Friday, July 24, 2015

From The Archives Of Women And Revolution


From The Archives Of  Women And Revolution


Markin comment:

The following is a set of archival issues of Women and Revolution that may have some historical interest for old "new leftists", perhaps, and well as for younger militants interested in various cultural and social questions that intersect the class struggle. Or for those just interested in a Marxist position on a series of social questions that are thrust upon us by the vagaries of bourgeois society. I will be posting articles from the back issues of Women and Revolution during Women's History Month in March and periodically throughout the year.

Women and Revolution-1971-1980, Volumes 1-20  



http://www.marxists.org/history/etol/newspape/w&r/WR_001_1971.pdf

The Marxist Approach to Women’s Liberation-Communism and the Family

Workers Vanguard No. 1068
 

15 May 2015
 
The Marxist Approach to Women’s Liberation-Communism and the Family
(Women and Revolution pages)
(Part One)
 
In the Declaration of Principles and Some Elements of Program, the International Communist League (Fourth Internationalist) lays out our task of “building Leninist parties as national sections of a democratic-centralist international whose purpose is to lead the working class to victory through socialist revolutions throughout the world” (Spartacist [English-language edition] No. 54, Spring 1998). Only through the seizure of power can the proletariat end capitalism as a system and open the road to a world without exploitation and oppression. Crucial to this perspective is the fight for the emancipation of women, whose oppression goes back to the beginning of private property and cannot be eliminated short of the abolition of class society.
The Declaration explains that ultimately our goal is the creation of a new, communist society:
“The victory of the proletariat on a world scale would place unimagined material abundance at the service of human needs, lay the basis for the elimination of classes and the eradication of social inequality based on sex and the very abolition of the social significance of race, nation and ethnicity. For the first time mankind will grasp the reins of history and control its own creation, society, resulting in an undreamed-of emancipation of human potential, and a monumental forward surge of civilization. Only then will it be possible to realize the free development of each individual as the condition for the free development of all.”
It used to be that the goal of a communist society was accepted as the purpose of most tendencies calling themselves Marxist, even as they agreed on little else. But since the collapse of the Soviet Union in 1991-92 this is no longer the case. The ICL alone adheres to the prospect of world communism as first put forward by Karl Marx and Friedrich Engels.
This “death of communism” ideological climate has resulted in the prevalence of false and narrow ideas about Marxism. In popular consciousness, communism has been reduced to economic leveling (equality at a low level of income and consumption) under state ownership of economic resources. On the contrary, the material basis for the realization of the Marxist program is the overcoming of economic scarcity through the progressive increase in the productivity of labor. This will take several generations of socialist development based on a worldwide collectivized economy to come into full being. Thus, a society would develop in which the state (a special coercive apparatus defending the ruling-class order through armed bodies of men) has withered away, national affiliation has disappeared, and the institution of the family—the main source of the oppression of women—has been replaced by collective means of caring for and socializing children and by the fullest freedom of sexual relations.
Marxism and “Human Nature”
In the past, intellectuals who considered such a society undesirable and/or impossible to attain nonetheless recognized that it was what Marxists meant by communism. For example, in Civilization and Its Discontents (1930), a popular exposition of his worldview, Sigmund Freud presented a brief critique of communism. There is no evidence that he had studied the works of Marx and Engels nor read those of V.I. Lenin and other Bolshevik leaders. His understanding (and misunderstanding) of communism was held by many European and American intellectuals of the time, whatever their political persuasions.
Freud based his critique of communism on his view that “the inclination to aggression is an original, self-subsisting instinctual disposition in man.” He concluded that the communist project of a harmonious society was contrary to human nature:
“I have no concern with any economic criticisms of the communist system; I cannot enquire into whether the abolition of private property is expedient or advantageous. But I am able to recognize that the psychological premises on which the system is based are an untenable illusion. In abolishing private property we deprive the human love of aggression of one of its instruments, certainly a strong one, though certainly not the strongest; but we have in no way altered the differences in power and influence which are misused by aggressiveness, nor have we altered anything in its nature.... If we do away with personal rights over material wealth, there still remains prerogative in the field of sexual relations, which is bound to become the source of the strongest dislike and the most violent hostility among men who in other respects are on an equal footing. If we were to remove this factor, too, by allowing complete freedom of sexual life and thus abolishing the family, the germ-cell of civilization, we cannot, it is true, easily foresee what new paths the development of civilization could take; but one thing we can expect, and that is that this indestructible feature of human nature will follow it there.”
Freud rightly understood that in the communist vision of a future society the family will have withered away while there will be “complete freedom in sexual life.” Freud’s view was in error in that Marxists recognize that the family cannot be simply abolished; its necessary functions, especially the rearing of the next generation, must be replaced through socialized means of childcare and housework.
While Freud no longer has the ideological authority he once had, the idea that “human nature” makes a communist world impossible remains a common one, although the specific arguments may differ. Marxists, on the other hand, insist that material scarcity is what gives rise to savage scrambles over scanty resources. This is why communism is conceivable only with unprecedented material abundance, accompanied by a huge leap in the cultural level of society. It is the existence of classes, today in the form of the outmoded capitalist-imperialist order, that infests human society with brutality and violence. As Marxist author Isaac Deutscher wrote in “On Socialist Man” (1967), “Homo homini lupus [man is a wolf to man] is the battle cry against progress and socialism” for those “who operate the bogey of the eternal human lupus in the interest of the real and bloody lupus of contemporary imperialism.” [emphasis in original]
Freud himself identified “innate aggression” in sexual relations as the problem with human nature. And what of that? The social pathology associated with what Freud perceived as sexual rivalry has little reason to exist in a fully free, communal society in which sexual life is independent of access to food, shelter, education and every daily need and comfort. When the family has withered away along with classes and the state, the communal upbringing that replaces it will lead to a new psychology and culture among the people that grow up in those conditions. Patriarchal social values—“my” wife, “my” children—will vanish along with the oppressive system that spawned them. The relationship of children to one another and to the persons who teach and guide them will be many-sided, complex and dynamic. It is the institution of the family that ties sex and love to property, with anything other than the straitjacket of heterosexual monogamy branded as “sin.”
The family under capitalism is the main mechanism for the oppression of women and youth, tied with innumerable, interlocking threads to the basic operations of the “free market” economy. The family, the state and organized religion form a tripod of oppression propping up the capitalist order. In Third World countries, ingrained poverty and backwardness, promoted by imperialist domination, prescribe hideously oppressive practices like the veil, the bride price and female genital mutilation.
In advanced capitalist societies like the United States it may seem as if people’s messy lives bear more resemblance to the TV shows Modern Family or Transparent than the 1950s sitcom Father Knows Best. However, people’s personal choices are constricted by the laws, economics and prejudices of class society; this is especially true of the working class and the poor. Replacing the family with collective institutions is the most radical aspect of the communist program and will bring about the deepest, most sweeping changes in daily life, not least for children.
Our Left Opponents and the Anti-Sex Witchhunt
Today, that vision of a society without the oppressive institution of the family can no longer be found among the overwhelming majority of those who claim to stand for Marxism, socialism and the liberation of women. For the Stalinists, the anti-Marxist dogma of “socialism in one country” meant the abandonment many decades ago of the understanding that a global socialist society was necessary to achieve full human liberation, including of women; one consequence was the Stalinist rehabilitation of the oppressive family as a “socialist” mainstay. In “The Russian Revolution and the Emancipation of Women” (Spartacist [English-language edition] No. 59, Spring 2006), we addressed this subject in depth.
Other putative Marxists today, some claiming to be Trotskyists, simply follow prevailing liberal (bourgeois) feminist doctrine when addressing the question of women’s liberation, implicitly upholding the institutions of the family and the capitalist state. A case in point is their loathing of the Spartacist League/U.S. and the ICL for our defense of the rights of the North American Man/Boy Love Association (NAMBLA), which advocates the legalization of consensual sex between men and boys, and others persecuted for such sexual “deviancy.” The ICL has consistently opposed government intervention into private life and demands an end to all laws against consensual “crimes without victims,” e.g., prostitution, drug use and pornography.
The howls of many radicals and feminists against NAMBLA are an expression of the “family values” pushed by bourgeois politicians and pundits. For decades, a government-sponsored anti-sex backlash has taken many forms: anti-gay bigotry, a witchhunt against day-care workers, the banning of the distribution of birth control devices and information to teens as well as the jailing of “deviants.” This reactionary onslaught was accompanied by such extra-legal terror as the bombing of abortion clinics. Much of this persecution aims to strengthen the bourgeois state in its regulation of the population and to spread panic as a diversion from the real brutality of life in this twisted, mean, bigoted, racist society.
In past articles, we have explored some of the ambiguities of sexuality in a society where the deformities of class inequality and racial and sexual oppression can lead to a lot of personal pain and ugliness. We have stated that while the abuse of children is a vicious and horrible crime, many illegal sexual encounters are entirely consensual and devoid of harm per se. The willful conflation of everything from mutual fondling of siblings to the heinous rape of an infant by an adult creates a social climate of anti-sex hysteria in which the perpetrators of real violence against children often go free. We have pointed out that the sexual proclivities of a group-living mammalian species like homo sapiens are patently ill-suited to the rigid heterosexual monogamy decreed by bourgeois morality.
As a minimum measure of defense against state persecution of youth who want to have sex (or even just “sext”), we oppose reactionary “age of consent” laws through which the state decrees some arbitrary age when sex is deemed okay, never mind that the age determined by these laws changes through the years and differs from state to state. In addressing such questions, we have our eye firmly on opposition to the capitalist state in all its efforts to reinforce and uphold the exploitative bourgeois order. This is the application to today’s conditions of our goal of full sexual freedom for all, including children and teenagers, in a communist future. This is particularly important for young adults, who today are expected to spend years after reaching puberty in the stranglehold of dependence on their parents. We call for full stipends for all students as part of our program for free, quality education for all, so that youth can be genuinely independent of their families.
In sharp contrast, the International Socialist Organization (ISO) refuses to call for the abolition of the existing age-of-consent laws. In an article titled “Youth, Sexuality and the Left,” ISO honcho Sherry Wolf brandished her pitchfork at NAMBLA supporter David Thorstad for being “the most vocal long-time defender of pederasty on the left” (socialistworker.org, 2 March 2010). She quoted from her book Sexuality and Socialism: History, Politics and Theory of LGBT Liberation (Haymarket Books, 2009): “It is incompatible for genuine consent devoid of the inequality of power to be given by a child to a man of 30.” Wolf’s article continues: “Adults and children do not approach each other as emotional, physical, social or economic equals in our society. Children and young teens do not have the maturity, experience or power to make truly free decisions about their relationships with adults. Without those, there can be no genuine consent.”
“Truly free decisions”? Most relationships between adults would not meet this standard for consent. Wolf is effectively handing over youth under 18 and their partners to the power of the bourgeois state. The only guideline for any sexual relationship should be that of effective consent—that is, mutual agreement and understanding by the parties involved—regardless of age, gender or sexual preference.
The ISO’s abandonment of youth to the oppressive sexual status quo reflects its accommodation to the prejudices of the capitalist order and backward attitudes in the general population. Ultimately, this comes from the ISO’s long-standing opposition to any perspective of the revolutionary mobilization of the working class to seize state power, create a workers state—the dictatorship of the proletariat—and open the road to a communist society. For the ISO, socialism is more or less the accumulated application of “democracy” to all sectors of the oppressed, the working class being seen as simply one more sector. The ISO seeks to pressure the capitalists to reform their exploitative order. Its perspective on women’s liberation reflects the same touching faith in the forces of reform.
Why Marxists Are Not Feminists
Interestingly, within the last few years the ISO has been engaged in a discussion in the pages of its newspaper, Socialist Worker, about theories of women’s liberation. This appears to be motivated by a desire to desert the organization’s previous position of opposition to feminism as a bourgeois ideology in favor of actively embracing the feminist or “socialist feminist” label. For example, in a talk at the ISO’s 2013 Socialism conference (printed in “Marxism, Feminism and the Fight for Liberation,” socialistworker.org, 10 July 2013), Abbie Bakan offered, “The theoretical claim that there is grounds for a coherent Marxist approach that is for ‘women’s liberation,’ while against ‘feminism,’ makes no sense.” (Until March of that year, Bakan was a prominent supporter of the Canadian International Socialists, political cousins of the ISO.)
