*****The Son Of Dharma-With Jack Kerouac’s On The Road In Mind

*****The Son Of Dharma-With Jack Kerouac’s On The Road In Mind

 

From The Pen Of Sam Lowell

Jack Callahan thought he was going crazy when he thought about the matter after he had awoken from his fitful dream. Thought he was crazy for “channeling” Jack Kerouac, or rather more specifically channeling Jack’s definitive book On The Road, definite in giving him and a goodly portion of his generation that last push to go, well, go search a new world, or at least get the dust of your old town growing up off of your shoes, that had much to do with his wanderings. Got him going in search of what his late corner boy, “the Scribe,” Peter Paul Markin called the search for the Great Blue-Pink American West Night (Markin always capitalized that concept so since I too was influenced by the mad man’s dreams I will do so here). Any way you cut it seeking that new world that gave Jack his fitful dream. That  “driving him crazy” stemmed from the fact that those wanderings, that search had begun, and finished shortly thereafter, about fifty years before when he left the road after a few months for the hand of Chrissie McNamara and a settled life. Decided that like many others who went that same route he was not build for the long haul road after all.  

But maybe it is best to go back to the beginning, not the fifty years beginning, Jesus, who could remember, maybe want to remember incidents that far back, but to the night several weeks before when Jack, Frankie Riley, who had been our acknowledged corner boy leader out in front of Jack Slack’s bowling alleys from about senior year in high school in 1966 and a couple of years after when for a whole assortment of reasons, including the wanderings, the crowd went its separate ways, Jimmy Jenkins, Allan Johnson, Bart Webber, Josh Breslin, Rich Rizzo, Sam Eaton and me got together for one of our periodic “remember back in the day” get-togethers over at “Jack’s” in Cambridge a few block down Massachusetts Avenue from where Jimmy lives. We have probably done this a dozen time over the past decade or so, most recently as most of us have more time to spent at a hard night’s drinking (drinking high-shelf liquors as we always laugh about since in the old days we collectively could not have afforded one high-shelf drink and were reduced to drinking rotgut wines and seemingly just mashed whiskeys, and draino Southern Comfort, and that draino designation no lie, especially the first time before you acquired the taste for it).

The night I am talking about though as the liquor began to take effect someone, Bart I think, mentioned that he had read in the Globe that up in Lowell they were exhibiting the teletype roll of paper that Jack Kerouac had typed the most definitive draft of his classic youth nation travel book, On The Road in honor of the fiftieth anniversary of its publication in 1957. That information stopped everybody in the group’s tracks for a moment. Partly because everybody at the table, except Rich Rizzo, had taken some version of Kerouac’s book to heart as did thousands, maybe hundreds of thousands of certified members of the generation of ’68 who went wandering in that good 1960s night. But most of all because etched in everybody’s memory were thoughts of the mad monk monster bastard saint who turned us all on to the book, and to the wanderings, the late Peter Paul Markin.

Yeah, we still moan for that sainted bastard all these years later whenever something from our youths come up. It might be an anniversary, it might be all too often the passing of some iconic figure from those times, or it might be passing some place that was associated with our crowd, and with Markin. See Markin was something like a “prophet” to us, not the old time biblical long-beard and ranting guys although maybe he did think he was in that line of work, but as the herald of what he called “a fresh breeze coming across the land” early in the 1960s. Something of a nomadic “hippie” slightly before his time (including wearing his hair-pre moppet Beatles too long for working class North Adamsville tastes, especially his mother’s, who insisted on boys’ regulars and so another round was fought out to something like a stand-still then in the Markin household saga). The time of Markin’s “prophesies,” the hard-bitten Friday or Saturday night times when nothing to do and nothing to do it with he would hold forth, was however a time when we could have given a rat’s ass about some new wave forming in Markin’s mind (and that “rat’s ass” was the term of art we used on such occasions).

We would change our collective tunes later in the decade but then, and on Markin’s more sober days he would be clamoring over the same things, all we cared about was girls (or rather “getting into their pants”), getting dough for dates and walking around money (and planning small larcenies to obtain the filthy lucre), and getting a “boss” car, like a ’57 Chevy or at least a friend that had one in order to “do the do” with said girls and spend some dough at places like drive-in theaters and drive-in restaurants (mandatory if you wanted to get past square one with girls, the girls we knew, or were attracted to, in those days).           

Markin was whistling in the dark for a long time, past high school and maybe a couple of years after. He wore us down though pushing us to go up to Harvard Square in Cambridge to see guys with long hair and faded clothes and girls with long hair which looked like they had used an iron to iron it out sing, read poetry, and just hang-out. Hang out waiting for that same “fresh breeze” that Markin spent many a girl-less, dough-less, car-less Friday or Saturday night serenading us heathens about. I don’t know how many times he dragged me, and usually Bart Webber, in his trail on the late night subway to hear some latest thing in the early 1960s folk minute which I could barely stand then, and which I still grind my teeth over when I hear some associates going on and on about guys like Bob Dylan, Tom Rush and Dave Von Ronk and gals like Joan Baez, the one I heard later started the whole iron your long hair craze among seemingly rationale girls. Of course I did tolerate the music better once a couple of Cambridge girls asked me if I liked folk music one time in a coffeehouse and I said of course I did and took Markin aside to give me some names to throw at them. One girl, Lorna, I actually dated off and on for several months.

But enough of me and my youthful antics, and enough too of Markin and his wiggy ideas because this screed is about Jack Kerouac, about the effect of his major book, and why Jack Callahan of all people who among those of us corner boys from Jack Slack’s who followed Markin on the roads west left it the earliest. Left to go back to Chrissie, and eventually a car dealership, Toyota, that had him Mr. Toyota around Eastern Massachusetts (and of course Chrissie as Mrs. Toyota).

