Wednesday, August 06, 2014

In The 74th Anniversary Year Of The Assassination Of Great Russian Revolutionary Leon Trotsky A Tribute- DEFEATED, BUT UNBOWED-THE WRITINGS OF LEON TROTSKY, 1929-1940

 

LEON TROTSKY AND THE FIGHT TO SAVE THE RUSSIAN REVOLUTION, PART I

BOOK REVIEW

THE CHALLENGE OF THE LEFT OPPOSITION (1923-25), LEON TROTSKY, Pathfinder Press, New York, 1975

If you are interested in the history of the International Left or are a militant trying to understand some of the past lessons of our history concerning the communist response to various social and labor questions this book is for you. This book is part of a continuing series of volumes in English of the writings of Leon Trotsky, Russian Bolshevik leader, from the start in 1923 of the Left Opposition in the Russian Communist Party that he led through his various exiles up until his assassination by a Stalinist agent in 1940. These volumes were published by the organization that James P. Cannon, early American Trotskyist leader founded, the Socialist Workers Party, in the 1970’s and 1980’s. (Cannon’s writings in support of Trotsky’s work are reviewed elsewhere in this space) Look in this space for other related reviews of this series of documents on and by this important world communist leader.

Since the volumes in the series cover a long period of time and contain some material that , while of interest, is either historically dated or more fully developed in Trotsky’s other separately published major writings I am going to organize this series of reviews in this way. By way of introduction I will give a brief summary of the events of the time period of each volume. Then I will review what I believe is the central document of each volume. The reader can then decide for him or herself whether my choice was informative or not.

Although there were earlier signs that the Russia revolution was going off course the long illness and death of Lenin in 1924, at the time the only truly authoritative leader the Bolshevik party, set off a power struggle in the leadership of the party. This fight had Trotsky and the ‘pretty boy’ intellectuals of the party on one side and Stalin, Zinoviev and Kamenev (the so-called triumvirate).backed by the ‘gray boys’ of the emerging bureaucracy on the other. This struggle occurred against the backdrop of the failed revolution in Germany in 1923 and which thereafter heralded the continued isolation, imperialist blockade and economic backwardness of the Soviet Union for the foreseeable future.

While the disputes in the Russian party eventually had international ramifications in the Communist International, they were at this time fought out almost solely with the Russian Party. Trotsky was slow, very slow to take up the battle for power that had become obvious to many elements in the party. He made many mistakes and granted too many concessions to the trio. But he did fight. Although later (in 1935) Trotsky recognized that the 1923 fight represented a fight against the Russian Thermidor (from an analogy with the period of the French Revolution where the radical regime of Robespierre and Saint Just was overthrown by more moderate Jacobins) and thus a decisive turning point for the revolution that was not clear to him (or anyone else on either side) then. Whatever the appropriate analogy might have been Leon Trotsky was in fact fighting a last ditch effort to retard the further degeneration of the revolution. After that defeat, the way the Soviet Union was ruled, who ruled and for what purposes all changed. And not for the better.

The most important document in this volume is clearly and definitely Trotsky’s Lessons of October. Although there are a couple of other documents of interest- The New Course, his program to try to bring the agrarian and the industrial crisis into focus-and The Problems of Civil War- Trotsky’s contribution to the so-called “literary discussion” in the party far outdistances those documents in importance. When this document hit the press there was definitely gnashing of teeth by the ruling trio in the Kremlin- Why? Lessons of October is essentially a polemic against fainted-hearted, opportunist failure to appreciate both the rarity of a revolutionary moment and the necessity to have a sharp combat- tested organization to take advantage of that situation. Moreover, this polemic was a direct attack on Zinoviev and Kamenev for their position against insurrection at the time of revolution and on Stalin’s March, 1917 call for political support to the bourgeois Provisional Government.

George Bernard Shaw once called Trotsky the “Prince of Pamphleteers” and he certainly earns that title in Lessons of October. Alas, those who write the best polemics do not necessarily win the power. Those 200,000 plus politically immature or careerist new party members beholding to the increasingly Stalinist bureaucracy drafted under the “Lenin Levy” saw the writing on the wall differently. That was decisive. Nevertheless, Lessons of October is not just any political document- it is an essential document for the education of today’s militants. It bears reading, re-reading, and reading again. I know I always get something new out of it each time I read it.

