"America, Where Are You Now...."- Steppenwolf’s The Monster-Take Three

 

 

A YouTube Film Clip Of Steppenwolf Performing Monster. Ah, Those Were The Days

From The Pen Of Frank Jackman

Steppenwolf: 16 Greatest Hits, Steppenwolf, Digital Sound, 1990

America where are you now?

Don't you care about your sons and daughters?

Don't you know we need you now

We can't fight alone against the monster

Chorus Line From The Monster

The heavy rock band Steppenwolf (maybe acid rock is better signifying that the band started in the American dream gone awry 1960s night when the likes of the Jefferson Airplane, The Doors, The Byrds and groups like the transformed from muppet Beatles and Stones held forth, rather than in the ebb-tide 1970s when the harder sounds of groups like Aerosmith and Black Sabbath were  needed to drown out the fact that  we were in decisive retreat),  one of many that was thrown up by the musical counter-culture of the mid to late 1960's was a cut above and apart from some of the others due to their scorching lyrics provided mainly, but not solely, by gravelly-voiced lead singer John Kay. That musical counter-culture not only put a premium on band-written materials, as against the old Tin Pan Alley somebody wrote the lyrics, somebody else sang the song division before Bob Dylan and the Beatles made singer-songwriters fashionable) but also was a serious reaction to the vanilla-ization of rock and popular music in the earlier part of the decade that drove many of us from the AM radio dials and into “exotic” stuff like electric blues (country too, come to think of it) and the various strands of folk music.    

Some bands played, consciously played, to the “drop out” notion popular at the times. “Drop out” of rat-race bourgeois society and its money imperative, its “white picket fence with little white house attached” visions. That is the place where many of the young, the post-World War II baby-boomer young, now sadly older, had grown up and were in the process of repudiating for a grander vision of the world, the “world turned upside down” as an old time British folk tune had it. Drop out and create a niche somewhere (a commune maybe out away from the rat-race places which did spring up in the likes of Taos, Oregon, and the hills of old Vermont which if you care to see what hellish thing happened to that old vision once the seers got older you can go to and witness first hand these days), so some physical somewhere perhaps but certainly some other mental somewhere and the music reflected that disenchantment. That mental somewhere involved liberal use of drugs to induce, well, who knows what it induced but it felt like a new state of consciousness so make of that what you will. The drugs used, in retrospect, to make you less “uptight” not a bad thing then, or today. The whole underlying premise though whether well thought out or not was that music, the music of the shamans of the youth tribe, was the revolution. An idea that for a short while before all hell broke loose with the criminal antics of Lyndon Johnson and one Richard M. Nixon, all hell broke loose with Tet, with May 1968, with Chicago 1968, with the “days of rage,” with Altamont and with a hundred other lesser downers I subscribed to. Before those events and a draft notice made me get “religion” on the need for “in-their-face” political struggle.        

Musically much of that stuff was ephemeral, merely background music, and has not survived (except in lonely YouTube cyberspace). Yeah, Neal Young, the Airplane, the Doors, the Byrds still sound good but a lot of it is wha-wha music now you know Ten Years After, a lot of Rod Stewart, even the acid-etched albums by the Beatles and Stones, it is no wonder that the latter do not have any tunes from Their Satanic Majesties on their playlists).   Others, flash pan “music is the revolution,” period exclamation point, end of conversation bands assumed a few pithy lyrics would carry the day and dirty old bourgeois society would run and hide in horror leaving the field open, open for, uh, us. That music too, except for gems like The Ballad Of Easy Rider, is safely ensconced in vast cyberspace.

Steppenwolf was different, was political from the get-go taking on the deadliness of bourgeois culture, worse the chewing up of their young in unwinnable wars with no apologies or second thoughts, the pusher man, the draft resister and lots of other subjects (and a few traditional songs too about the love that got away, things like that).  Not all the lyrics worked, then or now. (See below for some that do). Not all the words are now some forty plus years later memorable. After all every song is written with some current audience in mind, and notions of immortality as the fate of most songs are displaced. Certainly some of the less political lyrics seem entirely forgettable. As does some of the heavy decibel rock sound that seems to wander at times like, as was the case more often than not, and more often that we, deep in some a then hermetic drug thrall, would have acknowledged, or worried about. But know this- when you think today about trying to escape from the rat-race of daily living then you have an enduring anthem Born To Be Wild that still stirs the young (and not so young). If Bob Dylan's Like A Rolling Stone was one musical pillar of the youth revolt of the 1960's then Born To Be Wild was the other.

