On The 155^th Anniversary Of The Heroic Captain John Brown-Led Fight For Black Liberation At Harper’s Ferry-Josh Breslin’s Dream    

 

From The Pen Of Frank Jackman

 

I remember a few years ago my friend and I, Josh Breslin, from the old working- class neighborhoods of North Adamsville, a town south of Boston, were discussing the historical events that helped form our political understandings back in the early 1960 since we were, and are, both political men driven by historical examples as much as by the minutia of organizing principles. And while we have diverged on many of the influences since then as we have a fair degree of differences on the way to change the world and what agencies can do that (basically working within the current political system or moving over to the base of society and organizing from the ground up within or outside of the system depending on circumstance) we both agreed whole-heartedly that one of our early heroes was old Captain John Brown and his heroic efforts with his small integrated band of men at Harper’s Ferry down in what is now West Virginia but the just Virginia, a slave-holders stronghold. As we discussed the matter more fully we found we were hard pressed to explain what first captured our attention and agreed that then would have not had the political sense then to call Brown’s actions heroic although we both understood that what he did was necessary.

 

See, coming up in a mainly Irish working-class neighborhood we were always aware, made particularly aware by grandfathers who had kindred over there in those days, of that heroic struggle in Easter 1916 that was the precursor to the long sought national liberation of Ireland from the bloody British. So when we first studied, or heard about John Brown we instinctively saw that same kind of struggle. Both of us also agreed that we had had back then very strong feelings about the wrongness of slavery, a wretched system going back to Pharaoh’s time if not before, although Josh was more ambivalent about the fate of black people after Civil War freedom than I was since there was in his household a stronger current of anti-black feeling around the civil rights work down south in those days than in mine. (Strangely my father, who was nothing but a corn liquor, fast car, ex-coal miner good old boy from down in Kentucky was more sympathetic to that struggle that Josh’s Irish grandfather whom Josh could never get to call black people anything better than “nigras.” At least we got my father to say “Negro.” Jesus.)                

 

A couple of week after that conversation Josh called me up from California one night where he was attending a professional conference near San Jose and told me that he forgot to tell me about what he called a “dream” he had had as a kid concerning his admiration for John Brown. Of course that “dream” stuff was just Josh’s way of saying that he had sketched out a few thoughts that he wanted to share with me (and which will undoubtedly find their into a commentary  or review or something because very little of Josh’s “dream” stuff fails to go to ink or cyberspace). Some of it is now hazy in my mind since the hour was late here in the East, and some of it probably was really based on stuff we had learned later about the Brown expedition like how Boston Brahmins and high abolitionists like George Stearns secretly funded the operation or Brown’s attempts to get Fredrick Douglass and Harriet Tubman on board (neither name which we would have known very much about then), and some of the stuff was probably a little goofy since it involved Josh in some hero worship. Since he will inevitably write something on his own he can make any corrections to what I put down here himself. Know this though whenever I hear the name John Brown mentioned lately I think about Josh’s telephone call and about how the “old man” has held our esteem for so long. Here is what I jotted down, edited of course, after that conversation:   

 

From fairly early in my youth I knew the name John Brown and was swept up by the romance surrounding his exploits at Harper’s Ferry. I would say that was in about the sixth grade when I went to the library and read about Abraham Lincoln before he became president and how he didn’t like what John Brown did because he knew that that action was going to drive the South crazy and upset the delicate balance that was holding the Union together. Frank though thinks it was the seventh grade when we were learning about the slavery issues as part of the 100^th anniversary of the start of the American Civil War and his name came up as a “wild man” out of some Jehovah Calvinist burning bush dream who was single-handedly trying to abolish slavery with that uprising. Was ready to “light the spark” to put out the terrible scourge of slavery in the land with some spilled blood. That slavery business, if you can believe this really bothered both of us, especially when we went to a museum that showed the treatment of slaves and the implements used to enforce that condition down South. And I remember one time going to the Museum of Fine Arts and saw how old Pharaoh used his slaves to build those damn pyramids to immortalize himself. Yeah, the hell with slavery, any kind.   

I think I am right thought about when I first heard about the “old man” because I know I loved Lincoln, loved to read about him, loved that back then we celebrated his birthday, February 12^th, and we got the day off from school. Loved that Lincoln was basically forced at the governmental level to implement Brown’s program to root out slavery once the deal went down and he was merciless about its extermination once he got “religion” on the matter. Of course neither I nor Frank would have articulated our thoughts that way then but we knew “Massa Lincoln” was on the right side of the angels in his work as much as he hated to burn down the South in the process. But there was no other way to get the damn issue resolved and I think that is what he learned from the Captain whether he gave credit to the man or not. By the way this I do know that while we celebrated Lincoln’s birthday in the North as the great emancipator and Union-saver Frank once told me a story about one of his cousins down south and how when he mentioned that he had Lincoln’s birthday off that cousin said “we don’t celebrate that man’s birthday down here,’’ in such a way that Frank began to understand that maybe the Civil War was not over. That some people had not gotten the word)   

I knew other stuff back then too which added to my feel for the Brown legend. For example, I knew that the great anthem of the Civil War -The Battle Hymn of the Republic- had a prior existence as John Brown’s Body, a tribute to John Brown and that Union soldiers marched to that song as they bravely headed south. Funny but back then I was totally unaware of the role of the Massachusetts 54^th Regiment, the first black regiment raised although with white officers when Father Abraham gave the word, whose survivors and replacements marched into Charleston, South Carolina, the heart and soul of the Confederacy, after the bloody Civil War to the tune of John Brown’s Body. That must have been a righteous day. Not so righteous though and reflecting a very narrow view of history that we were taught back then kind of fudging the very serious differences back in Civil War times even in high abolitionist Boston was not knowing thing number one about Augustus Saint-Gauden’s commemorative frieze honoring the men of the 54^th right across from the State House which I passed frequently when I went on to Boston Common.

