New petition for Albert Woodfox launched today by Amnesty International; Please sign!
by Angola 3 News	12 Feb 2015
Urging people to sign the new petition launched today, Jasmine Heiss of Amnesty International USA declares: "Allowing Albert his freedom is the only just and humane action the state can take after decades of holding him in cruel and inhuman conditions. Louisiana Governor Bobby Jindal must ensure that the state stops standing in the way of Albert's freedom. Tell the Governor: Stop wasting valuable taxpayer resources. Help ensure Albert's release without further delay. It is imperative that justice delayed does not become justice denied. Albert has endured the unthinkable. It is unconscionable to hold him for a single day longer."
Click on image for a larger version Free Albert!
Click on image for a larger version LA State Capitol, April 17, 2012, AI petition delivered
Click on image for a larger version
Please take action here: http://angola3news.blogspot.com/2015/02/please-take-action-for-albert-wo We are excited to announce that Amnesty International has started a new petition in support of Albert Woodfox's February 6 bail request that he filed in response to the favorable Fifth Circuit Court ruling on February 3. The full text of an email sent out today by Amnesty, describing the campaign, is featured below. ---------------------------------------- Freedom is just around the corner (Written by Jasmine Heiss, Amnesty International USA) For more than four decades, Albert Woodfox has been held in solitary confinement: first in the infamous Louisiana State Penitentiary (also known as Angola Prison) and later in David Wade Correctional Center. Albert spends 23 hours a day isolated in a small cell - four steps long and three steps across - with no access to meaningful social interaction or rehabilitation. Last Friday, Albert's legal team filed for bail. With your help, he could finally walk free. Albert has been imprisoned for nearly 43 years for the second-degree murder of prison guard Brent Miller in 1972. He has been fighting to prove his innocence in a legal process tainted with flaws. No physical evidence ties Albert to the crime. Brent Miller's widow has said she believes that Albert is innocent. The Federal courts have overturned Albert's conviction three times. Despite all of this, the state of Louisiana has appealed three times and spent millions of dollars in legal fees during Albert's 40-year struggle for freedom. The state authorities seem hell-bent on keeping him behind bars. Allowing Albert his freedom is the only just and humane action the state can take after decades of holding him in cruel and inhuman conditions. Louisiana Governor Bobby Jindal must ensure that the state stops standing in the way of Albert's freedom. Tell the Governor: Stop wasting valuable taxpayer resources. Help ensure Albert's release without further delay. It is imperative that justice delayed does not become justice denied. Albert has endured the unthinkable. It is unconscionable to hold him for a single day longer. It's time for him to walk free. With hope for justice, Jasmine Heiss Senior Campaigner, Individuals at Risk Amnesty International USA
See also: http://www.angola3news.com http://act.amnestyusa.org/ea-action/action?ea.client.id=1839&ea.campaign.id=35593&ea.tracking.id=Country_USA~MessagingCategory_

Breaking News Boston Pride Will March in the South Boston St. Patrick’s Day Parade on Sunday, March 15th March 13, 2015 (Boston, MA) – Boston Pride, which will commemorate its 45th anniversary as an organization celebrating the LGBT community in June, has been accepted by the South Boston Allied War Veteran’s Council to march in the 114th annual South Boston St. Patrick’s Day Parade. The parade will take place on Sunday, March 15th. “We are looking forward to celebrating Boston’s diversity, our veterans and the Irish heritage of so many members of our community by marching in the St. Patrick’s Day parade,” said Sylvain Bruni, president of Boston Pride. “While we recognize there is still much work to be done to protect the rights of the LGBT community both here and around the world, and to ensure everyone’s rights to express themselves and to celebrate, we are aware of how symbolically important it is for members of our community to be proudly out among their friends and neighbors as a part of this historic parade.” "I'm thrilled that the St. Patrick's Day parade is inclusive this year, and the addition of Boston Pride to the list of participants reflects the values of the South Boston neighborhood," said Mayor Walsh. "With this year's parade, Boston is putting years of controversy behind us." In 1995, the United States Supreme Court ruled that the organizers of the South Boston St. Patrick’s Day Parade had a constitutional right to exclude LGBT organizations and individuals from participating in the annual parade. Twenty years later, Boston Pride and the LGBT community will be marching proudly in the parade, alongside OUTVETS, a group that formed last year and represents openly gay veterans. “We are eager to celebrate St. Patrick’s Day in the same respectful manner we ask participants to observe at the Pride Parade every year. As importantly, we are looking forward to showing our pride in an established Boston tradition and in our community by marching on Sunday, and we invite all LGBT and ally individuals to march with us,” said Bruni. About Boston Pride Boston Pride produces events and activities to achieve inclusivity, equality, respect, and awareness in Greater Boston and beyond. Fostering diversity, unity, visibility and dignity, we educate, communicate and advocate by building and strengthening community connections. Kicking off June 5 through June 14, Boston Pride will host ten days of events and activities that bring people together from all walks of life to celebrate diversity. Opening with the Annual Flag Raising Ceremony at City Hall, 2015 Pride Week will also include, the first annual Gala, Pride Day at Faneuil Hall, Black Pride Cruise, AIDS Walk, Pride Diplomatic Reception, Pride Lights, Human Rights Forum, Queeraoke, Pride Night at Fenway Park, Boston Pride Festival and Parade, Pride Youth Dance, Back Bay Block Party, and JP Block Party. The theme of this year’s Pride Parade and Festival is "45th Anniversary - #WickedProud."