In a lot of ways Markin was only the messenger, the prodder, because when he eventually convinced us all to read the damn book at different points when we were all, all in our own ways getting wrapped up in the 1960s counter-cultural movement (and some of us the alternative political part too) we were in thrall to what adventures Sal Paradise and Dean Moriarty were up to. That is why I think Jack had his dreams after the all-night discussions we had. Of course Markin came in for his fair share of comment, good and bad. But what we talked about mostly was how improbable on the face of it a poor working-class kid from the textile mill town of Lowell, Massachusetts, from a staunch Roman Catholic French-Canadian heritage of those who came south to “see if the streets of America really were paved with gold” would seem an unlikely person to be involved in a movement that in many ways was the opposite of what his generation, the parents of our generation of ’68 to put the matter in perspective, born in the 1920s, coming of age in the Great Depression and slogging through World War II was searching for in the post-World War II “golden age of America.”  Add in that he also was a “jock” (no slur intended as we spent more than our fair share of time talking about sports on those girl-less, dough-less, car-less weekend nights, including Markin who had this complicated way that he figured out the top ten college football teams since they didn’t a play-off system to figure it out. Of course he was like the rest of us a Notre Dame “subway” fan), a guy who played hooky to go read books and who hung out with a bunch of corner boys just like us would be-bop part of his own generation and influence our generation enough to get some of us on the roads too. Go figure.       

So we, even Markin when he was in high flower, did not “invent” the era whole, especially in the cultural, personal ethos part, the part about skipping for a while anyway the nine to five work routine, the white house and picket fence family routine, the hold your breath nose to the grindstone routine and discovering the lure of the road and of discovering ourselves, and of the limits of our capacity to wonder. No question that elements of the generation before us, Jack Kerouac’s, the sullen West Coast hot-rodders, the perfect wave surfers, the teen-alienated rebel James Dean and wild one Marlon Brando we saw on Saturday afternoon matinee Strand Theater movie screens and above all his “beats” helped push the can down the road, especially the “beats” who along with Jack wrote to the high heavens about what they did, how they did it and what the hell it was they were running from. Yeah, gave us a road map to seek that “newer world” Markin got some of us wrapped up in later in the decade and the early part of the next.

Now the truth of the matter is that most generation of ‘68ers, us, only caught the tail-end of the “beat” scene, the end where mainstream culture and commerce made it into just another “bummer” like they have done with any movement that threatened to get out of hand. So most of us who were affected by the be-bop sound and feel of the “beats” got what we knew from reading about them. And above all, above even Allen Ginsberg’s seminal poem, Howl which was a clarion call for rebellion, was Jack Kerouac who thrilled even those who did not go out in the search the great blue-pink American West night.              

Here the odd thing, Kerouac except for that short burst in the late 1940s and a couple of vagrant road trips in the 1950s before fame struck him down was almost the antithesis of what we of the generation of ’68 were striving to accomplish. As is fairly well known, or was by those who lived through the 1960s, he would eventually disown his “step-children.” Be that as it may his role, earned or not, wanted or not, as media-anointed “king of the beats” was decisive.           

But enough of the quasi-literary treatment that I have drifted into when I really wanted to tell you about what Jack Callahan told me about his dream. He dreamed that he, after about sixty-five kinds of hell with his mother who wanted him to stay home and start that printing business that he had dreamed of since about third grade when he read about how his hero Benjamin Frankin had started in the business, get married to Betsy Binstock(not Chrissie whom she hated, called an Irish whore one time and Jack had all he could to not slap her down for such a remark, mother or no mother), buy a white picket fence house (a step up from the triple decker tenement where he grew up) have children, really grandchildren and have a happy if stilted life. But his mother advise fell off him like a dripping rain, hell, after-all he was caught in that 1960s moment when everything kind of got off-center and so he under the constant prodding of Markin decided to hit the road. Of course the Kerouac part came in from reading the book after about seven million drum-fire assaults by Markin pressing him to read the thing.

So there he was by himself. Markin and I were already in San Francisco so that was the story he gave his mother for going and also did not tell her that he was going  to hitchhike to save money and hell just to do it. It sounded easy in the book. So he went south little to hit Route 6 (a more easterly part of that road in upstate New York which Sal unsuccessfully started his trip on. There he met a young guy, kind of short, black hair, built like a football player who called himself Ti Jean, claimed he was French- Canadian and hailed from Nashua up in New Hampshire but had been living in Barnstable for the summer and was now heading west to see what that summer of love was all about.

Jack was ecstatic to have somebody to kind of show him the ropes, what to do and don’t do on the road to keep moving along. So they travelled together for a while, a long while first hitting New York City where Ti Jean knew a bunch of older guys, gypsy poets, sullen hipsters, con men, drifters and grifters, guys who looked like they had just come out some “beat” movie. Guys who knew what was what about Times Square, about dope, about saying adieu to the American dream of their parents to be free to do as they pleased. Good guys though who taught him a few things about the road since they said they had been on that road since the 1940s.

Ti Jean whose did not look that old said he was there with them, had blown out of Brockton after graduating high school where he had been an outstanding sprinter who could have had a scholarship if his grades had been better. Had gone to prep school in Providence to up his marks, had then been given a track scholarship to Brown, kind of blew that off when Providence seemed too provincial to him, had fled to New York one fine day where he sailed out for a while in the merchant marines to do his bit for the war effort. Hanging around New York in between sailings he met guys who were serious about reading, serious about talking about what they read, and serious about not being caught in anything but what pleased them for the moment. Some of this was self-taught, some picked up from the hipsters and hustlers.

