Those Who Fought For Our Communist Future Are Kindred Spirits-James P. Cannon

Those Who Fought For Our Communist Future Are Kindred Spirits-James P. Cannon

 Click below to link to the James Cannon Internet Archives 

http://www.marxists.org/archive/cannon/works/

 

From The Pen Of Josh Breslin

Back in the early 1970s after they had worked out between themselves the rudiment of what had gone wrong with the May Day 1971 actions in Washington, D.C. Sam Eaton and Ralph Morris began some serious study of leftist literature from an earlier time, from back earlier in the century. Those May Day anti-Vietnam War actions, ill-conceived as they in the end turned out to be, centered on the proposition that if the American government would not close down the damn blood-sucking war then they, those thousands that participated in the actions, would close down the government. All Sam, Ralph and those thousands of others got for their efforts was a round-up into the bastinado. Sam had been picked off in the round-up on Pennsylvania Avenue as his group (his “affinity group” for the action) had been on their way to “capture” the White House. Ralph and his affinity group of ex-veterans and their supporters were rounded-up on Massachusetts Avenues heading toward the Pentagon (they had no plans to capture that five-sided building, at least they were unlike Sam’s group not that naïve, just surround it like had occurred in an anti-war action in 1967 which has been detailed in Norman Mailer’s prize-winning book Armies Of The Night). For a time RFK (Robert F. Kennedy) Stadium, the home of the Washington Redskins football team) had been the main holding area for those arrested and detained. The irony of being held in a stadium named after the martyred late President’s younger brother and lightening rod for almost all anti-war and “newer world” political dissent before he was assassinated in the bloody summer of 1968 and in a place where football, a sport associated in many radical minds with all that was wrong with the American system was lost on Sam and Ralph at the time and it was only later, many decades later, as they were sitting in a bar in Boston across from the JFK Federal Building on one of their periodic reunions when Ralph was in town that Sam had picked up that connection.

Sam, from Carver in Massachusetts, who had been a late convert to the anti-war movement in 1969 after his closest high school friend, Jeff Mullin, had been blown away in some jungle town in the Central Highlands was like many late converts to a cause a “true believer,” had taken part in many acts of civil disobedience at draft boards, including the one in hometown Carver, federal buildings and military bases. From an indifference, no that’s not right, from a mildly patriotic average young American citizen that you could find by the score hanging around Mom and Pop variety stores, pizza parlors, diners, and bowling alleys in the early 1960s, he had become a long-haired bearded “hippie anti-warrior.” Not too long though by the standards of “youth nation” of the day since he was running a small print shop in Carver in order to support his mother and four younger sisters after his father had passed away suddenly of a massive heart attack in 1965 which exempted him from military service. Not too short either since those “squares” were either poor bastards who got tagged by the military and had to wear their hair short an appearance which stuck out in towns like Cambridge, Ann Arbor, Berkeley and L.A. when the anti-war movement started embracing the increasingly frustrated and anti-war soldiers that  they were beginning to run across or, worse, cops before they got “hip” to the idea that guys wearing short hair, no beard, looked like they had just taken a bath, and wore plaid short-sleeved shirts and chinos might as well have a bulls-eye target on their backs surveilling the counter-cultural crowd.

Ralph, from Troy, New York, had been working in his father’s electrical shop which had major orders from General Electric the big employer in the area when he got his draft notice and had decided to enlist in order to avoid being an 11B, an infantryman, a grunt, “cannon fodder,” although he would not have known to call it that at the time, that would come later. He had expected to go into something which he knew something about in the electrical field at least that is what the recruiting sergeant in Albany had “promised” him. But in the year 1967 (and 1968 too since he had extended his tour six months to get out of the service a little early) what the military needed in Vietnam whatever else they might have needed was “cannon fodder,” guys to go out into the bushes and kill commies. Simple as that. And that was what Ralph Morris, a mildly patriotic average young American citizen, no that is not right, a very patriotic average young American citizen that you could also find by the score hanging around Mom and Pop variety stores, pizza parlors, diners, and bowling alleys in the early 1960s, did. But see he got “religion” up there in Pleiku, up there in the bush and so when he had been discharged from the Army in late 1969 he was in a rage against the machine. Sure he had gone back to the grind of his father’s electrical shop but he was out of place just then, out of sorts, needed to find an outlet for his anger at what he had done, what had happened to buddies very close to him, what buddies had done, and how the military had made them animals, nothing less. (Ralph after his father retired would take over the electric shop business on his own in 1991 and would thereafter give it to his son to take over after he retired in 2011.)

One day he had gone to Albany on a job for his father and while on State Street he had seen a group of guys in mismatched military garb marching in the streets without talking, silent which was amazing in itself from what he had previously seen of such marches and just carrying a big sign-Vietnam Veterans Against The War (VVAW) and nobody stopped them, no cops, nobody, nobody yelled “commie” either or a lot of other macho stuff that he and his hang out guys used to do in Troy when some peaceniks held peace vigils in the square. The civilian on-lookers held their tongues that day although Ralph knew that the whole area still retained a lot of residual pro-war feeling just because America was fighting somewhere for something. He parked his father’s truck and walked over to the march just to watch at first. Some guy in a tattered Marine mismatched uniform wearing Chuck Taylor sneakers in the march called out to the crowd for anybody who had served in Vietnam, served in the military to join them shouting out their military affiliation as they did so. Ralph almost automatically blurred out-“First Air Cav” and walked right into the street. There were other First Air Cav guys there that day so he was among kindred. So yeah, Ralph did a lot of actions with VVAW and with “civilian” collectives who were planning more dramatic actions. Ralph always would say later that if it hadn’t been for getting “religion” on the war issue and doing all those political actions then he would have gone crazy, would have wound up like a lot of guys he would see later at the VA, see out in the cardboard box for a home streets, and would not until this day have supported in any way he could, although lately not physically since his knee replacement, those who had the audacity to march for the “good old cause.”                           

