Friday, February 19, 2016

Philip Marlowe-Redux- With Raymond Chandler and Robert Parker’s Poodle Springs in Mind.


Philip Marlowe-Redux- With Raymond Chandler and Robert Parker’s Poodle Springs in Mind.




Book Review

By Lester Lannon

Poodle Springs, based on an unfinished story by Raymond Chandler finished up by Robert Parker, Putnam and Sons, New York, 1989

A while back, maybe a couple of years ago now, back in 2013, 2014 somewhere around there Sam Eaton and Ralph Morris at one of their increasingly frequent get-togethers courtesy of their then recent respective retirement statuses got together to “chew the fat” about the old days, the old days when they first met back in 1971 under unusual circumstances and had found then that they had many interests in common. The common interests in a moment but it is worthwhile since I lured the reader in by that “unusual circumstances” of their initial meeting to once again explain how both guys who came from different geographically areas but more importantly different social and political perspectives bonded  for a lifetime as a result.   

To make a long story short they met in jail, well, maybe jail is too strong a term but in detention, while being detained. That 1971 date is important to explain why two basically law-abiding young men (and subsequently too courting arrest only by choice) with very different perspectives found themselves in Washington, D.C. on May Day of that year with their respective groups trying to shut down the American government. Of course that was Vietnam War times and a goodly number of people who were at wits end about stopping that war and had come, rightly, under the sway of those who said forever larger marches on Washington was not going to end the war and therefore more direct action was necessary. Ralph, an embittered Vietnam veteran from Troy, New York had gone with a group of fellow members of the Albany area Vietnam Veterans Against the War (VVAW) with the idea of blocking the Pentagon (somewhat along the lines of the “levitation” explained in Norman Mailer’s Armies Of The Night about an anti-war action at that site in 1967 although practically speaking not one Vet expected them to be able to actually shut down the site, not without serious bloodshed). Sam, not a veteran due to a hardship exemption after his father died leaving his mother and four younger sisters dependent on him, had become radicalized if that was the right word after his best friend from high school in Carver down in Southeastern Massachusetts, Jeff Mullins, had been killed in the Central Highlands of Vietnam. Jeff had before he died in letters home begged Sam to tell the world, the world that would listen anyway, the war was all wrong if he did not make it back to do so himself. That spurred Sam on and he eventually drifted up to Cambridge and joined one of the burgeoning radical direct action collectives there, the John Brown Collective. Their collective’s task in Washington was to try to shut down the White House which unlike the more realistic veterans they fully expected to do with enough forces. In the event neither man nor their respective groups even got close to achieving what they had set out to do that early May Day Monday morning. All they, and thousands of others, got for their efforts were batterings with police sticks, tear gas, and trips to the bastinado by a counter-force of police and military who were more than ready to insure that the government was not shut down by a bunch of “crazies.”        

That bastinado bit turned out to be a football stadium, ironically the Robert F. Kennedy Stadium the home of the professional Washington Redskins. Many of the thousands were thrown in there once the jails had been filled. Ralph had run into Sam on the floor of the field when he had noticed that Sam had a VVAW button on his shirt and asked if he was a veteran and from where. Sam told Ralph his story about Jeff and from there it turned out although they had come to that place under different reasonings over the few days being held there they found out they shared some things including class background in common.   

The “things in common” they had initially discussed on that football field and which they would do in that subsequent meeting in 2014 at Jack’s Grille in Cambridge where they would go for a few drinks and while away a few hours was an intense interest in the American Civil War which was at the time of the Jack’s Grille meeting in its 150th anniversary years of commemoration. That conversation had begun because Sam had just recently re-read Bruce Catton’s Terrible Swift Sword about the decisive middle years of that war turning it from a half-hearted fight to preserve the union into a revolutionary struggle to overthrown the institution of slavery forever. After a few drinks and some heated talk about General McClellan’s merits as commander of the key Army of the Potomac and Lincoln’s determined efforts to abolish slavery when he felt that was the only way to preserve the union as it was they turned to a very different subject of noir detectives, of their love for the old time detective stories (and film adaptations) by Dashiell Hammett and Raymond Chandler.    

