The Class Struggle Continues...In Boston  

 

Sunday, April 27

Film:  INEQUALITY FOR ALL!

6pm, First Parish, Meeting House Hill, 10 Parish St., Dorchester. Co-sponsored by the church Social Justice committee and DPP, with discussion following the film.

 

First Parish Dorchester

10 Parish Street, Dorchester Center, Massachusetts 02122

 

Public · Hosted by First Parish Dorchester

 

"Inequality for All" is a 2013 documentary film directed by Jacob Kornbluth which examines widening income inequality in the United States. The film is presented by American economist, author and professor, Robert Reich. The film premiered at the 2013 Sundance Film Festival in the Documentary Competition section and won a US Documentary Special Jury Award for Achievement in Film Making.

Featuring footage from Reich's lectures to students, as well as interviews with the author and his conversations with Americans from many walks of life the film provides disturbing evidence of the roles stagnating wages, growing personal debt, an economy based on consumer spending, and the decline of manufacturing are playing in the weakening of the American economy.

The evening is sponsored by Dorchester People for Peace and the Social Justice Committee of First Parish Dorchester.

 

Secretary of State John Kerry, Secretary of Labor Tom Perez Tweet support for CIW following NYT article! The widely-shared New York Times article from yesterday's paper, "In Florida Tomato Fields, a Penny Buys Progress", elicited strong support not only from long-time allies in the Fair Food Movement, but also from federal government officials.  Before we turn to the premiere of the "Food Chains" documentary at the Tribeca Film Festival, we wanted to share this quick update from the social media front, and to warmly thank all those who are helping to spread the word. The article made the top 5 most emailed stories on the New York Times site -- keep the message moving at NYTimes.com by sharing the article with your friends! Stay tuned for more on Tribeca as the day goes on.  For now, we leave with with these powerful words from Secretary Kerry and Secretary Perez:

Secretary of State John Kerry, Secretary of Labor Tom Perez Tweet support for CIW following NYT article! The widely-shared New York Times article from yesterday's paper, "In Florida Tomato Fields, a Penny Buys Progress", elicited strong support not only from long-time allies in the Fair Food Movement, but also from federal government officials.  Before we turn to the premiere of the "Food Chains" documentary at the Tribeca Film Festival, we wanted to share this quick update from the social media front, and to warmly thank all those who are helping to spread the word. The article made the top 5 most emailed stories on the New York Times site -- keep the message moving at NYTimes.com by sharing the article with your friends! Stay tuned for more on Tribeca as the day goes on.  For now, we leave with with these powerful words from Secretary Kerry and Secretary Perez:

From The Pen Of Leon Trotsky- On The 70th Anniversary Of His Death (2010)-

Markin comment:

The name Leon Trotsky hardly needs added comment from this writer. After Marx, Engels and Lenin, and in his case it is just slightly after, Trotsky is our heroic leader of the international communist movement. I would argue, and have in the past, that if one were looking for a model of what a human being would be like in our communist future Leon Trotsky, warts and all, is the closest approximation that the bourgeois age has produced. No bad, right?

Note: For this 70th anniversary memorial I have decided to post articles written by Trotsky in the 1930s, the period of great defeats for the international working class with the rise of fascism and the disorientations of Stalinism beating down on it. This was a time when political clarity, above all, was necessary. Trotsky, as a simple review of his biographical sketch will demonstrate, wore many hats in his forty years of conscious political life: political propagandist and theoretician; revolutionary working class parliamentary leader; razor-sharp journalist ( I, for one, would not have wanted to cross swords with him. I would still be bleeding); organizer of the great October Bolshevik revolution of 1917; organizer of the heroic and victorious Red Army in the civil war against the Whites in the aftermath of that revolution; seemingly tireless Soviet official; literary and culture critic: leader of the Russian Left Opposition in the 1920s; and, hounded and exiled leader of the International Left Opposition in the 1930s.

