The Hills And Hollas Of Home- In Honor Of The Late Hazel Dickens

The Hills And Hollas Of Home- In Honor Of The Late Hazel Dickens

 

The Hills And Hollas Of Home- In Honor Of “Our Lady Of The Mountain” The Late Hazel Dickens



 

From The Pen Of Josh Breslin

Kenny Jackman, the well-known classic rock and roll and early 1960s folk music minute blogger and website contributor Frank Jackman’s younger brother, had heard the late “First Lady Of The Mountains” Hazel Dickens (d. 2011) for the very first time on her CD album It’s Hard To Tell The Singer From The Song some years back, maybe in 2005. At that time he was in thrall to mountain music after being hit hard by Reese Witherspoon’s role as June Carter in the film Walk The Line (and Kenny maybe a little too had been under the spell of the film The Song Catcher whose soundtrack also had many classic mountain tunes including Iris Dement, the “Arky Angel,” Frank’s Arky Angel anyway performing Pretty Saro , a traditional mountain song probably going back to the old country, the British Isles old country, and Child ballads collected in Cambridge and distilled among the folk who put their own oral tradition take on the material speaking of forlorn love, decked out in poor mountain woman clothing, practical calico brought down at Miller’s General Store and brought to life by primitive seamstress hands, a little ill-fitting, a smudge on her cheek reflecting her dirt-poor work on the played out truck farm keeping the rabbits from devouring the family winter-surviving turnips and eking out whatever nutrient the worked-out land would yield for those who did not move west a couple of generations before when the writing was on the wall for all to see but from their hubris or sloth remained in place and miss the end of Professor Turner’s frontier thesis, sitting on the front porch of a broken down old mountain cabin that had seen better days, the typical dwelling with things scattered all over, old time farm equipment, maybe John Deere when new and prospects seemed reasonable that couple of generations before that they would not have to constantly move west like some forbear parents, but who could tell by the rusted paint peeled off condition, the inevitable 1949 Hudson scavenged for spare parts for the still running 1951 Hudson sitting there looking forlorn like some museum piece dinosaur skeleton gone out of style. A scene replicated all along the ridges of the Appalachian and Ozark ranges).

At that time Kenny got into all things Carter Family, at first June’s mother Maybelle and June’s sisters who constituted the second wave of the Carter Family experience then reaching back to the first Clinch Mountain threesome (her, A.P., his wife sister Ruth) once he heard Maybelle performing Blue-Eyed Boy accompanied by her on the mountain harp (that blue-eyed boy so legend had it was a guy whom had had an affair with Ruth, had been scared off, threatened by the rabid A.P., or had just left like so many others drifting west after the land played out, after the romance had nowhere to go, and so the song sung by all three since as rabid as A.P. was he was no fool when it came to staking his claims to songs that were already in the loose public domain, or just ripped some placid no account melody off and threw a variation of the words on the thing and recorded it for the dough).

So Kenny knew the Carter mountain roots unto the nth generation. A friend, a Vermont mountain boy, a regular Ethan Allan swamp Yankee from out around Marbury a tiny hamlet in the hills and a place where a sizable migration of New Yorkers and Bostonians would wind up when the struggle against the “monster” government in the early got too intense and they retreated, strategically retreated to hear them tell the tale to “work the land,” and worked the land no more successfully than that primitive mountain woman Iris Dement was portraying but stayed anyway, Jeffrey Salem, a transfer from Norwich College, who had been a classmate of his at the University of Massachusetts at Amherst back in the early 1970s, and a man whose knowledge of mountain music was sincere and deep although in school that knowledge had gone over Kenny’s head anytime Jeffrey mentioned it had “hipped” him to Hazel during his frenzy. He remembered the name if not the work she had done to keep the vanishing mountain traditions alive, keep them alive on the female side almost single-handedly as Norman Blake would do on the male side. Kenny had picked up the CD second-hand in a Harvard Square record shop, really outside of Harvard Square heading toward Central Square on Massachusetts Avenue, one of the few places around before the advent of Amazon.com where one could get an off the mainstream, second-hand recording of anything folk or its derivatives. The shop, really Sandy’s located in case you forgot between Harvard and Central Squares, a folk institution around that town where until recently Sandy had been holding forth since the early 1960s folk minute when everybody was desperately looking for roots music and that was the place to look first. Hazel’s You’ll Get No More Of Me, A Few Old Memories and the classic Hills of Home from that CD had knocked him out.

All of this mountain dew business you understand came out of left field for Kenny since he was if anything more of a man of the rock and roll era than Frank who at least had been bitten by that early 1960s folk minute that Kenny was too young for, and which he had winced at every time Frank put on some obscure folk song by guys like Buell Kazee and Hobart Smith on the record player in their shared bedroom (these guys would become living gods when hip urban New Yorkers and dour Boston puritans, kin of Francis Child in their academic appreciation of the ballads headed south, or sent emissaries like the ghosts of the Lomaxes, father and son, to mine the lore and regaled to all things mountain for a minute in that folk minute but for our purposes Kenny would grind his teeth). Later where older brothers Lawrence and Phillip in their turns moved out of the family house and Frank moved up the food chain Kenny as the youngest boy had no one below him in the food chain and in solitude would finally not have to hear the stuff and considered himself lucky, foolish him.)   

 

One of the latter mentioned songs on the CD, Hills Of Home, after repeated playing, seemed kind of familiar and later, a couple of months later, he finally figured out why. He had really first heard Hazel back in 1970 when he was down in the those very hills and hollows that are a constant theme in her work, and that of the mountain mist winds music coming down the crevices. What was going on though? Was it 2005 when he first heard Hazel or back in that 1970 time? Let me go back and tell that 1970 story and you can figure it out for yourselves:

Kenny Jackman like many of his generation who were just brushed by the counter-cultural events of the 1960s like older brother Frank had been just brushed by the “beat” uprising of the late 1950s, was feeling foot loose and fancy free, especially after he had been mercifully declared unlike brother Frank, 4-F, medically unfit for military duty a classification lots of  draft age youth in the holy hell high wire days of the inferno Vietnam War would go to the gates of hell for once the news started seeping back from the mounting body-bag count or from guys who made it back to the “real” world and called the thing by its right name, a horror, by his friendly neighbors at the local draft board in old hometown Carver (declared 4-F in those high draft days because he had a seriously abnormal foot problem which precluded walking very far, a few hundred yards at a time without some aid. Walking a skill, just ask Frank, that the army likes its soldiers to be able to do. This classification system had been the one in place before the lottery, and the last recruitment system in place before the draft was ended, which would presumably have still placed him outside the clutches of the military, unlike Frank’s fate, Frank who had serious problems adjusting to the “real” world before he got sober, and that of Frank’s friend, the late Benjamin Smith who laid down his head in Vietnam for no got purpose no good Benny purpose, except as an added name down on that mirror glass black granite down in D.C.).

So Kenny, every now and again, took to the hitchhike road, not like his mad man brother Frank would do a little later with some heavy message purpose a la Jack Kerouac and his “beat” brothers (and a few sisters) after a reading of On The Road whacked everybody who read the damn thing, including me, with the “get away from home and the nine to five routine bug but just to see the country while he, and it, were still in one piece no pun intended but that Kenny soberly told me since the country was in about fifteen pieces then.