That is the back story of a relationship has lasted until this day, an unlikely relationship in normal times and places but in that cauldron of the early 1970s when the young, even the not so very young, were trying to make heads or tails out of what was happening in a world they did not crate, and were not asked about there were plenty of such stories, although most did not outlast that search for the newer world when the high tide of the 1960s ebbed in the mid-1970s. Ralph had noticed while milling around the football field waiting for something to happen, waiting to be released, Sam had a VVAW button on his shirt and since he did not recognize Sam from any previous VVAW action had asked if he was a member of the organization and where. Sam told him the story of his friend Jeff Mullin and of his change of heart about the war, and about doing something about ending the damn thing. That got them talking, talking well into the first night of their captivity when they found they had many things in common coming from deeply entrenched working-class cultures. (You already know about Troy. Carver is something like the cranberry bog capital of the world even today although the large producers dominate the market unlike when Sam was a kid and the small Finnish growers dominated the market and town life. The town moreover has turned into something of a bedroom community for the high-tech industry that dots U.S. 495.) After a couple of days in the bastinado Sam and Ralph hunger, thirsty, needing a shower after suffering through the Washington humidity heard that people were finding ways of getting out to the streets through some side exits. They decided to surreptiously attempt an “escape” which proved successful and they immediately headed through a bunch of letter, number and state streets on the Washington city grid toward Connecticut Avenue heading toward Silver Springs trying to hitchhike out of the city. A couple of days later having obtained a ride through from Trenton, New Jersey to Providence, Rhode Island they headed to Sam’s mother’s place in Carver. Ralph stayed there a few days before heading back home to Troy. They had agreed that they would keep in contact and try to figure out what the hell went wrong in Washington that week. After making some connections through some radicals he knew in Cambridge to live in a commune Sam asked Ralph to come stay with him for the summer and try to figure out that gnarly problem. Ralph did, although his father was furious since he needed his help on a big GE contract for the Defense Department but Ralph was having none of that.    

So in the summer of 1971 Sam and Ralph began to read that old time literature, although Ralph admitted he was not much of a reader and some of the stuff was way over his head, Sam’s too. Mostly they read socialist and communist literature, a little of the old IWW (Wobblie) stuff since they both were enthrall to the exploits of the likes of Big Bill Haywood out West which seemed to dominate the politics of that earlier time. They had even for a time joined a loose study group sponsored by one of the myriad “red collectives” that had sprung up like weeds in the Cambridge area. Both thought it ironic at the time, and others who were questioning the direction the “movement” was heading in stated the same thing when they were in the study groups, that before that time in the heyday of their anti-war activity everybody dismissed the old white guys (a term not in common use then like now) like Marx, Lenin, Trotsky, and their progeny as irrelevant. Now everybody was glued to the books.

It was from that time that Sam and Ralph got a better appreciation of a lot of the events, places, and personalities from the old time radicals. Events like the start of May Day in 1886 as an international working class holiday which they had been clueless about despite the   May Day actions, the Russian Revolutions, the Paris Commune, the Chinese Revolutions, August 1914 as a watershed against war, the Communist International, those aforementioned radicals Marx, Lenin, Trostky, adding in Mao, Che, Fidel, Ho whose names were on everybody’s tongue (and on posters in every bedroom) even if the reason for that was not known. Most surprising of all were the American radicals like Haywood, Browder, Cannon, Foster, and others who nobody then, or almost nobody cared to know about at all.

As they learned more information about past American movements Sam, the more interested writer of such pieces began to write appreciation of past events, places and personalities. His first effort was to write something about the commemoration of the 3 Ls (Lenin, Luxemburg, and Liebknecht) started by the Communist International back in the 1920s in January 1972, the first two names that he knew from a history class in junior college and the third not at all. Here is what he had to say then which he recently freshly updated. Sam told Ralph after he had read and asked if he was still a “true believer” said a lot of piece he would still stand by today:       

“Every January, as readers of this piece are now, hopefully, familiar with the international communist movement honors the 3 Ls-Lenin, Luxemburg and Liebknecht, fallen leaders of the early 20th century communist movement who died in this month (and whose untimely deaths left a huge, irreplaceable gap in the international leadership of that time). January is thus a time for us to reflect on the roots of our movement and those who brought us along this far. In order to give a fuller measure of honor to our fallen forbears this January, and in future Januarys, this space will honor others who have contributed in some way to the struggle for our communist future. [Sam did so for a few years but as the times changed, he expanded his printing business and started a family he gave that up.] That future classless society, however, will be the true memorial to their sacrifices. This year we pay special honor to American Communist Party and American Trotskyist leader James P. Cannon.

Note on inclusion: this year’s honorees do not exhaust the list of every possible communist worthy of the name. Nor, in fact, is the list limited to Bolshevik-style communists. There will be names included from other traditions (like anarchism, social democracy, the Diggers, Levelers, Jacobins, etc.) whose efforts contributed to the international struggle. Also this year’s efforts are no more than an introduction to these heroes of the class struggle. Future years will see more detailed information on each entry, particularly about many of the lesser known figures. Better yet, the reader can pick up the ball and run with it if he or she has more knowledge about the particular exploits of some communist militant, or to include a missing one.

**********

BOOK REVIEW

SPEECHES FOR SOCIALISM- JAMES P. CANNON, PATHFINDER PRESS, NEW YORK, 1971

If you are interested in the history of the American Left or are a militant trying to understand some of the past lessons of our history concerning the socialist response to various social and labor questions this book is for you. This book is part of a continuing series of the writings of James P. Cannon that was published by the organization he founded, the Socialist Workers Party. [Cannon died in 1974.]