The ISO’s recent, explicit theoretical embrace of “socialist feminism” is simply a different cover for the same liberal content. However, it presents us with an opportunity to restate the long-standing Marxist position on the family and to emphasize that the emancipation of women is fundamental to and inseparable from socialist revolution. Contrary to feminist ideology, full legal equality cannot overcome women’s oppression, which is deeply rooted in the family and private property.
As we have always emphasized, Marxism and feminism are long-standing political enemies. This requires some explanation. In the U.S. and elsewhere, it has become common to use the term “feminist” to describe the belief that men and women should be equal. But in addressing inequality, feminism accepts the confines of the existing capitalist society. Feminism as an ideology was born in the late 19th century, reflecting the aspirations of a layer of bourgeois and petty-bourgeois women who wanted to claim their class prerogatives: property ownership and inheritance, access to education and the professions, and voting rights. Marxists seek far more than this limited idea of “gender equality.”
Marxists recognize that the liberation of women cannot take place without the liberation of the entire human race from exploitation and oppression—and that is our goal. This was spelled out well over a century ago in Woman Under Socialism (1879), a Marxist classic by August Bebel, the venerable leader of the German Social Democratic Party. In various editions, this work was read by millions of workers for generations before World War I. Its rich vision of the emancipation of women is not to be found in any of the ISO’s writings on the question:
“She chooses her occupation on such field as corresponds with her wishes, inclinations and natural abilities, and she works under conditions identical with man’s. Even if engaged as a practical working-woman on some field or other, at other times of the day she may be educator, teacher or nurse, at yet others she may exercise herself in art, or cultivate some branch of science, and at yet others may be filling some administrative function.”
Woman Under Socialism, trans. Daniel De Leon (Schocken Books, 1971)
What is especially significant about Bebel’s description of the self-fulfilling nature of work in a socialist society is that it applies equally to men. That points to the heart of why Marxism and feminism are mutually exclusive and indeed antagonistic. Feminists see the basic division in society as between men and women, while socialists recognize that male and female workers must fight together to end oppression and exploitation by the capitalist class.
Misrepresenting Marx
In its theoretical switch to “socialist feminism,” the ISO is promoting Lise Vogel’s Marxism and the Oppression of Women: Toward a Unitary Theory (Haymarket Books, 2013). This book, originally published in 1983, was reissued as part of the Historical Materialism series with a laudatory introduction by two Canadian academics who are supporters of the ultra-reformist New Socialist Group. Even 30 years ago, the “socialist feminist” milieu that Vogel addressed had already dwindled to nothing. But because Vogel purports to represent a Marxist pole in the “social feminist” movement or intellectual current, it suits the ISO to champion her book today.
In the book’s introductory section, Vogel differentiates herself evenhandedly from non-Marxist feminists and non-feminist Marxists. She sets as her main task to analyze the character of women’s oppression within the structure and dynamics of the capitalist economic system. Her discussion of Marx and Engels is confused, contradictory and turgid. She primarily focuses on the relation between domestic or household labor and the generational reproduction of labor power. For Vogel, the oppression of women rests narrowly on women’s (unpaid) household labor. Explicitly stating, “The category of ‘the family’…is found to be wanting as an analytical starting point,” she ignores the broader questions of the role of the family in the oppression of women and children and its importance as a key prop of the capitalist order. The family serves to atomize the working class, propagating bourgeois individualism as a barrier to class solidarity.
While presenting a narrow understanding of women’s oppression, Vogel slanders Engels as an “economic determinist.” She simply dismisses the cultural and social sides of Engels’ rich arguments in The Origin of the Family, Private Property and the State (1884). To take one example, she complains that Engels “does not clearly link the development of a special sphere associated with the reproduction of labour power to the emergence of class-, or, perhaps, capitalist society.” This seems to mean that Engels does not show how the emergence of class society came to bear on women’s child rearing role. This is simply untrue.
In The Origin of the Family, Private Property and the State, Engels describes how the family originated in the Neolithic Age as society first split into classes. Relying on the information available at the time, Engels drew heavily from the pioneering work of Lewis Henry Morgan among the Iroquois in upstate New York for an understanding of early, pre-class society. Engels described how the invention of agriculture created a social surplus that allowed, for the first time, the development of a leisured ruling class that lived off the labor of others. The family, specifically the monogamy of women, was needed to ensure the orderly transmission of property and power to the patriarch’s heirs, the next generation of the ruling class. While much more has become known of early stages of human society since Engels lived, his fundamental understanding has stood the test of time.
Vogel does not analyze the social role of the family for the working class under capitalism, where it is the means to raise the next generation of wage slaves. In Capital, Marx explained that the cost of labor power is determined by the cost of the maintenance and reproduction of the worker—his daily living expenses, his training and the maintenance of his wife and children. To boost profits, the capitalist seeks to drive down the cost of labor—not just the wages paid into the pockets of the workers but also services like public education and health care, which are necessary to the maintenance of the proletariat.
Feminists sometimes criticize aspects of the family, but usually only to complain about “gender roles,” as if the problem were a lifestyle argument over who should do the dishes or feed the baby its bottle. It is the institution of the family that socializes people from infancy to behave according to certain norms, respect authority and develop the habits of obedience and deference so useful for capitalist profit-making. The family is invaluable to the bourgeoisie as a reservoir of small private property and in some cases petty production, serving as an ideological brake on social consciousness. Vogel ignores these questions and focuses strictly on women’s unpaid “domestic labor.”
The Ultimate Goal
Vogel’s position is even weaker with respect to the ultimate goal of women’s liberation. This is seen especially in what she doesn’t say. Vogel divorces the emancipation of women from overcoming economic scarcity and from the replacement of alienated labor—in the factory as well as the household—by creative, self-satisfying work. Both the ultimate goal of a communist society and the basic means of achieving that goal lie outside the intellectual confines of Vogel’s “socialist feminism.”
When Marx and Engels explained that they subscribed to a materialist understanding of society and social change, they were not only referring to capitalism and earlier class-divided societies (e.g., feudalism). They also provided a materialist understanding of a future classless society. Indeed, that was their fundamental difference with the main socialist currents in the early 19th century—the Owenites, Fourierists and Saint-Simonians—as summarized in Engels’ Socialism: Utopian and Scientific (originally part of his 1878 polemic, Anti-Dühring). Marx and Engels recognized that a socialist society—understood as the initial stage of communism—requires a level of labor productivity far higher than that in even the most economically advanced capitalist countries today. This is to be achieved through the ongoing expansion of scientific knowledge and its technological application.
Vogel has no such conception. This is especially evident in her discussion of early Soviet Russia. Expressing great appreciation for Lenin’s understanding of and commitment to overcoming the oppression of women, she quotes with approval his 1919 speech, “The Tasks of the Working Women’s Movement in the Soviet Republic”:
“You all know that even when women have full rights, they still remain factually downtrodden because all housework is left to them. In most cases housework is the most unproductive, the most barbarous and the most arduous work a woman can do. It is exceptionally petty and does not include anything that would in any way promote the development of the woman.
“In pursuance of the socialist ideal we want to struggle for the full implementation of socialism, and here an extensive field of labour opens up before women. We are now making serious preparations to clear the ground for the building of socialism, but the building of socialism will begin only when we have achieved the complete equality of women and when we undertake the new work together with women who have been emancipated from that petty, stultifying, unproductive work.”
Collected Works, Vol. 30
Vogel wrongly contends that Lenin’s was a lone voice crying in the wilderness. She implies that the main obstacle to overcoming the oppression of women in early Soviet Russia was ideological: the pervasive patriarchal attitudes among working-class and peasant men, combined with the supposed indifference to women’s liberation among the mainly male cadre of the Bolshevik party. Vogel writes:
“Lenin’s remarks about male chauvinism never acquired programmatic form, and the campaign against male ideological backwardness remained at most a minor theme in Bolshevik practice. Nonetheless, his observations on the problem represented an extremely rare acknowledgment of its seriousness.... Lenin’s theoretical contributions failed to make a lasting impression.”
In fact, enormous efforts were made by the Soviet government to relieve working-class women of the burden of housework and childcare through the establishment of communal kitchens, laundries, nurseries and the like. Both the Bolsheviks and the Communist International established special departments for work among women. In the early Soviet workers state, the Zhenotdel was active in both the European and Central Asian regions.
The limits to the liberating policies of the Communist government under V.I. Lenin and Leon Trotsky were not ideological but the result of objective conditions: the poverty of material resources aggravated by years of imperialist war and civil war. Trotsky explained in a 1923 essay, “From the Old Family to the New,” included in the 1924 compilation Problems of Everyday Life (a work that Vogel fails to mention):
“The physical preparations for the conditions of the new life and the new family, again, cannot fundamentally be separated from the general work of socialist construction. The workers’ state must become wealthier in order that it may be possible seriously to tackle the public education of children and the releasing of the family from the burden of the kitchen and the laundry. Socialization of family housekeeping and public education of children are unthinkable without a marked improvement in our economics as a whole. We need more socialist economic forms. Only under such conditions can we free the family from the functions and cares that now oppress and disintegrate it. Washing must be done by a public laundry, catering by a public restaurant, sewing by a public workshop. Children must be educated by good public teachers who have a real vocation for the work.”
Problems of Everyday Life (Pathfinder Press, 1973)
Material scarcity was the source of yet another important area of inequality between men and women in early Soviet Russia (and by extension in any economically backward workers state). This was the scarcity of highly skilled labor requiring advanced knowledge and technical capacity. Skilled industrial workers and members of the technical intelligentsia (e.g., engineers, architects) had to be given higher wages than unskilled workers, although the difference was much less than in capitalist countries. This better-paid stratum of the labor force, inherited from the tiny modern capitalist sector of tsarist Russia, was predominantly male. Although efforts were made to rectify this, the early workers state lacked the material resources to educate and train women to become machinists and engineers in numbers sufficient to overcome male predominance in skilled labor.
Vogel concludes her book by offering a projection of the transition to communism following the overthrow of capitalism:
“Confronted with the terrible reality of women’s oppression, nineteenth-century utopian socialists called for the abolition of the family. Their drastic demand continues to find advocates among socialists even today. In its place, however, historical materialism poses the difficult question of simultaneously reducing and redistributing domestic labour in the course of transforming it into an integral component of social production in communist society. Just as in the socialist transition ‘the state is not “abolished”, it withers away’, so too, domestic labour must wither away. The proper management of domestic labour and women’s work during the transition to communism is therefore a critical problem for socialist society, for only on this basis can the economic, political, and ideological conditions for women’s true liberation be established and maintained. In the process, the family in its particular historical form as a kin-based social unit for the reproduction of exploitable labour-power in class-society will also wither away—and with it both patriarchal family-relations and the oppression of women.” [emphasis in original]
But how is this reduction and redistribution of domestic labor to be achieved? In the transition from the dictatorship of the proletariat to full communism, the transformation of the family is a corollary to expanded production and greater abundance. Its withering away, or disintegration, grows out of economic success. In the process, it will be replaced by new ways of living that will be immeasurably richer, more human and fulfilling. There may well be a need to develop some rules in the course of this transformation as people search for new modes of living. In the transitional period, it will be the job of the workers’ democratic collective, the Soviet, to build alternatives and to guide the process.
Vogel does not pose the crucial question: If women are to be liberated from household drudgery, what then are they liberated to do? Will a reduction in the time spent on housework be offset by a comparable increase in the time spent at work—two fewer hours a day washing clothes and mopping floors, two more hours working on a factory assembly line? That’s certainly not the Marxist idea of women’s liberation.
The replacement of housework and child rearing by collective institutions are aspects of a fundamental change in the relation between production and labor time. Under a planned, socialist economy, all kinds of economic activity—from making steel and computers to cleaning clothes, floors and furniture—will undergo a constant, rapid increase in output per unit of labor input. Long before a communist society is attained, most housework may well be automated. More generally, there will be a steady reduction in the total labor time necessary for the production and maintenance of the means of consumption as well as the means of production.
In a fully communist society, most time will be what is now called “free time.” Necessary labor will absorb such a small share of time and energy that the individual will freely grant it to the social collective. Everyone will have the available time along with the requisite material and cultural resources to engage in creative, self-satisfying work. In the Grundrisse (1857), Marx cited composing music as an example of genuinely free labor.
[TO BE CONTINUED]