The initial conversation down in Washington about the film detectives had been spurred by Sam telling Ralph about Dashiell Hammett’s harassment by the government for being a strong vocal sympathizer of the American Communist Party and its various groups. Had spent time in jail for contempt. Ralph, still in the throes of a the vacuous anti-communist red scare Cold war night dreams of his youth, refused to believe that at first since Hammett’s detectives seemed so apolitical and macho (although he probably did not use that word which was just beginning to creep into the language with the rise of the women’s liberation movement). That discussion had gotten them into a whole range of topics around the qualities they liked in the old time detectives and over the subsequent years they would renew their conversations whenever one or the other read, or rather re-read, one of the classics (or saw one of the film adaptations Sam had seen The Maltese Falcon with Humphrey Bogart and Mary Astor about ten times and could quote some of the dialogue by heart).         

The conversation that night in 2014 had been brought on after Ralph told Sam that he had been at the Troy Public Library in order to try and find a copy of Chandler’s Farewell, My Lovely after having just seen through the beauty of Netflix the film adaptation with Dick Powell as the famous Chandler detective Philip Marlowe (presented under the movie title Murder, My Sweet) which differed in some respects from what he remembered from reading the book as a kid. He couldn’t find that book (it was out in circulation) but came across another Chandler book that he had never heard of, Poodle Springs. The reason that he had never heard of it was that it had never been finished by Chandler before he died in La Jolla in 1959. What had happened was the then currently famous (1989) detective story writer (the Spenser series among others), Robert Parker had taken it upon himself as an act of respect to finish the story. To give his take on what old Philip Marlowe would morph into in the 1960s (or later) if Chandler had finished the novel.           

Sam was a bit intrigued by what Ralph had stumbled upon and since he (they) knew that Parker’s detectives tended to be ultra-cool and less hard-boiled than Marlowe he asked Ralph to give him the skinny on the story-line and how Parker treated the iconic Marlowe. First off Ralph surprised Sam with the fact that old hard-bitten loner Marlowe had gotten married to some hot sexy rich as Midas dish although the circumstances of their meeting and marriage had not been revealed. Sam, having been married three times and divorced as many, smirked and remarked that one of the things that had attracted him to Marlowe in his periodic re-readings was that while he liked the ladies (and the ladies liked him as they did in Poodle Springs as well) he could take them or leave, could go to bed with them one night and turn them in to the coppers the next morning. No good could come of marriage to tie him down in the rough-hewned search for a little rough justice in the world. Ralph, having been married three times and divorced twice, laughed and said he had that exact same feeling. A Marlowe for the modern age they both thought like Eliot Gould was in the film adaptation of The Long Good-bye all ultra-cool and kind of detached from the windmill-seeking world.       

Ralph continued. Naturally being married to a rich as Midas (or her father was anyway) hot sexy young woman who plunked them out into exclusive, very exclusive, Poodle Springs there was nothing but tension between Philip and the Mrs. (Linda) since he had to make his own nut in the world and that meant for an old-time detective with plenty of scars, knocks on the head, and a few night in the pokey to set up shop out among the heathen rich and see what played out. That tension between them would never get resolved, or only got resolved by them separating but continuing to have rolls in the hay together (you know friend’s with privileges in today speak) but it took up far too much of the couple of hundred pages with her carping and him saying he had be his own man and not some poodle, or some kind of dog to be walked around with among the high and mighty. Ralph said he longed for the old days when Marlowe would have tossed a Velma or a Sternwood daughter to the wolves for trying to rein him in like that. 

Of course in order to have a detective story Marlowe needed a client and presto up came Lippy, Lippy the front-man casino owner, even before he had set up an office. Lippy needed Marlowe to find a guy who owned him a ton of dough on a gambling debt, or else. Marlowe hopped right to it, found the guy no problem. Well, not no problem because the guy Les/Larry was a risk addict married to two woman, a bigamist, one for love the other for her dough or rather her father’s dough. Not only that his profession, or had been profession, backdoor sleaze pornographic photographer was creeping up on him. See he was being blackmailed by some frail who had the goods on his kinky rich second wife. And that frail wound up very dead in Les/Larry’s office. Guess who found her very dead. Yeah, Marlowe. Guess who also wound up dead, Lippy. Guess who found him. Yeah, Marlowe. So you know he will take some heat from the coppers who still don’t’ like gumshoes messing in their nice set-up murder cases. Of course Marlowe was silent about who might have killed the pair since he figured Les/Larry was not build for such heavy duty. It turned out that that kinky wife whose father had some kind of incestuous hold over her had done the deed since she loved her Les/Larry no matter what kind of heel his was. In the end though she went over the edge killing her father and tried to do so to anybody else who might get in the way. Too late for her father his bodyguard wasted her. And Les/Larry?  Marlowe a romantic at heart like in the old days, the old knight errant let him and that first wife walk off into the sunset.       