*******


In Honor Of Leon Trotsky On The 74th Anniversary Of His Death- To Those Born After-Ivan Smirnov’s Journey

From The Pen Of Frank Jackman

Ivan Smirnov came out of old Odessa town, came out of the Ukraine (not just plain Ukraine like now but “the” then), the good black earth breadbasket of Russian Empire, well before the turn of the 20th century (having started life on some Mister’s farm begotten by illiterate peasant parents who were not sure whether it was 1880 or 1881) although he was strictly a 20th century man by habits and inclinations. Those habits included a love of reading, a love of the hard-pressed peoples facing the jack-boot (like his parents) under the Czar’s vicious rule, an abiding hatred for that same Czar, a hunger to see the world or to see something more than wheat fields, and a love of politics, what little expression that love could take. 

Of course Ivan Smirnov, a giant of a man, well over six feet, well-build with the Russian dark eyes and hair to match, when he came of age also loved good food when he had the money for such luxuries, loved to drink shots of straight vodka in competition with his pals, and loved women, and women loved him. It is those appetites in need of whetting that consumed his young manhood, his time in Odessa before he signed on to the Czar’s navy to see the world, or at least  brush the dust of Odessa off his shoes as the old saying went. Those loves trumped for a time his people love, his love of liberty but as we follow Ivan on his travels we will come to collide more and more with those larger loves. 

So as we pick up the Ivan Smirnov story he was no kid, had been around the block a few times. Had taken his knocks on the land of his parents (really Mister’s land once the taxes, rents, and dues were taken out) when he tried to organize, well, not really organize but just put a petition to Mister which was rejected out of hand and which forced him off the land. Forced him off under threat to his life. He never forgot that slight, never. Never forgot it was Mister and his kind that took him away from home, split his family up. So off he went to the city, and from there to the Black Sea Fleet and adventure, or rather tedium mixed with adventure and plenty of time to read. He also learned up close the why and wherefores of modern warfare, modern naval warfare. Knew too that come some minor confrontation the Czar’s navy was cooked.  As things worked out Ivan had been in the Russian fleet that got its ass kicked by the Japanese in 1904 (he never called them “Nips” like lots of his crewmates did not after that beating they took that did not have to happen if the damn Czar’s naval officers had been anything but lackeys and anything but overconfident that they could beat the Johnny-come-lately Japanese in the naval war game). And so Ivan came of war age and political age all at once.

More importantly he had transferred into in the Baltic fleet when the revolution of 1905 came thundering over their heads and each man, each sailor, each officer had to choice sides. He had gone with rebels and while he did not face the fate of his comrades on the Potemkin his naval career was over. That was where his love of reading from an early age came in, came and made him aware of the boiling kettle of political groupings trying to save Russia or to save what some class or part of a class had an interest in. He knew, knew from his dismal experience on the land, that Mister fully intended to keep what was his come hell or high water. He also knew that Mister’s people, the peasantry like his family would have a very hard time, a very hard time indeed bucking Mister’s interests and proclaiming their own right to the land all by themselves. Hadn’t he also been burned, been hunted over a simple petition. So he from the first dismissed the Social Revolutionary factions and gave some thought to joining the Social Democrats. Of course being Russians who would argue over anything from how many angels could fit on the head of a needle to theories of capitalist surplus value the party organization had split into two factions (maybe more when the dust settled). When word came back from Europe he had sided with the Mensheviks and their more realistic approach to what was possible for Russia in the early 20th century. That basic idea of a bourgeois democratic republic was the central notion that Ivan Smirnov held for a while, a long while and which he took in with him once things got hot in Saint Petersburg in January of 1905.       