Workers Vanguard No. 1069
29 May 2015
 
The Marxist Approach to Women’s Liberation
Communism and the Family
(Women and Revolution pages)
(Part Two)
Part One of the article that concludes here appeared in WV No. 1068 (15 May).
In 2005, Sharon Smith, a leading figure in the International Socialist Organization (ISO) and a self-styled theorist, produced a book, Women and Socialism: Essays on Women’s Liberation (Haymarket Books), which is slated for a revised, expanded edition to appear later this year. An excerpt from this new edition, “Theorizing Women’s Oppression: Domestic Labor and Women’s Oppression,” which appeared in International Socialist Review (March 2013), outlines what the ISO says is its new approach to feminism. Smith’s “theorizing” draws heavily on the concept of unpaid domestic labor as the basis of women’s oppression, as put forth in Lise Vogel’s Marxism and the Oppression of Women: Toward a Unitary Theory (Haymarket Books, 2013).
Smith begins by criticizing Karl Marx and Friedrich Engels, a veritable requirement for entrée into the petty-bourgeois feminist milieu: “Marx’s and Engels’s articulations of women’s oppression often contain contradictory components—in some respects fundamentally challenging the gender status quo while in other respects merely reflecting it.” Smith makes an even stronger criticism of the 1917 Bolshevik Revolution in Russia, an event that liberals, feminist and otherwise, consider as at best a utopian experiment that failed and at worst the birth of a totalitarian police state.
Playing to anti-Communist prejudices, Smith contends that the Bolsheviks supported the traditional role of women by elevating motherhood to the highest social duty: “Despite the enormous achievements of the 1917 Russian Revolution—including the legalization of abortion and divorce, the rights to vote and run for political office, and an end to laws criminalizing both prostitution and gay sexuality—it did not produce a theory that challenged either natural heterosexual norms or the primacy of women’s maternal destinies.” Smith then quotes a statement by John Riddell, a leftist historian who is frequently published in the ISO’s International Socialist Review: “Communist women in that period viewed childbearing as a social responsibility and sought to assist ‘poor women who would like to experience motherhood as the highest joy’.”
By leaning on a quote taken out of context, Smith and Riddell falsify Bolshevik doctrine and practice. The Bolsheviks viewed the replacement of the family by collective means of raising children not as a distant goal in a future communist society but as a program that they were beginning to carry out in the existing Soviet Russian workers state. Alexandra Kollontai, a leader of Bolshevik work among women, advocated that socialized institutions take full responsibility for children, their physical and psychological well-being, from infancy. Speaking at the First All-Russian Congress of Women in 1918, she stated:
“Society is taking upon itself little by little all concerns which previously were parental....
“Homes for infants, crèches, nurseries, kindergartens, children’s colonies and homes, hospitals and sanitoria for curing and healing sick children, as well as children’s cafeterias, school lunches, the distribution of free books to children, the outfitting of schoolchildren with warm clothing, boots—doesn’t this show that caring for children is moving beyond the boundaries of the family, is being taken away from parents and transferred to the collective, to society?”
— “The Family and the Communist State.” Bolshevik Visions: First Phase of the Cultural Revolution in Soviet Russia. Ed. William G. Rosenberg. University of Michigan Press, 1990.
In a socialist society, the nursing and teaching staff in crèches, preschools and kindergartens will consist of both males and females. In this way—and only in this way—will the age-old division of labor between men and women in raising young children be eliminated.
Kollontai’s views on the future of the family were not unusual among leading Bolsheviks. In Women, the State and Revolution: Soviet Family Policy and Social Life, 1917-1936 (Cambridge University Press, 1993), Wendy Goldman, an American academic of liberal feminist sympathies, writes that Alexander Goikhbarg, the primary author of the first (1918) legal Code on Marriage, the Family, and Guardianship, “encouraged parents to reject ‘their narrow and irrational love for their children.’ In his view, state upbringing would ‘provide vastly better results than the private, individual, unscientific, and irrational approach of individually “loving” but ignorant parents’.” The Bolsheviks sought not only to liberate women from household drudgery and patriarchal domination but also to free children from the often malign effects of parental authority.
The Bolsheviks and Collective Childcare
Echoing Vogel, Smith writes:
“If the economic function of the working-class family, so crucial in reproducing labor power for the capitalist system—and at the same time forming the social root of all women’s oppression—were to be eliminated, the material basis for women’s liberation could be created. This outcome can only begin to materialize with the elimination of the capitalist system, replaced by a socialist society that socializes the domestic labor formerly assigned to women.”
Here Smith’s use of the term “domestic labor” is ambiguous. Does she mean only housework and the physical care of young children? What about the “domestic labor” involved in what is considered parenting in the U.S. today? Smith does not say. She simply ignores the question of the interpersonal relations between a mother and her children: listening to and talking to them about their problems, desires and fears; teaching them early language skills and basic hygiene, safety and other practical tasks; playing games with them; helping with their schoolwork. But without viewing such interactions as the province of the collective, Smith’s idea of socialism is entirely compatible with the preservation of the family sans housework.
Why the ambiguity on a question of such central importance? The ISO appeals to young left-liberal idealists by peddling a version of “Marxism” tailored to their views and prejudices. This organization almost never takes a position on any question that is really unpopular in the American radical-liberal milieu. Young feminist-minded women would find the idea of family life without having to do housework quite attractive. But to give up their proprietary family home and their concern for only their “own” children? The petty-bourgeois audience that Smith is addressing would be appalled at the Bolshevik program for the transformation of daily life through collective modes of living. As Kollontai wrote:
“The working woman, becoming a social fighter for the great cause of the freedom of workers, must learn to understand that old divisions need not exist. These are my children, and all my maternal concern, all my love, is for them. And these are your children, the neighbor’s, and I have no concern with them. Let them be hungrier than mine, colder than mine, I have no concern for another’s children! Now the worker-mother who is aware must learn not to make a distinction between yours and mine, but to remember that they are only our children, children of working, communist Russia.” [emphasis in original]
In 1929, the Russian Communist Party (CP) was still calling for the withering away of the family, despite the rise to political power of a conservative bureaucratic caste led by J.V. Stalin five years earlier. But as we wrote in “The Russian Revolution and the Emancipation of Women” (Spartacist [English-language edition] No. 59, Spring 2006), “By 1936-37, when the Russian CP’s degeneration was complete, Stalinist doctrine pronounced this a ‘crude mistake’ and called for a ‘reconstruction of the family on a new socialist basis’.”
The Family as a Social Construct
Whereas Smith and Riddell falsely claim that the early Bolshevik regime supported the traditional role of women as primary caregivers for their young children, Goldman criticizes them for not doing so:
“The Bolsheviks attached little importance to the powerful emotional bonds between parents and their children. They assumed that most of the necessary care for children, even infants, could be relegated to paid, public employees. They tended to slight the role of the mother-child bond in infant survival and early childhood development, although even a rudimentary acquaintance with the work of the prerevolutionary foundling homes would have revealed the shockingly low survival rates for infants in institutional settings and the obstacles to healthy child development.”
This analogy is entirely invalid. The treatment and fate of young children in the impoverished foundling homes of tsarist Russia can by no means be compared to collective childcare in a revolutionary society. A workers state, especially in an economically advanced country, would have the human and material resources to provide far better care for young children in all respects than a mother in the setting of a private, family household.
Furthermore, the Bolsheviks put great emphasis on the health and well-being of mother and child. The 1918 Labor Code provided at least one paid 30-minute break every three hours to feed a baby. The maternity insurance program implemented the same year provided for a fully paid maternity leave of eight weeks, nursing breaks and factory rest facilities for women on the job, free pre- and post-natal care and cash allowances. With its networks of maternity clinics, consultation offices, feeding stations, nurseries and mother and infant homes, this program was perhaps the single most popular innovation of the Soviet regime among women.
Feminists in the U.S. and elsewhere usually denounce the proposition that “biology equals destiny” as an expression of male chauvinism. Yet Goldman makes the assumption that women, or for that matter men, who are not biologically related to infants and young children cannot develop the same protective feelings toward them as their birth mother. Parents of adopted children may well argue with this idea. But modern adoption practices in the U.S. are also based on the concept that only in a “family”—be it biological mother and father, adoptive parents or gay or transgender parents—can a child get the proper care and love. Far from being a fact of nature, the idea that raising children can succeed only in a family setting is a social construct.