I have decided to concentrate on some of his writings from the 1930s for another reason as well. Why, with such a resume to choose from? Because, when the deal went down Leon Trotsky’s work in the 1930s, when he could have taken a political dive, I believe was the most important of his long career. He, virtually alone of the original Bolshevik leadership (at least of that part that still wanted to fight for international revolution), had the capacity to think and lead. He harnessed himself to the hard, uphill work of that period (step back, step way back, if you think we are “tilting at windmills” now). In that sense the vile Stalinist assassination in 1940, when Trotsky could still project years of political work ahead, is not among the least of Stalin’s crimes against the international working class. Had Trotsky lived another ten years or so, while he could not have “sucked” revolutions out of the ground, he could have stabilized a disoriented post-World War communist movement and we would probably have a far greater living communist movement today. Thanks for what you did do though, Comrade Trotsky.

The Class Struggle Continues...In Boston  

The Class Struggle Continues...In Boston  

The Class Struggle Continues...In Boston  

The Class Struggle Continues...In Boston  

The Class Struggle Continues...In Boston 

 

 

The Class Struggle Continues...In Boston  

The Class Struggle Continues...In Boston 

 

 

On The 39^th Anniversary Of The Fall Of Saigon (Ho Chi Minh City)-Vietnam At The End-An Uncounted Causality Of War- The Never-Ending Vietnam War Story

 

 

From The Pen Of Frank Jackman

Sometimes a picture is in fact better than one thousand words. In this case the famous, or infamous depending on one’s view, photograph of the last American “refugees” being evacuated from the American Embassy in Saigon (now, mercifully, Ho Chi Minh City) tells more about that episode of American imperial hubris that most books. Recently I reviewed Frank Snepp’s book about Vietnam at the end of the war, Indecent Interval , where I noted “as is the case with this little gem of a book, ex- CIA man Frank Snepp’s insider account of that fall from the American side, it is nice to have some serious analytical companionship to that photo. Moreover, a book that gives numerous details about what happened to who in those last days in a little over five hundred pages. Naming names about who the good guys and bad guys really were (from the American imperial perspective). Especially now, as two or three later generations only see Vietnam through the hoary eyes of old veterans, both military and radical anti-war, from that period like me (a veteran in both senses) to tell the tale.”

And such histories, memoirs and remembrances help to get a fix on that Vietnam episode in the lives of many of the young in that time. Sometimes though the story of war, about what happened before the whole edifice came crashing down, can be told another way, in a more personal way. Who knows in one hundred years the story below may be the more important story.

THERE IS NO WALL IN WASHINGTON FOR KENNY-BUT, MAYBE THERE SHOULD BE

This space is usually devoted to ‘high’ politics and the personal is usually limited to some experience of mine that has a direct political point. Sometimes, however, a story is so compelling and makes the point in such a poignant manner that no political palaver is necessary. Let me tell the tale.

Recently I returned, while on some unrelated business, to the neighborhood where I grew up. The neighborhood is one of those old working class neighborhoods where the houses are small, cramped and seedy, the leavings of those who have moved on to bigger and better things. The neighborhood nevertheless reflected the desire of the working poor in the 1950's, my parents and others, to own their own homes and not be shunted off to decrepit apartments or dilapidated housing projects, the fate of those just below them on the social ladder. While there I happened upon an old neighbor who recognized me despite the fact that I had not seen her for at least thirty years. Since she had grown up and lived there continuously, taking over the family house, I inquired about the fate of various people that I had grown up with. She, as is usually the case in such circumstances, had a wealth of information but one story in particular cut me to the quick. I asked about a boy named Kenny who was a couple of years younger than I was but who I was very close to until my teenage years. Kenny used to tag along with my crowd until, as teenagers will do, we made it clear that he was no longer welcome being ‘too young’ to hang around with us older boys. Sound familiar?

The long and the short of it is that he found other friends of his own age to hang with, one in particular, from down the street named Jimmy. I had only a nodding acquaintance with both thereafter. As happened more often than not during the 1960’s in working class neighborhoods all over the country, especially with kids who were not academically inclined, when Jimmy came of age he faced the draft or the alternative of ‘volunteering’ for military service. He enlisted. Kenny for a number of valid medical reasons was 4-F (unqualified for military service). Of course, you know what is coming. Jimmy was sent to Vietnam where he was killed in 1968 at the age of 20. His name is one of the 58,000 plus that are etched on that Vietnam Memorial Wall in Washington. His story ends there. Unfortunately, Kenny’s just begins.

