime and its brethren , no banishing such thoughts, casting them out with soup lines (and that awful Friday Saint Vincent DePaul fish stew that even Jesus would have turned down in favor of bread, wine and a listen to Benny’s Buddha Swings) casting that kind of hunger out for a moment, a magical realistic moment, casting out ill-fitting, out of fashion, threadbare (nice, huh) second-hand clothes (passed down from out- the- door  hobo brothers and sisters tramping this good green earth looking for their place, or at least a job of work and money in their newer threadbare [still nice] clothes), and casting aside from hunger looks, that gaunt look of those who have their wanting habits on and no way to do a thing about it.  Banished, all such things banished because after all it did not mean a thing, could not possibly place you anywhere else but in squareville (my term, not theirs), if you did not have that swing. To be as one with jitter-buggery if there was (is) such a word (together, not buggery by itself, not in those days, not in the public vocabulary anyway). And swing as it lost steam with all the boys, all the swing boys, all oversea and the home fire girls tired of dancing two girl dancing, a fade echo of the cool age be-bop that was a-borning, making everybody reach for that high white note floating out of Minton’s, Big Bill’s Jimmie’s, hell, even Olde Saco’s Starlight Ballroom before it breezed out in the ocean air night, crashed into the tepid sea. Yeah.       

Survived, as if there was no time to breathe in new fresh airs, new be-bop tunes, new dance moves, to slog through the time of the gun in World War II.  A time when the night-takers, those who craved the revenge night of the long knives took giant steps in Europe and Asia trying to make that same little guy, Brit, Frenchie, Chinaman, Filipino, God’s American, and half the races and nationalities on this good green earth cry uncle and buckle under, take it, take their stuff without a squawk. It took a bit, took a little shock, to get those war juices flowing, to forget about the blood-letting that had gone on before when the flower of Europe, when the older brothers and fathers the generation before, had taken their number when they were called.  And so after Pearl, after that other shoe dropped on a candid world Johnnie, Jimmie, Paulie, Benny too, all the guys from the old neighborhood, the corner boys, the guys who hung around Doc’s hands in their pockets, guys trying to rub nickels together to play some jitter-buggery thing, guys who had it tough growing up hard in those bad Depression days, took their numbers and fell in line.

Guys too from the wheat fields, Kansas Iowa, you know places where they grow wheat, guys fresh from some Saturday night dance, some country square thing, all shy and with calloused hands, eyeing, eyeing to perdition some virginal Betty or Sue, guys from the coal slags, deep down in hill country, down in the hollows away from public notice, some rumble down shack to rest their heads, full of backwoods home liquor, blackened fingernails, never ever fully clean once the coal got on them, Saturday night front porch fiddlings wound up carrying a M-1 on the shoulder in Europe or the Pacific. Leaving all those Susies, Lauras, Betties, and dark-haired Rebeccas too waiting at home hoping to high heaven that some wayward gun had not carried off sweetheart Johnnie, Jimmy, Paulie, or young Benny.  Jesus not young Benny. Not the runt of the corner boy litter, not our Benny. Not carried off that sweet farm fresh boy with the sly grin, not carried off that coal-dust young man with those jet-black eyes, and fingers.  
Survived the endless lines of boys heading off East and West, heading off to right some wrongs, at least that is what the guys in charge said, put a big dent in the style of the night-takers, the guys who wanted to cut up the world into two to three pieces, and that was that, cutting the little guy, making the little guys like it, making them take it or else. Some of those little guys, after Pearl for sure, could hardly wait to get to the recruiting office, hardly wait to go mano y mano with the night-takers and their illicit dreams, went gladly from the farms, the factories and the mines, many to never look back, never to farm, to run a production line, or to dig from the earth but make new lives, or lay down their heads in some god forsaken piece of dirt, or some watery abyss. Others, well, others were hanging back waiting to be drafted by their friends and neighbors at the local draft board, hanging back just a little to think things over, to see if maybe they could be better used on the home front, scared okay (as if the quick-step volunteers were not afraid, or should have been) but who gave a good accounting of themselves when their number came up. Still others head over heels they were exempt, 4-F, bad feet, you see. Somebody had to keep the home fires, keeping the womenfolk happy.

All, all except that last crew, the dodgers found in every war,  who got to sit a home with Susie, Laura, Betty and even odd-ball Rebecca were constantly waiting for the other shoe to drop, for their ships to sail or their planes to fly. Hanging in some old time corner boy drugstore, Doc’s, Rexall, name your drugstore name, just like when they were kids (a mere few weeks before), talking the talk like they used to do to kill time, maybe sitting two by two (two uniforms, two girls if anybody was asking) at the soda fountain playing that newly installed jukebox until the nickels ran out. Listened to funny banana boat songs, rum and coca cola songs, siting under the apple tree songs, songs to forget about the work abroad, and just some flat-out jitter-bugging stuff, frothy stuff in order to get a minute’s reprieve from thoughts of the journey ahead.

Listened too to dreamy, sentimental songs, Always, I Don’t Want To Set The World On Fire, Sentimental Journey, songs that spoke of true love, their true love that would out last the ages, would carrying them through that life together if they could ever keep those damn night-takers at bay, songs about faraway places, We’ll Meet Again, Til Then, songs that spoke of future sorrows, future partings, future returnings (always implying though that maybe there would be no return), future sacrifices, future morale-builders, songs about keeping lamp- lights burning, songs to give meeting to that personal sacrifice, to keep the womenfolk, to keep her from fretting her life away waiting for that dreaded other drop, songs about making a better world out of the fire and brimstone sacrifice before them.

Songs to make the best out of the situation about Johnnie, Jimmie and the gang actually returning, returning whole, and putting a big dent in their dreams, that small white house with the white picket fence (maybe needing a little painting, maybe they could do that together), kids, maybe a new car once in a while you know the stuff that keeps average joes alive in sullen foxholes, sea-sick troop transports, freezing cargo planes, keeps them good and alive. Hell, songs, White Cliffs Of Dover songs, about maybe the damn wars would be over sooner rather than later. Listened, drawing closer, getting all, uh, moony-eyed, and as old Doc, or some woe-begotten soda jerk, some high school kid, wet behind the ears, with that white paper service cap at some obscure angle and now smudged white jacket implying that he was in the service too, told them to leave he was closing up they held out for one last tune. Then, well-fortified with swoony feelings they made for the beach, if near a beach, the pond, if near a pond, the back forty, if near the back forty, the hills, you know, or whatever passed for a lovers’ lane in their locale and with the echo of those songs as background, well, do I have draw you a map, what do you think they did, why do you think they call us baby-boomers.              

The music, this survival music, Harry James, Benny, the Dorsey boys, Bing, Frank, the Mills Brothers, the Inkspots, and on and on wafted (nice word, huh) through the air coming from a large console radio, the prized possession centered in the small square living room of my growing up house amid the squalor of falling roof tiles, a broken window or two patched up with cardboard and tape, a front door that would not shut, rooms with second-hand sofas, mattresses, chairs, desks, tables, mildewy towels, corroded sinks, barely serviceable bathtubs, and  woe-begotten stuffed pillows smelling of mothballs. My broken down, needs a new roof, random shingles on the ground as proof, cracked windows stuffed with paper and held with masking tape in need of panes, no proof needed, overgrown lawn in need of cutting of a shack (there is literally no other way to describe it, then or in its current condition) of a too small, much too small for four growing boys and two parents, house. The no room to breathe, no space but shared space, the from hunger look of all the denizens, the stink of my father’s war wounds that would not heal, the stink of too many people in too small a house, excuse me shack. The noise, damn the noise from the nearby railroad, putting paid to wrong side of the tracks-dom worst of all. Jesus.      

That wrong side of the tracks shack of a house surrounded by other houses, shack houses, too small to fit big Irish Catholic- sized families with stony-eyed dreams. Small dreams of Johnny or Jimmy getting on the force (cops, okay), and Lorrie and Pamela getting those secure City Hall jobs in the steno pool until some bright prospect came by and threw a ring at them but in the meantime shack life, and small faded dreams. Funny, no, ironic but these tumbled-down shacks which seemingly would fall with a first serious wind represented in some frankly weird form (but what knew I of such unnamed weirdness then I just cried out in some fit of angst, cried out against that railroad noise, and that sour smell of sweat) the great good desire of those warriors, and almost to a man they had served, and their war brides who had waited, had fretted while waiting, to latch onto a piece of golden age America.