After the war was over, still off-center about what to do about this writing bug that kept gnawing at him despite everybody, his minute wife, his love mother, his carping father telling him to get a profession writing wasn’t where any dough was, any dough for him he met this guy, a hard knocks guys who was something like a plebeian philosopher king, Ned Connelly, who was crazy to fix up cars and drive them, drive them anyway. Which was great since Ti Jean didn’t have a license, didn’t know step one about how to shift gears and hated driving although he loved riding shot-gun getting all blasted on the dope in the glove compartment and the be-bop jazz on the radio. So they tagged along together for a couple of years, zigged and zagged across the continent, hell, went to Mexico too to get that primo dope that he/they craved, got drunk as skunks more times than you could shake a stick, got laid more times than you would think by girls who you would not suspect were horny but were, worked a few short jobs picking produce in the California fields, stole when there was no work, pimped a couple of girls for a while to get a stake and had a hell of time while the “squares” were doing whatever squares do. And then he wrote some book about it, a book that was never published because there were too many squares who could not relate to what he and Ned were about. He was hoping that the kids he saw on the road, kids like Jack would keep the thing moving along as he left Jack at the entrance to the Golden Gate Bridge on their last ride together.

Then Jack woke up, woke up to the fact that he had stayed on the road too short a time now looking back on it. That guy Ti Jean had it right though, live fast, drink hard and let the rest of it take care of itself. Thanks Markin.              

 

 

*****Send The Following Message (Or Write Your Own) To The President In Support Of A Pardon For Private Manning

*****Send The Following Message (Or Write Your Own) To The President In Support Of A Pardon For Private Manning

To: President Barack Obama
White House
1600 Pennsylvania Avenue
Washington, D.C. 20500

The draconian 35 years sentence handed down by a military judge, Colonel Lind, on August 21, 2013 to Private Manning (Chelsea formerly known as Bradley) has outraged many citizens including me. (A decision upheld by the Convening Officer of the First District, General Buchanan in early 2014. The defense team is now preparing a full-blown brief to be presented to Army Court Of Military Appeals when ready.)

Under Article II, Section II of the U.S. Constitution the President of the United States had the authority to grant pardons to those who fall under federal jurisdiction.
Some of the reasons for my request include: 
*that Private Manning  was held for nearly a year in abusive solitary confinement at the Marine base at Quantico, Virginia, which the UN rapporteur in his findings has called “cruel, inhuman, and degrading”

*that the media had been continually blocked from transcripts and documents related to the trial and that it has only been through the efforts of Private Manning’s supporters that any transcripts exist.

*that under the UCMJ a soldier has the right to a speedy trial and that it was unconscionable and unconstitutional to wait 3 years before starting the court martial.

*that absolutely no one was harmed by the release of documents that exposed war crimes, unnecessary secrecy and disturbing foreign policy.

*that Private Manning is a hero who did the right thing when she revealed truth about wars that had been based on lies.

I urge you to use your authority under the Constitution to right the wrongs done to Private Manning – Enough is enough!

Signature ___________________________________________________________

Print Name __________________________________________________________

Address_____________________________________________________________

City / Town/State/Zip Code_________________________________________

Note that this image is PVT Manning’s preferred photo.

 

Updated-September 2015  

A while back, maybe a year or so ago, I was asked by a fellow member of Veterans For Peace at a monthly meeting in Cambridge about the status of the case of Chelsea Manning since he knew that I had been seriously involved with publicizing her case and he had not heard much about the case since she had been convicted in August 2013 (on some twenty counts including several Espionage Act counts, the Act itself, as it relates to Chelsea and its constitutionality will be the basis for one of her issues on appeal) and sentenced by Judge Lind to thirty-five years imprisonment to be served at Fort Leavenworth in Kansas. (She had already been held for three years before trial, the subject of another appeals issue and as of May 2015 had served five years altogether thus far and will be formally eligible for parole in the not too distant future although usually the first parole decision is negative).

That had also been the time immediately after the sentencing when Private Manning announced to the world her sexual identity and turned from Bradley to Chelsea. The question of her sexual identity was a situation than some of us already had known about while respecting Private Manning’s, Chelsea’s, and those of her ardent supporters at Courage to Resist and elsewhere the subject of her sexual identity was kept in the background so the reasons she was being tried would not be muddled and for which she was savagely fighting in her defense would not be warped by the mainstream media into some kind of identity politics circus.

I had responded to my fellow member that, as usual in such super-charged cases involving political prisoners, and there is no question that Private Manning is one despite the fact that every United States Attorney-General including the one in charge during her trial claims that there are no such prisoners in American jails only law-breakers, once the media glare of the trial and sentencing is over the case usually falls by the wayside into the media vacuum while the appellate process proceed on over the next several years.

At that point I informed him of the details that I did know. Chelsea immediately after sentencing had been put in the normal isolation before being put in with the general population at Fort Leavenworth. She seemed to be adjusting according to her trial defense lawyer to the pall of prison life as best she could. Later she had gone to a Kansas civil court to have her name changed from Bradley to Chelsea Elizabeth which the judge granted although the Army for a period insisted that mail be sent to her under her former male Bradley name. Her request for hormone therapies to help reflect her sexual identity had either been denied or the process stonewalled despite the Army’s own medical and psychiatric personnel stating in court that she was entitled to such measures.

At the beginning of 2014 the Commanding General of the Military District of Washington, General Buchanan, who had the authority to grant clemency on the sentence part of the case, despite the unusual severity of the sentence, had denied Chelsea any relief from the onerous sentence imposed by Judge Lind.