Kenny took Jimmy’s death hard. Harder than one can even imagine. The early details are rather sketchy but they may have involved drug use. The overt manifestations were acts of petty crime and then anti-social acts like pulling fire alarms and walking naked down the street. At some point he was diagnosed as schizophrenic. I make no pretense of having adequate knowledge about the causes of mental illnesses but someone I trust has told me that such a traumatic event as Jimmy’s death can trigger the condition in young adults. In any case, the institutionalizations inevitably began. And later the halfway houses and all the other forms of control for those who cannot survive on the mean streets of the world on their own. Apparently, with drugs and therapy, there were periods of calm but for over three decades poor Kenny struggled with his inner demons. In the end the demons won and he died a few years ago while in a mental hospital.

Certainly not a happy story. Perhaps, aside from the specific details, not even an unusual one in modern times. Nevertheless I now count Kenny as one of the uncounted casualties of war. Along with those physically wounded soldiers who can back from Vietnam service unable to cope with their own demons and sought solace in drugs and alcohol. And those who for other reasons could no adjust and found themselves on the streets, in the half way shelters or the V. A. hospitals. And also those grieving parents and other loved ones whose lives were shattered and broken by the loss of their children. There is no wall in Washington for them. But, maybe there should be. As for poor Kenny from the old neighborhood. Rest In Peace.

             

The Class Struggle Continues... May Day 2014 In Boston

 

 

 

NATIONAL DAYS OF ACTION

NO KILLER DRONES!  NO SPY DRONES!

 

TUESDAY, MAY 6, NOON – 2:00 PM

 

MIT MAIN ENTRANCE, 77 MASSACHUSETTS AVE., CAMBRIDGE

 

Thousands of innocent people have been killed by U.S. drones.  We will read the names of victims and speak out against the new forms of warfare and the surveillance state.  We are gathering at MIT, a major center of drone research.

Spread the word and

JOIN US

 

Eastern Massachusetts Anti-Drone Network & Women’s International League for Peace and Freedom

 

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***The Roots Is The Toots-The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night – Doris Troy’s Just One Look

 

 

From The Pen Of Frank Jackman

 

I have recently been on a tear in reviewing individual CDs in an extensive Time-Life Rock ‘n’ Roll series. A lot of those reviews have been driven by the artwork which graced the covers of each item, both to stir ancient memories and reflect that precise moment in time, the youth time of the now very, very mature (nice sliding over the age issue, right?) baby-boomer generation who lived and died by the music. And who fit in, or did not fit in as the case may be, to the themes of those artwork scenes. The one for the 1963 CD compilation is a case of the former, of the fitting in. On that cover, a summer scene (always a nice touch since that was the time when we had at least the feel of our generational break-out) we are placed at the drive-in, the drive-in movies for those of the Internet/Netflicks/YouTube generations who have not gotten around to checking out this bit of Americana on Wikipedia, with the obligatory 1950s-early 1960s B-movie monster movie (outer space aliens, creatures from the black lagoon, blobs, DNA-damaged dinosaurs, foreign-bred behemoths a specialty) prominent on the screen.

Oh sure, everyone of a certain age, a certain baby-boomer age, a generation of ’68 age, has plenty of stories to tell of being bundled up as kids, maybe pre-set with full set pajamas on to defend against the late sleepy-eyed night, the sleepy-drowsy late movie night, placed in the car backseats and taken by adventurous parents (or so it seemed) to the local open air drive-in for the double feature. That usually also happened on a friendly summer night when school did not interfere with staying up late (hopefully keeping awake through both films). And to top it all off you got to play in the inevitable jungle jim, see-saw, slide, swing set-laden playground during intermission between the film while waiting, waiting against all hope, for that skewered, shriveled hot dog, rusty, dusty hamburger, or stale, over the top buttered popcorn that was the real reason that you “consented” to stay out late with the parents. Ya, we all have variations on that basic theme to tell, although I challenge anyone, seriously challenge anyone, to name five films that you saw at the drive-in that you remembered from then-especially those droopy-eyed second films.