© Copyright Boston Pride, 2015. All Rights Reserved

 

As The 100th Anniversary Of The First Year Of World War I (Remember The War To End All Wars) Continues ... Some Remembrances-Writers’ Corner  

In say 1912, 1913, hell, even the beginning of 1914, the first few months anyway, before the war clouds got a full head of steam in the summer they all profusely professed their unmitigated horror at the thought of war, thought of the old way of doing business in the world. Yes the artists of every school the Cubist/Fauvists/Futurists/Constructivists, Surrealists or those who would come to speak for those movements (hell even the Academy spoke the pious words when there was sunny weather), those who saw the disjointedness of modern industrial society and put the pieces to paint, sculptors who put twisted pieces of metal juxtaposed to each other saw that building a mighty machine from which you had to run created many problems; writers of serious history books proving that, according to their Whiggish theory of progress,  humankind had moved beyond war as an instrument of policy and the diplomats and high and mighty would put the brakes on in time, not realizing that they were all squabbling cousins; writers of serious and not so serious novels drenched in platitudes and hidden gazebo love affairs put paid to that notion in their sweet nothing words that man and woman had too much to do, too much sex to harness to denigrate themselves by crying the warrior’s cry and by having half-virgin, neat trick, maidens strewing flowers on the bloodlust streets; musicians whose muse spoke of delicate tempos and sweet muted violin concertos, not the stress and strife of the tattoos of war marches with their tinny conceits; and poets, ah, those constricted poets who bleed the moon of its amber swearing, swearing on a stack of seven sealed bibles, that they would go to the hells before touching the hair of another man, putting another man to ground or lying their own heads down for some imperial mission. They all professed loudly (and those few who did not profess, could not profess because they were happily getting their blood rising, kept their own consul until the summer), that come the war drums they would resist the siren call, would stick to their Whiggish, Futurist, Constructionist, Cubist worlds and blast the war-makers to hell in quotes, words, chords, clanged metal, and pretty pastels. They would stay the course.  

And then the war drums intensified, the people, their clients, patrons and buyers, cried out their lusts and they, they made of ordinary human clay as it turned out, poets, beautiful poets like Wilfred Owens who would sicken of war before he passed leaving a beautiful damnation on war, its psychoses, and broken bones and dreams, and the idiots who brought humankind to such a fate, like e. e. cummings who drove through sheer hell in those rickety ambulances floors sprayed with blood, man blood, angers, anguishes and more sets of broken bones, and broken dreams, like Rupert Brooke all manly and old school give and go, as the marched in formation leaving the ports and then mowed down like freshly mown grass in their thousands as the charge call came and they rested, a lot of them, in those freshly mown grasses, like Robert Graves all grave all sputtering in his words confused about what had happened, suppressing, always suppressing that instinct to cry out against the hatred night, like old school, old Thomas Hardy writing beautiful old English pastoral sentiments before the war and then full-blown into imperium’s service, no questions asked old England right or wrong, like old stuffed shirt himself T.S. Eliot speaking of hollow loves, hollow men, wastelands, and such in the high club rooms on the home front, and like old brother Yeats speaking of terrible beauties born in the colonies and maybe at the home front too as long as Eliot does not miss hi shigh tea. Jesus what a blasted nigh that Great War time was.   

And do not forget when the war drums intensified, and the people, their clients, patrons and buyers, cried out their lusts and they, they, other creative souls made of ordinary human clay as it turned out artists, sculptors, writers, serious and not, musicians went to the trenches to die deathless deaths in their thousands for, well, for humankind, of course, their always fate ….            

Memoirs of a Fox-Hunting Man (Sherston Trilogy #1)

by Siegfried Sassoon, Paul Fussell (Introduction)

Memoirs of a Fox-Hunting Man 3.9 of 5 stars 3.90  ·  rating details  ·  611 ratings  ·  45 reviews

The first volume in Siegfried Sassoon’s beloved trilogy, The Complete Memoirs of George Sherston, with a new introduction by celebrated historian Paul Fussell

A highly decorated English soldier and an acclaimed poet and novelist, Siegfried Sassoon won fame for his trilogy of fictionalized autobiographies that wonderfully capture the vanishing idylls of Edwardian England and The first volume in Siegfried Sassoon’s beloved trilogy, The Complete Memoirs of George Sherston, with a new introduction by celebrated historian Paul Fussell

A highly decorated English soldier and an acclaimed poet and novelist, Siegfried Sassoon won fame for his trilogy of fictionalized autobiographies that wonderfully capture the vanishing idylls of Edwardian England and the brutal realities of war.

            In this first novel of the semiautobiographical George Sherston trilogy, Sassoon wonderfully captures the vanishing idylls of the Edwardian English countryside. Never out of print since its original publication in 1928, when it won the James Tait Black Memorial Prize, Sassoon's reminiscences about childhood and the beginning of World War I are channeled through young George Sherston, whose life of local cricket tournaments and fox-hunts falls apart as war approaches and he joins up to fight. Sassoon's first novel, though rife with comic characters and a jaunty sense of storytelling, presents his own loss of innocence and the destruction of the country he knew and loved. ...more

Victory To The Fast-Food Workers The Vanguard Of The Fight For $15......Fight For $15 Is Just A Beginning-All Labor Must Support Our Sisters And Brothers

 

 

 

 