In the introduction the editors motivate the purpose for the publication of the book by stating the Cannon was the finest Communist leader that America had ever produced. This an intriguing question. The editors trace their political lineage back to Cannon’s leadership of the early Communist Party and later after his expulsion to the Trotskyist Socialist Workers Party so their perspective is obvious. What does the documentation provided here show? This certainly is the period of Cannon’s political maturation, especially after his long collaboration working with Trotsky. The period under discussion- from the 1920’s when he was a leader of the American Communist Party to the red-baiting years after World War II- started with his leadership of the fight against the degeneration of the Russian Revolution and then later against those who no longer wanted to defend the gains of the Russian Revolution despite the Stalinist degeneration of that revolution. Cannon won his spurs in those fights and in his struggle to orient those organizations toward a revolutionary path. One thing is sure- in his prime which includes this period- Cannon had the instincts to want to lead a revolution and had the evident capacity to do so. That he never had an opportunity to lead a revolution is his personal tragedy and ours as well.

This volume is a compendium of Cannon’s speeches over most of his active political life beginning with his leadership role in the early American Communist Party and his secondary role in the Communist International. Some of the selections are also available in other parts of the series mentioned above. I would also note here that in contrast to his "Notebook of an Agitator" the pieces here tend to be longer and based on more general socialist principles. The socialist movement has always emphasized two ways of getting its message out- propaganda and agitation. The selections here represent a more propagandistic approach to that message. Many of the presentations hold their own even today in 1972 [and in 2015] as thoughtful expositions of the aims of socialism and how to struggle for it. I particularly draw the reader’s attention to "Sixty Years of American Radicalism" a speech given in 1959 in which Cannon draws a general overview of the ebbs and flows of the socialist movement from the turn of the 20th century until then. At that time Cannon also predicted a new radical upsurge which did occur shortly thereafter [the blazing 1960s of Sam, Frank and my youth.] but unfortunately has long since ended.

Cannon’s speech correctly marks the great divide in the American socialist movement at World War I and the socialist response American participation in that war and subsequently to the Russian Revolution. Prior to that time socialist activity was a loose, federated affair driven by a more evolutionary approach to ultimate socialist success i.e. reformism. That trend was symbolized by the work of the great socialist leader, Eugene V. Debs. While that approach had many, ultimately, fatal flaws it did represent a solid attempt to draw a class struggle line for independent (from the capitalist parties) political action by the working class.

Drawing on those lessons the early Communist Party, basing itself on support of the Russian Revolution, became dominant on the American left by expanding on that concept. That is, until the mid-1930’s after it had already long been an agency under orders from Moscow in support, by one means or another, of the Rooseveltian Democratic Party, a capitalist party. That was fatal to long term prospects for independent working class political action and Cannon has harsh words for the party’s policy. He also noted that the next upsurge would have to right that policy by again demanding an independent political expression for the working class. Unfortunately, when that radical upsurge did occur in the 1960’s and early 1970’s the party that he formed, the Socialist Workers Party, essentially replicated in the anti-Vietnam War movement and elsewhere the Communist Party’s class collaborationist policy with the remnants of American liberalism. Obviously, as a man in his sixties Cannon was no longer able or willing to fight against that policy by the party that he had created. Thus, the third wave of radicalism also ebbed and the American Left declined. Nevertheless this speech is Cannon’s legacy to the youth today. [2015] A new upsurge, and it will come, must learn this lesson and fight tooth and nail for independent political expression for the working class to avoid another failure.

  

Channeling The Grateful Dead Minus…

Channeling The Grateful Dead Minus…

 

From The Pen Of Sam Lowell

No I was never a “Dead Head,” never would have accepted that designation in any case if somebody tried to lay that moniker on me, tried to tie me down with that crowd who lived and breathed (still do) for every tune the Grateful Dead ever produced, although in the old days, the days of the 1960s mad dash to seek a newer world that got trashed about seven million ways before the deal went down and “the authorities,” as my mother used to say when speaking of the ruling class or its agents, pulled the hammer down and soured a whole generation, no, make that three generations now since they are still furiously trying to keep us in lock-down mode, I went out in San Francisco by the moniker Prince of Love. So it wasn’t about the moniker, wasn’t about being type-cast, just wasn’t into the group, preference is all. 

By the way that Prince Of Love moniker was strictly among the brethren, those who were, literally, my mates on the yellow brick road converted school bus, a mode of transportation which while not ubiquitous on the California roads that distinction would go to Volkswagen mini-buses they were not an infrequent sight and after a while were not remarked on by anybody but tourists and cops, the cops usually looking  for that fatal violation, you know, the rear license plate light out, which allowed them to haul the beast to the side of the road and give  some hassle, hassle man.

A group of us sometimes sticking together for months like the Be-Bop Kid, Peter Markin, my closest friend since he hailed from North Adamsville about twenty miles north of my hometown of Carver, Tiny Slim Tim as you might suspect a giant whose real name was Dexter something and Butterfly Swirl (Catherine Clark) from down in Carlsbad who was “slumming” from the perfect wave surfer crowd she hung with in high school to see what the next best thing was in the frenetic California night and who every guy on the bus took a shot at, including Be-Bop and me stuck together longest (Markin as it turned out for years after  we got off the road before he ended up badly down in Mexico, all sister crazy, over a busted drug deal he was trying to put together with the cartel boys who were not pleased), others, Mustang Sally (you can figure that one out if you know the song), Reefer Jones (ditto on the figuring out just throw yourselves back to any urban college dorm, student ghetto apartment, rock concert and high school boys’ or girls’ lav when it filtered down to the teenagers), Guy Fawkes ( after the English plotter who has had a resurgence lately between the NSA and the young libertarians), Digger Stewart (after the 17^th century English communists led by Gerrard Winstanley up on Saint George’s Hill for a while anyway, a movement before its time) for shorter periods.