I was then, however, other than aware of the general narrative of Brown’s exploits and a couple of songs and poems neither familiar with the import of his exploits for the black liberation struggle nor knew much about the specifics of the politics of the various tendencies in the ante bellum struggle against slavery of which he represented the extreme activist left-wing. I certainly knew nothing then of Brown’s (and his sons) prior military exploits in the Kansas ‘proxy’ wars against the expansion of slavery. Later study filled in some of those gaps and has only strengthened my strong bond with his memory. Know this, as I reach the age at which John Brown was executed I still retain my youthful admiration for him. In the context of the turmoil of the times he was the most courageous and audacious revolutionary in the struggle for the abolition of slavery in America. Some 150 years after his death I am proud to stand in the tradition of John Brown. [And I am too, brother!-Frank]

If one understands the ongoing nature, from his early youth, of John Brown’s commitment to the active struggle against slavery, the scourge of the American Republic in the first half of the 19th century, one can only conclude that he was indeed a man on a mission. As various biographies point out Brown took every opportunity to fight against slavery including early service as an agent of the Underground Railroad spiriting escaped slaves northward, participation as an extreme radical in all the key anti-slavery propaganda battles of the time as well as challenging other anti-slavery elements to be more militant and in the 1850’s, arms in hand, fighting in the ‘proxy’ wars in Kansas and, of course, the culmination of his life- the raid on Harper’s Ferry. Those exploits alone render absurd a very convenient myth by those who supported slavery or turned a blind eye to it and their latter-day apologists for the institution about his so-called ‘madness’. This is a political man and to these eyes a very worthy one.

For those who like their political heroes ‘pure’, frankly, it is better to look elsewhere than the life of John Brown. Like them without warts and with a discernible thrust from early adulthood that leads to some heroic action. His personal and family life as a failed rural capitalist would hardly lead one to think that this man was to become a key historical figure in any struggle, much less the great struggle against slavery. Some of his actions in Kansas (concerning allegations of the murder of some pro-slavery elements under his direction) have also clouded his image. However if one looks at Kansas as the start of the Civil War then all the horrible possibilities under the heat of battle mitigate some of that incident although not excusing it anymore that we would today with American soldiers in places like Afghanistan and Iraq busting down doors and shooting first. However, when the deal went down in the late 1850’s and it was apparent for all to see that there was no other way to end slavery than a fight to the death-John Brown rose to the occasion. And did not cry about it. And did not expect others to cry about it. Call him a ‘monomaniac’ if you like but even a slight acquaintance with great historical figures shows that they all have this ‘disease’- that is why they make the history books. No, the ‘madness’ argument will not do.

Whether or not John Brown knew that his military strategy for the Harper’s Ferry raid would, in the short term, be defeated is a matter of dispute. Reams of paper have been spent proving the military foolhardiness of his scheme at Harper’s Ferry. Brown’s plan, however, was essentially a combination of slave revolt modeled after the Maroon experiences in Haiti, Nat Turner’s earlier Virginia slave rebellion and rural guerilla warfare of the ‘third world’ type that we have become more familiar with since that time. 150 years later this strategy does not look so foolhardy in an America of the 1850’s that had no real standing army, fairly weak lines of communications, virtually uninhabited mountains to flee to and the North at their backs. The execution of the plan is another matter. Brown seemingly made about every mistake in the book in that regard. However, this is missing the essential political point that militant action not continuing parliamentary maneuvering advocated by other abolitionists had become necessary. A few more fighting abolitionists, including Frederick Douglass, and better propaganda work among freedman with connections to the plantations would not have hurt the chances for success at Harper’s Ferry.

What is not in dispute is that Brown considered himself a true Calvinist “avenging angel” in the struggle against slavery and more importantly acted on that belief. (Strange, or maybe not so strange now, both Frank and I who grew up upright Roman Catholics gravitated toward those photographs of Brown with his long unkempt beard as some latter day Jehovah and I remember Frank had a photo on the wall in his room with just such a photograph from I think a detail of the big mural in the State House in Kansas.) In short Brown   was committed to bring justice to the black masses. This is why his exploits and memory stay alive after over 150 years. It is possible that if Brown did not have this, by 19th century standards as well as our own, old-fashioned Calvinist sense of pre-determination that he would not have been capable of militant action. Certainly other anti-slavery elements never came close to his militancy, including the key Transcendentalist movement led by Emerson and Thoreau and the Concord ‘crowd’ who supported Brown and kept his memory alive in hard times. In their eyes he had the heroic manner of the Old Testament prophet. This old time prophet animating spirit is not one that animates modern revolutionaries and so it is hard to understand today the depths of his religious convictions on his actions but they were understood, if not fully appreciated, by others in those days. It is better today to look at Brown more politically through his hero (and mine, as well) Oliver Cromwell-a combination of Calvinist avenger and militant warrior. Yes, I can get behind that picture of him.

By all accounts Brown and his small integrated band of brothers fought bravely and coolly against great odds. Ten of Brown's men were killed including two of his sons. Five were captured, tried and executed, including Brown.  He prophetic words upon the scaffold about purging the evil of slavery in blood proved too true. But that demeanor in the face of defeat was very appealing to me back then.  I have learned since that these results, the imprisonments or executions are almost inevitable when one takes up a revolutionary struggle against the old order if one is not victorious. One need only think of, for example, the fate of the defenders of the Paris Commune in 1871 when that experience was crushed in blood after heroic resistance. One can fault Brown on this or that tactical maneuver. Nevertheless he and the others bore themselves bravely in defeat. As we are all too painfully familiar with now there are defeats of the oppressed that lead nowhere. One thinks of the defeat of the German Revolution in the 1920’s. There other defeats that galvanize others into action. This is how Brown’s actions should be measured by history.

Militarily defeated at Harpers Ferry, Brown's political mission to destroy slavery by force of arms nevertheless continued to galvanize important elements in the North at the expense of the pacifistic non-resistant Garrisonian political program for struggle against slavery. Many writers on Brown who reduce his actions to that of a ‘madman’ still cannot believe that his road proved more appropriate to end slavery than either non-resistance or gradualism. That alone makes short shrift of such theories. Historians and others have also misinterpreted later events such as the Bolshevik strategy that led to Russian Revolution in October 1917. More recently, we saw this same incomprehension concerning the victory of the Vietnamese against overwhelming American military superiority. Needless to say, all these events continue to be revised by some historians to take the sting out of there proper political implications.