And take their struggle survival music from Doc’s jukebox, from the Starlight Ballroom, from WDJA, with them as if to validate their sweet memory dreams, their youthful innocence before the guys got caught up, caught up close and personal, the ugliness of war, the things they would not speak of unto the grave, and the gals not asking, not asking for all the money in the world but sensing that he, they, had changed, had lost some youthful thing. That radio, that priceless radio console taking pride of place, as if a lifesaver, literally, tuned to local station WDJA in North Adamsville, the memory station for those World War II warriors and their war brides, those who made it back. Some wizard radio station manager knowing his, probably his in those days, demographics, spinned those 1940s platters exclusively, as well as aimed the ubiquitous advertisement at that crowd. Cars, sofas, beds, shaving gear, soap, department store sales, all the basics for the growing families spawned (nice, huh) by those warriors and brides.

My harried mother, harried like all the neighborhood large brood mothers, harried by the bleak wanting prospects of the day with four growing boys and not enough, nor enough food, not enough, well, just not enough and leave it at that. Maybe bewildered is a better expression for her plight, for her wartime young marriage adventure not wanting to be left with only a memory of my father if things went wrong in the Pacific. As so she took to turning the radio on to start her day, hoping that Paper Dolls, I’ll Get By, or dreamy Tangerine would chase her immediate sorrows away. Yea, a quick boost of their songs was called for, their spring youth meeting at some USO dance songs before he shipped out. Those songs   embedded deep in memory, wistful young memory, or so it seemed as she hummed away the day, used the music as background on her appointed household rounds. And whether she won or lost the day’s bout with not enough, with some ill-winded message from some bill due, seemingly always some four boy hurt, some bad father work news, the list of her daily sorrows and trepidations could have stretched to infinity she perked up, swayed even to those tunes.
That stuff, that mother dream stuff, that piano/drum-driven stuff with some torch-singer, Peggy Lee, Helen Morgan, Margaret Whiting, maybe even a sneak Billie thrown in bleeding all over the floor drove me crazy then  Some she bleeding with the pain of  her thwarted loves, her man hurts, her wanderings in search of something in this funny old world, her waitings, waiting for the good times, waiting in line for the rations, waiting, waiting alone mind you, for her man to come home, come home whole from some place whose name she could not pronounce, they should have called it the waiting generation, just flat-out drove me crazy then. Mush stuff at a time when I was craving the big break-out rock and roll sounds I kept hearing every time I went and played the jukebox at Doc’s Drugstore over on Walker Street down near the beach (not the old torn down Doc’s of their generation over on Billings Road if that is what you are thinking). As far as I know Doc (the son of their Doc), knowing his demographics as well as that radio executive at WDJA, did not, I repeat, did not, stock that stuff that, uh, mush for his rock-crazed after school soda fountain crowd, probably stocked nothing, mercifully before about 1955. Funny thing though while I am still a child of rock and roll this so-called mushy stuff sounds pretty good to these ears now long after my parents and those who performed this music have passed on. Go figure. 
********

 TILL THE END OF TIME
(Buddy Kaye / Ted Mossman)

Les Brown & His Orch. (vocal : Doris Day)

Also recorded by : Perry Como; Helen Forrest; Dick Haymes;Ted Heath; Woody Herman & His Orch.; Jerry Jackson; The King Sisters; Gordon Langford; Freddy Martin; Matt Monro; Jim Nabors; Gene Pitney; Della Reese; Nelson Riddle; Ginny Simms; Frank Sinatra; Sony Stitt; Jerry Vale; Caterina Valente; Sarah Vaughan; Billy Vaughn.

Till the end of time,

Long as stars are in the blue,

Long as there's a spring, a bird to sing,

I'll go on loving you.

Till the end of time,

Long as roses bloom in May,

My love for you will grow deeper,

With every passing day.

Till the wells run dry,

And each mountain disappears,

I'll be there for you, to care for you,

Through laughter and through tears.

So, take my heart in sweet surrender,

And tenderly say that I'm,

The one you love and live for,

Till the end of time.

 

 

Wednesday, November 20, 2013

Photos-Video/ Anti-Drones Protest in Boston
17 Nov 2013
Boston, Mass.-Nov. 16, 2013:
About 50 anti-war activists in Boston protested the US use of drones in warfare and domestic spying.
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From the organizers announcement:

Die-in to Protest Killer and Spy Drones
When: Saturday, November 16, 2013, 1:00 pm to 2:00 pm
Where: Park Street Station • Park and Tremont • Boston

The Saturday vigil on November 16 will be devoted to protesting US drone warfare abroad and drone surveillance in this country.
Come to Park St Station at 1:00 to raise your voice to stop the killer robots flying over Afghanistan, Pakistan, Yemen, Somalia and elsewhere. We'll have a drone replica and show the trauma inflicted by drones with a die-in. This is part of November Days of Action against Drone Killings, a national event which includes a drone summit in Washington.
Sponsored by the Committee for Peace and Human Rights and the Eastern Massachusetts Anti-Drones Network.
To join the Network, contact Marilyn Levin, MarilynL (at) alumni.neu.edu. Its next meeting is at the AFSC building, 2161 Mass Ave, Camb on Dec 10 @ 7:45.

The protest was joined by anti-corporate media protesters at one point, who had their own protest today.

More photos--
http://www.flickr.com/photos/protestphotos1/sets/72157637741856113/detai

Video--
http://youtu.be/aBvx0bG4F0Y
Click on image for a larger version

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***Who Will Fill The 2000s Blues Night Air? - “Give In Kind” –A Guy Davis CD Review



A YouTube film clip of Guy Davis performing Can’t Be Satisfied.

Give In Kind, Guy Davis, Red House Records, 2002

A couple of years ago I spent no little cyberspace “ink” on the question of who would carry on the folk tradition that the folk revival artists of my generation, the generation of ’68, “discovered” back in the day. You know artists like Bob Dylan, Joan Baez, Tom Paxton, Eric Von Schmidt and Dave Van Ronk and others digging into the American song book provided by Harry Smith, the Lomaxes and the Seegers to preserve Woody Guthrie and stuff even further back down to the hills and hollows of Appalachia (I know I am supposed to write hollas but there you have it), down to the southern delta plantation moans, down to backwater Mississippi juke joint groans after a hard Saturday night of love, fights and headaches, and out west, out west where as Thomas Wolfe stated, the states are square to gather in the cowboy and farm traditions found in the great migrations to the coast, west coast of course. I came up with a few candidates like Keb Mo’ and Carol Hemmings then just to make my point.

I am now trying to take that basic point and pose the question here of who will carry out the great American blues night tradition started back in the early part of the 20th century (as least the part we know about from recordings and radio) and which produced great music from Charley Patton, Son House, Skip James, Mississippi John Hurt and the like on through to Muddy Waters, Howlin’ Wolf , Ike Turner, and Taj Majal. That last name mentioned not by accident as the artist under review, Guy Davis, consciously or not, and I think consciously, owns at least a debt of gratitude to Taj for breaking some ground for him in the blues milieu.

Needless to say Brother Davis (Guy, not the late great Reverend Gary, okay) plays a mean guitar as on Good Liquor and Loneliest Road That I Know, can use his vocal abilities to belt out such songs as Six Cold Feet Of Ground and Watch Over Me and get down to that gospel church, Jehovah we are coming root of the blues on God's Unchanging Hand with the best of them. Eric Clapton, Mick and Keith and the rest of the British invasion guys mad to the high heavens for American blues move over a little. Guy Davis is in the house.
***Out In The Mist Of Time Of The American Blues Night-“Before The Blues”-A CD Review



YouTube film clip of Henry Thomas performing his old-time blues holla classic, Run, Mollie, Run.

CD Review

Before The Blues: The Early American Black Music Scene: Classic Recordings From The 1920s and 1930s, Volume 1, Yazoo Records, 1996

Out of the back of my 1960s teenage bedroom the radio was blaring out a midnight blues version of Howlin’ Wolf’s How Many More Years complete with harmonica-devouring accompaniment by Wolf himself (a fact, the almost eating part, not visually known to me until much later when I viewed his epic work via YouTube) on the American Blues Hour coming over the airways from sweet home Chicago (sweet home of the modern electric blues that is). Earlier in the program Muddy Waters, prince regent of the electric blues just then, had held forth with his band (made up then, and at various other times, with sidemen like Otis Spann and Junior Wells who would go on to their own blues hall of fame-like careers), with a sizzling version of Mannish Child. Yah, those were the primo hell-bent devil’s music blues days. No question.

