This space is dedicated to the proposition that we need to know the history of the struggles on the left and of earlier progressive movements here and world-wide. If we can learn from the mistakes made in the past (as well as what went right) we can move forward in the future to create a more just and equitable society. We will be reviewing books, CDs, and movies we believe everyone needs to read, hear and look at as well as making commentary from time to time. Greg Green, site manager
Thursday, February 05, 2015
***UP FROM SLAVERY-THE LIFE OF FREDERICK DOUGLASS
BOOK REVIEW
THE LIFE AND TIMES OF FREDERICK DOUGLASS, FREDERICK DOUGLASS
FEBRUARY IS BLACK HISTORY MONTH
At the start of the 21st century the international labor movement faces, as it has for a long time, a crisis of revolutionary leadership. That leadership is necessary to resolve the contradiction between the outmoded profit-driven international capitalist productive system and a future production system based on social solidarity, cooperation and production for social use. In America, at least, there is also a crisis of leadership of the black liberation struggle, which is tied into the labor question as well through the key role of blacks in the labor force. More happily in the 19th century in the struggle against slavery by the slaves and former slaves for black liberation there was such a leadership and none more important than the subject of this autobiography, Frederick Douglass. Even a cursory look at his life puts today ‘clean’ black leadership in the shades.
That Frederick Douglass was exceptional as a fighter for black freedom, women’s rights and as a man there is no question. His early life story of struggle for individual escape from slavery, attempts to educate himself and take an active political role on the slavery question rightly thrilled audiences here and in Europe. I, however, believe that he definitely came into his own as a revolutionary politician when he broke from Garrisonian non-resistant abolitionism and linked up with more radical elements like John Brown and the Boston ‘high’ abolitionists like Wendell Phillips and Thomas Wentworth Higginson. This abolitionist element pointed the way to the necessary fight to the finish strategy, arms in hand, to end slavery that eventually came to fruition in the Civil War.
At one time I personally believed that Douglass should have gone with John Brown to Harper’s Ferry. He would have provided a better grasp of the political and military situation there than Brown had and would have been forceful in calling out the slaves and others in the area to aid the uprising. In no way was my position on his refusal based on his personal courage of which there was no question. I now believe that Douglass more than made up for any help he would have given Brown by his work for an emancipation proclamation and for his calls for arming blacks in the Civil War to take part in their own emancipation. As such, it is well known that Douglass was instrumental in calling for the creation of the famous Massachusetts 54th Regiment, including the recruitment of two of his sons. Yes, 200,000 black soldiers and sailors under arms fighting to the death, and under penalty of death by the rebels, for their freedom is a fitting monument to the man.
Douglass, as well as every other militant abolitionist worth his or her salt, lined up politically with the new Republican Party headed by Lincoln and Seward before, during and shortly after the Civil War. However, the Republican Party ran out of steam as a progressive force fairly shortly after the war, culminating in the sell-out Compromise of 1877 which abandoned blacks to their fate in the South. Douglass, committed to emancipation, education and ‘forty acres and a mule’ for his fellows stayed with that party far too long. When key elements of that party lost heart in the black struggle due to their racism and other factors, moved on to other interests, or accepted the traditional white leadership of the South he also should have moved on to another progressive formation.Embryonic workers parties and other such progressive formations were raising their heads in the 1870’s. I do not believe that office in the Consular Service in Haiti was worth continuing to support a party going in the wrong direction. Notwithstanding that point, if you want to read about the exploits of a ‘big man’ in the history of the struggle of the oppressed, our history, when it counted this is your stop. Honor the memory of Frederick Douglass.