I called the Captain Crunch Express home for a couple of years as we went up and down the coast looking for the heart of Saturday night, looking for the great blue-pink American West night as the Be-Bop Kid described it and everybody kind of bought into that idea, hell, maybe just looking to turn the world upside down and see if that was any better than the gruel that was on tap for, the gruel force-fed to us for no known reason. The “Express” named after the guy, Captain Crunch (real name Slade Stokes, Haverford College Class of 1958), an older guy of indeterminate means who knew Ken Kesey and the Merry Pranksters, knew everybody who was anybody in the West Coast alternative cultural scene (for example could get “boss” tickets for 20 of us to the Fillmore to see the Jefferson Airplane when the Be-Bop Kid “married Butterfly Swirl, a long story for another time), who bought and rigged the bus complete with outrageous high end sound system, or got it in some drug trade barter deal, and was some kind of father we never knew a la Jack Kerouac-Neal Cassady/drug lord/ philosopher king to us.

No, as well, I never went to one of the Dead’s sold-out stoned out concerts at the Fillmore (which the Captain also could get tickets for since he knew the Dead drummer), and something of a ceremonial rite of passage for those who did consider themselves “Dead Heads” and insisted that each and every time out they eat so much acid (LSD), smoke so many reefers (for the clueless see reference above), swallow some many bennies (speed my drug of choice then and later in law school where I used them just to get through the damn silly case studies we were required to know at the cost of being berated by some professor who had shark’s teeth) just like the very first time they hear the Dead in order to get that same guitar rush. And taking something from sports figures and their superstitions wear the same outfit, the same faded denim, throng sandals, flowered shirt, male, granny dress, sandals, flowers in hair, female, each time to be washed clean by the Dead magic (of course those who never gave up the tradition had pretty threadbare outfits something just south of tramp/bum/hobo before Jerry went over the top, went to see the “fixer” man to get well one more time, one time too many. (Should have read Nelson Algren’s The Man With The Golden Arm to know you can never mess with the fixer man, never get washed clean no matter what they say).The fixer man no friend as the lyrics to The Pusher Man by Steppenwolf make perfectly clear, goddam. So like I say despite the voodoo macabre stuff I have any number of friends who were/are ardent fans and they seem to be, well, normal, normal except in those flashback moments where they see “colors, man, colors,” would speak of having “far out” experiences when they would/will get ready for a Dead concert. (Remind me to tell you sometime about a friend of mine, as stone-cold Dead Head, from back in Carver, my growing up hometown about thirty miles south of Boston, who to give you an idea of the tenor of the times back then went from a foul-mouthed corner boy looking to do a nickel or dime in some state pen if the ‘60s hadn’t come along, actually using that moniker in high school, he said it turned the girls on, and maybe it did, to “Far-Out Phil” when he came West to join us.) So even the best of them would succumb until the wheels kind of fall off….for a while.  

But here is my take on the Dead just to keep things in perspective, just to keep things right. I, after a couple of years on the road out there, and maybe not directly in the inner circle of the hippie/drug/literary scene but close enough to get tangled up in the new dispensation I liked to look at the connections, the West Coast connections, where a lot of the energy of the 1960s got its start or if started elsewhere got magnified there. Like to draw the lines, if you will, from the wild boy alienated, there is no other word that says it so well, bikers over in Oakland and the edges of other working-class towns, mostly white, mostly with some kind of Okie/Arkie background roaring up the streets of Squaresville in search of the village daughters and putting the fear in the average citizen who thought Attila the Hun’s kin had descended, but remember that alienated part that is the hook-in, hot rod after midnight “chicken run” runners out in the valleys, alienated too but with a little dough and some swag and a hell-bend desire to go fast, go very fast, if for no other reason than to breakout of  valley ennui (although they would punch somebody out, fag bait somebody if they ever used such a word in their presence if they knew what it meant) and surfer boys, coast boys and with a little more laid back approach in search of the perfect wave (read: Nirvana), maybe not quite so alienated because of that golden tan blonde dish sitting on the beach waiting to see if Sir Galahad finds the holy grail, to the “beat” guys Kerouac, Cassady, Ginsberg and friends running across America just to keep running, writing up a storm, wenching, whoring , pimping, white blue-eyed hipsters “speaking” be-bop to a jaded world, to sainted Ken Kesey and the Merry Pranksters (and our Captain Crunch, leader of our own merry prankster psychedelic bus), the Hell’s Angels (bad dudes, bad dudes, no question), Fillmore with strobe light beams creating dreams, et. al and you have the skeleton for what went on then, right or wrong. Wasn’t that a time, yes, Lord, wasn’t that a time. And the Dead were right in the mix.         

In Boston- Smedley Butler Brigade-Veterans For Peace Fundraiser- November 18th

In Boston- Smedley Butler Brigade-Veterans For Peace Fundraiser- November 18th

From the Archives of Marxism-“Karl Marx” by V.I. Lenin-Part Five

Workers Vanguard No. 1077	30 October 2015

From the Archives of Marxism-“Karl Marx” by V.I. Lenin-Part Five

 

We print below the fifth installment of “Karl Marx” by Lenin. The first four segments of this series, which described Marx’s philosophical and economic doctrines, were published in WV Nos. 1073-1076 (4 and 18 September and 2 and 16 October). This selection outlines the necessary replacement of capitalism by socialist society and the subsequent withering away of the state.

