Monday, January 04, 2016

HONOR THE THREE L’S-LENIN, LUXEMBURG, LIEBKNECHT-Honor The Historic Leader Of The German Spartacists-Karl Liebknecht


HONOR THE THREE L’S-LENIN, LUXEMBURG, LIEBKNECHT-Honor The Historic Leader Of The German Spartacists In WWI-Karl Liebknecht  

 

 

    

EVERY JANUARY WE HONOR LENIN OF RUSSIA, ROSA LUXEMBURG OF POLAND, AND KARL LIEBKNECHT OF GERMANY AS THREE LEADERS OF THE INTERNATIONAL WORKING CLASS MOVEMENT.

Karl Liebknecht Thumbnail Biography

The son of Wilhelm Liebknecht, one of the founders of the SPD, Karl Liebknecht trained to be a lawyer and defended many Social Democrats in political trials. He was also a leading figure in the socialist youth movement and thus became a leading figure in the struggle against militarism.

As a deputy in the Reichstag he was one of the first SPD representatives to break party discipline and vote against war credits in December 1914. He became a figurehead for the struggle against the war. His opposition was so successful that his parliamentary immunity was removed and he was imprisoned.

Freed by the November revolution he immediately threw himself into the struggle and became with Rosa Luxemburg one of the founders of the new Communist Party (KPD). Along with Luxemburg he was murdered by military officers with the tacit approval of the leaders of the SPD after the suppression of the so-called “Spartacist Uprising” in January 1919.

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Markin comment:

Karl Liebknecht- A Model Anti-Warrior

This comment was originally  written in 2006 in the American Left History blog but the main points hold true today:

I recently (2006) have received a comment from someone whom I took earnestly to be perplexed by a section of a commentary that I had written where I stated that the minimum necessary for any anti-war politician was to vote against the Iraq war budget in a principled manner. Not the way former Democratic presidential candidate Massachusetts Senator John Kerry’s (and others) dipsy-doodled votes for and against various war budgetary requests in 2004. And certainly not the other variations on this theme performed recently by aspiring Democratic presidential candidates Senators Obama and Clinton in the lead-up to 2008. Nor, for that matter, the way of those who oppose the Iraq war budget but have no problems if those funds were diverted to wars in Afghanistan, Iran , North Korea, China or their favorite ‘evil state’ of the month. What really drew the commenter up short was that I stated this was only the beginning of political wisdom and then proceeded to explain that even that would not be enough to render the politician political support if his or her other politics were weak.  The commenter then plaintively begged me to describe what kind of politician would qualify for such support. Although I have noted elsewhere that some politicians, Democratic Congressman James McGovern of Massachusetts and presidential candidate Democratic Congressman Dennis Kucinich stand out from the pack, the real anti-war hero on principle we should look at is long dead-Karl Liebknecht, the German Social-Democratic leader from World War I. Wherever anyone fights against unjust wars Liebknecht’s spirit hovers over those efforts. Here is what I had to say in part about that revolutionary politician:   

"…I do not believe we are lacking in physical courage. What has declined is political courage, and this seems in irreversible decline on the part of parliamentary politicians. That said, I want to finish up with a woefully inadequate political appreciation of Karl Liebknecht, member of the German Social Democratic faction in the Reichstag in the early 1900’s. Karl was also a son of Wilhelm Liebknecht, who had been a friend of Karl Marx and founder of the German Social Democratic Party in the 1860’s. On August 4, 1914, at the start of World War I the German Social Democratic Party voted YES on the war budget of the Kaiser against all its previous historic positions on German militarism. This vote was rightly seen as a betrayal of socialist principles. Due to a policy of parliamentary solidarity Karl Liebknecht also voted for this budget, or at least felt he had to go along with his faction. Shortly thereafter, he broke ranks and voted NO against the war appropriations. As pointed out below Karl Liebknecht did much more than that to oppose the German side in the First World War. That, my friends, is the kind of politician I can support. As for the rest-hold their feet to the fire.

"One of the problems with being the son of a famous politician is that as founder of the early German Social Democratic Party Wilhelm Liebknecht's son much was expected of Karl, especially on the question of leading the German working class against German militarism. Wilhelm had done a prison term (with August Bebel) for opposition to the Franco-Prussian War. As for Karl I have always admired that famous picture of him walking across the Potsdam Plaza in uniform, subject to imprisonment after loss of his parliamentary immunity, with briefcase under arm ready to go in and do battle with the parliamentary cretins of the Social Democratic Party over support for the war budget. (That photograph can be Googled.) That is the kind of leadership cadre we desperately need now.
REMEMBER HIS FAMOUS SLOGANS- "THE MAIN ENEMY IS AT HOME’-‘NOT ONE PENNY, NOT ONE PERSON (updated by writer) FOR THE WAR." Wilhelm would have been proud.

In Boston January 13, 2016-Eyewitness Occupation: Report Back from Palestine/Israel

Eyewitness Occupation: Report Back from Palestine/Israel

Wednesday, January 13, 2016, 7:00 pm to 9:00 pm

Encuentro 5 • 9 Hamilton Place, suite 2a (near Park Street Station, downtown Boston) • Boston
In November 2015, as the media focused on an upsurge of violent attacks in East Jerusalem and the occupied West Bank, several Massachusetts residents traveled to Israel and the occupied West Bank as part of an Interfaith Peace-Builders delegation.
What does nearly a half century of Israeli occupation look like on the ground?  Where is the current dynamic of resistance and repression likely to lead?  What hopes are there for peace with justice in the region?
The following IFPB delegates will share their impressions and experiences:
Ann Glick, United for Justice with Peace
Lauren Jappe, Jewish Voice for Peace - Boston
Duncan McFarland, United for Justice with Peace
Nancy Murray, Co-leader, IFPB delegation
Tali Ruskin, Jewish Voice for Peace - Boston
Sponsored by United for Justice with Peace. Co-sponsored by Boston Alliance for Water Justice, Boston Coalition for Palestinian Rights, Cambridge to Bethlehem People to People Project, Women's International League for Peace & Freedom - Boston
for additional information: info@justicewithpeace.org
Upcoming Events: 
Newsletter: 

*Writer's Corner- Raymond Chandler's "Little Sister"

Click on the headline to link to a Wikipedia entry for Anglo-American detective novelist Raymond Chandler.

