As The 100th Anniversary Of The First Year Of World War I (Remember The War To End All Wars) Continues ... Some Remembrances-Writers’ Corner  

In say 1912, 1913, hell, even the beginning of 1914, the first few months anyway, before the war clouds got a full head of steam in the summer they all profusely professed their unmitigated horror at the thought of war, thought of the old way of doing business in the world. Yes the artists of every school the Cubist/Fauvists/Futurists/Constructivists, Surrealists or those who would come to speak for those movements (hell even the Academy spoke the pious words when there was sunny weather), those who saw the disjointedness of modern industrial society and put the pieces to paint, sculptors who put twisted pieces of metal juxtaposed to each other saw that building a mighty machine from which you had to run created many problems; writers of serious history books proving that, according to their Whiggish theory of progress,  humankind had moved beyond war as an instrument of policy and the diplomats and high and mighty would put the brakes on in time, not realizing that they were all squabbling cousins; writers of serious and not so serious novels drenched in platitudes and hidden gazebo love affairs put paid to that notion in their sweet nothing words that man and woman had too much to do, too much sex to harness to denigrate themselves by crying the warrior’s cry and by having half-virgin, neat trick, maidens strewing flowers on the bloodlust streets; musicians whose muse spoke of delicate tempos and sweet muted violin concertos, not the stress and strife of the tattoos of war marches with their tinny conceits; and poets, ah, those constricted poets who bleed the moon of its amber swearing, swearing on a stack of seven sealed bibles, that they would go to the hells before touching the hair of another man, putting another man to ground or lying their own heads down for some imperial mission. They all professed loudly (and those few who did not profess, could not profess because they were happily getting their blood rising, kept their own consul until the summer), that come the war drums they would resist the siren call, would stick to their Whiggish, Futurist, Constructionist, Cubist worlds and blast the war-makers to hell in quotes, words, chords, clanged metal, and pretty pastels. They would stay the course.  

And then the war drums intensified, the people, their clients, patrons and buyers, cried out their lusts and they, they made of ordinary human clay as it turned out, poets, beautiful poets like Wilfred Owens who would sicken of war before he passed leaving a beautiful damnation on war, its psychoses, and broken bones and dreams, and the idiots who brought humankind to such a fate, like e. e. cummings who drove through sheer hell in those rickety ambulances floors sprayed with blood, man blood, angers, anguishes and more sets of broken bones, and broken dreams, like Rupert Brooke all manly and old school give and go, as the marched in formation leaving the ports and then mowed down like freshly mown grass in their thousands as the charge call came and they rested, a lot of them, in those freshly mown grasses, like Robert Graves all grave all sputtering in his words confused about what had happened, suppressing, always suppressing that instinct to cry out against the hatred night, like old school, old Thomas Hardy writing beautiful old English pastoral sentiments before the war and then full-blown into imperium’s service, no questions asked old England right or wrong, like old stuffed shirt himself T.S. Eliot speaking of hollow loves, hollow men, wastelands, and such in the high club rooms on the home front, and like old brother Yeats speaking of terrible beauties born in the colonies and maybe at the home front too as long as Eliot does not miss hi shigh tea. Jesus what a blasted nigh that Great War time was.   

And do not forget when the war drums intensified, and the people, their clients, patrons and buyers, cried out their lusts and they, they, other creative souls made of ordinary human clay as it turned out artists, sculptors, writers, serious and not, musicians went to the trenches to die deathless deaths in their thousands for, well, for humankind, of course, their always fate ….            

The Adventures Of The U 202 Submarine: An Actual Narrative

by Edgar von Spiegel von und zu Peckelsheim

The Adventures Of The U 202 Submarine: An Actual Narrative

3.23 of 5 stars 3.23  ·  rating details  ·  13 ratings  ·  2 reviews

 

CONTENTS Our First Success An Eventful Night The Sinking of the Transport Rich Spoils The Witch-Kettle A Day of Terror A Lively Chase The British Bull-dog Homeward Bound

Paperback

Published August 1st 2003 by Fredonia Books (NL)

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Looking For The Heart Of Saturday Night, Christ The Heart Of Any Night-The Songs of Tom Waits-Take Five

From The Pen Of Peter Paul Markin

A YouTube film clip of Tom Waits performing Looking For The Heart Of Saturday Night

If you, as I do, every once in a while, every once in a while when the norms of the today’s bourgeois-driven push, you know grab goods, grab the dough, grab some shelter from the storm, the storm that these days comes down like a hard rain falling, to get ahead in this wicked old world have to step back and take stock, maybe listen to some words of wisdom, or words that help explain how you got into that mess then you have come to the right address. Okay, okay on that bourgeois-driven today thing  maybe going back further to Calvinist Puritan avenging angels times with John Winthrop and the Mayflower boys but you best ask Max Weber about that since he tried to hook the boys to the wheel of the capitalist profit, profit for you at the expense of me, system with the new dispensation coming out like hellfire from Geneva and points east and west. But you get the point.

If all that to-ing and fro-ing (nice touch, right) leaves you wondering where you fell off the edge, that edge city (edge city where you danced around with all the conventions of the days, danced around the get ahead world with blinkers on) where big cloud outrageous youthful dreams were dreamt and you took risks, damn did you take risks, thought nothing of that fact either, landed on your ass more than a few time but just picked yourself up and dusted your knees off and done stick around and listen up. Yeah, so if you are wondering,  have been pushed off your saintly wheels, yeah, pushed you off your sainted wheels, and gotten yourself  into some angst-ridden despair about where you went off that angel-driven dream of your youth, now faded, tattered, and half- forgotten(but only half, only half, the wisp of the dream, the eternal peace dream, the figuring out how to contain that fire, that wanting habits fire in your belly dream sisters and brothers), and need some solace (need some way to stop the fret counting the coffee cups that while away your life), need to reach back to roots (reach back to roots that the 1950s golden age of America kicked the ass out of to make us crave oneness, to forget about those old immigrant customs, made us forget that simple country blues, mountain breeze songs, cowboy ballads, Tex-Mex, Cajun Saturday night that make the people feel good times), reach back to the primeval forest maybe, put the headphones on some Tom Waits platter (oops, CD, YouTube selection, etc.- “platter” refers to a, ah, record, vinyl, put on a record player, hell, look it up in Wikipedia, okay) and remember what it was like when men and women sang just to sing the truth of what they saw and heard.

