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Monday, September 21, 2015
From Socialist Alternative In Boston
Sunday, September 20, 2015
In Honor Of Troy Davis On The Fourth Anniversary Of His Execution By The State Of Georgia
In Honor Of Troy Davis On The Fourth Anniversary Of His Execution By The State Of Georgia
Oh, but you who philosophize disgrace and criticize all fears
Bury the rag deep in your face
For now's the time for your tears."
last lines from The Lonseome Death Of Hattie Carroll, another case of an injustice against black people. - Bob Dylan, 1963
Markin comment (posted September 22, 2011):
Look, after almost half a century of fighting every kind of progressive political struggle I have no Pollyanna-ish notion that in our fight for a “newer world” most of the time we are “tilting at windmills.” Even a cursory look at the history of our struggles brings that hard fact home. However some defeats in the class struggle, particularly the struggle to abolish the barbaric, racist death penalty in the United States, hit home harder than others. For some time now the fight to stop the execution of Troy Davis has galvanized this abolition movement into action. His callous execution by the State of Georgia, despite an international mobilization to stop the execution and grant him freedom, is such a defeat.
On the question of the death penalty, moreover, we do not grant the state the right to judicially murder the innocent or the guilty. But clearly Brother Davis was innocent. We will also not forget that hard fact. And we will not forget Brother Davis’ dignity and demeanor as he faced what he knew was a deck stacked against him. And, most importantly, we will not forgot to honor Brother Davis the best way we can by redoubling our efforts to abolition the racist, barbaric death penalty everywhere, for all time. Forward.
Additional Markin comment posted September 23, 2011:
No question the execution on September 21, 2011 by the State of Georgia of Troy Anthony Davis hit me, and not me alone, hard. For just a brief moment that night, when he was granted a temporary stay pending a last minute appeal before the United States Supreme Court just minutes before his 7:00 PM execution, I thought that we might have achieved a thimbleful of justice in this wicked old world. But it was not to be and so we battle on. Troy Davis shall now be honored in our pantheon along with the Haymarket Martyrs, Sacco and Vanzetti, Julius and Ethel Rosenberg and others. While Brother Davis may have not been a hard politico like the others just mentioned his fight to abolish the death penalty for himself and for future Troys places him in that company. Honor Troy Davis- Fight To The Finish Against The Barbaric Racist Death Penalty!
Oh, but you who philosophize disgrace and criticize all fears
Bury the rag deep in your face
For now's the time for your tears."
last lines from The Lonseome Death Of Hattie Carroll, another case of an injustice against black people. - Bob Dylan, 1963
Markin comment (posted September 22, 2011):
Look, after almost half a century of fighting every kind of progressive political struggle I have no Pollyanna-ish notion that in our fight for a “newer world” most of the time we are “tilting at windmills.” Even a cursory look at the history of our struggles brings that hard fact home. However some defeats in the class struggle, particularly the struggle to abolish the barbaric, racist death penalty in the United States, hit home harder than others. For some time now the fight to stop the execution of Troy Davis has galvanized this abolition movement into action. His callous execution by the State of Georgia, despite an international mobilization to stop the execution and grant him freedom, is such a defeat.
On the question of the death penalty, moreover, we do not grant the state the right to judicially murder the innocent or the guilty. But clearly Brother Davis was innocent. We will also not forget that hard fact. And we will not forget Brother Davis’ dignity and demeanor as he faced what he knew was a deck stacked against him. And, most importantly, we will not forgot to honor Brother Davis the best way we can by redoubling our efforts to abolition the racist, barbaric death penalty everywhere, for all time. Forward.
Additional Markin comment posted September 23, 2011:
No question the execution on September 21, 2011 by the State of Georgia of Troy Anthony Davis hit me, and not me alone, hard. For just a brief moment that night, when he was granted a temporary stay pending a last minute appeal before the United States Supreme Court just minutes before his 7:00 PM execution, I thought that we might have achieved a thimbleful of justice in this wicked old world. But it was not to be and so we battle on. Troy Davis shall now be honored in our pantheon along with the Haymarket Martyrs, Sacco and Vanzetti, Julius and Ethel Rosenberg and others. While Brother Davis may have not been a hard politico like the others just mentioned his fight to abolish the death penalty for himself and for future Troys places him in that company. Honor Troy Davis- Fight To The Finish Against The Barbaric Racist Death Penalty!