When people lived as hunter-gatherers (the vast majority of the 200,000 years our species has been around), the band or tribe, not the “pair bond,” was the basic unit of human existence. One example from the not-too-distant past comes from the testimony of 17th-century Jesuit missionaries among the Naskapi hunting people of Labrador. As related by Eleanor Burke Leacock in her fine introduction to Engels’ Origin of the Family, Private Property, and the State (International Publishers, 1972), Jesuits complained about the sexual freedom of Naskapi women, pointing out to one man that “he himself was not sure that his son, who was there present, was his son.” The Naskapi’s reply is telling: “Thou hast no sense. You French people love only your own children; but we love all the children of our tribe.”
The disappearance of classes and private property under communism would lead inevitably to the full freedom of sexual relations and to the disappearance of any concept of legitimacy or illegitimacy. Everyone would have access to the fullest benefits of society by virtue of being a citizen of the international Soviet.
The Family as Carrier of Bourgeois Ideology
Vogel and Smith implicitly limit the concept of domestic labor to physical activities. Thus Smith writes: “The day-to-day responsibilities of family still center around feeding, clothing, cleaning, and otherwise caring for its members, and that responsibility still falls mainly on women.” But raising children for their future entry into the labor market is not like raising calves and lambs for the livestock market. The reproduction of human labor power has not only a biological but also a social, i.e., ideological character. Taking a child to church or religious instruction is also a form of domestic labor, in its own way important for the maintenance of the capitalist system; likewise, taking a child to a movie that glorifies “family values,” patriotism, etc. The family is the primary institution through which bourgeois ideology in its various forms is transmitted from one generation to the next.
The ABC of Communism (1919), written by two leading Bolsheviks, Nikolai Bukharin and Evgeny Preobrazhensky, explained that the tiny minority of capitalists cannot dominate the working class solely through the use of physical force and coercion carried out by the police and military. The maintenance of the capitalist system also involves the force of ideas:
“The bourgeoisie is well aware that it cannot control the working masses by the use of force alone. It is necessary that the workers’ brains should be completely enmeshed as if in a spider’s web.... The capitalist State maintains specialists to stupefy and subdue the proletariat; it maintains bourgeois teachers and professors, the clergy, bourgeois authors and journalists.”
Bukharin and Preobrazhensky pointed to three main institutions by which bourgeois ideological domination is maintained: the educational system, the church and the press, with the mass media today also including films, television and the Internet.
In the advanced capitalist countries, where children are widely viewed as the property of their parents, the family has a different relationship to each of those institutions. From the age of five or six, children are legally required to attend school (public or private), and younger children often go to preschool. From the time that they’re toddlers, children watch television, with some parents, usually mothers, controlling which programs they watch. Unlike school teachers and TV producers, clergymen have no such automatic direct access to young children—in the U.S. and elsewhere, the parents decide whether or not their children are subjected to religious indoctrination. At least initially, such indoctrination is imposed upon children against their subjective desires. There probably isn’t a four- or five-year-old on the planet who would not rather play games with other children than attend religious services.
Consider a ten-year-old boy whose parents are practicing Catholics. He has been taken to church for as long as he can remember. He has attended Catholic school either in place of public school or supplementary to it. He has heard prayers said before meals at home and experienced multiple expressions of religious belief in everyday domestic life. Such a child may well adhere to Catholic beliefs and doctrines at least until a later stage in life when free of parental authority.
Conversely, consider a ten-year-old whose parents are irreligious. His knowledge of religion is limited to what he has learned in public school, occasional information gleaned from TV programs and movies and discussions with other children who are religious-minded. Such a child will almost certainly be irreligious. But being irreligious does not immunize a child from other, likely “progressive” forms of bourgeois ideology. A child raised by parents who subscribe to “secular humanism” will likely adhere to political liberalism in the U.S. or social democracy in West Europe and possibly intellectual elitism. There is also a current of atheistic libertarianism (associated with Ayn Rand) that glorifies self-centered individualism and “free market” capitalism. Religion is not the only form of reactionary bourgeois ideology.
The family oppresses children as well as women, and it is plenty deforming to men’s consciousness as well. This basic social truth is ignored if not denied by both liberal and “socialist” feminists. For them to recognize that the oppression of children is intrinsic to the family would mean (horror of horrors!) criticizing the socially conditioned behavior of women in their role as mothers. Professed Marxists like Vogel and Smith, who propagate the thesis that domestic labor is the basis of women’s oppression, implicitly treat mothers as only doing good for their children.
Against the Sexual Repression of Children
While most feminists would condemn the physical abuse of children, they are effectively indifferent to psychological abuse. To take one example, the children of fundamentalist Christian parents (whether Catholic or Protestant) suffer mental torture in believing that they will go to hell if they behave badly.
Far more widespread and psychologically damaging is the sexual repression of children extending well into adolescence. Capitalist society is geared to penalize the expression of sexuality in children from birth. Even the most enlightened parents cannot shield children from the anti-sex, moralistic ideology that pervades American society—everywhere from the pink- and blue-themed aisles at Toys “R” Us and the ban on public nudity to the demonization of any sexual activity by children, including masturbation. As infants’ and toddlers’ primary caregivers, mothers more than fathers begin the process of that sexual repression, teaching children to feel shame about their bodies and to suppress their natural curiosity.
August Bebel, a principal leader of German Social Democracy in the late 19th and early 20th centuries, comes off as a radical sexual libertarian compared to today’s “socialist feminists.” In Woman Under Socialism (1879), he insisted:
The satisfaction of the sexual instinct is as much a private concern as the satisfaction of any other natural instinct. None is therefor accountable to others, and no unsolicited judge may interfere.... The simple circumstance that all bashful prudery and affectation of secrecy regarding natural matters will have vanished is a guarantee of a more natural intercourse of the sexes than that which prevails to-day.” [emphasis in original]
One can read hundreds of pages written by today’s “socialist feminists” without finding any argument that a socialist society will enable everyone to better fulfill their sexual needs and desires.
The Communist Future
Under communism, people will be genuinely and truly free to shape and reshape their interpersonal relations. Of course, this freedom is not absolute. Humanity cannot transcend its biological makeup and relation to the natural environment. Communist man and woman, too, will grow old and die. Neither can mankind sweep the slate totally clean and build society anew. Communist humanity will inherit for good and ill the accumulated cultural heritage of our species. We cannot know the sexual practices of communist society because these will be determined in the future. Any projection, much less prescription, would carry the imprint of attitudes, values and prejudices shaped by a repressive class society.
A fundamental difference between Marxists and feminists, whether liberal or professed socialist, is that our ultimate goal is not gender equality as such but rather the progressive development of the human species as a whole. The communal raising of children under conditions of material abundance and cultural richness will produce human beings whose mental capacities as well as psychological well-being will be vastly superior to people in this impoverished, oppressive and class-divided society. In a 1932 speech on the Russian Revolution, “In Defence of October” (Fourth International, July-August 1947), Leon Trotsky said:
“It is true that humanity has more than once brought forth giants of thought and action, who tower over their contemporaries like summits in a chain of mountains. The human race has a right to be proud of its Aristotle, Shakespeare, Darwin, Beethoven, Goethe, Marx, Edison, and Lenin. But why are they so rare? Above all, because almost without exception, they came out of the upper and middle classes. Apart from rare exceptions, the sparks of genius in the suppressed depths of the people are choked before they can burst into flame. But also because the processes of creating, developing and educating a human being have been and remain essentially a matter of chance, not illuminated by theory and practice, not subjected to consciousness and will....
“Once he has done with the anarchic forces of his own society man will set to work on himself, in the pestle and the retort of the chemist. For the first time mankind will regard itself as raw material, or at best as a physical and psychic semi-finished product. Socialism will mean a leap from the realm of necessity into the realm of freedom in this sense also, that the man of today, with all his contradictions and lack of harmony, will open the road for a new and happier race.”