If the norms of don’t rock the boat (not in these uncertain times like any times in human existence were certain, damn, there was always something coming up from the first man-eating beast to the human race-eating nuclear bombs), the norms of keep your head down (that’s right brother, that’s right sister keep looking down, no left or rights for your placid world), keeping your head down being an art form now with appropriate ritual (that ritual looking more and more like the firing squad that took old Juan Romero’s life when he did bad those days out in Utah country), and excuses, because, well, because you don’t want to wind up like them (and fill in the blank of the “them,” usually dark, very dark like some deathless, starless night disturbing your sleep, begging, I swear, begging you to put that gun in full view on the table,   speaking some unknown language, maybe A-rab, maybe gibberish for all you know, moving furtively and stealthily against your good night) drive you crazy and you need, desperately need, to listen to those ancient drum beats, those primeval forest leave droppings maybe, that old time embedded DNA coda long lost to, oh yes, civilization, to some civilizing mission (think of that Mayflower gang or ask Max Weber), that spoke of the better angels of your nature when those angel dreams, half-forgotten but only half remember, ruled your days. Turn up the volume up another notch or two on that Tom Waits selection, maybe Jersey Girl or Brother, Can You Spare A Dime (can you?), Hold On, or Gunn Street Girl.

If you need to hear things, just to sort things out, just to recapture that angel-edge, recapture the time when you did no fear, you and everybody else’s sisters and brothers, that thing you build and from which you now should run, recapture that child-like wonder that made you come alive, made you think about from whence you came and how a turn, a slight turn this way or that, could have landed you on the wrong side. And I have the list of brothers and sisters who took that wrong road, when he wound up face down in some dusty back road arroyo down Sonora way when the deal went bust or when she, maybe a little kinky for all I know, decided that she would try a needle and a spoon, I swear, or she swore just for kicks and she wound up in Madame LaRue’s whorehouse working that bed to perdition, hey, sweet dreams baby I tried to tell you when you play with fire, watch out.

So if you need to sort things out about boozers (and about titanic booze-crazed struggles in barrooms, on beaches, in the back seats of cars, lost in the mist of time down some crazed midnight, hell, four in the morning, penniless, cab fare-less night), losers (those who have lost their way, gotten it taken away from them like some maiden virginity), those who never had anything but lost, not those who never had a way to be lost, dopesters inhaling, in solitary hotel rooms among junkie brethren, gathering a needle and spoon in some subterranean dank cellar, down in dark alleys jack-rolling some poor drunk stiff out of his room rent for kicks (how uncool to drink low-shelf whiskeys or rotgut wines hell the guy deserved to be rolled, should feel lucky he got away with just a flipped wallet), out in nighttime canyons flame blaring off the walls, the seven seas of chemical dust, mainly blotter, maybe peyote (the sweet dreams of ten million years of ghost warriors working the canyon walls flickering against the campfire flames) if that earth angel connection comes through (Aunt Sally, always, some Aunt Sally coming up the stairs to ease the pain, to make one feel, no, not feel, better than any AMA doctor without a prescription pad), creating visions of long lost tribes trying, trying like hell, to get “connected,” connected in the campfire shadow night, hipsters (all dressed in black, mary mack dressed in black, speeding, speaking be-bop this and be-bop that to stay in fashion, hustling, always hustle, maybe pimping some street urchin, maybe cracking some guy’s head to create a “new world order” of the malignant, always moving), fallen sisters (sisters of mercy, sisters who need mercy, sisters who were mercifully made fallen in some mad dash night, merciful sister feed me, feed me good), midnight sifters (lifting in no particular order hubcaps, tires, wrenches, jacks, an occasional gem, some cheap jewelry in wrong neighborhoods, some paintings or whatever is not saleable left in some sneak back alley, it is the sifting that counts), grifters (hey, buddy watch this, now you see it, now you don’t, now you don’t see your long gone John dough, and Mister three card Monte long gone too ), drifters (here today gone tomorrow with or without dough, to Winnemucca, Ogden, Fresno, Frisco town, name your town, name your poison and the great big blue seas washing you clean out into the Japans ), the drift-less (cramped into one room hovels, shelters, seedy rooming houses afraid to stay in-doors or to go outside, afraid of the “them” too, afraid to be washed clean, angel clean), and small-time grafters (the ten-percent guys, failed insurance men, repo artists, bounty hunters, press agents, personal trainers, need I go on). You know where to look, right.

If you need to be refreshed on the subject of hoboes, bums, tramps (and remind me sometime to draw the distinction, the very real and acknowledged distinction between those three afore –mentioned classes of brethren once told to me by a forlorn grand master hobo, a guy down on his luck moving downward to bum), out in the railroad jungles in some Los Angeles ravine, some Gallup, New Mexico Southern Pacific  trestle (the old SP the only way to travel out west if you want to get west), some Hoboken broken down pier (ha, shades of the last page of Jack Kerouac’s classic), the fallen (fallen outside the gates of Eden, or, hell, inside too), those who want to fall (and let god figure out who made who fall, okay), Spanish Johnnies (slicked back black hair, tee shirt, shiv, cigarette butt hanging from a parted lip, belt buckle ready for action, leering, leering at that girl over there, some gringa for a change of pace, maybe your girl but watch out for that shiv, the bastard), stale cigarette butts (from Spanish Johnnie and all the johnnies, Camels, Luckies, no filters, no way), whiskey-soaked barroom floors (and whiskey-soaked drunks to mop the damn place up, for drinks and donuts, maybe just for the drinks), loners (jesus, books, big academic books with great pedigrees could be written on that subject so let’s just pass by), the lonely (ditto loners), sad sacks (kindred, one hundred times kindred to the loners and the lonely but not worthy of study, academic study anyway), the sad (encompassing all of the above) and others at the margins of society, the whole fellahin world, then Tom Waits is your stop.

Tom Waits is, frankly, an acquired taste, one listen will not do, one song will not do, but listen to a whole record (CD okay) and you won’t want to turn the thing off, high praise in anyone’s book, so a taste well worth acquiring as he storms heaven in words, in thought-out words, in cribbed, cramped, crumbled words, to express the pain, angst and anguish of modern living, yes, modern living, looking for busted black-hearted angels (who left him short one night in some unnamed, maybe nameless, gin mill), for girls with Monroe hips (swaying wickedly in the dead air night, and flaming desire, hell lust, getting kicked out of proper small town hells (by descendants of those aforementioned Mayflower boys promising the world for one forbidden night), get real, and left for dead with cigar wrapping rings, for the desperate out in forsaken woods who need to hold on to something, and for all the misbegotten. 

