*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!- Jamil Abdullah Al-Amin,

 

http://www.thejerichomovement.com/prisoners.html

 

A link above to more information about the class-war prisoner honored in this entry.

 

Make June Class-War Prisoners Freedom Month

Markin comment (reposted from 2010)

 

In “surfing” the National Jericho Movement website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck [now deceased], whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania [former] death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

 

That last notion set me to the task at hand. Readers of this space know that I am a long -time supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class- war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

 

Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases here. Likewise any cases, internationally that may come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!-Richard Mafundi Lake,

 

http://www.thejerichomovement.com/prisoners.html

 

A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month

Markin comment (reposted from 2010)

In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!

In The Age Of “Mad Men”-Paul Newman and Joanne Woodward In John O’Hara’s From The Terrace   

 

 

DVD Review

From The Pen Of Frank Jackman  

From The Terrace, starring Paul Newman, Joanne Woodward, Ina Balin,     

 

Sometimes, and it is the case here with the adaptation of John O’Hara’s saucy melodrama From The Terrace, a film, an older film, can provide a glimpse of what was going on in society at the time for both those who lived through it and those too young to have known about the times first hand. Part of the success of the recently ended series, Mad Men, was that viewers were interested in taking a retro look back at the early 1960s before the big counter-cultural splash tore American society asunder. You know the age of Ike, the age of conformity, and in retrospect the “golden age” of the American worker before the “race to the bottom” hit full stride. From The Terrace covers a lot of that same territory, the part about making it big in America, about making a name for yourself with hard work, ruthlessness, and some chutzpah. Some of that ethos obviously still exists now but the “rewards” for many, like the protagonist of this film, Alfred Eaton (played by Paul Newman) have lost their luster.            

Here is the skinny. In the age of Ike (and you knew you were in the age of Ike with all the guys, the Wall Street guys anyway, wearing soft hats to work and expensive nicely tailored overcoats in inclement weather to boot) there was money and reputation to be made by those men who survived the rigors of World War II (and it was mainly men since women were expected to stay home with the kids in Middle America or as in this film with Mary, Alfred’s initial love interest played by Joanne Woodward , spend their time looking beautiful if from the upper crust) and had a little luck and skill. That was the case with one Alfred Eaton who wanted to get out from under plodding along working his way up in his father’s mill (and his father’s obsession with a dead brother to the exclusion of any human feeling for him). And so he goes out on his own, first with a fellow veteran in an aircraft business then after a fortuitous event a high end job at a big time Wall Street financial firm with nothing to stop him from rising to the top except his own desires. 

Typical Wall Street success story, right? Well yes but remember this is a John O’Hara story. O’Hara cut his teeth on chronicling the lives, read sex lives, of the upper crust in places like Pennsylvania and New York  beginning with his classic Appointment at Samarra so that is not the end of the tale by any means. Of course there has to be a love interest or here more than one. Number one is the classic match-up of the “unapproachable” rich girl of Alfred’s dreams (and entre into high society) whom he is able to seduce and marry. But a guy on the way up has to give up things, mostly time for personal relationships and so Mary gets short shrift. But Mary is a fussy young woman and wants companionship anyway she can get it once it is clear that Alfred is driven by success and not by her bedroom eyes. So she wanders, works her way into a little off-hand adultery. Of course that is a problem, a big problem in publicity conscious 1950s high finance where formally stable marriages are a given. Divorce and known adultery are the kiss of death for the young and ambitious on that high road to success whatever else is involved. So Alfred is a very unhappy man who knows he has made a wrong choice in the wife department.            

And not just in the wife department as the story unfolds since he begins to have a personal crisis of conscience brought on by an attraction to a gal from Podunk (played by Ina Balin) whose wholesomeness and grounded-ness contrasts with Alfred’s whole bloody lifestyle. But our boy gets “religion,” gets it big when he has the brass ring right in his fingers-and just walks away, walks away the “Street” for whatever bucolic life is in store for him. Mary, well, the Marys of the world land on their feet so don’t cry for her. If you want a glimpse at what high society, its mores, and its hypocrisies looked in the 1950s including now seemingly strange ideas about marriage, divorce, ethical standards and just doing the right thing this while not a great story line when the deal goes down since it was not a great O’Hara story but one in a line of many along the same lines will give you an idea.             

In The Twilight Of The Folk Minute- Peter Seeger And Arlo Guthrie In Concert In The Late 1980s

“Jesus, they charged me fourteen dollars each for these tickets to see Pete Seeger and Arlo Guthrie. Remember Laura about ten or fifteen years ago when we saw Pete for five bucks each at the Café Nana over in Harvard Square. Oh yeah, and the price of an expresso coffee each for two people and I think maybe we shared a piece of carrot cake. We had been on a cheap date since I was still in law school over at New England, so a cheap date when I didn’t have much cash and at that time, just at the cusp of the women’s liberation movement taking wider hold, a guy was still mostly expected to pay. No “Dutch treat,” no Laura Dutch treat expected anyway especially on a first or second date, and definitely not that one when I had been intrigued by you early on and wanted to continue to see you. Around that same time, that same Spring of 1973, Arlo gave a free concert out on Concord Commons, remember” said Sam Lowell to his date Laura Peters and the couple they were standing in line with, Patrick Darling and Julia James, in front of Symphony Hall in Boston waiting for the doors to open for the Pete-Seeger-Arlo Guthrie concert that evening.