Veterans For Peace National Convention


In Honor Of Newport 1965-Bob Dylan- Unplugged, Again

Click on the headljne to link to a "YouTube" film clip of ob Dylan performing "John Brown".

DVD REVIEW

Bob Dylan: Unplugged, Bob Dylan in a 1995 MTV Concert, Sony Records, 2004


Not intentionally, a least I do not think that is the case, I watched this Bob Dylan MTV Concert from 1995 directly after watching his Bob Dylan: The Other Side of The Mirror: Live at The Newport Folk Festival 1963-1965, Bob Dylan and various other artists, 2007. I have reviewed that documentary separately in this space. However, comments, and of necessity, comparisons between the two are in order here. I will not go on and on about hair styles and clothing as I did in the earlier film, in order to draw contrasts, because except wearing some sunglasses his persona has not changed dramatically from the 1965 Concert where he set himself on his own personal rock and roll (or better, I think) folk rock path.

Obviously, there cannot be a complete comparison between play lists for the two films because in 1965 some of the material covered in the 1995 film had not been created like Knockin’ On Heaven’s Door or things like that. Others are older works, like a well- done "John Brown", which had not been released earlier. Or the 1990’s-created "Dignity". One can, however, compare certain material covered in both films like "The Times They Are A- Changin’" , the classic "Like a Rolling Stone" and "Love Minus Zero, No Limit" (hereafter, No Limits).

Two things are clear by 1995. One is that Dylan, either by design or happenstance, had changed the mood and the manner in which he sang those songs, some for the better, some not. I believe that his newer version of "Like a Rolling Stone" geared to the musical tastes of a new generation works, "No Limits" does somewhat and "Times" not at all. First, I had to get over the sentimentally of knowing how these songs were played in my youth and wanting to cling to that notion, especially on a favored love anthem like "No Limits". Still the changed-up in rhythm only partially works to demonstrate the original pathos of that song.

Second, and this is something I had also observed in a live concert that I attended in the early 1990’s, old Bob had lost his voice and had adjusted some of his material to that new fact. Here comparison with the strong vibrant voice of 1965 is truly amazing. His adjustments worked best on a then new song like "Dignity" that has lyrics like in the old days but reflected his new vocal range. Nice. So is this thing worth seeing and hearing. Sure. But I would get that old "The Other Side of the Mirror" documentary – on purpose- to check out why, for a minute anyhow Dylan was the voice of my generation, the generation of ’68.

In Honor Of Newport 1965-Muddy Waters Get Righteous At Newport 1960-Parental Guidance Suggested

Click on title to link to YouTube's film clip of Muddy Waters at the Newport Jazz Festival in 1960. With Jimmy Rushing and Otis Spann, among others. Read some of the comments for more information. A seminal blues moment for the old staid Newport crowd (Remember the practical civil war in the 1950s when Duke Ellington went all out in his return to the limelight there). I heard about the performance on the Boston jazz/blue-oriented radio at the time but I was then too young to go. I wish to high heaven I had been there.Wow!

In Honor Of Newport 1965-The Not Joan Baez Female Folkies- The Music Of Carolyn Hester

Click On Title To Link To YouTube's Film Clip Of Carolyn Hester Doing " The Praties They Grow".