Well not quite no question for that show, or for this review. The show had started out with a three card Monte of Dupree’s Blues, first by Lightnin’ Hopkins on electric, Brownie McGhee on acoustic and Willie Walker doing an a cappella version (which is included in this compilation) from out of the mist of blues times, or the depths of the American music night. At least of the stuff that has been recorded. That is important because prior to radio this material was handed down mostly through the oral traditions. That tradition got reflected in the Dupree’s Blues example because although the basic melody and theme were the same throughout the narratives were somewhat different. And that too reflects the blues tradition, and before the blues, the roots of the blues which is what this compilation (and two additional volumes) concentrates on.

The blues, for the most part, was a quintessential black music form as it developed out of the scorched dry plantation fields of the post- Civil War Jim Crow South, out of the moans and groans of the black church Sunday and out of the hard drinking, hard fighting, hard loving, hard partying Saturday night acoustic music (had to be, no electricity) night before sobering up for those Sunday church groans. And while it occasionally moved to a respectable dance hall or movie house concert hall (segregated, Mister James Crow segregated, no questions asked) before the age of radio that is where it developed kind of helter-skelter. This Before The Blues compilation reflects all of those trends from Rube Lacy’s Mississippi Jail House Groan to Mississippi John Hurt’s Stack O’Lee Blues to the Seventh Day Adventist Choir’s On Jordan’s Stormy Banks We Stand. So the next time you hear the Stones’ covering Wolf’s Little Red Rooster or Mississippi Fred McDowell’s Got To Move you know where it came from.
***Out In The Kazoo-Driven 1920s Night- The Time Of The Cannon Jug Stompers- A CD Review



A YouTube film clip of the Cannon Jug Stompers performing Big Railroad Blues to give a flavor of the old-time jug music.

Cannon’s Jug Stompers: The Complete Works: 1927-1930, The Cannon Jug Stompers, Yazoo Records, 1989

So Jim Kweskin took a few jugs, a few washboards, a few kazoos, a penny whistle, maybe a couple of fiddles, and a washtub with a string and pole, got some friends like Geoff Muldaur, and Maria Muldaur (nee something else like Donato) to play the damn stuff (and sing too) and created jug music from scratch in the 1960s folk minute night. No, one thousand times, no. The folk minute was about “discovering” roots music. You know stuff from the hills and hollows of Kentucky, or some old labor songs from the 1930s hard class struggle, or some sea island s congregation spirituals from god knows where in outer Georgia (the United States Georgia, okay). So like Bob Dylan, Eric Von Schmidt, hell even Dave Von Ronk, they all torn up the backwoods, or at least the dusty Greenwich Village old records stores, and went hunting for some sound that would satisfy their roots needs (and provide a little cash in the coffeehouse crazed night). And Cannon’s Jug Stompers along with the Memphis Jug Band (and, as it turned out, about seven different state Sheik bands, you know the Mississippi Sheiks, and so on) were must hears if you wanted to replicate any old time jug sound.

Of course the Cannon Jug Stompers didn’t work the Cambridge folk scene back in the day, way back in the day, or some cozy Village club and certainly not some North Beach blow-out be-bop joint but worked the carny shows, the juke joints and the back road houses of the south to very segregated audiences. So while some black guys (and a few women) were wilding the joint up in café society New York or New Orleans with the latest high white not jazz riffs these brothers were working cheap street. So be it. Listen up to Big Railroad Blues, Cairo Rag, Pretty Money Blues and a few others and you won’t worry so much why you don’t miss the jazz notes. And be glad, glad as hell, that Harry Smith, the great American Folk Music anthologist whose anthology all the old folkies (including the afore-mentioned Jim Kweskin Jug Band members) knew by heart including them in his work.
***Out In The B-Film Noir Night- Strange Illusion




 
From The Pen Of Frank Jackman

DVD Review

Strange Illusion, starring Jimmy Lydon, Warren William, 1945

Any mother or father of a college student would be justly proud of, and consider it money well spent, if her of his son or daughter used his or her college career wisely and pursued one of the learned professions, doctor, lawyer, professor, and the like. And any mother of a college student would be justly proud of, and consider it money well spent, if her son used his college career wisely and was, beside the pursuing the rigors of intellectual studies, doubling up as an amateur sleuth to figure out who killed his father. All without showing from the film’s beginning to end any signs of cracking a course book, or getting his suit and tie all messed up. That mythical search for his father’s killer, like something out of the Greek mist of time, is what drives the suspense in the film under review, Strange Illusion. Beautiful work, beautifully done and then back to the books if such mundane tasks will even appeal to him then.

Our college student, Paul, our 1945 college student and therefore more likely to be from the upper crust in the days before the colleges opened up a more democratic vista, and at a time when half the graduating class of any high school could have been covered by the cost of tuition of one student today ( a little topical social commentary, sorry) had a vision, a vision from beyond the grave that his father, a stern old Puritan judge,  who had supposedly been killed in an accident but had actually been murdered. Murdered by a man, a man about town, Bret, who was courting his mother with designs on marrying her. No, Paul was not crazy if that is what you think, not certifiably so anyway, since as it turned out Bret was in fact out for revenge on the judge for sending him up to stir on what he considered a bum rap. Of course Bret had a little extra problem, he liked young women, no, not under age, just young like every guy dreams about grabbing, and then moves on. Brett is, ah, more active than that and it turned out to be part of his undoing.

See Bret was not the main guy pulling the strings to marry Paul’s poor widowed mother and grab her dough. He had a confederate in a quack shrink, a doctor running a rest home for the mentally weary who needed some dough to maintain his lifestyle. Our boy seer Paul smelled a rat,  and was hip to what was up from about minute one, and so was the suspense except an off-hand grope of Paul’s sister and a couple of slugs to the heart for Bret. All in a day’s work for a college guy. Now get back to the damn books.           

 

From The Marxist Archives- In Honor Of The 96th Anniversary Of The Russian October Revolution-Bourgeois Philanthropy and Working-Class Misery
 
Leon Trotsky On The Lessons Of The Russian Revolution

Workers Vanguard No. 968
5 November 2010

In Honor of the 1917 Bolshevik Revolution

For New October Revolutions!

(From the Archives of Marxism)

November 7 (October 25 by the calendar used in Russia at the time) marks the 93rd anniversary of the Russian Revolution. Led by the Bolshevik Party of V.I. Lenin and Leon Trotsky, the workers’ seizure of power in Russia gave flesh and blood reality to the Marxist understanding of the dictatorship of the proletariat. Despite the subsequent Stalinist degeneration of the Soviet workers state, culminating in its counterrevolutionary destruction in 1991-92, the October Revolution was and is the international proletariat’s greatest victory; its final undoing, a world-historic defeat. The International Communist League (Fourth Internationalist) fought to the bitter end in defense of the Soviet Union and the bureaucratically deformed workers states of East Europe, while calling for workers political revolutions to oust the parasitic nationalist Stalinist bureaucracies that ruled these states. This is the same program we uphold today for the remaining workers states of China, North Korea, Vietnam and Cuba.

Having been expelled from the USSR in 1929 by Stalin, Trotsky spent the remainder of his life in exile. In November 1932, he gave a speech to a Danish social-democratic student group in Copenhagen. He outlined the political conditions and the social forces that drove the Russian Revolution, stressing the decisive role of the Bolshevik Party. Illuminating the worldwide impact of the Russian Revolution and its place in history, Trotsky underlined the necessity of sweeping away the decaying capitalist order and replacing it with a scientifically planned international socialist economy that will lay the material basis for human freedom.

The ICL fights to forge workers parties modeled on Lenin and Trotsky’s Bolsheviks to lead the struggle for new October Revolutions around the globe.

* * *

Revolution means a change of the social order. It transfers the power from the hands of a class which has exhausted itself into those of another class, which is on the rise....

Without the armed insurrection of November 7, 1917, the Soviet state would not be in existence. But the insurrection itself did not drop from Heaven. A series of historical prerequisites was necessary for the October revolution.