And if you needed (or need) a quick history lesson about the nature of American society in the 1960's, what it was doing to its young, where it had been and where it was heading (and seemingly still is as we finish up the Afghan wars and the war signals for deep intervention into the Syria civil war or another war in Iraq get louder, or both are beating the war drums fiercely) then the trilogy under the title "The Monster" (the chorus which I have posted above and lyrics below) said it all.

Then there were songs like The Pusher Man a song that could be usefully used as an argument in favor of decriminalization of drugs today and get our people the hell out of jail and moving on with their lives and others then more topical songs like Draft Resister to fill out their playlist. The group did not have the staying power of others like The Rolling Stones but if you want to know, approximately, what it was like for rock groups to seriously put rock and roll and a hard political edge together give a listen to the group sometime.

Words and music by John Kay, Jerry Edmonton, Nick St. Nicholas and Larry Byrom

(Monster)

Once the religious, the hunted and weary

Chasing the promise of freedom and hope

Came to this country to build a new vision

Far from the reaches of kingdom and pope

Like good Christians, some would burn the witches

Later some got slaves to gather riches

But still from near and far to seek America

They came by thousands to court the wild

And she just patiently smiled and bore a child

To be their spirit and guiding light

And once the ties with the crown had been broken

Westward in saddle and wagon it went

And 'til the railroad linked ocean to ocean

Many the lives which had come to an end

While we bullied, stole and bought our a homeland

We began the slaughter of the red man

But still from near and far to seek America

They came by thousands to court the wild

And she just patiently smiled and bore a child

To be their spirit and guiding light

The blue and grey they stomped it

They kicked it just like a dog

And when the war over

They stuffed it just like a hog

And though the past has it's share of injustice

Kind was the spirit in many a way

But it's protectors and friends have been sleeping

Now it's a monster and will not obey

(Suicide)

The spirit was freedom and justice

And it's keepers seem generous and kind

It's leaders were supposed to serve the country

But now they won't pay it no mind

'Cause the people grew fat and got lazy

And now their vote is a meaningless joke

They babble about law and order

But it's all just an echo of what they've been told

Yeah, there's a monster on the loose

It's got our heads into a noose

And it just sits there watchin'

Our cities have turned into jungles

And corruption is stranglin' the land

The police force is watching the people

And the people just can't understand

We don't know how to mind our own business

'Cause the whole worlds got to be just like us

Now we are fighting a war over there

No matter who's the winner

We can't pay the cost

'Cause there's a monster on the loose

It's got our heads into a noose

And it just sits there watching

(America)

America where are you now?

Don't you care about your sons and daughters?

Don't you know we need you now

We can't fight alone against the monster

© Copyright MCA Music (BMI)
All rights for the USA controlled and administered by
MCA Corporation of America, INC

--Used with permission--

Born To Be Wild

Words and music by Mars Bonfire

Get your motor runnin'

Head out on the highway

Lookin' for adventure

And whatever comes our way

Yeah Darlin' go make it happen

Take the world in a love embrace

Fire all of your guns at once

And explode into space

I like smoke and lightning

Heavy metal thunder

Racin' with the wind

And the feelin' that I'm under

Yeah Darlin' go make it happen

Take the world in a love embrace

Fire all of your guns at once

And explode into space

Like a true nature's child

We were born, born to be wild

We can climb so high

I never wanna die

Born to be wild

Born to be wild

© MCA Music (BMI)
All rights for the USA controlled and administered by
MCA Corporation of America, INC

--Used with permission--

THE PUSHER

From the 1968 release "Steppenwolf"

Words and music by Hoyt Axton

You know I've smoked a lot of grass

O' Lord, I've popped a lot of pills

But I never touched nothin'