From a modern prospective Brown’s strategy for black liberation, even if the abolitionist goal he aspired to was immediately successful reached the outer limits within the confines of capitalism. Brown’s actions were meant to make black people free. Beyond that goal he had no program except the Chatham Charter which seems to have replicated the American constitution but with racial and gender equality as a cornerstone. Unfortunately the Civil War did not provide fundamental economic and political freedom. Moreover, the Civil War, the defeat of Radical Reconstruction, the reign of ‘Jim Crow’ and the subsequent waves of black migration to the cities changed the character of black oppression in the U.S. from Brown’s time. Nevertheless, we can stand proudly in the revolutionary tradition of John Brown, and of his friend Frederick Douglass.

I used to fervently believe that if Douglass had come on board as Brown had urged the chances for success would have been greater, at least more blacks (mostly free blacks and not plantation blacks for obvious reasons) and more radical whites who could have been mobilized as a result of all of the events of the 1850s especially the struggle against the Fugitive Slave Act and the struggle against the imposition of slavery in Kansas. Now I am not so sure that Douglass’ acceptance would have qualitatively changed the outcome. He went on to do yeoman’s work during the Civil War articulating the left black perspective and organizing those black regiments that shifted the outcome of the war at a decisive point. In any case honor the memory of old Captain John Brown and his heroic band at Harper’s Ferry.         

 

***The Roots Is The Toots-The Music That Got The Generation Of ’68 Through The 1950s Red Scare Cold War Night-One Night With You

From The Pen Of Frank Jackman

 Sam Lowell thought it was funny how things worked out in such contrary fashion in this wicked old world, not his expression that “wicked old world” for he preferred of late the more elastic and ironic “sad old world” but that of his old time North Adamsville corner boy Peter Markin who will be more fully introduced in a moment (Markin aka Peter Paul Markin although nobody ever called him that except his mother, as one would expect although he hated to be teased by every kid from elementary school on including girls, girls who liked him too as a result, and his first ill-advised wife, a scion of the Mayfair swells who tried, unsuccessfully, to impress her leafy suburban parents with the familiar waspy triple names).

Neither of those expressions referred to date back to their youth since neither Sam nor Peter back then, back in their 1960s youth, would have used such old-fashioned religious-drenched expressions to express their take on the world since as with all youth, or at least youth who expected to “turn the world upside down” (an expression that they both did use in very different contexts) they would have withheld such judgments or were too busy doing that “turning” business they had no time for adjectives to express their worldly concerns. No that expression, that understanding about the wickedness of the world had been picked up by Sam from Peter when they had reconnected a number of years before after they had not seen each other for decades to express the uphill battles of those who had expected humankind to exhibit the better angels of their nature on a more regular basis. Some might call this nostalgic glancing back, especially by Peter since he had more at stake in a favorable result, on a world that did not turn upside down or did so in a way very different from those hazy days.   

The funny part (or ironic if you prefer) was that back then Sam had been in his youth the least political, the least culturally-oriented, the least musically-oriented of those corner boys like Markin, Jack Dawson, Jimmy Jenkins and “max daddy” leader Fritz Fallon (that “max daddy” another expression coined by Peter so although he has not even been properly introduced we know plenty about his place in the corner boy life, his place as “flak,” for Fritz’s operation although Fritz always called him “the Scribe” when he wanted something written and needed to play on Peter’s vanity) who kept the coins flowing into the jukebox at Phil’s House of Pizza. That shop had been located down a couple of blocks from the choppy ocean waters of Adamsville Beach (and still is although under totally different management from the arch-Italian Rizzo family that ran the place for several generation to some immigrant Albanians named Hoxha).

That made it among other things a natural hang-out place for wayward but harmless poor teenage corner boys. (The serious “townie” professional corner boys, the rumblers, tumblers, drifters, grifters and midnight sifters hung around Harry’s Variety with leader Red Riley over on Sagamore far from beaches, daytime beaches although rumors had been of more than one nighttime orgy with “nice” girls looking for kicks with rough boy down among the briny rocks, Fritz and the boys would not have gone within three blocks of that place. Maybe more from fear, legitimate fear as Fritz’s older brother, Timmy, a serious tough guy himself, could testify the one time he tried to wait outside Harry’s for some reason and got chain-whipped by Red for his indiscretion.) Moreover this spot provided a beautiful vantage point for scanning the horizon for those wayward girls who also kept their coins flowing into Phil’s jukebox (or a stray “nice” girl after Red and his corner boys threw her over).

Sam had recently thought about that funny story that Markin had told the crowd once on a hot night when nobody had any money and were just holding up the wall at Phil’s about Johnny Callahan, the flashy and unstoppable halfback from the high school team (and a guy even Red respected having made plenty of money off of sports who bet with him on Johnny’s prowess any given Saturday although Johnny once confessed that he, rightly, avoided Harry’s after what had happened to Timmy). See Johnny was pretty poor in those days even by the median working poor standard of the old neighborhoods in those days (although now, courtesy of his incessant radio and television advertising which continues to make everyone within fifty miles of North Adamsville who knew Johnny back in the day aware of his new profession, he is a prosperous Toyota car dealer down across from the mall in Hull about twenty miles from North Adamsville, the town where their mutual friend Josh Breslin soon to be introduced came from). Johnny, a real music maniac who would do his football weight-lifting exercises to Jerry Lee’s Great Balls of Fire, Gene Vincent’s Be-Bop-A-Lula and stuff like that to get him hyped up, had this routine in order to get to hear songs that he was dying to hear, stuff he would hear late at night coming from a rock station out of Detroit and which would show up a few weeks later on Phil’s jukebox just waiting for Johnny and the kids to fill the coffers, with the girls who had some dough, enough dough anyway to put coins into that jukebox.

Johnny would go up all flirty to some young thing (a Fritz expression coped from Jerry Lee and not an invention of Markin as Peter would later claim to some “young thing” that he was trying to “score”) or depending on whatever intelligent he had on the girl, maybe she had just had a fight with her boyfriend or had broken up with him so Johnny would be all sympathy, maybe she was just down in the dumps for no articulable reason like every teen goes through every chance they get, whatever it took. Johnny, by the way, would have gotten that intelligence via Peter who whatever else anybody had to say about him, good or bad, was wired into, no, made himself consciously privy to, all kinds of boy-girl information almost like he had a hook into that Monday morning before school girls’ locker room talkfest (everybody already knew that he was hooked into the boys’ Monday morning version and had started more rumors and other unsavory deeds than any ten other guys).