In any case, frankly, I don’t give a damn about that kid stuff family adventure drive-in experience. Come on, that was all, well, just kids' stuff. The “real” drive-in, as pictured on that cover art just mentioned is what I want to address. The time of our time in that awkward teen alienation, teen angst thing that only got abated by things like a teenage night at the drive-in. Yeah, that was not, or at least I hope it was not, you father’s drive-in. That might have been in the next planet over, for all I know. For starters our planet involved girls (girls, ah, women, just reverse the genders here to tell your side of the experience), looking for girls, or want to be looking for girls, preferably a stray car-full to compliment your guy car-full and let god sort it out at intermission.

Wait a minute. I am getting ahead of myself in this story. First you needed that car, because no walkers or bus riders need apply for the drive-in movies like this was some kind of lame, low-rent, downtown matinee last picture show adventure. For this writer that was a problem, a personal problem, as I had no car and my family had cars only sporadically. Fortunately we early baby-boomers lived in the golden age of the automobile and could depend on a friend to either have a car (praise be teenage disposable income/allowances) or could use the family car. Once the car issue was clarified then it was simply a matter of getting a car-full of guys (or sometimes guys and gals) in for the price of two (maybe three) admissions.

What? Okay, I think that I can safely tell the story now because the statute of limitations must have surely passed. See, what you did was put a couple (or three guys) in the trunk of that old car (or in a pinch one guy on the backseat floor) as you entered the drive-thru admissions booth. The driver paid for the two (or three tickets) and took off to your parking spot (complete with ramp speaker just in case you wanted to actually listen to the film shown on that big wide white screen). Neat trick, right?

Now, of course, the purpose of all of this, as mentioned above, was to get that convoy of guys, trunk guys, backseat guys, backseat floor guys, whatever, to mix and moon with that elusive car-full of girls who did the very same thing (except easier because they were smaller) at the intermission stand or maybe just hanging around the unofficially designated teen hang-out area. No family sedans with those pajama-clad kids need apply (nor would any sane, responsible parent get within fifty paces of said teens). And occasionally, very occasionally as it turned out, some “boss” car would show up complete with one guy (the driver) and one honey (girl, ah, woman) closely seated beside him for what one and all knew was going to be a very window-fogged night. And that was, secretly thought or not, the guy drive-in dream. As for the movies. Did they show movies there? Enough said.

Oh, except that at said drive-in, before the first show started at dusk, between shows and on the way home, girl-matched or not, you were very liable to hear many of the songs in that CD on the old car radio. The stick outs included: Heat Wave (not as good as Dancing In The Streets but good), Martha and the Vandellas; Just One Look (make that look my way, please, even if you are munching on popcorn) Doris Troy; Wild Weekend (just in case you wanted to dance during intermission rather than watch the screen clock ticking off the time until that next film began), The Rockin’ Rebels ; and, Don’t Say Nothin’ Bad About My Baby (yeah, you have got that right, sisters), The Cookies.

***Dashiell Hammett’s Nick And Nora Charles To The Rescue- Yet Another Thin Man

DVD Review

From The Pen Of Frank Jackman

Another Thin Man, starring William Powell, Myrna Loy, Asta, very roughly based on Dashiell Hammett’s original crime detection story, 1939  

The following paragraphs are taken from a recent review of the Dashiell Hammetts’s crime detection novel The Thin Man which the original source for the successful series of films starring William Powell, Myrna Loy and Asta, including the film under review, Another Thin Man.    

“Dashiell Hammett, along with Raymond Chandler, reinvented the detective genre in the 1930's and 1940's. They moved the genre away from the amateurish and simple parlor detectives that had previously dominated the genre to hard-boiled action characters who knew what was what and didn't mind taking a beating to get the bad guys. And along the way they produced some very memorable literary characters as well. Nick Charles (and wife Nora), Sam Spade and Phillip Marlowe are well known exemplars of the action detective. Hammett, on the way to creating these literary works of art did journeyman's work at the detective genre in various pulp detective magazines. Moreover, in the beginning he hid his detectives behind the anonymous, although not faceless or without personality, average detectives of a national detective agency, the Continental Op series(shades of his own past). One of those efforts is an early almost totally unrelated version of The Thin Man that those who have read the later version (or know Nick, Nora and Asta only from the film series) would not recognize.