Of course along the way old Marlowe got knocked up on the head, got some jail time, smoked a million cigarettes, drank good and booze and stuck to his guns. So not a bad job by Parker to fill Chandler’s big shoes. But at the end of the evening, having maybe about three drinks too many, both Ralph and Sam were shaking their heads about why in the end Marlowe let that nagging wife no matter how sexy and bed-mate worthy back into his bedroom. Damn.  

*Songs To While Away The Class Struggle By-Nina Simone's "Mississippi Goddam"-In Honor Of Harper Lee's "To Kill A Mockingbird"

Click on the title to link a "YouTube" film clip of Nina Simone performing her "Mississippi Goddam. Thanks, Nina.

In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.

Markin comment:

On a day when I am honoring Harper Lee's Alabama-based classic, "To Kill A Mockingbird", Nina Simone's "Mississippi Goddam" easily comes to mind.


Markin comment:
50 years later and even the mere mention of Mississippi puts me directly in mind of Nina Simone's no-nonsense song about the struggle down South in the early part of the civil rights movement in the 1960s. Thanks, Nina.

Mississippi Goddam Lyrics
(1963) Nina Simone


The name of this tune is Mississippi Goddam
And I mean every word of it

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

Can't you see it
Can't you feel it
It's all in the air
I can't stand the pressure much longer
Somebody say a prayer

Alabama's gotten me so upset
Tennessee made me lose my rest
And everybody knows about Mississippi Goddam

This is a show tune
But the show hasn't been written for it, yet

Hound dogs on my trail
School children sitting in jail
Black cat cross my path
I think every day's gonna be my last

Lord have mercy on this land of mine
We all gonna get it in due time
I don't belong here
I don't belong there
I've even stopped believing in prayer

Don't tell me
I tell you
Me and my people just about due
I've been there so I know
They keep on saying "Go slow!"

But that's just the trouble
"do it slow"
Washing the windows
"do it slow"
Picking the cotton
"do it slow"
You're just plain rotten
"do it slow"
You're too damn lazy
"do it slow"
The thinking's crazy
"do it slow"
Where am I going
What am I doing
I don't know
I don't know

Just try to do your very best
Stand up be counted with all the rest
For everybody knows about Mississippi Goddam

I made you thought I was kiddin' didn't we

Picket lines
School boycotts
They try to say it's a communist plot
All I want is equality
for my sister my brother my people and me

Yes you lied to me all these years
You told me to wash and clean my ears
And talk real fine just like a lady
And you'd stop calling me Sister Sadie

Oh but this whole country is full of lies
You're all gonna die and die like flies
I don't trust you any more
You keep on saying "Go slow!"
"Go slow!"

But that's just the trouble
"do it slow"
Desegregation
"do it slow"
Mass participation
"do it slow"
Reunification
"do it slow"
Do things gradually
"do it slow"
But bring more tragedy
"do it slow"
Why don't you see it
Why don't you feel it
I don't know
I don't know

You don't have to live next to me
Just give me my equality
Everybody knows about Mississippi
Everybody knows about Alabama
Everybody knows about Mississippi Goddam

That's it for now! see ya' later

From The Archives- Alabama, Goddam- The Late Harper Lee's "To Kill A Mockingbird"- A 50th Anniversary Encore-

Click on the headline to link to a "YouTube" film clip of a section of the movie based on Harper Lee's novel, "To Kill A Mockingbird", as background for this entry. May this literary gem be read and watched for another fifty years.