Now here is what Johnny “knew” about almost every girl if they had the quarter which allowed them to play three selections. He would let them pick that first one on their own, maybe something to express interest in his flirtation, maybe her name, say Donna, was also being used as the title of a latest hit, or if broken up some boy sorrow thing. Brenda Lee’s I Want To Be Wanted, stuff like that. The second one he would “suggest” something everybody wanted to listen to no matter what but which was starting to get old. Maybe an Elvis, Roy Orbison, Chuck Berry, Jerry Lee thing still on the jukebox playlist but getting wearisome. Then he would go in for the kill and “suggest” they play this new platter, you know, something like Martha and the Vandelas Dancing in the Streets or Roy’s Blue Bayou both of which he had heard on the midnight radio airwaves out of Detroit one night and were just getting play on the jukeboxes. And bingo before you know it she was playing the thing again, and again. Beautiful. And Johnny said that sometimes he would wind up with a date, especially if he had just scored about three touchdowns for the school, a date that is in the days before he and Kitty Kelly became an item. An item, although it is not germane to the story, who still is Johnny’s girl, wife, known as Mrs. Toyota now.

But enough of this downstream stuff Sam thought. The hell with Johnny and his cheapjack tricks (although not to those three beautiful touchdowns days, okay) this thing gnawing at him was about old age angst and not the corner boy glory days at Phil’s, although it is about old time corners boys and their current doings, some of them anyway. So yeah he had other things he wanted to think about (and besides he had already, with a good trade-in gotten his latest car from Mr. Toyota so enough there), to tell a candid world about how over the past few years with the country, the world, the universe had been going to hell in a hand-basket. In the old day, like he kept going back to before he was not the least bit interested in anything in the big world outside of sports, and girls, of course. And endlessly working on plans to own his own business, a print shop, before he was twenty-five. Well, he did get that small business, although not until thirty and had prospered when he made connections to do printing for several big high-tech companies, notably IBM when they began outsourcing their work. He had prospered, had married (twice, and divorced twice), had the requisite tolerated children and adored grandchildren, and in his old age a woman companion to ease his time.

But there had been for a long time, through those failed marriages, through that business success something gnawing at him, something that Sam felt he had missed out on, or felt he had do something about. Then a few years ago when it was getting time for a high school class reunion he had Googled “North Adamsville Class of 1966” and came upon a class website for that year, his year, that had been set up by the reunion committee, and decided to joint to keep up with what was going on with developments there (he would wind up not going to that reunion as he had planned to although that too is not germane to the story here except as one more thing that gnawed at him because in the end he could not face going home , believed what Thomas Wolfe said in the title of one of his novels, you can’t go home again).

After he had registered on the site giving a brief resume of his interests and what he had been up to these past forty years or so years Sam  looked at the class list, the entire list of class members alive and deceased (a rose beside their name signifying their passing)  of who had joined and found the names of Peter Markin (he had to laugh, listed as Peter Paul Markin since everybody was listed by their full names, revenge from the grave by his poor mother, and that leafy suburban first wife who tried to give him Mayflower credentials, he thought) and Jimmy Jenkins among those who had done so. (Jack Dawson had passed away a few years before, a broken man, broken after his son who had served in Iraq and Afghanistan had committed suicide, according to Peter, as had their corner boy leader, Fritz Fallon, homeless after going through a couple of fortunes, his own and a third wife’s). Through the mechanism established on the site which allowed each class member who joined to have a private e-mail slot Sam contacted both men and the three of them started a rather vigorous on-line chat line for several weeks going through the alphabet of their experiences, good and bad (the time for sugar-coating was over unlike in their youth when all three would lie like crazy, especially about sex and with whom in order to keep their place in the pecking order, and in order to keep up with Fritz whom lied more than the three of them combined. Peter knew that, knew it better than anybody else but to keep his place as “scribe” in that crazy quill pecking order went along with such silly teenage stuff, stuff that in his other pursuits he would have laughed at but that is what made being a teenager back then, now too, from what he saw of his grandchildren’s trials and tribulation).

After a while, once the e-mail questions had worked their course, all three men met in Boston at the Sunnyvale Grille, a place where Markin had begun to hang out in after he had moved back to Boston (read: did his daytime drinking) over by the waterfront, and spent a few hours discussing not so much old times per se but what was going on in the world, and how the world had changed some much in the meantime. And since Markin, the political maniac of the tribe, was involved in the conversations maybe do something about it at least that is what Sam had hoped since he knew that is where he thought he needed to head in order to cut into that gnawing feeling. Sam was elated, and unlike in his youth he did not shut his ears down, when those two guys would talk politics, about the arts or about music. He had not listened back then since he was so strictly into girls and sports, not always in that order (which caused many problems later including one of the grounds for his one of his divorces, not the sports but the girls).

This is probably the place for Sam to introduce Peter Markin although he had already given an earful (and what goes for Peter goes to a lesser extent for Jimmy who tended to follow in Pete’s wake on the issues back then, and still does). Peter as Sam already noted provided that noteworthy, national security agency-worthy service, that “intelligence” he provided all the guys (and not just his corner boys, although they had first dibs) about girls, who was “taken,” a very important factor if some frail (a Fritz term from watching too many 1940s gangster and detective movies and reading Dashiell Hammett too closely, especially The Maltese Falcon),was involved with some bruiser football player, some college joe who belonged to a fraternity and the brothers were sworn to avenge any brother’s indignities, or worse, worse of all, if she was involved with some outlaw biker who hung out in Adamsville and who if he hadn’t his monthly quota of  college boy wannabes red meat hanging out at Phil’s would not think twice about chain-whipping you just for the fuck of it (“for the fuck of it” a  term Jimmy constantly used so it was not always Markin or Fritz who led the verbal life around the corner), who was “unapproachable,”  probably more important than that social blunder of ‘hitting on” a taken woman since that snub by Miss Perfect-Turned-Up-Nose would make the rounds of that now legendary seminar, Monday morning before school girls’ locker room (and eventually work its way though Markin to the boys’ Monday morning version ruining whatever social standing the guy had spent since junior high trying to perfect in order to avoid the fatal nerd-dweeb-wallflower-square name your term). Strangely Markin made a serious mistake with Melinda Loring who blasted her freeze deep on him and he survived to tell the tale, or at least that is what he had the boys believe. Make of this what you will he never after that Melinda Loring had a high school girlfriend from North Adamsville High, who, well, liked to “do the do” as they called it back then, that last part not always correct since everybody, girls and boys alike, were lying like crazy about whether they were “doing the do” or not, including Markin.