CD REVIEW

Carolyn Hester At Town Hall 1965, Carolyn Hester, Bear Family Records, 1990

Earlier this year I posed a question concerning the fates of a group of talented male folk singers like Tom Rush, Tom Paxton and Jesse Colin Young, who, although some of them are still performing or otherwise still on the musical scene have generally fallen off the radar in today’s mainstream musical consciousness, except, of course, the acknowledged “king of the hill”, Bob Dylan. I want to pose that same question in this entry concerning the talented female folk performers of the 1960’s, except, of course, the "queen of the hill” Joan Baez. I will start out by merely rephrasing the first paragraph from the reviews of those male performers.

“If I were to ask someone, in the year 2008, to name a female folk singer from the 1960’s I would assume that if I were to get an answer to that question that the name would be Joan Baez (or, maybe, Judy Collins but you get my point). And that would be a good and appropriate choice. One can endlessly dispute whether or not Baez was (or wanted to be) the female voice of the Generation of ’68 but in terms of longevity and productivity she fits the bill as a known quality. However, there were a slew of other female folk singers who tried to find their niche in the folk milieu and who, like Baez, may today still quietly continue to produce work and to perform. The artist under review, Carolyn Hester, certainly had the talent to challenge Baez to be “queen of the hill.”

Carolyn Hester wrote a number of good songs (“Three Young Men” here, among others), sang like a nightingale, filled Town Hall in New York City on several occasions, was political and had long, straight hair(presumably ironed as was the fashion started by Ms. Baez then) hair. Oh, yes, and was beautiful and wistful. That sounds like the formula for success in the 1960’s folk scene, right? But, and I pose this as a query as much as a statement, where is she now? Certainly off this CD (produced in 1990 from the 1965 Town Hall performances) she had a voice to die for. Listen to her on Tom Paxton’s “Outward Bound” or the classic “Summertime” or the nice musical rendition of Walt Whitman’s Lincoln tribute poem, “Captain, My Captain” or “Jute Mill Song” and several others here. Then you will be asking the same damn question that I have posed above.

O Captain! My Captain!

Walt Whitman

1

O CAPTAIN! my Captain! our fearful trip is done;
The ship has weather’d every rack, the prize we sought is won;
The port is near, the bells I hear, the people all exulting,
While follow eyes the steady keel, the vessel grim and daring:
But O heart! heart! heart! 5
O the bleeding drops of red,
Where on the deck my Captain lies,
Fallen cold and dead.

2

O Captain! my Captain! rise up and hear the bells;
Rise up—for you the flag is flung—for you the bugle trills; 10
For you bouquets and ribbon’d wreaths—for you the shores a-crowding;
For you they call, the swaying mass, their eager faces turning;
Here Captain! dear father!
This arm beneath your head;
It is some dream that on the deck, 15
You’ve fallen cold and dead.

3

My Captain does not answer, his lips are pale and still;
My father does not feel my arm, he has no pulse nor will;
The ship is anchor’d safe and sound, its voyage closed and done;
From fearful trip, the victor ship, comes in with object won; 20
Exult, O shores, and ring, O bells!
But I, with mournful tread,
Walk the deck my Captain lies,
Fallen cold and dead.

In Honor Of Newport 1965- Bob Dylan- Unplugged and Plugged at Newport 1963-65


Bob Dylan- Unplugged and Plugged at Newport 1963-65

Bob Dylan: The Other Side of The Mirror: Live at The Newport Folk Festival 1963-1965,Bob Dylan and various other artists, 2007

Were we ever really that young? That is the first reaction I had in viewing this film. A young Bob Dylan featured with his lady at the time (I believe, if memory serves) a young Joan Baez. And who, at least for the controversial 1965 concert (where he did that taboo couple of electrified guitar numbers that freaked the old-time folkies out) had a young Markin as part of his audience. I am not altogether sure that in the end Bob Dylan cared one way or the other whether he was the voice of a generation, my generation, the generation of ’68 but in this very well configured musical documentary there is certainly a case to be made for that proposition. This is the high tide of Dylan’s career as an acoustic folk performer making the transition to, for lack of a better term, folk rock or just flat out rock.

Probably the most important reason to view this documentary, however, is to observe Dylan’s visual, vocal and professional transformation during this short two year period. In 1963 Dylan is dressed in the de rigueur work shirt and denim jeans with an unmade bed of a hairdo. His voice is, to be kind, reedy and scratchy, and his songs sung at that time are things like Blowin’ in the Wind (done here with Baez and others in an incredible finale) and With God on Our Side (with Baez) reflecting the influence of traditional folk themes and of a style derived from his early hero Woody Guthrie. Newport 1964 is a transition. The hair is somewhat styled, the outfit more hippie than traditional folk garb, the voice is stronger reflecting the established fact that he is now ‘king of the hill’ in the folk world. And he sings things like the classic Mr. Tambourine Man that give a hint that he is moving away from the tradition idiom.

Newport 1965 gives us the full blown Dylan that we have come not to know. The one that once we think we have him pegged slips away on us. Here we get no mixing it up with Baez or other folkies but a full-bore rock back up band to play Maggie’s Farm and one of the anthems for my generation, Like A Rolling Stone. Then back to acoustic with It’s All Over Now, Baby Blue and Love Minus Zero, No Limit (which is something of the love anthem for my generation or, at least, one of them). All done in a very strong and confident voice that says here it is, take it or leave it. Wow. You know my answer.

This film, seemingly consciously, shies away from an investigation of any of the controversies of the time concerning the direction of Dylan’s work. Pete Seeger’s only shot on film, as I recall, was to introduce Dylan at the 1964 festival. The most controversial subjects addressed seem to be whether or not it would throw the schedule off to give into the crowd and have Dylan play longer. Or whether it was okay for the jaded youth of the day to have folk singers as idols. Aside from that shortcoming, which in any case can be pursued elsewhere, this film will go a long way to solving any lingering controversy about whether Mr. Dylan belongs in the folk pantheon.

In Honor Of Newport 1965-Odetta- A Powerful Voice Of The Black Liberation Struggle

CD REVIEW

From a review on Amazon.com in 2006

The Essential Odetta. Odetta, Vanguard Records, 1973


I have been listening to and occasionally attending concerts by Odetta for over forty years and she still brings that big strong voice to her work as she did when I first heard her. A big strong strumming guitar adds to the pleasure. She is the consummate female interpreter of the old ballads that denoted the struggle of blacks and other at work and play in slavery times and later in wage slavery times. Religious sentiments about a better life in the hereafter because this life so is hell are also interwoven into some these ballads. It is hard today to get the full impact of that genre but I have noticed that audiences still response to her gentle prodding to sing along. If you have one Odetta album to get this is the one. Some children-oriented ballads, also sing-along-able add to the flavor of this album. Standouts here are "If I Had A Hammer" and "Long Chains On".

December 3, 2008- Honor the memory of a big, big voice in support of the black liberation struggle. Odetta, 1930-2008.

December 7, 2008

When The Blues Is Dues

Lookin For A Home-Thanks To Leadbelly, Odetta, M.C. Records, 2001


I have been listening to and occasionally attending concerts by the recently departed Odetta for over forty years and she, despite her various illnesses in her latter years was still able to bring that big strong voice to her work as she did when I first heard her. A big strong strumming guitar added to the pleasure. And on this album some helpful and thoughtful backup work by her band members. Odetta was the consummate female interpreter of the old ballads that denoted the struggle of blacks and other at work and play in slavery times and later in wage slavery times. Religious sentiments about a better life in the hereafter because this life so is hell are also interwoven into some these ballads. It is hard today to get the full impact of that genre but I always noticed that audiences still responded to her gentle prodding to sing along.

There is an old expression-“What goes around, comes around”. Nothing profound in that but it does point out that Odetta was very aware of her roots, of her debts to earlier black singers and influences and of the need to pay back those debts. The last part of here career included efforts in that direction, a prime example being this cover tribute to the legendary country blues singer and performer Leadbelly. On the face of it the storied 'rough and ready' life of an old time rural country singer caught up in a violent and unforgiving world that included a southern prison and the rather proper upbringing of a modern city-bred and educated woman would not seem a match that makes musical sense. However, go back to the beginning of this paragraph and the part about roots and debts. That, my friends is the link, the eternal binding.

That said, Odetta does not try, like many an urban folkie of the 1960’s and others, to imitate Leadbelly’s style, manner and mistakes but hones her own renditions and gives them her own interpretation. That is the true way to honor one’s forbears. Thus, although not every song here makes you want to throw away your old Leadbelly albums there are many more hits than misses. The hits- a very upbeat, carib-influenced rendition of the Leadbelly theme song, “Goodnight, Irene”; a very political take (highlighting Jim Crow racism) on “Bourgeois Blues” and “Easy Rider” (also known as “C.C. Rider”). The misses- “Midnight Special”; “How Long” and “Rock Island Line”. Overall though, a nice tribune from one legendary singer to another.