That January after the Czar’s troops, his elite bloody Cossack troops in the lead, fired on (and sabre-slashed) an unarmed procession led by a priest, damn a Russian Orthodox priest, a people’s priest who led the icon-filled procession to petition the Czar to resolve grievances great and small Ivan Smirnov, stationed out in the Baltic Fleet then after the reorganization of the navy in the wake of the defeat by the Japanese the year before had an intellectual crisis. He knew that great things were going to unfold in Russia as it moved into the modern age. He could see the modern age tied to the ancient agrarian age every time he had leave and headed for Saint Petersburg with its sailors’ delights of which Ivan usually took his full measure. He could see in the city within a city, the Vyborg district, the growing working-class district made up of fresh recruits from the farms looking for higher wages, some excitement and a future. That was why he had discarded the Social Revolutionaries so quickly when in an earlier generation he might very well have been a member of People’s Will or some such organization. No his intellectual crisis did not come from that quarter but rather that split in the workers’ party which had happened in 1903 far from Russia among the émigré intellectuals around who was a party member. He had sided with the “softs,” the Mensheviks, mainly because he liked their leader, Julius Martov, better than Lenin. Lenin and his faction seemed more intent on gaining organizational control, had more hair-splitters which he hated, and were more [CL1] wary of the peasants even though both factions swore faith in the democratic republic for Russia and to the international social democracy. He had sided with the “softs” although he saw a certain toughness in the Bolshevik cadre that he admired. But that year, that 1905 year, had started him on a very long search for revolutionary direction.           

The year 1905 started filled with promise after that first blast from the Czarist reaction. The masses were able to gather in a Duma that was at least half responsible to the people, or to the people’s representatives. At least that is what those people’s representatives claimed. More importantly in the working class districts, and among his fellow sailors who more likely than not, unlike himself, were from some strata of the working class had decided to set up their own representative organs, the workers’ councils, or in the Russian parlance which has come down in the  history books the soviets. These in 1905, unlike in 1917, were seen as supplementary to other political organizations. As the arc of the year curved though there were signs that the Czarist reaction was gathering steam. Ivan had trouble organizing his fellow sailors to action. The officers of his ship, The Falcon, were challenging more decisions. The Potemkin affair brought things to a head in the fleets. Finally, after the successes of the Saint Petersburg Soviet under the flaming revolutionary Leon Trotsky that organ was suppressed and the reaction set in that would last until many years later, many tough years for political oppositionists of all stripes. Needless to say that while Ivan was spared the bulk of the reprisals once the Czarist forces regained control his career in the navy was effectively finished and when his enlistment was up he left the service.       

 

 

 

Just as well Ivan that things worked out as they did he had thought many times since then because he was then able to come ashore and get work on the docks through some connections, and think. Think and go about the business of everyday life like marriage to a woman, non-political but a comfort, whom he met through one of his fellow workers on the Neva quay and who would share his home and life although not always understanding that part of his life or him and his determination to break Russia from the past. In those days after 1905, the dogs days as everybody agreed, when the Czar’s Okhrana was everywhere and ready to snatch anyone with any oppositional signs Ivan mostly thought and read, kept a low profile, did as was found out later after the revolution in 1917, a lot of low-level underground organizing among the dockworkers and factory workers of the Vyborg district. In other words developing himself and those around him as cadre for what these few expected would be the great awakening. But until the break-out Lena River gold-workers strike in 1912 those were indeed dog days.      

***The Roots Is The Toots-The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-Elvis' Jailhouse Rock    

 

 

A while back when I was doing a series of scenes, scenes from the hitchhike road in search of the great American West night in the late 1960s, later than the time of Frankie’s early 1960s old working class neighborhood kingly time that I want to tell you about now, I   noted that there had been about a thousand truck-stop diner stories left over from those old hitchhike road days. On reflection though, I realized that there really had been about three diner stories with many variations. Not so with Frankie, Frankie from the old neighborhood, stories. I have got a thousand of them, or so it seems, all different. Hey, you already, if you have been attentive to this space, know a few Frankie, Frankie from the old neighborhood, stories (okay, I will stop, or try to, stop using that full designation and just call him plain, old, ordinary, vanilla Frankie just like everybody else).

Yeah you already know the Frankie story (see I told you I could do it) about how he lazily spent a hot late August 1960 summer before entering high school day working his way up the streets of the old neighborhood to get some potato salad (and other stuff too) for his family’s Labor Day picnic. And he got a cameo appearance in the tear-jerk, heart-rendering saga of my first day of high school in that same year where I, vicariously, attempted to overthrow his lordship with the nubiles (girls, for those not from the old neighborhood, although there were plenty of other terms of art to designate the fair sex then, most of them getting their start in local teenage social usage from Frankie’s mouth). That effort, that attempt at coping his “style”, like many things associated with one-of-a-kind Frankie, as it turned out, proved unsuccessful.