But beyond, well beyond, that schoolboy silliness Markin was made of sterner stuff (although Sam would not have bothered to use such a positive attribute about Markin back then) was super-political, super into art and what he called culture, you know going to poetry readings at coffeehouses, going over Cambridge to watch foreign films with subtitles and themes that he would try to talk about and even Jimmy would turn his head, especially those French films by Jean Renoir, and super into music, fortunately he was not crazy for classical music (unlike some nerds in school then who were in the band) but serious about what is now called classic rock and roll and then in turn, the blues, and folk music (Sam still shuttered at that hillbilly stuff Markin tried to interest him in when he thought about it). That was how Peter had first met Josh Breslin, still a friend, whom he introduced to Sam at one of their meetings over at the Sunnyvale Grille. Josh told the gathering that Markin had met him after high school, after he had graduated from Hull High (the same town where Johnny Callahan was burning up the Toyota sales records for New England) down at the Surf Ballroom (Sam had his own memories of the place, some good, some bad including one affair that almost wound up in marriage). Apparently Josh and Peter had had their wanting habits on the same girl at one Friday night dance when the great local cover band, the Rockin’ Ramrods held sway there, and had been successively her boyfriend for short period both to be dumped for some stockbroker from New York. But their friendship remained and they had gone west together, gone on that Jack Kerouac On The Road  for a number of years when they were trying their own version of turning the world upside down on. Josh also dabbled (his word) in the turning upside down politics of the time.

And that was the remarkable thing about Peter, not so much later in cahoots with Josh because half of youth nation, half the generation of ’68 was knee-deep in some movement, but in staid old North Adamsville High days, days when to just be conventionally political, wanting to run for office or something, was kind of strange. See Peter was into the civil rights movement, nuclear disarmament, and social justice stuff that everybody thought he was crazy to be into, everybody from Ma to Fritz (and a few anonymous midnight phone-callers yelling n----r-lover in the Markin home phone).  He had actually gone into Boston when he was a freshman and joined the picket-line in front of Woolworths’ protesting the fact that they would not let black people eat in their lunchrooms down south (and maybe Markin would say when he mentioned what he was up to they were not that happy to have blacks in their northern lunchrooms either ), had joined a bunch of Quakers and little old ladies in tennis sneakers (a term then in use for airhead blue-haired lady do-gooders with nothing but time on their hands) calling on the government to stop building atomic bombs (not popular in the red scare Cold War we were fighting against the Russians North Adamsville, or most other American places either), running over to the art museum to check out the exhibits (including some funny stories about him and Jimmy busting up the place looking at the old Pharaoh times slave building Pyramids stuff uncovered by some Harvard guys way back), and going to coffeehouses in Harvard Square and listening to hokey folk music that was a drag. (Sam’s take on that subject then, and now.) So Peter was a walking contradiction, although that was probably not as strange now as it seemed back then when every new thing was looked at with suspicion and when kids like Peter were twisted in the wind between being corner boys and trying to figure out what that new wind was that was blowing though the land, when Sam and the other corner boys, except Jimmy and sometimes Jack would try to talk him out of stuff that would only upset everybody in town.

But here is the beauty, beauty for Sam now that he was all ears about what Peter had to say, he had kept at it, had kept the faith, while everybody else from their generation, or almost everybody, who protested war, protested around the social issues, had hung around coffeehouses and who had listened to folk music had long before given it up. Markin had, after his  Army time, spent a lot of time working with GIs around the war issues, protested American foreign policy at the drop of a hat and frequented off-beat coffeehouses set up in the basements of churches in order to hear the dwindling number of folk artists around. He had gotten and kept his “religion,” kept the faith in a sullen world. And like in the old days a new generation (added to that older North Adamsville generation which still, from the class website e-mail traffic had not gotten that much less hostile to what Peter had to say about this wicked old world, you already know the genesis of that term, right, was ready to curse him out, ready to curse the darkness against his small voice).

One night when Peter and Sam were alone at the Sunnyvale, maybe both had had a few too many high-shelf scotches (able to afford such liquor unlike in the old days when they both in their respective poverties, drank low-shelf Johnny Walker whiskey with a beer chaser when they had the dough, if not some cheapjack wine), Peter told Sam the story of how he had wanted to go to Alabama in high school, go to Selma, but his mother threatened to disown him if he did, threatened to disown him not for his desire to go but because she would not have been able to hold her head up in public if he had, and so although it ate at him not to go, go when his girlfriend, Helen Jackman, who lived in Gloversville, did go, he took a dive (Peter’s words). Told a redemptive story too about his anti-war fight in the Army when he refused to go to Vietnam and wound up in an Army stockade for a couple of years altogether. (Sam thought that was a high price to pay for redemption but it may have been the scotch at work.) Told a number of stories about working with various veterans’ groups, throwing medals over Supreme Court barricades, chainings to the White House fence, sitting down in hostile honked traffic streets, blocking freeways complete with those same hostile honkings, a million walks for this and that, and some plain old ordinary handing out leaflets, working the polls and button-holing reluctant politicians to vote against the endless war budgets (this last the hardest task, harder than all the jailings, honkings, marches put together and seemingly the most fruitless). Told too stories about the small coffeehouse places seeing retread folkies who had gone on to other things and then in a fit of anguish, or hubris, decided to go back on the trail. Told of many things that night not in feast of pride but to let Sam know that sometimes it was easier to act than to let that gnawing win the day. Told Sam that he too always had the gnaw, probably always would in this wicked old world. Sam was delighted by the whole talk, even if Peter was on his soapbox. 