Tom Waits gives voice in song, a big task, to the kind of characters that peopled Nelson Algren’s novels (The Last Carousel, Neon Wilderness, Walk on the Wild Side, and The Man with the Golden Arm). The, frankly, white trash Dove Linkhorns of the world, genetically broken before they begin, broken before they hit these shores (their forbears thrown out of Europe for venal crimes and lusts, damn them, the master-less men and women, ask old Max about them too), having been chased out, cast out of Europe, or some such place. In short, the people who do not make revolutions, those revolutions we keep hearing and reading about, the wretched of the earth and their kin, far from it, but those who surely, and desperately could use one. If, additionally, you need a primordial grizzled gravelly voice to attune your ear and occasional dissonant instrumentation to round out the picture go no further. Finally, if you need someone who “feels your pain” for his characters you are home. Keep looking for the heart of Saturday night, Brother, keep looking.

Support "Courage To Resist"-The Organization Supporting Military Resisters And Chelsea Manning 

 

Frank Jackman comment on Courage To Resist and military resisters: 

I have always admired military resisters having, frankly, done my time in the military, Vietnam Era time, without any serious reflection about the military, my role in the military, or what was just and unjust about that war until after I got out. After I got out, began to see thing through the fog of war and got serious “religion” on the questions of war and peace from several sources. At first working with the Cambridge Quakers who I had noticed around the fringes of anti-war GI work in the early 1970s when there was a serious basis for doing such work as the American army one way or another was half in mutiny toward the end of American involvement in that war. And a serious need as guys, guys who get their “religion” in the service needed civilian help to survive the military maze that they were trying to fight. This connection with the Quakers had been made shortly after I got out of the service when my doubts crept in about what I had done in the service, and why I had let myself be drafted when I had expressed serious anti-war doubts before induction about what the American government was doing in Vietnam to its own soldiers. But, more importantly, and this was the real beginning of wisdom and something I am keenly aware every time the American government ratchets up the war hysteria for its latest adventure, to the Vietnamese who to paraphrase the great boxer Mohammed Ali (then Cassius Clay) had never done anything to me, never posed any threat to me and mine. But as much as I admired the Quakers and their simple peace witness, occasionally attended their service and briefly had a Quaker girlfriend, I was always a little jumpy around them, my problem not theirs, since their brand of conscientious objection to all wars was much broader than my belief in just and unjust wars.

Later I worked with a couple of anti-war collectives that concentrated on anti-war GI work among active GIs through the vehicle of coffeehouses located near Fort Devens in Massachusetts and Fort Dix down in New Jersey. That work while satisfying and rewarding by actually working with guys who knew the score, knew the score from the inside, and had plenty to tell, especially those who had gotten “religion” under fire was short-lived once American on the ground involvement in Vietnam was minimalized and the horrific draft was abolished as a means of grabbing “cannon fodder” for the damn war. Once the threat of being sent to Vietnam diminished the soldiers drifted off and the anti-war cadre that held things together as well.

What really drove the issue of military resistance home to me though, what caused some red-faced shame was something that I did not find out about until well after my own military service was over. A few years later when I went back to my hometown on some family-related business I found out after meeting him on the street coming out of a local supermarket that my best friend from high school, Sean Kiley, had been a military resister, had refused to go to Vietnam, and had served about two years in various Army stockades for his efforts. Had done his “duty” as he saw it. Had earned his “anti-war” colors the hard way.    

See Sean like me, like a lot of working-class kids from places like our hometown, Gloversville, up in Massachusetts, maybe had a few doubts about the war but had no way to figure out what to do and let himself be drafted for that very reason. What would a small town boy whose citizens supported the Vietnam War long after it made even a smidgen of sense, whose own parents were fervent “hawks,” whose older brother had won the DSC in Vietnam, and whose contemporaries including me did their service without a public murmur know of how to maneuver against the American military monster machine. But what Sean saw early on, from about day three of basis training, told him he had made a big error, that his grandmother who grew up in Boston and had been an old Dorothy Day Catholic Worker supporter had been right that there was no right reason for him to be in that war. And so when he could, after receiving orders for Vietnam, he refused to go (I will tell you more of the details some time when I ask him some questions about events that I have forgotten) and did his time in the military that way.          

Sean’s story, and in a sense my belated story, are enough reasons to support Courage to Resist since, unfortunately, there are today very few organizations dedicated to providing informational, legal, and social support for the military resisters of the heinous onslaughts in Iraq and Afghanistan. The organization needs the help of every ex-soldier who got “religion,” of every anti-war activist, and of every honest citizen who realizes, now more than ever, that the short way to end the endless wars of this generation is to get to the soldiers, get to the cadre on the ground fighting the damn wars. Enough said.     

The Promise of a Socialist Society

(Quote of the Week)

Workers Vanguard No. 1025	31 May 2013

TROTSKY

LENIN

The Promise of a Socialist Society

(Quote of the Week)

In the selection below, Friedrich Engels makes plain how proletarian revolution opens the road to an emancipated future in which the productive powers of humanity are unleashed for the benefit of all mankind.

Their political and intellectual bankruptcy is scarcely any longer a secret to the bourgeoisie themselves. Their economic bankruptcy recurs regularly every ten years. In every crisis, society is suffocated beneath the weight of its own productive forces and products, which it cannot use, and stands helpless face to face with the absurd contradiction that the producers have nothing to consume, because consumers are wanting. The expansive force of the means of production bursts the bonds that the capitalist mode of production had imposed upon them.

Their deliverance from these bonds is the one precondition for an unbroken, constantly accelerated development of the productive forces, and therewith for a practically unlimited increase of production itself....

With the seizing of the means of production by society, production of commodities is done away with, and, simultaneously, the mastery of the product over the producer. Anarchy in social production is replaced by systematic, definite organisation. The struggle for individual existence disappears.... Man’s own social organisation, hitherto confronting him as a necessity imposed by nature and history, now becomes the result of his own free action. The extraneous objective forces that have hitherto governed history pass under the control of man himself. Only from that time will man himself, with full consciousness, make his own history—only from that time will the social causes set in movement by him have, in the main and in a constantly growing measure, the results intended by him. It is humanity’s leap from the kingdom of necessity to the kingdom of freedom.