From The Pen Of Sam Lowell

Frank Jackman had always ever since he was a kid down in Carver, a working class town formerly a shoe factory mecca about thirty miles south of Boston and later dotted with assorted small shops related to the shipbuilding trade, a very strong supporters of anything involving organized labor and organizing labor, anything that might push working people ahead. While it had taken it a long time, and some serious military service during the Vietnam War, his generation’s war, to get on the right side of the angels on the war issue and even more painfully and slowly on the woman’s liberation and gay rights issues, and he was still having a tough time with the transgender thing although the plight of heroic Wikileaks whistle-blower Army soldier Chelsea Manning had made it easier to express solidarity, he had always been a stand-up guy for unions and for working people. Maybe it was because his late father, Lawrence Jackman, had been born and raised in coal country down in Harlan County, Kentucky where knowing which side you were on, knowing that picket lines mean don’t cross, knowing that every scrap given by the bosses had been paid for in blood and so it was in his blood. Maybe though it was closer to the nub, closer to home, that the closing of the heavily unionized shoe factories which either headed down south or off-shore left slim leaving for those who did not follow them south, slim pickings for an uneducated man like his father trying to raise four daughters and son on hopes and dreams and not much else. Those hopes and dreams leaving his mother to work in the “mother’s don’t work” 1950s at a local donut shop filling donuts for chrissakes to help make ends meet so his was always aware of how close the different between work and no work was, and decent pay for decent work too. How ever he got “religion” on the question as a kid, and he suspected the answer was in the DNA, Frank was always at the ready when the latest labor struggles erupted, the latest recently being the sporadic uprisings amount fast-food workers and lowly-paid Walmart workers to earn a living wage.        

One day in the late summer of 2014 he had picked up a leaflet from a young guy, a young guy who later identified himself as a field organizer for the Service Employees International Union (SEIU), a union filled to the brim with low-end workers like janitors, nurses assistants, salespeople, and the like, passing them out at an anti-war rally (against the American escalations in Syria and Iraq) in downtown Boston. The leaflet after giving some useful information about how poorly fast-food worker were paid and how paltry the benefits, especially the lack of health insurance announced an upcoming “Fight for $15” action in Downtown Boston on September 4, 2014 at noon as part of a national struggle for economic justice and dignity for the our hard working sisters and brothers. He told the young organizer after expressing solidarity with the upcoming efforts that he would try to bring others to the event although being held during a workday would be hard for some to make the time.

In the event Frank brought about a dozen others with him. They and maybe fifty to one hundred others during the course of the event stood in solidarity for a couple of hours while a cohort of fast-food workers told their stories. And while another cohort of fast-food workers were sitting on the ground in protest prepared to commit civil disobedience by blocking the street to make their point. Several of them would eventually be arrested and taken away by the police later to be fined and released.

Frank, when he reflected on the day’s events later, was pretty elated as he told his old friend Josh Breslin whom he had called up in Maine to tell him what had happened that day. Josh had also grown up in a factory town, a textile town, Olde Saco, and had been to many such support events himself and before he retired had as a free-lance writer written up lots of labor stories. The key ingredient that impressed Josh in Frank’s description had been how many young serious black and Latino workers had participated in the actions. Later than night when Frank reflected further on the situation he broke out in a smile as he was writing up his summary of his take on the events. There would be people pass off the torch to when guys like him and Josh were no longer around. He had been afraid that would not happen after the long drought doldrums in the class struggle of the previous few decades. Here is what else he had to say:            

No question in this wicked old world that those at the bottom are “the forgotten ones,” “los olvidados,” those who a writer who had worked among them had long ago correctly described as the world fellahin, the ones who never get ahead. This day we are talking about working people, people working and working hard for eight, nine, ten dollars an hour. Maybe working two jobs to make ends meet since a lot of times these McJobs, these Wal-Mart jobs do not come with forty hours of work attached but whatever some cost-cutting manager deems right to keep them on a string and keep them from qualifying for certain benefits that do not kick in with “part-time” work. And lately taking advantage of cover from Obamacare keeping the hours below the threshold necessary to kick in health insurance and other benefits. Yes, the forgotten people.

But let’s do the math here figuring on forty hours and figuring on say ten dollars an hour. That‘s four hundred a week times fifty weeks (okay so I am rounding off for estimate purposes here too since most of these jobs do not have vacation time figured in).That’s twenty thousand a year. Okay so just figure any kind of decent apartment in the Boston area where I am writing this-say one thousand a month. That’s twelve thousand a year. So the other eight thousand is for everything else. No way can that be done. And if you had listened to the young and not so young fast-food workers, the working mothers, the working older brothers taking care of younger siblings, workers trying to go to school to get out of the vicious cycle of poverty you would understand the truth of that statement. And the stories went on and on along that line all during the action. 

Confession: it has been a very long time since I have had to scrimp and scrim to make ends meet, to get the rent in, to keep those damn bill-collectors away from my door, to beg the utility companies to not shut off those necessary services. But I have been there, no question. Growing up working class town poor, the only difference on the economic question was that it was all poor whites unlike today’s crowd. Also for many years living from hand to mouth before things got steady. I did not like it then and I do not like the idea of it now.  I am here to say even the “Fight for $15” is not enough, but it is a start. And I whole-heartedly support the struggle of my sisters and brothers for a little economic justice in this wicked old world. And any reader who might read this-would you work for these slave wages? I think not. So show your solidarity and get out and support the fast-food and Wal-Mart workers in their just struggles. 

Organize Wal-Mart! Organize the fast food workers! Union! Union!  

 

       http://www.boston.com/news/local/massachusetts/2014/09/04/boston-fast-food-workers-rally-for-wages-unions/bc1ZqZIgwsVcOw0QHIV74M/story.html         

Veterans for Peace cancels annual Saint Patrick's Peace Parade after judge's initial ruling allows City to deny noon start time on March 15

ACLU lawsuit on behalf of VFP will continue to challenge City's 11-month delay in acting on permit application, and favoritism for South Boston Allied War Veterans parade, which excludes most LGBT and veterans' peace groups.