That night too Peter mentioned in passing that he contributed to a number of blogs, a couple of political ones, including an anti-war veterans’ group, a couple of old time left-wing cultural sites and a folk music-oriented one. Sam confessed to Peter that although he had heard the word blog he did not know what a blog was. Peter told him that one of the virtues of the Internet was that it provided space (cyberspace, a term Sam had heard of and knew what it meant) for the average citizen to speak his or her mind via setting up a website or a blog. Blogs were simply a way to put your opinions and comments out there just like newspaper Op/Ed writers or news reporters and commentators although among professional reporters the average blog and blog writers were seen as too filled with opinions and sometimes rather loose with the facts. Peter said he was perfectly willing to allow the so-called “objective” reporters to state the facts but he would be damned if the blog system was not a great way to get together with others interested in your areas of interest, yeah, stuff that interested you and that other like-minded spirits might respond to. Yeah that was worth the effort.

The actual process of blog creation (as opposed to the more complex website-creation which still takes a fair amount of expertise to create) had been made fairly simple over time, just follow a few simple prompts and you are in business. Also over time what was possible to do has been updated for ease, for example linking to other platforms to your site and be able to present multi-media works lashing up say your blog with YouTube or downloading photographs to add something to your presentation. Peter one afternoon after Sam had asked about his blog links showed him the most political one that he belonged to, one he had recently begun to share space with Josh Breslin, Frank Jackman and a couple of other guys that he had known since the 1960s on and who were familiar with the various social, political and cultural trends that floated out from that period. 

Sam was amazed at the various topics that those guys tackled, stuff that he vaguely remembered hearing about but which kind of passed him by as he delved into the struggle to build his printing shop. He told Peter that he got dizzy looking at the various titles from reviews of old time black and white movies that he remembered watching at the old Strand second run theater uptown, poetry from the “beat” generation, various political pieces on current stuff like the Middle East, the fight against war, political prisoners most of whom he had never heard of except the ones who had been Black Panther or guys like that, all kinds of reviews of rock and roll complete with the songs via YouTube, too many reviews of folk music that he never really cared for, books that he knew Peter read like crazy but could not remember the titles. The guys really had put a lot of stuff together, even stuff from other sites and announcements for every conceivable left-wing oriented event. He decided that he would become a Follower which was nothing sinister like some cult but just that you would receive notice when something was put on the blog.

Peter also encouraged him to write some pieces about what interested him, maybe start out about the old days in North Adamsville since all the guys mined that vein for sketches (that is what Peter liked to call most of the material on site since they were usually too short to be considered short stories but too long to be human interest snapshots. Sam said he would think about the matter, think about it seriously once he read the caption below:                                                                           

“This space is noted for politics mainly, and mainly the desperate political fight against various social, economic and moral injustices and wrongs in this wicked old world, although the place where politics and cultural expression, especially post-World War II be-bop cultural expression, has drawn some of our interest over the past several years. The most telling example of that interest is in the field of popular music, centrally the blues, city and country, good woman on your mind, hardworking, hard drinking blues and folk music, mainly urban, mainly protest to high heaven against the world’s injustices smite the dragon down, folk music. Of late though the old time 1950s kid, primordial, big bang, jail-break rock and roll music that set us off from earlier generations has drawn our attention. Mostly by reviewing oldies CDs but here, and occasionally hereafter under this headline, specifically songs that some future archaeologists might dig up as prime examples of how we primitives lived ,and what we listened to back in the day.”

Sam could relate to that, had something to say about some of those songs. Josh Breslin laughed when he heard that Sam was interested in doing old time rock and roll sketches. He then added, “If we can only get him to move off his butt and come out and do some street politics with us we would be getting somewhere.” Peter just replied, “one step at a time.” Yeah, that’s the ticket. 

Poets’ Corner- The Mad Hatter 15^th Century France’s Francois Villon Whether They Claim Him Or Not

 

 

From The Pen Of Frank Jackman

Once, a long time ago, an old communist I do not remember which version of the creed he adhered to, although he had had some impressive documented revolutionary credentials in Germany before Hitler pulled the hammer down in 1933 and he just barely got out into American exile by a very long and circuitous route, told me that as far as culture affairs, you know art, novels, music and what I want to talk about here, poetry, is basically subject to whatever personal whims a person may have on these matters. The caveat to all this is that both creators and admirers should be left to their own devises except if they are actively engaged with counter-revolutionary activity. Now that I think about it he probably got the idea from Leon Trotsky himself who wrote about such matters in the 1920s in books like  Literature and Revolution although I am sure that he did not consider himself a follower of that great revolutionary who was exiled in the late 1920s.

The point today is that if a left-wing political activist like myself, say, were very interested in the poetry of Emily Dickerson or Wallace Stevens or Thomas Mann or Edna Saint Vincent Millay then what of it. Except those kinds of poets do not “speak” to me. Poets like Allan Ginsberg burning the pages with his negro streets, his clamoring against the industrial complex, his angel hipsters, his chanting against the fate of the best minds of his generation, the gangster-poet Gregory Corso blazing the hot streets with his words and taking no prisoners, old Rimbaud with his mad ravings, Verlaine too, Genet with his black soul they “speak” to me. The troubadours, the “bad boys and girls,” the waifs, the gangsters, the drifters, grifters and midnight sifters and those who act as muses for the fallen are what makes me sit up and listen.                  

 And that brings us to Francois Villon, the “max daddy” of bad boy poets (and brigands) from the 15^th century. Strangely while I have picked up on most of my favorite poets from some academic setting I learned of Villon from two maybe unusual sources. First from the 1930s film The Petrified Forest where the Bette Davis character, Gabby, was crazy for the Villon book of poems sent from her returned to home mother in France. More importantly the poet and what he stood for was brought up in the film in conversation with Leslie Howard’s character Alan who was a Villon-like misplaced out of sorts wanderer out in the Arizona desert. The other source was a poem by Villon used as a front-piece of an article by Hunter S. Thompson who used the sentiment expressed by Villon where he considered himself a stranger in his own country (as did Thompson back in Nixon times in America).