On one of these trips he found himself stranded just outside Norfolk, Virginia hard by the Chesapeake Bay, the place where the U.S. Navy has a big installation and they built big ass war ships although those facts are not part of the story but just to give you a sense of what was what then, at a road-side campsite just outside of town. (Like a lot of military towns, with constant transfers in and out, and migrant labor at harvest farm towns such places are common enough to replace the vagrant real housing which is over-crowded or non-existent.) Feeling kind of hungry one afternoon, and tired, tired unto death of camp-side gruel and stews he stopped at a diner, Billy Bob McGee’s, an old-time truck stop diner a few hundred yards up the road from his camp for some real food, maybe meatloaf or some pot roast like grandma used to make or that was how it was advertised on the makeshift blackboard menu written in chalk on the wall as he entered the place. When Kenny entered the mid-afternoon half-empty diner he sat down at one of the single stool counter seats, usually red-topped, that always accompany the red vinyl-covered side booths in such places. But all of this was so much descriptive noise that could describe a million, maybe more, such eateries. You know the chalkboard menu listing the daily specials, which turned out to be the same as the items listed on the plastic embossed menu in front of each paper placemat complete with napkin-folded silverware, coffee cup at the ready to answer the inevitable “coffee” call from the professional waitress behind the counter whose seniority gave her that spot which as any professional waitress will tell you is the goldmine in the diner business since those counter stools are usually the preserve of single truckers, or single guys, who for a kind smile or at least no surliness will leave a larger tip than any hard-pressed father with wife and four kids in one of the booths will leave despite a much larger bill. You know too the menu contained “breakfast all day” in honor of the eighteen hours a day on the road truckers who frequent such places (don’t tell the ICC, about the eighteen hours, or the menu for that matter, please), the meatloaf dinner, the turkey dinner, the grandmother-like pot roast diner, and of course no self-respecting diner worthy of the name would leave you without bread pudding, and that settling the nerves second cup of coffee.      

What really caught his attention though was a waitress serving them “off the arm” that he knew immediately he had to “hit on” (although that is not the word used in those days but “hit on” conveys what he was up to in the universal boy meets girl world attractions). As it turned out she, sweetly named Fiona Fay, and, well let’s just call her fetching, Kenny weary-eyed fetching, was young, footloose and fancy free herself, had decided like half of those under about thirty to spent her summer break travelling east from her hometown of Valparaiso, Indiana since she had never seen the ocean, had drawn a bead on him as he entered the place. Had drawn that bead knowing with some kind of female knowing that he was not a family man and definitely not a trucker and dressed in his semi-hippie garb (emulating older brother Frank as to dress, flannel shirt despite the horrible humidity saved only by the well-soaked tee-shirt underneath which never got dry down south but always had a slightly musky smell, and damp to the touch, blue jeans not bell-bottomed though, sturdy work boots though clunky lasted longest on those hard asphalt and concrete highways where half the time was spent walking between rides to keep moving, and to keep any nosy coppers from “vagging” you, although with no long hair done up in a ponytail for hitch hike road purposes and no long biblical prophet beard, no way) struck her fancy since he had never talked to a hippie guy before. (Jesus, in 1970, was she kidding.) And as they eyed each other and Fiona came over to his stool disregarding her other family customers in the booths and the evil eye of that inevitable professional waitress with her pencil in her hair, her too tight steam stained uniform who was about to approach Kenny’s spot she asked “coffee.” And, …well this story is about Hazel, so let us just leave it as one thing led to another and let it go at that.

Well, not quite let’s let it go at that because when Kenny left Norfolk a few days later one ex-waitress Fiona Fay was standing by his side on the road south. And the road south was leading nowhere, nowhere at all except to Podunk, really Prestonsburg, Kentucky, and really, really a dink town named Pottsville, just down the road from big town Prestonsburg, down in the hills and hollows of Appalachia, wind-swept green, green, mountain mist, time forgotten. And the reason two footloose and fancy free young people were heading to Podunk is that a close cousin of Fiona’s lived there with her husband and child and wanted Fiona to come visit (visit “for a spell” is how she put it but I will spare the reader the localisms). So they were on that hell-bend road but Kenny, Kenny was dreading this trip and only doing it because, well because Fiona was the kind of young woman, footloose and fancy free or not, that you followed, at least you followed if you were eye-weary Kenny Jackson and hoped things would work out okay.

What Kenny dreaded that day was that he was afraid to confront his past, his no hard luck past but his past in any case. And that past just then entailed having to go to his father’s home territory just up the road in Hazard. See Kenny saw himself as strictly a Yankee, a hard “we fought to free the slaves and incidentally save the union” Yankee for one and all to see back in old Carver, a pose that he had learned from Frank who was about fifty times more political than him, lived for it after “Nam” or rather after he settled down and adjusted to the “real” world enough to want to change the thing instead of grouse about it when he was using sweet sister morphine to face that  world (the older brothers and indeed their father never got beyond calling those “stinking” blacks they worked with “n-----s”). And Kenny denied, denied to the high heavens, that he had any connection with the south, especially the hillbilly south that everybody was making a fuse about trying to bring into the 20th century around that time what with Lyndon Johnson’s War on Poverty. (Frank had had it worse since during his high school time Michael Harrington’s The Other America came out, a  shocking expose of Appalachian poverty, including mention of his father’s birthplace had everybody trying to help out with various book, clothes, and food drives right in Carver High School announced each day for a while over the loud speaker by Mister Thomas, the principal.) And here he was with a father with Hazard, Kentucky, the poorest of the poor hillbillies, right on his birth certificate although Kenny had never been there before. Yeah, Fiona had better be worth it.

Kenny had to admit, as they picked up one lonely truck driver ride after another (it did not hurt in those days to have a comely lass standing on the road with you in the back road South, or anywhere else, especially if you had what was short hair in the north but longish hair down there and a wisp of a beard from not shaving for few days), that the country was beautiful. As they entered coal country though and the shacks got crummier and crummier he got caught up in that 1960s Michael Harrington Other America no running water, outhouse, open door, one window and a million kids and dogs running around half-naked, the kids that is, vision. But they got to Pottsville okay and Fiona’s cousin and husband (Laura and Stu) turned out to be good hosts. So good that they made sure that Kenny and Fiona stayed in town long enough to attend the weekly dance at the old town barn (red of course, run down and in need of paint to keep red of course) that had seen such dances going back to the 1920s when the Carter Family had actually come through Pottsville on their way back to Clinch Mountain from visiting legendary yodeler Jimmy Rodger down in Texas some place. (The first Carter Family combination and Jimmy had been “discovered” at the same Bristol, Tennessee 1920s record sessions by an RCA agent who had conducted these demonstration to expand the audience for records and radios.)  

Kenny buckled at the thought, the mere thought, of going to some Podunk Saturday night “hoe-down” and tried to convince Fiona that they should leave before Saturday. Fiona would have none of it and so Kenny was stuck. Actually the dance started out pretty well, helped tremendously by some local “white lightning” illegal corn liquor that Stu provided and which he failed to mention should be sipped, sipped sparingly by guys who were not practically breast-fed on the stuff. Not only that but the several fiddles, mandolins, guitars, washboards and whatnot made pretty good music. Music like Anchored in Love and Come All You Fair And Tender Ladies, stuff that Frank had heard in the folk clubs in Harvard Square when he used to hang out there in the early 1960s and which had driven Kenny up the wall before liberation day when Philip had moved out. And music that even Kenny, old two left-feet, one way out of whack, draft-free out of whack, Kenny, could dance to with Fiona.

So Kenny was sipping, well more than sipping, and dancing and all until maybe about midnight when this woman, this local woman came out of nowhere and began to sing, sing like some quick, rushing wind sound coming down from the hills and hollas (hollows for Yankees, okay, please). Kenny began to toss and turn a little, not from the liquor but from some strange feeling, some strange womb-like feeling that this woman’s voice was a call from up on top of these deep green hills, now mist-filled awaiting day. And then she started into a long, mournful version of Hills of Home, and he sensed, sensed strongly if not anything he could articulate that he was home.