 

FOR IMMEDIATE RELEASE
Monday, March 9, 2015

 

CONTACT:
Christopher Ott, communications director, 617-482-3170 x322, cott@aclum.org
Patrick Scanlon, Veterans for Peace, 978-590-4248, Vets4PeaceChapter9@gmail.com

 

 

BOSTON -- The Massachusetts chapter of Veterans for Peace (VFP) today announced the cancellation this year of its annual St. Patrick's Day Peace Parade, which had been scheduled for noon on March 15. The cancellation follows a lengthy delay by the City of Boston—which for nearly a year refused to respond to VFP's permit application. It also follows a federal court ruling in VFP's lawsuit brought by the American Civil Liberties Union of Massachusetts against the City, issued on the evening of Friday, March 6, which declined to order the City to issue VFP a permit for noon. The ruling leaves in place the City's decision to favor the parade run by the South Boston Allied War Veterans Council, which traditionally begins at 1pm and has excluded gay organizations, Veterans for Peace, and other peace organizations.

 

The ruling also allows the City to continue its past practice of relegating the Veterans for Peace Chapter 9, Smedley D. Butler Brigade parade to a late start on a winter afternoon. In reaching that decision, Judge Leo Sorokin concluded that, at this stage of the litigation, VFP could not show a First Amendment violation "at this time." But Judge Sorokin recognized that between March 2014, when VFP filed its permit application, and February 2015, when VFP filed suit, City officials did not "respond to the VFP regarding its permit application" and did not "respond in any way to the various inquiries made by [VFP's] counsel regarding the permit."

 

Patrick Scanlon, the coordinator of the Smedley D. Butler Brigade of VFP, issued this statement:

 

"Veterans For Peace sadly and reluctantly has concluded that it will be necessary to cancel this year's Saint Patrick's Peace Parade. Having sought a permit for a noon start time and asked other participants to join us then, we were faced with the daunting task of rescheduling and re-organizing at the last minute when the City notified us we would again have to start in the late afternoon. Even after the federal court refused to overturn the City's decision, we had hoped we would be able to go forward, but too many of those who had expected to march in the Peace Parade could not join us later in the day, making it impossible to bring together a strong and effective counter-statement to the parade organized by the South Boston Allied War Veterans Council (AWVC).

 

"As veterans of the U.S. Military, many decorated in war, we are very disappointed and appalled by the treatment we have received this year by the City of Boston. We have a simple message of peace, equality and social justice, in contrast to the other parade that has a militaristic and exclusionary message. Yet our message is once again prohibited on the streets of South Boston during the Saint Patrick's Day celebrations. Putting us one mile behind the other parade again would have resulted in our military veterans walking in the late afternoon when most spectators have left the area.

 

"We as veterans are tired of the deplorable treatment we have experienced over the past five years. We are proud soldiers, sailors and airmen and we will not be denigrated, marginalized and treated with total disrespect. We, who have served this country, have seen first-hand the horrors of war and now work for peace and the peaceful resolution of conflict, are ostracized by the City of Boston and the AWVC excluding these messages on the streets of Boston. The City of Boston and the AWVC should be ashamed of themselves. We are not going away. To paraphrase General Douglas McArthur's pronouncement in 1941, 'Keep the flag flying, we will be back.'"

 

Sarah Wunsch, deputy legal director for the ACLU of Massachusetts, expressed disappointment with the City's treatment of the St. Patrick's Peace Parade and noted that the lawsuit against the City will continue. "The Veterans for Peace organization has First Amendment rights to be heard and seen by those who gather in South Boston to celebrate St. Patrick's Day, and we hope those rights will be vindicated as the case goes forward."

 

VFP Smedley D. Butler Brigade is a chapter of the national VFP. Founded in 1985, Veterans for Peace is a national organization of men and women of all eras and duty stations, including from World War II, the Korean, Vietnam, Gulf, Iraq, and Afghanistan wars, as well as other conflicts. Veterans for Peace works to expose the true costs of war and to support veterans and civilian victims. For more information, go to www.smedleyvfp.org

 

For more information about the lawsuit, go to:

https://www.aclum.org/news_2.12.15

 

For more information about the ACLU of Massachusetts, go to:

https://aclum.org

***Sitting On The Rim Of The World- With The Son Of The Neon Wilderness Nelson Algren In Mind-Take Four

 

From The Pen Of Frank Jackman

He wrote of small-voiced people, mostly people who had started out in the world with small voices, small voices which never got louder, never were heard over the rumble of the subway, working stiffs and their women, sometimes their kids, their kids growing up like weeds, who turned out to be disappointments but what could expect more from the progeny of small-voiced people, guys who sat around gin mills all night (maybe all day too I knew a few who inhabited the Dublin Grille in my old hometown of North Adamsville, another town filled with small-voice people). Never wrote, or wrote much, about big-voiced people who tumbled down to the sound of rumble subway stops out their doors, people who fell off the rim of the world from some high place due to their hubris, their addictions, their outrageous wanting habits never sated before the fall (not some edenic fall but just a worldly fall that once it happened the world moved on and ignored). Wrote of the desperately lonely, a man talking to himself on some forsaken park bench the only voice, not a big voice but a voice that had to be reckoned with, of the stuffed cop swaggering his billy club menacingly to him move on, or else, a woman, unhappy in love, hell maybe jilted at the altar, sitting alone like some Apple Annie in that one Ladies Invited tavern on the corner, the one just off Division where she had met that man the first time and meets all men now, all men with the price of a drink, no more. Yeah, a big old world filled with the lonely hearing only their own heartbeats, heard no other heartbeats as they waited out their days. What did Eliot call it, oh yeah, measured out their lives in coffee spoons. Wrote of alienated people too, not the Chicago intellectuals who were forever belly-aching about the de-humanization of man, about how we had built a mechanical world from which we had to run but the common clay, the ones who manned the conveyor belts, ran the damn rumbling subways, shoveled the snow, hell, shoveled shit day and night. Wrote of the night people, of the ones who would show up after midnight in some police precinct line-up, the winos, the jack-rollers, the drifters, the grifters, the midnight sifters, maybe a hooker who had not paid the paddy and thus was subject to the grill. Wrote of the  people who inhabit the Nighthawk Diner (artist Edward Hopper’s all shape angles, all dim lights outside, bright fluorescent no privacy, no hiding lights inside, all the lonely people eating their midnight hamburgers fresh off the greased grill, another grill that forlorn hooker knew well, or Tom Waits’ rummies, bummies, stumblers, street-walkers looking for respect all shadows left behind, take your pick), the restless, the sleepless, the shiftless, those who worked the late shift, those who drew the late shift of life, those who worked better under the cover of night in the dark alleyways and sullen doorways.