But back to the muses, back to the gangsta muses (sorry hip-hop nation for stealing your thunder but your sing-song lyrics definitely make me think you have drawn from the same well, the same Villon well, especially guys like Biggie, Tupac, 50 cent, and Brother Cole, a brother from the same damn “sew those worn-out pants” projects neighborhood in spirit as me). Old Villon must have gotten tripped up on his DNA finding the back streets of Paris and later exile spots more attractive than the court life, the scholar’s. Trouble followed the guy wherever he moved (granted he had little room to maneuver in those days since he was a city man and not some outlaw Robin Hood working the old rural pastures and forests). His poetry speaks of drunken sots, of quick upstairs flights with besotten wenches, of tavern dark corners to plan, plan the next caper, or the next poem to explain away his life led.         

Who knows what makes a man or woman a stranger in their own land, an internal exile. Maybe like Villon it was his dismissal of the vanities of court life, the vacuity of the student life, or the lure of the outlaw life when bourgeois society (and France in the 15^th century was reaping the beggar’s banquet of bourgeois society) and it took no Karl Marx to notice that the old ways had to give way to the new city ways with their gold and death to free spirits, to those who lived outside allegiances. Maybe like Ginsberg shattered by the smoke of downtown Paterson, maybe shattered by the hysterical cries of his beloved if discarded mother, maybe shattered by the square-ness of his father-poet. Maybe like Jean bon Genet born of some ancient mix of the crime that dared not speak its name and crimes that had names. Trolling waterfronts looking for rough trade, looking for his lady of the flowers. Strangers, strangers all looking for some new Algiers, some new Casablanca, some new city a-borning.

Villon, lord of the sneak away night, besotted with six wines, drunk with the fragrance of women. Women who reek of the kingdom’s perfumes and if Hilary Mantel is to be believed over in bedeviled England all the women worked lilac and lemon tree leaves into their skin so that guys, guys like Villon ready to seek a lady’s favor could stand to be within ten feet of them. Reeking of words too, Villon reeking of words that is, quick words, words with hidden messages, words heard in taverns, on wormy mattresses, in stinking hayloft barns, unholy holy words that would make men quake if they had the sense that their God gave them as a gift (or was it the son, the damn crazed son, Jesus, called bandit), stealthily grabbing whatever was to be grabbed and the hell with the lord business. Then writing in dark dungeon nights looking for reprieves from a wretched life.

Beautiful, a beat down brother, no wonder Alan the wandering homeless out of fashion intellectual in The Petrified Forest claimed him as kindred, and why he could have walked on steamy late night New York streets and found kindred among the midnight sifters. Beat, beatified before his time probably clamoring on some woe begotten trumpet, blowing out big medieval blow notes to the hard Seine, the hard Norman shores, to all who would listen, Yeah, Saint Villon, sanctified, man of misrule, man of the hidden cloth, beat, beat about six ways to Sunday if you believe his resume, if you believe his 15^th century be-bop wail. What did Kerouac, hell, a kindred, a Breton, said-yes, moan, moan long and hard for man, and Saint Villon grant us some sign, some path that we might come to rescue you in sotted, sweated dungeons, so that you too can walk the fetid streets singing, holy, holy, holy.

What was it that his literary descendants, guys like Jack Kerouac who I swear had Villon blood in him, guys like Alan Ginsberg who sang holy, holy, holy to the new age except he cried out in vain to dreaded Molochs, called those who listened to their own drummers, listened to the winds beyond the towns, beyond the cities, listened to the forest men, the men who earlier in their lives lived in towns and cities?  Oh yeah, “holy goofs.” Not goofs like you would call some guy walking down the street looking down and he hits his head on a telephone pole because he wasn’t watching where he was going. No, our holy goof, I think Kerouac used that term to describe, or rather used that term as one of the ways to describe mad man fellow traveler Dean Moriarty, and hence the model Neal Cassady as well, to his Sal Paradise in On The Road. A guy who is for the moment, an existential be-bop guy, a guy who knows the score, knows right from wrong even, knows it better than you and me, and says “what the fuck,” says you know, I know, and so let the mystery be, let the cloistered intellectuals in their sullen monasteries poring over the number of angel that can fit on the head of a needle sulk while he worked on the angles, looked for dough, dames and dope. See, I swear Villon from his hidden grave sent down to posterity the model for the holy goof, and these other guys picked it out of the fog-bound air.          

Sweet word man Villon articulate in a hoary dark world when gangster warlord and unsavory princes vied with each for land, for wealth, for some fair maiden’s favors. And let’s not beat about the bush it wasn’t for some silly scarf just off the boats from faraway China or the Japan Seas but for a tussle in some off-hand hayloft, some milady’s boudoir, some back room tavern straw bed. Read what you want into that but some buck jack was taking his right of first night, well, before the first night. But heroic buck jacks sometimes could speak no lady’s words, could not utter the thoughts in an otherwise black heart and so old Villon had a space to breath, had words to tell of loves truths, or what milady would go to the downy billows for. And for his services for he was a man of the city, a man of the back alleys, a man who consorted with the rabble, a con man and a wordsmith in his own right and so every once in a while a bored milady would stop her quilling, stop her needlepoint and show the old curmudgeon her downy billows for just one word of the night, for the sound of those moans that no child should know before his or her time.    

Of course a guy who liked to walk on the wild side, who was organically incapable of saying a straight thing if for no other reason than self-preservation would have many a back room tavern wench taking him around the world (yes, they, the wenches, and their procurers, knew all about “taking a guy around the world” like that little sexual trick was invented by Master and Johnson or something). And on a normal night, maybe after stealing some gold from a merchant’s back room, maybe pilfering some goods just off the boat from the Japan seas, maybe after waylaying some drunken sot for his ready bag of cash that would be good enough, would sate his sexual desire. But once every dark moonless night, maybe feeling a little put upon by his wretched place in the world he would seek the high life, “go uptown” as they said in their own way among the brotherhood.

And here is how it was done. A great and gratifying scam. Some poor high life guy who made his dough off the Japan seas or something like that had a lady love who could not be moved except by words, words of love. And he from rough usage spoke only in twaddle. No sale. So sweet boy Villon to the rescue. Pretty words at a dime a throw. A few ducats. But get this that poor roughly used guy would have old boy Villon prate the words to his love to his love. And sometimes, sometimes when there was a dark, moonless, night maybe a little sweaty milady would close her virginal eyes and act the backroom tavern wench and take old brother Villon around the world. See she knew such arts too. And that roughly sued sot would never be the wiser. Oh sweet boy Villon teach your arts.        