DVD REVIEW

To Kill a Mockingbird, Gregory Peck, black and white, 1962


This film is an excellent black and white adaptation of Harper Lee’s book of the same name. The acting, particularly by Gregory Peck (and a cameo by a young Robert Duval), brings out all the pathos, bathos and grit of small town Southern life in the 1930’s. The story itself is an unusual combination, narrated by Peck’s film daughter Scout (and presumably Lee herself), of a coming of age story that we are fairly familiar with and the question of race and sex in the Deep South (and not only there) with which we were (at the time of the film’s debut in 1962) only vaguely familiar. That dramatic tension, muted as it was by the cinematic and social conventions of the time, nevertheless made a strong statement about the underlying tensions of this society at a time when the Southern black civil rights struggle movement was coming into focus in the national consciousness.

The name Atticus Finch (Peck’s role) as the liberal (for that southern locale) lawyer committed to the rule of law had a certain currency in the 1960’s as a symbol for those southern whites who saw that Jim Crow had to go. Here Finch is the appointed lawyer for a black man accused of raping a white women of low origin- the classic ‘white trash’ depicted in many a film and novel. Finch earnestly, no, passionately, in his understated manner, attempts to defend this man, a brave act in itself under the circumstances.

Needless to say an all white jury of that black man’s ‘peers’ nevertheless convicts him out of hand. In the end the black man tries to escape and is killed in the process. In an earlier scenario Finch is pressed into guard duty at the jailhouse in order to head off a posse of ‘white trash’ elements who are bend on doing ‘justice’ their way- hanging him from a lynching tree. On a mere false accusation of a white woman this black man is doomed whichever way he turns. Sound familiar?

The other part of the story concerns the reactions by Finch’s motherless son and tomboyish daughter to the realities of social life, Southern style. That part is in some ways, particularly when the children watch the trial from the “Negro” balcony section of the courtroom, the least successful of the film. What is entirely believable and gives some relief from the travesty that is unfolding are the pranks, pitfalls and antics of the kids. The tensions between brother and sister, the protective role of the older brother, the attempt by the sister to assert her own identity, the sense of adventure and mystery of what lies beyond the immediate household that is the hallmark of youth all get a work out here. But in the end it is the quiet dignity of solid old Atticus and the bewildered dignity of a doomed black man that hold this whole thing together. Bravo Peck. Kudos to Harper Lee.

In Defense Of The Monkeys-Cary Grant And Ginger Rogers’ Monkey Business


In Defense Of The Monkeys-Cary Grant And Ginger Rogers’ Monkey Business







DVD Review

By Lester Lannon

Monkey Business, starring Cary Grant, Ginger Rogers, Charles Coburn, directed by Howard Hawks, 1952   

Let’s face it not every actor, not every director draws to the high hand when acting in or directing movies. Why they take on acting or directing chores in vehicles that don’t showcase their talents has always been a mystery to me. Maybe it was strictly for the money (which I hope against hope was the reason here), as a favor for some past service, thinking that the script they read was not that bad until they saw what happened in production or maybe out of boredom but whatever it was did a disservice to the big talents in this production. That was my distinct impression after sitting through this stinker (I rarely give a one star), Monkey Business, about the wasted talents of legendary Cary Grant (think of any movie from Arsenic and Old Lace to To Catch A Thief and beyond), Ginger Rogers (all those great dance movies with Fred Astaire) and director Howard Hawks (including an early animal film Bringing Up Baby which was a least clever and filled with nice repartee between Grant and Katherine Hepburn). On top of that after viewing the antics that the former two were forced to prance through I felt an overwhelming need to come to the defense of monkeys, monkeys in general and the monkeys in the film who after all no matter how intelligence, no matter how close they are to humankind’s ancestry didn’t know any better.    

Here is why I have my dander up. Doc Barnaby, the role assigned to Cary Grant, was a chemist for a commercial chemical company (nice alliteration, right) who was working his butt off trying to find the fountain of youth, or rather the modern day short-cut a pill that will make one young again, or feel better as one ages anyway. Of course in order to see if the drug concoctions he was working on worked he needed clinical tests and so a couple of poor not so stupid monkeys who were forced into the service of humankind to test the stuff out. But Doc was one of those fly-by-the-seat-of his-pants guys and decided to try a particular concoction on himself. But here is where monkeys will be monkeys. One monkey, one very active monkey, got out of the cage and fooled around in the lab making a concoction which wound up in the water cooler. Doc drank the concoction he made up then grabbed a drink of tainted water from the cooler.           