Wednesday, February 04, 2015
The “Last Waltz”- With The Five Satins In The Still Of The Night In Mind
Sam Lowell had several years before, maybe in about the middle of 2010, done an extensive survey of a commercially-produced Oldies But Goodies series(this series had fifteen separate CDs, more about its mass in a minute), in twenty to thirty song compilations and had torn his ear off from the endless listening. He had begged for a little gangsta hip-hop to soothe his ravaged soul although he was strictly a white-bread blues guy around that kind of music, around black-burst out “roots is the toots” music) and he had selected one song in each CD to highlight the music. He sought to highlight in particular the music that he and his corner boys had grown up with, Frankie Riley the acknowledged leader, Pete Markin (also known as the “Scribe” for his endless “publicity” for the group, especially the fountain of wisdom put forth by one Frankie Riley, who later when the drug craze hit full blossom in the late 1960s went over the edge down in Mexico trying to rip off a couple of bricks of cocaine from the hard boys and Pete got two slugs and a face down in a dusty Sonora back alley for his efforts), Jimmy Jenkins, James “Rats” McGee, Johnny Callahan, and other guys like Luke the Juke, Stubby Kincaid, and Hawk Healey who walked in and out of the group at various high school points. Better, had come of age with the music in Adamsville, that is in Massachusetts. Sam had been born in Clintondale a few towns over before moving to Adamsville, a similar town, in junior high school and there had been taken under Frankie Riley’s corner boy wing but had decidedly not been a corner boy in that former town for the simple reason that there were, unlike in Adamsville at Doc’s Drugstore and later Benny’s bowling alleys, no stand-out corner to be a corner boy in, for good or evil.
Yeah, the music of the great jail-break rock and roll 1950s and early 1960s when Sam and the guys came of age had driven his memory bank at that time, some of that material had been placed in a blog, Rock and Roll Will Never Die, dedicated to classic rock and roll music (the classic period now being deemed to have been between about the mid-1950s to the mid-1960s although Sam flinched every time he heard some young guy, some guy who might be an aficionado but was nevertheless not splashed by that tide, called his time the “classic age,” yeah, that rubbed him raw).
Sam had received some comments on the blog at the time, mostly from his generational brethren inquiring about this or that song, asking about where they could get a copy of the song they were seeking and he would inform them of the monstrous beauties of YouTube, especially Elvis and Jerry Lee stuff, if you could stand the damn commercials that notoriously plague that site to get to your selection. Asked about whether he knew where a 45 RPM vinyl copy could be had, had at any price, a tougher task and asked about the fate that had befallen various one hit johnnies and janies whose single song had been played unto death at the local hang-out jukebox or on the family record player thus driving some besotted mother to the edge. Many though, with almost the same “religious” intensity that Sam brought to his efforts, wanted to vividly describe how this or that song had impacted their lives. Sam had presumed then, presumed a passing fancy on their parts, but a few apparently had been in a time warp and should have sought some medical attention (although Sam was too much the gentleman to openly make that suggestion).
A lot of times though it came down purely to lettingSam know what song did they first dance to, a surprising number listing Bill Haley’s Rock Around The Clockand Danny and the Juniors At The Hop as the choice, surprising since that would have meant a very early introduction not only to rock and roll but to the social etiquettes of dancing with the opposite sex, to speak nothing of the sweaty palms, broken nerves and two left feet which blocked the way, a task which Sam had not done until he was a freshman in high school. Or some would describe what song in what situation had they gotten, or given, their first kiss and to whom, not surprisingly in the golden age of the automobile generation that frequently took place in the back seat of some borrowed car (a few over-the-edgers had gone into more graphic detail than necessary for adults to go into about what happened after that kiss in that backseat). Yeah, got in the back seat of some Chevy to go down to the local lovers’ lane (some very unusual places, the lovers’ lanes not the backseats which were one size fits all). Or what song had been their first fight and make-up to one, stuff like that.