 

Socialism

 

From the foregoing it is evident that Marx deduces the inevitability of the transformation of capitalist society into socialist society wholly and exclusively from the economic law of the development of contemporary society. The socialisation of labour, which is advancing ever more rapidly in thousands of forms and has manifested itself very strikingly, during the half-century since the death of Marx, in the growth of large-scale production, capitalist cartels, syndicates and trusts, as well as in the gigantic increase in the dimensions and power of finance capital, provides the principal material foundation for the inevitable advent of socialism. The intellectual and moral motive force and the physical executor of this transformation is the proletariat, which has been trained by capitalism itself. The proletariat’s struggle against the bourgeoisie, which finds expression in a variety of forms ever richer in content, inevitably becomes a political struggle directed towards the conquest of political power by the proletariat (“the dictatorship of the proletariat”). The socialisation of production cannot but lead to the means of production becoming the property of society, to the “expropriation of the expropriators.” A tremendous rise in labour productivity, a shorter working day, and the replacement of the remnants, the ruins, of small-scale, primitive and disunited production by collective and improved labour—such are the direct consequences of this transformation. Capitalism breaks for all time the ties between agriculture and industry, but at the same time, through its highest development, it prepares new elements of those ties, a union between industry and agriculture based on the conscious application of science and the concentration of collective labour, and on a redistribution of the human population (thus putting an end both to rural backwardness, isolation and barbarism, and to the unnatural concentration of vast masses of people in big cities). A new form of family, new conditions in the status of women and in the upbringing of the younger generation are prepared by the highest forms of present-day capitalism: the labour of women and children and the break-up of the patriarchal family by capitalism inevitably assume the most terrible, disastrous, and repulsive forms in modern society. Nevertheless, “modern industry, by assigning as it does, an important part in the socially organised process of production, outside the domestic sphere, to women, to young persons, and to children of both sexes, creates a new economic foundation for a higher form of the family and of the relations between the sexes. It is, of course, just as absurd to hold the Teutonic-Christian form of the family to be absolute and final as it would be to apply that character to the ancient Roman, the ancient Greek, or the Eastern forms which, moreover, taken together form a series in historic development. Moreover, it is obvious that the fact of the collective working group being composed of individuals of both sexes and all ages, must necessarily, under suitable conditions, become a source of humane development; although in its spontaneously developed, brutal, capitalistic form, where the labourer exists for the process of production, and not the process of production for the labourer, that fact is a pestiferous source of corruption and slavery” (Capital, Vol. I, end of Chap. 13). The factory system contains “the germ of the education of the future, an education that will, in the case of every child over a given age, combine productive labour with instruction and gymnastics, not only as one of the methods of adding to the efficiency of social production, but as the only method of producing fully developed human beings” (ibid.). Marx’s socialism places the problems of nationality and of the state on the same historical footing, not only in the sense of explaining the past but also in the sense of a bold forecast of the future and of bold practical action for its achievement. Nations are an inevitable product, an inevitable form, in the bourgeois epoch of social development. The working class could not grow strong, become mature and take shape without “constituting itself within the nation,” without being “national” (“though not in the bourgeois sense of the word”). The development of capitalism, however, breaks down national barriers more and more, does away with national seclusion, and substitutes class antagonisms for national antagonisms. It is, therefore, perfectly true of the developed capitalist countries that “the workingmen have no country” and that “united action” by the workers, of the civilised countries at least, “is one of the first conditions for the emancipation of the proletariat” (Communist Manifesto). The state, which is organised coercion, inevitably came into being at a definite stage in the development of society, when the latter had split into irreconcilable classes, and could not exist without an “authority” ostensibly standing above society, and to a certain degree separate from society. Arising out of class contradictions, the state becomes “...the state of the most powerful, economically dominant class, which, through the medium of the state, becomes also the politically dominant class, and thus acquires new means of holding down and exploiting the oppressed class. Thus, the state of antiquity was above all the state of the slave-owners for the purpose of holding down the slaves, as the feudal state was the organ of the nobility for holding down the peasant serfs and bondsmen, and the modern representative state is an instrument of exploitation of wage labour by capital” (Engels, The Origin of the Family, Private Property and the State, a work in which the writer expounds his own views and Marx’s). Even the democratic republic, the freest and most progressive form of the bourgeois state, does not eliminate this fact in any way, but merely modifies its form (the links between the government and the stock exchange, the corruption—direct and indirect—of officialdom and the press, etc.). By leading to the abolition of classes, socialism will thereby lead to the abolition of the state as well. “The first act,” Engels writes in Anti-Dühring, “by virtue of which the state really constitutes itself the representative of society as a whole—the taking possession of the means of production in the name of society—is, at the same time, its last independent act as a state. The state interference in social relations becomes superfluous in one sphere after another, and then ceases of itself. The government of persons is replaced by the administration of things and by the direction of the processes of production. The state is not ‘abolished,’ it withers away.” “The society that will organise production on the basis of a free and equal association of the producers will put the whole machinery of state where it will then belong: into the Museum of Antiquities, by the side of the spinning wheel and the bronze axe” (Engels, The Origin of the Family, Private Property and the State).

Finally, as regards the attitude of Marx’s socialism towards the small peasantry, which will continue to exist in the period of the expropriation of the expropriators, we must refer to a declaration made by Engels, which expresses Marx’s views: “...when we are in possession of state power we shall not even think of forcibly expropriating the small peasants (regardless of whether with or without compensation), as we shall have to do in the case of the big landowners. Our task relative to the small peasant consists, in the first place, in effecting a transition of his private enterprise and private possession to co-operative ones, not forcibly but by dint of example and the proffer of social assistance for this purpose. And then of course we shall have ample means of showing to the small peasant prospective advantages that must be obvious to him even today” (Engels, The Peasant Question in France and Germany, p. 17, published by Alexeyeva; there are errors in the Russian translation. Original in Die Neue Zeit).