In Honor Of Newport 1965-The 1960's Cambridge Folk Scene- The Work Of Eric Von Schmidt

CD REVIEWS

Baby, Let Me Lay It On You, Eric Von Schmidt, Gazell Productions, 1995

If I were to ask someone, in the year 2008, to name a male folk singer from the 1960's I would assume that if I were to get an answer to that question that the name would be Bob Dylan. And that would be a good and appropriate choice. One can endlessly dispute whether or not Dylan was (or wanted to be) the voice of the Generation of '68 but in terms of longevity and productivity he fits the bill as a known quality. However, there were a slew of other male folk singers who tried to find their niche in the folk milieu and who, like Dylan, continued to produce work and to perform beyond the 1960's. The artist under review Eric Von Schmidt was one such singer/songwriter.

I have been posing a question, in reviewing the work of a number of male folk singers from the 1960's, about whether their dream was to be 'king of the hill' on the folk scene and it is certainly an appropriate question to ask of Eric as well, although in this case I may know the answer. I do not know if Eric Von Schmidt, like his contemporary Bob Dylan(and early friend in the Cambridge folk scene), started out wanting to be the `king of the hill' among male folk singers but he certainly had some things going for him. A decent acoustic guitar but a very interesting voice to fit the lyrics of the kind of traditional songs of the sea, the Caribbean and the like that he was singing about at the time.

In Eric's case though, I believe, I can partially answer the question for, according to a couple of long time friends that I ran into a few years ago, he just flat-out did not care for success in the folk field. For him it was about fun and carrying traditional music forward, and besides, they argued, he was as interested in becoming a painter as a singer. Fair enough.

As for the songs here, most of which were written by Eric early on, he does a very nice rendition of "Joshua Gone Barbados" a song covered by both Tom Rush and Dave Van Ronk. But here is a surprise the best cover version I have heard was recently on Volume Five of Bob Dylan's "Genuine Basement Tapes" done in an upstate New York studio in 1967 with The Band for kicks. It blew me away. Eric's "Light Rain" and "Rule the Road" also should get a listen.

Roy Cahn and Eric Von Schmidt, Eric Von Schmidt, Roy Cahn, Smithsonian Folkways, 2007

As for the songs here, most of which were covered by Eric early on he does a very nice rendition of "Wasn't That A Mighty Storm" (about the Galveston, Texas flood in the early 20th century) a song covered by both Tom Rush and Dave Van Ronk. "Buddy Bolden's Blues" (used by August Wilson in one f his plays) and "He Was A Friend Of Mine" need a listen. But you are getting this one for the archival value and for "Wasn't That a Mighty Storm"- a rare treat.

Thursday, July 23, 2015

Rock ‘Em Daddy, Be My Be-Bop Daddy-The Search For The Great Working-Class Love Song - With Richard Thompson’s Vincent Black Lightning, 1952 In Mind –Take Three


Rock ‘Em Daddy, Be My Be-Bop Daddy-The Search For The Great Working-Class Love Song - With Richard Thompson’s Vincent Black Lightning, 1952 In Mind –Take Three

 

From The Pen Of Joshua Lawrence Breslin:

Several years ago, maybe about eight years now that I think about it, I did a series of sketches on guys, folk-singers, folk-rockers, rock-folkers or whatever you want to call those who weened us away from the stale pablum rock in the early 1960s (Bobby Vee, Rydell, Darin, et al, Sandra Dee, Brenda Lee, et al) after the gold rush dried up in what is now called the classic age of rock and roll in the mid to late 1950s when Elvis, Jerry Lee, Buddy, Chuck, Bo and their kindred made us jump. (There were gals too like Wanda Jackson but mainly it was guys in those days.) I am referring of course to the savior folk minute of the early 1960 when a lot of guys with acoustic guitars, some self-made lyrics, or stuff from old Harry Smith Anthology times gave us a reprieve. The series titled Not Bob Dylan centered on why those budding folkies like Tom Rush, Tom Paxton, Phil Ochs, Jesse Winchester and the man under review Richard Thompson to name a few did not make the leap to be the “king of folk” that had been ceded by the media to Bob Dylan and whatever happened to them once the folk minute went south after the combined assault of the British rock invasion (you know the Beatles, Stones, Kinks, hell, even Herman’s Hermits got play for a while),   and the rise of acid rock put folk in the shade (you know the Jefferson Airplane, the Dead, The Doors, The Who, hell, even the aforementioned Beatles and Stones got caught up in the fray although not to their eternal musical playlist benefit). I also did a series on Not Joan Baez, the “queen of the folk minute” asking that same question on the female side but here dealing with one Richard Thompson the male side of the question is what is of interest.

I did a couple of sketches on Richard Thompson back then, or rather sketches based on probably his most famous song, Vincent Black Lightning, 1952 which dove-tailed with some remembrances of my youth and my semi-outlaw front to the world and the role that motorcycles played in that world. Additionally, in light of the way that a number of people whom I knew back then, classmates whom I reconnected on a class reunion website responded when I posed the question of what they thought was the great working-class love song since North Adamsville was definitely a working class town driven by that self-same ethos I wrote some other sketches driving home my selection of Thompson’s song as my choice.

The latter sketches are what interest me here. See Thompson at various times packed it in, said he had no more spirit or some such and gave up the road, the music and the struggle to made that music, as least professionally. Took time to make a more religious bent to his life and other such doings. Not unlike a number of other performers from that period who tired of the road or got discourage with the small crowds, or lost the folk spirit. Probably as many reasons as individuals to give them. Then he, they had an epiphany or something, got the juices flowing again and came back on the road.  That fact is to the good for old time folk (and rock) aficionados like me.

What that fact of returning to the road by Thompson and a slew of others has meant is that my friend and I, (okay, okay my sweetie who prefers that I call her my soulmate but that is just between us so friend) now have many opportunities to see acts like Thompson’s Trio, his current band configuration, to see if we think they still “have it” (along with acts of those who never left the road like Bob Dylan who apparently is on an endless tour whether we want him to do so or not). That idea got started about a decade ago when we saw another come-back kid, Geoff Muldaur of the Jim Kweskin Jug Band, solo, who had taken something twenty years off. He had it. So we started looking for whoever was left of the old folks acts (rock and blues too) to check out that question-unfortunately the actuarial tables took their toll before we could see some of them at least one last time like Dave Von Ronk.

That brings us to Richard Thompson. Recently we got a chance to see him in a cabaret setting with tables and good views from every position, at least on in the orchestra section, at the Wilbur Theater in Boston with his trio, a big brush drummer and an all-around side guitar player (and other instruments like the mando). Thompson broke the performance up into two parts, a solo set of six or seven numbers high-lighted by Vincent Black Lightning, and Dimming Of The Day which was fine. The second part based on a new album and a bunch of his well-known rock standards left us shaking our heads. Maybe the room could not handle that much sound, although David Bromberg’s five piece band handled it well a couple of weeks before, or maybe it was the melodically sameness of the songs and the same delivery voice and style but we were frankly disappointed and not disappointed to leave at the encore.  Most tunes didn’t resonant although a few in all honesty did we walked out of the theater with our hands in our pockets. No thumbs up or down flat based on that first old time set otherwise down. However, damn it, Bob Dylan does not have to move over, now.  Our only consolation that great working-class love song, Vincent Black Lightning, still intact.

Which brings us to one of those sketches I did based on Brother Thompson’s glorious Vincent Black Lightning. When I got home I began to revise that piece which I have included below. Now on to the next act in the great quest- a reunion of the three remaining active members of the Jim Kweskin Jug Band, Jim Maria Muldaur, and of course Geoff at the Club Passim (which traces its genesis back to the folk minute’s iconic Club 47 over on Mount Auburn Street in Harvard Square. We’ll see if that gets the thumbs up.     

Out In The Corner Boy Night- Rock “Em Daddy, Be My Be-Bop Daddy

This is the way Betsy McGee, an old time, a very old time Clintondale Elementary School flame (locally known as the Acre school, as in Hell’s Little Acre and everybody knew where  you were talking about, talking about the lower depth of society who were forced, or wanted to live in the projects, the dead-ass, dead-end all ye who enter here give up hope projects, everybody around Clintondale anyway) wanted the story told. That old flame thing was a crushing blow, maybe around the edges a still lingering pain since I had been invited to her eleventh birthday party under the assumption that I was her “date” since I had worked my tail off trying to pursue her, her my first “crush,” and she threw me over for Timmy Flanagan because he had money to take her to the Saturday afternoon double-bill black and white movies sitting in the balcony heaven and I didn’t. See Timmy lived not in the projects but in the new ranch style house going up about half a mile up the only street to get out of the projects. Me, I didn’t even have money to go to the movies myself and had to do the dipsy-doodle to sneak in the side entrance. But enough of old flames, enough of me as me and more of me as a press agent. Now (1961 now, in case anybody reads this later) Betsy, a fellow sophomore classmate at North Clintondale High, wanted the story told, the story of her ill-fated brother, twenty-two year old John “Black Jack” McGee so this is the way it will be told. Why she wanted me to tell the story is beyond me if she remembered the sneers I used to throw her way after she threw me over for Timmy, except that she knows, knows even in her sorrows over her brother that I hang around with corner boys, Harry’s Variety Store corner boys over on Young Street by the ball field of the same name, so I might have a sympathetic ear. Although, despite my strong admiration for corner boys and for the legendary Black Jack McGee I am more like a “pet,” or a “gofer,” Red Riley’s pet or gofer than a real corner boy. But that story has already been told, told seven ways to Sunday (or is it six), so let’s get to Black Jack’s story.