1. The rotting away of the old ruling classes—the nobility, the monarchy, the bureaucracy.

2. The political weakness of the bourgeoisie, which had no roots in the masses of the people.

3. The revolutionary character of the peasant question.

4. The revolutionary character of the problem of the oppressed nations.

5. The significant social weight of the proletariat.

To these organic pre-conditions we must add certain conjunctural conditions of the highest importance:

6. The Revolution of 1905 was the great school, or in Lenin’s words, the “dress rehearsal” of the Revolution of 1917. The Soviets, as the irreplaceable organizational form of the proletarian united front in the revolution, were created for the first time in the year 1905.

7. The imperialist war sharpened all the contradictions, tore the backward masses out of their immobility and thereby prepared the grandiose scale of the catastrophe.

But all these conditions, which fully sufficed for the outbreak of the Revolution, were insufficient to assure the victory of the proletariat in the Revolution. For this victory one condition more was needed:

8. The Bolshevik Party....

In the year 1883 there arose among the emigres the first Marxist group. In the year 1898, at a secret meeting, the foundation of the Russian Social-Democratic Workers’ Party was proclaimed (we all called ourselves Social-Democrats in those days). In the year 1903 occurred the split between Bolsheviks and Mensheviks. In the year 1912 the Bolshevist fraction finally became an independent Party.

It learned to recognize the class mechanics of society in struggle, in the grandiose events of twelve years (1905-1917). It educated cadres equally capable of initiative and of subordination. The discipline of its revolutionary action was based on the unity of its doctrine, on the tradition of common struggles and on confidence in its tested leadership.

Thus stood the Party in the year 1917. Despised by the official “public opinion” and the paper thunder of the intelligentsia press, it adapted itself to the movement of the masses. Firmly it kept in hand the control of factories and regiments. More and more the peasant masses turned toward it. If we understand by “nation,” not the privileged heads, but the majority of the people, that is, the workers and peasants, then Bolshevism became in the course of the year 1917 a truly national Russian Party.

In September 1917, Lenin, who was compelled to keep in hiding, gave the signal, “The crisis is ripe, the hour of the insurrection has approached.” He was right. The ruling classes had landed in a blind alley before the problems of the war, the land and national liberation. The bourgeoisie finally lost its head. The democratic parties, the Mensheviks and social-revolutionaries, wasted the remains of the confidence of the masses in them by their support of the imperialist war, by their policy of ineffectual compromise and concession to the bourgeois and feudal property-owners. The awakened army no longer wanted to fight for the alien aims of imperialism. Disregarding democratic advice, the peasantry smoked the landowners out of their estates. The oppressed nationalities at the periphery rose up against the bureaucracy of Petrograd. In the most important workers’ and soldiers’ Soviets the Bolsheviki were dominant. The workers and soldiers demanded action. The ulcer was ripe. It needed a cut of the lancet.

Only under these social and political conditions was the insurrection possible. And thus it also became inevitable. But there is no playing around with the insurrection. Woe to the surgeon who is careless in the use of the lancet! Insurrection is an art. It has its laws and its rules.

The Party carried through the October insurrection with cold calculation and with flaming determination. Thanks to this, it conquered almost without victims. Through the victorious Soviets the Bolsheviki placed themselves at the head of a country which occupies one sixth of the surface of the globe....

Let us now in closing attempt to ascertain the place of the October Revolution, not only in the history of Russia but in the history of the world. During the year 1917, in a period of eight months, two historical curves intersect. The February upheaval—that belated echo of the great struggles which had been carried out in past centuries on the territories of Holland, England, France, almost all of Continental Europe—takes its place in the series of bourgeois revolutions. The October Revolution proclaims and opens the domination of the proletariat. It was world capitalism that suffered its first great defeat on the territory of Russia. The chain broke at its weakest link. But it was the chain that broke, and not only the link.

Capitalism has outlived itself as a world system. It has ceased to fulfill its essential mission, the increase of human power and human wealth. Humanity cannot stand still at the level which it has reached. Only a powerful increase in productive force and a sound, planned, that is, Socialist organization of production and distribution can assure humanity—all humanity—of a decent standard of life and at the same time give it the precious feeling of freedom with respect to its own economy. Freedom in two senses—first of all, man will no longer be compelled to devote the greater part of his life to physical labor. Second, he will no longer be dependent on the laws of the market, that is, on the blind and dark forces which have grown up behind his back. He will build up his economy freely, that is, according to a plan, with compass in hand. This time it is a question of subjecting the anatomy of society to the X-ray through and through, of disclosing all its secrets and subjecting all its functions to the reason and the will of collective humanity. In this sense, Socialism must become a new step in the historical advance of mankind. Before our ancestor, who first armed himself with a stone axe, the whole of nature represented a conspiracy of secret and hostile forces. Since then, the natural sciences, hand in hand with practical technology, have illuminated nature down to its most secret depths. By means of electrical energy, the physicist passes judgment on the nucleus of the atom. The hour is not far when science will easily solve the task of the alchemists, and turn manure into gold and gold into manure. Where the demons and furies of nature once raged, now rules ever more courageously the industrial will of man.

But while he wrestled victoriously with nature, man built up his relations to other men blindly, almost like the bee or the ant. Belatedly and most undecidedly he approached the problems of human society. He began with religion, and passed on to politics. The Reformation represented the first victory of bourgeois individualism and rationalism in a domain which had been ruled by dead tradition. From the church, critical thought went on to the state. Born in the struggle with absolutism and the medieval estates, the doctrine of the sovereignty of the people and of the rights of man and the citizen grew stronger. Thus arose the system of parliamentarism. Critical thought penetrated into the domain of government administration. The political rationalism of democracy was the highest achievement of the revolutionary bourgeoisie.

But between nature and the state stands economic life. Technology liberated man from the tyranny of the old elements—earth, water, fire and air—only to subject him to its own tyranny. Man ceased to be a slave to nature, to become a slave to the machine, and, still worse, a slave to supply and demand. The present world crisis testifies in especially tragic fashion how man, who dives to the bottom of the ocean, who rises up to the stratosphere, who converses on invisible waves with the Antipodes, how this proud and daring ruler of nature remains a slave to the blind forces of his own economy. The historical task of our epoch consists in replacing the uncontrolled play of the market by reasonable planning, in disciplining the forces of production, compelling them to work together in harmony and obediently serve the needs of mankind. Only on this new social basis will man be able to stretch his weary limbs and—every man and every woman, not only a selected few—become a full citizen in the realm of thought.

—“Leon Trotsky Defends the October Revolution” (Militant, 21 January 1933)
************
Workers Vanguard No. 1014
7 December 2012

TROTSKY

LENIN

Bourgeois Philanthropy and Working-Class Misery

(Quote of the Week)

As the capitalist ruling class and its media mouthpieces once again trumpet the virtues of helping the needy in the holiday season, we offer Friedrich Engels’ scathing depiction of the 19th-century English bourgeoisie’s self-serving “charity” toward its victims.

The relation of the manufacturer to his operatives has nothing human in it; it is purely economic. The manufacturer is Capital, the operative Labour. And if the operative will not be forced into this abstraction, if he insists that he is not Labour, but a man, who possesses, among other things, the attribute of labour-force, if he takes it into his head that he need not allow himself to be sold and bought in the market, as the commodity “Labour,” the bourgeois reason comes to a standstill. He cannot comprehend that he holds any other relation to the operatives than that of purchase and sale; he sees in them not human beings, but hands, as he constantly calls them to their faces; he insists, as Carlyle says, that “Cash Payment is the only nexus between man and man.”…

Let no one believe, however, that the “cultivated” Englishman openly brags with his egotism. On the contrary, he conceals it under the vilest hypocrisy. What? The wealthy English fail to remember the poor? They who have founded philanthropic institutions, such as no other country can boast of! Philanthropic institutions forsooth! As though you rendered the proletarians a service in first sucking out their very life-blood and then practising your self-complacent, Pharisaic philanthropy upon them, placing yourselves before the world as mighty benefactors of humanity when you give back to the plundered victims the hundredth part of what belongs to them! Charity which degrades him who gives more than him who takes; charity which treads the downtrodden still deeper in the dust, which demands that the degraded, the pariah cast out by society, shall first surrender the last that remains to him, his very claim to manhood, shall first beg for mercy before your mercy deigns to press, in the shape of an alms, the brand of degradation upon his brow.