Locally on Veterans Day 2013, the first such event after her sentencing we had honored Chelsea at the annual VFP Armistice Day program and in December 2013 held a stand-out celebrating Chelsea’s birthday (as we did in December 2014 and will do again this December of 2015).  Most important of the information I gave my fellow VFPer was that Chelsea’s case going forward to the Army appellate process was being handled by nationally renowned lawyer Nancy Hollander and her associate Vincent Ward. Thus the case was in the long drawn out legal phase that does not generally get much coverage except by those interested in the case like well-known Vietnam era Pentagon Papers whistle-blower Daniel Ellsberg, various progressive groups which either nominated or rewarded her with their prizes, and the organization that has steadfastly continued to handle her case’s publicity and raising financial aid for her appeal, Courage to Resist (an organization dedicated to publicizing the cases of other military resisters as well).   

 

At our February 2015 monthly meeting that same VFPer asked me if it was true that as he had heard the Army, or the Department of Defense, had ordered Chelsea’s hormone therapy treatments to begin. I informed him after a long battle, including an ACLU suit ordering such relief, that information was true and she had started her treatments a month previously. I also informed him that the Army had thus far refused her request to have an appropriate length woman’s hair-do. On the legal front the case was still being reviewed for issues to be presented which could overturn the lower court decision in the Army Court Of Criminal Appeals by the lawyers and the actual writing of the appeal was upcoming. A seemingly small but very important victory on that front was that after the seemingly inevitable stonewalling on every issue the Army had agreed to use feminine or neutral pronoun in any documentation concerning Private Manning’s case. The lawyers had in June 2014 also been successful in avoiding the attempt by the Department of Defense to place Chelsea in a civil facility as they tried to foist their “problem” elsewhere.

 

On the political front Chelsea continued to receive awards, and after a fierce battle in 2013 was finally in 2014 made an honorary grand marshal of the very important GLBTQ Pride Parade in San Francisco (and had a contingent supporting her freedom again in the 2015 parade). Recently she has been given status as a contributor to the Guardian newspaper, a newspaper that was central to the fight by fellow whistle-blower Edward Snowden, where her first contribution was a very appropriate piece on what the fate of the notorious CIA torturers should be, having herself faced such torture down in Quantico adding to the poignancy of that suggestion. More recently she has written articles about the dire situation in the Middle East and the American government’s inability to learn any lessons from history and a call on the military to stop the practice of denying transgender people the right to serve. (Not everybody agrees with her positon in the transgender community or the VFP but she is out there in front with it.) 

[Maybe most important of all in this social networking, social media, texting world of the young (mostly) Chelsea has a twitter account- @xychelsea

 

Locally over the past two year we have marched for Chelsea in the Boston Pride Parade, commemorated her fourth year in prison last May [2014] and the fifth this year with a vigil, honored her again on Armistice Day 2014, celebrated her 27^th birthday in December with a rally (and will again this year on her 28^th birthday).

More recently big campaigns by Courage To Resist and the Press Freedom Foundation have almost raised the $200, 000 needed (maybe more by now) to give her legal team adequate resources during her appeals process (first step, after looking over the one hundred plus volumes of her pre-trial and trial hearings, the Army Court Of Criminal Appeal)

Recently although in this case more ominously and more threateningly Chelsea has been charged and convicted of several prison infractions (among them having a copy of the now famous Vanity Fair with Caitlyn, formerly Bruce, Jenner’s photograph on the cover) which could affect her parole status and other considerations going forward.     

We have continued to urge one and all to sign the on-line Amnesty International petition asking President Obama to grant an immediate pardon as well as asking that those with the means sent financial contributions to Courage To Resist to help with her legal expenses.

After I got home that night of the meeting I began thinking that a lot has happened over the past couple of years in the Chelsea Manning case and that I should made what I know more generally available to more than my local VFPers. I do so here, and gladly. Just one more example of our fervent belief that as we have said all along in Veterans for Peace and elsewhere- we will not leave our sister behind… More later.              

Markin comments (Winter 2014):   

There is no question now that Chelsea Manning’s trial, if one can called what took place down in Fort Meade a trial in the summer of 2013 rather than a travesty, a year after her conviction on twenty plus counts and having received an outrageous thirty-five year sentence essentially for telling us the truth about American atrocities and nefarious actions in Iraq, Afghanistan and wherever else the American government can stick its nose that her case has dropped from view. Although she occasionally gets an Op/Ed opportunity, including in the New York Times, a newspaper which while recoiling at the severity of the sentence in the immediate reaction did not question the justice of the conviction, and has several legal moves going from action to get the necessary hormonal treatments reflecting her real sexual identity (which the Army has stonewalled on and which even the New York Times has called for implementing) to now preparing the first appeal of her conviction to another military tribunal the popular uproar against her imprisonment has become a hush. While the appeals process may produce some results, perhaps a reduction in sentence, the short way home for her is a presidential pardon right now. I urge everybody to Google Amnesty International and sign on to the online petition to put the pressure on President Barack Obama for clemency.                   

I attended some of the sessions of Chelsea Manning’s court-martial in the summer of 2013 and am often asked these days in speaking for her release about what she could expect from the various procedures going forward to try to “spring” her from the clutches of the American government, or as I say whenever I get the chance to “not leave our buddy behind” in the time-honored military parlance. I have usually answered depending on what stage her post-conviction case is in that her sentence was draconian by all standards for someone who did not, although they tried to pin this on her, “aid the enemy.” Certainly Judge Lind though she was being lenient with thirty-five years when the government wanted sixty (and originally much more before some of the counts were consolidated). The next step was to appeal, really now that I think about it, a pro forma appeal to the commanding general of the Washington, D.C. military district where the trial was held. There were plenty of grounds to reduce the sentence but General Buchanan backed up his trial judge in the winter of 2014. Leaving Chelsea supporters right now with only the prospect of a presidential pardon to fight for as the court appeals are put together which will take some time. This is how I put the matter at one meeting:

“No question since her trial, conviction, and draconian sentence of thirty-five years imposed by a vindictive American government heroic Wiki-leaks whistle-blower Chelsea Manning’s has fallen off the radar. The incessant news cycle which has a short life cycle covered her case sporadically, covered the verdict, covered the sentencing and with some snickers cover her announcement directly after the sentencing that she wanted to live as her true self, a woman. (A fact that her supporters were aware of prior to the announcement but agreed that the issue of her sexual identity should not get mixed up with her heroic actions during the pre-trial and trial periods.) Since then despite occasional public rallies and actions her case had tended, as most political prisoner cases do, to get caught up in the appeals process and that keeps it out of the limelight.”            