As the shelf-life these days for all things Internet is short Sam thought no more about that series, the article or the comments until recently when a young guy (he had presumed a young guy since most devotees of old time classic rock fall into that demographic, although his moniker of Doo-Wop Dee could have signaled a young woman) who had Googled the words “rock and roll will never die” and had come upon the blog and the article. He sent an e-mail in which he challenged Sam to tell a candid world (Sam’s expression not Doo-Wop Dee’s who probably would not have known the genesis of that word) why the age of the Stones, Beatles, Animals, Yardbirds, etc., the 1960s age of the big bad guitars, heavy metal, and big backbeat did not do more for classic rock than Elvis (Presley), Chuck (Berry), Roy (Orbison), Bo (Diddley), Buddy (Holly), Jerry Lee (Lewis) and the like did all put together.
Well Sam is a mild-mannered guy usually, has mellowed out some since his rock and roll corner boy slam bang jail-break days, his later “on the road” searching for the great blue-pink great American West night hippie days and his even later fighting against his demon addictions days (drugs, con artist larceny, cigarettes, whiskey, hell, even sex, no forget that, drop that from the addiction list) and he had decided, not without an inner murmur, to let the comment pass, to move on to new things, to start work on an appreciation of electric blues, you know Chicago, Detroit, Memphis urban blues, in his young life. Then one night late one night he and his lady friend, Melinda (and the big reason to forget about that sex addiction stuff above), were watching an old re-run on AMC (the old-time movies channel, featuring mostly black and white films also a relic from his youth and his high school time at the retro-Strand Theater that existed solely to present two such beauties every Saturday afternoon, with or without popcorn) and saw as the film started one ghost from the past Jerry Lee Lewis sitting (hell maybe he had been standing, twirling whirling whatever other energy thing he could do back then to add to the fury of his act) on the back of a flat-bed truck, piano at the ready, doing the title song of the movie, High School Confidential, and then and there Sam had decided that he needed to put old Doo-Wop right. The rest of the movie, by the way, a classic 1950s cautionary tale about the pitfalls of dope, you know marijuana automatically leading to heroin, complete with some poor hooked girl strung out by her fiendish dealer/lover, and of leading an unchaste life, you know that sex addiction stuff that Sam had not been addicted to along his life’s way, as a result was actually eminently forgettable but thanks Jerry Lee for the two minute bailout blast. Here is what Sam had to say to his errant young friend and a candid world:
“First off the term “last waltz” used in the headline is used here as a simple expression of the truth. But that expression will also give Doo Wop and anybody else who asks an idea of the huge amount of material from the classic rock period, like I said in my blog sketch from the mid-50s to the mid-60s, which was good enough, had rung our running home after school to check out the latest dance moves and the cute guys and girls American Bandstand hearts enough, to make the cut. (And that really was true, out of over four hundred songs at least one hundred, a very high percentage, could have had a shot at the one hundred best popular songs of all times lists). When I had started that Oldies But Goodies series a few years ago in a fit of nostalgia related to reconnecting with guys like Frankie Riley, Johnny Callahan and Frank Jackman from the old hometown I had assumed that I had completed the series at Volume Ten. I then found out that this was a fifteen, fifteen count ‘em, volume series. I flipped out.
Thereafter I whipped off those last five CDs in one day, including individual reviews of each CD and a summing up for another blog, and was done with it. Working frantically all the while under this basic idea; how much can we rekindle, endlessly rekindle, memories from a relatively short, if important, part of our lives, even for those who lived and died by the songs (or some of the songs) in those compilations. How many times could one read about wallflowers, sighs, certain shes (or hes), the moonlight of high school dances (if there was any) and hanging around to the bitter end for that last dance of the night to prove... what. Bastante! Enough! Until Doo-Wop decided that my coming of age era paled, paled if you can believe this, in comparison to Johnny-come-lately rockers like Mick and Keith, John and Paul, Jerry, Neil, Roger and the like.