Book Review

Little Sister, Raymond Chandler, 1958


Phillip Marlowe, Raymond Chandler's classic noir hard-boiled, fundamentally honest private detective forever literarily associated with Los Angeles and its means streets is a bit off course here in his search for the inevitable exotic/diabolical `missing woman' (`dame' for the non-politically correct types) in trouble in the Hollywood film glitter mill. Old Marlowe is going uptown here, or so he is led to believe. But it seems to me that it is more than the geography that off Marlowe's beaten path here. I love Chandler as a great writer with a good ear for the West Coast American scene in the 1940's but hasn't Marlowe followed that woman, or her "sister", before in a previous novel? Except that she wasn't an actress, or had some little devilish sister from Kansas. You get my drift. Old Chandler's Marlowe is starting to run out of steam in the theme department. By the way, beware of those Kansas women; they are hell on your average California rough-and-tumble shamus.

Sure there is plenty of sparse but functional dialogue, physical action and a couple of plot twists but Marlowe needs to think about that rest home for worn-out indigent gumshoes (since he never made enough money). He has taken one too many hits on the head for the latest worthy cause. Give me those background oil derricks that sound like money churning out the wealth while looking for General Sternwood's Rusty Regan in The Big Sleep or the run down stucco flats in pursue of Moose's Velma in Farewell, My Lovely any day. However, even on his uppers, as always with Chandler you get high literature in a plebeian package. Read on.

****From The Abraham Lincoln Brigade Archive Website- The Alba Blog-Viva La Quince Brigada

****From The Abraham Lincoln Brigade Archive Website- The Alba Blog-Viva La Quince Brigada

Click below to link to the Abraham Lincoln Brigade Archive blog page for all kinds of interesting information about that important historic grouping in the International Brigades that fought for our side, the side of the people in the Spanish Civil War, 1936-39.

http://www.albavolunteer.org/category/blog/

Jackman comment:

This blog had gotten my attention for two reasons: those rank and filers who fought to defend democracy, fight the fascists and fight for socialism in Spain for the most part, political opponents or not, were kindred spirits; and, those with first-hand knowledge of those times over seventy years ago are dwindling down to a precious few and so we had better listen to their stories while they are around to tell it. Viva La Quince Brigada!  
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From The Pen Of Frank Jackman

Sam Lowell knew in his blood-stained heart, his Vietnam War blood-stained heart that as much as he had come to hate and oppose that war as a participant, as an unwilling and unwitting tool of forces in the government who were clueless about ‘Nam, about people who had done them, and him no harm, about people with which he had no quarrel he could never go all the way in his opposition to wars. Although after the fact, after his service, he had spent a fair amount of time in the streets with fellow veterans trying to get the word out that a monster was on the loose, the American government, a government that had made him, made his war buddies nothing but savages, trying to work the anti-war veteran point of view which had some “cred” to all who would listen, half-listen anyway, he would never really be able to fully make himself a pacifist. Never make himself a solid almost biblical in the wilderness turning the other cheek man of peace for all seasons. Go the distance on some “Gandhi trip” as he called it talking to his old high school friend Bart Webber one night years later when they were mulling over the question of how far they were willing to go in the search for what the Quakers called the “peace witness.”  Not when in his head he knew there were causes, just causes that could not be resolved short of blood and iron if humankind was to roll the rock of progress up the hill a little, hell, to even get a little justice in this wicked old world. He favored not that “Gandhi trip” but an idea of some long-bearded robe sheet-clothed Jehovah all fire and brimstone come seeking vengeance against the night-takers until the world was gotten rid of night-takers. 

That is why Sam, despite his misgivings about the Vietnam War had never really opposed it personally via some application for conscientious objector status. Never saw himself as the friendly Quaker, Mennonite, Amish man of good cheer and no grudges. Never had been around such people when it counted as he was growing up although he had heard about their gentility and had seen it in action down in Pennsylvania Amish country. Even a serious attempt later after Vietnam had taken so much out of him, had depleted his abstract  hates, to become more Quakerly when he had had a Quaker girlfriend, Susan Rich, failed to his own hubris and sense that fixing even the small woes of the world required more fire that the “inner light.” (They would quarrel endlessly if civilly about such matters to no good end and they eventually kind of drifted apart once each realized that there was no longer enough glue holing them together.)

What Sam came to believe, or maybe believed all along and Vietnam and that lovely quiet Quaker girl just brought his notions to a head, was that his whole blessed life was stacked against such gentility. He asked himself, and asked Bart as well since they came from the same poor as church mice neighborhood although Bart had not faced the ultimate induction crisis since due to a severe childhood injury to his right leg he was declared by his friends and neighbors at the local draft board to be 4-F, unfit for military duty, where in his, their growing up ethos was their room for such thoughts having grown up in working class Carver. Carver a town where guys volunteered for military service in droves if for no other reason than to get out of the hick town, get away from being boggers, cranberry bog workers when Carver was something like the cranberry capital of the world or else accepted quietly and without rancor induction if drafted. He would have received no support, from family, friends, including Bart who held all the same support the government without question at the time and had only come around when their corner boy friend Jeff Mullins was killed in the Central Highlands and after Sam had come back to the “real” world to  give the real story of the murderous assault on human dignity he had taken part in, and neighbors. Neighbors who had, as he recalled to Bart, looked askance at him when in 1966 he had expressed some reservations about the carpet-bombing of Vietnam back to the Stone Age which was the effective policy of the military doctrine of the day. Sam frankly said to Bart that talking night that he would not have known even how to go about doing such a thing as filing an application for CO status. And if he had known under the conditions existing in 1966 to obtain CO status, although not a few years later when though court decisions and changes in draft board policy such applications were not denied out of hand except for historically recognized objectors, he would not have been granted that status since he had been raised a Catholic, a church organization which held to a just war theology rather than an absolute opposition to war like the Quakers and Mennonites, people who held such historic pacifist positions.

Although after Vietnam Sam went through a crisis on the question of war and peace in which he came to err on the “side of the angels” and he abandoned the Catholic Church and its version of the just war theory which seemed to more often, much more often than not, justify all of Caesar’s wars without fail, he still held to a secular version of that just war theory. When thinking about the matter of just wars then in the late 1960s and early 1970s the Spanish Civil War had come to mind since he had been something of a buff about that event as far back as freshman year in high school when he had written a term paper for a history class on the subject. In that desperate 1930s conflict which pre-figured World War III whose struggles enflamed his dreams he saw himself obviously fighting, arms in hand, whatever arms they had which at times were scanty, for the Republican side against the Nazi-backed Franco forces. He had dreamed as well that he would have, if he had been around then, signed up as a volunteer for the Abraham Lincoln Battalion of the International Brigades, the famous Abraham Lincolns who did heroic battle around the Jarama and in other tough spots when it counted.