Laura sheepishly nodded that she remembered the Café Nana event since she had been entirely willing, knowing that Sam was in law school and broke and she had already gotten a job as a CPA at John Hancock and was making money, to go “Dutch treat” that night but Sam had insisted he pay and she did not press the issue since she too had been intrigued by him. She failed to mention that she had not gone with him to see Arlo on the Commons since Sam had apparently forgotten that he had taken his ex-wife, Josie David, to that concert at a time when they were trying to reconcile or get divorced but she did not want to bring that up although Julia had looked in her direction when Sam mentioned that Commons concert since she and her date, some guy from Sam’s Law school had gone along and had witnessed reason two hundred and twenty-seven why they eventually got divorced. That tense moment passed with the men both oblivious. This in any case would be the first time Pete and Arlo had appeared together since Newport a number of years back. This also the first time this foursome had seen either of them in a good number of years since Pete Seeger had gone to upstate New York and had been spending more time making the rivers and forests up there green again than performing and Arlo was nursing something out in Stockbridge. “Maybe, Alice,” Patrick said and everybody laughed at that inside joke. 

Sam continued along that line of his about “the back in the days” for a while, with the three who were still also something of folk aficionados well after the heyday of that music in what Sam called the “1960s folk minute” nodding their heads in agreement saying “things sure were cheaper then and people, folkies for sure, did their gigs for the love of it as much as for the money, maybe more so. Did it, what did the grizzled folk historian cum folksinger-songwriter Dave Van Ronk call it then, oh yeah, for the “basket,” for “from hunger” walking around money to keep the wolves from the doors. To piece off the landlord or roommate for another week or month. For a room, a small room usually giving the economics of coffeehouse ownership, to play out whatever saga drove them to places like the Village, Harvard Square, North Beach and their itch to make a niche in the booming folk world where everything seemed possible. Everything seemed possible if you had any kind of voice to the left of Dylan’s and Van Ronk’s own, could play three chords on a guitar, or a la Pete work a banjo, a mando, or some other stringed instrument, and write of love, sorrow, some dastardly death deed, or on some pressing issue of the day.”

After being silent for a moment Sam got a smile on his face and said “On that three chord playing thing I remember Geoff Muldaur from the Kweskin Jug Band, a guy who knew the American folk songbook as well as anybody then, worked at learning it too, as did Kweskin himself, learned even that Harry Smith Anthology of American Folk Music stuff, all eighty some songs, or the ones customers would listen to, stuff which meant you had to be serious, saying that if you could play three chords you were sure to draw a crowd, a girl crowd around you, if you knew four or five that  meant you were a serious folkie and you could even get a date from among that crowd, and if you knew ten or twelve chord you could have whoever and whatever you wanted. I don’t know if that is true since I never got beyond the three chord thing but no question that was a way to attract women, especially at parties.” Laura, never one to leave something unsaid when Sam left her an opening said in reply “I didn’t even have to play three chords on a guitar, couldn’t then and I can’t now, although as Sam knows I play a mean kazoo, but all I had to do was start singing some Joan Baez or Judie Collins cover and with my long black hair ironing board straight like Joan’s I had all the boys come around and I will leave it to your imaginations about the whatever I wanted part.” They all laughed although Sam’s face reddened a bit at the thought of her crowded up with guys hanging over her although he had not known her back then in the folk minute since she had lived in Manhattan then and he had grown up and lived Carver about thirty miles south of Boston but only later in the early 1970s.                     

Those reference got Julia thinking back the early 1960s when she and Sam went “Dutch treat” to see Dave Van Ronk at the Club Blue. (Sam and Julia were thus by definition not on a heavy date, neither had been intrigued by the other but folk music was their bond and despite persistent Julia BU dorm roommate rumors what with Sam hanging around all the time had never been lovers). She mentioned that to Sam as they waited to see if he remembered and while he thought he remembered he was not sure. He asked Julie, “Was that the night he played that haunting version of Fair and Tender Ladies with Eric Von Schmidt backing him up on the banjo?” Julie had replied yes and that she too had never forgotten that song and how the house which usually had a certain amount of chatter going on even when someone was performing had been dead silent once he started singing like something out of the sea, or like the cry of the banshees.

Club Blue had been located in that same Harvard Square that Sam had mentioned earlier and along with the Café Nana, which was something of a hot spot once Dylan, Baez, Tom Rush and the members of the Kweskin band started hanging out there, and about five or six other coffeehouses all within a few blocks of each other (one down on Arrow Street was down in the sub-basement and Sam swore that Dylan must have written Subterranean Homesick Blues there). Coffeehouses then where you could, for a dollar or two, see Bob, Joan, Eric (Von Schmidt), Tom (Rush), Phil (Ochs) and lots of lean and hungry performers working for that “basket” Sam had mentioned earlier passed among the patrons and be glad, at least according to Van Ronk when Julia had asked him about the “take” during one intermission, to get twenty bucks for your efforts that night.

That was the night during that same intermission Dave also told her that while the folk breeze was driving things his way just then and people were hungry to hear anything that was not what he called “bubble gum” music like you heard on AM radio that had not been the case when he started out in the Village in the 1950s when he had worked “sweeping out” clubs for a couple of dollars. That sweeping out was not with a broom, no way, Dave had said with that sardonic wit of his that such work was beneath the “dignity” of a professional musician but the way folk singers were used to empty the house between shows. In the “beat”1950s with Kerouac, Cassady, Ginsberg, and their comrades (Dave’s word reflecting his left-wing attachments then) making everybody crazy for poetry, big be-bop poetry backed up by big be-bop jazz the coffeehouses played to that clientele and on weekends or in the summer people would be waiting in fairly long lines to get in. So what Dave (and Happy Traum and a couple of other singers that she could not remember had mentioned) did was after the readings were done and people were still lingering over their expressos he would get up on the makeshift stage and begin singing some old sea chanty, some obscure Child ballad (those ballads later a staple in the folk world because you could cover them as public domain items and frankly because they were usually long and filled up a short playlist if you were not feeling well or were pressed for something to perform), or some slavery day freedom song in that raspy, gravelly voice of his which would sent the customers out the door. And if they didn’t go then he was out the door. Tough times, tough times indeed.             