No, a thousand times no, as right this minute I am watching a YouTube film clip of early Elvis performing Good Rockin’ Tonight at what looks like some state fairgrounds down south and the girls are going crazy tearing their hair out and crying like crazy because the new breeze they had been waiting for in the death-dry red scare Cold War 1950s night just came through and not soon enough. If Doo-Wop had paid attention to anything that someone like Mick Jagger said about all that work being an overwhelming influence, the foundation for their efforts it might have held his tongue, or been a bit more circumspect. Guys like Mick, and they were mainly guys just like their 1950s forebears, knew that much. Yeah, it was mainly guys since I admit the only serious female rocker that I recall was Wanda Jackson whereas Doo-Wop’s time frame had Bonnie Raitt, Linda Ronstadt, Grace Slick, Janis Joplin, just to name a few. If he had argued on the basis of female rockers I would have no argument that the 1960s was a golden age for female rockers but his specified only the generic term ‘rockers.’ “
Like I said part of what got me going on the re-tread trail had been that nostalgia thing with my old corner boys and all our nights dropping dimes and quarters in Doc’s or Benny’s jukeboxes, listening on our transistor radios until our ears turned to cauliflower, and swaying at too many last change dance to mention but I also had been doing a series of commentaries elsewhere at the time on another site on my coming of political age in the early 1960s. You know the age of our own Jack Kennedy, the age of the short-lived Camelot when our dreams seemingly were actually within our grasp, and of the time we began realizing the need for serious struggles against all kinds of wars, and all kinds of discriminations, including getting a fair shake for the working people, those who labor, the people who populated our old time neighborhoods, our parents for chrissakes, in this benighted world. But here when I am writing about musical influences I am just speaking of my coming of age, period, which was not necessarily the same thing as the former.
No question that those of us who came of age in the 1950s were truly children of rock and roll. We were there, whether we appreciated it or not at the time, when the first, sputtering, musical moves away from ballady Broadway show tunes from Oklahoma, South Pacific and the like and rhymey Tin Pan Alley pieces hit the transistor radio airwaves. (If you do not know what a transistor radio is then ask your parents or, ouch, grandparents, please. Or look it up on Wikipedia if you are too embarrassed to not know ancient history things. Join the bus.) And, most importantly, we were there when the music moved away from any and all staid arm in arm music that one’s parents might have approved of, or maybe, even liked, hopefully, at least left you alone to play in peace up in your room when rock and roll hit post- World War II America teenagers like, well, like an atomic bomb.
Not all of the material put forth was good, nor was all of it destined to be playable fifty or sixty years later on some “greatest hits” compilation but some of songs had enough chordal energy, lyrical sense, and sheer danceability to make any Jack or Jill jump then, or now. Think Elvis almost any place where there were more than five girls, hell more than one girl, or Jerry Lee and that silly film high school cautionary film that got this whole comment started where he stole the show at the beginning from that flatbed throne or Bill Haley just singing Rock Around The Clock in front of the film Blackboard Jungle. Here is the good part, especially for painfully shy guys like me, or those who, like me as well, had two left feet on the dance floor. You didn’t need to dance toe to toe, close to close, with that certain she (or he for shes). Just be alive…uh, hip to the music. Otherwise you might become the dreaded wallflower. But that wallflower fear, the fear of fears that haunted many a teenage dream then, that left many a sad sack teenage boy, girls can speak for themselves, waking up in the middle of the night with cold sweats worrying about sweaty hands, underarms, coarse breathe, stubble, those damn feet (and her dainty ones mauled), and bravery, bravery to ask that she (or he for shes) for a dance, especially the last dance that you waited all night to have that chance to ask her about, is a story for another day. Let’s just leave it at this for now. Ah, to be very, very young then was very heaven.
So what still sounded good to a current AARPer, and perhaps some of his fellows who comprise the demographic that such 1950s compilation “speak” to (and some early 60s songs as well). Carl Perkins original Blue Suede Shoes (covered by, made famous by, and made millions for, Elvis). Or the Hank William’s outlaw country classic I’m So Lonesome I Could Cry. Naturally, in a period of classic rock numbers, Buddy Holly’s Peggy Sue (or, like Chuck Berry and Fat Domino from this period, virtually any other of about twenty of his songs).