He wrote big time, big words, about the small-voiced people, big words for people who spoke in small words, spoke small words about small dreams, or no dreams, spoke only of the moment, the eternal moment. The next fix, how to get it, the next drink, how to get it, the next bet, how to con the barkeeper to put him on the sheet, the next john, how to take him, the next rent due, how to avoid the dun and who after all had time for anything beyond that one moment. Waiting eternally waiting to get well, waiting for the fixer man to walk up the stairs and get you well, well beyond what any doctor could prescript, better than any priest could absolve, to get some kicks. (Needle, whiskey, sex although that was far down the list by the time that needle was needed or that shot of low-shelf whiskey drove you to your need, again.) Waiting for the fixer man, waiting for the fixer man to fix what ailed them. Not for him the small voice pleasant Midwestern farmers providing breadbaskets to the world talking to kindred about prices of wheat and corn, the prosperous small town drugstore owners filling official drug prescriptions and selling the under-aged liquor as medicine or whatever the traffic would bear, or of Miss Millie’s beauty salon where the blue-haired ladies get ready for battle and gossip about how Mister so and so had an affair with Miss so and so from the office and how will Mildred who of course they would never tell do when the whole thing goes public (although one suspects that he could have written that stuff, written and hacked away his talent)who in the pull and push of the writing profession they had (have) their muses. Nor was he inclined to push the air out of the small town banker seeking a bigger voice (calling in checks at a moment’s notice), the newspaper publisher seeking to control the voices or the alderman or his or her equivalent who had their own apparatuses for getting their small voices heard (although again one suspects he could have, if so inclined, shilled for that set). No, he, Nelson Algren, he, to give him a name took dead aim at the refuge of society, the lumpen as he put it in the title of one short story, those sitting on the rim of the world.

And he did good, did good by his art, did good by his honest snarly look at the underside of society, and, damn, by making us think about that quarter turn of fate that separated the prosperous farmer (assuming as we must that he, secretly, was not short-weighting the world), the drugstore owner (assuming as we must that he, secretly, was not dispensing his wares, his potent drugs, out the back door to a craving market) , Miss Millie (assuming as we must that she, secretly, was not running a call girl service on the side), the banker (assuming as we must that he, maybe secretly maybe not, was not gouging rack rents and usurious interest), the newspaper editor (assuming as we must that he, very publicly, in fact was printing all the news fit to print), and the politician (assuming as we must that he, secretly, was not bought and paid for by all of the above, or others) from the denizens of his mean streets. The mean city streets, mainly of Chicago, but that is just detail, just names of streets and sections of town to balance his work where his characters eked out an existence, well, anyway they could, some to turn up face down in some muddy ravine, under some railroad trestle, in some dime flop house, other to sort of amble along in the urban wilderness purgatory.

Brother Algren gave us characters to chew on, plenty of characters, mostly men, mostly desperate (in the very broadest sense of that word), mostly with some jones to work off, mostly with some fixer man in the background to wreak havoc too. He gave us two classics of the seamy side genre, one, the misbegotten Frankie Machine, the man with the golden arm, the man with the chip on his shoulder, the mid-century(20^th century, okay) man ill at ease in his world, ill at ease with the world and looking, looking for some relief, some kicks in that mid-century parlance, and, two, that hungry boy, that denizen of the great white trash night, Dove Linkhorn, who, perhaps more than Frankie spoke to that mid-century angst, spoke to that world gone wrong, for those who had just come up, come up for some place where time stood still to gain succor in the urban swirl, to feast at the table, come up from the back forty lots, the prairie golden harvest wheat fields, the Ozarks, all swamps and ooze, mountain wind hills and hollows, the infested bayous and were ready to howl, howl at the moon to get attention.

I remember reading somewhere, and I have forgotten where now, that someone had noted that Nelson Algren’s writing on Dove Linkhorn’s roots was the most evocative piece on the meaning of the okie–arkie out migration segment of that mid-century America ever written, the tale of the wandering boys, the railroad riders, the jungle camp jumpers, the skid row derelicts. Hell, call it by its right name, the white trash, that lumpen mush. And he or she was right, of course, after I went back and re-read that first section of Walk On The Wild Side where the Linkhorn genealogy back unto the transport ships that brought the first crop of that ilk from thrown out Europe are explored. All the pig thieves, cattle-rustlers, poachers, highwaymen, the -what did some sociologist call them?, oh yeah, “the master-less men,” those who could not or would not be tamed by the on-rushing wheels of free-form capitalism as the system relentlessly picked up steam, the whole damn lot transported. And good riddance.

The population of California after World War II was filled to the brim with such types, the feckless “hot rod” boys, boys mostly too young to have been though the bloodbaths of Europe and Asia building some powerful road machines out of baling wire and not much else, speeding up and down those ocean-flecked highways looking for the heart of Saturday night, looking for kicks just like those Chicago free-flow junkies, those twisted New Orleans whoremasters. Wandering hells angels riding two by two (four by four if they felt like it and who was to stop them) creating havoc for the good citizens of those small towns they descended on, descended on unannounced (and unwelcomed by those same good citizens). In and out of jail, Q, Folsom, not for stealing pigs now, but armed robberies or some egregious felony, but kindred to those lost boys kicked out of Europe long ago. Corner boys, tee-shirted, black leather jacket against cold nights, hanging out with time on their hands and permanent smirks, permanent hurts, permanent hatreds, paid to that Algren observation. All the kindred of the cutthroat world, or better “cut your throat” world, that Dove drifted into was just a microcosm of that small-voiced world.