Dashiell Hammett is perhaps better known for creating the classic modern proto-typical detective, one Sam Spade the detective-hero (or anti-hero, if you prefer) of the literary (and film) noir The Maltese Falcon. With The Thin Man he took a different tack in providing a model detective- the urbane Nick Charles, his side-kick society wife, Nora, and their ever present faithful dog companion, Asta.”

The story line here centers on solving the apparently “perfect” murder of Nora’s estate’s financial manager, a little rich girl’s financial manager (if a rather nice little girl and by the time of this film a mother too).There is an elaborate, too elaborate attempt, to make the deed seem to the work of a disgruntled former employee who took the fall when the investigators saw the books were cooked. An excellent reason to seek revenge, especially after doing a dime’s worth in stir. But as with all such thing that was just a diversion. As usual Nick and Nora followed the dough, or rather who would benefit most from the financial manager’s demise. That’s why Nick and Nora get the big bucks, or the kudos.   

***Out In The Be-Bop Be-Bop 1960s Night- When Sammy Russo Ran The Skee Ball Lanes

 

 

 

From The Pen Of Peter Paul Markin

Click on the headline to link to a YouTube film clip of The Shirelles performing their classic Tonight’s The Night

Scene: Brought to mind by one of the snapshot photos that graced each CD compilation in a rock and roll series that I recently reviewed here. The then newly built Gloversville Amusement Park created out of farmland just west of the old home town, Clintondale. Of course it had all the latest rides, including two Ferris wheels, two different-sized roller coasters (one for the faint-hearted, the other for the brave, or fool-hearty) refreshment stands seemingly without end, and other refinements, including for our particular purposes not one by two game pavilions anchored by rows of skee lanes. Skee lanes that Sammy Russo ruled (that‘s would be the the guy eating the proffered popcorn in the photo I am referring if you could see it) and claimed kingship over and over which Patty Smith (the popcorn profferee in said photo) sought to be his queen. If she could handle the gaffe.

***********

“Christ, Patty how many of these damn, god awful kewpie dolls do you need anyway?,” yelled Sammy Russo, the King Of The Skee Ball night at Gloversville Amusement Park and also a 1960s king hell king of a corner boy at Doc Sweeney’s Drugstore (said store complete with soda fountain, naturally, and a juke box too else why be a corner boy there, or anything else) out in the Clintondale be-bop night to his wanna-be sweetie, Patty Smith. And it was a question that he expected an answer to, a prompt, no sass answer, newness wearing off or not, newness of their “steady” hood-ness, that is.

See, Patty got big eyes for Sammy right here at the FUNland game pavilion (no that is not a typo that is the way the name in front of the game pavilion read) at the beginning of summer, right after school let out. School, of course, being North Adamsville High in the year of our lord nineteen hundred and sixty if anybody asks you, and they might. And, for that matter, how else would I know of the Sammy-Patty love story, I ask you, if that wasn’t so. I am one of Sammy’s Doc’s Drugstore corner boy, uh, associates.

Gloversville proper, by the way, is too new and rural raw to have its own high school so kids from Gloversville come over to North Clintondale where there is some extra room just now. But Gloversville kids, farm boys and girls mainly, are strictly squaresville. No dispute. The only reason that anybody from North Clintonville High, any corner boy (or his girl) would even set foot in Gloversville for one minute, no, one second, was to pass ever-loving Main Street (really Route 16) through to the edge of town seeking the newly built Gloversville Amusement Park. And that is the reason why Sammy and Patty were standing there in front of the FUNland skee ball lanes having their first “argument.” Well, kind of an argument.

Patty was either in some high funk, or did not hear Sammy the first time over the din of the Gene Daniel’s A Hundred Pounds Of Clay followed immediately by The Chieftains Heart And Soul, blaring over the loudspeaker. A loudspeaker that we finally figured out was used by the management to juice up the pinball/skee ball/games atmosphere so no one could think and just drop coins in steadily whatever games were being played. The noise was so loud that Sammy was forced to repeat himself. And Patty faux-demurely answered (as was her way when Sammy got this, well, this Sammy Doc’s corner boy way)-“Until I get the whole set of twelve, and not before.” [Markin: For those who are breathlessly on the edge of their seats waiting to know why there are twelve it is simple. There are twelve kewpies representing twelve different nations/major ethnic groups, naturally, they had that part of the soft sell down easy] “Christ,” said Sammy under his breathe, “We will be here all night.”