But what about the now seeming mandatory to ask question the inevitable end of the night high school dance (or maybe even middle school) song that seemed to be included in each of those CD compilations? The song that you, maybe, waited around all night for just to prove that you were not a wallflower, and more importantly, had the moxie to, mumbly-voiced, parched-throated, sweaty-handed, ask a girl to dance (women can relate their own experiences, probably similar). Here Elvis’ One Night With You fills the bill. Hey, I did like this one, especially the soulful, snappy timing and voice intonation. And, yes, I know, this is one of the slow ones that you had to dance close on. And just hope, hope to high heaven, that you didn’t destroy your partner’s shoes and feet. Well, one learns a few social skills in this world if for no other reason than to “impress” that certain she (or he for shes, or nowadays, just mix and match your preferences) mentioned above. I did, didn’t you? Touche Doo-Wop!
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The Tattered, Battered Generation of '68-With The Rolling Stones’ Gimme Shelter Redux In Mind
James Jordan usually a stable, steady guy who rolled with the punches, maybe rolled with then too much, was in a fix. James wasn’t sure what to make of the feelings long suppressed about his youth, about the place where he grew up, about his turbulent high school days in the early 1960s, about his problems with girls, about his problems with his mother, about his problems with “Uncle” all of which in the end drove him into what amounted to permanent exile, exile on Main Street he liked to say cribbing from a Stones’ album title. Those mumbo-jumbo broth of feelings that had suddenly simmered and then exploded into a great desire to work through after almost thirty years of statutory neglect what had happened back then.
A couple of years before James started simmering (his term) he had been searching for a couple of old neighbors from the old working class neighborhood where he grew up, Jack Jenkins and Johnny Silver, a couple of guys who he had hung around with, a couple of what they called then, maybe still do, corner boys, corner boys around Be-Bop Benny’s Diner over on Main Street in his growing up town of Clintondalewhere the caught hell, caught mischief, and occasionally a stray girl not afraid of corner boys or looking down her nose at them. Both these guys had done their time in ‘Nam when they place was the hellhole for their generation, for him too, although he dodged the draft, did almost two years in Allentown down in Pennsylvania for his troubles when “Uncle” called him on the matter and that was that. That act alone caused big riffs between the three. and not just the three but a couple of other of the corner boys who were not called up, Rats McGee and Clipper Harris, and especially the acknowledged corner boy leader, the late Red Riley who had some bronze star and other ribbons to show for his valor. (Red later got caught up in some bad stuff, drugs James had heard which kind of figured, and was cut down in some unexplained shoot-out with the cops at a White Hen store down in some hick town in South Carolina where he allegedly was in the process of committing armed robbery on the place.)
The last James had heard, this about twenty years before, Jack and Johnny were looking for him to tell him that they finally figured out what he was trying to do by resisting the draft, just trying to keep himself in one piece like they were but just in a different way. But in that twenty years back time James had been in a deep freeze about anything that smacked of the old town, of the old places, of the old days. He had even denied to both his first and second wives, both since divorced, that he was from Clintondale claiming that he had been born in more upscale Hullsville near the water. They had both been both big on “upscale” having come from some new money and thus he did himself no harm by mentioning Hullsville, until they found out otherwise when his first wife, Anna, found out he was fooling around with the woman who would be his second wife, Joyce, when she started looking to find out who he really was. Joyce thereafter did the same thing when he took up with his present companion (no more marriages), Laura. So he was in deep denial, or something like that.
Maybe if James had tried to locate Jack and Johnny back those twenty years he would have needed the services of some private detective agency, or something like that but the new technology, the new ways of gathering information in the age of the Internet had saved him much time and money. In the process he had, unintentionally, found some other people from his high school class who helped him in his search. (He had done a straightforward Google search for the Clintondale Class of 1962 and had come up first with a commercial high school site which led him to a site which had been established by a committee formed for the 50th anniversary reunion of that class). To show how much he had mellowed since those trying youthful days, or maybe showing the extent of his simmering (remember his term) in the process of looking for his former brethren he had gotten caught up in what he, innocently, thought was a simple effort to help out one particular classmate on the committee, a former class officer, Melinda Loring. He agreed to answer some questions for a project that the class, the Class of 1962, was doing in preparation for the next year’s 50th class reunion. Apparently, from Melinda’s frenzied requests every time he answered one question thinking that was the end of it, this was to be an endless series of questions that seemed to him to start to make the run of the mill entries in that space by others in the class about kids, grandkids, vacations, travel and such who had seen fit to comment but who were not under Melinda’s sway seem like child’s play by comparison.