Sam knew from his readings that those organizations were controlled by the Communists of that age but while in high school he was as fervent an anti-communist as anybody in town he would give them a pass for the duration of the war, would have joined the united front even if he was not sure that he would have supported the “revolution and war” ideas expressed by those to the left of the Communists and Socialists, mostly Trotskyists and anarchists of one stripe or another. He was still bitter, always would be, when the U.S. under the liberal oligarch Roosevelt called for hands-off, for neutrality in the conflict and the British and French sat on their hands while Spain died a thousand deaths. It would not be until later when he had to deal with the American progeny of Joe Stalin in the anti-Vietnam War movement that he would come to curse Uncle Joe’s withdrawal of the International Brigades while there was still some fight left in the Republican forces. No, Sam would not have sat on his hands on that one.      

Later, several years later in the late 1970s when the turmoil which had beset America had settled down and an ebb tide had taken over in the land postponing to the indefinite future the question of whether a 1960s-type “new breeze” was going to come again, a time when he was beginning to make a small name for himself in the legal profession around the South Shore of Boston he developed a strong interest in the American Civil War, a strong interest in the importance of the Union victory and the abolition of slavery. This interest had been kick-started one day as a result of his going into Boston on a legal matter at the Suffolk County Courthouse on Beacon Hill and passing what was then a much neglected frieze of the heroic Colonel Robert Gould Shaw-led Massachusetts 54th Black Volunteers in front of the State House who did themselves proud down before Fort Wagner and later in 1865 would march into the citadel of the Confederacy Charleston, South Carolina singing the John Brown song.     

Sam had in high school based on admittedly sketchy information rather grudgingly admired that Captain John Brown, late of Harper’s Ferry, and the exploits of his small multi-racial band of brothers in trying to break the back of slavery by a military expedition to free the slave and create an insurrection. Once Sam delved into Civil War history, read more in depth about Brown and what history would have looked like if he had had a modicum of success Sam saw Brown as the Calvinist “avenging angel” high Jehovah scourge of the night-takers of his day. In short, that same thought that he had long held in his mind concerning the righteous agents of just wars like his Lincolns in Spain. [Interesting to Sam then the cosmic link of Brown in the 19th century and the Lincolns in the 20th as the epitome of American just causes revolving around key Civil War names.] While Sam held such thoughts about Brown and men of action like Brown in ante-bellum times who were not afraid to rankle feathers he admitted to himself that he would, unlike with the Internationals, not have very likely joined such an expedition. 

As Sam studied the military situations, the military strategy and tactics that one must invariable do to catch any idea of why men, brothers and cousins in many cases, would get their blood lusts rising so savagely, he did find himself drawn to the General William Tecumseh Sherman-led march through Georgia to the seas. A relentless organized march to break the will, break the communications, break the supply routes, to deny the Confederacy the capacity to produce much of anything. So in his imagination he could see himself as one of “Billy’s bummers” marching sore-footed through Georgia, making Jeff Davis squeal, making Robert E. Lee reach for the white flag. Make old Captain Brown a man ahead of his times. Yeah, Sam would not have sat on his hands on that freedom fight either.

Still Sam could never quite get that imagine of himself as a Lincoln Battalion rank and filer out of his mind, could never quite forget Pete Seeger’s version of Viva La Quince Brigada  heard long ago when he had listened to a folk radio station out of Boston as after a girl, a folkie girl he called her, recommended that he listen to the station if he wanted to get anywhere with her (which he did, listen to, and did get somewhere with her) and of the plight of the veterans of the Lincoln Battalion when the American government pulled the red scare Cold War hammer down on them as “commies.” Bart, a few years ago knowing of his interest, had asked Sam to write something for his grandson, Sean, who as fate would have it also was interested in the Spanish Civil War and was, in his turn, doing a term paper on it for his history class and wanted Sam to give Sean some personal reflections to aid his own understanding of the conflict as he wrote his paper. Not do the paper, no way, but give a feel for the need for blood and iron, and for men and women to be willing to lay down their heads as “pre-mature anti-fascists” in that conflict. Here is what Sam had to say:

Sean,

Your grandfather and my friend of many, many years going back to high school down there in Carver where we grew up asked me to give you a little leg up, a little flavor of what I thought about the Spanish Civil War since he knew that I was interested in the subject and that you were too. At least enough to decide to use that magnificent struggle as a subject worthy of your first serious term paper (the first of many I hope). A few years ago when I was writing a little something about the 70th anniversary of the start of the Spanish Civil War I wrote a short review of a book by Leon Trotsky about the possibilities of revolution, of successful revolution in Spain in those days. The book entitled THE SPANISH REVOLUTION, 1931-39 (LEON TROTSKY, PATHFINDER PRESS, NEW YORK, 1973) while written from an extreme left-wing position while Trotsky was in exile from the Soviet Union whose revolution of 1917 he was a central participant looks at lots of issues that might interest you as you prepare your paper. I know I got a lot out of it although personally I am not as sure as Trotsky was that a successful revolution could have held its ground given the international situation where Spain would be isolated from the rest of West Europe when the Nazis and Fascists were pulling their respective hammers down and the rest of Europe looked away while Spain died a thousand deaths.



“I have been interested, as a pro-Republican partisan, in the Spanish Civil War since I was a teenager. What initially perked my interest, and remains of interest, is the passionate struggle of the Spanish working class to create its own political organization of society, its leadership of the struggle against Spanish fascism and the romance surrounding the entry of the International Brigades, particularly the American Abraham Lincoln Battalion of the 15th Brigade, into the struggle.

Underlying my interests has always been a nagging question of how that struggle could have been won by the working class. The Spanish proletariat certainly was capable of both heroic action and the ability to create organizations that reflected its own class interests i.e. the worker militias and factory committees. Of all modern working class revolutions after the Russian revolution Spain showed the most promise of success. Bolshevik leader Leon Trotsky noted that the political class consciousness of the Spanish proletariat at that time was higher than that of the Russian proletariat in 1917. Yet it failed in Spain. Trotsky's writings on this period represent a provocative and thoughtful approach to an understanding of the causes of that failure. Moreover, with all proper historical proportions considered, his analysis has some continuing value as the international working class struggles against the seemingly one-sided class war being waged by the international bourgeoisie today.

The Spanish Civil War of 1936-1939 has been the subject of innumerable works from every possible political and military perspective possible. A fair number of such treatises, especially from those responsible for the military and political policies on the Republican side, are merely alibis for the disastrous policies that led to defeat. Trotsky's complication of articles, letters, pamphlets, etc. which make up the volume reviewed here is an exception. Trotsky was actively trying to intervene in the unfolding events in order to present a program of socialist revolution that most of the active forces on the Republican side were fighting, or believed they were fighting for. Thus, Trotsky's analysis brings a breath of fresh air to the historical debate. That in the end Trotsky could not organize the necessary cadres to carry out his program or meaningfully impact the unfolding events in Spain is one of the ultimate tragedies of that revolution. Nevertheless, Trotsky had a damn good idea of what forces were acting as a roadblock to revolution. He also had a strategic conception of the road to victory. And that most definitely was not through the Popular Front.