Coffeehouses too where for the price of a cup of coffee, maybe a pastry, shared, you could wallow in the fluff of the folk minute that swept America, maybe the world, and hear the music that was the leading edge then toward that new breeze that everybody that Julia and Sam knew was bound to come what with all the things going on in the world. Black civil rights, mainly down in the police state South, nuclear disarmament, the Pill to open up sexual possibilities previously too dangerous or forbidden, and music too, not just the folk music that he and she had been addicted to but something coming from England paying tribute to old-time blues with a rock upbeat that was now a standard part of the folk scene ever since they “discovered” blues guys like Mississippi John Hurt, Son House, Bukka White, and Skip James. All the mix to turn the world upside down. All of which as well was grist to the mill for the budding folk troubadours to write songs about.

Julie made her companions laugh as they stood there starting to get a little impatient since the doors to the concert hall were supposed to open at seven and here it was almost seven fifteen (Sam had fumed, as he always did when he had to wait for anything, a relic of his Army days during the Vietnam War when everything had been “hurry up and wait”). She had mentioned that back then, back in those college days when guys like Sam did not have a lot of money, if worse came to worse and you had no money like happened one time with a guy, a budding folkie poet, Jack Dawson, she had a date with you could always go to the Hayes-Bickford in the Square (the other H-Bs in other locations around Boston were strictly “no-go” places where people actually just went to eat the steamed to death food and drink the weak-kneed coffee). As long as you were not rowdy like the whiskey drunks rambling on and on asking for cigarettes and getting testy if you did not have one for the simple reason that you did not smoke (almost everybody did then including Sam although usually not with her and definitely not in the dorm), winos who smelled like piss and vomit and not having bathed in a while, panhandlers (looking you dead in the eye defying you to not give them something, money or a cigarette but something) and hoboes (the quiet ones of that crowd  who somebody had told her were royalty in the misfit, outcast world and thus would not ask for dough or smokes) who drifted through there you could watch the scene for free. On any given night, maybe around midnight, on weekends later when the bars closed later you could hear some next best thing guy in full flannel shirt, denim jeans, maybe some kind of vest for protection against the cold but with a hungry look on his face or a gal with the de riguer long-ironed hair, some peasant blouse belying her leafy suburban roots, some boots or sandals depending on the weathers singing low some tune they wrote or reciting to their own vocal beat some poem. As Julie finished her thought some dressed in uniform guy who looked like a doorman in some foreign castle opened the concert hall doors and the four aficionados scampered in to find their seats.                 

…as they walked down the step of Symphony Hall having watched Pete work his banjo magic, work the string of his own Woody-inspired songs like Golden Thread and of covers from the big sky American songbook and Arlo wowed with his City of New Orleans and some of his father’s stuff (no Alice’s Restaurant that night he was saving that for Thanksgiving, he said) Sam told his companions, “that fourteen dollars each for tickets was a steal for such performances, especially in that acoustically fantastic hall” and told his three friends that he would stand for coffees at the Blue Parrot over in Harvard Square if they liked. “And maybe share some pastry too.”     

Out In The Corner Boy Be-Bop Night-With Jersey Boys In Mind   

 

From The Pen Of Sam Lowell 

 

Frank Jackman’s old friend Jack Dawson, his old friend from corner boy days starting in the fifth grade down in back of the Myles Standish Elementary School in Carver about thirty miles south of Boston in the 1950s, had a while back written a short review about seeing the film Jersey Boys. With the wizardry of modern technology Frank had had the review placed in a blog dedicated to all things retro 1950s and 1960s (two slightly different retros but guys like Frank and Jack squeeze both eras.) Prior to Jack’s viewing the film with his lovely wife, Anna, Frank had told him a summary of the plot-line (and the song playlist) one night when they were having one of their periodic “watering hole” get- togethers to cut up old touches at the Sunnyville Grille in Boston when Frank was in town for a conference. Based on that exchange Jack was determined to see the film. A few days later after seeing the film, seeing how a bunch of “from hunger” working class kids from Jersey (but given the plot-line it could have been lots of places including the “projects” down in Carver where he had come of age), how they made it big, made their fifteen minutes of fame and then some Jack started to think about those old days. About the days when chance had caused him to meet Frank at Myles Standish after his family had moved from Clintonville a few miles away in the summer before fifth grade and the two of them along with a couple of other corner boys, Red Radley and Jimmy Jenkins, in sixth grade created their own (imitative) doo-wop group in an attempt to break out of their youthful jails and gain their own fame (although their standard had not been fifteen minutes but infinity, or when the girls started gathering around, whichever came first).    