 

[COMING UP NEXT: TACTICS OF THE CLASS STRUGGLE OF THE PROLETARIAT]

The Search For The Great Working-Class Love Song - With Richard Thompson’s Vincent Black Lightning, 1952 In Mind

The Search For The Great Working-Class Love Song - With Richard Thompson’s  Vincent Black Lightning, 1952 In Mind

 

From The Pen Of Joshua Lawrence Breslin:

Several years ago, maybe about eight years now that I think about it, I did a series of sketches on guys, folk-singers, folk-rockers, rock-folkers or whatever you want to call those who weened us away from the stale Pablum rock in the early 1960s (Bobby Vee, Rydell, Darin, et al, Sandra Dee, Brenda Lee, et al) after the gold rush dried up in what is now called the classic age of rock and roll in the mid to late 1950s when Elvis, Jerry Lee, Buddy, Chuck, Bo and their kindred made us jump. (There were gals too like Wanda Jackson but mainly it was guys in those days.) I am referring of course to the savior folk minute of the early 1960 when a lot of guys with acoustic guitars, some self-made lyrics, or stuff from old Harry Smith Anthology times gave us a reprieve. (One old-time, now old-time folk-singer from the 1960s folk minute who is still performing at small clubs and coffeehouses that small dot the country made a gradation of folk-singer, male folk-singer expectations-if you knew three chords you could gather young straight long-haired women around you, four or five chords would help fill out your date book, a dozen chords and you could have whatever you wanted. Sounds about right about the times even if you didn’t play an instrument, or sing, but knew about two thousand arcane folk facts, although songs better.)  

The series titled Not Bob Dylan centered on why those budding folkies like Tom Rush, Tom Paxton, Phil Ochs, Jesse Winchester and the man under review Richard Thompson to name a few did not make the leap to be the “king of folk” that had been ceded by the media to Bob Dylan and whatever happened to them once the folk minute went south after the combined assault of the British rock invasion (you know the yah, yah, Beatles, the no satisfaction Stones, the really got me Kinks, hell, even I’m Henry the Eighth Herman’s Hermits got serious play for a while),  and the rise of acid rock put folk in the shade (you know the White Rabbit Alice in Wonderland Jefferson Airplane, the let’s keep trucking Dead, the this is the end  Doors, The ripped Who, hell, even the aforementioned non yah, yah Beatles and non-no satisfaction Stones got caught up in the fray although not to their eternal musical playlist benefit). I also did a series on Not Joan Baez, the “queen of the folk minute” asking that same question on the female side but here dealing with one Richard Thompson the male side of the question is what is of interest.

I did a couple of sketches on Richard Thompson back then, or rather sketches based on probably his most famous song, Vincent Black Lightning, 1952 which dove-tailed with some remembrances of my youth and my semi-outlaw front to the world and the role that motorcycles played in that world. Additionally, in light of the way that a number of people whom I knew back then, classmates whom I reconnected on a class reunion website responded when I posed the question of what they thought was the great working-class love song since North Adamsville was definitely a working class town driven by that self-same ethos I wrote some other sketches driving home my selection of Thompson’s song as my choice.

The latter sketches are what interest me here. See Thompson at various times packed it in, said he had no more spirit or some such and gave up the road, the music and the struggle to made that music, as least professionally. Took time to make a more religious bent to his life and other such doings. Not unlike a number of other performers from that period who tired of the road or got discouraged with the small crowds, or lost the folk spirit. Probably as many reasons as individuals to give them. Then he, they years later had an epiphany or something, got the juices flowing again and came back on the road.  That fact is to the good for old time folk (and rock) aficionados like me.

What that fact of returning to the road by Thompson and a slew of others has meant is that my friend and I, (okay, okay my sweetie who prefers that I call her my soulmate but that is just between us so friend) now have many opportunities to see acts like Thompson’s Trio, his current band configuration, to see if we think they still “have it” (along with acts of those who never left the road like Bob Dylan who apparently is on an endless tour whether we want him to do so or not). That idea got started about a decade ago when we saw another come-back kid, Geoff Muldaur of the Jim Kweskin Jug Band, solo, who had taken something twenty years off. He had it. So we started looking for whoever was left of the old folks acts (rock and blues too) to check out that question-unfortunately the actuarial tables took their toll before we could see some of them at least one last time like Dave Von Ronk.

That brings us to Richard Thompson. Recently we got a chance to see him in a cabaret setting with tables and good views from every position, at least on in the orchestra section, at the Wilbur Theater in Boston with his trio, a big brush drummer and an all-around side guitar player (and other instruments like the mando). Thompson broke the performance up into two parts, a solo set of six or seven numbers highlighted by Vincent Black Lightning, and Dimming Of The Day which were fine. The second part based on a new album and a bunch of his well-known rock standards left us shaking our heads. Maybe the room could not handle that much sound, although David Bromberg’s five piece band handled it well a couple of weeks before, or maybe it was the melodically sameness of the songs and the same delivery voice and style but we were frankly disappointed and not disappointed to leave at the encore.  Most tunes didn’t resonant although a few in all honesty we walked out of the theater with our hands in our pockets. No thumbs up or down based on that first old time set. However, damn it, Bob Dylan does not have to move over, now.  

Which brings us to that sketch I did based on Brother Thompson’s glorious Vincent Black Lightning. When I got home I began to revise that piece which I have included below. Now on to the next act in the great quest- a reunion of the three remaining active members of the Jim Kweskin Jug Band, Jim Maria Muldaur, and of course Geoff at the Club Passim (which traces its genesis back to the folk minute’s iconic Club 47 over on Mount Auburn Street in Harvard Square. We’ll see if that gets the thumbs up.    

Mimi’s Glance, Circa 1963

Mimi Murphy knew two things, she needed to keep moving, and she was tired, tired as hell of moving, of the need, of the self-impose need, to keep moving ever since that incident five years before, back in 1958, with her seems like an eternity ago sweet long gone motorcycle boy, her “walking daddy,” Pretty James Preston, although he as long as she had known him never walked a step when his “baby,” his bike was within arms’ length. I knew this information, knew this information practically first hand because the usually polite but loner Mimi Murphy had told me her thoughts and the story that went with it one night after she had finished a tough on the feet night working as a cashier at concession stand the Olde Saco Drive-In Theater out on Route One in Olde Saco, Maine.