The central question Trotsky addresses throughout the whole period under review here was the crisis of revolutionary leadership of the proletarian forces. That premise entailed, in short, a view that the objective conditions for the success of a socialist program for society had ripened. Nevertheless, until that time, despite several revolutionary upheavals elsewhere, the international working class had not been successful anywhere except in backward Russia. Trotsky thus argued that it was necessary to focus on the question of forging the missing element of revolutionary leadership that would assure victory or at least put up a fight to the finish.

This underlying premise was the continuation of an analysis that Trotsky developed in earnest in his struggle to fight the Stalinist degeneration of the Russian Revolution in the mid-1920's. The need to learn the lessons of the Russian Revolution and to extend that revolution internationally was thus not a merely a theoretical question for Trotsky. Spain, moreover, represented a struggle where the best of the various leftist forces were in confusion about how to move forward. Those forces could have profitably heeded Trotsky's advice.



Trotsky's polemics in this volume are highlighted by the article ‘The Lessons of Spain-Last Warning’, his definitive assessment of the Spanish situation in the wake of the defeat of the Barcelona uprising in May 1937. Those polemics center on the failure of the Party of Marxist Unification (hereafter, POUM) to provide revolutionary leadership. That party, partially created by cadre formerly associated with Trotsky in the Spanish Left Opposition, failed on virtually every count. Those conscious mistakes included, but were not limited to, the creation of an unprincipled bloc between the former Left Oppositionists and the former Right Oppositionists (Bukharinites) of Maurin to form the POUM in 1935; political support to the Popular Front including entry into the government coalition by its leader; creation of its own small trade union federation instead of entry in the anarchist led-CNT; creation of its own militia units reflecting a hands-off attitude toward political struggle with other parties; and, fatally, an at best equivocal role in the Barcelona uprising of 1937.

Trotsky had no illusions about the roadblock to revolution of the policies carried out by the old-time Anarchist, Socialist and Communist Parties. Unfortunately the POUM did. Moreover, despite being the most honest revolutionary party in Spain it failed to keep up an intransigent struggle to push the revolution forward. The Trotsky - Andreas Nin (key leader of the POUM and former Left Oppositionist) correspondence in the Appendix makes that problem painfully clear.

The most compelling example of this failure - As a result of the failure of the Communist Party of Germany to oppose the rise of Hitler in 1933 and the subsequent decapitation and the defeat of the Austrian working class in 1934 the European workers, especially the younger workers, of the traditional Socialist Parties started to move left. Trotsky observed this situation and told his supporters to intersect that development by an entry, called the ‘French turn’, into those parties. Nin and the Spanish Left Opposition, and later the POUM failed to do that. As a result the Socialist Party youth were recruited to the Communist Party en masse. This accretion formed the basis for its expansion as a party and the key cadre of its notorious security apparatus that would, after the Barcelona uprising, suppress the more left ward organizations.”


I hope this little review gives you a couple of ideas to speculate on although you have to be careful with history in the alternative and only suggest the trends that were most probable not every possible “what if.”

In thinking about the Trotsky review I also came back to some thoughts about the American Abraham Lincoln Battalion of the International Brigades of workers and leftist militants who went from many countries to fight, and if necessary die to defend the Spanish Republic under assault from the Nazi-backed Franco forces which as a kid reading about their heroic if doomed exploits in Spain enflamed my imagination. I have added a short review I also did several years ago by Peter Carroll who probably knows more about the battalion than anybody else, anybody else now. The title of the book is THE ODYSSEY OF THE ABRAHAM LINCOLN BRIGADE: AMERICANS IN THE SPANISH CIVIL WAR, (Peter N. Carroll, Stanford University Press, Stanford, California, 1994). As happens when a person reviews several books on the same general subject especially in the age of easy cut and paste I have used the introductory paragraph in several Spanish Civil War items I have reviewed and have eliminated them here:   




“…Of all modern working class uprisings after the Russian revolution Spain showed the most promise of success. Russian Bolshevik leader Leon Trotsky noted in one of his writings on Spain that the Spanish proletariat at the start of its revolutionary period had a higher political consciousness than the Russian proletariat in 1917. That calls into question the strategies put forth by the parties of the Popular Front, including the Spanish Communist Party- defeat Franco first, and then make the social transformation of society. Mr. Carroll’s book while not directly addressing that issue nevertheless demonstrates through the story of the Abraham Lincoln Battalion how the foreign policy of the Soviet Union and through it the policy of the Communist International in calling for international brigades to fight in Spain aided in the defeat of that promising revolution.

“Mr. Carroll chronicles anecdotally how individual militants were recruited, transported, fought and died as ‘premature anti-fascists’ in that struggle. No militant today, or ever, can deny the heroic qualities of the volunteers and their commitment to defeat fascism- the number one issue for militants of that generation-despite the fatal policy of the the various party leaderships. Such individuals were desperately needed then, as now, if revolutionary struggle is to succeed. However, to truly honor their sacrifice we must learn the lessons of that defeat through mistaken strategy as we fight today. Interestingly, as chronicled here, and elsewhere in the memoirs of some veterans, many of the surviving militants of that struggle continued to believe that it was necessary to defeat Franco first, and then fight for socialism. This was most dramatically evoked by the Lincolns' negative response to the Barcelona uprising of 1937-the last time a flat out fight for leadership of the revolution could have galvanized the demoralized workers and peasants for a desperate struggle against Franco.

“Probably the most important part of Mr. Carroll’s book is tracing the trials and tribulations of the volunteers after their withdrawal from Spain in late 1938. Their organization-the Veterans of the Abraham Lincoln Brigade- was constantly harassed and monitored by the United States government for many years as a Communist 'front' group. Individuals also faced prosecution and discrimination for their past association with the Brigades. He also traces the aging and death of that cadre. In short, this book is a labor of love for the subjects of his treatment. Whatever else this writer certainly does not disagree with that purpose. If you want to read about what a heroic part of the vanguard of the international working class looked like in the 1930’s, look here. Viva la Quince Brigada!!”

Out In The Be-bop 1930s Crime Noir Night- Dashiell Hammett’s Ur-Ur Maltese Falcon-“Satan Met A Lady”-A Film Review

Click on the headline to link to a Wikipedia entry for the 1936 film version of the classic Dashiell Hammett crime novel The Maltese Falcon renamed Satan Met A Lady.