When The Blues Was Dues- The Guitar Of Elmore James
When The Blues Was Dues- The Guitar Of Elmore James
I will get to a CD review of Elmore James’ work in a second. Now I want to tell, no retell, the tale that had me and a few of my corner boys who hung out in front of, or in if we had dough for food or more likely for the jukebox, Jimmy Jack’s Diner in Carver where I came of age in the early 1960s going for a while. On one lonesome Friday night, lonesome meaning, no dough, no wheels, no girls, or any combination of the three, with time of our hands Billy Bradley, Jack Dawson and I went round and round about what song by what artist each of us thought was the decisive song that launched rock and roll. Yeah, I know, I know now, that the world then, like now, was going to hell in a hand-basket, what with the Russkies breathing hard on us in the deep freeze Cold War red scare night, with crazy wars going on for no apparent reason, and the struggle for black civil rights down in the police state South (that “police state" picked up later after I got wise to what was happening there) but what else were three corner boys washed clean by the great jail break-out that what is now termed classic rock and roll represented to guys who were from nowhere, had no dough, didn’t have many prospects or expectations in general to do to while away the time.(Since this is a time sanitized version of what we Jimmy Jack’s corner boys did to while away idle nights I will leave it at that although know too that in many a midnight hour when Frankie Riley, the acknowledged leader of the corner boys, was on to something we were entirely capable of doing some drifting, grifting and sifting to make ends meet. Done.)
Here is the break-down though from one conversation night, or maybe a bunch mixed together since this was a more than one time theme and this is what I have distilled from far remembrances. We knew, knew without anybody telling us that while Elvis gave rock and roll a big lift in his time before he went on to silly movies that debased his talent he was not the “max daddy,” not the guy who rolled the dice for rock and roll but was the front man easily identified. For one thing and this was Billy’s position he only covered Big Joe Turner’s classic R&B classic Shake, Rattle, and Roll and when we heard Joe’s finger-snapping version we flipped out. So Billy had his choice made, no question. Jack had heard on some late Sunday night radio station out in Chicago on his transistor radio a thing called Be-Bop Benny’s Blues Hour where he first heard this guy wailing on the piano a be-bop tune. It turned out to be Ike Turner (without Tina then) blasting Rocket 88. So Jack had his position firm, and a good choice. Me, well I caught this obscure folk music station (obscure then not a few years later though) which played not just folk but what would be later called “roots music.” And the blues is nothing but roots music in America. One night I heard Elmore James slide guitar his way through Look On Yonder Wall. That is the song I defended that night. Did any of us change each other’s mind that night. Be serious. I later, several years later, saw the wisdom of Jack’s choice of Rocket 88 that no question had the heady black-etched part of the rock beat down pat and I switched but old Elmore still was a close second. Enough said.
CD REVIEW
The History of Elmore James: The Sky Is Crying, Elmore James, Rhino Records, 1993
The History of Elmore James: The Sky Is Crying, Elmore James, Rhino Records, 1993
When one thinks of the classic blues tune “Dust My Broom” one tends to think of the legendary Robert Johnson who along with his “Sweet Home, Chicago” created two of the signature blues songs of the pre-World War II period. However, my first hearing of “Dust My Broom” was on a hot LP vinyl record (the old days, right) version covered and made his own by the artist under review, Elmore James. I have heard many cover versions since then, including from the likes of George Thoroughgood and Chris Smither, and they all reflect on the influence of Elmore’s amazing slide guitar virtuosity to provide the "heat" necessary to do the song justice. Moreover, this is only the tip of the iceberg as such blues masters and aficionados as B.B. King and The Rolling Stones have covered other parts of James’ catalog.
Perhaps because Elmore died relativity young at a time when blues were just being revived in the early 1960’s as part of the general trend toward “discovering” roots music by the likes of this reviewer he has been a less well-known member of the blues pantheon. However, for those who know the value of a good slide guitar to add sexiness and sauciness to a blues number James’ is a hero. Hell, Thoroughgood built a whole career out of Elmore covers (and also, to be sure, of the late legendary Bo Didderly). I never get tired of hearing these great songs. Moreover, it did not hurt to have the famous Broom-dusters backing him up throughout the years. As one would expect of material done in the pre-digital age the sound quality is very dependent on the quality of the studio. But that, to my mind just makes it more authentic.
Well, what did you NEED to listen to here? Obviously,” Dust My Broom". On this CD though you MUST listen to Elmore on "Standing At The Crossroads". Wow, it jumps right out at you. "Look On Yonder Wall" (a song that I used to believe was a key to early rock 'n' rock before I gravitated to Ike Turner's "Rocket 88" as my candidate for that role), "It Hurts Me Too" and the classic "The Sky is Crying" round out the minimum program here. Listen on.