He spoke of cities, even when his characters came fresh off the farm, abandoned for the bright lights of the city and useless to that short-weighting farmer who now is a prosperous sort, making serious dough as the breadbasket to the world. They, the off-hand hot rod king, the easy hell rider, the shiftless corner boy, had no existence, no outlets for their anger and angst, in small towns and hamlets for their vices, or their virtues, too small, too small for the kicks they were looking for. They needed the anonymous city rooming house, the cold-water flat, the skid- row flop house, the ten- cent beer hall, hell, the railroad jungle, any place where they could just let go with their addictions, their anxieties, and their hunger without having to explain, endlessly explain themselves, always, always a tough task for the small-voiced of this wicked old world. They identified with cities, with city 24/7/365 lights, with Algren’s blessed neon lights, city traffic (of all kinds), squalor, cops on the take, cops not on the take, plebeian entertainments, sweat, a little dried blood, marked veins, reefer madness, swilled drinks, white towers, all night diners (see it always comes back to that lonely, alienated Nighthawk Diner just ask Waits), the early editions (for race results, the number, who got dead that day, the stuff of that world), a true vision of Edward Hopper’s Nighthawk for a candid world.

He spoke of jazz and the blues, as if all the hell in this wicked old world could be held off for a minute while that sound sifted thought the night fog air reaching the rooming house, the flop, the ravine, the beer hall as it drifted out to the river and drowned. Music not upfront but as a backdrop to while the steamy summer nights away, and maybe the frigid lake front winter too. Strangely, or maybe not so strangely, he spoke of a small-voiced white world, residents of white slums and pursuers of white- etched dreams and only stick character blacks but his beat, his writing rhythm made no sense without the heat of Trouble In Mind or that cool blast of Charlie Parker, Miles, Dizzie be-bopping, made absolutely no sense, and so it went.

He spoke of love too. Not big flamed love, big heroes taking big falls for some hopeless romance like in olden times but squeezed love, love squeezed out of a spoon, maybe, but love in all its raw places. A guy turning his woman into a whore to feed his endless habit love, and her into a junkie love. A woman taking her man through cold turkey love. A man letting his woman go love, ditto woman her man when the deal went wrong. When the next best thing came by. Not pretty love all wrapped in a bow, but love nevertheless. And sometimes in this perverse old world the love a man has for a woman when, failing cold turkey, he goes to get the fixer man and that fixer man get his woman well, almost saintly and sacramental. Brothers and sisters just read The Last Carousel if you want to know about love. Hard, hard love. Yah, Nelson Algren knew how to give voice, no holds barred, to the small-voiced people.

The Latest From The Partisan Defense Committee Website-

 

James P.Cannon (center)-Founding leader of The International Labor Defense- a model for labor defense work in the 1920s and 1930s.

Click below to link to the Partisan Defense Committee website.

http://www.partisandefense.org/

Reposted from the American Left History blog, dated December 1, 2010, updated December 2014.

Markin comment:

I like to think of myself as a long-time fervent supporter of the Partisan Defense Committee, an organization committed to social and political defense cases and causes in the interests of the international working class. Cases from early on in the 1970s when the organization was founded and the committee defended the Black Panthers who were being targeted by every police agency that had an say in the matter, the almost abandoned by the left Weather Underground (in its various incantations) and Chilean miners in the wake of the Pinochet coup there in 1973 up to more recent times with the Mumia death penalty case, defense of the Occupy movement and the NATO three, and defense of the heroic Wiki-leaks whistle-blower Chelsea Manning (formerly Bradley).

Moreover the PDC is an organization committed, at this time of the year, to raising funds to support the class-war prisoners’ stipend program through the annual Holiday Appeal drive. Unfortunately having to raise these funds in support of political prisoners for many years now, too many years, as the American and international capitalist class and their hangers-on have declared relentless war, recently a very one-sided war, against those who would cry out against the monster. Attempting to silence voices from zealous lawyers like Lynne Stewart, articulate death-row prisoners like Mumia and the late Tookie Williams, anti-fascist street fighters like the Tingsley Five to black liberation fighters like the Assata Shakur, the Omaha Three and the Angola Three and who ended up on the wrong side of a cop and state vendetta and anti-imperialist fighters like the working-class based Ohio Seven and student-based Weather Underground who took Che Guevara’s admonition to wage battle inside the “belly of the beast” seriously. Others, other militant labor and social liberation fighters as well, too numerous to mention here but remembered.

Normally I do not need any prompting in the matter. This year tough I read the 25th Anniversary Appeal article in Workers Vanguard No. 969 where I was startled to note how many of the names, organizations, and political philosophies mentioned there hark back to my own radical coming of age, and the need for class-struggle defense of all our political prisoners in the late 1960s (although I may not have used that exact term at the time).

That recognition included names like black liberation fighter George Jackson’s present class-war prisoner Hugo Pinell’s San Quentin Six comrade; the Black Panthers in their better days, the days when the American state really was out to kill or detain every last supporter, and in the days when we needed, desperately needed, to fight for their defense in places from Oakland to New Haven,  as represented by two of the Omaha Three (Poindexter and wa Langa), in their younger days; the struggle, the fierce struggle, against the death penalty as represented in Mumia’s case today (also Black Panther-connected); the Ohio 7 and the Weather Underground who, rightly or wrongly, were committed to building a second front against American imperialism, and who most of the left, the respectable left, abandoned; and, of course, Leonard Peltier and the Native American struggles from Pine Ridge to the Southwest. It has been a long time and victories few. I could go on but you get the point.