More recently I took you in a roundabout way to a Frankie story in a review of a 1985 Roy Orbison concert documentary, Black and White Nights. That story centered around my grinding my teeth whenever I heard Roy’s Running Scared because one of Frankie’s twists (see nubiles above) played the song endlessly to taint the love smitten but extremely jealous Frankie on the old jukebox at the pizza parlor, old Salducci's Pizza Shop, that we used to hang around in during our high school days. It’s that story, that drugstore soda fountain story, that brought forth a bunch of memories about those pizza parlor days and how Frankie, for most of his high school career, was king of the hill at that locale. And king, king arbiter, of the social doings of those around him as well.

And who was Frankie? Frankie of a thousand stories, Frankie of a thousand treacheries, Frankie of a thousand kindnesses, and, oh yeah, Frankie, my bosom friend in high school. Well let me just steal some sentences from that old August summer walk story and that first day of school saga because really Frankie and I went back to perilous middle school days (a.k.a. junior high days for old-timers) when he saved my bacon more than one time, especially from making a fatal mistake with the frails (see nubiles and twists above). He was, maybe, just a prince then working his way up to kingship. But even he, as he endlessly told me that summer before high school, August humidity doldrums or not, was along with the sweat on his brow from the heat a little bit anxious about being “little fish in a big pond” freshmen come that 1960 September.

Especially, a pseudo-beatnik “little fish”. See, he had cultivated a certain, well, let’s call it "style" over there at the middle school. That “style” involved a total disdain for everything, everything except trying to impress girls with his long-panted, flannel-shirted, work boot-shod, thick book-carrying knowledge of every arcane fact known to humankind. Like that really was the way to impress teenage girls, then or now. Well, as it turned out, yes it was. Frankie right. In any case he was worried, worried sick at times, that in such a big school his “style” needed upgrading. Let’s not even get into that story, the Frankie part of it now, or maybe, ever. We survived high school, okay.

But see, that is why, the Frankie why, the why of my push for the throne, the kingship throne, when I entered high school and that old Frankie was grooming himself for like it was his by divine right. When the deal went down and I knew I was going to the “bigs” (high school) I spent that summer, reading, big time booked-devoured reading. Hey, I'll say I did, The Communist Manifesto, that one just because old Willie Westhaven over at the middle school (junior high, okay) called me a Bolshevik when I answered one of his foolish math questions in a surly manner. I told you before that was my pose, my Frankie-engineered pose. I just wanted to see what he, old Willie, was talking about when he used that word. How about Democracy in America (by a French guy), The Age of Jackson (by a Harvard professor who knew idol Jack Kennedy, personally, and was crazy for old-time guys like Jackson), and Catcher In The Rye (Holden was me, me to a tee). Okay, okay I won’t keep going on but that was just the reading on the hot days when I didn’t want to go out. There was more.

Here's what was behind the why. I intended, and I swear I intended to even on the first nothing doing day of that new school year in that new school in that new decade (1960) to beat old Frankie, old book-toting, mad monk, girl-chasing Frankie, who knew every arcane fact that mankind had produced and had told it to every girl who would listen for two minutes (maybe less) in that eternal struggle, the boy meets girl struggle, at his own game. Yes, Frankie, my buddy of buddies, prince among men (well, boys, anyhow) who kindly navigated me through the tough, murderous parts of junior high, mercifully concluded, finished and done with, praise be, and didn’t think twice about it. He, you see, despite, everything I said a minute ago he was “in.”; that arcane knowledge stuff worked with the “ins” who counted, worked, at least a little, and I got dragged in his wake. I always got dragged in his wake, including as lord chamberlain in his pizza parlor kingdom. What I didn’t know then, wet behind the ears about what was what in life's power struggles, was if you were going to overthrow the king you’d better do it all the way.  But, see if I had done that, if I had overthrown him, I wouldn’t have had any Frankie stories to tell you, or help with the frills in the treacherous world of high school social life (see nubiles, frails and twists above. Why don’t we just leave it like this. If you see the name Frankie and a slangy word when you think I am talking about girls that's girls. Okay?)

As I told you in that Roy Orbison review, when Roy was big, big in our beat down around the edges, some days it seemed beat six ways to Sunday working-class neighborhood in the early 1960s, we all used to hang around the town pizza parlor, or one of them anyway, that was also conveniently near our high school as well. Maybe this place was not the best one to sit down and have a family-sized pizza with salad and all the fixings in, complete with family, or if you were fussy about décor but the best tasting pizza, especially if you let it cool for a while and no eat it when it was piping hot right out of the oven.