Lyrics To "Dust My Broom"
I'm gonna get up in the mornin',
I believe I'll dust my broom (2x)
Girlfriend, the black man you been lovin',
girlfriend, can get my room
I'm gon' write a letter,
Telephone every town I know (2x)
If I can't find her in West Helena,
She must be in East Monroe, I know
I don't want no woman,
Wants every downtown man she meet (2x)
She's a no good doney,
They shouldn't 'low her on the street
I believe, I believe I'll go back home (2x)
You can mistreat me here, babe,
But you can't when I go home
And I'm gettin' up in the morning,
I believe I'll dust my broom (2x)
Girlfriend, the black man that you been lovin',
Girlfriend, can get my room
The Latest From The Partisan Defense Committee-The Cause That Passes Through The Prison Walls-With The Old International Labor Defense in Mind
The Latest From The Partisan Defense Committee-The Cause That Passes Through The Prison Walls-With The Old International Labor Defense in Mind
From The Pen Of Frank Jackman
Sam Eaton had to laugh when he heard the news, the news live and in person on cable news by the current Attorney-General of the United States (no names needed since this is the position of every one of those guys, and now gals when primed by curious reporters who if they have done their homework already know the answer) that there are “no political prisoners in the United States prison systems, certainly not the federal systems and as far as is known not in the states either.” And on some level, not on the level of candid truth but some level lower than that, the A-G in question (and all previous A-Gs) is right since every prisoner, every political prisoner is behind bars for some “crime” against society’s norms. Take the case of Chelsea Manning (known until her thirty-five year sentencing to Fort Leavenworth in Kansas for multiple conviction against military and federal law as Bradley Manning thereafter as Chelsea in case there is any confusion about who we are talking about) which was the case the A-G in question was referring to in that newspeak commentary. Private Manning, is the heroic Army soldier who blew the whistle to Wiki-leaks on the atrocities committed by the American military in Iraq and Afghanistan and the duplicity of the Hillary Clinton-run State Department even before Benghazi. The charges against Chelsea were “crimes,” you know “stealing” government files and “committing” acts of espionage but her motivation had nothing to do with crime, at least crimes that working people and leftists need worry about. Her leaks were a breath of fresh air in counter-point to the “slam-dunk’ mentality that has pervaded both the Bush II and Obama administrations. But Chelsea is nevertheless a political prisoner with a capital “P.”
Sam had to laugh again about the nefarious and spurious doing of the American justice machine (thoughts on that “machine” bringing to Sam’s mind the words of sardonic comic Lenny Bruce, a man not unfamiliar with that system and in his own way a political prisoner as well about how “in the hall of justice the only justice is in the halls-nicely said, Brother, nicely said) when a few nights after this newscast he was sitting in Jack’s, the long-time radical hang-out bar in Harvard Square which he frequented, talking to Ralph Morris who had come to town on one of his periodic visits from his home in Troy, New York about what he had heard that other night. And this was not mere idle talk between that pair because the whole Easton-Morris friendship had its start when they were political prisoners of a sort back on May Day 1971 when they had met on the floor of RFK Stadium in Washington for the “crime” of disorderly conduct and creating a public nuisance when they and thousands of others tried to shut down the American government if it did not shut down the Vietnam War which they were desperately for their own reasons trying to stop. So, yes, they were “criminals,” maybe just petty criminals by the standards of the charges but no way in hell had they hitchhiked from Cambridge and Albany, New York respectively (and wherever else those thousands came from and how they got there) to “walk in the streets” of D.C. for the hell of it, to litter the boulevards with leaflets let, to thumb their noses at the government, or the like. Sam and Ralph that day had been political prisoners with a small “P” nevertheless. (They would later do some actions in solidarity with the Black Panthers, with the Sandinistas in Nicaragua, and with the African National Congress in South Africa which would “win” them their capital “Ps.”)
All of this old-timey bar talk had a purpose though (they by the way were no strangers to strong drink as part of their political camaraderie from early on in their working-class lives but now they drank high-shelf stuff delivered by Jimmy the bartender rather than that rotgut low-shelf, no-shelf Thunderbird wine and Southern Comfort which got them through their no dough youths). Or rather two purposes. First, Ralph had come to town to join Sam in the annual Sacco and Vanzetti commemoration in honor of the two anarchist political prisoners who had been railroaded by the Commonwealth of Massachusetts to their executions on August 23, 1927. Troy and most other places in the nation and the world paid have paid no particular attention to such events but in Boston the scene of the crimes against the two immigrant anarchists there had been a generally on-going commemoration since the 1920s, although not always on in the streets like the past several years. Over their long and hard fought battles around prisoners’ rights which formed a majority of the work they had done over the years, in good times and bad, Sam and Ralph made sure that they attended this commemoration.
The second event that brought Ralph to town was a conference to be held in Boston to see about reviving the old International Labor Defense (ILD), the 1920s Communist International (CI)-initiated political prisoner defense organization which coincidentally had cut its teeth when founded in 1925 on the Sacco and Vanzetti case. Under the circumstances over the past quarter of a century plus for the international working class not so much reviving it exactly as in the old days since the organization had gone out of business in 1946 a few years after Joe Stalin over in Russia had liquidated the Communist International as part of some Soviet foreign policy sop to his allies in World War II (the CI had pretty much gone out of the business of directing international revolution well before than anyway) but reviving the spirit that drove it in its best days around the Sacco and Vanzetti case, the Angelo Herndon case, a bunch of other lesser well known labor cases like that of Tom Mooney and assorted IWWers (Industrial Workers of the World, Wobblies) and most famously the Scottsboro Boys case in the 1930s.