Bang! Doc started acting like a guy of twenty including trying some hanky-panky with the boss’s secretary (a small part for Marilyn Monroe here before she became big, very big) and other twenty something antics. Naturally the boss was head over heels for the success of this new elixir for youth once he saw what it had done to Doc and was counting the money as he spoke. Problem was when they found out the whole experiment was monkey business they needed to figure out what chemicals went to the formula. So back to the grindstone.  

 Then came the monkey wrench (ouch). While working on a batch of the new concoction Barnaby’s wife, Edwina, played by legendary dancer Ginger Rogers, gulped down some of the drug (with a tainted water chaser).  She reverted to childhood, her second. Barnaby joined her and they thereafter acted like, well, ten-year olds. And it went downhill from there once the boss and Barnaby’s fellow researchers got at the cooler. Needless to say when the magic wore off and the water cooler empty, the fountain of youth going the way of Ponce Deleon, the whole thing was put on the back burner. Which I believe would have been a good place for this film.     

*****From #Un-Occupied Boston-This Is Class War-We Say No More-Defend Our Unions!

*****From #Un-Occupied Boston-This Is Class War-We Say No More-Defend Our Unions! 

 

 

Leon Trotsky -Lessons Of The Paris Commune-Listen Up
Defend The Working Class! Take The Offensive! - A Five Point Program For Discussion

Fight-Don’t Starve-We Created The Wealth, Let's Take It Back! Labor And The Oppressed Must Rule!

*******

A Five-Point Program As Talking Points

Ralph Morris and Sam Lowell a couple of old-time radicals, old-time now not being the Great Depression labor radicals who had been their models after a fashion and who helped built the now seemingly moribund unions but anti-war radicals from the hell-bent street in-your-face 1960s confrontations with the American beast during the Vietnam War reign of hell were beside themselves when the powder-puff uprising of the Occupy movement brought a fresh breeze to the tiny American left-wing landscape in the latter part of 2011.  (That term “powder puff” not expressing the heft of the movement but the fact that it disappeared almost before it got started giving up the huge long-term fight it was expected to wage to break the banks, break the corporate grip on the world and, try to seek “newer world”).

Although Ralph and Sam were not members in good standing of any labor unions, both having after their furtive anti-war street fights and the ebbing of the movement by about the mid-1970s returned to “normalcy.” Ralph having gone back to work in his father's electrical shop in Troy, New York and which he took over when Ralph, Senior retired and Sam had gone back to Carver to expand a print shop that he had started in the late 1960s after serving an apprenticeship with the main printer in town before he went out on his own. Having come from respectable working-class backgrounds in strictly working-class towns though, Carver about thirty miles from Boston and the cranberry bog capital of the world and Ralph in Troy near where General Electric ruled the roost, they had taken to heart the advice of their respective grandfathers about not forgetting those left behind, that an injury to one of their own in this wicked old world was an injury to all as the old Industrial Workers of the World (IWW, Wobblies) motto had it.

Moreover despite their backing away from the street confrontations of their youth when that proved futile after a time, especially after May Day 1971 where they first met in the bastinado at Robert F. Kennedy Stadium after being arrested  with their respective collectives and where they got a full dose what the American imperial state could when it pulled the hammer down on dissent, as the Vietnam War finally wound down and yesterday’s big name radicals left for parts unknown they had always kept an inner longing for the “newer world,” the more equitable world where the people who actually made stuff and kept the wheels of society running and their down-pressed allies ruled.    

So Ralph and Sam would during most of the fall of 2011 meet in Springfield and travel down to the Wall Street plaza which was the center of the movement on weekends, long weekends usually, to take part in the action after the long drought of such activity for them personally and for their kind of eclectic left-wing politics (they had gotten more active in the wake of Bush-led Iraq invasion of 2003 when the seemingly endless wars first took hold of day to day American foreign policy but nowhere near the 24/7 efforts back in the Vietnam days when every minute seemed to desperately count against the monster).  They were crestfallen to say the least when the movement exploded (or maybe better imploded, turned in on itself and wound up after a couple of years being just another cheap vehicle for left Democratic Party politicians on the make) after the then reigning mayor and the NYPD  pulled down the hammer and forcibly disbanded the place (and other city administrations across the country and across the world and police departments did likewise in what was determined later when it was too late that had been coordinated efforts across the board to shut everything down, shut it down tight).