John “Black Jack” McGee like a million guys who came out of the post-World War II Cold War night and I might as well add “red scare” night as well since drove a lot of the teen angst and defense of nihilism of the time what with threats of the Russkies bombing the hell out of us and us with only some dinky desk to duck our heads under between us and Armageddon didn’t figure in the world that was a-borning then. And had come kicking and screaming to be recognized for more than another stiff like his father (and Betsy’s remember) out of the no prospect projects, in his case the Clintondale Housing Project (the Acre, the same hellhole I came out of, okay, and hell’s little acre at that to save a lot of fancy sociological talk stuff), looking for kicks.

Kicks anyway he could get them to take the pain away, the pain of edge city living if he anybody was asking, by the way, politely asking or for your indiscretion you might get your head handed to you on a platter asking. Needless to say Black Jack was rough stuff, rough stuff even when he was nothing but another Acre teenage kid, with a chip, no, about seven chips, on his wide shoulders. Needless to say, as well, there was nothing that school could teach him and he dropped out the very day that he turned sixteen. As a sign of respect for what little North Clintondale High had taught him he threw a rock through the headmaster’s window, John Kerrigan strictly a nobody except he came from over in the Mount Hope section where what passed for Mayfair swells lived, and then just stood there arms folded in front of him, the sun glistening on his whip-saw chain hanging from his right side belt loop. The headmaster did not made peep one about it (he was probably hiding under his desk, he is that kind of guy) and Black Jack just walked away laughing. Yes, Black Jack was rough stuff, rough stuff all the way around. That story made him a legend all the way down to the Acre school, and so much so that every boy, every red-blooded boy, in her class made his pitch to get along with Betsy. (You already know my fate on that score so we can move on.)

The problem with legends though is unless you keep pace other legends crowd you out, or somebody does some crazy prank and your legend gets lost in the shuffle. That’s the way the rules are, make of them what you will. And Black Jack, wide-shouldered, tall, pretty muscular, long brown hair, and a couple of upper shoulder tattoos with two different girls’ names on them was very meticulous about his legend. So every once in a while you would hear a rumor about how Black Jack had “hit” this liquor store or that mom and pop variety store, small stuff when you think about it but enough to stir any red-blooded Acre elementary schoolboy’s already hungry imagination.

And then all of sudden, just after a nighttime armed Esso gas station robbery that was never solved, Black Jack stepped up in society, well, corner boy society anyway. This part everyone who hung around Harry’s Variety knew about, or knew parts of the story. Black Jack had picked up a bike (motorcycle, for the squares), and not some suburban special Harley-Davidson chrome glitter thing either but a real bike, an Indian. The only better bike, the Vincent Black Lightning, nobody had ever seen around, only in motorcycle magazines. And as a result of having possession of the “boss” bike (or maybe reflecting who they thought committed that armed robbery) he was “asked” (if that is the proper word, rather than commissioned, elected, or ordained) to join the Acre Low-Riders.

And the Acre Low-Riders didn’t care if you were young or old, innocent or guilty, smart or dumb, or had about a million other qualities, good or bad, just stay out of their way when they came busting through town on their way to some hell-raising. The cops, the cops who loved to tell kids, young kids, to move along when it started to get dark or got surly when some old lady jaywalked caught the headmaster’s 'no peep' virus when the Low Riders showed their colors. Even “Red” Riley who was the max daddy king corner boy at Harry’s Variety made a very big point that his boys, and he himself, wanted no part of the Low-Riders, good or bad. And Red was a guy who though nothing, nothing at all, of chain-whipping a guy mercilessly half to death just because he was from another corner. Yes, Black Jack had certainly stepped it up.

Here’s where the legend, or believing in the legend, or better working on the legend full-time part comes in. You can only notch up so many robberies, armed or otherwise, assaults, and other forms of hell-raising before your act turns stale, nobody, nobody except hungry imagination twelve-year old schoolboys, is paying attention. The magic is gone. And that is what happened with Black Jack. Of course, the Low-Riders were not the only outlaw motorcycle “club” around. And when there is more than one of anything, or maybe on some things just one, there is bound to be a "rumble" (a fight, for the squares) about it. Especially among guys, guys too smart for school, guys who have either graduated from, or are working on, their degrees from the school of hard knocks, the state pen. But enough of that blather because the real story was that the Groversville High-Riders were looking for one Black Jack McGee. And, of course, the Acre Low-Riders had Black Jack’s back.

Apparently, and Betsy was a little confused about this part because she did not know the “etiquette” of biker-dom, brother John had stepped into High-Rider territory, a definite no-no in the biker etiquette department without some kind of truce, or peace offering, or whatever. But see Black Jack was “trespassing” for a reason. He had seen this doll, this fox of a doll, this Lola heart-breaker, all blonde hair, soft curves, turned-up nose, and tight, short-sleeved cashmere sweater down at the Adamsville Beach one afternoon a while back and he made his bid for her. Now Black Jack was pretty good looking, okay, although nothing special from what anybody would tell you but this doll took to him, for some reason. What she did not tell him, and there is a big question still being asked around Harry’s about why not except that she was some hell-cat looking for her own strange kicks, was that she had a boyfriend, a Groversville guy doing time up the state pen. And what she also didn’t tell him was that the reason her boyfriend, “Sonny” Russo, was in stir was for attempted manslaughter (reduced, just barely, from murder two, to get the conviction) and was about to get out in August. And what she also did not tell him was that Sonny was a charter member of the High-Riders.

Forget dramatic tension, forget suspense, this situation, once Sonny found out, and everybody in that mad hatter world would  know he would know, sooner or later, turned into “rumble city," all banners waving, all colors showing. And so it came to pass that on August 23, 1961, at eight o’clock in the evening the massed armies of Acre Low-Riders and Groversville High-Riders gathered for battle. And the rules of engagement for such transgressions, if there is such a thing, rules of engagement that is rather than just made up, was that Sonny and Black Jack were to fight it out in a circle, switchblades flashing, until one guy was cut too badly to continue, or gave up, or…

So they went back and forth for a while Black Jack getting the worst of it with several cuts across his skin-tight white tee-shirt, a couple of rips in his blue jeans, bleeding but not enough to give up. Meanwhile true-blue Lola is egging Sonny on, egging him on something fierce, like some devil-woman, to cut the love-bug John every which way. But then Black Jack drew a break. Sonny slipped and John cut him, cut him bad near the neck. Sonny was nothing but bleeding, bleeding bad, real bad. Sonny called it quits. Everybody quickly got the hell out of the field of honor, double-quick, Sonny’s comrades helping him along.

That is not the end of the story, by no means. Sonny didn't make it, and in the cop dust-up Lola, sweet Lola, told them that none other than lover-boy Black Jack did the deed. And now Black Jack is earning his hard knock credits up in stir, state stir, for manslaughter (reduced from murder two, again just barely so the state could get the no hassle conviction).

After thinking about this story again I can also see where, if I played my cards right, I could be sitting right beside maybe not-so-old-flame Betsy, helping her through her brother’s hard times, down at the old Adamsville beach some night talking about the pitfalls of corner boy life while we are listening to One Night of Sin by Elvis Presley; Boppin’ High School Baby by Don Willis; Long Blonde Hair, Rose Red Lips by Johnny Powers (watch out Johnny); Sunglasses After Dark by Lo Lou Darrell Rhodes (Clintondale's pizza parlor max daddy Frankie Doyle’s favorite song); Red Hot by Bob Luman (yes, red hot); Long Gone Daddy by Pat Cupp; Put Your Cat Clothes On by Carl Perkins; Duck Tail by Joe Clay; Switch Blade Sam by Jeff Daniels (maybe not); Susie-Q by Dale Hawkins; Who Do You Love by Ronnie Hawkins; Summertime Blues by Eddie Cochran; Rumble Rock by Kip Taylor, Whole Lot Of Shakin’ Going On by Jerry Lee Lewis; and, Get Hot Or Go Home by John Kerby on the old car radio. Everything every self-respecting corner boy even if he is only Red’s ep tot gofer needs to steam things up. What do you think?