In those days as Sam had mentioned while talking to Ralph at Jack’s since he had been looking up information about the old ILD, what it did and how it was organized (and how much the old American Communist Party/CI controlled the operation in its sunnier days) the ILD had had no problem living up to the idea of a non-sectarian labor defense organization that took on the tough cases, the political cases and tried to garner union and progressive support in America and internationally through the CI to free the class-war prisoners behind the walls. Sam and Ralph had been involved in many cases of political prisoners on the seemingly endlessly dwindling left, especially black liberation fighters and labor organizers but those operations usually concerned a specific political prisoner (like the Manning case) or were run as campaigns by particular organizations which tended to “protect” their turf, protect their unique relationship with their poster child political prisoner.
While both Sam and Ralph had been snake-bitten a few times when somebody called a conference only to find out that the operation was being built to “protect turf” or using the campaign as an organizational recruiting tool (Sam mentioned that someone should tell such organizations and individuals with ideas like that to give pause since the recruitment rate, or better the retention rate of such projects after a while is abysmal) they liked the call for this one which included a bunch of small leftist organizations and some independent labor organizers and unions. Whether absent an international organization with the resources of the old CI a new ILD could catch fire is problematic. There in any case with the downward pressure of social flare-ups likely in the near future certainly is a need for such an organization. Ralph made Sam laugh as they finished their last high-shelf whisky that night by saying –“Hell there aren’t any political prisoners, I have it on the authority of the U.S. A-G.” But just in case those A-Gs were being less than candid they agreed that they would show up bright and early for the meeting the next morning.
Down At Duke’s Place-With Duke Ellington In Mind
Down At Duke’s Place-With Duke Ellington In Mind
From The Pen Of Bart Webber
One night Sam Eaton was talking on his cellphone to his old friend from high school (Carver High, Class of 1967), Jack Callahan about how his grandson, Brandon, his oldest grandson from his daughter Janice from his first marriage (first of three all ending in divorce but that is merely a figure for the Census Bureau and not germane to what following so enough) had beguiled him recently with his arcane knowledge of classical jazz (the jazz from the age of King Oliver say until the death of the big bad swings bands which died in the late 1940s for the most part giving way to cool ass be-bop and what followed). Jack braced himself for the deluge, got very quiet and did say word one, since lately the music Sam mentioned, maybe even thought about mentioning the slightest thing connected with jazz he knew he was in for it, in for a harangue of unknown duration on the subject. Sam, recently more conscious that Jack, who hated jazz, hated it worse when as a child of rock and roll as Sam was, his father would endlessly play Count this, King that, Duke the other thing and not allow the family record player centered in the family living room to be sullied (his father’s word) by heathen stuff like Roll Over Beethoven or One Night With You, would go silent at the word “jazz” said not to worry he would only say a few words from his conversation with Brandon:
No, Jack, my man, this will not be a screed about how back in the day, back in the 1950s the time of our complete absorption into rock and roll, when be-bop jazz was the cat’s meow, when cool was listening to the Monk trip up a note, consciously trip up a note to see if anybody caught it and then took that note to heaven and back, and worked it out from there or Dizzy burping then hitting the high white note all those guys were struggling against the limits of the instruments, high as hell on tea, you know what we called ganja, herb, stuff like that, to get to. Frankly I was too young, you too but I knew how you felt since I couldn’t listen to rock in my house either since the 1940s Andrews Sisters/Perry Como/Frank Sinatra/Peggy lee cabal were front and center in our living room and I was reduced to listening on my transistor radio, way too young to appreciate such work then and I only got the tail end, you know when Hollywood or the popular prints messed the whole be-bop jazz “beat” thing up and we got spoon-fed Maynard G. Krebs faux black and white television beatnik selling hair cream oil or something like that, and ten thousand guys hanging around the Village on Saturday night in full beret and whatever they could put together for a beard from the outreaches of Tenafly, New Jersey (sorry but Fort Lee was out) and another ten thousand gals, all in black from head to toe, maybe black underwear too so something to imagine at least from Norwalk, Connecticut milling around as well. Square, square cubed. No, this will not be some screed going back further in the hard times of the Great Depression and the slogging through World War II when “it did not mean a thing, if you ain’t got that swing” when our parents, the parents of the kids who caught the end of be-bop “swang,” did dips and twirls to counts, dukes, earls, princes, marquises even leading big band splashes to wash that generation clean. Come on now that was our parents and I wasn’t even born so no way I can “screed” about that. And, no, no, big time no, this will not be about some solitary figure in some dank, dusty, smoke-filled café, the booze flowing, the dope in the back alleys inflaming the night while some guy, probably a sexy sax player, blows some eternal high white note out against some bay, maybe Frisco Bay, and I was hooked, hooked for life on the be-bop jazz scene.