That my spirit could kill

You know, I've seen a lot of people walkin' 'round

With tombstones in their eyes

But the pusher don't care

Ah, if you live or if you die

God damn, The Pusher

God damn, I say The Pusher

I said God damn, God damn The Pusher man

You know the dealer, the dealer is a man

With the love grass in his hand

Oh but the pusher is a monster

Good God, he's not a natural man

The dealer for a nickel

Lord, will sell you lots of sweet dreams

Ah, but the pusher ruin your body

Lord, he'll leave your, he'll leave your mind to scream

God damn, The Pusher

God damn, God damn the Pusher

I said God damn, God, God damn The Pusher man

Well, now if I were the president of this land

You know, I'd declare total war on The Pusher man

I'd cut him if he stands, and I'd shoot him if he'd run

Yes I'd kill him with my Bible and my razor and my gun

God damn The Pusher

Gad damn The Pusher

I said God damn, God damn The Pusher man\

© Irving Music Inc. (BMI)

--Used with permission--

In Honor Of The 144^th Anniversary Of The Paris Commune-All Honor To The Communards

 

Some events can be honorably commemorated every five, ten, twenty-five years or so like the French Revolution. Other events, and here I include the uprising which went on to form the Paris Commune, established on March 18, 1871, the first time the working class as such took power if only for a short time and only in one city, need to be honorably commemorated yearly. We can, those of us in what now is a remnant who still believe in the old time verities and who still fight for such things as working-class led revolution, socialism and a fairer shake in the appropriation of the world’s good, still draw lessons from that experience. (Sadly the bulk of the world’s working classes have either dismissed socialist solutions out of hand these days when the situation in places like Greece, Spain and lots of East Europe countries cry out for such solutions or the links to such previous socialist ideas has become so attenuated that the ideas are not even in play.) Draw lessons that might help us in the one-sided fight against the human logjam that the international capitalist system, complete with its imperial coterie at the top, has bequeathed us almost a century and one half later and that is ripe, no overripe to be replaced by a more human scale way of producing the good of this wicked world. Hence the commemoration in this the 144^th anniversary year.

Some “talking head” commentator in the lead-up to the celebration of the French Revolution on July 14^th, brought in for the occasion I presume, I heard recently on a television talk show reflecting the same sentiment I have heard elsewhere from other academic and ideological sources, had declared the French Revolution dead. By that he meant that the lessons to be learned from that experience has been exhausted, that in the post-modern world that event over two hundred years ago had become passé, passé in the whirlwind of the American century now in full bloom (an American century that we thought had run its course in the wake of the Vietnam defeat but drew new life, if only by default, with the demise of the Soviet Union and its sphere of influence). While not arguing here with the validity of that statement on the French revolution, a classic bourgeois revolution when the bourgeoisie was a progressive movement in human history and actually drew some connections between the Enlightenment philosophies that gave it inspiration and the tasks of the risen people, there are still lessons to be drawn from the Commune. If for no other reason than we still await that international working class society that such luminaries as the communist Karl Marx expanded upon in the 19^th century.          

Obviously like the subsequent Russian revolutions of 1905 and 1917, the Chinese revolutions of the 1920s and 1940s, the Vietnamese which took up a great deal of the middle third of the twentieth century, and others the Paris Commune was formed in the crucible of war, or threat of war. Karl Marx, among others, the great Russian revolutionary Leon Trotsky for one, had noted that war is the mother of revolution and the defeat of the French armies and the virtual occupation by the victorious German armies around Paris certainly conformed to that idea that the then current government was in disarray and the social fabric after a near starvation situation required more. Classic pre-revolutionary phenomena. Moreover the Commune had been thrust upon the working masses of Paris by the usual treachery of the bourgeois government thrown up after Louis Bonaparte lost control. That had not been the most promising start to any new society. But you work with what you have to work with and defend as Marx, the First International, and precious few others did the best you can despite the odds, and the disarray. So no hard and fast blueprint on revolutionary upheavals could come ready-made from that experience.  