Of more concern at the time since unlike the good-hearted but naïve younger people since they had already known from too many uneven battles (remember that May Day 1971 baptism of fire) about what the government could do when it decided to pull down the hammer was in the aftermath when the movement imploded from its own contradictions, caught up not wanting to step on anybody's toes in the movement no matter how hare-brained the scheme or just plain recycled ideas that had not worked in the 1960s and had even less chance now that the state had even more weapons at its disposal, to let everybody do their own thing with or without some kind of coordinated plan that would make the thing more productive,  do their own identity politics, you know gays can only speak of gay oppression straights keep out, women can only speak of women's oppression men, gay or straight keep out, blacks can only speak of black oppression, white males and females, gay or straight keep out and so on, defending their particular turf as furiously as any old-time Tammany Hall political hack, which did much to defang the old movements, refusing out of hand cohering a collective leadership that might give some direction to the damn thing but also earnestly wanting to bring the monster down.

Ralph and Sam in the aftermath, after things had settled down and they had time to think decided to put together a proposal, a program if you like, outlining some of the basic political tasks ahead to be led by somebody. Certainly not by them since radical politics, street politics is a young person’s game and they admittedly had gotten rather long in the tooth. Besides they had learned long ago, had talked about it even over drinks at Jack Higgin’s Grille more than once, how each generation will face its tasks in its own way so they would be content to be “elder” tribal leaders and provide whatever wisdom they could, if asked. Here working under the drumbeat of Bob Marley’s Get Up, Stand Up something of a “national anthem” for what went on among the better elements of Occupy are some points that any movement for social change has to address these days and fight for and about as well.       
A Five-Point Program As Talking Points

***Jobs For All Now!-“30 For 40”- A historic demand of the labor movement going back to the 1930s Great Depression the last time that unemployment, under-employment, those who have just plain quit looking for work and critically those who are working jobs beneath their skill levels was this high in the American labor force, although it is admittedly down from the Great Recession of 2008-09 highs. Thirty hours work for forty hours pay is a formula to spread the available work around to all who want and need it. This is no mere propaganda point but shows the way forward toward a more equitable distribution of available work.

The basic scheme, as was the case with the early days of the longshoremen’s and maritime unions when the union-run hiring hall ruled supreme in manning the jobs is that the work would be divided up through local representative workers’ councils that would act, in one of its capacities, as a giant hiring hall where the jobs would be parceled out. This would be a simpler task now than when it was first proposed in the 1930s with the vast increase in modern technology that could fairly accurately, via computers, target jobs that need filling, where, and at what skill level,  and equitably divide up current work.

Here is the beauty of the scheme, what makes it such a powerful propaganda tool-without the key capitalist necessity of keeping up the rate of profit the social surplus created by that work could be used to redistribute the available work at the same agreed upon rate rather than go into the capitalists’ pockets. The only catch, a big catch one must admit, is that no capitalist, and no capitalist system, is going to do any such thing as to implement “30 for 40” –with the no reduction in pay proviso, although many low –end employers are even now under the “cover” of the flawed Obamacare reducing hours WITH loss of pay-so that to establish this work system as a norm it will, in the end, be necessary to fight for and win a workers government to implement this demand.

 

Organize the unorganized is a demand that cries out for solution today now that the organized sectors of the labor movement, both public and private, in America are at historic lows, just over ten percent of the workforce and less in the formerly pivotal private industries like auto production.  Part of the task is to reorganize some of the old industries like the automobile industry, now mainly unorganized as new plants come on line and others are abandoned, which used to provide a massive amount of decent jobs with decent benefits but which now have fallen to globalization and the “race to the bottom” bad times. (Strangely, or maybe not so strangely, the North American auto industry employed almost a million workers but only a third or less are unionized whereas in the old days the industry was union tight.)