No, it never even came close to starting out like that, never even dreamed such scenes. Unlike rock and roll, the classic kind that was produced in our 1950s growing up time and which we have had a life-long devotion to or folk music which I came of age, political and social age to later in the early 1960s, jazz was a late, a very late acquisition to my understanding of the American songbook. Oh sure I would hear a phrase, a few bing, bang, bong notes blowing out the window, out the door, sitting in some bar over drinks with some hot date, maybe hear it as backdrop in some Harvard Square bookstore when I went looking for books (and, once somebody hipped me to the scene, looking for bright young women who also were in the bookstore looking for books, and bright young men but that scene is best left for another time), or at some party when the host tired of playing old-time folk music and decided to kick out the jams and let the jazz boys wreak their havoc. But jazz was, and to a great extent still is, a side bar of my musical tastes.
About a decade ago, a little more, I got seriously into jazz for a while. The reason: the centennial of the birth of Duke Ellington being celebrated when I was listening to some radio show which was commemorating that fact and I heard a few faint bars which required me to both turn up the volume and to listen to the rest of the one hour tribute. The show played a lot of Duke’s stuff from the early 1940s when he had Ben Webster, Harry Carney, and Johnny Hodges on board. The stuff blew me away and as is my wont when I get my enthusiasms up, when something blows me away, I grabbed everything by the Duke and his various groupings and marveled at how very good his work was, how his tonal poems reached deep, deep down and caught something in me that responded in kind. Especially when those sexy saxs, when Johnny or Cootie blew me away when they let it all hang out.
Funny though I thought at the time that I hadn’t picked up on this sound before, this reaching for the soul, for the essence of the matter, before since there are very definitely elements of the blues in Brother Duke’s work. And I have been nothing but a stone blown blues freak since the early 1960s when I first heard Howlin’ Wolf hold forth practically eating that harmonica of his on Little Red Rooster and Smokestack Lightnin’. Moreover I had always been a Billie Holiday fan although I never drew the connection to the jazz in the background since it usually was muted to let her rip with that throaty sultry voice, the voice that chased the blues, my blues, away.
So, yes, count me among the guys who are searching for the guys who are searching for the great big cloud puff high white note, guys who have been searching for a long time as the notes waft out into the deep blue sea night. Check this out. Blowing that high white note out into the surly choppy Japan deep blue seas foaming and slashing out into the bay the one time I was sitting in fog-bound Frisco town, sitting around a North Beach bar, the High Hat maybe, back when Jimmy La Croix ran the place and a guy with a story, or a guy he knew could run a tab, for a while, and then settle up or let the hammer fall and you would wind up cadging swigs from flea-bitten raggedy- assed winos and sterno bums.
On Monday nights, a slow night in every venue you can name except maybe whorehouses and even then the business would only fall off a little since guys had to see their wives or girlfriends or both sometime, Jimmy would hold what is now called an “open mic” but then, I forget, maybe talent search something like that but the same thing. The “Hat” as everybody called it was known far and wide by ex hep-cats, aging beats, and faded flower child ex-hippies who had not yet got back to the “real” world once those trends petered out but were still looking, as I was, looking for something and got a little solace from the bottle and a dark place to nurse the damn thing where you could be social or just hang out was the place around North Beach where young talent took to the boards and played, played for the “basket” just like the folkies used to do back in the 1960s when that genre had its heyday, and probably get a few dollars from the mostly regular heavy drinker crowd that populate any gin mill on Monday, whether they have seen their loved ones or not. Jimmy would have Max Jenny on drums and Milt Bogan on that big old bass that took up half the stage, if you remember those guys when West Coast jazz was big, to back-up the talent so this was serious stuff, at least Jimmy played it that way.
Most of the stuff early on that night was so-so some riffs stolen from more famous guys like Miles Davis, Dizzie, Coltrane, the cool ass jazz from the fifties that young bud talent imitates starting out, maybe gets stuck on those covers and wind up, addled by some sister habit, down by the trolley trains on Market hustle dollars from weary tourists waiting to get up the damn hill. So nothing that would keep a steady drinker, me, from steady drinking in those days when I lifted low-shelf whiskeys with abandon. Maybe half a dozen other guys spread out around bar to prove they were there strictly for the drinking and chain-smoking unfiltered cigarettes to fill up Jimmy’s ashtrays and give Red the bartender something to do between pouring shots (otherwise the guys hungry for women company would be bunched near the dance floor but they must have had it bad since Monday night the serious honeys were not at the “Hat” but home getting rested up for the long week ahead of fending guys off).