Moreover, this was the one place where the teen-friendly owner, a big old balding Italian guy, Tonio Salducci, at least he said he was Italian and there were plenty of Italians in our town in those days so I believed him but he really looked Greek or Armenian to me, let us stay in the booths if it wasn’t busy, and we behaved like, well, like respectable teenagers. And this guy, this old Italian guy, blessed Leonardo-like master Tonio, could make us all laugh, even me, when he started to prepare a new pizza and he flour-powdered and rolled the dough out and flipped that sucker in the air about twelve times and about fifteen different ways to stretch it out. Sometimes people would just stand outside in front of the doubled-framed big picture window and watch his handiwork in utter fascination.

Jesus, Tonio could flip that thing. One time, and you know this is true because you probably have your own pizza dough on the ceiling stories, he flipped the sucker so high it stuck to the ceiling, right near the fan on the ceiling, and it might still be there for all I know (the place still is, although not him). But this is how he was cool; he just started up another without making a fuss. Let me tell you about him, Tonio, sometime but right now our business to get on with Frankie, alright.

So there was nothing unusual, and I don’t pretend there is, in just hanging out having a slice of pizza (no onions, please, in case I get might lucky tonight and that certain she comes in, the one that I have been eyeing in school all week until my eyes have become sore, that thin, long blondish-haired girl wearing those cashmere sweaters showing just the right shape,  please, please, James Brown, please come in that door), some soft drink (which we called tonic in New England in those days but which you call, uh, soda), usually a locally bottled root beer, and, incessantly dropping nickels, dimes and quarters in the jukebox.

 (And that "incessantly" allowed us to stay since we were paying customers with all the rights and dignities that status entailed, unless, of course, they needed our seats). But here is where it all comes together, Frankie and Tonio the pizza guy, from day one, got along like crazy. Frankie, Francis Xavier Riley, map of Ireland, red-headed, fair-skinned, blue-eyed Frankie got along like crazy with Italian guy Tonio. That was remarkable in itself because, truth be told, there was more than one Irish/ Italian ethnic, let me be nice, “dispute” in those days. Usually over “turf”, like kids now, or some other foolish one minute thing or another.

Moreover, and Frankie didn’t tell me this for a while, Frankie, my bosom buddy Frankie, like he was sworn to some Omerta oath, didn’t tell me that Tonio was “connected.” For those who have been in outer space, or led quiet lives, or don’t hang with the hoi polloi that means with the syndicate, the hard guys, the Mafia. If you don’t get it now go down and get the Godfather trilogy and learn a couple of things, anyway. This "connected" stemmed, innocently enough, from the jukebox concession which the hard guys controlled and was a lifeblood of Tonio's teenage-draped business, and not so innocently, from his role as master numbers man (pre-state lottery days, okay) and "bookie" (nobody should have to be told what that is, but just in case, he took bets on horses, dogs, whatever, from the guys around town, including, big time, Frankie's father, who went over the edge betting like some guys fathers' took to drink).

And what this “connected” also meant, this Frankie Tonio-connected meant, was that no Italian guys, no young black engineer-booted, no white rolled-up tee-shirted, no blue denim- dungareed, no wide black-belted, no switchblade-wielding, no-hot-breathed, garlicky young Italian studs were going to mess with one Francis Xavier Riley, his babes (you know what that means, right?), or his associates (that’s mainly me). Or else.

Now, naturally, connected to "the connected" or not, not every young tough in any working class town, not having studied, and studied hard, the sociology of the town, is going to know that some young Irish punk, one kind of "beatnik' Irish punk with all that arcane knowledge in order to chase those skirts and a true vocation for the blarney is going to know that said pizza parlor owner and its “king”, king hell king, are tight. Especially at night, a weekend night, when the booze has flowed freely and that hard-bitten childhood abuse that turned those Italian guys (and Irish guys too) into toughs hits the fore. But they learn, and learn fast.