What got Jack thinking along those lines was something Frank’s long-time companion, Laura, whom he had seen the film with, had told Frank. She said to him that she had had trouble “getting into” the story line at the beginning because as Frank told Jack before he gave him the details of the film the scenes were far too removed from her own strait-laced middle-class upbringing in Manhattan. Laura did said that she assumed that part of the film’s story line, the part about the furious growing up “from hunger” strivings of the guys who would become the Four Seasons out in the 1950s New Jersey night, had dovetailed with Frank’s experiences in his own youth and as well with the kind of things he have been writing about from that period of late. The kind of things that Frank wrote about after Jack and he discussed various incidents in growing up absurd in the 1950s at their “watering hole” sessions which they initiated after they had then recently rekindled their friendship after many years of going their own ways. Laura had been right about that part, about going back to the mist of time and grabbing some thoughts about how those days had formed Frank, for better or worse, no question. And that feeling got through to Jack as well.

Frank’s had told Jack when he asked why he was writing some many sketches about the past, also placed in retro blogs dedicated to such reflections, that his purpose in writing about the old days had not been to put paid to some ghosts of the past as a lot of guys they knew were interested in doing by physically revisiting growing up hometowns like Josh Breslin going back up to Olde Saco in Maine and getting the wits scared out of him that somebody might recognize him at every turn he made, like brawny Bart Webber going back to Carver to re-flame old sport’s dreams by attending the home football games with other old geezers from his high school, or like one of their other pals, Jimmy Jenkins, who had gone to his (their) fiftieth class reunion at Carver High and came away more depressed than anything since all the old gang, those still walking, talked about was various medical conditions and their grandchildren which left him cold. No, that part was done with this late in the game and the fates had called their shots on that saga already. Moreover Frank said he certainly had not intended to evaluate, Jesus, not to always evaluate, how this or that thing that happened back then turned the great Mandela wheel any particular way but merely to put together some interesting tidbits for Jack, Jimmy, and a couple of other of his later acquaintances Josh and Phil Larkin who were also from the same era when everybody got together at the Sunnyville, or at the Kennebunk Pub up in Maine where Josh lived when they all tired of the city and needed to be washed clean by the ocean spray off the fearsome blue-green Atlantic Ocean. 

Of course lately Jack had begun, feeding off Frank’s tidbits as well as that film, writing sketches about his own musical coming of age time in the late 1950s and early 1960s, the time frame that the Four Seasons had blossomed. Strangely both Frank and Jack agreed that except for the classic doo wop be-bop song, Sherri, they were not fans of the Four Seasons although unlike other groups and singers of the time Jack did not hate their sound. What had perked Jack’s big interest in this film had been the almost chemically pure corner boy aspect, Jersey corner boy aspect, which was not at all unlike his (and Frank’s) Carver corner boy growing up saga.        

In fact at certain points the early story of the guys who formed the core of the original group, Frankie, Tommy and Nick was so very, very similar to parts of Jack’s corner boy experiences that he had to laugh. The options for corner boys, guys who grew up “from hunger” in the working class neighborhoods, usually “the projects,” around the country had those same options mentioned early in the film once they came of age, the Army one way or another many times under some judge’s “trying to make a man out you” threat of the Army or jail, for those who rap sheets were too long to warrant options then just jail or for a guy they knew, Slammer Johnson, who was as tough as they come at age twelve and even older guys, serious corner boys who knew a thing or two about whipsaw chains and brass knuckles, the reformatory, or become famous. Jack knew that part, knew that “wanting habits” hunger that all the young guys in Carver were trying break from, break from when they saw Elvis or Jerry Lee burning stages up and so he and the boys had tried the latter, the fame game, at one point.

It all started in the summer before sixth grade when doo wop was all the craze after Frankie Lymon and the Teenagers had asked the magic question-why do fools fall in love- and drove the song by the same name to the top of the charts. There were other guys groups (doo wop girls’ groups too who were cruising to the top the charts but the Carver guys really weren’t interested in them because there was no way they could get anything to help them break-out from paying attention to girl groups, yeah, foolish guys) that hit it big, the Five Satins, The Dubs, The Chasers, The Be-Bop Boys and a bunch of others, mostly black guys (and an occasional girl mixed in) which they knew were hitting it big from watching American Bandstand in the afternoons after school. Dick Clark and that Bandstand was in elementary school anyway, in elementary school at the time when they were getting hipped to music was mandatory to see who was who in the teenage song firmament, see what guys were wearing, see what dances guys were expected to know how to do, sweaty palms and two left feet not withstanding, and, and what chicks looked cool on the show. That last maybe the biggest draw of all as everybody rushed home after school to catch the show.     

Funny the black group thing was not a big deal, or Jack and the others didn’t think much about it since the only time they saw black people was on television. Jack would never really since a live black person until years later when he ran track and would run against black guys in the big meets up in Boston Garden. Other than grabbing tips, like having the lead singer off to the side, everybody having the same outfit, the harmony guys snapping their fingers to the beat, and staying on beat with the lead singer they had no racial options about the music and they,  meaning mainly Jack at first, figured their niche would be as white guy doo-woppers so they would be working a different street. (Jack and Frank, later in high school, when the civil rights movement was on the television every night practically would get a very rude awaking both within their families and among their fellow students and neighbors when they expressed the slightest sympathy for the black liberation struggle but back in sixth grade there was nothing to it)  That niche was not all thought out in such a refined manner as Jack was now recalling in retrospect but what was thought out was that fame part, thought out big time.   