Then I turned around toward the stage, turned around for no particular reason, certainly not to pay attention to the talent, when this young guy, young black guy, barely out of his teens, maybe sixteen for all I know and snuck out of the house to play, Jimmy wasn’t taking ID cards in those days and if the kid wasn’t drinking then what did it matter, to get play to reach the stars if that is what he wanted, slim a reed, dressed kind of haphazardly with a shiny suit that he probably wore to church with grandmother, string tie, clean shirt, couldn’t see his feet so can’t comment on that, maybe a little from hunger, or had the hunger eating him up. Kind of an unusual sight for ‘90s Frisco outside of the missions. But figure this, figure his eyes, eyes that I know about from my own bouts with sister, with the just forming sad sack yellow eyes of high king hell dope-dom and it all fit.
The kid was ready though to blow a big sexy tenor sax, a sax as big as he was, certainly fatter, blew the hell out of one note after another once he got his bearings, then paused, paused to suck up the universe of the smoke filled air in the place (a whiff of ganja from the back somewhere from some guy Jimmy must have known since usually dope in the place was a no-no), and went over to the river Jordan for a minute, rested, came back with a big blow that would get at least to Hawaii, rested again, maybe just a little uncertain where to go like kids always are, copy some somebody and let it go at that for the Monday crowd or blast away, but even I sensed that he had something going, so blew up a big cloud puff riff alternating with pauses hard to do, went at it again this time to the corner of paradise. Stopped, I thought he was done, he looked to hell like he was done, done in eyes almost closed, and then onward, a big beautiful dah, dee, dah, dee, dah, dee, blow, a “max daddy” blow then even this old chattering wino in a booth stopped to wonder at, and that big high white note went ripping down Bay Street, I swear I could see it, on into the fog-bound bay and on its way, not stopping until Edo, hell maybe back to Mother Africa where it all started. He had it, that it means only “it” and if he never blew again he had that “it” moment. He left out the back door and I never saw him at the “Hat” again so maybe he was down on Mission or maybe he went somewhere, got some steady work. All I know was that I was there when a guy blew that high white note, yeah, that high white note. So yeah count me too among Duke’s boys, down at Duke’s place where he eternally searched for that elusive high white note.
See I didn’t take too long, right.
Saturday, September 19, 2015
Keep Space for Peace Week October 3-10, 2015
Keep Space for Peace Week October 3-10, 2015
Keep Space for Peace Week
October 3-10, 2015
International Week of Protest to
Stop the Militarization of Space
Stop Drones Surveillance & Killing
No Missile Defense
No to NATO
End Corporate Domination of Foreign/Military Policy
Convert the Military Industrial Complex
Deal with climate change and global poverty
List in formation
- Bath Iron Works, Maine (Oct 3) Vigil across from administration building on Washington Street (Navy Aegis destroyers outfitted with “missile defense” systems built at BIW) 11:30-12:30 am Smilin’ Trees Disarmament Farm (207) 763-4062
- USAF Croughton, England (Oct 3) National March & Rally at U.S. satellite communication and intelligence base. (Space communications, drones, bomber guidance, missile defence and command & control functions.) 12.00 midday to 3:30 pm. Special guest Robb Johnson. Evening peace concert after rally at Friends Meeting House in Oxford at 7:00 pm. Oxfordshire Peace Campaign, oxonpeace@yahoo.co.uk
- Maine Walk for Peace: Pentagon’s Impact on the Oceans (Oct 9-24) Join us in shedding light on the Militarization of the Seas as the US Navy (outfitted with missile defense and space-directed missiles) ramps up their global operations to encircle Russia & China. We will explore environment impacts of Navy on the oceans. Walk from Ellsworth to Portsmouth. See flyer at www.vfpmaine.org
- Kemijärvi, Finland (Oct 3) Peace defenders will hold a street protest against drone testing and war training area where NATO is feared to be preparing for war with Russia. kerstin.tuomala@pp.inet.fi
- King of Prussia, Pennsylvania (Oct 10) Noon, Demonstration and kite flying in front of Lockheed Martin (L-M) at intersection of Mall & Goddard Boulevards. L-M is making a killing in drone war and surveillance technology, building the remote-controlled unmanned planes and satellites that direct the drones and launch their deadly Hellfire missiles which L-M also builds. For more info Brandywine Peace Community, (610) 544-1818 brandywine@juno.com or www.brandywinepeace.com
- Kolkata, India (Oct 11) Public Meeting at Kolkata organised by Mrs. Arundhoti Roy Chouddhury (arundhoti@gmail.com). Global Network board member J. Narayana Rao to speak.
- Nagpur, India (Oct 3) Mass Rally at Motibalgh jointly by S.E.C. Rly Pensioners Assn and Pragatisjheel Railway Mahila Samaj. Coordinator J. Saraswati. jnrao193636@gmail.com
- Tucson, Arizona (Oct 6) Vigil at Raytheon Missile Systems. Join the Raytheon Peacemakers as we demonstrate against war and those who profit from it. Survival demands better ideas, not better weapons. Hermans Road entrance. (3rd traffic light south of Valencia on Nogales Highway, the extension of South 6th Avenue). Park off Nogales Highway, between railroad tracks and highway. Signs provided, or bring your own! More info: 520-323-8697.