A twangy plainsong plain folk voice brushed by the mountain streams, grabbing that mist between gasps of her breath that spoke of leaving the old country, mostly the British Isles, mostly from the countryside when the fens were hedged in, the common land got sold for grazing, and men, if they were men drifted toward the cities, “drifted” the operative word, just keep moving, keep one jump ahead of whoever was following, leaving  a bunch of generations before, maybe just before the law was ready to set the gallows high, set the noose upon some forbear’s neck for stealing Mister’s pigs, Sir somebody’s wood, the Duke’s deer, poachers all and no respecters of property, maybe a highwayman or con man but in need of quick exit of the clamp would come down and so, desperate, the desperate are always the fodder for leaving when the old home chances ran out of luck headed to the indentured ships, the transport vessels and headed to the new land, the, what did Fitzgerald call it, yeah, the fresh green breast of the new world, where it seemed nobody lived and so the possibilities were endless. But see in that voice there was also this knowledge, not spoken, how could it be too many generations had passed but maybe it was embedded in the DNA by now, that some men, some folk were meant to move, to rumble, tumble, grab this, grab that and then move on, move in that fresh green breast land westward since the harsh seas lay eastward and that noose still held its charms. And so they moved, moved out of East Coast cities (or were forced out, maybe by the same king’s writ that scattered them in the old country) and into the wilderness like some ancient adventurers, some kept pushing west, became rolling stones and some stayed put, some had lost the energy to move west and so stayed put, stayed in ramshackle cabins and shacks letting the farm equipment rust, scavenging for the refuse, stripping the slender leavings, and waited for better times, waited and waited and watched any progeny with any energy head out of the hills to find their own new world, guys like Kenny and Frank’s father who could not get out fast enough whatever sorrows were ahead, and there were sorrows.             

Yes, Kenny Jackson, Yankee, city boy, corner boy-bred was “home,” hillbilly home. So see Kenny really did hear Hazel Dickens for first time in 1970.

[As for Fiona Fay she stayed on the road with Kenny until they headed toward the Midwest where she veered off to head home to Valparaiso in Indiana, her hometown, back to the local business school she was attending and had taken time off from to “find herself” just as Kenny and ten million other generational wanderers were trying like hell to do. Kenny headed west via Denver and the Utahs to California, to Big Sur and a different mountain ethos, splashed by the sea, splashed by the Japan seas, splashed by everything that in his everlasting life needed to be washed clean. They were supposed to meet out there a few months later after she finished up the semester and attended to some family business. They never did, a not so unusual occurrence of the time when people met and faded along the way, but Kenny thought about her, about that red barn dance night, about that lady of the mountains and that wind-swept mountain coming down the hollows night for a long time after that.]    

  

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On The 96th Anniversary Of The Founding Of The Communist International (1919)

On The 96th Anniversary Of The Founding Of The Communist International (1919) -Desperately Seeking Revolutionary Intellectuals-Now, And Then

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From The Pen Of Josh Breslin

Back in the early 1970s after they had worked out between themselves, as best they could given their previous distain and/or ignorance of the history of the American left, of the international workers movement in particular which some elements in the anti-Vietnam movement were fitfully beginning to investigate, the rudiments of what had gone wrong with the May Day 1971 actions in Washington, D.C. Sam Eaton and Ralph Morris began some serious study of leftist literature from an earlier time, from back earlier in the century. Those May Day anti-Vietnam War actions which they had originally enthusiastically participated in (especially Ralph since this had been his first big anti-war action in Washington in which he had been in an affinity group with some fellow ex-veterans), ill-conceived as they in the end turned out to be, centered on the proposition that if the American government would not close down the damn blood-sucking war then they, those thousands that participated in the actions, would close down the government. All Sam, Ralph and those thousands of others got for their efforts was a round-up into the bastinado, picked off like ducks in a shooting gallery even before they could get close to the targets they were attempting to shut down.

Sam had been picked off early in the round-up on Pennsylvania Avenue as his group, mainly college students from Boston University and George Washington University and an array of young radicals from the streets of Cambridge and New York (his “affinity group” for the action) had been on their way to “capture” the White House (the cops and soldiers had blocked the way about five blocks before and were rounding up anybody who looked like they might be a protestor, or want to be under the old military principle of “shot first and let God separate out the guilty from the innocent”). Sam, no novice at civil disobedience or street actions had been appalled at the ease with which they were rounded even though at the last affinity group meeting he had voiced a mild criticism about the plan to “capture” the citadel of American imperialism without some kind of massed armed army but his reasoning was dismissed out of hand by some of the more itchy street kids. Ralph and his affinity group of ex-veterans and their supporters were rounded-up on Massachusetts Avenues heading toward the Pentagon (they had had no plans to capture that five-sided building, at least they were unlike Sam’s group not that naïve, just surround the place like had occurred in an anti-war action in 1967 which has been detailed in Norman Mailer’s prize-winning book Armies Of The Night). Ralph new to the anti-war action scene in Washington thought nothing of the merits of lack of merits of the planned and “occupation” since it had been made clear at the last affinity meeting the night before that the march to the lion’s den of American military might by returned wounded and angry soldiers had its own symbolic value. Still the cops and National Guard soldiers rounded them up just like all the other hippies, street radicals, Quakers, shakers and midnight fakirs. (Ralph had sneered at the National Guard soldiers as “weekend warriors” who desperately clung to their status of having enough pull to avoid being drafted or enlisting in the real Army)

For a time RFK (Robert F. Kennedy) Stadium, the home of the Washington Redskins football team) was the main holding area for those arrested and detained before the numbers detained overwhelmed the facility. The irony of being held in a stadium named after the martyred late President’s younger brother and lightening rod for almost all anti-war and “newer world” political dissent before he was assassinated in the bloody summer of 1968 and in a place where football, a sport associated in many radical minds with all that was wrong with the American system was lost on Sam and Ralph at the time and it was only later, many decades later, as they were sitting in a bar in Boston across from the JFK Federal Building on one of their periodic reunions when Ralph was in town that Sam had picked up that connection. The cops and soldiers probably never saw the irony, never. 

Sam, from Carver in Massachusetts, who had been a late convert to the anti-war movement in 1969 after his closest high school friend, the guy who he hung around the corner at Jimmy Jack’s Diner on Main Street with, Jeff Mullin, had been blown away in some jungle town in the Central Highlands (a town that he to this day could not properly spell or say)  was like many late converts to a cause a “true believer,” had taken part in many acts of civil disobedience at draft boards, including the one in hometown Carver, federal buildings, military recruitment stations and military bases. From an indifference, no that’s not right, from a mildly patriotic average young American citizen that you could find by the score hanging around Mom and Pop variety stores, pizza parlors, diners, and bowling alleys in the early 1960s, he had become a long-haired bearded “hippie anti-warrior.” Not too long in either hair or beard though by the standards of “youth nation” of the day since he was running a small print shop in Carver in order to support his mother and four younger sisters after his father had passed away suddenly of a massive heart attack in 1965 which exempted him from military service. (At first he was self-conscious about sitting at draft boards and recruiting stations as a result of that exemption until one austere Quaker lady told him every body counted in the struggle against war and to not let that other stuff bother him.) Not too short either since those “squares” were either poor bastards who got tagged by the military and had to wear their hair short an appearance which stuck out in towns like Cambridge, Ann Arbor, Berkeley and L.A. when the anti-war movement started embracing the increasingly frustrated and anti-war soldiers that  they were beginning to run across or, worse, cops before they got “hip” to the idea that guys wearing short hair, no beard, looked like they had just taken a bath, and wore plaid short-sleeved shirts and chinos might as well have a bulls-eye target on their backs surveilling the counter-cultural crowd.