That summer before sixth grade right after school got out for the summer was when the Myles Standish corner boys’ natural leader, Red Radley, driven to distraction by the notion of fame, got them together around their corner every night to practice. Since there had not been any stores to stand in front of holding up the wall in the “projects” where they lived like in the pictures they had seen on music magazines they looked through up in the main library up in Carver Square their corner had been in back of the Myles Standish Elementary School. On hot summer nights the back was all lit up brightly since the night basketball leagues would be holding forth across the field from the gym entrance where they hung out. So under “the street lights” just like those New York City and Philly street corner guys they sang. Sang the doo-wop craze stuff which Frankie Lymon and the Teenagers had started and which Red following Jack’s lead about the white boy doo-wop niche figured they could cash in on.

For a couple of weeks they practiced like crazy each night, no paying much attention to much else except exchanging fantasies about what kind of suits they would by, how to act when the crush of the crowds came on, what to do with swooning girls, kids’ stuff dream stuff. But mainly the practiced, trying like hell to work a smooth harmonious sound on the material they covered, covered by Frank copying down the lyrics each time a song they wanted to cover came on WMEX the local rock station (fortunately the big hits got played endlessly each cycle so Frank mainly got the words but on few he missed a couple and so they just incorporated what was there) with Red in the lead. Red really did have the best voice, really could project his voice, and Jack thinking back thought Red with some work and breaks could have made a nice career maybe as a lounge act out of his talent.      

That doo wop practice worked, well, worked for what their other purpose was, gathering interesting girls around them. See, a lot of this doo wop jail break out had to do with sexual stirrings, with this cohort of corner boys finally noticing that those shapeless girls from fifth grade class like Cindy, Linda, Bessie, Rosalind (Jack’s favorite), some of them, were starting to get shapes and who the year before had been noting but nuisances but now were, well, interesting. So each night all through that summer as day turned to night Red and the Roosters (nice name, right) crooned, kept working on their timing, and talking about their look, their niche.

At first they were left all by themselves, maybe the older serious basketball players would chuckle as they left the courts, but then one night a couple of girls, girls they knew from class were standing maybe fifty yards away up against a fence not hiding or anything but just kind of listening and swaying back and forth to the songs. (Jack thought the song they were working on was Little Antony and the Imperials Tears On My Pillows, although he would not swear to that. In any case that was the song that got him a dance with Rosalind so maybe he was confusing the two situations.)

A few nights later there would be several girls, including sixth grade girls and one from the other fifth grade class, Lorna who they called Lorna Doone for no particular reason but who was hot, standing at that fence. Jack thought that night if they did a song that all the girls could join in on they might come closer. So they switched up and did the Tune-Weavers’ tear-jerker Happy Birthday Baby everybody knew and was easy to sing. Sang it several times. The girls came running on the excuse that they thought it was somebody’s birthday, somebody who needed consoling. Yeah, it was like that in the innocence boy-girl thing then, probably still is. The summer passed that way with the boy-girl thing working its virginal way through the old neighborhood just like since Adam and Eve time, maybe before. Jack never got to Rosalind then only later after school started and then she moved to another town and that ended his first serious love affair. Frank even with his two left feet got a date for the movies with Bessie, and Jack thought Red (with that mass of red hair), the best looking guy of the bunch from what the girls said but maybe that was just because they wanted get near the lead singer, as always, had gone “steady” with Lorna for a while until Red kind of went off by himself.           

See here is where things broke down. Sure Red and the Roosters could draw the local girls in, girls who, well, had sexual stirrings too but here is what had happened. Their problem was, unlike Frankie and the Four Seasons from the get-go, they really did not have any serious raw musical talent (except Red) and did not as Frankie and his guys did really have a new angle on the music of the times. Moreover Frank’s voice changed about mid-way through sixth and threw everything off (later Jack’s and then Jimmy’s did too but that was after the group broke up). So, sadly, this edition of the corner boys broke up in the summer before junior high. Red was bitter since he more than the rest of them was staking his life, his break-out from the ‘from hungers,” on musical fame.

Red would a little later after they moved on to junior high turn against any musical aspirations, get himself into a new career path, the life of crime, which had Jack and to a lesser extent Frank in its thrall for a while, remember they were from hunger too, before they backed off but it was a close thing, very close. Both of them had been “look-outs” when Red began his “clip” five-fingers discount rampage of the various stores up in Carver Center and Jack had worked with Red one night when they jack-rolled a drunk for fifty bucks. Frank and Jack soon moved away from that business though once they realized it was too much work and they felt too much anguish over what they were doing to make a career out of that life.     

Red would go on to form another corner boy crowd with some older tougher boys who hung around Jimmy Jack’s Diner based on midnight creeps and some of those corner boys later wound up in the Army, a couple dead in Vietnam for their troubles names now etched in black marble down in Washington and on a granite monument on Carver Commons, or in jail (including Billy later who did a nickel’s worth for an armed robbery after he failed to make a half-hearted one more chance career singing alone and who in the end wound up on the short end of a shoot-out with the cops trying to rob a two-bit White Hen down in some godforsaken town in North Carolina after a second nickel stretch for another armed robbery).       

Jack as he thought about Red as he had not done so in a long time, thought about those last parts of the Carver corner boy story, the parts about the fate of the Reds of the world as against the luck of the Four Seasons thought the difference was important because no matter how “from hunger” you are you need the talent and the quirky niche in order to survive in the musical world. Even then as Jack noted in that review he had written and as became apparent as the film unfolded fame is a very close thing. A couple of twists one way or another and the fifteen minutes of fame is up, gone. And fame as Frankie Valli and the boys found out the hard way despite their hard work doesn’t shield you from life’s woes as the break-up of the group, Frankie’s daughter’s death and the financial problems created by “from hunger” Tommy who thought the money would rain in their faces forever attest to. Not an unfamiliar fame story but one worth seeing once again. And telling the Carver corner boys story too.   