Okay, you don’t believe me. One night, one Saturday night, one Tonio-working Saturday night (he didn’t always work at night, not Saturday night anyway, because he had a honey, a very good-looking honey too, dark hair, dark laughing eyes, dark secrets she wouldn’t mind sharing as well it looked like to me but I might have been wrong on that) two young toughs came in, Italian toughs from the look of them. This town then , by the way, if you haven’t been made aware of it before is strictly white, mainly Irish and Italian, so any dark guys, are Italian period, not black, Hispanic, Indian, Asian or anything else. Hell, I don’t think those groups even passed through; at least I don’t remember seeing any, except an Arab, once.

So Frankie, your humble observer (although I prefer the more intimate umbrella term "associate" under these circumstances) and one of his squeezes (not his main squeeze, Joanne) were sitting at the king’s table (blue vinyl-seated, white formica table-topped, paper place-setting, condiment-ladened center booth of five, front of double glass window, best jukebox and sound position, no question) splitting a Saturday night whole pizza with all the fixings (its getting late, about ten o’clock, and I have given up on that certain long blondish-haired she who said she might meet me so onions anchovies, garlic for all I know don’t matter right now) when these two ruffians come forth and petition (ya, right) for our table. Our filled with pizza, drinks, condiments, odds and ends papery, and the king, his consort (of the evening, I swear I forget which one) and his lord chamberlain.

Since there were at least two other prime front window seats available Frankie denied the petition out of hand. Now in a righteous world this should have been the end of it. But what these hard guys, these guys who looked like they might have had shivs (ya, knives, shape knives, for the squeamish out there) and only see two geeky "beatnik" guys and some unremarkable signora do was to start to get loud and menacing (nice word, huh?) toward the king and his court. Menacing enough that Tonio, old pizza dough-to-the-ceiling throwing Tonio, took umbrage (another nice word, right?) and came over to the table very calmly. He called the two gentlemen aside, and talking low and almost into their ears, said some things that we could not hear. All we knew was that about a minute later these two behemoths, these two future candidates for jailbird-dom, were walking, I want to say walking gingerly, but anyway quickly, out the door into the hard face of Saturday night.

We thereafter proceeded to finish our kingly meal, safe in the knowledge that Frankie was indeed king of the pizza parlor night. And also that we knew, now knew in our hearts because Frankie and I talked about it later, that behind every king there was an unseen power. Christ, and I wanted to overthrow Frankie. I must have been crazy as a loon.

 
***Songs To While Away The Class Struggle By-The Doors




Peter Paul Markin comment December 2013:


A while back, maybe a few years ago, I started a series presented under the headline Songs To While Away The Class Struggle By where I posted some songs that I thought would get us through the “dog days” of the struggle for our socialist future. Posted at a time, 2009, when it was touch and go whether there would be some kind of uprising against the economic royalists (chastised under the popular sobriquet “the one-percent”) who had just dealt the world a blow to the head through their economic machinations. Subsequently, while there were momentary uprisings, the response from the American and world working classes has if anything entrenched those interests. So as the dog days continue I have resumed the series. I do not vouch for the political thrust of the songs selected; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this kind of formation would mean political death for any serious revolutionary upheaval and would not be acceptable for our political prospects, it will suffice for our purposes here. Markin.


**********


WE WANT THE WORLD AND WE WANT IT NOW!


From The Pen Of Joshua Lawrence Breslin


My old friend from the summer of love 1967 days, Peter Paul Markin, always used to make a point of answering, or rather arguing with anybody who tried to tell him back in the day that “music was the revolution.”  Meaning, of course that contrary to the proponents (including many mutual friends who acted out on that idea and got burned by the flame) that eight or ten Give Peace A Chance, Kumbaya, Woodstock songs would not do the trick, would not change this nasty, brutish, old short-life world into the garden, into some pre-lapsian Eden. Meaning that the gathering of youth nation unto itself out in places like Woodstock, Golden Gate Park, Monterrey, hell, the Boston Common, or even once word trickled down, Olde Saco Park, would not feed on itself and grow to such a critical mass that the enemies of good, kindness, and leave us alone would sulk off somewhere, defeated or at least defanged.


Many a night, many a dope-blistered night before some seawall ocean front Pacific Coast campfire I would listen to Markin blast forth against that stuff, against that silliness. As for me, I was too into the moment, too into finding weed, hemp, mary jane and some fetching women to share it with to get caught up in some nebulous ideological struggle. It was only later, after the music died, after rock and roll turned in on itself, turned into some exotic fad of the exiles on Main Street that I began to think through the implications of what Markin, and the guys on the other side, were arguing about.