Ralph, from Troy, New York, had been working in his father’s highly specialized skilled electrical shop which had major orders from General Electric the big employer in the area when he got his draft notice and had decided to enlist in the Army in order to avoid being an 11B, an infantryman, a grunt, “cannon fodder,” although he would not have known to call it that at the time, that would come later. He had expected to go into something which he knew something about in the electrical field at least that is what the recruiting sergeant in Albany had “promised” him. (He would not forget that “promise” lesson for later, much later, in the lead-up to the Iraq War in 2002 he would stand at recruiting stations trying to tell young prospects not to believe the lies the well-paid and well-versed recruiters told them.) But in the year 1967 (and 1968 too since he had extended his tour six months to get out of the service a little early) what the military needed in Vietnam whatever else they might have needed was “cannon fodder,” guys to go out into the bushes and kill commies. Simple as that. And that was what Ralph Morris, a mildly patriotic average young American citizen, no that is not right, a very patriotic average young American citizen that you could also find by the score hanging around Mom and Pop variety stores, pizza parlors, diners, and bowling alleys in the early 1960s, did. But see he got “religion” up there in Pleiku, up there in the Central Highlands, up there in the stinking sweating bush and so when he had been discharged from the Army in late 1969 he was in a rage against the machine. Sure he had gone almost immediately back to the grind of his father’s electrical shop but he was out of place just then, out of sorts, needed to find an outlet for his anger at what he had done, what had happened to buddies very close to him, what buddies had done to the peasants who had done nothing to them but be “in the wrong place at the wrong time in their own fucking country” (Ralph’s term), and how the military had made them animals, nothing less. (Ralph after his father retired would take over the electric shop business on his own in 1991 and would thereafter give it to his son, Ralph III to take over after he retired in 2011.)

One day in 1970, maybe 1971 he had gone to Albany on a job for his father and while on State Street he had seen a group of guys in deliberately mismatched military garb marching in the streets without talking, silent which was amazing in itself from what he had previously seen of such anti-war marches and just carrying a big sign-Vietnam Veterans Against The War (VVAW) and nobody stopped them, no cops, nobody, nobody yelled “commie” either or a lot of other macho stuff that he and his hang out guys used to do in Troy when some peaceniks held peace vigils in the square around 1965 or so. The civilian on-lookers held their tongues that day although Ralph knew that the whole area, including most of his family, still retained a lot of residual pro-war feeling just because America was fighting somewhere for something. He parked his father’s truck and walked over to the march just to watch at first. Some guy in a tattered Marine mismatched uniform wearing Chuck Taylor sneakers in the march called out to the crowd for anybody who had served in Vietnam, served in the military to join them, to help send a message to the brass, to their ex-bosses, that the madness must stop, shouting out their military affiliation as they did so. Ralph almost automatically blurred out-“First Air Cav” and walked right into the street. There were other First Air Cav guys there that day so he was among kindred. So yeah, Ralph after that “baptism” did a lot of actions with VVAW and with “civilian” collectives who were planning more dramatic actions in the Albany area. Ralph always would say later that if it hadn’t been for getting “religion” on the war issue and doing all those political actions then he would have gone crazy, would have wound up like a lot of guys he would see later at the VA, would see out in the cardboard box for a home streets, and would not until this day have supported in any way he could, although lately not physically since his knee replacement, those who had the audacity to still march for the “good old cause” against the war-mongers when the reared their bastardly heads.                           

This is the back story of a relationship that has lasted until this day, an unlikely relationship in normal times and places but in that cauldron of the early 1970s when the young, even the not so very young, were trying to make heads or tails out of what was happening in a world they did not crate, and were not asked about there were plenty of such stories, although most did not outlast that search for the newer world when the high tide of the 1960s ebbed in the mid-1970s. Sam and Ralph’s story had started when Ralph had noticed while milling around the football field waiting for something to happen, waiting to be released, that Sam had a VVAW button on his shirt and since he did not recognize Sam from any previous VVAW action had asked if he was a member of the organization and where. Sam told him the story of his friend Jeff Mullin and of his change of heart about the war, and about doing something about ending the damn thing.

That strange introduction while in “jail” got them talking, talking well into the first night of their captivity when they found they had many things in common coming from deeply entrenched working-class cultures. (You already know about Troy and the GE effect. Carver is something like the cranberry bog capital of the world even today although the large producers dominate the market unlike when Sam was a kid and the small Finnish growers dominated the market and town life. The town moreover has turned into something of a bedroom community for the high-tech industry that dots U.S. 495.)

After a couple of days in the bastinado waiting for the in- no-hurry cops to do some paperwork Sam and Ralph hungry, thirsty, needing a shower after suffering through the Washington humidity heard that people were finding ways of getting out to the streets through some unguarded side exits. They decided to surreptitiously attempt an “escape” which proved successful and they immediately headed through a bunch of the letter, number and state streets on the Washington city grid toward Connecticut Avenue heading toward Silver Springs trying to hitchhike out of the city. A couple of days later having obtained a ride through from Trenton, New Jersey to Providence, Rhode Island they headed to Sam’s mother’s place in Carver. Ralph stayed there a few days before heading back home to Troy. They had agreed that they would keep in contact and try to figure out what the hell went wrong in Washington that week. After making some connections through some radicals he knew in Cambridge to live in a commune over by Inman Square (cheap rent, cheap living and doable since the last of Sam’s sisters had finished high school and he had another friend from the Jimmy Jack’s Diner corner boys days, Johnnie Callahan, running the print shop, a print shop business that he would return to seriously once the high tide of the 1960s ebbed, after he started a family, and which he sold to a third party after he retired in 2012). Sam asked Ralph to come stay with him for the summer and try to figure out that gnarly problem of the way forward to a more effective way to stop the goddam wars. Ralph did, although his father was furious since he needed his help on a big GE contract for the Defense Department but Ralph was having none of that. (Ralph and his father eventually reconciled but that was a long process over several years and much argument but need not detain us here except to say that the damn war blew many household apart, for good or evil.)      

So in the summer of 1971 Sam and Ralph began to read that old time literature, although Ralph admitted he was not much of a reader and some of the stuff was way over his head, Sam’s too. Mostly they read socialist and communist literature, a little of the old IWW (Wobblie) stuff since they both were enthrall to the exploits of the likes of Big Bill Haywood out West during the heyday of the miner’s union struggles which seemed to dominate the politics of that earlier time. They had even for a time joined a loose study group sponsored by one of the myriad “red collectives” that had sprung up like weeds in the Cambridge area. Both thought it ironic at the time, and others who were questioning the direction the “movement” was heading in stated the same thing when they were in the study groups, that before that time in the heyday of their anti-war activity everybody dismissed the old white guys (a term not in common use then like now) like Marx, Lenin, Trotsky, and their progeny as irrelevant. Now everybody was glued to the books.

It was from that time that Sam and Ralph got a better appreciation of a lot of the events, places, and personalities from the old time radicals. Events like the start of May Day in 1886 as an international working class holiday which they had been clueless about despite the   May Day actions, the Russian Revolutions, the Paris Commune, the Chinese Revolutions, August 1914 as a watershed against war, the Communist International, those aforementioned radicals Marx, Lenin, Trotsky, adding in Mao, Che, Fidel, Ho whose names were on everybody’s tongue (and on posters in every bedroom) even if the reason for that was not known. Most surprising of all were the American radicals like Haywood, Browder, Cannon, Foster, and others who nobody then, or almost nobody cared to know about at all.