That night, early morning really, she had passed me going up to her room with a bottle of high-end Scotch, Haig &Haig, showing its label from a brown bag in her hand while I was going down the stairs in the rooming house we lived in on Water Street in Ocean City, a few miles from Olde Saco. A number of people, including Mimi and me, were camped out there in temporary room quarters after the last of the summer touristas had decamped and headed back to New York, or wherever they came from. The cheap off-season rent and the short stay-until-the-next-summer-crowd-showed-up requiring no lease drew us there. Most residents, mostly young and seemingly unattached to any family or work life kept to themselves, private drinkers or druggies (probably not grass since I never smelled the stuff which I had a nose for from youthful smoke-filled dreams while I was there so coke, opium, speed, maybe horse although I saw no obvious needle marks on arms or cold turkey screams either), a couple of low profile good looking young hustling girls, probably just graduating from amateur status and still not jaded “tarts” as my father used to call them, who didn’t bring their work home, guys maybe just out of the service, or between jobs, and so on. I had seen a couple of guys, young guys with horny looks in their eyes, maybe an idea of making a play, making passes at Mimi but thought nothing of it since they also targeted the hustling girls too.

Since I had never bothered Mimi, meaning made a pass at her, she must have sensed that being contemporaries, she was twenty-one then and I twenty-two, that maybe she could unburden her travails on a fellow wayward traveler. That no making a pass business by the way due to the fact that slender, no, skinny and flat-chested Irish red-heads with faraway looks and no, no apparent, warm bed desires, that year and in those days not being my type after tumbledown broken-hearted youthful years of trying to coax their favors to no avail over in the old Little Dublin neighborhood around the Acre in Olde Saco.

Whatever she sensed and she was pretty closed-mouth about it when I asked her later she was right about my ability to hear the woes of another wanderer without hassles, and she did as she invited me up into her room with no come hither look (unlike those pretty hustling girls who made a profession of the “come hither look” and gave me a try-out which after proving futile turned into small courtesy smiles when we passed each other). But she showed no fear, no apparent fear, anyway.

After a couple of drinks, maybe three, of that dreamboat scotch that died easy going down  she loosened up, taking her shoes off before sitting down on the couch across from me. For the interested I had been down on my uppers for a while and was drinking strictly rotgut low-shelf liquor store wines and barroom half empty glass left-overs so that stuff was manna from heaven I can still taste now but that is my story and not Mimi’s so I will move on. Here is the gist of what she had to say as I remember it that night:

She started out giving her facts of life facts like that she had grown up around this Podunk town outside of Boston, Adamsville Junction, and had come from a pretty pious Roman Catholic Irish family that had hopes that she (or one of her three younger sisters, but mainly she) might “have the vocation,” meaning be willing, for the Lord, to prison cloister herself up in some nunnery to ease the family’s way into heaven, or some such idea. And she had bought into the idea from about age seven to about fourteen by being the best student, boy or girl, in catechism class on Sunday, queen of the novenas, and pure stuff like that in church and the smartest girl in, successively, Adamsville South Elementary School, Adamsville Central Junior High, and the sophomore class at Adamsville Junction High School.

As she unwound this part of her story I could see where that part was not all that different from what I had encountered in my French-Canadian (mother, nee LeBlanc) Roman Catholic neighborhood over in the Acre in Olde Saco. I could also see, as she loosened up further with an addition drink, that, although she wasn’t beautiful, certain kinds of guys would find her very attractive and would want to get close to her, if she let them. Just the kind of gal I used to go for before I took the pledge against Irish girls with far-away looks, and maybe red hair too.

About age fourteen thought after she had gotten her “friend” (her period for those who may be befuddled by this old time term) and started thinking, thinking hard about boys, or rather seeing that they, some of them, were thinking about her and not novenas and textbooks her either she started to get “the itch.” That itch that is the right of passage for every guy on his way to manhood. And girl on her way to womanhood as it turned out but which in the Irish Roman Catholic Adamsville Junction Murphy family neighborhood was kept as a big, dark secret from boys and girls alike.

Around that time, to the consternation of her nun blessed family, she starting dating Jimmy Clancy, a son of the neighborhood and a guy who was attracted to her because she was, well, pure and smart. She never said whether Jimmy had the itch, or if he did how bad, because what she made a point out of was that being Jimmy’s girl while nice, especially when they would go over Adamsville Beach and do a little off-hand petting and watching the ocean, did not cure her itch, not even close. This went on for a couple of years until she was sixteen and really frustrated, not by Jimmy so much as by the taboos and restrictions that had been placed on her life in her straight-jacket household, school and town. (Welcome to the club, sister, your story is legion) No question she was ready to break out, she just didn’t know how.

Then in late 1957 Pretty James Preston came roaring into town. Pretty James, who despite the name, was a tough motorcycle wild boy, man really about twenty-one, who had all, okay most all, of the girls, good girls and bad, wishing and dreaming, maybe having more than a few restless sweaty nights, about riding on back of that strange motorcycle he rode (a Vincent Black Lightning, a bike made in England which would put any Harley hog to shame from rev number one when I looked information about the beast later, stolen, not by Pretty James but by third parties, from some English with dough guy and transported to America where he got it somehow, the details were very vague about where he got it, not from her, him) and being Pretty James’ girl. One day, as he passed by on his chopper going full-throttle up Hancock Street, Mimi too got the Pretty James itch.

But see it was not like you could just and throw yourself at Pretty James that was not the way he worked, no way. One girl, one girl from a good family who had her sent away after the episode, tried that and was left about thirty miles away, half-naked, after she thought she had made the right moves and was laughed at by Pretty James as he took off with her expensive blouse and skirt flying off his handle-bars as he left her there unmolested but unhinged. That episode went like wildfire through the town, through the Monday morning before school girls’ lav what happened, or didn’t happen, over the weekend talkfest first of all.