That point also includes the hard fact that we have paid a high price, a very high price, for not winning back in the late 1960s and early 1970s when we last had this capitalist imperialist society on the ropes. Maybe it was political immaturity, maybe it was cranky theory, maybe it was elitism, hell, maybe it was just old-fashioned hubris but we let them off the hook. And have had to fight forty years of rear-guard “culture wars” since just to keep from falling further behind.

And the class-war prisoners, our class-war prisoners, have had to face their “justice” and their prisons. Many, too many for most of that time. That lesson should be etched in the memory of every pro-working class militant today. And this, as well, as a quick glance at the news these days should make every liberation fighter realize; the difference between being on one side of that prison wall and the other is a very close thing when the bourgeois decides to pull the hammer down. The support of class-war prisoners is thus not charity, as International Labor Defense founder James P. Cannon noted back in the 1920s, but a duty of those fighters outside the walls. Today I do my duty, and gladly. I urge others to do the same now at the holidays and throughout the year. The class-war prisoners must not stand alone. 

*Free The Last of the Ohio Seven-They Must Not Die In Jail

COMMENTARY

ONE OF THE OHIO SEVEN -RICHARD WILLIAMS- RECENTLY DIED IN PRISON (2006). THAT LEAVES JAAN LAAMAN AND TOM MANNING STILL IN PRISON. IT IS AN URGENT DUTY FOR THE INTERNATIONAL LABOR MOVEMENT AND OTHERS TO RAISE THE CALL FOR THEIR FREEDOM. FREE ALL CLASS WAR PRISONERS.

Free the last of the Seven. Below is a commentary written in 2006 arguing for their freedom.

The Ohio Seven, like many other subjective revolutionaries, coming out of the turbulent anti-Vietnam War and anti-imperialist movements, were committed to social change. The different is that this organization included mainly working class militants, some of whose political consciousness was formed by participation as soldiers in the Vietnam War itself. Various members were convicted for carrying out robberies, apparently to raise money for their struggles, and bombings of imperialist targets. Without going into their particular personal and political biographies I note that these were the kind of subjective revolutionaries that must be recruited to a working class vanguard party if there ever is to be a chance of bringing off a socialist revolution. In the absence of a viable revolutionary labor party in the 1970’s and 1980’s the politics of the Ohio Seven, like the Black Panthers and the Weathermen, were borne of despair at the immensity of the task and also by desperation to do something concrete in aid of the Vietnamese Revolution and other Third World struggles . Their actions in trying to open up a second front militarily in the United States in aid of Third World struggles without a mass base proved to be mistaken but, as the Partisan Defense Committee which I support has noted, their actions were no crime in the eyes of the international working class.

The lack of a revolutionary vanguard to attract such working class elements away from adventurism is rendered even more tragic in the case of the Ohio Seven. Leon Trotsky, a leader with Lenin of the Russian Revolution of 1917, noted in a political obituary for his fallen comrade and fellow Left Oppositionist Kote Tsintadze that the West has not produced such fighters as Kote. Kote, who went through all the phases of struggle for the Russian Revolution, including imprisonment and exile under both the Czar and Stalin benefited from solidarity in a mass revolutionary vanguard party to sustain him through the hard times. What a revolutionary party could have done with the evident capacity and continuing commitment of subjective revolutionaries like the Ohio Seven poses that question point blank. This is the central problem and task of cadre development in the West in resolving the crisis of revolutionary leadership.

Finally, I would like to note that except for the Partisan Defense Committee and their own defense organizations – the Ohio 7 Defense Committee and the Jaan Laaman Defense Fund- the Ohio Seven have long ago been abandoned by those New Left elements and others, who as noted, at one time had very similar politics. At least part of this can be attributed to the rightward drift to liberal pacifist politics by many of them, but some must be attributed to class. Although the Ohio Seven were not our people- they are our people. All honor to them. As James P Cannon, a founding leader of the International Labor Defense, forerunner of the Partisan Defense Committee, pointed out long ago –Solidarity with class war prisoners is not charity- it is a duty. Their fight is our fight! LET US DO OUR DUTY HERE. RAISE THE CALL FOR THE FREEDOM OF LAAMAN AND MANNING. MAKE MOTIONS OF SOLIDARITY IN YOUR POLITICAL ORGANIZATION, SCHOOL OR UNION.

YOU CAN GOOGLE THE ORGANIZATIONS MENTIONED ABOVE- THE PARTISAN DEFENSE COMMITTEE- THE OHIO 7 DEFENSE COMMITTEE- THE JAAN LAAMAN DEFENSE FUND.

***In Honor Of Women’s History Month -Out In The Be-Bop Be-Bop 1960s Night- Save The Last Dance For Me-With The Drifters’ Song Of The Same Name In Mind.

From The Pen Of Peter Paul Markin

Scene: Brought to mind by one of the songs in this compilation, The Drifters classic end of the night high school dance number, Save The Last Dance For Me. (And the reason for the kudos to Women’s History Month in a little off-beat way as well.)

Recently, when I was reviewing a CD AM Gold: 1962, I mentioned, in detailing some of the events surrounding the North Adamsville Class of 1962-sponsored version of the traditional late September Falling Leaves Dance that one of the perks that year was getting to hear the vocals of local singer and classmate, Diana Nelson, backed up by local rock band favorite, The Rockin’ Ramrods. I also mentioned that her selection had been the result of a singing competition held by the town fathers and that I would relate some of the details of that competition at a later date. That time has come. Additionally, I related that I had had a “crush” on Miss (Ms.) Nelson since I started staring, permanently staring, at her ass when she sat a few seats in front of me in ninth grade. At the time of the above-mentioned dance she was “going steady” with some college joe, and had not given me the time of day, flirting or encouraging-wise, since about tenth grade, although we always talked about stuff, music and political stuff, two of my passions, and hers too. Here’s the “skinny.”