To accomplish this act of universal emancipation is the historical mission of the modern proletariat. To thoroughly comprehend the historical conditions and thus the very nature of this act, to impart to the now oppressed class a full knowledge of the conditions and of the meaning of the momentous act it is called upon to accomplish, this is the task of the theoretical expression of the proletarian movement, scientific socialism.

—Friedrich Engels, Anti-Dühring (1878)

 

As Isaac Deutscher said in his speech “On Socialist Man” (1966):

“We do not maintain that socialism is going to solve all predicaments of the human race. We are struggling in the first instance with the predicaments that are of man’s making and that man can resolve. May I remind you that Trotsky, for instance, speaks of three basic tragedies—hunger, sex and death—besetting man. Hunger is the enemy that Marxism and the modern labour movement have taken on.... Yes, socialist man will still be pursued by sex and death; but we are convinced that he will be better equipped than we are to cope even with these.” 

Emblazon on our red banner-Labor and the oppressed must rule!

 

*** As March 17^th Approaches-Remembrances Of Saint Patrick’s Peace Parade 2012

 

 

 

From The Pen Of Joshua Lawrence Breslin

“Hey, just follow the Veterans For Peace (VFP) white and black dove-emblazoned flags down to D Street and you’ll run right into the Saint Patricks’ Peace Parade staging area,” a grizzled veteran, looking like a man who had seen his share of battles in war and peace, bellowed to one and all as Frank Jackman and his veteran and peace activist companions exited the Broadway Redline MBTA station on that overheated March 17^th 2012 Sunday late morning in order to form up in that parade the old vet had informed them about. Headed out into the South Boston (Southie) day.  

[As it turned out, by the way, when Frank “interviewed” him later while they were waiting in that flag-festooned staging area, the grizzled veteran, Bob Ballad, had indeed seen his share of battles, having done two tours in ‘Nam, two tours as a “grunt,” an infantry man, “cannon fodder,” during hell time, 1966-68, and also of peace time battles against drugs and liquor, a couple of bouts of homelessness, a couple of divorces, and a few other of the now well-known  pathologies of  those who had had trouble coming back to the “real world “ after Vietnam that Frank had witnessed in his own family, in his own old time Hullsville neighborhood,  and among his fellow VFPers. Moreover , unlike Frank, who was also a Vietnam veteran and had  turned anti-war while in the military, that grizzled vet had not turned against war, the rumors of war, and all that war entails until his own son started clamoring for permission to go in the service when Iraq exploded in 1991. That is when he put his foot down, kept his son out, and had been a stalwart anti-warrior ever since. Talk about a guy with street “cred” on war issue. Welcome aboard, brother, welcome aboard]                

Frank  had to chuckle to himself a little as he and his companions headed up Broadway among the throngs who were forming up for the official parade that although he had grown up in the Irishtown section of Hullsville (you could hardly walk down a street of that town at this time of year and not be confronted with more green than you would ever see short of  maybe Dublin , and that was true even these days when the town itself, reflecting a couple of generations more moving south out of  Boston had lost it dominate Irish feel) and had lived in Boston on and off for most of his adult life he had never gone to the official parade. Well except that one time in high school junior year when he and “flame” Kathy Flanagan (she of the long wild red hair, light freckled face and green eyes, and thin athletic body who disturbed his sleep more than one night in those days) had “skipped” school (unlike in Boston which was in a different county from Hullsville they did not have the day off from school in the days when the holiday was celebrated on the actual day not only on Sunday) and headed via the long haul Eastern Mass bus armed with a pint of  Southern Comfort, the drink of choice and cheap, over to the parade. They never got there, to the parade anyway. They had stopped off at Carson Beach and started drinking that ambrosia and well, one thing led to another and  who gave a damn about some silly shamrock drunken parade anyway when a guy had a wild, green-eyed, red-headed girl next to him on the seawall. So, although he had many close connections with old “Southie,” the first stop for many of the famine-borne (famine of one kind or another, not just the food kind although that was writ large on that benighted country’s history) Irish, including his family, this was to be the first time that he showed up in Southie for a parade on Saint Patty’s Day. And of course while he might be on those same hallowed official parade streets his purpose that day was to march with the VFP contingent in their alternative peace parade.                  

Frank was not sure of all the details then about why there was a need for a separate parade, although later after the event he dug out some of the details from some guys who were closely involved in organizing the alternative event, but the gist of it centered on exclusion. Everybody in town, everybody who cared anyway, knew that back in the 1990s the official parade organizers had gone to court, hell, had gone all the way to the Supremes, over excluding gays and lesbians (even Irish gays and lesbians like somehow such human categories could not exist in Catholic-heavy Irishtown and was a dastardly thing, a mortal sin maybe, so if there were then they did want any part of it publicly). And won, won the right to exclude whomever they wanted from their “private” parade, as the Supremes in one of their more arcane legal decisions that made no sense when he read it backed them up.

See though, when you have a “right” to exclude that can take you into some strange places so when the VFP decided they wanted march in the official parade to protest various war actions of the American government, or just to send out a peace message to a large crowd they too were excluded by the official parade organizers. The “reason”-short and simple reason, they, the officials, didn’t want the words “veterans” and “peace” put together in their parade.  Hence the march of the excluded that VFP had first organized the previous year. And hence too Frank Jackman had that year responded to their call and was approaching the staging area with that sense of solidarity in mind.

As Frank waited, seemingly endlessly waited for the peace parade to step off  (the officials had, as part of their victory, been able to legally keep any other formations at least one mile behind their procession) he began to think of the many connections he had with this old section of town, this section that he had heard had changed demographically and in other ways as the Irish moved south and the younger more diverse set moved in and rehabilitated the old cold- water triple-deckers that lined all the lettered and numbered streets of the section (at least showing some sense of order since the real of the town was identified by a miasma of odd-ball combinations). He remembered ancient first murky visits to those old cold- water flats where some great aunts and their huge broods lived in splendid squalor and of cheap ribbon candy offered at Christmas time and not much else. Or funny things like the few times that he had been “privileged” to drive his material grandmother Riley  (nee O’Brian) over to Southie so that the sisters (some of those grand-aunts) could go to one of the “ladies invited” taverns and get drunk since Grandpa Riley refused, absolutely refused, to have liquor in the house (or cigarettes either). He wished he could remember the exact gin mill but he couldn’t except that it was near the Starlight Ballroom. 