To my mind, and this is influenced by the subsequent Russian revolutions of 1905 and February and October 1917, no question the decisive problem of the Commune was what later became to be known as the crisis of revolutionary leadership. Of course they should have expropriated the banks and centered their efforts around strengthening the authority of the Central Committee of the National   Guard and not let lots of windbags and weirdos have their say based on barely deserved reputations but the result of those failures were that no serious party or parties were available to take charge and create a strong government to defend against the Thiers counter-attack from Versailles. (Also no appeals to other communes to come to the defense of Paris and no work among the Versailles soldiers.) It is problematic whether given the small weight of the industrial proletariat (masses factory workers like at Putilov in Petrograd rather than the small shop artisans and workman which dominated the Paris landscape), the lack of weaponry to fend off both the Germans and the Versailles armies, and food supply whether even if such a revolutionary leadership had existed that the Commune could have continued to exist in such isolated circumstances but the contours for the future of working class revolution would have been much different. The central and critical role of a revolutionary leadership which got fudged around in places like Germany where the working class party for all intents and purposes was barely a parliamentary party in the struggle against capitalism would have been clarified and at least a few revolutions, including those in Germany between 1918 and 1924. That is the bitter lesson we still before us today.   

News Flash: A. F. Markin Will Not Run For President In 2016    

From The American Left History Blog-June 2015

“Apparently Mister Markin is the only politician in America, or at least in the Democratic or Republican Party, who has not thrown his or her hat, or tried to throw his or her hat,  into the ring this election cycle for a chance at the brass ring, or Hillary Rodham Clinton’s big target. He must be a rare bird.”-John Stewart, WDJA News

When asked about endorsing Hilary Rodham Clinton for President A.F. Markin, at his press conference in New York City announcing his decision new where he had just announced that he would not run for the office this cycle, quoted one of his favorite old time bluesman, a man who had many problems with, wine, women and song-“I’d rather be the devil that to be that woman’s man.” Enough said.       

Media Flash: A. F. Markin, long time anti-capitalist, anti-imperialist, pro-socialist activist and the evil genius behind the blog American Left History, has announced today that under no conditions will he be a candidate for President of the United States in 2016. In prior election cycles he has run for the office as an Independent Social-Democrat (2004) and after nomination on the Green Wave Party ticket (2008, although he waged an opportunistic low-level campaign because according to one campaign worker he did not want to ruin then Senator Barack Obama’s chances at the White House expecting some kind of job offer for doing so. To once again prove that opportunism does not pay, especially for so-called principled socialists like him and Senator Bernard Sanders of Vermont, he was never offered any position in that administration). In 2012 he got “religion” and sat out the campaign not because of any thought of ruining the chances of that “miserable sell-out bastard Obama” (Markin’s words) but because he had read an obscure document based on the tenets of the Communist International (Vladimir Lenin’s old-time operation to create world revolution established in 1919 and went out of business in 1943) in a left-wing socialist newspaper which stated that socialists should not seek, not even run for, the executive offices (President, Governor, sheriff) of what they called the “bourgeois capitalist state.” Chastised, thoroughly chastised by that obscure odd-ball reference he is again sitting the 2016 election cycle out.     

At the press conference held in New York City’s Best Eastern Hotel making the announcement Markin, paraphrasing the great 19th century Northern Civil War general, William Tecumseh Sherman (hero of “Billy’s bummers traipsing through Georgia and its environs and scourge of the rebels) stated that “if drafted I will not run and if elected I will not serve” in that post. He, however, did not rule out the possibility of running for some legislative office like the United States Senate or U.S. House of Representatives. –Josh Breslin, Portland Free Press

A.F. Markin commentary on the American Politics Today website expanding on his decision not to run (originally posted on the American Left History blog on June 6, 2015):      

“I know that the long suffering readers of this blog have been waiting breathlessly for me to announce my intentions for the presidential campaign of 2016. Wait a minute! What kind of madness is this on my part to impose on readers who I am sure are still recovering from the shell-shock of that seemingly endless and mendacious 2012 presidential campaign. Well… Okay, as usual I want to, for good or ill, make a little point about running for the executive offices of the bourgeois state now that I have gotten ‘religion’ about the necessary of radicals and revolutionaries, even garden variety socialists like me, NOT to do so. I think this point can really be driven home today now that we have a ‘progressive’ Democratic president, one Barack Obama, as a foil.