James finally having figured out Melinda’s mad plan told her (and obviously everybody else on the class website once she placed all his previous answers on-line for all the candid world to see) that he was placing the answer to the question below that she had asked him to write about on the site on his own unmediated by her, as he thought it might be of interest to those who, long of tooth now, had come from that time in question. Here is what one James Jordan formerly in permanent exile from his past on Main Street had to say to the following question:
Question: Do you consider yourself a member of the Generation of ‘68?
"In that time, twas bliss to be alive, to be young was very heaven"- a line from a poem by William Wordsworth in praise of the early stages of the French Revolution.
“I mentioned in the Tell My Story section of my profile page that while we were all members of the Class of 1962 some of us were also members of the Generation of ’68. I guess to those of us who considered themselves part of that experience no further explanation is necessary. However, if you are in doubt then let me give my take on what such membership would have entailed.
This question had actually prompted by an observation made by my old friend, and our classmate, the legendary track and cross-country runner Bill Collier. Part of my motivation for joining in this work on this site (answering the ten thousand Melinda questions) was to find him (and Jack Jenkins and Johnny Silver my old estranged corner boys who I am still looking for, Melinda is helping and maybe you can too). I have found him and we have started to keep in touch again via the amazing technology that has produced this class site for the computer-able. At one of the bull sessions that we have had I asked him whether he had gone to any class reunions. I had not done so and therefore I was interested in his take on the subject.
Bill said that the only one that he had gone to was the 5th anniversary reunion in 1969. Of course that year is the high water mark for the Generation of ’68. A key observation that Bill related, as least for my purpose here, was that when he went to that reunion and people came up to him to introduce themselves he had trouble identifying people, especially the guys, because of all the beards and long hair that were supreme tribal symbols at the time. So that is one, perhaps superficial, criterion for membership (for guys anyway).
Frankly, dear classmates, among the reasons that I turned my back on the old hometown right after high school was that it seemed like a ‘square’ (remember that tribal term from our youth meaning not hip) working class town that did not fit in with my evolving political and cultural, or rather counter-cultural, interests. Thus, Bill’s comments rather startled me. My assumption would have been that the ‘squares’ would have gotten a job after high school (or gone to college and then gotten a job), gotten married, had kids, bought a house and followed that trail, wherever it led. This new knowledge may tell me something different.
Is it possible that there were many other kindred spirits from our class who broke from that pattern, as least for a while? Who not only grew their hair long (male or female) or grew beards (male) but maybe dressed in the symbolic Army/ Navy store fashions of the day (male or female) or burned their bras (female)? Or did some dope (Yes, I know we are all taking the Bill Clinton defense on this one. Now) and made all the rock concerts? Or hitchhiked across the country? Or opposed the damn Vietnam War and got tear gassed for their efforts, supported the black liberation struggle and got tear gassed for their efforts, supported an end to the draft, ROTC on campus, etc. and got......well, you know the rest of the line. Or lived in a commune or any number of other things of like kind that were the signposts of the generation of ’68? In short, tried to 'storm heaven'. We lost that fight but these days I sense the storm clouds are gathering again for a new generation that has been beaten down by the hardships of living in this society without succor. Your stories, please (and that includes those ‘squares’ who do not now seem quite that way anymore).