Or when he was older and his uncle on his mother’s side had taken him to Jim and Joe’s farther up Broadway, up toward M Street, and “baptized” him with his first drink of whiskey straight up (no beer chasers then, that would could later). Or later still when he became something of a regular at Jim and Joe’s while he was working his way through college servicing vending machines for York Vending just around the corner from the D Street staging area and the guys, the mainly Southie guys that he worked with, “forced” him to drink with them after work, drink straight shot whiskey (and hence the genesis of beer chasers). Beyond those episodes though, except an occasion walk on Carson Beach (with and without female companionship) he had not been around Southie much since then.

After a while, a long hot while, since the weather was unseasonably warm for March in Boston, the peace parade stepped off, stepped off with VFP black and white dove-emblazoned flags flying in the lead paced by several cars for those really old (so he thought) World War II  veterans, veterans from Frank’s late father’s time sitting on board. As he looked back he noticed a huge banner calling for No War On Iran and another calling for Freedom For Private Bradley Manning [now Chelsea], another worthy cause, and behind that contingents of LGBT in various combinations, and behind them broken up at intervals by marching bands other progressive and social groups wishing to express solidarity with the excluded here, and throughout the world. Frank felt good, felt he had made the right decision to come this day despite some medical problems recently.

As the parade turned onto Broadway, old Broadway, of a thousand drinks and other assorted goings on, he again thought about the old days as he passed various landmarks, or the spots where the landmarks had been once. Artie’s where his first serious serious “flame” Sheila Shea had left him, left him for good, Jim and Joe’s now called the Green Tavern, where he had had more cheap whiskeys than he cared to recall, a couple of places farther up where ladies were invited back then (quaint notion, right),and he had been invited by a couple of ladies and then up where another  small “flame” Minnie Kiley had lived, then up and over to  cavernous East  Broadway where the triple-deckers of his early youth still stood thick as thieves.

Then he started to notice that those self-same triple- deckers had been upgraded and that those who stood on the sidewalks clapping as the parade went by were not the “from hunger” Irish second and third cousins of his youth but looked, well, wed-fed and well-cared for. And as they marched toward the end of the parade route at Andrew Square he also noticed, very distinctly noticed, a small section of streets where gay men were standing with a sign and cheering. Frank then flashed back to an earlier time when the deep dark secret in Aunt Bernice’s brood, the one from K Street, was that one of the boys, Harry, was “different” and had been banished from the house. Yes, things had certainly changed but he wished that those idiots who were so keen on exclusion had moved away from those whiskey and beer chaser bar stools and come into the sunlight…               

Free Chelsea Manning-President Obama Pardon Chelsea Now! 

No question the case of heroic Wikileaks whistle-blower Chelsea Manning had fallen below the radar for the general public since her trial down at Fort Meade in Maryland where she was convicted and sentenced to thirty-five years for multiple charges including espionage in August 2013. (She was tried by the military under the birth name Bradley Manning and has subsequently had her name legally changed in a Kansas court.) Some of that fall-off would be expected even in a high profile case once the verdict was in and the case was taken off the front page and into the wrangle of appellate legal proceedings.  Important people, including the heroic whistle-blower Edward Snowden, still sign petitions and sent birthday greetings and the like and Chelsea has occasional Op-Ed and other media changes to make her views known to a candid world but what she needs is a renewed effort to get a pardon from President Obama who has the legal authority to grant such a request. I urge everybody to sign the Amnesty International on-line petition to put pressure on President Obama to do so.          

 

Out In The Corner Boy Be-Bop Night-With Jersey Boys In Mind   

 

From The Pen Of Sam Lowell 

 

Frank Jackman’s old friend Jack Dawson, his old friend from corner boy days starting in the fifth grade down in back of the Myles Standish Elementary School in Carver about thirty miles south of Boston in the 1950s, had a while back written a short review about seeing the film Jersey Boys. With the wizardry of modern technology Frank had had the review placed in a blog dedicated to all things retro 1950s and 1960s (two slightly different retros but guys like Frank and Jack squeeze both eras.) Prior to Jack’s viewing the film with his lovely wife, Anna, Frank had told him a summary of the plot-line (and the song playlist) one night when they were having one of their periodic “watering hole” get- togethers to cut up old touches at the Sunnyville Grille in Boston when Frank was in town for a conference. Based on that exchange Jack was determined to see the film. A few days later after seeing the film, seeing how a bunch of “from hunger” working class kids from Jersey (but given the plot-line it could have been lots of places including the “projects” down in Carver where he had come of age), how they made it big, made their fifteen minutes of fame and then some Jack started to think about those old days. About the days when chance had caused him to meet Frank at Myles Standish after his family had moved from Clintonville a few miles away in the summer before fifth grade and the two of them along with a couple of other corner boys, Red Radley and Jimmy Jenkins, in sixth grade created their own (imitative) doo-wop group in an attempt to break out of their youthful jails and gain their own fame (although their standard had not been fifteen minutes but infinity, or when the girls started gathering around, whichever came first).    

What got Jack thinking along those lines was something Frank’s long-time companion, Laura, whom he had seen the film with, had told Frank. She said to him that she had had trouble “getting into” the story line at the beginning because as Frank told Jack before he gave him the details of the film the scenes were far too removed from her own strait-laced middle-class upbringing in Manhattan. Laura did said that she assumed that part of the film’s story line, the part about the furious growing up “from hunger” strivings of the guys who would become the Four Seasons out in the 1950s New Jersey night, had dovetailed with Frank’s experiences in his own youth and as well with the kind of things he have been writing about from that period of late. The kind of things that Frank wrote about after Jack and he discussed various incidents in growing up absurd in the 1950s at their “watering hole” sessions which they initiated after they had then recently rekindled their friendship after many years of going their own ways. Laura had been right about that part, about going back to the mist of time and grabbing some thoughts about how those days had formed Frank, for better or worse, no question. And that feeling got through to Jack as well.