I have detailed elsewhere the controversy and checkered history in the international workers movement, and especially in the Communist International in its heroic days in the early 1920's, surrounding the question of whether radicals and revolutionaries, on principle, should run for these executive offices of the bourgeois state. I need not repeat that argument here. (See June 2008 Archives, "If Drafted I Will Not Run, If Elected I Will Not Serve-Revolutionaries and Running For Executive Offices," American Left History blog, dated June 15, 2008). I have also noted there the trajectory of my own conversion to the position of opposition to such runs.

Previously I had seen such electoral efforts as good propaganda tools and/or basically harmless attempts to intersect political reality at times when the electorate is tuned in. Always under the assumption made clear during the campaign that, of course, if elected one would not assume the office.

In any case, I admit to a previously rather cavalier attitude toward the whole question, even as I began to see the wisdom of opposition. But having gone through the recent presidential campaign and, more importantly, the inauguration and installation of a ‘progressive’ black man to the highest office attainable under the imperium I have begun to wipe that smirk off my face.

Why? I have hardly been unaware throughout my leftist political career that Social Democratic and Communist (Stalinist/Maoist varieties especially) Party politicians have, individually or in popular front alliances with capitalist parties, wreaked havoc on working people while administrating the bourgeois state. I have, in particular, spent a good part of my political career fighting against the notion of popular front strategies as they have been forged in the past, disastrously in places like Spain during the Civil War in the 1930’s and Chile in 1973 or less disastrously in France in the 1980’s. However this question of the realities of running the imperial state in America really hit home with the coming into office of Barack Obama.

Certainly, Obama did not have, and in the course of such things could not have any qualms about administering the bourgeois state, even if such toilsome work contradicted his most basic principles. Assuming, for the sake of argument here, that Obama is not the worst bourgeois politician, progressive or not, that has come down the pike. Already, in a few short weeks in office, he has escalated the troop levels in Afghanistan. He is most earnestly committed to bailing out the financial heart of the imperial system, at the long term expense of working people. Where is the room for that vaunted ‘progressive’ designation in all of this? Oh yes he has is against torture and illegal torture centers. That, dear readers might have passed for progressive action- in the 17th century. Jesus, is there no end to this madness in taking grandstanding kudos for stuff that Voltaire would have dismissed out of hand. So the next time someone asks you to run for President of the United States (or governor of a state or mayor of a city) take the Markin pledge - Just say NO!

Howling At The Moon-When Howlin’ Wolf Held Forth  

 

 

Some music you acquired naturally, you know like kids’ songs learned in school (The Farmer in the Dell, Humpty Dumpty, Jack and Jill and their ill-fated hill adventure, etc. in case you have forgotten) and embedded in the back of your mind even fifty years later. Or as in the case of junior high, with Mr. Dasher, the mad monk music teacher, who wanted his charges to have a well-versed knowledge of the American and world songbook you were forced to remember such songs as The Mexican Hat Dance and Home On The Range under penalty of being sent up to the front of the room songbook in hand and sing the damn things. Yes, you will remember such songs unto death. (We found out later that he was in a desperate rear-guard action to wean us away from rock and roll, a struggle in which he was both woefully overmatched by Elvis, Jerry Lee, Chuck, Bo, and the crowd and wasting his breathe as we lived for rock and roll at Doc’s Drugstore after school where he had a jukebox at his soda fountain.)  