The other sector that desperately need to be organized is to ratchet up the efforts to organize the service industries, hospitals, hotels, hi-tech, restaurants and the like, that have become a dominant aspect of the American service-oriented  economy. Everyone should support the recent militant efforts, including the old tactic of civil disobedience, by service unions and groups of fast-food workers to increase the minimum socially acceptable wage in their Fight For $15.

Organize the South-this low wage area, this consciously low-wage area, where many industries land before heading off-shore to even lower wage places cries out for organizing, especially among black and Hispanic workers who form the bulk of this industrial workforce. A corollary to organizing the South is obviously to organize internationally to keep the “race to the bottom” from continually occurring short of being resolved in favor of an international commonwealth of workers’ governments. Hey, nobody said it was going to be easy.

 

Organize Wal-Mart- millions of workers, thousands of company-owned trucks, hundreds of distribution centers. A victory here would be the springboard to a revitalized organized labor movement just as auto and steel lead the industrial union movements of the 1930s. The key here is to organize the truckers and distribution center workers, the place where the whole thing comes together. We have seen mostly unsuccessful organizing of individual retail stores and victimizations of local union organizers. To give an idea of how hard this task might be though someone, probably Bart Webber in his more thoughtful moments,  once argued that it would be easier to organize a workers’ revolution that organize this giant mainstay of the run to the bottom capitalist ethos. Well, as to the latter point that’s a thought.

 

Defend the right of public and private workers to unionize. Simple-No more defeats like in Wisconsin in 2011, no more attacks on collective bargaining the hallmark of a union contract. No reliance on labor boards, arbitration, courts or bourgeois recall elections either. Defeat all “right to work” legislation. Unions must keep their independent from government interference. Period.

*** Defend the independence of the working classes! No union dues for Democratic (or the stray, the very stray   Republican) candidates. In 2008 and 2012 labor, organized labor, spent over 450 million dollars respectively trying to elect Barack Obama and other Democrats (mainly). The “no show, no go” results speak for themselves as the gap between the rich, make that the very rich but don’t forgot to include them on the fringes of the one percent and poor has risen even more in this period. For those bogus fruitless efforts the labor skates should have been sent packing long ago. The idea presented, an old idea going back to the initial formation of the working class in America, in those elections was that the Democrats (mainly) were “friends of labor” and the Republicans are the 666 beasts but the Obama administration does not take a back seat to the elephants on this one. The past period of cuts-backs, cut-in-the-back give backs should put paid to that notion. Although anyone who is politically savvy at all knows that is not true, not true for the labor skates at the top of the movement. They always have their hands out.

The hard reality is that the labor skates, not used to any form of class struggle or any kind of struggle, know no other way than class-collaboration, arbitration, courts, and every other way to avoid the appearance of strife, strife in defense of the bosses’ profits. One egregious example from the recent past from around the time of the Occupy movement where some of tried to link up the labor movement with the political uprising- the return of the Verizon workers to work after two weeks in the summer of 2011 when they had the company on the run and the subsequent announcement by the company of record profits. That sellout strategy may have worked for the bureaucrats, or rather their “fathers” for a time back in the 1950s “golden age” of labor, but now we are in a very hard and open class war. The rank and file must demand an end to using their precious dues payments for bourgeois candidates all of whom have turned out to be sworn enemies of labor from Obama on down when the deal goes down.

This does not mean not using union dues for political purposes though. On the contrary we need to use them now more than ever in the class battles ahead. Spent the dough on organizing the unorganized, organizing the South, organizing Wal-Mart, and other pro-labor causes. Think, for example, of the dough spent on the successful November, 2011 anti-union recall referendum in Ohio. That type of activity is where labor’s money and other resources should go. And not on recall elections against individual reactionaries, like Governor Scott Walker in Wisconsin, as substitutes for class struggle when some form of general strike was required to break the anti-union backs (and which was overwhelmingly unsuccessful to boot-while the number of unionized public workers has dwindled to a precious few).  