All night skee-ing when Sammy, king of the skees or not, had other things, other wrestling in some secluded spot out back by the artificial lake that formed one of the edges of the park things, on his mind. With one Patty Smith, of course. And that would not be the first time, the first wrestling time. Funny, just then the newest Shirelles' hit came over the speaker, Tonight’s The Night. But just now he knew deep in his bones, knew as if he had been married to Miss Smith for fifty years, that tonight was not going to be the night if she did not go home with not ten, not eleven, but exactly twelve f—king kewpie dolls.

Now this skee thing, on an average night is nothing but a sure thing when Sammy has his motor running. When his mind is on skees, okay. But playing enough games to “win” twelve dolls, or for that matter twelve rabbits’ feet or twelve leis (lesser prizes in the skee universe) requires a certain perseverance and good aim.

[Markin: For those who do not know skee it is like bowling, candle-pin bowling (small balls for those not from New England) in that you roll the bowl up a short lane and like darts or rifle target shooting in that you have a target. The idea is to get as many points (and hence coupons) with nine balls as possible. The points convert to coupons which are dispensed near where you place your money to start a game. Get enough coupons and you win prizes from those lame leis to kewpie dolls. Simple.]

But, like I said, Sammy’s mind had been elsewhere, especially when Patty, yes, Patty brought up the subject of wrestling down by that lake if things worked out at skee. And as if to punctuate her sentence Brenda Lee’s You Can Depend On Me came on while these “negotiations” were in progress.

But this night Sammy, king hell corner boy is whipped, just plain whipped by the task before him. It is almost closing time (11:00 PM) and Sammy has won exactly five dolls. And Sammy, while he can be as smooth as any Doc’s Drugstore corner boy, except maybe Fritz Gentry, or as cold as any hard-boiled Hell’s Angel motorcycle corner boy from the Blarney Bar &Grille in the hard-night part of Clintondale is ready to explode at Patty. Not for her foolish girl desire for the damn dolls. That is how girls are and what makes them tick. No, Sammy is fed up that his prowess at skee had to be put in play by Patty’s silly notions.

So come eleven o'clock and defeat Sammy, cold as ice, says to Patty, “Okay, we are finished, I’ll take you home now but I have had it.” So they walked, walked pretty far apart for two people on the same planet, back to Sammy’s father’s car and he did not even open Patty’s door for her. Bad news, no question. She got in and as the car radio heated up wouldn’t you know in a night filled with omens and portents that just then the local all-night rock ‘n’ roll station would be playing Connie Francis’ Breakin’ In A Brand New Broken Heart. And both Sammy and Patty were absolutely quiet while that song was being played.

 

On The 39^th Anniversary Of The Fall Of Saigon (Ho Chi Minh City)-Vietnam At The End- The American End- An Insider’s Story- Frank Snepp’s “Decent Interval”- A Book Review

 

Book Review

Decent Interval: An Insider’s Account Of Saigon’s Indecent End Told By The CIA’s Chief Strategy Analyst In Vietnam, Frank Snepp, Random House, New York, 1977

Sometimes a picture is in fact better than one thousand words. In this case the famous, or infamous depending on one’s view, photograph of the last American “refugees” being evacuated from the American Embassy in Saigon (now, mercifully, Ho Chi Minh City) tells more about that episode of American imperial hubris that most books. Still, as is the case with this little gem of a book, ex- CIA man Frank Snepp’s insider account of that fall from the American side, it is nice to have some serious analytical companionship to that photo. Moreover, a book that gives numerous details about what happened to who in those last days in a little over five hundred pages. Naming names about who the good guys and bad guys really were (from the American imperial perspective. Especially now, as two or three later generations only see Vietnam through the hoary eyes of old veterans, both military and radical anti-war, from that period like me (a veteran in both senses) to tell the tale.