Some reflected the time period when you were growing up but were too young to call the music your own like the music that ran around in the background of your growing up house on the mother housewife radio or evening record player which in my case was the music that got my parents through my father’s slogging on unpronounceable Pacific islands kicking ass and mother anxiously waiting at home for the other shoe to fall or the dreaded military officer coming up to your door telling you the bad news World War II. You know, Frank (Sinatra, the chairman of the board, that all the bobbysoxer girls, the future mothers of my generation swooned over), The Andrew Sisters  and their rums and coca colas, Peggy Lee fronting for Benny Goodman and looking, looking hard for some Johnny to do right, finally do right by her, etc. Other music, the music of my generation, classic rock and rock came more naturally since that is what I wanted to hear when I had my transistor radio to my ear up in my bedroom. This transistor thing for the young was small enough to put in your pocket and put up to your ear like iPod except you couldn’t download or anything like that. Just flip the dial although the only station that mattered was WJDA, the local rock station (which had previously before the rock break-out played the music that got our parents through their war). Oh yeah, and the beauty of the transistor you could take it up to your bedroom and shut out that aforementioned parents’ music without hassles. Nice, right. So yeah, we could hear Elvis sounding all sexy according to one girl I knew even over the radio and who drove all the girls crazy once they got a look at him on television, Chuck telling our parents’ world that Mr. Beethoven and his crowd, Frank’s too, that they all had to roll over, Bo asking a very candid question about who put the rock in rock and roll and offering himself up as a candidate, Buddy crooning against all hope for his Peggy Sue (or was it Betty Lou), Jerry Lee inflaming us with his raucous High School Confidential  from the back of a flatbed truck, etc. again.

The blues though, the rarified country and electric urban blues of the likes of Son House, Robert Johnson, Muddy Waters, James Cotton, and Howlin’ Wolf was an acquired taste. Acquired through listening to folk music programs on that very same transistor radio in the early 1960s after flipping the dial one Sunday night once I got tired of what they claimed was rock music on WJDA and caught a Boston station. The main focus was on other types of roots music but when the show would take a break from down home mountain music, western swing ballads, and urban protest music the DJ would play some cuts of country or electric blues. See all the big folkies, Dylan, Tom Rush, Dave Van Ronk, people like that were wild to cover the blues in the search for serious roots music from the American songbook. So somebody, I don’t know who, figured if everybody who was anybody was covering the blues in that folk minute then it made sense to play the real stuff.

The real stuff having been around for a while, having been produced by the likes of Muddy and Howlin’ Wolf going back to the 1940s big time black migration to the industrial plants of the Midwest during World War II when there were plenty of jobs just waiting. But also having been pushed to the background, way to the background with the rise of rock and roll (although parts of rock make no sense, don’t without kudos to blues chords, check it out). So it took that combination of folk minute and that well-hidden from view electric blues some time to filter through my brain.

What did not take a long time once I got “religion” was going crazy over Howlin’ Wolf when I saw him perform. Once I saw him practically eat that harmonica when he was playing that instrument on How Many More Years. There he was all sweating, running to high form and serious professionalism (just ask the Stones about that when he showed them how to really play Little Red Rooster which they had covered as they had many Chess Records blues numbers) and moving that big body to and fro to beat the band and playing like god’s own angel, if those angels played the harmonica, and if they could play as well as he did. Yes, that blues calling is an acquired taste and a lasting one.    
 

As The 100th Anniversary Of The First Year Of World War I (Remember The War To End All Wars) Continues ... Some Remembrances-The Culturati’s Corner

In say 1912, 1913, hell, even the beginning of 1914, the first few months anyway, before the war clouds got a full head of steam in the summer they all profusely professed their unmitigated horror at the thought of war, thought of the old way of doing business in the world. Yes the artists of every school the Cubist/Fauvists/Futurists/Constructivists, Surrealists or those who would come to speak for those movements (hell even the hide-bound Academy filled with its rules, or be damned, spoke the pious words of peace, brotherhood and the affinity of all humankind when there was sunny weather), those who saw the disjointedness of modern industrial society in its squalor, it creation of generations of short, nasty, brutish lives just like the philosophers predicted and put the pieces to paint, sculptors who put twisted pieces of metal juxtaposed to each other saw that building a mighty machine from which you had to run created many problems; writers of serious history books proving that, according to their Whiggish theory of progress,  humankind had moved beyond war as an instrument of policy and the diplomats and high and mighty would put the brakes on in time, not realizing that they were all squabbling cousins; writers of serious and not so serious novels drenched in platitudes and hidden gazebo love affairs put paid to that notion in their sweet nothing words that man and woman had too much to do, too much sex to harness to denigrate themselves by crying the warrior’s cry and by having half-virgin, neat trick, maidens strewing flowers on the bloodlust streets; musicians whose muse spoke of delicate tempos and sweet muted violin concertos, not the stress and strife of the tattoos of war marches with their tinny conceits; and poets, ah, those constricted poets who bleed the moon of its amber swearing, swearing on a stack of seven sealed bibles, that they would go to the hells before touching the hair of another man, putting another man to ground or laying their own heads down for some imperial mission.