· Vandenberg AFB, California (Oct 7) Vigil in solidarity with "Keep Space for Peace Week" at the main gate of space warfare base from 3:45pm to 4:45pm. For info, contact Dennis Apel at (805) 878-2614.
- Keep Space for Peace Week is co-sponsored by the Women’s International League for Peace & Freedom
Resources:
· Download our full-size space week poster at: http://www.space4peace.org/actions/Keep%20Space%20for%20Peacer%20Poster%202015.pdf
Global Network Against Weapons & Nuclear Power in Space
PO Box 652
Brunswick, ME 04011
(207) 443-9502
globalnet@mindspring.com
www.space4peace.org
http://space4peace.blogspot.com/ (blog)
PO Box 652
Brunswick, ME 04011
(207) 443-9502
globalnet@mindspring.com
www.space4peace.org
http://space4peace.blogspot.com/ (blog)
The Struggle Continues-No Justice, No Peace-Black Lives Matter-All Out In NYC-October 24
The Struggle Continues-No Justice, No Peace-Black Lives Matter-All Out In NYC-October 24
Frank Jackman comment:
Usually when I post something from some other source, mostly articles and other materials that may be of interest to the radical public that I am trying to address I place the words “ A View From The Left” in the headline and let the subject of the material speak for itself, or the let the writer speak for him or herself without further comment whether I agree with the gist of what is said or not. After all I can write my own piece if some pressing issue is at hand. Occasionally, and the sentiments expressed in this leaflet is one of them, I can stand in solidarity with the remarks made. I do so here.
The Hills And Hollas Of Home- In Honor Of The Late Hazel Dickens
The Hills And Hollas Of Home- In Honor Of The Late Hazel Dickens
Kenny Jackman heard the late Hazel Dickens (d. 2011) for the very first time on her CD album It’s Hard To Tell The Singer From The Song some years back, maybe in 2005, when he was in thrall to mountain music after being hit hard by Reese Witherspoon’s role as June Carter in the film about her husband Johnny Cash, his addictions, his pursuit of her, and her settling him down a bit Walk The Line. At that time Kenny, like a lot of us who get the bug on some subject, got into all things Carter Family unto the nth generation. A friend, a Vermont mountain boy whom he had met many years before in the early 1970s on the road out in California and whom Kenny would go up and see up in the remnant of his communal cabin which he had shared with a revolving door mix of ex-hippies, wannabe hippies and the just misbegotten when he had a chance, had hipped him to Hazel during his frenzy and he picked up the CD second-hand in Harvard Square. (Really at Sandy’s located between Harvard and Central Squares, a folk institution around town where until recently Sandy had held forth since the early 1960s folk minute when everybody was desperately looking for roots music and that was the place around Boston to look first. Hazel’s You’ll Get No More Of Me, A Few Old Memories and the classic Hills of Home knocked Kenny out. The latter, moreover, seemed kind of familiar and later, a couple of months later, he finally figured out why. He had really first heard Hazel back in 1970 when as part of his then seemingly never-ending hitchhike road drama had headed back east through the Southern route since the weather was starting to get cold in the Rockies and was down in the those very hills and hollows that are a constant theme in her work, and that of the mountain mist winds music coming down the crevices. What was going on though? Was it 2005 when he first heard Hazel or that 1970 time? Let me go back and tell that 1970 story.
Kenny Jackman like many of his generation of ’68 was feeling foot loose and fancy free, especially after he had been mercifully declared 4-F by his friendly neighbors at the local draft board in old hometown North Adamsville (declared 4-F in those high draft days because he had a seriously abnormal foot problem which precluded walking very far, a skill that the army likes its soldiers to be able to do and a constant problem on the hitchhike road if he needed to walk any distance between rides). Kenny, every now and again, took to the hitchhike road, not like his (our) mad man friend the late Peter Paul Markin with some heavy cultural message a la Jack Kerouac and his beat brothers (and a few sisters) but just to see the country while he, and it, were still in one piece no pun intended Kenny told me since the country was in about fifteen pieces then).
On one of these trips he found himself stranded just outside Norfolk, Virginia at a road-side campsite. Feeling kind of hungry one afternoon, and tired, tired unto death of camp-side gruel and stews he stopped at a diner, Billy Bob McGee’s, an old-time truck stop diner a few hundred yards up the road from his camp for some real food, maybe meatloaf or some pot roast like his Irish grandma used to make in a huge pot on the old iron stove in her kitchen or that was how it was advertised. When he entered the mid-afternoon half-empty diner he sat down at one of the single stool counter seats that always accompany the vinyl-covered side booths in such places. But all of this was so much descriptive noise that could describe a million, maybe more, such eateries. What really caught his attention though was a waitress serving them “off the arm” that he knew immediately he had to “hit” on (although that is not the word used in those days but “hit on” conveys what he was up to in the universal boy meets girl world). As it turned out she, sweetly named Fiona Fay, and, well let’s just call her fetching, Kenny weary-eyed fetching, was young, footloose and fancy free herself and had drawn a bead on him as he entered the place, and, …well this story is about Hazel, so let us just leave it as one thing led to another and let it go at that.