As they learned more information about past American movements Sam, the more interested writer of such pieces began to write appreciations of past events, places and personalities. His first effort was to write something about the commemoration of the 3 Ls (Lenin, Luxemburg, and Liebknecht) started by the Communist International back in the 1920s in January 1972, the first two names that he knew from a history class in junior college and the third not at all. After that he wrote various pieces like the one below about the early days of the Communist International which intrigued him no end although he could not picture such an organization working in 1972 not with the political climate and not with the question of what Leon Trotsky, one of the founders, called the degeneration of that organization (leftists have seemingly always posed their positions as questions; the women question, the black question, the party question, the Russian question, the Comintern question, and so on so Sam decided to stick with the old time usage.) Here is what he had to say then which he had recently freshly updated to include comments after reading a then recently published book by Trotsky about the early days of the Communist International. Sam told Ralph after he had read and asked if he was still a “true believer” said a lot of piece he would still stand by today:      

Sam Eaton comment:

BOOK REVIEW

‘LEFT-WING’ COMMUNISM-AN INFANTILE DISORDER, V.I. LENIN, UNIVERSITY PRESS OF THE PACIFIC, CALIFORNIA, 2001

An underlying premise of the Lenin-led Bolshevik Revolution in Russia in 1917 was that success there would be the first episode in a world-wide socialist revolution. While a specific timetable was not placed on the order of the day the early Bolshevik leaders, principally Lenin and Trotsky, both assumed that those events would occur in the immediate post-World War I period, or shortly thereafter. Alas, such was not the case, although not from lack of trying on the part of an internationalist-minded section of the Bolshevik leadership.

Another underlying premise, developed by the Leninists as part of their opposition to the imperialist First World War, was the need for a new revolutionary labor international to replace the compromised and moribund Socialist International (also known as the Second International) which had turned out to be useless as an instrument for revolution or even of opposition to the European war. The Bolsheviks took that step after seizing power and established the Communist International (also known as the Comintern or Third International) in 1919. As part of the process of arming that international with a revolutionary strategy (and practice) Lenin produced this polemic to address certain confusions, some willful, that had arisen in the European left and also attempted to instill some of the hard-learned lessons of the Russian revolutionary experience in them.

The Russian Revolution, and after it the Comintern in the early heroic days, for the most part, drew the best and most militant layers of the working-class and radical intellectuals to their defense. However, that is not the same as drawing experienced Bolsheviks to that defense. Many militants were anti-parliamentarian or anti-electoral in principle after the sorry experiences with the European social democracy. Others wanted to emulate the old heroic days of the Bolshevik underground party or create a minority, exclusive conspiratorial party.

Still others wanted to abandon the reformist bureaucratically-led trade unions to their then current leaderships, and so on. Lenin’s polemic, and it nothing but a flat-out polemic against all kinds of misconceptions of the Bolshevik experience, cut across these erroneous ideas like a knife. His literary style may not appeal to today’s audience but the political message still has considerable application today. At the time that it was written no less a figure than James P. Cannon, a central leader of the American Communist Party, credited the pamphlet with straightening out that badly confused movement (Indeed, it seems every possible political problem Lenin argued against in that pamphlet had some following in the American Party-in triplicate!). That alone makes it worth a look at.

I would like to highlight one point made by Lenin that has currency for leftists today, particularly American leftists. At the time it was written many (most) of the communist organizations adhering to the Comintern were little more than propaganda groups (including the American party). Lenin suggested one of the ways to break out of that isolation was a tactic of critical support to the still large and influential social-democratic organizations at election time. In his apt expression- to support those organizations "like a rope supports a hanging man".

However, as part of my political experiences in America around election time I have run into any number of ‘socialists’ and ‘communists’ who have turned Lenin’s concept on its head. How? By arguing that militants needed to ‘critically support’ the Democratic Party (who else, right?) as an application of the Leninist criterion for critical support. No, a thousand times no. Lenin’s specific example was the reformist British Labor Party, a party at that time (and to a lesser extent today) solidly based on the trade unions- organizations of the working class and no other. The Democratic Party in America was then, is now, and will always be a capitalist party. Yes, the labor bureaucrats and ordinary workers support it, finance it, drool over it but in no way is it a labor party. That is the class difference which even sincere militants have broken their teeth on for at least the last seventy years. And that, dear reader, is another reason why it worthwhile to take a peek at this book.

Desperately Seeking Revolutionary Intellectuals-Now, And Then

Commentary

No, this is not a Personals section ad, although it qualifies as a Help Wanted ad in a sense. On a number of occasions over past several years, in reviewing books especially those by James P. Cannon the founder of The Socialist Workers Party in America, I have mentioned that building off of the work of the classical Marxists, including that of Marx and Engels themselves, and later that of Lenin and Trotsky the critical problem before the international working class in the early part of the 20th century was the question of creating a revolutionary leadership to lead imminent uprisings. Armed with Lenin’s work on the theory of the imperialist nature of the epoch and the party question and Trotsky’s on the questions of permanent revolution and revolutionary timing the tasks for revolutionaries were more than adequately defined.

The conclusion that I drew from that observation was that the revolutionary socialist movement was not as desperately in need of theoreticians and intellectuals as previously (although having them is always a good thing). It needed leaders steeped in those theories and with a capacity to lead revolutions. We needed a few good day-to-day practical leaders to lead the fight for state power.

In that regard I have always held up, for the early part of the 20th century, the name Karl Liebknecht the martyred German Communist co-leader (along with Rosa Luxemburg) of the aborted Spartacist uprising of 1919 as such an example. In contrast the subsequent leadership of the German Communists in the 1920’s Paul Levi, Henrich Brandler and Ernest Thaelmann did not meet those qualifications. For later periods I have held up the name James P. Cannon, founder of the American Socialist Workers Party (to name only the organization that he was most closely associated with), as a model. That basically carries us to somewhere around the middle of the 20th century. Since I have spend a fair amount of time lately going back to try to draw the lessons of our movement I have also had occasion to think, or rather to rethink my original argument on the need for revolutionary intellectuals. That position stands in need of some amendment now.

Let’s be clear here about our needs. The traditional Marxist idea that in order to break the logjam impeding humankind’s development the international working class must rule is still on the historic agenda. The Leninist notions that, since the early part of the 20th century, we have been in the imperialist era and that a ‘hard’ cadre revolutionary party is necessary to take state power are also in play. Moreover, the Trotskyist understanding that in countries of belated development the working class is the only agency objectively capable of leading those societies to the tasks traditionally associated with the bourgeois revolution continues to hold true. That said, we are seriously in need of revolutionary intellectuals who can bring these understandings into the 21st century.


It is almost a political truism that each generation will find its own ways to cope with the political tasks that confront it. The international working class movement is no exception in that regard. Moreover, although the general outlines of Marxist theory mentioned above hold true such tasks as the updating of the theory of imperialism to take into account the qualitative leap in its globalization is necessary (as is, as an adjunct to that, the significance of the gigantic increases in the size of the ‘third world’ proletariat). Also in need of freshening up is work on the contours of revolutionary political organization in the age of high speed communications, the increased weight that non-working class specific questions play in world politics (the national question, religion, special racial and gender oppressions) and various other tasks that earlier generations had taken for granted or had not needed to consider. All this moreover has to be done in a political environment that sees Marxism, communism, even garden variety reform socialism as failed experiments. To address all the foregoing issues is where my call for a new crop of revolutionary intellectuals comes from.