James never did find out what happened to Jack and Johnny despite the best efforts of his and his classmates, especially Melinda who sensed how important it was to him (although she had told James that back in the day she would not go to Be-Bop Benny’s Diner because she was afraid and looked down her nose at corner boys). Seems the trail got cold when either one of them, or both, they were definitely travelling together, had serious problems adjusting to the real world after ‘Nam although the symptoms didn’t get bad until about a decade later around the time that James had heard they were looking for him. They, or one of them since the files were guarded by privacy laws, had been suffering, suffering badly from what a Veterans Administration counsellor at the hospital in Boston (the Jamaica Plain one not the one in West Roxbury) called Post Traumatic Stress Disorder (PTSD) and had taken off to the west, maybe California where a lot of guys with troubles tried to get a fresh start but the trail got cold, went dead, on Laramie Street in Denver. James told the whole class on the site when things seemed hopeless about finding their whereabouts that he hoped Jack and Johnny had found what they were looking for, looking for like the rest of that tattered, battered generation of’68 who tried to turn the world upside down and got knocked down for their troubles.
As The Class Struggle Heats Up And We Take Arrests-Some Important Information From The American Civil Liberties Union
Click below to link to an American Civil Liberties Union (ACLU)-Massachusetts website for additional information and links to other chapters.
http://aclum.org/
Markin comment:
I have crossed swords with the ACLU over their defense of "free speech" for fascists and other issues but this information is very useful as we take more arrests in our current struggles. And as the class struggle heats up and more occasions for arrest occur. We are not constrained by legalism, the ACLU's or anybody else's, in our actions, obviously, but we had better, collectively, be prepared on all fronts otherwise we will be picked off one by one.
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WHAT TO DO IF YOU'RE STOPPED BY POLICE, IMMIGRATION AGENTS OR THE FBI
We rely on the police to keep us safe and treat us all fairly, regardless of race, ethnicity, national origin or religion. This card provides tips for interacting with police and understanding your rights. <br />
Note: Some state laws may vary. Separate rules apply at checkpoints and when entering the U.S. (including at airports).
YOUR RIGHTS
- You have the right to remain silent. If you wish to exercise that right, say so out loud.
- You have the right to refuse to consent to a search of yourself, your car or your home.
- If you are not under arrest, you have the right to calmly leave.
- You have the right to a lawyer if you are arrested. Ask for one immediately.
- Regardless of your immigration or citizenship status, you have constitutional rights.
YOUR RESPONSIBILITIES
- Do stay calm and be polite.
- Do not interfere with or obstruct the police.
- Do not lie or give false documents.
- Do prepare yourself and your family in case you are arrested.
- Do remember the details of the encounter.
Do file a written complaint or call your local ACLU if you feel your rights have been violated.
IF YOU ARE STOPPED FOR QUESTIONING
Stay calm. Don't run. Don't argue, resist or obstruct the police, even if you are innocent or police are violating your rights. Keep your hands where police can see them.
Ask if you are free to leave. If the officer says yes, calmly and silently walk away. If you are under arrest, you have a right to know why. <br />
You have the right to remain silent and cannot be punished for refusing to answer questions. If you wish to remain silent, tell the officer out loud. <br >
In some states, you must give your name if asked to identify yourself. <br />
You do not have to consent to a search of yourself or your belongings, but police may "pat down" your clothing if they suspect a weapon. You should not physically resist, but you have the right to refuse consent for any further search. If you do consent, it can affect you later in court.
IF YOU ARE STOPPED IN YOUR CAR
Stop the car in a safe place as quickly as possible. Turn off the car, turn on the internal light, open the window part way and place your hands on the wheel.
Upon request, show police your driver's license, registration and proof of insurance.