DVD Review

Satan Met A Lady, starring Bette Davis, Warner Brothers, 1936

Recently in reviewing the 1931 version of The Maltese Falcon (starring Bebe Daniels and Richard Cortez) I noted that it was possible for even a devoted actor Humphrey Bogart and crime novelist Dashiell Hammett aficionado to learn something new. For many years I had assumed that the 1941 hard-nosed Bogie as Sam Spade version of The Maltese Falcon was the original screen version of Hammett’s crime noir classic. Then an acquaintance, the old time radical journalist Josh Breslin whose by-line for half the progressive press and alternate vision journals in this country for the past forty years that some readers may know, informed me that an older version (or rather, versions, existed). That initial discovery however had to go unchecked until the age of the Internet where I found the original 1931 version. And now I have found another film version via a very helpful lead from Wikipedia the film under review, Satan Met A Lady.

Of course after reading Hammett’s crime novel countless times (if for no other reason than that great dialogue even after the plot line wore thin) and viewing the 1941 Bogie version almost as many times certain personal prejudices were bound to show up. The key was the role of Sam Spade as the world weary scrappy avenger of his partner’s murder while “in the line of duty”. If for no other reason than for professional pride. And the well-known plot line (although changed here in several ways none for the better), basically murder and mayhem by parties known and unknown searching for a bird (here a ram’s horn), “the stuff of dreams,” is what let’s Sam save the day, his professional pride, and his roughhewn sense of justice.

This 1936 version, despite its familiar story line, is a failed experiment, despite Bette Davis’s talent (she of the Bette Davis eyes). This faux Spade is less concerned with those gritty issues, more brazenly cynical, and much more of a womanizer than Bogie’s Spade (although Bogie was not immune, temporarily at least, to femme fatale charms). This one is played for laughs, for camp and for, well who knows what else. In the 1931 version it is clear, very clear, why Spade is ready to chase after windmills for the femme fatale (played there by Bebe Daniels). Sexual tension and adventure were rife. In the 1941 clearer version I was always wondering what there was about Mary Astor (after all she didn’t seem Bogie’s type on the face of it) that made him all that intrepid. It was never spelled out. This one does nobody justice, sexual innuendo or not. No question though, despite these new discoveries, that Bogie’s Spade is the cinematic standard and Hammett would agree.

*The Op At Work- Dashiell Hammett's "The Dain Curse"

Click on the headline to link to a Wikipedia entry for Dashiell Hammett's early Continental Op detective novel, The Dain Curse.

Book Review
The Dain Curse, Dashiell Hammett, Alfred A. Knopf, New York, 1929


Dashiell Hammett, along with Raymond Chandler, reinvented the detective genre in the 1930's and 1940's. They moved the genre away from the amateurish and simple parlor detectives that had previously dominated the genre to hard-boiled action characters who knew what was what and didn't mind taking a beating to get the bad guys. And along the way they produced some very memorable literary characters as well. Nick Charles, Sam Spade and Phillip Marlowe are well known exemplars of the action detective. However, on the way to creating these literary works of art Hammett did journeyman's work at the detective genre in various pulp detective magazines. Moreover, in the beginning he hid his detectives behind the anonymous, although not faceless or without personality average detectives, of a national detective agency (shades of his own past).

The unnamed universal Continental Operative (Op) who is the central character of here is the prototype for Hammett's later named detectives. He has all the characteristics that mark a noir detective-tough, resourceful, undaunted, and incorruptible with a sense of honor to friend and foe alike that sets him apart from earlier detectives. The plot line here requires all the resourcefulness of the Op as he tries to solve a jewel heist (simple enough, right, just a day at the office for the average, faceless private dick). Naturally there is murder, mayhem, a swing through 1920s California’s high-end occult and cultish environment (it didn’t just start lately out there).

Needless to say you need a scorecard to tell who is on the level and who is not, including the people who hire said average private detective. The twists and turns as Op tries to mix and match with the various interests at play drive the drama of the film. As I mentioned in a recent review of Hammett’s Red Harvest if you want a well-thought out story, although not as memorable as The Maltese Falcon or the The Thin Man, that is also well-written, although without the numerous unforgettable lines of the above-mentioned novels, from a member of the second echelon of the American literary pantheon, this one is for you.

***********

Note: It is not altogether clear to me what Hammett’s political sympathies (or rather more to the point, organization connections) were in the period of his great detection-writing period, the early 1930s, although one can speculate they were at least progressive. I should note for those who are only familiar with the detective novels and crime short stories that Hammett was a make-no-bones-about-it supporter of the Communist Party during the hard, don’t turn your eye from your neighbor, see reds under every bed, your mommie is a commie turn her in, prison house, American night of the red scare, Cold War, post World War II period (and earlier as well, during the Popular Front all the way with FDR (Franklin Delano Roosevelt), Joe Stalin, our father can do no wrong, Moscow Trials liquidate the Old Bolsheviks, the makers of the revolution, time but this post-war period is what concerns me here).

This was period when anything to the left of Herbert Hoover, including probably red tablecloths on restaurant tables, was suspect. This is also the period of the unlamented Joe McCarthy, the equally unlamented Richard Nixon, the deep, fatal, anti-communist purges in the labor unions from which we still suffer today (and anti-red purges in many other political and cultural institutions as well), and of the time of “the naming of names.” The high watermark time of the “fink” and of the “blacklist.” I have vilified, rightly so, no, righteously so, the likes of movie director Elia Kazan (Viva Zapata, On The Waterfront) for their “stool pigeon” scab actions before the "committees".

Kazan was, unfortunately, not alone in that dark, witch-hunt, keep your eyes down, keep walking straight ahead with blinkers on, and tell them what they want to know although they already know it, night. I have also heaped tons of well-deserved praise on the Rosenbergs, Julius and Ethel, for holding their ground under intense pressure and under penalty of paying the ultimate price, their lives, for their steadfastness. For defending the Soviet Union, not in our Trotskyist way, but in their own honorable way, and didn’t complain about it when they were called on it, unjustly, by the American imperial state.

Dashiell Hammett was called, tooth brush in hand, before the “red scare” committees and just said no. Hats off. Now there is no need to get mushy about it, and one should not forget that in the end Hammett’s Stalinist politics (and vilification of leftist political opponents like our Trotskyist forbears) made us not less political opponents, but isn’t there something in old Hammett’s actions, that sense of “tilting to the windmills,” that leads right back to Sam Spade. Yes, I thought you would think so.

*Nick And Nora To The Rescue- Dashiell Hammet's "The Thin Man"



Click on the headline to link to a Wikipedia entry for Dashiell Hammett's classic detective novel, The Thin Man.