Frank’s had told Jack when he asked why he was writing some many sketches about the past, also placed in retro blogs dedicated to such reflections, that his purpose in writing about the old days had not been to put paid to some ghosts of the past as a lot of guys they knew were interested in doing by physically revisiting growing up hometowns like Josh Breslin going back up to Olde Saco in Maine and getting the wits scared out of him that somebody might recognize him at every turn he made, like brawny Bart Webber going back to Carver to re-flame old sport’s dreams by attending the home football games with other old geezers from his high school, or like one of their other pals, Jimmy Jenkins, who had gone to his (their) fiftieth class reunion at Carver High and came away more depressed than anything since all the old gang, those still walking, talked about was various medical conditions and their grandchildren which left him cold. No, that part was done with this late in the game and the fates had called their shots on that saga already. Moreover Frank said he certainly had not intended to evaluate, Jesus, not to always evaluate, how this or that thing that happened back then turned the great Mandela wheel any particular way but merely to put together some interesting tidbits for Jack, Jimmy, and a couple of other of his later acquaintances Josh and Phil Larkin who were also from the same era when everybody got together at the Sunnyville, or at the Kennebunk Pub up in Maine where Josh lived when they all tired of the city and needed to be washed clean by the ocean spray off the fearsome blue-green Atlantic Ocean. 

Of course lately Jack had begun, feeding off Frank’s tidbits as well as that film, writing sketches about his own musical coming of age time in the late 1950s and early 1960s, the time frame that the Four Seasons had blossomed. Strangely both Frank and Jack agreed that except for the classic doo wop be-bop song, Sherri, they were not fans of the Four Seasons although unlike other groups and singers of the time Jack did not hate their sound. What had perked Jack’s big interest in this film had been the almost chemically pure corner boy aspect, Jersey corner boy aspect, which was not at all unlike his (and Frank’s) Carver corner boy growing up saga.        

In fact at certain points the early story of the guys who formed the core of the original group, Frankie, Tommy and Nick was so very, very similar to parts of Jack’s corner boy experiences that he had to laugh. The options for corner boys, guys who grew up “from hunger” in the working class neighborhoods, usually “the projects,” around the country had those same options mentioned early in the film once they came of age, the Army one way or another many times under some judge’s “trying to make a man out you” threat of the Army or jail, for those who rap sheets were too long to warrant options then just jail or for a guy they knew, Slammer Johnson, who was as tough as they come at age twelve and even older guys, serious corner boys who knew a thing or two about whipsaw chains and brass knuckles, the reformatory, or become famous. Jack knew that part, knew that “wanting habits” hunger that all the young guys in Carver were trying break from, break from when they saw Elvis or Jerry Lee burning stages up and so he and the boys had tried the latter, the fame game, at one point.

It all started in the summer before sixth grade when doo wop was all the craze after Frankie Lymon and the Teenagers had asked the magic question-why do fools fall in love- and drove the song by the same name to the top of the charts. There were other guys groups (doo wop girls’ groups too who were cruising to the top the charts but the Carver guys really weren’t interested in them because there was no way they could get anything to help them break-out from paying attention to girl groups, yeah, foolish guys) that hit it big, the Five Satins, The Dubs, The Chasers, The Be-Bop Boys and a bunch of others, mostly black guys (and an occasional girl mixed in) which they knew were hitting it big from watching American Bandstand in the afternoons after school. Dick Clark and that Bandstand was in elementary school anyway, in elementary school at the time when they were getting hipped to music was mandatory to see who was who in the teenage song firmament, see what guys were wearing, see what dances guys were expected to know how to do, sweaty palms and two left feet not withstanding, and, and what chicks looked cool on the show. That last maybe the biggest draw of all as everybody rushed home after school to catch the show.     

Funny the black group thing was not a big deal, or Jack and the others didn’t think much about it since the only time they saw black people was on television. Jack would never really since a live black person until years later when he ran track and would run against black guys in the big meets up in Boston Garden. Other than grabbing tips, like having the lead singer off to the side, everybody having the same outfit, the harmony guys snapping their fingers to the beat, and staying on beat with the lead singer they had no racial options about the music and they,  meaning mainly Jack at first, figured their niche would be as white guy doo-woppers so they would be working a different street. (Jack and Frank, later in high school, when the civil rights movement was on the television every night practically would get a very rude awaking both within their families and among their fellow students and neighbors when they expressed the slightest sympathy for the black liberation struggle but back in sixth grade there was nothing to it)  That niche was not all thought out in such a refined manner as Jack was now recalling in retrospect but what was thought out was that fame part, thought out big time.   

That summer before sixth grade right after school got out for the summer was when the Myles Standish corner boys’ natural leader, Red Radley, driven to distraction by the notion of fame, got them together around their corner every night to practice. Since there had not been any stores to stand in front of holding up the wall in the “projects” where they lived like in the pictures they had seen on music magazines they looked through up in the main library up in Carver Square their corner had been in back of the Myles Standish Elementary School. On hot summer nights the back was all lit up brightly since the night basketball leagues would be holding forth across the field from the gym entrance where they hung out. So under “the street lights” just like those New York City and Philly street corner guys they sang. Sang the doo-wop craze stuff which Frankie Lymon and the Teenagers had started and which Red following Jack’s lead about the white boy doo-wop niche figured they could cash in on.

For a couple of weeks they practiced like crazy each night, no paying much attention to much else except exchanging fantasies about what kind of suits they would by, how to act when the crush of the crowds came on, what to do with swooning girls, kids’ stuff dream stuff. But mainly the practiced, trying like hell to work a smooth harmonious sound on the material they covered, covered by Frank copying down the lyrics each time a song they wanted to cover came on WMEX the local rock station (fortunately the big hits got played endlessly each cycle so Frank mainly got the words but on few he missed a couple and so they just incorporated what was there) with Red in the lead. Red really did have the best voice, really could project his voice, and Jack thinking back thought Red with some work and breaks could have made a nice career maybe as a lounge act out of his talent.      

That doo wop practice worked, well, worked for what their other purpose was, gathering interesting girls around them. See, a lot of this doo wop jail break out had to do with sexual stirrings, with this cohort of corner boys finally noticing that those shapeless girls from fifth grade class like Cindy, Linda, Bessie, Rosalind (Jack’s favorite), some of them, were starting to get shapes and who the year before had been noting but nuisances but now were, well, interesting. So each night all through that summer as day turned to night Red and the Roosters (nice name, right) crooned, kept working on their timing, and talking about their look, their niche.