[By the way as the film moved on to the performance parts the when the Four Seasons started getting some breaks, got a natural song-writer, and got tight and in synch both Laura and Anna said they did settle in and liked the rest of the film. And why wouldn’t they as children of that time as well the Carver corner boys when they were glued to their transistor radios up in some bedroom listening to the aforementioned Sherri, other like Dawn, Walk Like A Man,  Rag Dog, Big Girls Don’t Cry and all the rest that drove the young girls wild back then.]

Our Lady Of The Hills And Hollows-Jean Ritchie Passes At 92

 

 

 

 

 

Below is a segment from an entry I wrote for the American Folk Music blog discussing the roots of a city boy, me, and my relationship with the hills and hollows of Appalachia with which the late folksinger Jean Ritchie was so closely associated in her music:  

“What has gotten me into this reflective state is thinking about my father's background of coming from the hard-scrabble hills of Kentucky. That, my friends, means coal country, or it did in his time. The names Hazard, near Harlan County (the next county over to be exact) but, more appropriately "bloody Harlan" have, I hope, echoed across this series as a symbol for the hard life of many generations of workers and hard-scrabble tenant farmers who came out of those hills-some place. Some place in Appalachia, that is.

I have mentioned my father and his trials and tribulations, previously, when I did a series on the evolution of my youthful political trajectory from liberalism to socialism.  His hard-bitten, no breaks, no luck life was not a direct influence on that evolution, that is for sure. He was a strong anti-communist, if only of the reflexive kind coming out of that so-called “greatest generation” who survived the Great Depression of the 1930s and then, rifle over one shoulder, fought in the hellish Pacific as a Marine in all their battles there in World War II. But something in the genes and in his character left an imprint. Let me sum up his life's experience this way- the tidbit that he imparted to me early on in life I will always remember and is probably why I am still struggling for our socialist future to this day.

My father was certainly no stranger to hard times as a youth thrown into the coal mines early (or, as it turned out, in his work travails as an adult). My father, perhaps like yours, was a child of the Great Depression of the 1930's, scratching and clawing his way from pillar to post and entered into his manhood as a Marine in combat in World War II. Hard combat in the Pacific, and as anyone who has studied the period will know, where no quarter was given, or taken. Those two facts are important. Why? As a very young kid I asked him why he became a soldier, excuse me, a Marine. Well, the short answer was this- between the two alternatives, starve or fight, he was glad, no more than glad he was ecstatic, to quickly sign up at the Marine recruiting station in order to get out of the hills of Kentucky. And he, moreover, whatever happened later, never looked back.

That, my friends, is why I entitled part of the headline to today's entry- "at one remove". Those hills are in my blood, no question, no question now as much as I might have resisted such feelings before, but also the notion that those terrible choices had to be made by an honest working-class stiff. And that is why today I am in this mood thinking about how desperately we need to get down that socialist road. Pronto. And why I hear Jean Ritchie’s voice singing of her own longings in The Hills of Home, my father’s hills, as I write this, down deep in my own being.”

 

Reflections On Boston’s Cancelled VFP-Led Saint Patrick’s Peace Parade Day 2015 -

 

From The Pen Of Bart Webber

 

Frank Jackman would not be marching this year on Saint Patrick’s Day, not at all. And he was mad as hell about the matter, mad enough to call his old time high school friend from Carver, Sam Lowell, and spill his guts about it, to try to make some sense of the situation since toward the end, only a few days before he thought he would march, when things had happened quickly that forced him not to march. I knew Frank only slightly back in Carver during high school, enough to each give the other a passing nod, the “nod” signifying in that schoolboy goodnight that while the parties did not hang together everything between them was “cool” (remind me to tell you the intricacies of the “nod” sometime but today we are concern with Frank’s anguish not his coolness). I was closer to Sam back then since he had lived at the end of my street, we had hung around together during junior high before he got into the corner boy life in front of Jimmy Jack’s Diner up on Main Street near the Commons and had kept in touch since he had set up his law practice was in the old town and I had worked on the Carver Democrat for a while after college before moving on to Boston and elsewhere. He is the one who gave me the “skinny” on what the recent events Frank had spoken to him about.

The pair had gotten back in touch with each other after Frank had moved back east after many years on the West Coast and after Sam’s older son Brad had been killed in Iraq on his second tour of duty in 2005 and he had taken an interest what Frank, an active member of an anti-war veterans group, Veterans For Peace (VFP), and his comrades were up to. Sam had attended some of their activities and had previously marched in their contingent at various parades. He had again planned to do so this year before Frank called with his story. For those who failed to scan the title of this piece what Frank Jackman was not marching in and what he was mad about at the same time was that the fifth annual Veterans For Peace (VFP)-led Saint Patrick’s Peace Parade in South Boston. He had, in accordance with the publicity surrounding the event put out by VFP, expected to step off at noon on Sunday March 15^th an hour before the official “private” Saint Patrick’s Parade sponsored by the Southie-centered Allied War Council (AWC) stepped off at one o’clock. A last minute decision by a federal judge though forced the peace parade to be cancelled by the VFP leadership.

(The time lag between the two events is important since by local court decree reflecting a decision on the type of parade AWC was sponsoring the two parades to be separated by one mile so as the AWC desired no one would think the two parades were in any way together. The reasons given for the peace parade cancellation for 2015, to be described in more detail below, centered on legal advice not to do so in support of a civic court action being pressed by VFP in federal court and that due to “the late in the day” timing of the results of the legal wrangling a proper parade could not be put together.)        