No question that about 1960, maybe into 1961, girl vocalists were the cat’s meow. (Okay, young women, but we didn’t call them that then, no way. Also “no way” as well is what we called them, called them among we corner boys at Salducci’s Pizza Parlor in the harsh summer night, especially when we got “no action.” I don’t have to draw you a diagram on what that meant, right?). You can, if you were around then, reel off the names just as well as I can, Connie Francis, Carla Thomas, Patsy Cline, and the sparkplug Brenda Lee. I won’t even mention wanna-bes like Connie Stevens and Sandra Dee, Christ. See, serious classic rock by guys like Elvis (who was either dead or might as well have been doing foolish films like Blue Hawaii), Bo Diddley, Chuck Berry (and his Mister’s woman habits) and Jerry Lee Lewis (and his kissing cousins habit) was, well, passé, in that musical counter-revolution night when guys like Fabian and Bobby Vee ruled the girl heart throb universe 

But music, like lots of other things abhors a vacuum and while guys were still singing, I guess, the girl singers (read young women, okay, and we will leave it at that) “spoke” to us more. Especially to record- buying girls who wanted to hear about teen romance, teen alienation, lost love, unstoppable hurts, betrayal (usually by the girl’s best friend and her boyfriend, although not always), lonely Friday nights, and other stuff that teenagers, boys and girls equally, have been mulling over, well, since they invented teenagers a long time ago.  

So it was natural for the musically-talented girls around North Adamsville, and maybe around the country for all I know, to test themselves against the big name talents and see what they had. See if they could make teen heaven- a record contract with all that entailed. In North Adamsville that was actually made easier by the town fathers (and they were all men, mostly old men in those days so fathers is right), if you can believe that. Why? Because for a couple of years in the early 1960s, maybe longer, they had been sponsoring a singing contest, a female vocalist, singing- contest. I heard later, and maybe it was true, that what drove them was that, unlike those mid-1950s evil male rockers mentioned above, the women vocalist models had a “calming effect” on the hard-bitten be-bop teen night. And calm was what the town fathers cared about most of all. That, and making sure that everything was in preparedness for any Soviet missile strike, complete with periodic air raid drills, christ again.      

In 1962 this contest, as it was in previous years, was held in the spring in the town hall auditorium. And among the contestants, obviously, was that already "spoken for" Diana Nelson who was by even the casual music listener the odds-on favorite. She had prepped a few of us with her unique rendition of Brenda Lee’s I’m Sorry so I knew she was a shoo-in. And she was. What was interesting about the competition was not her victory as much as the assorted talents, so-called, that entered this thing. If I recall there were perhaps fifteen vocalists in all. The way the thing got resolved was a kind of sing-off. A process of elimination sing-off. 

Half a dozen, naturally, were some variation of off-key and dismissible out of hand. These girls fought the worst when they got the hook. Especially one girl, Elena G., if anyone remembers her who did one of the worst versions  of Connie Francis’ Who’s Sorry Now I had (and have) ever heard. The more talented girls took their lost with more grace, probably realizing as Diana got into high gear that they were doomed. But here is the funny part. One of the final four girls was not a girl at all. Jimmy C. from right down the end of my street dressed himself up as girl (and not badly either although none of us knew much about “drag queen” culture then) and sang a great version of Mary Wells’ Two Lovers. Like I said we knew from nothing about different sexual preferences and thought he just did it as a goof. (I heard a few years later that he had finally settled in Provincetown and that fact alone “hipped” me, after I got hip to the ways of the world a little better, to what he was about, sexually.) 

I probably told you before that one part of winning was a one thousand dollar scholarship. That was important, but Diana, when she talked to me about it a couple of days later just before class, said she really wanted to win so she could be featured at the Falling Leaves Dance. Now, like I said, I had a big crush on her, no question, so I was amazed that she also said that she wanted me to be sure to be at the dance that next late September. Well, if you have been paying attention at all then you know I was there. I went alone, because just then I didn’t have a girlfriend, a girlfriend strong enough for me to want to go to the dance with anyway. But I was having a pretty good time. I even danced with Chrissie McNamara, a genuine fox, who every guy had the “hots” for since she, just the night before, had busted up with Johnny Callahan, the football player. And Diana sang great, especially on Brenda Lee’s I Want To Be Wanted. She reached somewhere deep for that one. 

 

Toward the end of the evening, while the Rockin’ Ramrods were doing some heavy rock covers, Chuck Berry’s Sweet Little Sixteen I think, and she was taking a break, Diana came over to me and said, I swear she said it exactly like this- “save the last dance for me.” I asked her to repeat herself. She said Bobby (her college joe) was not here that evening for some reason I do not remember and that she wanted to dance the last dance with someone she liked. Well, what’s a guy to do when someone like Diana gives her imperial command? I checked my dance card and said “sure.” Now this last dance thing has been going on ever since they have had dances and ever since they have had teenagers at such events so no big deal, really. Oh, except this, as we were dancing that last dance to the Ramrod’s cover of The Dubs Could This Be Magic Diana, out of the blue, said this. “You know if you had done more than just stared at my ass in class (and in the corridors too, she added) in ninth grade maybe I wouldn’t have latched onto Bobby when he came around me in tenth grade.” No, a thousand times no, no, no, no…   

Note: After reading the above heart-rending story I believe that we can safely put aside those accusations by my Salducci’s corner boys, especially my chieftain, one Frankie Riley, that I was totally skirt-addled. That I would chase anything in a skirt, anytime. Needless to say that also puts to rest that vicious rumor that I “hit” on Chrissie McNamara that night of the dance after she gave Johnny Callahan the big kiss-off.    

And hence this quirky contribution to Women’s History Month.