Naturally, a longtime CIA man who in a fit of his own hubris decided, in effect, to blow the whistle on the American fiasco, has got his own axes to grind, and his own agenda for doing so. Bearing that in mind this is a fascinating look at that last period of American involvement in Vietnam from just after the 1973 cease-fire went into place until that last day of April in 1975 when the red flag flew over Saigon after a thirty plus year struggle for national liberation. For most Americans the period after the withdrawal of the last large contingents of U.S. troops from combat in 1972 kind of put paid to that failed experiment in “nation-building”-American-style.

For the rest of us who wished to see the national liberation struggle victorious we only had a slight glimmer that sometime was afoot until fairly late- say the beginning of 1975, although the rumor mill was running earlier. So Mr. Snepp’s book is invaluable to fill in the blanks for what the U.S., the South Vietnamese and the North Vietnamese were doing, or not doing.

Snepp’s lively account, naturally, centers on the American experience and within that experience the conduct of the last ambassador to Saigon, Graham Martin. Snepp spares no words to go after Martin’s perfidious and maniacal role, especially in the very, very last days when the North Vietnamese were sweeping almost unopposed into Saigon. But there is more, failures of intelligence, some expected, others just plain wrong, some missteps about intentions, some grand-standing and some pure-grade rancid anti-communist that fueled much of the scene.

And, of course, no story of American military involvement any place is complete without plenty of material about, well the money. From Thieu’s military needs (and those of his extensive entourage) to the American military (and their insatiable need for military hardware), to various American administrations and their goals just follow the money trail and you won’t be far off the scent. And then that famous, or infamous, photograph of that helicopter exit from the roof of the American Embassy in just a nick of time makes much more sense. Nice work, Frank Snepp. The whistleblower’s art is not appreciated but always needed. Just ask heroic convicted whistle-blower Private Chelsea Manning or exiled Edward Snowden.

***In The Time Of The 1950s Be-Bop Baby-Boom Jail Break-Out

I have recently been on a tear in reviewing individual CDs in an extensive Time-Life Rock ‘n’ Roll series. A lot of these reviews have been driven by the artwork which graces the covers of each item, both to stir ancient memories and reflect that precise moment in time, the youth time of the now very, very mature (nice sliding over the age issue, right?) baby-boomer generation who lived and died by the music. And who fit in, or did not fit in as the case may be, to the themes of those artwork scenes. This The ‘60s: Rave On is a case of the latter, of the not fitting in. On this cover, a summer scene (always a nice touch since that was the time when we had at least the feel of our generational breakout), a summer night scene, a lovers’ lane summer’s night scene, non-described as such but clearly “boss” Corvette car scene spells it all out for this car-less teen, no car soon in sight teen, and no gas money, etc., etc. even if I had as much as an old Nash Rambler junk car. But not to speak bitterness today, I do want to talk car dream, Corvette car dream, okay.

I have ranted endlessly about the 1950s as the “golden age of the automobile” and I am not alone. As perceptive a social critic and observer as Tom Wolfe, he of Electric Kool-Aid Acid Test and many other tribal gathering-type book screeds, did a whole book on the California car culture, the California post World War II teen car culture that drifted east and “infested” plenty of young working class kids in that time, the time of white tee-shirts, jeans, maybe a leather jacket against life’s storms, and of endless grease monkey tune-up to get that engine revved just right. Moreover, nostalgia-driven George Lucas’s American Graffiti of 1973 is nothing but an ode to that good-night teen life, again California-style.

Sure, and as it drifted back east Sammy the local wizard, car wizard, had all the girls, all the good-looking girls hanging around his home garage just waiting to be “selected” for a ride in Sammy’s latest effort, usually some variation off a ’57 Chevy. And Sammy, believe me, was nothing but very average for looks. But get this, old bookish reviewer, old two-thousand facts and don’t stop counting reviewer, got exactly nowhere even with the smart girls in Sammy-ruled land. Ya, get away kid, ‘cause Sammy is the be-bop daddy of the Eastern ocean night. And books and book-knowledge, well you have old age for books but a ’57 Chevy is now. And here is the unkindest cut of all-"go wait for the bus at the bus stop, boy. Sammy rules here."