Frank, of course, had not been mad about not being able to march like he had been when he and Sam as kids were Boy Scouts from Troop Twelve in Carver and they were thrilled with the idea that they would go up to Boston some thirty miles away to strut their stuff. In those days back in the 1960s the parade, then sponsored in toto by the City would take place on March 17^th no matter the day. (under an Evacuation Day cover, you know, commemorating the day when the American revolutionaries kick butt on the occupying British forces something every Irish person could cheer as well as the “wink, wink” real purpose of the thing which is to celebrate Irish freedom from those same Brits and also to acknowledge some tale about the wicked old saint Pat kicking snakes out of the old sod when he got his dander up). The year Troop Twelve had been invited to march since it was their turn in the rotation of troops for Boy Scout Council Six wouldn’t you know that snow postponed the event for a week and due to some unforeseen circumstances that he never fully understood Troop Ten from Plymouth went instead. He had been furious since he had cousins that he would have been strutting his stuff in front of. The next year he having found himself a girlfriend or rather she found him he had dropped out of the Scouts and that was that.               

Frank had spent the many, many years since that time going about the business of his life, some good some bad, not worrying or thinking much one way or the other about the parade, although he was always ready to sport the green come Saint Patrick’s Day wherever he was and whoever he was with and to lift a glass to the memory of the boys of Easter 1916 reciting William Butler Yeats poem of the same name to allwho would listen. One of the “some bad” parts of his life had been his service in the military during his generation’s war, the war in Vietnam, which had torn the country asunder, including in the military where those “cannon fodder” like him who were supposed to fight for who knows  what reason were half in mutiny.     

Frank always liked to make sure that everybody, including Sam with whom he had many arguments about the question and who had been 4-F (unfit for military duty) during that war due to a much operated on left arm that was about ninety percent useless, knew that while he had had some reservations about military service he had gone in with both eyes open when he received his draft notice. He also made sure everybody knew that while he was not by any means the best soldier in Vietnam he was not the worse. A few guys in his unit had even paid him the compliment that they would have not gotten out of a few messes alive in fire-fights with Charley if it had not been for his coolness under fire. So during his time of service in order to keep himself together he did not think about right or wrong on the war, on the war policy or on anything but keeping low and keeping the damn bugs and sweat off. 

After Frank had been discharged in 1971 that was a different story. Even after a few days at home in Carver hanging around with Sam and the guys was too much after all he had been through and so he pushed on up to Cambridge where he wound up meeting a young Quaker woman whom he met at an anti-war rally who helped him sort things out, helped him get over the horror of what he had seen and done in Vietnam. A little. Just then lots of other veterans were also getting “religion” about the damn war and were doing something about it, organizing themselves into Vietnam Veterans Against the War (VVAW). For the next couple of years between that fetching Quaker woman and his ex-military ant-war comrades in VVAW he felt he had washed himself clean.

As the war petered out and as anti-war activity declined in the mid-1970s Frank drifted away from the organization and from that Quaker woman and headed west. Drifted west winding up in San Francisco, stayed in the west for many years, got married a few times, got divorced as many, had a few kids who all turned out pretty well considering, and did a lot of ad hoc anti-war and social concerns political work along the way. But Frank, as if those Vietnam days or maybe earlier his growing up poor childhood have never really receded to far from the horizon, also got caught up in some “wanting habits” (his term) addictions like drugs and con artistry along the way. I don’t know a lot of the details but some involved drug dealing connected with Mexico, some flim-flam insurance scams and a couple of swindles from what Sam who also was hazy on the same details told me Frank told him. After his last divorce in the mid-1990s he headed back East figuring a change of scenery would help.

In the fall, October Sam thinks, of 2002 Frank had been in Boston on some unrelated business on a Saturday afternoon when he heard a band playing I Ain’t Going To Study War No More, the music coming from the Boston Common. This, as it turned out, would be the first serious anti-war demonstration of a few hundred people before the war drums of the 2003 Iraq war overtook all reason (and despite all reason is still on the front-burner until this day). What drew Frank’s attention though was a cluster of about forty flags, white flags embossed with the words “Veterans For Peace” in black and a dove of peace also outlined in black on each, being carried by older guys, guys from the look of it who had served in Vietnam times, or earlier. As the march stepped off the Common to walk up Tremont Street toward the Federal Building further up the street he joined in their contingent. That was the real beginning of his story to Sam. 

Frank did not join VFP until several years later since the anti-war efforts against the Iraq war in late 2002 and early 3003 while intense before the war fell apart after the “shock and awe” campaign began in March of that year. He did however whenever he was around attend and march with the VFP. In November 2009 not having been doing much for a couple of years he received a notification by an e-mail that the VFP was attempting to march in the “official’ Veterans Day parade on the Common and he decided to join in. That day was an eye-opener, a shock in a way, since the “officials” were by might and main, mostly by having the police intercede and arrest anti-war veterans who refused to “stand-down” refused to let fellow veterans with a different message march in their precious parade. Frank and a number of others were arrested that day for disorderly conduct, were fined, and released. So maybe that, despite what Frank regarded as his start with VFP and their struggles for recognition in 2002, was really the beginning. VFP would continue without success to be part of the official Veterans Day Parade (a day by the way which they called, correctly, by its right name Armistice Day a name from the end of World War I).  