Book Review

The Thin Man, Dashiell Hammett, Alfred A. Knopf, new York, 1934


Dashiell Hammett, along with Raymond Chandler, reinvented the detective genre in the 1930's and 1940's. They moved the genre away from the amateurish and simple parlor detectives that had previously dominated the genre to hard-boiled action characters who knew what was what and didn't mind taking a beating to get the bad guys. And along the way they produced some very memorable literary characters as well. Nick Charles (and wife Nora), Sam Spade and Phillip Marlowe are well known exemplars of the action detective. Hammett, on the way to creating these literary works of art did journeyman's work at the detective genre in various pulp detective magazines. Moreover, in the beginning he hid his detectives behind the anonymous, although not faceless or without personality, average detectives of a national detective agency, the Continental Op series(shades of his own past). One of those efforts is an early almost totally unrelated version of The Thin Man that those who have read the later version (or know Nick, Nora and Asta only from the film series) would not recognize.

Dashiell Hammett is perhaps better known for creating the classic modern proto-typical detective, one Sam Spade the detective-hero (or anti-hero, if you prefer) of the literary (and film) noir The Maltese Falcon. With The Thin Man he took a different tack in providing a model detective- the urbane Nick Charles, his side-kick society wife, Nora, and their ever present faithful dog companion, Asta. The story line here centers on a missing eccentric inventor/businessman who it is suspected has been a victim of foul play. Enter Nick, Nora and Asta at the request of his wondering society family (wondering, that is, about the fate of the dough necessary to keep them in their luxuries) and after a series of misadventures and false leads Nick grabs the villain. That is what old Nick has in common with the illustrious Mr. Spade-the dogged (not pun, intended) and tenacious search for the truth and the killer, come what may. If you like your detectives with a light touch this is for you. If you like your detective novels to be minor works of literary art this is also for you. Hammett (along with the above-mentioned Raymond Chandler) practically reinvented the previously rather shabby art of the early detective story into literature. Kudos.

Note: It is not altogether clear to me what Hammett’s political sympathies (or rather more to the point, organization connections) were in the period of his great detection-writing period, the early 1930s, although one can speculate they were at least progressive. I should note for those who are only familiar with the detective novels and crime short stories that Hammett was a make-no-bones-about-it supporter of the American Communist Party during the hard, don’t trust your neighbor, see reds under every bed, your mommie is a commie turn her in, prison house, American night of the red scare, Cold War, post World War II period (and earlier as well, during the Popular Front all the way with FDR (Franklin Delano Roosevelt), Joe Stalin, our father can do no wrong, Moscow Trials liquidate the Old Bolsheviks, the makers of the revolution, time but this post-war period is what concerns me here).

This was period when anything to the left of Herbert Hoover, including probably red tablecloths on restaurant tables, was suspect. This is also the period of the unlamented Joe McCarthy, the equally unlamented Richard Nixon, the deep, fatal, anti-communist purges in the labor unions from which we still suffer today (and anti-red purges in many other political and cultural institutions as well), and of the time of “the naming of names.” The high watermark time of the “fink” and of the “blacklist.” I have vilified, rightly so, no, righteously so, the likes of movie director Elia Kazan (Viva Zapata, On The Waterfront) for their “stool pigeon” scab actions before the "committees".

Kazan was, unfortunately, not alone in that dark, witch-hunt, keep your eyes down, keep walking straight ahead with blinkers on, and tell them what they want to know although they already know it, night. I have also heaped tons of well-deserved praise on the heroic Rosenbergs, Julius and Ethel, for holding their ground under intense pressure and under penalty of paying the ultimate price, their lives, for their steadfastness. For defending the Soviet Union, not in our Trotskyist way, but in their own honorable way, and didn’t complain about it when they were called on it, unjustly, by the American imperial state.

Dashiell Hammett was called, tooth brush in hand, before the “red scare” committees and just said no. Hats off. Now there is no need to get mushy about it, and one should not forget that in the end Hammett’s Stalinist politics (and vilification of leftist political opponents like our Trotskyist forbears) made us not less political opponents, but isn’t there something in old Hammett’s actions, that sense of “tilting to the windmills,” that leads right back to Sam Spade (and Nick and Nora in an oblique, half-funny way). Yes, I thought you would think so.

Writer's Corner-From The Pages Of "Socialism Today (September 2011)"-DASHIELL HAMMETT: HARD-BOILED WRITER, COMMUNIST FIGHTER-A Review

Click on the headline to link to an American Left History post on the crime noir writer, Dashiell Hammett.

DASHIELL HAMMETT: HARD-BOILED WRITER, COMMUNIST FIGHTER-A Review Socialism Today No.151 September 2011

EARLIER THIS year it was announced that 15 previously unpublished short stories by the US writer Dashiell Hammett had been discovered in a university archive in Texas, provoking much excitement among fans of the hardboiled detective fiction genre.

Hammett is regarded by many literary critics as one of the most important writers of the 20th century. His most famous book, The Maltese Falcon, featuring the immortal detective, Sam Spade, was made into a film three times in the 1930s and 1940s. The best known version featured Humphrey Bogart, turning him into an international film star. His stories are still used by writers and film-makers today as a source and inspiration. The Coen brothers' film, Miller's Crossing, for example, lifts ideas from both The Glass Key and Red Harvest, books written by Hammett 80 years ago.

Hammett was also an antifascist activist and a member of the Communist Party of America. He went to jail rather than hand over evidence that could have been used against other activists during the anti-communist witch-hunt led by Senator Joseph McCarthy in the 1950s.

Hammett was born in 1894, growing up in a working-class area of Baltimore. He left school at 13 and had a variety of jobs, including a freight clerk, a newsboy and a messenger for the B&O railroad. It was on the Baltimore waterfront that Hammett first came across socialist ideas, though he did not become active at that time. Instead, he made a contradictory career move when, in 1915, he joined the Pinkerton Private Detective Agency.

The Pinkertons carried out 'traditional' detective work but they were more often used as a private strike-breaking force by bosses. From the 1870s to the 1930s, labour movement activists were beaten up and many killed fighting for their rights. For example, in the 'Homestead' strike in Pittsburgh in 1892 pitched battles were fought between steel strikers and the Pinkertons, leading to 16 deaths.

Hammett worked for the Pinkertons until 1922, interrupted by service in the first world war. In 1920, he was sent to the Anaconda copper strike in Butte, Montana, in which copper workers led by the Industrial Workers of the World were battling for increased wages and the eight-hour day. Hammett revealed much later that he had been offered $5,000 by the mine-owners to murder one of the workers' leaders. In another incident, a striking miner was shot in the back, probably by a Pinkerton agent. The experience at Anaconda, together with his poor health - in 1919 he was a victim of the influenza epidemic that swept the world and was later struck down with bronchial pneumonia -seems to have been decisive in leading Hammett to leave the Pinkertons.