Now it makes perfect sense that music or any mere cultural expression would be unable to carry enough weight to turn us back to the garden. Although I guess that I would err on the side of the angels and at least wish they could have carried the day against the monsters of the American imperium we confronted back in the day.                 


Thinking about what a big deal was made of such arguments recently (arguments carried deep into the night, deep in smoke dream nights, and sometimes as the blue–pink dawn came rising to smite our dreams) I thought back to my own musical appreciations. In my jaded youth I developed an ear for roots music, whether I was conscious of that fact or not. Perhaps it initially started as a reaction to my parents’ music, the music that got them through the Great Depression of the 1930s and later waiting for other shoe to drop (either in Normandy or at home waiting in Olde Saco), and that became a habit, a wafting through the radio of my childhood home habit. You know who I mean Frank (Sinatra for the heathens), Harry James, the Andrews Sisters, Peggy Lee, Doris Day and the like. Or, maybe, and this is something that I have come closer to believing was the catalyst, my father’s very real roots in the Saturday night mountain barn dance, fiddles blazing, music of his growing up poor down in Appalachia.   


The origin of my emergence into roots music first centered on the blues, country and city with the likes of Son House , Skip James, Mississippi John Hurt, Muddy Waters, Howlin’ Wolf and Elmore James, then early rock and roll, you know the rockabillies and R&B crowd, Elvis, Jerry Lee, Chuck, Roy, Big Joe and Ike, and later, with the folk revival of the early 1960’s, folk music, especially the protest to high heaven sort, Bob Dylan, Dave Von Ronk, Joan Baez, etc. As I said I have often wondered about the source of this interest.


I am, and have always been a city boy, and an Eastern city boy at that. Meaning rootless or not meaningfully or consciously rooted in any of the niches mentioned above. Nevertheless, over time I have come to appreciate many more forms of roots music than in my youth. Cajun, Tex-Mex, old time dust bowl ballads a la Woody Guthrie, cowboy stuff with the likes of Bob Wills and Milton Brown, Carter Family-etched mountain music (paying final conscious tribute to the mountain DNA in my bone) and so on.


And all those genres are easily classified as roots music but I recall one time driving Markin crazy, driving him to closet me with the “music is the revolution” heads when I mentioned in passing that The Doors, then in their high holy mantra shamanic phase epitomized roots music. That hurt, a momentary hurt then, but thinking about it more recently Markin was totally off base in his remarks.


The Doors are roots music? Well, yes, in the sense that one of the branches of rock and roll derived from early rhythm and blues and in the special case of Jim Morrison, leader of The Doors, the attempt to musically explore the shamanic elements in the Western American Native- American culture that drove the beat of many of his trance-like songs like The End. More than one rock critic, professional rock critic, has argued that on their good nights when the dope and booze were flowing, Morrison was in high trance, and they were fired up The Doors were the best rock and roll band ever created. Those critics will get no argument here, and it is not a far stretch to classify their efforts as in the great American roots tradition.  I argued then and will argue here almost fifty years later when that original statement of mine was more prophetic the Doors put together all the stuff rock critics in one hundred years will be dusting off when they want to examine what it was like when men (and women, think Bonnie Raitt, Wanda Jackson, et. al) played rock and roll for keeps.


So where does Jim Morrison fit in an icon of the 1960s if he was not some new age latter day cultural Lenin/Trotsky. Jim was part of the trinity – Morrison, Janis Joplin, and Jimi Hendrix who lived fast, lived way too fast, and died young. The slogan of the day (or hour) - Drugs, sex, and rock and roll. And we liked that idea however you wanted to mix it up. Then.


Their deaths were part of the price we felt we had to pay if we were going to be free. And be creative. Even the most political among us, including Markin in his higher moments, felt those cultural winds blowing across the continent and counted those who espoused this alternative vision as part of the chosen. The righteous headed to the “promise land.” Unfortunately those who believed that we could have a far-reaching positive cultural change via music or “dropping out” without a huge societal political change proved to be wrong long ago. But, these were still our people.