For the next year or so Frank worked closely with VFP on various projects (in the meantime he had retired and therefore had some time to spent on such work), especially in 2011 when VFP got seriously involved with the potentially exciting but short-lived Occupy movement. He had also spent a great deal of his time, still does, after he first heard about the case in September of 2010, in supporting the defense and calls for freedom for heroic Wikileaks whistle-blower Chelsea (then Bradley, having subsequently revealed that she considered herself a woman a fact that the Army has now acknowledged) Manning who the Army was keeping in solitary down at the Quantico Marine Base outside of Washington, D.C.  (In August of 2013 Manning was convicted of about twenty of the charges against her and received an outrageous thirty-five sentence now being served at Fort Leavenworth pending the appeals process). The Manning case sparked something in him since here was a soldier, a soldier in Iraq to boot, who despite all the hell that was being rained down on her from top to bottom including torture had the courage to release important information about war atrocities and  other nefarious acts of the American government in the Middle East and elsewhere. Having not done his bit when he had the chance, his chance, Frank was just trying to put paid to his own lack of courage through Chelsea.  

In the spring of 2011 the leadership of the Boston VFP decided to apply to the AWC that had been running the Saint Patrick’s Day Parade for the previous twenty or so years. That request was summarily rejected and a member of that organization was quoted at some point in the process saying that he did not want the word “veteran” and the word “peace” put together in the parade. (This AWC having solely taken over the city parade had gone all the way up to the United States Supreme Court in order to have their parade declared a private event and therefore they could invite or not invite whoever they wanted. They had started out discriminating against the GLBTQ community and had now extended it to the peace community as well.) As a result of that exclusion the VFP put out a call for all the area peace, GLBTQ groups, and social justice activists to march with them after the official parade. And those five hundred or so who heeded the call marched through South Boston that day to generally good effect.  

VFP over the next three years continued to attempt to enter the official parade, were summarily rebuffed or ignored, and each year organized the Saint Patrick’s Peace Parade that increased in size and began to look like any regular parade in Boston with floats, band, a trolley and the ubiquitous duck boat, all in the service of peace and justice. As the organization prepared for the 2015 event they took a different tack, decided not to waste any effort applying to the official parade officials, but also decided that the late afternoon in March (usually starting to march well after 3 o’clock) well after the crowds for the official parade had left and therefore were walking down sullen streets interfered with their right of effective free expression and applied to the City of Boston for a noon start time. 

That request was denied by the city and VFP thereafter filed a law suit in federal district court charging discrimination under the 1^st Amendment of the U.S. Constitution and asked for injunctive relief requiring the city to grant the noon start time. A week before the parade date the federal judge turned down the request (although the legal civil case continues on). In response, as collectively agreed by the membership before the start of litigation, the failure to get the noon start time triggered the cancelling of the Peace Parade for 2015 (a stance which also dovetailed with the lawyers’ concerns about the court case adding fuel to their arguments about discrimination by the city).

A couple of days before the official parade was to start the AWC granted a gay rights organization’s application (Boston Pride) to march having previously granted the request of a group of gay veterans, OutVets to march. VFP and other peace groups were thus the only ones to have their parade rained on. Yeah, so Frank Jackman who over the previous four years had spent much time helping organize each parade, raising money, and a million other small tasks was not marching, and mad as hell about it. Do you blame him.  

The Sun Sets On The British Empire-Dame Judith Dench’s The Best Exotic Madrigal Hotel

DVD Review

From The Pen Of Frank Jackman

The Best Exotic Madrigal Hotel, starring Dame Judith Dench, Maggie Smith, Dev Patel, 2012  

 

In the days of the Raj, in the days when the British ruled India with an iron fist, a massive naval fleet at the ready, and footloose soldiers of fortune (or rather of no fortune since the eldest son took all the dough and land and left younger brothers to the universities, the clergy, the civil service and the army) no one from the imperial center would have thought to retire to that benighted country. Rather they would spent their youth grabbing whatever they could grab and retire back in the old country in some at least modest splendor. Ah, but times have changed and John Bull has hit upon tough times as the denizens of this witty and thoughtful film demonstrate. Now the average Brit seeing his or her life circumstances at home reduced looked to the new emerging economic engine of the 21^st century the old Raj to make ends meet, or to just get away from the stale life in the home country. 

Of course the setting of this film in the old Raj, and in an old hotel that had seen better days with a cast of wayward elderly ex-patriates and a wacky entrepreneurial Indian allows the director and scriptwriter to investigate all kinds of subjects from multiculturalism to haughty vestiges of the old Empire refracted through new India, ageism, sexual impulses about the older set, adjusting (or not) to a new culture, old school closeted gayness, stale marriages, failed marriages and the aches and pains of growing old wherever you find yourself marooned. Somebody had to tell the story though and that is done through the thoughts of the narrator Mrs. Greensleeves (played by Dame Judith Dench) who had gone off to India to live cheaply since her late husband did not provide enough to keep her going, and to find herself of course. Along the way she does so although not without the usual problems of those who were sheltered from the world by old school marriage when hubby did, or didn’t, take care of everything. She finds herself, her presence helps a husband caught in a horrible and stale marriage find himself (and indirectly that scorned wife as well), helps a lonely old man finds love, helps a lonely old women continuing to hope to find love, and helps the Indian innkeeper to stand up for himself against the old India represented by his old-fashioned mother. All wrapped up in the bow of a hotel that had seen better days, and all relationships filled with if not happy endings at least hope as they fade. A feel good movie with a great ensemble cast well worth a couple of hours of your time.