They all professed loudly (and those few who did not profess, could not profess because they were happily getting their blood rising, kept their own consul until the summer), that come the war drums they would resist the siren call, would stick to their Whiggish, Futurist, Constructionist, Cubist worlds and blast the war-makers to hell in quotes, words, chords, clanged metal, and pretty pastels. They would stay the course. 

And then the war drums intensified, the people, their clients, patrons and buyers, cried out their lusts and they, they made of ordinary human clay as it turned out, poets, beautiful poets like Wilfred Owens who would sicken of war before he passed leaving a beautiful damnation on war, its psychoses, and broken bones and dreams, and the idiots who brought humankind to such a fate, like e. e. cummings who drove through sheer hell in those rickety ambulances floors sprayed with blood, man blood, angers, anguishes and more sets of broken bones, and broken dreams, like Rupert Brooke all manly and old school give and go, as they marched in formation leaving the ports and then mowed down like freshly mown grass in their thousands as the charge call came and they rested, a lot of them, in those freshly mown grasses, like Robert Graves all grave all sputtering in his words confused about what had happened, suppressing, always suppressing that instinct to cry out against the hatred night, like old school, old Thomas Hardy writing beautiful old English pastoral sentiments before the war and then full-blown into imperium’s service, no questions asked old England right or wrong, like old stuffed shirt himself T.S. Eliot speaking of hollow loves, hollow men, wastelands, and such in the high club rooms on the home front, and like old brother Yeats speaking of terrible beauties born in the colonies and maybe at the home front too as long as Eliot does not miss his high tea. Jesus what a blasted night that Great War time was.  

And as the war drums intensified, the people, their clients, patrons and buyers, cried out their lusts and they, they made of ordinary human clay as it turned out, artists, beautiful artists like Fernand Leger who could no longer push the envelope of representative art because it had been twisted by the rubble of war, by the crashing big guns, by the hubris of commanders and commanded and he turned to new form, tubes, cubes, prisms, anything but battered humankind in its every rusts and lusts, all bright and intersecting once he got the mustard gas out of his system, once he had done his patria duty, like speaking of mustard gas old worn out John Singer Sargent of the three name WASPs forgetting Boston Brahmin society ladies in decollage, forgetting ancient world religious murals hanging atop Boston museum and spewing trench warfare and the blind leading the blind out of no man’s land, out of the devil’s claws, like Umberto Boccioni, all swirls, curves, dashes, and dangling guns as the endless charges endlessly charge, like Gustav Klimt and his endlessly detailed gold dust opulent Asiatic dreams filled with lovely matrons and high symbolism and blessed Eve women to fill the night, Adam’s night after they fled the garden, like Joan Miro and his infernal boxes, circles, spats, eyes, dibs, dabs, vaginas, and blots forever suspended in deep space for a candid world to fret through, fret through a long career, and like poor maddened rising like a phoenix in the Spartacist uprising George Grosz puncturing the nasty bourgeoisie, the big bourgeoisie the ones with the real dough and their overfed dreams stuffed with sausage, and from the bloated military and their fat-assed generals stuff with howitzers and rocket shells, like Picasso, yeah, Picasso taking the shape out of recognized human existence and reconfiguring the forms, the mesh of form to fit the new hard order, like, Braque, if only because if you put the yolk on Picasso you have to tie him to the tether too.          

And do not forget when the war drums intensified, and the people, their clients, patrons and buyers, cried out their lusts and they, they, other creative souls made of ordinary human clay as it turned out sculptors, writers, serious and not, musicians went to the trenches to die deathless deaths in their thousands for, well, for humankind, of course, their always fate ….           

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!- Grant Barnes,

 

 

http://www.thejerichomovement.com/prisoners.html

 

A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month

Markin comment (reposted from 2010)

In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!- Maliki Shakur Latine

 

http://www.thejerichomovement.com/prisoners.html

 

A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month

Markin comment (reposted from 2010)

In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!