At first they were left all by themselves, maybe the older serious basketball players would chuckle as they left the courts, but then one night a couple of girls, girls they knew from class were standing maybe fifty yards away up against a fence not hiding or anything but just kind of listening and swaying back and forth to the songs. (Jack thought the song they were working on was Little Antony and the Imperials Tears On My Pillows, although he would not swear to that. In any case that was the song that got him a dance with Rosalind so maybe he was confusing the two situations.)

A few nights later there would be several girls, including sixth grade girls and one from the other fifth grade class, Lorna who they called Lorna Doone for no particular reason but who was hot, standing at that fence. Jack thought that night if they did a song that all the girls could join in on they might come closer. So they switched up and did the Tune-Weavers’ tear-jerker Happy Birthday Baby everybody knew and was easy to sing. Sang it several times. The girls came running on the excuse that they thought it was somebody’s birthday, somebody who needed consoling. Yeah, it was like that in the innocence boy-girl thing then, probably still is. The summer passed that way with the boy-girl thing working its virginal way through the old neighborhood just like since Adam and Eve time, maybe before. Jack never got to Rosalind then only later after school started and then she moved to another town and that ended his first serious love affair. Frank even with his two left feet got a date for the movies with Bessie, and Jack thought Red (with that mass of red hair), the best looking guy of the bunch from what the girls said but maybe that was just because they wanted get near the lead singer, as always, had gone “steady” with Lorna for a while until Red kind of went off by himself.           

See here is where things broke down. Sure Red and the Roosters could draw the local girls in, girls who, well, had sexual stirrings too but here is what had happened. Their problem was, unlike Frankie and the Four Seasons from the get-go, they really did not have any serious raw musical talent (except Red) and did not as Frankie and his guys did really have a new angle on the music of the times. Moreover Frank’s voice changed about mid-way through sixth and threw everything off (later Jack’s and then Jimmy’s did too but that was after the group broke up). So, sadly, this edition of the corner boys broke up in the summer before junior high. Red was bitter since he more than the rest of them was staking his life, his break-out from the ‘from hungers,” on musical fame.

Red would a little later after they moved on to junior high turn against any musical aspirations, get himself into a new career path, the life of crime, which had Jack and to a lesser extent Frank in its thrall for a while, remember they were from hunger too, before they backed off but it was a close thing, very close. Both of them had been “look-outs” when Red began his “clip” five-fingers discount rampage of the various stores up in Carver Center and Jack had worked with Red one night when they jack-rolled a drunk for fifty bucks. Frank and Jack soon moved away from that business though once they realized it was too much work and they felt too much anguish over what they were doing to make a career out of that life.     

Red would go on to form another corner boy crowd with some older tougher boys who hung around Jimmy Jack’s Diner based on midnight creeps and some of those corner boys later wound up in the Army, a couple dead in Vietnam for their troubles names now etched in black marble down in Washington and on a granite monument on Carver Commons, or in jail (including Billy later who did a nickel’s worth for an armed robbery after he failed to make a half-hearted one more chance career singing alone and who in the end wound up on the short end of a shoot-out with the cops trying to rob a two-bit White Hen down in some godforsaken town in North Carolina after a second nickel stretch for another armed robbery).       

Jack as he thought about Red as he had not done so in a long time, thought about those last parts of the Carver corner boy story, the parts about the fate of the Reds of the world as against the luck of the Four Seasons thought the difference was important because no matter how “from hunger” you are you need the talent and the quirky niche in order to survive in the musical world. Even then as Jack noted in that review he had written and as became apparent as the film unfolded fame is a very close thing. A couple of twists one way or another and the fifteen minutes of fame is up, gone. And fame as Frankie Valli and the boys found out the hard way despite their hard work doesn’t shield you from life’s woes as the break-up of the group, Frankie’s daughter’s death and the financial problems created by “from hunger” Tommy who thought the money would rain in their faces forever attest to. Not an unfamiliar fame story but one worth seeing once again. And telling the Carver corner boys story too.   

[By the way as the film moved on to the performance parts the when the Four Seasons started getting some breaks, got a natural song-writer, and got tight and in synch both Laura and Anna said they did settle in and liked the rest of the film. And why wouldn’t they as children of that time as well the Carver corner boys when they were glued to their transistor radios up in some bedroom listening to the aforementioned Sherri, other like Dawn, Walk Like A Man,  Rag Dog, Big Girls Don’t Cry and all the rest that drove the young girls wild back then.]

A View From The Left -U.S. Capitalism and Black Oppression Workers Vanguard No. 1062	20 February 2015

TROTSKY

LENIN

U.S. Capitalism and Black Oppression

(Quote of the Week)

In a 1933 document, Max Shachtman, then a leader of American Trotskyism, explained that the racial oppression of black people serves as a fundamental prop of capitalist class rule and can only be overcome with the multiracial proletariat seizing power through socialist revolution.

 

With all the discrimination practiced against him, the American Negro has brought forward gifted men and women in the scientific, artistic, political and cultural world, men and women of talent and genius. It is a tribute to the race that these talents have emerged from the abyss of slavery in which they were kept for hundreds of years and from the purgatory of social, economic and political inequality where they have since been kept. They have risen in spite of the lack of educational opportunities, in spite of the barring of every door to their race, in spite of the hounding and harassment and insult and violence to which they are subject.

But the ruling class is in urgent need of the theory of racial inferiority. The historical background for it is the condition of chattel slavery once imposed upon the Negro. The difference in the economic, and consequently social, status of Negro and white upon which the ideology of inferiority was constructed has since been eliminated, but the ideology has outlived the foundation on which it was built. The bourgeoisie needs this theory for two reasons: first, it affords them a moral justification for the super-exploitation and persecution to which it subjects the Negro. If trifling sums are allocated for Negro education, he is, after all, “only a n[----]r”; if housing conditions are abominable, if the Negro is scandalously underpaid, if he is deprived of every democratic right, he is, after all, an inferior who does not deserve or require any better; if he is hanged from a tree and riddled with bullets, or soaked with oil and burned to death by a mob of savages, it is, after all, “only a n[----]r” who suffers. Secondly, the theory of racial inferiority is of invaluable assistance to the ruling class when it permeates the white workers. It serves to erect walls of prejudice between black and white wage slaves, to keep them divided, to pit the one against the other so that they may not pit their joint strength against their common adversary....