Over the past year or so Chelsea Manning has been honored and remembered by the Veterans For Peace, Smedley Butler Brigade in Boston in such events as the VFP-led Saint Patrick’s Day Peace Parade, the Memorial Day anti-war observance, the yearly Gay Pride Parade, the Rockport July 4^th parade, the VFP-led Veterans Day Peace Parade, and on December 17^th her birthday. We have marched with a banner calling for her freedom, distribute literature about her case and call on one and all to sign the pardon petitions. The banner has drawn applause and return shouts of “Free Chelsea.” The Smedley Butler Brigade continues to stand behind our sister. We will not leave her behind. We also urge everybody to sign the Amnesty International on-line petition calling on President Obama to use his constitutional authority to pardon Chelsea Manning

http://www.amnesty.org/en/news/usa-one-year-after-her-conviction-chelsea-manning-must-be-released-2014-07-30  

Additional Markin comment on his reasons for supporting Chelsea Manning:

I got my start in working with anti-war GIs back in the early 1970s after my own military service was over. After my own service I had felt a compelling need to fight the monster from the outside after basically fruitless and difficult efforts inside once I got “religion” on the war issue first-hand. That work included helping create a couple of GI coffeehouses near Fort Devens in Massachusetts and down at Fort Dix in New Jersey in order for GIs to have a “friendly” space in which to think through what they wanted to do in relationship to the military.

Some wanted help to apply for the then tough to get discharge for conscientious objection. Tough because once inside the military, at least this was the way things went then, the military argued against the depth of the applying soldier’s convictions and tended to dismiss such applications out of hand. Only after a few civil court cases opened up the application process later when the courts ruled that the military was acting arbitrarily and capriciously in rejecting such applications out of hand did things open up a little in that channel. Others wanted to know their rights against what they were told by their officers and NCOs. But most, the great majority, many who had already served in hell-hole Vietnam, wanted a place, a non-military place, a non-GI club, where they could get away from the smell, taste, and macho talk of war.

Although there are still a few places where the remnants of coffeehouses exist like the classic Oleo Strut down at Fort Hood in Texas the wars of the past decade or so has produced no great GI resistance like against the Vietnam War when half the Army in America and Vietnam seemed to be in mutiny against their officers, against their ugly tasks of killing every “gook” who crossed their path for no known reason except hubris, and against the stifling of their rights as citizens. At one point no anti-war march was worthy of the name if it did not have a contingent of soldiers in uniform leading the thing. There are many reasons for this difference in attitude, mainly the kind of volunteer the military accepts but probably a greater factor is that back then was the dominance of the citizen-soldier, the draftee, in stirring things up, stirring things up inside as a reflection of what was going on out on the streets and on the campuses. I still firmly believe that in the final analysis you have to get to the “cannon fodder,” the grunts, the private soldier if you want to stop the incessant war machine. Since we are commemorating, if that is the right word the 100^th anniversary of the start of World War I check out what happened, for example, on the Russian front when the desperate soldiers left the trenches during 1917 after they got fed up with the Czar, with the trenches, with the landlords, and the whole senseless mess.

Everyone who has the least bit of sympathy for the anti-war struggles of the past decade should admire what Chelsea Manning has done by her actions releasing that treasure trove of information about American atrocities in Iraq and elsewhere. She has certainly paid the price for her convictions with a draconian sentence. It is hard to judge how history will record any particular heroic action like hers but if the last real case with which her action can be compared with is a guide, Daniel Ellsberg and The Pentagon Papers, she should find an honored spot. Moreover Chelsea took her actions while in the military which has its own peculiar justice system. Her action, unlike back in Vietnam War times, when the Army was half in mutiny was one of precious few this time out. Now that I think about she does not have to worry about her honored place in history. It is already assured. But just to be on the safe side let’s fight like hell for her freedom. We will not leave our sister Chelsea behind.              

 

HONOR THE THREE L’S-LENIN, LUXEMBURG, LIEBKNECHT-Honor The Historic Leader Of The Bolshevik Revolution-Vladimir Lenin

HONOR THE THREE L’S-LENIN, LUXEMBURG, LIEBKNECHT-Honor The Historic Leader Of The Bolshevik Revolution-Vladimir Lenin  

 

Every January leftists honor three revolutionaries who died in that month, V.I. Lenin of Russia in 1924, Karl Liebknecht of Germany and Rosa Luxemburg of Poland in 1919 murdered after leading the defeated Spartacist uprising in Berlin. I made my political points about the heroic Karl Liebknecht and his parliamentary fight against the German war budget in World War I in this space earlier (see review in April 2006 archives). I made some special points here last year about the life of Rosa Luxemburg (see review in January 2006 archives). This year it is appropriate, at a time when the young needs to find a few good heroes, to highlight the early struggles of Vladimir Lenin, the third L, to define himself politically. Probably the best way to do that is to look at Lenin’s experiences through the prism of his fellow revolutionary, early political opponent and eventual co-leader of the Bolshevik Revolution Leon Trotsky.