—Friedrich Engels, The Condition of the Working-Class in England (1845)
***The Roots Is The Toots- The Music That Got Them Through The Great Depression And World War II- Tommy Dorsey With Frank Sinatra’s I’ll Never Smile Again …

… she had never had luck with boys, well now, now that she was nineteen, never had luck with men until the night of the USO dance down at the Starlight Ballroom in Olde Saco in October, 1943, now glorious October, 1943. The idea of the dance at least from the brochure her sister Lorraine had received from the director of the Portland USO was to bolster the morale of the soldiers, sailors, and marines in the area returning from action overseas, who were on leave, or were getting ready to ship out to some hellhole where the fighting would be heavy and so they, one and all, would have a pleasant memory to take away with them whatever status they were in. Lorraine, having gone to the previous Friday night’s gathering and “hit pay-dirt” as she called it with some jittery-bugging sailor who swept her off her feet and who would be attending this week’s event, coaxed her sister into attending in hopes of getting her out of her funk. Getting her out of her no luck with boys, men, whatever funk.    

So she, now listing herself  among the employed women  who were needed to work outside of the house to fill jobs vacated by draft number- called men, splurged on a new dress, not a fancy dress since all the serious fabric production was needed for the men at the fronts, but serviceable with some accoutrements. And to die for, nylons, nylons harder to get than gas these days.   Lorraine, vain Lorraine as everybody at Olde Saco High called her, including Sis, admitted that she looked good, was bound to snatch some young soldier. As they entered the lobby of the Starlight Ballroom, all a-glitter, the sound of Lester Mann and the Band in the background she was secretly thrilled that she had, for once, given into her sister’s whim. There were more men in uniform than she had ever seen in her life and she blushed as she sensed that every one of those uniformed pairs of eyes were checking her out (and truthfully every young woman who came through that door but she just blushed for herself).

No sooner had they, she, given her wrap to the coat- room girl than it started. The rush, guys coming right up and asking her to dance, the jitter-buggers first and foremost, before she had even caught her breathe, and if not this one then how about the next, or the next. Quite a whirlwind all the way until the band took an intermission. At that intermission, that maybe fateful intermission, while she was at the punch bowl re-hydrating herself after the non-stop action, Dick Sams, Dick from her class when they were in high school, came up to her in civilian clothes. She asked him what he was doing there since this was strictly a military affair. He answered that Lester Mann had asked him to step in front of the microphone during the second set and warble a few tunes, Tangerine, I’ll Never Smile Again, Perfidia, the current rages. She then remembered that Dick had been a top singer at school and had wished to pursue a musical career. She asked whether he had gone on to music school after high school. Dick answered that yes he had for a while but just the week before his number had come up so the following week he was to be inducted into the Army.

After they had talked for a while Dick, Dick Sams the best voice in the high school, maybe in the town, kind of sheepishly blurted out that he had often wondered why he had never spoken to her much at school since he had a little crush on her then. She blushed, blushed some more when he asked her if she would wait for him after the show, and blushed even more when she said yes. But all that blushing was nothing, nothing at all to what happened when Dick got up on the bandstand. He took dead aim at her, dead aim like she was the only one in the room and sang I’ll Never Smile Again to put old Frank Sinatra in the shade. Sang it so tenderly that she blushed yet again, blushed and wondered if he really would not smile again unless she was his girl …. 

 

*******

Peter Paul Markin comment on this series:

Whether we liked it or not, whether we even knew what it meant to our parents or not, or frankly, during that hellish growing up absurd teenager time in the 1950s trying to figure out our places, if any, in the cold war red scare world, if there was to be a world, and that was a close thing at times,  or whether we cared, music was as dear a thing to them as to us, their sons and daughters, who were in the throes of finding our own very different musical identities. As well, whether we knew it or not, knew what sacred place the music of the late 1930s and 1940s, swing, be-bop swing, be-bop flat-out, show tunes, you know jitter-bug stuff, and the like held in their youthful hearts that was the music, their getting through the tough times music, that went wafting through the house on the radio, on record player, or for some the television, of many of those of us who constitute the now graying fading generation of ‘68. And some of us will pass to the beyond clueless as to what our forebears were attuned to when they came of age in a world, a very darkly-etched world, which they too had not created, and had no say in creating.

Yes they were crazy for the swing and sway of bespectacled Benny Goodman blowing that clarinet like some angel- herald letting the world know,  if it did know already, that it did not mean a thing, could not possibly matter in the universe, if you did not swing, with and without Miss (Ms.) Peggy Lee, better with, better with, swaying slightly lips moistened, swirling every guy in the place on Why Don’t You Do Right vowing he would do just that for a smile and a chance at those slightly swaying hips. Mr. Harry James with or without the orchestra , better with, blowing Gabriel’s horn, knocking down walls, maybe Jericho, maybe just some Starlight Ballroom in Kansas City blasting the joint with his You Made Me Love You to the top of the charts. Elegant Duke Ellington with or without Mr. Johnny Hodges blowing that sexy sax out into the ocean air night in some Frisco club, blowing out to the Japan seas, on Taking The ‘A’ Train. Tommy Dorsey all banded up if there is such a word making eyes misty with I’ll Never Smile Again.  Jimmy Dorsey too with his own aggregation wailing Tangerine that had every high school girl throwing dreamy nickels and dimes into the jukebox, with or without fanfare, Glenn Miller, with or without those damn glasses, taking that Sentimental Journey before his too soon last journey. Miss (Ms.) Billie Holiday, Lady Day, with or without the blues, personal blues, strung out blues too, singing everybody else’s blues away with that throaty thing she had, that meaningful pause, yeah, Lady Sings The Blues. Miss Lena Horne with or without stormy weather making grown men cry (women too) when she reached that high note fretting about her long gone man, Jesus.  Miss (Ms.) Margaret Whiting going for that Old Black Magic. Mr. Vaughn Monroe with or without goalposts. Mr. Billy Eckstine, too. Mr. Frank Sinatra doing a million songs fronting for the Dorseys and anybody who wanted to rise in that swinging world, with or without a horde of bobbysoxers breaking down his doors, putting everybody else to shame (and later too). The Inkspots, always with that spoken refrain catch that nobody seemed to tire of, doing teary I’ll Get By or If I Didn’tCare. The Mills Brothers with or without those paper dolls. The Andrews Sisters with or without rum in their Coca-Cola, The Dewdrops with or without whatever they were doing with or without. Mr. Cole Porter, with or without the boys, writing the bejesus out of  Tin Pan Alley and Broadway tunes. Mr. Irving Berlin with or without the flag, ditto Mr. Porter. And Mr. George Gershwin with or without his brother, creating Summertime and a thousand other catchy tunes. Yeah, their survival music.  

We the generation of ’68, baby-boomers, decidedly not what Tom Brokaw dubbed rightly or wrongly “ the greatest generation,”  decidedly not your parents’  or grandparents’ (please, please do not say great-grandparents’ even if it is true) generation could not bear to hear that music, could not bear to think anybody in the whole universe would think that stuff was cool. Those of us who came of age, biological, political and social age kicking, screaming and full of the post-war new age teenage angst and alienation in the time of Jack Kennedy’s Camelot were ready for a jail-break, a jail-break on all fronts and that included from “their song” stuff. Their staid Eisenhower red scare cold war stuff (he their organizer of victory, their gentile father Ike), hell, we knew that the world was scary, knew it every time we were forced to go down into some dank school basement and squat down, heads down too, hoping to high heaven that the Russkies had not decided to go crazy and set off “the bomb,” many bombs. And every righteous teenager had a nightmare that they were trapped in some fashionable family bunker and those loving parents had thoughtfully brought their records down into the abyss to soothe their savage beasts for the duration. Please, please, please if we must die then at least let’s go out to Jerry Lee’s High School Confidential.  

We were moreover, some of us any way and I like to think the best of us, driven by some makeshift dream, ready to cross our own swords with the night-takers of our time, and who, in the words of Camelot brother Bobby, sweet ruthless Bobby of more than one shed tear, quoting from Alfred Lord Tennyson, were “seeking a new world.” Those who took up the call to action heralded by the new dispensation and slogged through that decade whether it was in the civil rights/black liberation struggle, the anti-Vietnam War struggle or the struggle to find one’s own identity in the counter-culture swirl before the hammer came down were kindred. To the disapproval, anger, and fury of more than one parent who had gladly slept through the Eisenhower times. And that hammer came down quickly as the decade ended and the high white note that we searched for, desperately searched for, drifted out into the ebbing tide. Gone. But enough about us this series is about our immediate forbears (but please, please not great grandparents) their uphill struggles to make their vision of the their newer world, their struggles to  satisfy their hunger a little, to stop that gnawing want, and the music that in their youth  they dreamed by on cold winter nights and hot summer days.