The militant proletariat inscribes upon its banner in this country the uncompromising demand for full and equal rights for the oppressed Negro, so that he may rise out of the position of debasement and the backwardness to which he has been forced by a decadent ruling class to the level of human dignity and consciousness that will make him the invaluable comrade-in-arms of the white proletariat. In their joint struggle for the proletarian revolution, they will sweep away the abominable structure of imperialist capitalism, rooting out the barbarous remnants of slavery and serfdom, and abolishing the poisonous system of caste inequality, ostracism, misery and exploitation under which the millions of American Negroes suffer today. Any other road is a deception, leading through mirages to the brink of the precipice. The proletarian revolution is the road to freedom.

—Max Shachtman, “Communism and the Negro” (1933), reprinted as Race and Revolution (Verso, 2003)

 

 

A View From The Left-Measles in the U.S.-Anti-Vaxxers: A Rash of Irrationality

Workers Vanguard No. 1062	20 February 2015

Measles in the U.S.-Anti-Vaxxers: A Rash of Irrationality

 

The current Disneyland measles outbreak has brought the benighted anti-vaccine movement back into the limelight. With measles declared eradicated in this country over a decade ago, its comeback is a direct outcome of a decline in rates of MMR (measles, mumps and rubella) vaccination. Exuding unbridled individualism, parents tout their right to personal “choice” in not immunizing their own children, a choice that gambles with the health and lives of vulnerable populations like infants and the sick. Now there is the harsh reminder: measles is an extremely contagious respiratory disease that can lead to irreparable brain damage, blindness and death. So far this year, over 120 cases have been confirmed across at least 17 states.

In today’s anti-Enlightenment “Age of Endarkenment,” science-based medicine has lost ground to superstition and faith. The media crows over a vaccine “debate,” but the only debate is between fact and fiction. The fact is that vaccines have saved the lives of countless millions across the world. Before the measles vaccine’s introduction in 1963, four million cases were reported annually in the U.S. There is no better proof of the effectiveness of immunization, which made those numbers plummet to practically nil, than that measles is unknown to most young parents today. Ironically, the near disappearance of many preventable illnesses has given anti-vaxxers fodder to discount the danger of infectious diseases like measles, diphtheria or whooping cough.

Vaccine rejecters get their booster from ignorance and irrationality, a testament to this deeply religious and decaying social order. The most widespread myth is over a supposed link between the MMR vaccine and autism, a fairy tale swallowed by a sizable segment of the American population. The autism fear was bolstered by a fraudulent 1998 study in The Lancet concocted by “doctor” Andrew Wakefield, whose medical license was finally revoked in 2010. Multiple credible scientific studies, involving hundreds of thousands of children around the world, have found absolutely zero connection between vaccines and childhood developmental disorders. Another theory—just as fantastical—is that too many vaccines given too close together can be detrimental.

Capitalist politicians on both sides of the partisan divide pander to anti-vaccine quackery. GOP presidential hopefuls New Jersey governor Chris Christie and Kentucky Senator Rand Paul recently took center stage with an onset of “foot-in-mouth” disease. Though now backpedaling, Christie proclaimed that parents needed “some measure of choice.” Paul linked vaccines to “profound mental disorders,” drinking from the same Kool-Aid as Michele Bachmann, who in 2011 asininely asserted that the HPV vaccine causes mental retardation. That vaccine, which protects against cervical cancer, has puritanical politicians howling about innocent teens turning into sex machines.

With measles cases continuing to climb, Democrats masquerade as champions of vaccination. But on February 3 President Obama proposed slashing $50 million from an immunization program covering millions of the poor and uninsured. During the 2008 presidential campaign, Obama said the relationship between vaccines and autism was “inconclusive,” while Hillary Clinton pledged to investigate the matter.

Nearly half of Americans believe God created mankind in a single day less than 10,000 years ago, so anti-science baloney is hardly limited to radical evangelists. Opposition to vaccines makes strange bedfellows of small-government libertarians, anti-Big Pharma conspiracy theorists and well-heeled tree-huggers. “Alternative” medicine philistines swear that vaccines are harmful to the body, fancying a diet of organic kale and reiki therapy as a means to combat lethal microbes. Many prefer to expose their kids to deadly viruses through the notion of “natural” immunity—which is about as safe as inviting Hannibal Lecter over for dinner. Celebrity zealots like Jenny McCarthy, with her big-money affiliate Generation Rescue, went from fringe to fad after getting repeated airtime on Oprah and other talk shows. And while there are plenty of reasons to hate the profit-gouging pharmaceutical giants, the production of vaccines isn’t one of them.

The measles resurgence originated in California, where there are pockets with sickeningly low vaccination rates. One of 19 states permitting “personal belief” exemptions, California allows parents to enlist a “naturopath” as the doctor excusing them from mandatory vaccine requirements. At several wealthy schools, concentrated in West Los Angeles, up to 60 percent of children are unvaccinated, a figure that rivals South Sudan. Meanwhile, the state with the highest vaccination rate is Mississippi, known for its poverty and dismal health care. It has the strictest immunization laws in the country, along with West Virginia, allowing only medical exemptions.

Anti-vaccine crusaders would let millions contract preventable diseases like measles, which kills 400 people a day across the globe, especially in the imperialist-subjugated Third World, where access to vaccines, antibiotics and clean water is limited. At the same time, granola crunchers and Tea Partyers certainly make no bones about the full vaccination schedule mandated for immigrants and green-card seekers in this country. One viral tweet by Nigerian author Elnathan John mocked the racist hysteria in the U.S. around the recent Ebola epidemic in West Africa: “Our thoughts are with the measles-ravaged country America. I hope we are screening them before they come to Africa.”

“Personal” health choices involve things like picking a toothpaste, since cavities are not contagious. But getting vaccinated is about protecting the individual and everyone else as well. The collective effectiveness of vaccines depends on a large enough portion of the population being immunized. When there’s a critical drop in vaccination rates, immunity crumbles.

In the spirit of doctors’ Hippocratic oath to “do no harm,” personal and religious belief exemptions should be scrapped. Life-saving vaccines should be mandated and, like all health care needs, freely available to all. As Marxists, we defend science against religious and superstitious obscurantism as part of fighting for a socialist future in which the wealth, resources, scientific developments and medical technology of society are put to the service of the many, not the profits of the few. Only then will we be able to build a world, freed of medieval and crippling backwardness, where human life, worth and dignity matter.