Know this as well if you are keeping score. Whatever excesses were committed by the generation of ’68, and there were many, were mainly made out of ignorance and foolishness. Our opponents, exemplified by one Richard Milhous Nixon, President of the United States and common criminal, spent every day of their lives as a matter of conscious, deliberate policy raining hell down on the peoples of the world, the minorities in this country, and anyone else who got in their way. Forty plus years of “cultural wars” in revenge by his protégés, hangers-on and their descendants has been a heavy price to pay for our youthful errors. And Markin would surely endorse this sentiment. Enough.


Songs To While Away The Class Struggle By-In Honor Of The Frontline Fighters Of The International Working Class Today-The International Working Class Anthem The Internationale




A YouTube film clip of a performance of the classic international working class song of struggle, The Internationale.

Markin comment:

In this series, presented under the headline Songs To While Away The Class Struggle By, I will post some songs that I think will help us get through the “dog days” of the struggle for our socialist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.

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As Isaac Deutscher said in his speech “On Socialist Man” (1966):

“We do not maintain that socialism is going to solve all predicaments of the human race. We are struggling in the first instance with the predicaments that are of man’s making and that man can resolve. May I remind you that Trotsky, for instance, speaks of three basic tragedies—hunger, sex and death—besetting man. Hunger is the enemy that Marxism and the modern labour movement have taken on.... Yes, socialist man will still be pursued by sex and death; but we are convinced that he will be better equipped than we are to cope even with these.” 

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The Internationale[variant words in square brackets]



Arise ye workers [starvelings] from your slumbers

Arise ye prisoners of want

For reason in revolt now thunders

And at last ends the age of cant.

Away with all your superstitions

Servile masses arise, arise

We'll change henceforth [forthwith] the old tradition [conditions]

And spurn the dust to win the prize.



So comrades, come rally

And the last fight let us face

The Internationale unites the human race.

So comrades, come rally

And the last fight let us face

The Internationale unites the human race.



No more deluded by reaction

On tyrants only we'll make war

The soldiers too will take strike action

They'll break ranks and fight no more

And if those cannibals keep trying

To sacrifice us to their pride

They soon shall hear the bullets flying

We'll shoot the generals on our own side.



No saviour from on high delivers

No faith have we in prince or peer

Our own right hand the chains must shiver

Chains of hatred, greed and fear

E'er the thieves will out with their booty [give up their booty]

And give to all a happier lot.

Each [those] at the forge must do their duty

And we'll strike while the iron is hot.

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L'Internationale



Debout les damnés de la terre

Debout les forçats de la faim

La raison tonne en son cratère

C'est l'éruption de la fin

Du passe faisons table rase

Foules, esclaves, debout, debout

Le monde va changer de base

Nous ne sommes rien, soyons tout



C'est la lutte finale

Groupons-nous, et demain (bis)

L'Internationale

Sera le genre humain



Il n'est pas de sauveurs suprêmes

Ni Dieu, ni César, ni tribun

Producteurs, sauvons-nous nous-mêmes

Décrétons le salut commun

Pour que le voleur rende gorge

Pour tirer l'esprit du cachot

Soufflons nous-mêmes notre forge

Battons le fer quand il est chaud



L'état comprime et la loi triche

L'impôt saigne le malheureux

Nul devoir ne s'impose au riche

Le droit du pauvre est un mot creux

C'est assez, languir en tutelle

L'égalité veut d'autres lois

Pas de droits sans devoirs dit-elle

Egaux, pas de devoirs sans droits



Hideux dans leur apothéose

Les rois de la mine et du rail

Ont-ils jamais fait autre chose

Que dévaliser le travail

Dans les coffres-forts de la bande
ndu



En décrétant qu'on le lui rende

Le peuple ne veut que son dû.

 Les rois nous saoulaient de fumes

Ce qu'il a crée s'est fo
From The Abraham Lincoln Brigade Archive Website- The Alba Blog


Click below to link to the Abraham Lincoln Brigade Archive blog page for all kinds of interesting information about that important historic grouping in the International Brigades that fought for our side, the side of the people in the Spanish Civil War, 1936-39.

http://www.albavolunteer.org/category/blog/

Markin comment:

This blog had gotten my attention for two reasons: those rank and filers who fought to defend democracy, fight the fascists and fight for socialism in Spain for the most part, political opponents or not, were kindred spirits; and, those with first-hand knowledge of those times over seventy years ago are dwindling down to a precious few and so we had better listen to their stories while they are around to tell it. Viva La Quince Brigada!  
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