A Look At The Young Lenin By A Fellow Revolutionary

 

The Young Lenin, Leon Trotsky, Doubleday and Co., New York, 1972

 

The now slightly receding figure of the 20^th century Russian revolutionary Vladimir Lenin founder and leader of the Bolshevik Party and guiding light of the October 1917 Russian Revolution and the first attempt at creating a socialist society has been the subject to many biographies. Some of those efforts undertaken during the time of the former Soviet government dismantled in 1991-92, especially under the Stalin regime, bordered on or were merely the hagiographic. Others, reflecting the ups and downs of the post- World War II Cold War, painted an obscene diabolical picture, excluding Lenin’s horns, and in some cases not even attempting to exclude those. In virtually all cases these effort centered on Lenin’s life from the period of the rise of the Bolshevik Social Democratic faction in 1903 until his early death in 1924. In short, the early formative period of his life in the backwaters of provincial Russia rate a gloss over. Lenin’s fellow revolutionary Leon Trotsky, although some ten years younger than him, tries to trace that early stage of his life in order to draw certain lessons. It is in that context that Trotsky’s work contains some important insights about the development of revolutionary figures and their beginnings.

Although Trotsky’s little work, originally intended to be part of a full biography of Lenin, never served its purpose of educating the youth during his lifetime and the story of it discovery is rather interesting one should note that this is neither a scholarly work in the traditional sense nor is it completely free from certain fawning over Lenin by Trotsky. Part of this was determined by the vicissitudes of the furious Trotsky-Stalin fights for the soul of the Russian Revolution as Trotsky tried to uncover the layers of misinformation about Lenin’s early life. Part of it resulted from Trotsky’s status of junior partner to Lenin and also to his late coming over to Bolshevism. And part of it is, frankly, to indirectly contrast Lenin’s and his own road to Marxism. That said, this partial biography stands up very well as an analysis of the times that the young Lenin lived in, the events that affected his development and the idiosyncrasies of his own personality that drove him toward revolutionary conclusions. In short, Trotsky’s work is a case study in the proposition that revolutionaries are made not born.

To a greater extent than would be true today in a celebrity-conscious world many parts of Lenin’s early life are just not verifiable. Partially that is due to the nature of record keeping in the Russia of the 19^th century. Partially it is because of the necessity to rely on not always reliable police records. Another part is that the average youth, and here Lenin was in some ways no exception, really have a limited noteworthy record to present for public inspection. That despite the best efforts of Soviet hagiography to make it otherwise. Nevertheless Trotsky does an admirable job of detailing the high and low lights of agrarian Russian society and the vagaries of the land question in the second half of the 19^thcentury. One should note that Trotsky grew up on a Ukrainian farm and therefore is no stranger to many of the same kind of problems that Lenin had to work through concerning the solution to the agrarian crisis, the peasant question. Most notably, is that the fight for the Russian revolution that everyone knew was coming could only be worked out through the fight for influence over the small industrial working class and socialism.

I would note that for the modern young reader that two things Trotsky analyzes are relevant. The first is the relationship between Lenin and his older brother Alexander who, when he became politicized, joined a remnant of the populist People’s Will terrorist organization and attempted to assassinate the Tsar. For his efforts he and his co-conspirators were hanged. I have always been intrigued by the effect that this event had on Lenin’s development. On the one hand, as a budding young intellectual, would Lenin have attempted to avenge his brother’s fate with his same revolutionary intellectual political program? Or would Lenin go another way to intersect the coming revolutionary either through its agrarian component or the budding Marxist Social Democratic element? We know the answer but Trotsky provides a nicely reasoned analysis of the various influences that were at work in the young Lenin. That alone is worth the price of admission here.

The other point I have already alluded to above. Revolutionaries are made not born, although particular life circumstances may create certain more favorable conditions. Soviet historians in their voluntarist hay day tried to make of Lenin a superhuman phenomenon- a fully formed Marxist intellectual from his early youth. Trotsky once again distills the essence of Lenin’s struggle to make sense of the world, the Russian world in the first instance, as he tries to find a way out the Russian political impasse. Trotsky’s work only goes up to 1892-93, the Samara period, the period before Lenin took off for Petersburg and greener pastures. He left Samara a fully committed Marxist but it would be many years, with many polemics and by using many political techniques before he himself became a Bolshevik, as we know it. And that, young friends, is a cautionary tale that can be taken into the 21^st century. Read on.

*From The "Renegade Eye" Blog- On Pat Robertson

Click on, if you dare tempt the fates, to the "Renegade Eye" blog for a pithy comment on one Pat Robertson.

Markin comment:

Pat Robertson is living proof, if we really needed any more, that not all our religious fundamentalist enemies are in the Middle East or elsewhere. And, in the end,they are all just as dangerous to our cause, the communist future. Viva Toussaint and his fight for Haitian independence against the French back in the day!

*****I Did It My Way-With Bob Dylan’s Shadows In The Night In Mind

******I Did It My Way-With Bob Dylan’s Shadows In The Night In Mind

 

From The Pen Of Bart Webber

Recently Sam Eaton an old friend of mine from high school days down at Carver High School in Southeastern Massachusetts did a review for the well-regarded and informative American Folk Music blog where he is listed as a regular contributor for Bob Dylan’s then latest CD brought out in 2014, Shadows In The Night.  [Subsequently in 2015 Columbia Records brought out Volume 12 f the apparently never-ending bootleg series this one centered on a 6 CD set of outtakes, mistakes, variations, songs that didn't make the albums, and whatnot from Dylan's fruitful 1965-66 period but that is old-time well-know music so doesn't really count as a latest CD. Sam had yet to review that compilation since he is not sure that he should not just go back and review the original albums; Blonde on Blonde, Bringing It All Back Home, Highway 61 Revisited.]  