Since the mid- 20th century we have had no lack of practical revolutionary leaders of one sort or another - one thinks of Fidel Castro, Che Guevara and even Mao in his less rabid moments. We have witnessed any number of national liberation struggles, a few attempts at political revolution against Stalinism, a few military victories against imperialism, notably the Vietnamese struggle. But mainly this has been an epoch of defeats for the international working class. Moreover, we have not even come close to developing theoretical leaders of the statue of Lenin or Trotsky.

As a case in point, recently I made some commentary about the theory of student power in the 1960’s and its eventual refutation by the May 1968 General Strike lead by the working class in France. One of the leading lights for the idea that students were the ‘new’ working class or a ‘new’ vanguard was one Ernest Mandel. Mandel held himself out to be an orthodox Marxist (and Trotskyist, to boot) but that did not stop him from, periodically, perhaps daily, changing the focus of his work away from the idea of the centrality of the working class in social struggle an ideas that goes back to the days of Marx himself.

And Mandel, a brilliant well-spoken erudite scholar probably was not the worst of the lot. The problem is that he was the problem with his impressionistic theories based on , frankly, opportunistic impulses. Another example, from that same period, was the idea of Professor Regis Debray ( in the service of Fidel at the time ) that guerrilla foci out in the hills were the way forward ( a codification of the experience of the Cuban Revolution for which many subjective revolutionary paid dearly with their lives). Or the anti-Marxist Maoist notion that the countryside would defeat the cities that flamed the imagination of many Western radicals in the late 1960’s. I could go on with more examples but they only lead to one conclusion- we are, among other things, in a theoretical trough. This, my friends, is why today I have my Help Wanted sign out. Any takers?

I Did It My Way-With Bob Dylan’s Shadows In The Night In Mind

I Did It My Way-With Bob Dylan’s Shadows In The Night In Mind

 

 

 

From The Pen Of Bart Webber

Recently Sam Eaton an old friend of mine from high school days down at Carver High School in Southeastern Massachusetts whom I reunited with at a class reunion via the “magic” of the Internet which seems to be able to ferret out anybody who has ever put the slightest information on any website (and which has been recorded by our “friends” at NSA and other “big brother” operations done in “our interest” by the American government but enough of that for now as that is a subject worthy of another time) did a review of Bob Dylan’s latest CD brought out in 2014, Shadows In The Night. The album a tribute to the king of Tin Pan Alley songwriter fest, Frank Sinatra, in the days when there was something of an unwritten code or maybe not unwritten but assumed by the division of labor that the singer and songwriter were strangers in the night in another sense. (Also later, after a semi-successful screen career where he did excellent work in the film adaptations of James Jones’ From Here To Eternity and Nelson Algren’s wrenching The Man With The Golden Arm and some notoriety as the leader of a rat pack of Hollywood and Los Vegas celebrities, named the “Chairman of the boards,” the boards being the stage upon which his fame rested as a singer, actor and hail fellow, well met.). In that review Sam noted that such an effort to go back to an aspect, an off-shoot of the great American Songbook of which Dylan knew so much even early on before he became famous as the “king of folksingers” was bound to happen if he lived long enough.

Going back to the Great Depression/World War II period that our parents, we the baby-boomers parents (although Dylan born in 1941 missed the big generation of “68 boat but for Sam’s purpose that was okay he got tagged as an honorary “68er) slogged through for musical inspiration. Going back to something, some place that when were young and immortal, young and thinking that what we had created would last forever we would have, rightly, dismissed out of hand. And since Dylan has lived long enough, long enough to go back to some bygones roots  here we are talking about something that let us say in 1970 Sam would have dismissed as impossible, dismissed as the delusional ravings of somebody like Sam’s older brother, Mason, who hated almost everything about the counter-cultural movement of the 1960s both before he did two tours in Vietnam beginning in 1965 even before the big call-ups after the Gulf of Tonkin Resolution, enlisting naturally, without a scratch on him, before he got married to his high school sweetheart who had waited, had waited through those two long tours for him maybe sensing that he would come through unscratched, got his little white picket house in hometown North Carver away from his South Carver working class son of a bogger (cranberry bogs the only thing that keep the town together back then and for which it had been famous for generations), and after when he would, along with the lovely bride stand in front of abortion clinics and spew hateful words and make threatening gestures against poor bedraggled young women (mainly)  up against it after some guy left her in the lurch to worry and fret about bringing another baby into this wicked old world and fag bait (without the bride as far as Sam knew, they were not exactly on the best of terms then, or now for that matter) every guy in town whose had a word to say about peace and went crazy when somebody mentioned that gays (in the closet gays) had served in the military during his war and would think nothing of punching any guy who he thought was “light on his feet” (lesbians he seemed, according to Sam, he skipped for some reason), had been ready to spill blood it seemed to cut off the heads of anybody who wanted to breathe a new fresh breath not tinged with our parents’ worn out ways of doing business in civil society. (A whole dissertation or at least a serious long article could be written about how the gap of maybe three years, graduating in say 1961 like Mason and 1964 like Sam created a whole divide in social/political/cultural attitudes in many families. Not all but many where the fresh breeze of the Kennedy Camelot minute dream breeze had not been strong enough to check the desire of the former grouping to serve one’s country, right or wrong, marry one time forever, and get that little white fence house that was a step, maybe two, up from Ma and Pa.)   

Strange as it may seem to a generation, the generation of ’68, today’s AARP generation, okay, baby-boomers who came of age with the clarion call put forth musically by Bob Dylan and others to dramatically break with the music of our parents’ pasts, the music that got them through the Great Depression and slogging through World War II, he has put out an album featuring the work of Mr. Frank Sinatra the king of that era in many our parents’ households. Dylan’s call, clarion call if you will of Blowin’ In The Wind and The Times They Are A-Changin’ (those dropped “gs” a sign of the folk informally and a general mid-country phenomenon) written and sung by him which began a trend in music that pulled the mythical Tin Pan Alley marquee down (and a lot of non-singing-instrument composers and professional studio musical on cheap street) were direct assaults on whatever Grandfather Ike, the Cold War death bombs mentality or the deep freeze cultural and personal red scare which had carried  the country (and Frank) through the 1950s.

The music of the Broadway shows, Tin Pan Alley, Cole Porter/Irving Berlin/ the Gershwins/Jerome Kern, Sam who along with his interest in rock and roll, urban blues and protest-tinged folk music a la Dylan (and Phil Ochs, Joan Baez, Utah Phillips, Tom Paxton and a group of other who I forget that he was always talking about ) also knew about and hence his status as “professional” amateur archivist and reviewer so forgive me if I have left anybody of  importance out. Have I missed anybody of importance, probably, probably missed some of those Rogers and Hart Broadway show tunes teams, and so on.

That proposition though, at least as it pertains to Bob Dylan as an individual, seems less strange as Sam pointed out to me if you were not totally mired in the Bob Dylan protest minute of the early 1960s as I was although folk music beyond Dylan and a couple of others made my teeth grind, left me flat and even with Dylan it was an iffy proposition when he was cranky-voiced in live performances like one time, maybe 1964, when Sam, at Sam’s insistence, forced me since I had access to a car to go down to the Newport Folk Festival one hot July night to hear “the bard ” and he croaked out his set. Those were the days though when even I realized that whether Dylan wanted that designation or not, he was the “voice of a generation,” catching the new breeze a lot of us felt coming through the land.

In the end Dylan did not want it, ran from it (with the “help” of a serious motorcycle accident which kept him out of the live limelight, holed up in Woodstock along with musicians who would be the Band (the rock and roll back-up band for Dylan and later on their own), although not out of big time album making, that being a rather prolific album period for him, did not want to be the voice of a generation, had no banner to way, no sign to hold up for humanity as say Joan Baez, an ex-girlfriend or something like that, and Phil Ochs did, although he liked and wanted to be “king of the hill” in the music department of that generation, no question.