No Pretty James’ way was to take, take what he saw, once he saw something worth taking and that was that. Mimi figured she was no dice. Then one night when she and Jimmy Clancy were sitting by the seawall down at the Seal Rock end of the beach starting to do their little “light petting” routine Pretty James came roaring up on his hellish machine and just sat there in front of the pair, saying nothing. But saying everything. Mimi didn’t say a word to Jimmy but just started walking over to the cycle, straddled her legs over back seat saddle and off they went into the night. Later that night her itch was cured, or rather cured for the first time.

Pouring another drink Mimi sighed poor Pretty James and his needs, no his obsessions with that silly motorcycle, that English devil’s machine, that Vincent Black Lightning that caused him more anguish than she did. And she had given him plenty to think about as well before the end. How she tried to get him to settle down a little, just a little, but what was a sixteen-year old girl, pretty new to the love game, totally new, new but not complaining to the sex game, and his well-worn little tricks to get her in the mood, and make her forget the settle down thing. Until the next time she thought about it and brought it up.

Maybe, if you were from around Adamsville way, or maybe just Boston, you had heard about Pretty James, Pretty James Preston and his daring exploits back in about 1957 and 1958. Those got a lot of play in the newspapers for months before the end. Before that bank job, the one where as Mimi said Pretty James used to say all the time, he “cashed his check.” Yes, the big Granite City National Bank branch in Braintree heist that he tried to pull all by himself, with Mimi as stooge look-out. She had set him up for that heist, or so she thought. No, she didn’t ask him to do it but she got him thinking, thinking about settling down just a little and if that was to happen he needed a big score, not the penny ante gas station and mom and pop variety store robberies that kept them in, as he also used to say, “coffee and cakes” but a big payday and then off to Mexico, maybe down Sonora way, and a buy into the respectable and growing drug trade.

And he almost, almost, got away clean that fatal day, that day when she stood across the street, an extra forty-five in her purse just in case he needed it for a final getaway. She never having handled a gun mush less fired one was scared stiff it might go off in that purse although she Pretty James had her in such a state that she would have emptied the damn thing if it would have done any good. But he never made it out the bank door. Some rum brave security guard tried to uphold the honor of his profession and started shooting nicking Pretty James in the shoulder. Pretty James responded with a few quick blasts and felled the copper. That action though slowed down the escape enough for the real coppers to respond and blow Pretty James away. Dead, DOA, done. Her, with a tear, sweet boy Pretty James.

According to the newspapers a tall, slender red-headed girl about sixteen had been seen across the street from the bank just waiting, waiting according to the witness, nervously. The witness had turned her head when she heard the shots from the bank and when she looked back the red-headed girl was gone. And Mimi was gone, maybe an accessory to felony murder or worst charge hanging over her young head, and long gone before the day was out. She grabbed the first bus out of Braintree headed to Boston where eventually she wound up holed up in a high-end whorehouse doing tricks to make some moving on dough. (She mentioned some funny things about that stay, which was not so bad at the time when she needed dough bad, and about strange things guys, young and old, wanted her to do but I will leave that stuff out here.)

And she had been moving ever since, moving and eternally hate moving. Now, for the past few months, she had been working nights as a cashier in the refreshment stand at Olde Saco Drive-In to get another stake to keep moving. She had been tempted, a couple of times, to do a little moon-lighting in a Portland whorehouse that a woman she had worked with at her last job, Fenner’s Department Store, where she modeled clothes for the rich ladies, had told her about to get a quick stake but she was almost as eternally tired at that prospect as in moving once again.

And so Mimi Murphy, a few drinks of high-shelf scotch to fortify her told her story, told it true I think, mostly. A couple of days later I saw her through my room’s window with a suitcase in hand looking for all the world like someone getting ready to move on, move on to be a loner again after maybe an indiscrete airing of her linen in public. Thinking back on it now I wish, I truly wish, that I had been more into slender, no skinny, red-headed Irish girls with faraway looks that season and maybe she would not have had to keep moving, eternally moving.

 

 

ARTIST: Richard Thompson
TITLE: 1952 Vincent Black Lightning
Lyrics and Chords

Said Red Molly to James that's a fine motorbike

A girl could feel special on any such like

Said James to Red Molly, well my hat's off to you

It's a Vincent Black Lightning, 1952

And I've seen you at the corners and cafes it seems

Red hair and black leather, my favorite color scheme

And he pulled her on behind

And down to Box Hill they did ride

/ A - - - D - / - - - - A - / : / E - D A /

/ E - D A - / Bm - D - / - - - - A - - - /

Said James to Red Molly, here's a ring for your right hand

But I'll tell you in earnest I'm a dangerous man

I've fought with the law since I was seventeen

I robbed many a man to get my Vincent machine

Now I'm 21 years, I might make 22

And I don't mind dying, but for the love of you

And if fate should break my stride

Then I'll give you my Vincent to ride

Come down, come down, Red Molly, called Sergeant McRae

For they've taken young James Adie for armed robbery

Shotgun blast hit his chest, left nothing inside

Oh, come down, Red Molly to his dying bedside

When she came to the hospital, there wasn't much left

He was running out of road, he was running out of breath

But he smiled to see her cry

And said I'll give you my Vincent to ride

Says James, in my opinion, there's nothing in this world

Beats a 52 Vincent and a red headed girl

Now Nortons and Indians and Greeveses won't do

They don't have a soul like a Vincent 52

He reached for her hand and he slipped her the keys

He said I've got no further use for these

I see angels on Ariels in leather and chrome

Swooping down from heaven to carry me home

And he gave her one last kiss and died