Sam had sent me a copy of the review after I had reunited with him when I was looking for information via Google  about my Carver High School Class of 1964 50th anniversary class reunion via the “magic” of the Internet where Diana Rico (nee Kelly) along with her reunion committee had set up a class reunion website which he had joined thus proving that the Internet seems to be able to ferret out anybody who has ever put the slightest information on any website (and which has been recorded by our “friends” at NSA and other “big brother” operations done in “our interest” by the American government but enough of that for now as that is a subject worthy of another time). I then bought the CD on Amazon and after listening did my own amateur review, since writing such things is something I like to do in my spare time, which is essentially based on a lot of Sam's observations in that American Folk Song review. The reason for depending on Sam's observations is that while this album is slightly different from Dylan's early folk song work I have never really been able to do anything but grind my teeth when I hear such music and particularly Dylan's. Unlike Sam I am no folk music aficionado.    

The album a tribute to the king of Tin Pan Alley songwriter fest, Frank Sinatra, in the days when there was something of an unwritten code or maybe not unwritten but assumed by the division of labor that the singer and songwriter were strangers in the night in another sense. Songwriters for the most part wrote the lyrics and singers gobbled up what they were presented with. (Also later, after a semi-successful screen career where he did excellent work in the film adaptations of James Jones’ From Here To Eternity and Nelson Algren’s wrenching The Man With The Golden Arm and some notoriety as the leader of a rat pack of Hollywood and Los Vegas celebrities, named the “Chairman of the boards,” the boards being the stage upon which his fame rested as a singer, actor and hail fellow, well met.) In that review Sam noted that such an effort to go back to an aspect, an off-shoot of the great American Songbook of which Dylan knew so much even early on before he became famous as the “king of folksingers” was bound to happen if he lived long enough.

[Fir those who have forgotten, who had only a vague remembrance from parents' radio listening in the 1950s to the exclusion of rock and roll listening, or were too  young Frank Sinatra was the cat's meow in those day. Later, after a semi-successful screen career where he did excellent work in the film adaptations of James Jones’ From Here To Eternity and Nelson Algren’s wrenching The Man With The Golden Arm and some notoriety as the leader of a rat pack of Hollywood and Los Vegas celebrities, he was declared named the “Chairman of the boards,” the boards being the stage upon which his fame rested as a singer, actor and hail fellow, well met.)

Going back to the Great Depression/World War II period that our parents, we the baby-boomers parents (although Dylan born in 1941 missed the big generation of '68 boat but for Sam’s purpose that was okay Dylan got tagged as an honorary '68er) slogged through for musical inspiration. Going back to something, some place that when we were young and immortal, young and thinking that what we had created would last forever we would have, rightly, dismissed out of hand. And since Dylan has lived long enough, long enough to go back to some bygones roots  here we are talking about something that let us say in 1970 Sam would have dismissed as impossible. Dismissed as the delusional ravings of somebody like Sam’s older brother, Mason, who hated almost everything about the counter-cultural movement of the 1960s. Hated both before he did two tours in Vietnam beginning in 1965 even before the big call-ups after the Gulf of Tonkin Resolution, enlisting naturally, without a scratch on him, before he got married to his high school sweetheart who had waited, had waited through those two long tours for him maybe sensing that he would come through unscratched, got his little white picket house in hometown North Carver away from his South Carver working class son of a bogger (cranberry bogs the only thing that keep the town together back then and for which it had been famous for generations), and after when he would, along with the lovely bride stand in front of abortion clinics and spew hateful words and make threatening gestures against poor bedraggled young women (mainly)  up against it after some guy left her in the lurch to worry and fret about bringing another baby into this wicked old world. In addition "fag" bait (without the bride as far as Sam knew, they were not exactly on the best of terms then, or now for that matter) every guy in town whose had a word to say about peace and went crazy when somebody mentioned that gays ("in the closet gays") had served in the military during his war. Mason would think nothing of punching any guy who he thought was “light on his feet” (lesbians he seemed, according to Sam, he skipped for some reason), had been ready to spill blood it seemed to cut off the heads of anybody who wanted to breathe a new fresh breath not tinged with our parents’ worn out ways of doing business in civil society.

A whole dissertation or at least a serious long article could be written about how the gap of maybe three years, graduating in say 1961 like Mason and 1964 like Sam created a whole divide in social/political/cultural attitudes in many families. Not all but many where the fresh breeze of the Kennedy Camelot minute dream breeze had not been strong enough to check the desire of the former grouping to serve one’s country, right or wrong, marry one time forever, and get that little white fence house that was a step, maybe two, up from Ma and Pa and go down and dirty with every right-wing  yahoo who promised to "take the country back" and you can fill in the blanks on your own about who from when things came to a head.      
 

Strange as it may seem to a generation, the generation of ’68, today’s AARP generation, okay, baby-boomers who came of age with the clarion call put forth musically by Bob Dylan and others to dramatically break with the music of our parents’ pasts, the music that got them through the Great Depression and slogging through World War II, he has put out an album featuring the work of Mr. Frank Sinatra the king of that era in many our parents’ households. Dylan’s call, clarion call if you will of Blowin’ In The Wind and The Times They Are A-Changin’ (those dropped “gs” a sign of the folk informally and a general mid-country Midwest phenomenon) written and sung by him which began a trend in music that pulled the mythical Tin Pan Alley marquee down (and a lot of non-singing-instrument composers and professional studio musical on to cheap street) were direct assaults on whatever Grandfather Ike, the Cold War death bombs mentality or the deep freeze cultural and personal red scare which had carried  the country (and Frank) through the 1950s.
 