This is emphatically the music, the get by the tough times in the cities, on the farms, out in the wide spaces, of the hard born generation that survived the dust bowl all farms blown away when the winds gathered like some ancient locust curse to cleanse the earth and leave, leave nothing except silt and coughs. All land worthless no crops could stand the beating, the bankers fearful that the croppers would just leave taking whatever was left and the dusted crowd heading west with whatever was movable. They drifted west, west as far as California if the old buggy held up and they had enough gas in the tank, not knowing what some old time professor, from Harvard I think, knew about the frontier that it had been swallowed up, been staked out long ago and too bad. Not knowing as well what some old time Okie balladeer knew that if you did not have the dough California was just another Okie/Arkie bust.

Survived empty bowls, empty plates, wondering where the next meal would come from, many times, too many times from some Sally soup-line, some praise the lord before thy shall eat soup-line. Survived that serious hunger want that deprives a man, a woman, of dignity scratching for roots like some porcine beast in some back alley lot, too weak to go on but too weak to stop as well. Survived, if not west, then no sugar bowl city street urchin corner boy hard times of the 1930s Great Depression, always with that vagrant foot up against some brick-laid wall, killing time, killing some dreams,  sleeping under soot-lined railroad trestles, on splintered park benches newspapers for a pillow’s rest (one eye open for swarming festering jack-rollers and club-wielding sadistic cops), and hard bench bus stations (ditto jack-rollers and cops).  Survive the time of the madness just then beating the tom-toms of war and degradation coming from a hungry want-infested Europe filled with venom, those drums heralding the time of the night-takers casting a shadow over the darkened world, portending the plainsong of the time of the long knives, outlawing dreams for the duration.

Building up a pretty list of those wants on cold nights , name them, food, shelter, sex, two- bits in the pocket, name those hungers, success, dignity, not having to struggle against the want night. Building that phantom list while among tree-lined Hudson River “hobo jungle” riverside fires stoked by fugitives, brethren, the fellahin of the world, upstream from the clogged city, upstream from clogged city prying eyes and prickly cops, cities clogged with broken dreams, or worse of late no dreams, and not enough food to go around, not enough work either and that ate at him, her more that the food hungers. Down in dusty arroyos, parched, no water, no agua aqui senor, lo siento, as they, the bracero brethren, passed the water jug between them and pointed him west, west you cannot stay here gringo, no way. Under forsaken silver-plated bridges, steel beams to rest a weary head, rolled blanket for his pillow, trying to keep the winds at bay.  Survived god knows how by taking the nearest freight west, some smoke and dreams freight, sleeping on some straw-scratched floor, plugging ears with napkins to drown out the rattling rails and deep sleep snores. Taking Southern Pacific, Union Pacific, B&O, Illinois Central, Penn Central, Empire State, Boston and Maine, or one of a million trunk lines to go out, and young as he was, desperate as he was, penniless as he was, search for, well, search for…

Searching for something that was not triple- decker bodies, three to a room sharing some scraggly blanket, an old worn out pillow for rest, the faint smell of oatmeal, twenty days in a row oatmeal, oatmeal with.., being cooked in the next room meaning no Pa work, meaning one jump, maybe not even that, ahead of the sullen dreaded bastard rent- collector (the landlords do not dare come in person so they hire the task out), meaning the sheriff, his damn auction, and the streets are closing in. (What did the Sheriff care that all meager life-times possessions were street-ward bound he was paid by the item tossed.) Bodies, brothers and sisters, enough to lose count, piled high, cold-water flat high, that damn cold water splash signifying how low things have gotten, not even hot water for the weekly bath, with a common commode for the whole floor and brown-stained sink.

Later moving down the scale, down to the lower depths as some Russian writer called them in a book of that name, a rooming house room for the same number of bodies, smudged prison-paned window looking out onto the air- shaft, dark, dark with despair, no air but some fetid foul breeze from the basement furnace, the very, very faint odor of oatmeal, thinned out even further, who knows how many days in a row, from Ma’s make-shift hot plate on its last legs.  Hell, call it what it was a flop house stinking of perspiration and low-shelf whiskeys and wines. Stinking of winos and riffraff in the hallways howling at the moon all night and jack-rollers preying on whoever was witless enough to walk into his lair. All around shadows, moonlight shadows, moonless night shadows the times when the midnight sifters plied their trade and snuck in, snuck in these damn one room hells looking for anything, anything to pawn, anything to feed that junk habit that had them in its grip. Ma, yelling at the kids, jesus, at the kids, milling around the room, that why didn’t they, the jack-rollers, the midnight sifters, the junkies, and the twisted sister street tricks (whores she called them when the kids got older and knew what that word meant) go uptown and bother the Mayfair swells who had dough and leave respectable people alone.        

Others had it worse, tumbled down shack, window pane-less some wax paper taped to hold off the winds and rains coming from the north, tarpaper siding leaving exposed wood to rot and provide homes for fugitive termites and vermin, roof tiles falling leaving poorly patched spots where the spring rains would wash through, wash through to the six buckets which were placed beneath the patches to hold off collapse, a lean-to ready to fall to the first wind, the first red wind, an ill wind, a land wind the old sailors, old tars called it and maybe they were right, coming out of the mountains and swooping down the hills and hollows, ready to fall to the first downpour rain, washed away. Cold water flat, flop house room, tumbled-down shack, leave them behind, get out on the open road, blow the stinks off, get that bindle stick together, a cup, a plate, spoon, a comb just in case you are in a town, some matches, keep dry matches, a pouch of Bull Durham and papers, maybe some change all wrapped in a handkerchief, the worldly possessions of the fellahin, the fugitive, the hobo, the tramp and the bum, grab that slow moving freight before she picks up steam, watch out for the “bulls” and search for the great promised American night that had been tattered by world events, and greed.

Survived the Hoovervilles, the world come down to the great cardboard siding, tin can cartons, discarded boxes, found in some orphan street, dilapidated, to serve as buffer against the hard winter winds, the spring rains and that damn relentless summer heat. Tin can roof thundering sounds at every light rain, slap-dash jerry-built camp explosions along rivers. Mighty rivers like the Missouri and Mississippi and no account ones, trickle down ones, like the Elko and the Dearborn that no longer gushed ramparts. Survived down in hard rock- infested ravines filled with brambles, snakes, gnarly insects ready to do battle once some fugitive arm or leg was exposed. Survived under railroad trestles, the clanking freight trains above, what did Shakespeare call it, yes, murdering sleep, and murdering dreams too. No wonder some guy, some hobo philosopher-king, and don’t laugh there were such fellows, along with broken-down stockbrokers, wreaked high financiers, ex-movie moguls, unemployed cabbies, unemployable union organizers, out-of-work workers of all types, families attached, and habitual malingerers trying to weather another day without working, said that life, his life anyway, and maybe their lives, were nothing but train smoke and wishful thinking. Hell, he didn’t know the half of it, didn’t know that life could get much coarser out on the great Wilderness Road. 

Tossed, hither and yon, cold- water flats, flop-houses, tarpaper shacks, then the great outdoors, what did that guy call it, that writer guy, I forget his name, called it probably from his cozy fireplaced study, fully nourished from the look of his pipe-smoking face on the back jacket of his latest pot-boiler, oh yeah, the romance of the road. Tossed around about six million different ways, name each one instead of counting sheep at night, murdered sleep. But it all came down to this, to the rivers, ravines, trestled-bridges, when the banks, yeah, the banks, the usual suspects, and rightly so from all the evidence, robbed people of their shacks, their cottages, their farm houses, their smokeless back forty dreams, and left them with nothing but the romance of the road. Even that smug pipe-filled writer, Jesus, what was his name, should pause to wonder. Yah, those bastards robbed them, picked them clean, as an old-time balladeer, a free-wheeling, song-writing red, a commie, hell, nothing but a Russkie-loving home-grown Bolshevik in the days when in some quarters, say, Frisco town, Akron, Minneapolis, blessed shut-down Flint, lion Detroit, hog-butcher to the world Chi town, smelter to the world Pittsburgh, sailing under that banner was a badge of honor, or just another fist in the struggle, welcome brother, welcome sister, we need all the hands, no, all the clenched fists we can get, said at the time not with a gun but with a fountain pen, but still robbed them. Cleaned them out, to get lost on that Wilderness Road, that trail of one thousand tears leading west.