Wanted too to be the king hell troubadour entertaining the world for as long as he drew breathe, as long as he had a song to sing (in what kind of voice god only knows, reptilian the last time I heard him a few years ago on some aspect of his never-ending tour gig and Sam said in that review of the Sinatra tribute album that they must have had to come up with some miracles of modern “fixer man” music technology to get his voice to sound even as bad as it did on his covers which were just short of spoken verses like some New Jersey Best Western hotel lounge lizard act) and he has accomplished that, the longevity part.

What Dylan has been about for the greater part of his career though has been as an entertainer, a guy who sings his songs to the crowd and hopes they share his feelings for his songs. As he is quoted as saying in a 2015 AARP magazine article connected with the release of his Frank Sinatra tribute what he hoped was that like Frank he sang to, not at, his audience. Just like Frank did when he was in high tide around the 1940s and 1950s and our bobby-soxer mothers were tripping all over themselves like he was Elvis or something and throwing who knows what his way, maybe, notes with telephones numbers and promises of the best time he ever had. That sensibility is emphatically not what the folk protest music ethos was about but rather about stirring up the troops, stirring up the latter day Gideon’s Army to go smite the dragon, to right a few, maybe more of the wrongs of this wicked old world. Dylan early on came close, stepped into Mississippi for a day or so, then drew back, although it is hard to think of anybody from our generation except maybe Joan Baez and Phil Ochs who wrote and sang to move people from point A to point B in the social struggles of the times.

 

What Dylan has also been about through it all has been a deep and abiding respect for the American songbook that he began to gather in his mind early on (look on YouTube to a clip from Don’t Look Back where he is up in some European hotel room with Joan Baez and Bob Neuwirth singing Hank Williams ballads like Lost Highway or stuff from the Basement tapes (either set, the recently released five CD set in the never-ending bootleg set or the rarer “Genuine Basement” tape which is  where he runs the table on a few earlier genres, especially country and show tunes). In the old days that was looking for roots, roots music from the mountains, the desolate oceans, the slave quarters, along the rivers and Dylan’s hero then was Woody Guthrie. But the American songbook is a “big tent” operation and the Tin Pan Alley that he broke from when he became his own songwriter is an important part of the overall tradition and now he has added his hero Frank Sinatra to his version of the songbook (at least he called him his hero but Sam said he would be hard-pressed to name one song Dylan covered of Frank’s even as a goof.)

Sam said (an I agree somewhat, as much as I am going to with folk songs that can still make my teeth grind) that he may long for the old protest songs, the songs that stirred his blood to push on with the political struggles of the time like With God On Our Side which pushed him (and dragged me along in his wake, for a while) into the ranks of the Quakers, shakers, and little old ladies and men in tennis sneakers in the fight for nuclear disarmament, songs from the album pictured above, you know Blowin’ In The Wind which fit perfectly with the sense that something, something undefinable, something new as in the air in the early 1960s and The Times Are A Changin’ stuff like that, the roots music and not just Woody but Hank (including an incredible version of You Win Again), Tex-Mex (working later with George  Sahms of the Sir Douglas Quintet, the Carters, the odd and unusual like the magic lyric play in Desolation Row, his cover of Charley Patton’s Highwater Rising or his cover of a song Lonnie Johnson made famous, Tomorrow Night, but Dylan has sought to entertain and there is room in his tent for the king of Tin Pan Alley (as Billie Holiday was the “queen”).

Having heard Dylan live and in concert over the past several years with his grating lost voice (for Sam it was always about the lyrics not the voice although in looking at old tapes from the Newport Folk Festival on YouTube his voice was actually far better then than I would have given him credit for) I said to Sam I really did wonder, like he did, though how much production was needed to get the wrinkles out of that voice to sing as smoothly as the “Chairman of the boards,” to run the pauses and the hushed tones Frank knew how to do to keep his audience in his clutches. Yeah, still what goes around comes around.             

Maine Peace Walk Pot Luck Supper & Program Schedule -October 9 to 24

Maine Peace Walk Pot Luck Supper & Program Schedule -October 9 to 24 

                                                                                                                                 Art work by Russell Wray

 

• Day 1 (Ellsworth) Friday, October 9 -   Ellsworth Unitarian Church (121 Bucksport Rd) Evening potluck and kick-off program at 6:00 pm. Homestays needed.    Host: Starr Gilmartin 667-2421

• Day 2 (Orland) Saturday, October 10 - Potluck supper 6:00 pm and program at H.O.M.E (90 School House Rd.) Sleep at H.O.M.E.  Host: Starr Gilmartin 667-2421 or Lawrence 415-565-9867

• Day 3 (Belfast) Sunday, October 11 - First Church UCC (104 Church St) Pot luck supper (unadvertised) 6:00 pm, public program 7:00 pm.    Home stays needed & sleep at church: Cathy Mink 323-5160 & Bev Roxby 669-2903.      Host: Joel 338-2282 or 323-0940 at the UCC Church

• Day 4 (Camden) Monday, October 12 - Our Lady of Good Hope Catholic Church (7 Union St) Pot luck supper and program at 6:00 pm. Home stays needed. Host: Maureen Kehoe-Ostensen 763-4062

• Day 5 (Rockland) Tuesday, October 13 - Potluck supper and program at Unitarian church (345 Broadway) at 6:00 pm. Homestays needed.  Host: Midcoast Citizens for P & J (Steve Burke 691-0322)

• Day 6 (Damariscotta) Wednesday, October 14 - Friends Meeting House (77 Belvedere Rd) Potluck Supper and program at 6:00 pm. Sleep at Meeting House.  Host: Friends Meeting (Sue Rockwood 570-854-4458)

• Day 7 (Bath) Thursday, October 15 - UCC Neighborhood Church (corner of Washington & Centre) Potluck supper and program at 6:00 pm. Homestays needed.  Host: Bruce Gagnon 904-501-4494 & Karen Wainberg 371-8190

• Day 8 (Day off) in Bath Friday, October 16 - Stay at same homestays again this night. Potluck supper at Addams-Melman House (212 Centre St) at 6:00 pm. Host: Bruce Gagnon 904-501-4494 & Karen Wainberg 371-8190
• Day 9 (Brunswick) Saturday, October 17 - Pot luck supper at Sternlieb home (21 McKeen St) at 6:00 pm. Walker music program. Home stays needed in Brunswick. Host: Selma Sternlieb 725-7675

• Day 10 (Freeport) Sunday, October 18 - Pot luck supper at First Parish Congregation Church (on US 1) at 6:00 pm and program. Sleep at church. Host: Paula O’Brien 865-6022 & Sukie Rice 318-8531 & Cheryl Avery 865-0916

• Day 11 ( Portland) Monday, October 19 - State Street Church-UCC (159 State St.) Pot luck supper & program at 6:00 pm.  Homestays needed. Host: Grace Braley 774-1995

• Day 12 (Saco) Tuesday, October 20 - First Parish Congregation Church on corner of Beech & Maine. Pot luck supper and program at 6:00 pm. Home stays needed.  Host: Tom Kircher 282-7530

• Day 13 (Kennebunk) Wednesday, Oct 21 - New School (38 York Street). Pot luck supper and program at 6:00 pm. Sleep at school.  Host: Olive Hight 207-590-9505

• Day 14  (York Beach) Thursday, October 22 - York Beach (52 Freeman St) Supper, music program & sleeping spot at 6:00 pm. Host: Pat Scanlon 978-474-9195 & Smedley Butler Brigade of Boston-area VFP

• Day 15 (Portsmouth) Friday, October 23 - Supper and program at St. John’s Episcopal Church (100 Chapel St) at 6:00 pm.  Home stays needed, Host: Doug Bogen 603-617-6243

• Day 16 (Finale in Portsmouth) Saturday, October 24 - Meet at Market Square 10:00 am. Walk thru downtown and back over bridge to Kittery. Rally & speakers at shipyard gate (deliver letter). Walk back to Market Square for final closing circle around noon. Host: Doug Bogen 603-617-6243

 

~ The walk is being sponsored by Maine Veterans for Peace; PeaceWorks; CodePink Maine; Citizens Opposing Active Sonar Threats (COAST); Peace Action Maine; Veterans for Peace Smedley Butler Brigade (Greater Boston); Seacoast Peace Response (Portsmouth); Maine Green Independent Party; and Global Network Against Weapons & Nuclear Power in Space.