But a man can dream, can’t he? And even Sammy, greased up, dirty fingernails, blotched tee-shirt, admitted, freely admitted, that he wished, wished to high heaven that he had enough dough for the upkeep on a Corvette the ding-daddy (his word) “boss” (my word) car of the age and nothing but a magnet for even smarter and better looking girls than the neighborhood girls that “harassed” him. ( I found out later that this “harassed” was nothing but a nothing thing because come Friday or Saturday night he had more than his fair share of companions down by the seashore-every thing is alright night.) Still Corvette meant big dough and as the scene in this CD indicates, probably big “new money” California daddy rich kid dough to look out at the Hollywood Hills or Laguna Beach night. Ya, that’s the dream, and that window-fogged night part too.

And whether you were a slave to your car (or not as with this writer), be it ’57 Chevy, Corvette or just that old beat down, beat around Nash Rambler you had that radio glued, maybe literally, to the local rock station to hear the tunes on this CD. Although truth to tell this writer listening to his be-bop little transistor radio would not have gone crazy over the mix presented here. This is a second compilations of ‘60s hits but it seems to have run out of steam so the few stick-outs here include: Let’s Have a Party (a great rockabilly tune by one of the few woman in that genre, Wanda Jackson; Chains (great harmony by this group that also did backups on a ton of other material), The Cookies; and, If You Need Me (his heyday and much under-appreciated as an early soulful singer except, of course, when they played him as last dance and you got the courage to ask that certain she you had been eyeing all night to dance, thanks S.B.), Solomon Burke.

Urgent Medical Appeal for Ex-Political Prisoner Lynne Stewart Workers Vanguard No. 1041	7 March 2014

 

 

Seventy-four years old and suffering from Stage IV breast cancer, radical lawyer Lynne Stewart may have only months to live. The government is dedicated to making that time as painful as possible. After being denied compassionate medical release for nearly a year, Stewart was finally let out of prison on December 31 by a U.S. district judge who cited her “terminal medical condition and very limited life expectancy.” Stewart, whose cancer has metastasized to her back, lung, bones and lymph nodes, discovered after her release that she had been stripped of Medicare coverage while in prison. She will not be enrolled again until July. Medicaid will not cover her because Stewart and her husband’s combined Social Security benefits exceed the monthly income limit. She must now pay the sky-high costs of treatment and medication herself—or go without!

Stewart should never have spent a day in prison. In 2005, she was convicted of giving material support to terrorism for her vigorous defense of an Egyptian Islamic fundamentalist cleric who had been imprisoned for an alleged plot to blow up New York City landmarks in the early 1990s. Stewart’s purported “material support” was to communicate her client’s views to Reuters news service. Her Arabic translator Mohamed Yousry and paralegal Ahmed Abdel Sattar were also convicted. These watershed convictions gave the capitalist government a green light to prosecute lawyers as co-conspirators of their clients—a frontal attack on the Sixth Amendment right to counsel. In 2010, at the instigation of the Obama administration, a federal appeals court instructed the judge who had originally sentenced Stewart to reexamine her sentence. Appeasing his superiors, the judge jacked up the original 28-month sentence to ten years.

Lynne Stewart dedicated her adult life to keeping Black Panthers, radical leftists and others who are reviled by the capitalist state out of the clutches of its prison system. Tens of thousands worldwide supported Stewart’s fight for a medical release. She must not face this new attack alone. The Lynne Stewart Defense Committee has issued an appeal for funds for Stewart’s medical needs. The Partisan Defense Committee, a class-struggle defense organization associated with the Spartacist League, has contributed funds. We urge our readers to contribute now! Make checks payable to “Lynne Stewart Organization” and mail to: Lynne Stewart Organization, 1070 Dean Street, Brooklyn, NY 11216.

Please contribute to Lynne's Immediate Medical Needs! As Valentine's Day approaches, show your continued love and support for Lynne Stewart and her tireless efforts to fight for justice. And if you donate now, your gift will be matched dollar for dollar by a generous friend of the fight for justice for Lynne Stewart. TO DONATE GO HERE: http://www.indiegogo.com/projects/lynne-stewart-s-medical-fund