Survived the soup kitchens hungers, the gnawing can’t wait in the endless waiting line for scraps, dreaming of some by-gone steak or dish of ice cream, and always that hunger, not the stomach hunger although that was ever present, but the hunger that hurts a man, hurts his pride when he has to stick his hand out, stick it out and not know why. Planning the fruitless day, fruitless since he was born to work, took pride in work, planning around Sally breakfasts don’t be late, six to nine, but with sermon and song attached, mission stuff in heat-soaked rooms, men smelling of unwashed men, and drink. Planning around city hall lunches, peanut butter sandwiches, slapped slap-dash together with an apple, maybe. Worse, worse by far the Saint Vincent DePaul suppers, soup, bread, some canned vegetable, something they called meat but was in dispute, lukewarm coffee, had only, only if you could prove you were truly destitute with a letter from some churchman and, in addition, under some terrible penalty, that you had searched for work that day. A hard dollar, hard dollar indeed.

Jesus, out of work for another day, and with three hungry growing kids to feed, and a wife sickly, sick unto death of the not having he thought, little work waiting for anybody that day, that day when all hell broke loose and the economy tanked, at least that is what it said in the Globe (ditto New York Times, Washington Post, Chicago Tribune, Los Angeles Times, San Francisco Examiner if anybody was asking), said that there was too much around, too much and he with nothing for those kids, nothing and he was too proud to ask for some damn letter to give to those Vincent DePaul hard-hearts.  And that day not him, not him yet, others, others who read more that the Globe (and the dittos)  were dreaming of that full head of steam day to come in places like big auto Flint, waterfront Frisco town, rubber Akron, hog butcher to the world prairie Chicago, hell, even in boondock trucker Minneapolis, a day when the score would get evened, evened a little, and a man could hold his head up a little, could at least bring bread to those three hungry growing kids who didn’t understand the finer point of world economics just hunger. Until then though he is left shifting the scroungings of the trash piles of the urban glut, the discard of the haves, the have nots throw nothing away, and on other horizons the brethren curse the rural fallow fields, curse the banks, and curse the weather, but curse most of all having to pack up and head, head anyway, anywhere but the here, and search, search like that brother on that urban glut pile for a way to curb  that gnawing  hungry that cried out in the night-want, want that is all. 

Survived too the look, the look of those, the what did FDR (Franklin Delano Roosevelt for the young, or forgetful) call them, oh yeah, the economic royalists, today’s 1%, the rack-renters, the coupon-clippers, the guys, as one of their number said, who hired one half of the working class to fight the other, who in their fortified towers, their Xanadus, their Dearborns, their Beacon Hills, their Upper East Sides, their Nob Hills, and a few other spots, tittered that not everybody was built to survive to be the fittest. That crowd, and let’s name names, a few anyway, Ford, General Motors, Firestone, U.S. Steel, fought tooth and nail against the little guy trying to break bread. Fought that brother too out pounding the mean streets to proud to ask for a letter, Jesus, a letter for some leftover food, before he got “religion” about what was what in the land of “milk and honey.”  Wreaked havoc on that farmer out in the dust bowl not travelling some road, some road west knowing that the East was barred up, egging him on to some hot dusty bracero labor filed picking, maybe “hire” him on as a scab against those uppity city boys. Yes, fought every guy trying to get out from under that cardboard, tar paper, windowless soup kitchen world along with a hell of a lot of comrades, yes, comrades, not Russkie comrades although reds were thick in those battles, took their lumps in Frisco, Flint, Akron and Minneapolis, hell, any place where a righteous people were rising, kindred in the struggle to put that survival of the fittest on the back-burner of human history. To stand up and  take collective action to put things right, hell, made the bosses cry bloody murder when they shut down their factories, shut them down cold until some puny penny justice was eked out. And maybe just maybe make that poor unknowingly mean-street walking city brother and that sweated farm boy thing twice about helping those Mayfair swells.      

Survived but took time out too, time out if young perhaps, as if such things were embedded in some secret teen coda, to stretch those legs, to flash those legs, to sway those hips, to flash the new moves not, I repeat, not the ones learned at sixth grade Miss Prissy’s Saturday dance classes but the ones that every mother, every girl mother warned her Susie against, to a new sound coming out of the mist, coming to take the sting out of the want years nights, and the brewing night of the long knives. Coming out of New York, always New York then, Minton’s, Jimmy’s, some other uptown clubs,   Chicago, Chicago of the big horns and that stream, that black stream heading north, following the northern star, again, for jobs and to get the hell away from one Mister James Crow, from Detroit, with blessed Detroit Slim and automobile sounds, and Kansas City, the Missouri K.C. okay, the Bird land hatchery, the Prez’s big sexy sax blow home. Jesus no wonder that madman Hitler banned it, along with dreams.  

The sound of blessed swing, all big horns, big reeds, big, well big band, replacing the dour Brother, Can You Spare a Dime and its brethren , no banishing such thoughts, casting them out with soup lines (and that awful Friday Saint Vincent DePaul fish stew that even Jesus would have turned down in favor of bread, wine and a listen to Benny’s Buddha Swings) casting that kind of hunger out for a moment, a magical realistic moment, casting out ill-fitting, out of fashion, threadbare (nice, huh) second-hand clothes (passed down from out- the- door  hobo brothers and sisters tramping this good green earth looking for their place, or at least a job of work and money in their newer threadbare [still nice] clothes), and casting aside from hunger looks, that gaunt look of those who have their wanting habits on and no way to do a thing about it.  Banished, all such things banished because after all it did not mean a thing, could not possibly place you anywhere else but in squareville (my term, not theirs), if you did not have that swing. To be as one with jitter-buggery if there was (is) such a word (together, not buggery by itself, not in those days, not in the public vocabulary anyway). And swing as it lost steam with all the boys, all the swing boys, all oversea and the home fire girls tired of dancing two girl dancing, a fade echo of the cool age be-bop that was a-borning, making everybody reach for that high white note floating out of Minton’s, Big Bill’s Jimmie’s, hell, even Olde Saco’s Starlight Ballroom before it breezed out in the ocean air night, crashed into the tepid sea. Yeah.       

Survived, as if there was no time to breathe in new fresh airs, new be-bop tunes, new dance moves, to slog through the time of the gun in World War II.  A time when the night-takers, those who craved the revenge night of the long knives took giant steps in Europe and Asia trying to make that same little guy, Brit, Frenchie, Chinaman, Filipino, God’s American, and half the races and nationalities on this good green earth cry uncle and buckle under, take it, take their stuff without a squawk. It took a bit, took a little shock, to get those war juices flowing, to forget about the blood-letting that had gone on before when the flower of Europe, when the older brothers and fathers the generation before, had taken their number when they were called.  And so after Pearl, after that other shoe dropped on a candid world Johnnie, Jimmie, Paulie, Benny too, all the guys from the old neighborhood, the corner boys, the guys who hung around Doc’s hands in their pockets, guys trying to rub nickels together to play some jitter-buggery thing, guys who had it tough growing up hard in those bad Depression days, took their numbers and fell in line.

Guys too from the wheat fields, Kansas Iowa, you know places where they grow wheat, guys fresh from some Saturday night dance, some country square thing, all shy and with calloused hands, eyeing, eyeing to perdition some virginal Betty or Sue, guys from the coal slags, deep down in hill country, down in the hollows away from public notice, some rumble down shack to rest their heads, full of backwoods home liquor, blackened fingernails, never ever fully clean once the coal got on them, Saturday night front porch fiddlings wound up carrying a M-1 on the shoulder in Europe or the Pacific. Leaving all those Susies, Lauras, Betties, and dark-haired Rebeccas too waiting at home hoping to high heaven that some wayward gun had not carried off sweetheart Johnnie, Jimmy, Paulie, or young Benny.  Jesus not young Benny. Not the runt of the corner boy litter, not our Benny. Not carried off that sweet farm fresh boy with the sly grin, not carried off that coal-dust young man with those jet-black eyes, and fingers.  