The music of the Broadway shows, Tin Pan Alley, Cole Porter/Irving Berlin/ the Gershwins/Jerome Kern, Sam who along with his interest in rock and roll, urban blues and protest-tinged folk music a la Dylan (and Phil Ochs, Joan Baez, Utah Phillips, Tom Paxton and a group of other who I forget that Sam was always talking about ) also knew about and hence his status as “professional” amateur archivist and reviewer so forgive me if I have left anybody of  importance out. Have I missed anybody of importance, probably, probably missed some of those Rogers and Hart Broadway show tunes teams, and so on.

That proposition though, at least as it pertains to Bob Dylan as an individual, seems less strange as Sam pointed out to me if you were not totally mired in the Bob Dylan protest minute of the early 1960s as he was although folk music beyond a few Dylan tunes sung by others as I said before made my teeth grind, left me flat and even with Dylan it was an iffy proposition when he was cranky-voiced in live performances like one time, maybe 1964, when Sam, at Sam’s insistence, forced me since I had access to a car to go down to the Newport Folk Festival one hot July night to hear “the bard ” and he croaked out his set. Those were the days though when even I realized that whether Dylan wanted that designation or not, he was the “voice of a generation,” catching the new breeze a lot of us felt coming through the land.

In the end Dylan did not want it, ran from it (with the “help” of a serious motorcycle accident which kept him out of the live limelight, holed up in Woodstock along with musicians who would be the Band, the rock and roll back-up band for Dylan when he went electric in 1965 and later on their own, although not out of big time album making, that being a rather prolific album period for him, did not want to be the voice of a generation, had no banner to wave, no sign to hold up for humanity as say Joan Baez, an ex-girlfriend or something like that, and Phil Ochs did, although he liked and wanted to be “king of the hill” in the music department of that generation, no question.

Wanted too to be the king hell troubadour entertaining the world for as long as he drew breathe, as long as he had a song to sing (in what kind of voice god only knows, reptilian the last time I heard him previously a few years ago on some aspect of his never-ending tour gig and Sam said in that review of the Sinatra tribute album that they must have had to come up with some miracles of modern “fixer man” music technology to get his voice to sound even as bad as it did on his Sinatra-etched covers which were just short of spoken verses like some New Jersey Best Western hotel lounge lizard act) and he has accomplished that, the longevity part.

What Dylan has been about for the greater part of his career though has been as an entertainer, a guy who sings his songs to the crowd and hopes they share his feelings for his songs. As he is quoted as saying in a 2015 AARP magazine article connected with the release of his Frank Sinatra tribute what he hoped was that like Frank he sang to, not at, his audience. Just like Frank did when he was in high tide around the 1940s and 1950s and our bobby-soxer mothers were tripping all over themselves like he was Elvis or something and throwing who knows what his way, maybe, notes with telephones numbers and promises of the best time he ever had. That sensibility is emphatically not what the folk protest music ethos was about but rather about stirring up the troops, stirring up the latter day Gideon’s Army to go smite the dragon, to right a few, maybe more, of the wrongs of this wicked old world. Dylan early on came close, stepped into Mississippi for a day or so, then drew back, although it is hard to think of anybody from our generation except maybe Joan Baez and Phil Ochs who wrote and sang to move people from point A to point B in the social struggles of the times. 

What Dylan has also been about through it all has been a deep and abiding respect for the American songbook that he began to gather in his mind early on (look on YouTube to a clip from Don’t Look Back where he is up in some European hotel room with Joan Baez and Bob Neuwirth singing Hank Williams ballads like Lost Highway or stuff from the Basement tapes, either set, the recently released five CD set in the never-ending bootleg set or the rarer “Genuine Basement” tape which is  where he runs the table on a few earlier genres, especially country and show tunes). In the old days that was looking for roots, roots music from the mountains, the desolate oceans, the slave quarters, along the rivers and Dylan’s hero then was Woody Guthrie. But the American songbook is a “big tent” operation and the Tin Pan Alley that he broke from when he became his own songwriter is an important part of the overall tradition and now he has added his hero Frank Sinatra to his version of the songbook (at least he called him his hero but Sam said he would be hard-pressed to name one song Dylan covered of Frank’s in the old days even as a goof.)

Sam said (an I agree somewhat, as much as I am going to with folk songs that can still make my teeth grind) that he may long for the old protest songs, the songs that stirred his blood to push on with the political struggles of the time like With God On Our Side which pushed him (and dragged me along in his wake, for a while) into the ranks of the Quakers, shakers, and little old ladies and men in tennis sneakers in the fight for nuclear disarmament, songs from the album pictured above, you know Blowin’ In The Wind which fit perfectly with the sense that something, something undefinable, something new as in the air in the early 1960s and The Times Are A Changin’ stuff like that, the roots music and not just Woody but Hank (including an incredible version of You Win Again), Tex-Mex working later with George  Sahms of the Sir Douglas Quintet, the Carters, the odd and unusual like the magic lyric play in Desolation Row, his cover of Charley Patton’s Highwater Rising or his cover of a song Lonnie Johnson made famous, Tomorrow Night, but Dylan has sought to entertain and there is room in his tent for the king of Tin Pan Alley (as Billie Holiday was the “queen”).

Having not heard Dylan live and in concert over the past several years with his grating lost voice (for Sam it was always about the lyrics not the voice although in looking at old tapes from the Newport Folk Festival on YouTube his voice was actually far better then than I would have given him credit for) I said to Sam I really did wonder, like he did, though how much production was needed to get the wrinkles out of that voice to sing as smoothly as the “Chairman of the boards,” to run the pauses and the hushed tones Frank knew how to do to keep his audience in his clutches. Yeah, still what goes around comes around.