While recovering from illness, Hammett began writing the detective stories that made
his name. In the early 1920s, a key starting point for an aspiring writer was the short
story magazines. Many of these magazines, aimed at a working-class readership, were
printed on cheap pulp-wood paper, hence they became known as 'pulps'. Typically, they cost ten cents and were made to be read and then thrown away. Pulp fiction writers were paid by the word. The more a writer wrote, the more he or she got paid. Not surprisingly, the quality of much of what was produced was questionable.

Hammett's decision to start story writing coincided more or less with the appointment of a new editor at what was to become the most important of the detective pulp magazines, The Black Mask. Joseph Shaw, or Cap Shaw as he became known, transformed The Black Mask magazine into a pulp that featured a new 'hard-boiled' style of writing. Hammett became the master of this style and type of story.

Hardboiled detective fiction differed from earlier 'cosy' detective stories in that they tended to feature a more violent career "criminal than the lords, ladies, retired colonels, vicars and rich aunts who cropped up in stories typified by those written by Agatha Christie. Hardboiled stories tended to be fast paced, often narrated through the first person private investigator.

It was not accidental that the hardboiled detective story developed in the USA in the 1920s. Prohibition (the alcohol ban) had created an opportunity for gangsters to add to the huge profits they were already making from prostitution, protection rackets and gambling. Organised crime would often control or at least have a significant influence over the police and city politics. This was the America of Al Capone and Bugsy Siegel. Violence and corruption were everywhere.

This violent backdrop provided the perfect canvas on which Hammett could write his stories. While the traditional detective fiction featured an eccentric 'thinking machine' like Hercule Poirot or Sherlock Holmes, the hard-boiled detective had to be good with his fists and a gun. Hammett's short stories mostly featured an anonymous private detective known as 'the Op'. He is certainly intelligent but not exceptionally so. The people he encountered were often ordinary and spoke with the language of the street. Hammett's brilliance was in capturing the language of ordinary Americans and putting it on the page. This, together with a crisp style of short staccato sentences, gave a pace and authenticity to his stories.

While not politically active during the bulk of his writing career, many of his stories brilliantly expose the link between crime and the nature „ of capitalist society. As Hemet has Sam Spade say in The Maltese Falcon, "most things in San Francisco can be bought, or taken".

In Red Harvest, Hammett's first novel, the Op is sent to Clean up a town called Person-ville. The opening paragraph typifies Hammett's genius: "I first heard Personville called Poisonville by a red-haired mucker named Hickey Dewey in the Big Ship in Butte. He also called his shirt a shoit. I didn't think anything of what he'd done to the city's name.

Later I heard men who could manage their r's give it the same pronunciation. I still didn’t see anything in it but the meaningless sort of humor that used to make richard-snary the thieves' word for dictionary. A few years later I went to Personville and learned better".
Personville/Poisonville is loosely based on Anaconda but is a metaphor for America: "Don't kid yourselves that there's any law in Poisonville except what you make for yourself. For Hammett, it was not just a case of cleaning up a town or removing a few bad eggs. Corruption and violence are structural in capitalist society.

In the 1930s, Hammett gave up writing and became more politically active. He joined the Communist Party (CP) although his membership was kept secret because the party leadership thought that he would thereby be able to reach a wider audience. Instead, he was involved in a number of CP front organizations. Hammett wanted to play a more active role and volunteered to fight against the fascists in the Spanish civil war by joining the International Brigade. The CP stopped him, however, preferring to use him as a spokesperson in the USA.

Unfortunately Hammett, like many CP members, loyally followed the 'party line', dictated by the Stalinist bureaucracy that had removed all vestiges of workers' democracy in Russia. He publicly supported the Moscow purge trials that were used by the Stalinists to attack Leon Trotsky and other opponents of Stalinism. He followed the CP line in condemning the second world war up until the Nazi invasion of Russia. Once Russia had been invaded, Hammett was among the first to volunteer for army service.

Hammett was not a 'bohemian communist' who joined the CP because it was trendy. At the height of the cold war, when hundreds of ex-communists and former sympathisers were desperate to distance themselves, he loyally stood by the party and his comrades.

Hammett was a trustee of the New York branch of the Civil Rights Congress, a CP front set up to provide legal and financial assistance for activists. In 1951, the McCarthyite witch-hunt was at its height. Hemet was subpoenaed to appear in court. Asked to name any contributors to the civil rights fund he refused. He was then asked to hand over the records of the fund. This would have meant giving the names of thousands of activists to the state, potentially leaving them vulnerable to the witch-hunt. Again he refused.

The court sentenced him to six months in jail. Hammett offered no defence. After his release, he was blacklisted. His books that had sold in their hundreds of thousands were removed from public libraries. Screenings of film versions stopped. He became a non-person, dependent on the support of a few loyal friends for accommodation and food in his final years, finally dying from lung cancer in January 1961.

Dashiell Hammett was a principled though at times mistaken socialist who believed in a better life for all. We should remember him for his courage in standing up to the American state and going to prison rather than reveal the names of his comrades. However, most of all we should treasure the marvelous legacy of his writing, which is as entertaining today as it was when he wrote it. O

Mick Whale

Out In The Be-bop 1930s Crime Noir Night- Dashiell Hammett’s Ur-“Maltese Falcon”-A Film Review

Click on the headline to link to a Wikipedia entry for the 1931 film version of the classic Dashiell Hammett crime novel, The Maltese Falcon.

DVD Review

The Maltese Falcon, starring Bebe Daniels, Richard Cortez, Warner Brothers, 1931


Well it is possible for even a devoted actor Humphrey Bogart and crime novelist Dashiell Hammett aficionado to learn something new. For many years I had assumed that the 1941 hard-nosed Bogie as Sam Spade version of The Maltese Falcon was the original screen version of Hammett’s crime noir classic. Then an acquaintance, the old time radical journalist Josh Breslin whose by-line for half the progressive press and alternate vision journals in this country for the past forty years that some readers may know, informed me that an older version (or rather versions existed). That discovery however had to go unchecked until the age of the Internet. Now I have found the film via a very helpful lead from Wikipedia. Kudos.

Of course after reading Hammett’s crime novel countless times (if for no other reason than that great dialogue even after the plot line wore thin) and viewing the 1941 Bogie version almost as many times certain prejudices were bound to show up. The key is the role of Sam Spade as the world weary scrappy avenger of his partner’s murder while “in the line of duty”. If for no other reason than for professional pride. And the well-known plot line, basically murder and mayhem by parties known and unknown searching for a bid, “the stuff of dreams,” is what let’s Sam save the day, his professional pride, and his roughhewn sense of justice.