Survived the endless lines of boys heading off East and West, heading off to right some wrongs, at least that is what the guys in charge said, put a big dent in the style of the night-takers, the guys who wanted to cut up the world into two to three pieces, and that was that, cutting the little guy, making the little guys like it, making them take it or else. Some of those little guys, after Pearl for sure, could hardly wait to get to the recruiting office, hardly wait to go mano y mano with the night-takers and their illicit dreams, went gladly from the farms, the factories and the mines, many to never look back, never to farm, to run a production line, or to dig from the earth but make new lives, or lay down their heads in some god forsaken piece of dirt, or some watery abyss. Others, well, others were hanging back waiting to be drafted by their friends and neighbors at the local draft board, hanging back just a little to think things over, to see if maybe they could be better used on the home front, scared okay (as if the quick-step volunteers were not afraid, or should have been) but who gave a good accounting of themselves when their number came up. Still others head over heels they were exempt, 4-F, bad feet, you see. Somebody had to keep the home fires, keeping the womenfolk happy.

All, all except that last crew, the dodgers found in every war,  who got to sit a home with Susie, Laura, Betty and even odd-ball Rebecca were constantly waiting for the other shoe to drop, for their ships to sail or their planes to fly. Hanging in some old time corner boy drugstore, Doc’s, Rexall, name your drugstore name, just like when they were kids (a mere few weeks before), talking the talk like they used to do to kill time, maybe sitting two by two (two uniforms, two girls if anybody was asking) at the soda fountain playing that newly installed jukebox until the nickels ran out. Listened to funny banana boat songs, rum and coca cola songs, siting under the apple tree songs, songs to forget about the work abroad, and just some flat-out jitter-bugging stuff, frothy stuff in order to get a minute’s reprieve from thoughts of the journey ahead.

Listened too to dreamy, sentimental songs, Always, I Don’t Want To Set The World On Fire, Sentimental Journey, songs that spoke of true love, their true love that would out last the ages, would carrying them through that life together if they could ever keep those damn night-takers at bay, songs about faraway places, We’ll Meet Again, Til Then, songs that spoke of future sorrows, future partings, future returnings (always implying though that maybe there would be no return), future sacrifices, future morale-builders, songs about keeping lamp- lights burning, songs to give meeting to that personal sacrifice, to keep the womenfolk, to keep her from fretting her life away waiting for that dreaded other drop, songs about making a better world out of the fire and brimstone sacrifice before them.

Songs to make the best out of the situation about Johnnie, Jimmie and the gang actually returning, returning whole, and putting a big dent in their dreams, that small white house with the white picket fence (maybe needing a little painting, maybe they could do that together), kids, maybe a new car once in a while you know the stuff that keeps average joes alive in sullen foxholes, sea-sick troop transports, freezing cargo planes, keeps them good and alive. Hell, songs, White Cliffs Of Dover songs, about maybe the damn wars would be over sooner rather than later. Listened, drawing closer, getting all, uh, moony-eyed, and as old Doc, or some woe-begotten soda jerk, some high school kid, wet behind the ears, with that white paper service cap at some obscure angle and now smudged white jacket implying that he was in the service too, told them to leave he was closing up they held out for one last tune. Then, well-fortified with swoony feelings they made for the beach, if near a beach, the pond, if near a pond, the back forty, if near the back forty, the hills, you know, or whatever passed for a lovers’ lane in their locale and with the echo of those songs as background, well, do I have draw you a map, what do you think they did, why do you think they call us baby-boomers.               

The music, this survival music, Harry James, Benny, the Dorsey boys, Bing, Frank, the Mills Brothers, the Inkspots, and on and on wafted (nice word, huh) through the air coming from a large console radio, the prized possession centered in the small square living room of my growing up house amid the squalor of falling roof tiles, a broken window or two patched up with cardboard and tape, a front door that would not shut, rooms with second-hand sofas, mattresses, chairs, desks, tables, mildewy towels, corroded sinks, barely serviceable bathtubs, and  woe-begotten stuffed pillows smelling of mothballs. My broken down, needs a new roof, random shingles on the ground as proof, cracked windows stuffed with paper and held with masking tape in need of panes, no proof needed, overgrown lawn in need of cutting of a shack (there is literally no other way to describe it, then or in its current condition) of a too small, much too small for four growing boys and two parents, house. The no room to breathe, no space but shared space, the from hunger look of all the denizens, the stink of my father’s war wounds that would not heal, the stink of too many people in too small a house, excuse me shack. The noise, damn the noise from the nearby railroad, putting paid to wrong side of the tracks-dom worst of all. Jesus.      

That wrong side of the tracks shack of a house surrounded by other houses, shack houses, too small to fit big Irish Catholic- sized families with stony-eyed dreams. Small dreams of Johnny or Jimmy getting on the force (cops, okay), and Lorrie and Pamela getting those secure City Hall jobs in the steno pool until some bright prospect came by and threw a ring at them but in the meantime shack life, and small faded dreams. Funny, no, ironic but these tumbled-down shacks which seemingly would fall with a first serious wind represented in some frankly weird form (but what knew I of such unnamed weirdness then I just cried out in some fit of angst, cried out against that railroad noise, and that sour smell of sweat) the great good desire of those warriors, and almost to a man they had served, and their war brides who had waited, had fretted while waiting, to latch onto a piece of golden age America.

And take their struggle survival music from Doc’s jukebox, from the Starlight Ballroom, from WDJA, with them as if to validate their sweet memory dreams, their youthful innocence before the guys got caught up, caught up close and personal, the ugliness of war, the things they would not speak of unto the grave, and the gals not asking, not asking for all the money in the world but sensing that he, they, had changed, had lost some youthful thing. That radio, that priceless radio console taking pride of place, as if a lifesaver, literally, tuned to local station WDJA in North Adamsville, the memory station for those World War II warriors and their war brides, those who made it back. Some wizard radio station manager knowing his, probably his in those days, demographics, spinned those 1940s platters exclusively, as well as aimed the ubiquitous advertisement at that crowd. Cars, sofas, beds, shaving gear, soap, department store sales, all the basics for the growing families spawned (nice, huh) by those warriors and brides.

My harried mother, harried like all the neighborhood large brood mothers, harried by the bleak wanting prospects of the day with four growing boys and not enough, nor enough food, not enough, well, just not enough and leave it at that. Maybe bewildered is a better expression for her plight, for her wartime young marriage adventure not wanting to be left with only a memory of my father if things went wrong in the Pacific. As so she took to turning the radio on to start her day, hoping that Paper Dolls, I’ll Get By, or dreamy Tangerine would chase her immediate sorrows away. Yea, a quick boost of their songs was called for, their spring youth meeting at some USO dance songs before he shipped out. Those songs   embedded deep in memory, wistful young memory, or so it seemed as she hummed away the day, used the music as background on her appointed household rounds. And whether she won or lost the day’s bout with not enough, with some ill-winded message from some bill due, seemingly always some four boy hurt, some bad father work news, the list of her daily sorrows and trepidations could have stretched to infinity she perked up, swayed even to those tunes.

That stuff, that mother dream stuff, that piano/drum-driven stuff with some torch-singer, Peggy Lee, Helen Morgan, Margaret Whiting, maybe even a sneak Billie thrown in bleeding all over the floor drove me crazy then  Some she bleeding with the pain of  her thwarted loves, her man hurts, her wanderings in search of something in this funny old world, her waitings, waiting for the good times, waiting in line for the rations, waiting, waiting alone mind you, for her man to come home, come home whole from some place whose name she could not pronounce, they should have called it the waiting generation, just flat-out drove me crazy then. Mush stuff at a time when I was craving the big break-out rock and roll sounds I kept hearing every time I went and played the jukebox at Doc’s Drugstore over on Walker Street down near the beach (not the old torn down Doc’s of their generation over on Billings Road if that is what you are thinking). As far as I know Doc (the son of their Doc), knowing his demographics as well as that radio executive at WDJA, did not, I repeat, did not, stock that stuff that, uh, mush for his rock-crazed after school soda fountain crowd, probably stocked nothing, mercifully before about 1955. Funny thing though while I am still a child of rock and roll this so-called mushy stuff sounds pretty good to these ears now long after my parents and those who performed this music have passed on. Go figure. 
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I'll never smile again lyrics


 

I'll never smile again
Until I smile at you
I'll never laugh again
What good would it do
For tears would fill my eyes
My heart would realize
That our romance is through
I'll never love again
I'm so in love with you
I'll never thrill again
To somebody new
Within my heart
I know I will never start
To smile again
Until I smile at you
Within my heart
I know I will never start
To smile again
Until I smile at you