 

For full walk route schedule details see http://vfpmaine.org/walk%20for%20peace%202015.html 

Join The Last Days Of Maine Peace Walk

Join The Last Days Of Maine Peace Walk

 

Massachusetts Citizens Against The Death Penalty website.

Click below to link to the Massachusetts Citizens Against The Death Penalty website.

http://www.mcadp.org/

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Markin comment:

I have been an opponent of the death penalty for as long as I have been a political person, a long time. While I do not generally agree with the thrust of the Massachusetts Citizens Against The Death Penalty Committee’s strategy for eliminating the death penalty nation-wide almost solely through legislative and judicial means From The Massachusetts Citizens Against The Death Penalty Website

 

 

Click below to link to the Massachusetts Citizens Against The Death Penalty website.

http://www.mcadp.org/

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Markin comment:

I have been an opponent of the death penalty for as long as I have been a political person, a long time. While I do not generally agree with the thrust of the Massachusetts Citizens Against The Death Penalty Committee’s strategy for eliminating the death penalty nation-wide almost solely through legislative and judicial means I am always willing to work with them when specific situations come up. (Think about the 2011 Troy Davis case down in Georgia for a practical example of the limits of that strategy and think today in Massachusetts with the recent death sentence for the remaining Marathon bomber where some of us were down at the Moakley Federal Court House protesting the death penalty with seeing anybody from the MCADP anywhere near that scene.) In any case they have a long pedigree extending, one way or the other, back to Sacco and Vanzetti and that is always important to remember whatever our political differences.

Here is another way to deal with both the question of the death penalty and of political prisoners from an old time socialist perspective taken from a book review of James P. Cannon's Notebooks Of An Agitator:

I note here that among socialists, particularly the non-Stalinist socialists of those days, there was controversy on what to do and, more importantly, what forces socialists should support. If you want to find a more profound response initiated by revolutionary socialists to the social and labor problems of those days than is evident in today’s leftist responses to such issues Cannon’s writings here will assist you. I draw your attention to the early part of the book when Cannon led the Communist-initiated International Labor Defense (ILD), most famously around the fight to save the anarchists Sacco and Vanzetti here in Massachusetts. That campaign put the Communist Party on the map for many workers and others unfamiliar with the party’s work. For my perspective the early class-war prisoner defense work was exemplary.

The issue of class-war prisoners is one that is close to my heart. I support the work of the Partisan Defense Committee, Box 99 Canal Street Station, New York, N.Y 10013, an organization which traces its roots and policy to Cannon’s ILD. That policy is based on an old labor slogan- ‘An injury to one is an injury to all’ therefore I would like to write a few words here on Cannon’s conception of the nature of the work. As noted above, Cannon (along with Max Shachtman and Martin Abern and Cannon’s longtime companion Rose Karsner who would later be expelled from American Communist Party for Trotskyism with him and who helped him form what would eventually become the Socialist Workers Party) was assigned by the party in 1925 to set up the American section of the International Red Aid known here as the International Labor Defense.

It is important to note here that Cannon’s selection as leader of the ILD was insisted on by the Industrial Workers of the World (IWW) because of his pre-war association with that organization and with the prodding of “Big Bill’ Haywood, the famous labor organizer exiled in Moscow. Since many of the militants still languishing in prison were anarchists or syndicalists the selection of Cannon was important. The ILD’s most famous early case was that of the heroic anarchist workers, Sacco and Vanzetti. The lessons learned in that campaign show the way forward in class-war prisoner defense.

I believe that it was Trotsky who noted that, except in the immediate pre-revolutionary and revolutionary periods, the tasks of militants revolve around the struggle to win democratic and other partial demands. The case of class-war legal defense falls in that category with the added impetus of getting the prisoners back into the class struggle as quickly as possible. The task then is to get them out of prison by mass action for their release. Without going into the details of the Sacco and Vanzetti case the two workers had been awaiting execution for a number of years and had been languishing in jail. As is the nature of death penalty cases various appeals on various grounds were tried and failed and they were then in imminent danger of execution.

Other forces outside the labor movement were also interested in the Sacco and Vanzetti case based on obtaining clemency, reduction of their sentences to life imprisonment, or a new trial. The ILD’s position was to try to win their release by mass action- demonstrations, strikes and other forms of mass mobilization. This strategy obviously also included, in a subordinate position, any legal strategies that might be helpful to win their freedom. In this effort the stated goal of the organization was to organize non-sectarian class defense but also not to rely on the legal system alone portraying it as a simple miscarriage of justice. The organization publicized the case worldwide, held conferences, demonstrations and strikes on behalf of Sacco and Vanzetti. Although the campaign was not successful and the pair were executed in 1927 it stands as a model for class-war prisoner defense. Needless to say, the names Sacco and Vanzetti continue to be honored to this day wherever militants fight against this American injustice system.

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Oh, but you who philosophize disgrace and criticize all fears
Bury the rag deep in your face
For now's the time for your tears."

last lines from The Lonseome Death Of Hattie Carroll, another case of an injustice against black people. - Bob Dylan, 1963

Markin comment (posted September 22, 2011):

Look, after almost half a century of fighting every kind of progressive political struggle I have no Pollyanna-ish notion that in our fight for a “newer world” most of the time we are “tilting at windmills.” Even a cursory look at the history of our struggles brings that hard fact home. However some defeats in the class struggle, particularly the struggle to abolish the barbaric, racist death penalty in the United States, hit home harder than others. For some time now the fight to stop the execution of Troy Davis has galvanized this abolition movement into action. His callous execution by the State of Georgia, despite an international mobilization to stop the execution and grant him freedom, is such a defeat.

On the question of the death penalty, moreover, we do not grant the state the right to judicially murder the innocent or the guilty. But clearly Brother Davis was innocent. We will also not forget that hard fact. And we will not forget Brother Davis’ dignity and demeanor as he faced what he knew was a deck stacked against him. And, most importantly, we will not forgot to honor Brother Davis the best way we can by redoubling our efforts to abolition the racist, barbaric death penalty everywhere, for all time. Forward.

Additional Markin comment posted September 23, 2011:

No question the execution on September 21, 2011 by the State of Georgia of Troy Anthony Davis hit me, and not me alone, hard. For just a brief moment that night, when he was granted a temporary stay pending a last minute appeal before the United States Supreme Court just minutes before his 7:00 PM execution, I thought that we might have achieved a thimbleful of justice in this wicked old world. But it was not to be and so we battle on. Troy Davis shall now be honored in our pantheon along with the Haymarket Martyrs, Sacco and Vanzetti, Julius and Ethel Rosenberg and others. While Brother Davis may have not been a hard politico like the others just mentioned his fight to abolish the death penalty for himself and for future Troys places him in that company. Honor Troy Davis- Fight To The Finish Against The Barbaric Racist Death Penalty!