If an officer or immigration agent asks to look inside your car, you can refuse to consent to the search. But if police believe your car contains evidence of a crime, your car can be searched without your consent. <br />
Both drivers and passengers have the right to remain silent. If you are a passenger, you can ask if you are free to leave. If the officer says yes, sit silently or calmly leave. Even if the officer says no, you have the right to remain silent. <br />
IF YOU ARE QUESTIONED ABOUT YOUR IMMIGRATION STATUS
You have the right to remain silent and do not have to discuss your immigration or citizenship status with police, immigration agents or any other officials. You do not have to answer questions about where you were born, whether you are a U.S. citizen, or how you entered the country. <br />
(Separate rules apply at international borders and airports, and for individuals on certain nonimmigrant visas, including tourists and business travelers.) <br />
If you are not a U.S. citizen and an immigration agent requests your immigration papers, you must show them if you have them with you. If you are over 18, carry your immigration documents with you at all times. If you do not have immigration papers, say you want to remain silent. <br />
Do not lie about your citizenship status or provide fake documents. <br />
IF THE POLICE OR IMMIGRATION AGENTS COME TO YOUR HOME
If the police or immigration agents come to your home, you do not have to let them in unless they have certain kinds of warrants. <br />
Ask the officer to slip the warrant under the door or hold it up to the window so you can inspect it. A search warrant allows police to enter the address listed on the warrant, but officers can only search the areas and for the items listed. An arrest warrant allows police to enter the home of the person listed on the warrant if they believe the person is inside. A warrant of removal/deportation (ICE warrant) does not allow officers to enter a home without consent. <br />
Even if officers have a warrant, you have the right to remain silent. If you choose to speak to the officers, step outside and close the door. <br />
IF YOU ARE CONTACTED BY THE FBI
If an FBI agent comes to your home or workplace, you do not have to answer any questions. Tell the agent you want to speak to a lawyer first. <br If you are asked to meet with FBI agents for an interview, you have the right to say you do not want to be interviewed. If you agree to an interview, have a lawyer present. You do not have to answer any questions you feel uncomfortable answering, and can say that you will only answer questions on a specific topic.
IF YOU ARE ARRESTED
Do not resist arrest, even if you believe the arrest is unfair. Say you wish to remain silent and ask for a lawyer immediately. Don't give any explanations or excuses. If you can't pay for a lawyer, you have the right to a free one. Don't say anything, sign anything or make any decisions without a lawyer.
You have the right to make a local phone call. The police cannot listen if you call a lawyer.
Prepare yourself and your family in case you are arrested. Memorize the phone numbers of your family and your lawyer. Make emergency plans if you have children or take medication.< br />
Special considerations for non-citizens:
- Ask your lawyer about the effect of a criminal conviction or plea on your immigration status.< br />
- Don't discuss your immigration status with anyone but your lawyer. <br />
- While you are in jail, an immigration agent may visit you. Do not answer questions or sign anything before talking to a lawyer. <br />
- Read all papers fully. If you do not understand or cannot read the papers, tell the officer you need an interpreter. <br />
IF YOU ARE TAKEN INTO IMMIGRATION (OR "ICE") CUSTODY
You have the right to a lawyer, but the government does not have to provide one for you. If you do not have a lawyer, ask for a list of free or low-cost legal services. <br />
You have the right to contact your consulate or have an officer inform the consulate of your arrest.
Tell the ICE agent you wish to remain silent. Do not discuss your immigration status with anyone but your lawyer. <br />
Do not sign anything, such as a voluntary departure or stipulated removal, without talking to a lawyer. If you sign, you may be giving up your opportunity to try to stay in the U.S
Remember your immigration number ("A" number) and give it to your family. It will help family members locate you. <br />
Keep a copy of your immigration documents with someone you trust.
IF YOU FEEL YOUR RIGHTS HAVE BEEN VIOLATED
Remember: police misconduct cannot be challenged on the street. Don't physically resist officers or threaten to file a complaint.
Write down everything you remember, including officers' badge and patrol car numbers, which agency the officers were from, and any other details. Get contact information for witnesses. If you are injured, take photographs of your injuries (but seek medical attention first).
File a written complaint with the agency's internal affairs division or civilian complaint board. In most cases, you can file a complaint anonymously if you wish.
Call your local ACLU or visit www.aclu.org/profiling.