The 1931 Spade (played by handsome Richard Cortez) is less concerned with those gritty issues, more brazenly cynical, and much more of a womanizer than Bogie’s Spade (although he is not immune, temporality at least, to femme fatale charms). That as I found out was a result of the change in what was deemed acceptable to the general audience (the so-called Production Code). In the 1931 version it is clear, very clear, why Spade is ready to chase after windmills for the femme fatale (played Bebe Daniels). Sexual tension and adventure were rife. In the 1941 version I was always wondering what there was about Mary Astor (after all she didn’t seem Bogie’s type on the face of it) that made him all that intrepid. It was never spelled out. Now I know. No question though, despite that new information, that Bogie’s Spade is the cinematic standard and Hammett would agree.

*****Then and Now-A Pamphlet On The American Labor Struggles Of The 1930s

*****Then and Now-A Pamphlet On The American Labor Struggles Of The 1930s

 
Workers Vanguard No. 1072
7 August 2015
New Spartacist Pamphlet
 
Newly available for purchase is our publication Then and Now, which explains how class-struggle leadership made a key difference in three citywide strikes in 1934. We reprint below the pamphlet’s introduction describing its contents.
 
The “Then and Now” article in this pamphlet addresses the crucial political lessons of the 1934 strikes by Minneapolis truckers, maritime workers on the West Coast and Toledo auto parts workers. Waged amidst the all-sided destitution of the Great Depression, these strikes, like others that year, confronted the strikebreaking forces of the capitalist state. A key difference was that these strikes won. What made this outcome possible is that their leaders were, at the time, committed to a program of class struggle. Unlike other trade-union leaders of that day—and today—they did not buy into the notion that the workers had interests in common with the employers, their political parties or their state. Instead, these strikes were fought by mobilizing the mass strength and solidarity of the workers in opposition to the forces of the capitalist class enemy.
 
The review of Bryan Palmer’s book Revolutionary Teamsters provides a more in-depth study of the Minneapolis truckers’ strikes, which were led by the Trotskyists of the Communist League of America (CLA). Here they confronted the Farmer-Labor Party (FLP) governor of Minnesota, Floyd Olson, who commanded the allegiance of many workers with his often radical-sounding, friend-of-the-little-guy rhetoric. The FLP postured as a “third party” alternative to both the Democrats and Republicans, but it was no less a capitalist party.
 
This is effectively addressed in the 1930 article “The Minnesota F.L.P.” by Vincent Dunne, who went on to become a central leader of the truckers’ strikes. As Dunne makes clear, the two-class Farmer-Labor Party was based on the subordination of the workers’ struggles to farmers and other petty-bourgeois forces “whose political outlook is bounded by the illusion that it is possible to achieve security under the capitalist order.” After an on-again, off-again alliance with the Democratic Party, the FLP finally merged with the Democrats in 1944.
 
Dunne and other CLA leaders of the Minneapolis strikes had been armed for battle against farmer-labor populism by Russian revolutionary leader Leon Trotsky, who in the early 1920s had intervened to pull the young American communist movement back from giving political support to the capitalist “third party” candidacy of Robert La Follette, a maverick Republican Senator from Wisconsin. The excerpts from Trotsky’s introduction to his book, The First Five Years of the Communist International, summarize his opposition to this opportunist course which, if pursued, would have politically liquidated the fledgling Communist party.
 
Today, what remains of the gains that were won through the momentous class battles of the past continues to be ravaged in a one-sided class war enabled by trade-union misleaders, who have long forsaken the very means through which the unions were founded. The working class, the poor, black people, immigrants and countless others at the bottom of this society have paid the price in busted unions, broken lives and all-sided misery.
 
To be sure, it is not easy for the workers to win in the face of the forces arrayed against them. Many strikes, even very militant ones, will lose. But as was demonstrated in the three 1934 strikes addressed in this pamphlet, when important working-class battles are won it can dramatically alter the situation. These victories inspired a huge labor upsurge later in the 1930s that built the mass industrial unions in this country.
 
Hard-fought strikes can provide an important school of battle for the workers in which they learn the power of their collective strength and organization and begin to understand the class nature not only of the capitalist system but of the government, laws and political parties that defend its rule. But while able to strike important blows against the conditions of the workers’ exploitation, trade-union struggle on its own cannot end that exploitation. To win that war there must be a struggle for working-class power under the leadership of a revolutionary party that can arm the workers with the understanding and consciousness of their class interests in the fight to emancipate labor and all of the oppressed from the bondage of capitalist exploitation.
 
Spartacist League/U.S.

Box 1377 GPO, New York, NY 10116, USA




Frank Jackman comment on the labor Struggles of the 1930s:

Everybody, everybody who has been around for the last generation or two and has been breathing knows that the rich have gotten richer exponentially in the one-sided class war that they have so far successfully been pursuing here in America (and internationally as well). We really do not need to have the hard fact of class thrown in our faces one more time by the dwindling band of brave pro-working class leftists who must be legitimately perplexed by the lack of push-back, lack of basic trade union consciousness that animated those of a couple of generations ago to at least fight back and win a few precious gains. Or to have those of the think tank crowd of craven sociologists and make-shift policy wonks who are always slightly behind whatever the current reality is and well behind on what the hell to do about it if they would dream of lowering themselves to such considerations tell us of their recent discovery that the working classes (and the vaunted middle too) are getting screwed to put in working class language. What we really do need to have is some kind of guidance about how to fight back, how to get some room to breathe and figure out a strategy to win some class battles, small, large, hell, any size if for no other reason than to get the capitalists, mostly finance capitalists these days to back off a bit in that relentless drive to push everybody else to the bottom.

So it is very good, and very necessary, that this informative and thought-provoking pamphlet, Then and Now, goes back to the 1930s, the last serious prolonged struggle by the American working class as a class. Goes back and discusses those three very important class battles of 1934 –Minneapolis, Toledo and San Francisco all led centrally by “reds,” by those who had some sense that they were joining  in episodes of the class struggle and were willing to take their lumps on that basis. It probably would have seemed crazy to those militants that over 75 years later that their battles would be touted as the last great struggles of the class and that their grandchildren and great-grandchildren would be looking over their exploits with a certain admiration (and maybe puzzlement too since they have not seem such uppity-ness, ever). It speaks volumes that today’s leadership of the organized working class in the trade unions is clueless, worse, consciously works to keep everybody under their thumbs clueless about the battles that gave them their jobs. But that should not stop the rest of us from picking up some pointers. Read this one-and act.