When you mess with women though, mess in the bedroom anyway, some paid for bedroom, and it was not you paying the freight, whether it was Eve in the garden, hell, maybe before when two primates started doing the courtly dance or today with some Evita trying to avoid getting your toes stepped on by some fast moving female you have to be prepared to take the gaff. Be prepared to find that the end could only lead one way, and it was not in favor of Villon and his progeny. So, Eve, Helen, Mary, the Pea, some sweetie, whoever was ready to throw you to the wolves once they were done with you. Or maybe throw you to the wolves even if they were not done with you just for practice. Ah, love, love divine, love in the back alleys, love in that scented boudoir but love nevertheless. Except when you mess with another man’s woman, go against some broken code, and this too has been going on since the garden, maybe before, maybe in some half-remembered tussle in the savannah where the winner dragged the queen of Sheba, his queen of Sheba anyway by the hair and took her by main force you must take the gaff as well and be prepared to run after the rut. Whether she liked it or not. But still playing with kingly woman is always a dicey thing and so Villon, Adam, Markin, whoever is now out begging for alms, for his life for the chance once more to get at that jasmine scent that maddens his mind, keeps his thoughts clouded, disturbs his sleep and makes him ask the question-what the fuck- or whatever old Villon term used with his corner boys to signify defeat. And proclaim that defeat in sweet saucy words to a candid world.        

Ah youth, ah the flower of youth and immorality, and living forever. Who had time for worrying about tomorrow today was the thing with some loose dope, some loose talk, some loose luscious butterfly swirl keeping you company against the dark, against the light if it came to that over some misty river spill or some Norman exile deep sea ocean twirl. She slumming against the drab home that she fled the last time, fled that that too soon met husband. And so she headed north to the May time fair, headed north to see if she could find a certain guy that she had dreamed about ever since that night when he performed on stage and only had eyes for her. Well, she was wrong about those eyes only for her but she found him among the Mayfair swells, found him and he did look at her then, long longing looks before the night was over, and before the expected other shoe fell. He, a poet after all, spoke of flaxen hair, fierce blue eyes (fiercer when he did some foolish thing even fiercer when some other flaxen-haired woman looked his way, or he hers), high point breasts, shoulders built to be held, a waspish waist, honey dew thighs, a sweet sweet spot and well-turned legs and ankles. Very heaven like some new day Botticelli vision, garlands in her hair, rosy cheeks after he put his heat to her.

And so they spent their time together, moving when rumors floated that her husband had his evil design on her, and on him for having her. But nothing ever came of it, at least nobody around the May fair ever heard anything about any confrontation. As we catch up to our couple though, having travelled some distance up even further north one day they were standing in the square and an old woman (not really old today but then old) strangling flaxen hair, sullen blues eyes (more sullen when some other hag tried to take her flask), sagging breasts which once too had been high pointed, craven shoulders, expanding waist (being kind to years of flask-holding womanhood), flabby thighs, barren sweet spot, veined legs and swollen ankles. The picture of, well, of something but that is not the point. That day that now aging flaxen-haired one (not really aging today but then aging) free butterfly swirl caught just a glimmer of mortality and shuttered.            

Yes, wanderers, waifs, strangers in a strange land, sneak thieves in the milady’s heart heated night, those are the poets I want to read and listen to. And what of it.        

     

 

 

Le Testament: Les Regrets De La Belle Heaulmière

 

By chance, I heard the belle complain,

The one we called the Armouress,

Longing to be a girl again,

Talking like this, more or less:

‘Oh, old age, proud in wickedness,

You’ve battered me so, and why?

Who cares, who, for my distress,

Or whether at all your blows I die?

 

You’ve stolen away that great power

My beauty ordained for me

Over priests and clerks, my hour,

When never a man I’d see

Would fail to offer his all in fee,

Whatever remorse he’d later show,

But what was abandoned readily, 

Beggars now scorn to know.

 

Many a man I then refused –

Which wasn’t wise of me, no jest –

For love of a boy, cunning too,

To whom I gave all my largesse.

I feigned to him unwillingness,

But, by my soul, I loved him bad.

What he showed was his roughness,

Loving me only for what I had.

 

He could drag me through the dirt,

Trample me underfoot, I’d love him,

Break my back, whatever’s worse,

If only he’d ask for a kiss again,

I’d soon forget then every pain.

A glutton, full of what he could win,

He’d embrace me – with him I’ve lain.

What’s he left me? Shame and sin.

 

Now he’s dead, these thirty years:

And I live on, old, and grey.

When I think of those times, with tears,

What I was, what I am today,

View myself naked: turn at bay,

Seeing what I am no longer,

Poor, dry, meagre, worn away,

I almost forget myself in anger.

 

Where’s my smooth brow gone:

My arching lashes, yellow hair,

Wide-eyed glances, pretty ones,

That took in the cleverest there:

Nose not too big or small: a pair

Of delicate little ears, the chin

Dimpled: a face oval and fair,

Lovely lips with crimson skin?

 

The fine slender shoulder-blades:

The long arms, with tapering hands:

My small breasts: the hips well made

Full and firm, and sweetly planned,

All Love’s tournaments to withstand:

The broad flanks: the nest of hair,

With plump thighs firmly spanned,

Inside its little garden there?

 

Now wrinkled forehead, hair gone grey:

Sparse eyelashes: eyes so dim,

That laughed and flashed once every way,

And reeled their roaming victims in:

Nose bent from beauty, ears thin,

Hanging down like moss, a face,

Pallid, dead and bleak, the chin

Furrowed, a skinny-lipped disgrace.

 

This is the end of human beauty:

Shrivelled arms, hands warped like feet:

The shoulders hunched up utterly:

Breasts….what? In full retreat,

Same with the hips, as with the teats:

Little nest, hah! See the thighs,

Not thighs, thighbones, poor man’s meat,

Blotched like sausages, and dried.

 

That’s how the bon temps we regret

Among us, poor old idiots,

Squatting on our haunches, set

All in a heap like woollen lots

Round a hemp fire men forgot,

Soon kindled, and soon dust,

Once so lovely, that cocotte…

So it goes for all of us.