Well, not quite let’s let it go at that because when Kenny left Norfolk a few days later one ex-waitress Fiona Fay was standing by his side on the road south. And the road south was leading nowhere, nowhere at all except to Podunk, really Prestonsburg, Kentucky, and really, really a dink town named Pottsville, just down the road from big town Prestonsburg, down in the hills and hollows of Appalachia, wind-swept green, green, mountain mist, time forgotten . And the reason two footloose and fancy free young people were heading to Podunk is that a close cousin of Fiona’s lived there with her husband and child and wanted Fiona to come visit (visit “for a spell” is how she put it but I will spare the reader the localisms). So they were on that hell-bend road but Kenny, Kenny was dreading this trip and only doing it because, well because Fiona was the kind of young woman, footloose and fancy free or not, that you followed, at least you followed if you were Kenny Jackson and hoped things would work out okay.
What Kenny dreaded that day was that he was afraid to confront his past. And that past just then entailed having to go to his father’s home territory just up the road in Hazard. See Kenny saw himself as strictly a Yankee, a hard “we fought to free the slaves and incidentally save the union” Yankee for one and all to see back in old North Adamsville. And denied, denied to the high heavens, that he had any connection with the south, especially the hillbilly south that everybody was making a fuse about trying to bring into the 20th century around that time. And here he was with a father with Hazard, Kentucky, the poorest of the poor hillbillies, right on his birth certificate although Kenny had never been there before. Yeah, Fiona had better be worth it.
Kenny had to admit, as they picked up one lonely truck driver ride after another (it did not hurt in those days to have a comely lass standing on the road with you in the back road South, or anywhere else, especially if you had longish hair and a wisp of a beard), that the country was beautiful. As they entered coal country though and the shacks got crummier and crummier he got caught up in that 1960s Michael Harrington Other America no running water, outhouse, open door, one window and a million kids and dogs running around half-naked, the kids that is vision. But they got to Pottsville okay and Fiona’s cousin and husband (Laura and Stu) turned out to be good hosts. So good that they made sure that Kenny and Fiona stayed in town long enough to attend the weekly dance at the old town barn (red of course, run down and in need of paint to keep red of course) that had seen such dances going back to the 1920s when the Carter Family had actually come through Pottsville on their way back to Clinch Mountain.
Kenny buckled at the thought, the mere thought, of going to some Podunk Saturday night “hoe-down” and tried to convince Fiona that they should leave before Saturday. Fiona would have none of it and so Kenny was stuck. Actually the dance started out pretty well, helped tremendously by some local “white lightning” that Stu provided and which he failed to mention should be sipped, sipped sparingly. Not only that but the several fiddles, mandolins, guitars, washboards and whatnot made pretty good music. Music like Anchored in Love and Come All You Fair And Tender Ladies, stuff that he had heard in the folk clubs in Harvard Square when he used to hang out there in the early 1960s. And music that even Kenny, old two left-feet, one way out of whack, draft-free out of whack, Kenny, could dance to with Fiona.
So Kenny was sipping, well more than sipping, and dancing and all until maybe about midnight when this woman, this local woman came out of nowhere and began to sing, sing like some quick, rushing wind sound coming down from the hills and hollas (hollows for Yankees, okay, please). Kenny began to toss and turn a little, not from the liquor but from some strange feeling, some strange womb-like feeling that this woman’s voice was a call from up on top of these deep green hills, now mist-filled awaiting day. And then she started into a long, mournful version of Hills of Home, and he sensed, sensed strongly if not anything he could articulate that he was home. Yes, Kenny Jackson, Yankee, city boy, corner boy-bred was “home,” hillbilly home. So Kenny did really hear Hazel Dickens for first time in 1970, see.
[As for Fiona Fay she stayed on the road with Kenny until they headed toward the Midwest where she veered off home to Valparaiso in Indiana, her hometown, back to the business school she was attending and had taken time off from to “find herself” just as Kenny and ten million other generational wanderers were trying like hell to do. Kenny headed west via Denver and the Utahs to California, to Big Sur and a different mountain ethos, splashed by the sea, splashed by the Japan seas, splashed by everything that in his everlasting life needed to be washed clean. They were supposed to meet out there a few months later after she finished up the semester and attended to some family business. They never did, a not so unusual occurrence of the time when people met and faded along the way, but Kenny thought about her, about that red barn dance night, about that lady of the mountains and that wind-swept mountain coming down the hollows night for a long time after that.]
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