 

***End the endless wars!- As the so-called draw-down of American and Allied troops in Iraq reached its final stages back in 2011, the draw- down of non-mercenary forces anyway, we argued, Sam more than I did since he had been closer to the initial stage if the opposition that we must recognize that we anti-warriors had failed, and failed rather spectacularly, to affect that withdrawal after a promising start to our opposition in late 2002 and early 2003 (and a little in 2006).As the endless American-led wars (even if behind the scenes, as in Libya, Yemen, Somalia, and other proxy wars) continue now with a new stage against ISIS (common moniker for the Islamic State) in Iraq we had better straighten out our anti-war, anti-imperialist front quickly if we are to have any effect on the U.S. troop escalation we know is coming before that fight is over. Not Another War In Iraq! Stop The Bombings In Syria, Iraq, Yemen! Stop The Arms Shipments To The Middle East Especially To Israel and Saudi Arabia! Defend The Palestinian People-End The Blockade of Gaza-Israel Out Of The Occupied Territories. And as always since 2001 Immediate, Unconditional Withdrawal Of Every Single U.S./Allied Troops (And The Mercenaries) From Afghanistan!  

U.S. Hands Off Iran! Hands Off Syria!- Despite a certain respite recently during the Iran nuclear arms talks  American (and world) imperialists have periodically ratcheted up their propaganda war (right now) and increased economic sanctions that are a prelude to war well before the dust has settled on the now unsettled situation in Iraq and well before they have even sniffed at an Afghan withdrawal of any import. We will hold our noses, as we did with the Saddam leadership in Iraq and on other occasions, and call for the defense of Iran against the American imperial monster. A victory for the Americans (and their junior partner on this issue, Israel) in Iran and Syria is not in the interests of the international working class. Especially here in the “belly of the beast” we are duty-bound to call not just for non-intervention but for defense of Iran. We will, believe us we will, deal with the mullahs, the Revolutionary Guards, and the Islamic fundamentalists in Iran in our own way in our own time.

U.S. Hands Off The World! And Keep Them Off!- With the number of “hot spots” that the American imperialists, or one or another of their junior allies, like Saudi Arabia and France over the recent period have their hands on in this wicked old world this generic slogan would seem to fill the bill.

 

Down With The War Budget! Not One Penny, Not One Person For The Wars! Honor World War I German Social-Democratic Party MP, Karl Liebknecht, who did just that in 1915 in the heat of war and paid the price unlike other party leaders who were pledged to stop the war budgets by going to prison. The only play for an honest representative of the working class under those conditions. The litmus test for every political candidate must be first opposition to the war budgets (let’s see, right now no new funding in Iraq, Afghanistan, Pakistan, Iran preparations, China preparations, etc. you get the drift). Then that big leap. The whole damn imperialist military budget. Again, no one said it would be simple. Revolution may be easier that depriving the imperialists of their military money. Well….okay.

***Fight for a social agenda for working people! Free Quality Healthcare For All! This would be a no-brainer in any rationally based society. The health and welfare of any society’s citizenry is the simple glue that holds that society together. It is no accident that one of the prime concerns of workers states whatever political disagreements we may have with the Cuban leadership like Cuba, and whatever their other internal political problems caused in no small part the fifty plus year U.S. blockade, has been to place health care and education front and center and to provide to the best of their capacity for free, quality healthcare and education for all. Even the hide-bound social-democratic-run capitalist governments of Europe have, until recently anyway, placed the “welfare state” protections central to their programs. Be clear Obamacare is not our program and has already been shown to be totally inadequate and wasteful however we will defend that program against those who wish to dismantle it and leave millions once again uninsured and denied basic health benefits.  

Free, quality higher education for all! Nationalize the colleges and universities under student-teacher-campus worker control! One Hundred, Two Hundred, Many Harvards!

This would again be a no-brainer in any rationally based society. The struggle to increase the educational level of a society’s citizenry is another part of the simple glue that holds that society together. Today higher education is being placed out of reach for many working-class and minority families. Hell, it is getting tough for the middle-class as well.

Moreover the whole higher educational system is increasing skewed toward those who have better formal preparation and family lives leaving many deserving students from broken homes and minority homes in the wilderness. Take the resources of the private institutions and spread them around, throw in hundreds of billions from the government (take a big chuck from the bloated military budget and the bank bail-out money, things like that, if you want to find the money quickly to do the job right), get rid of the top heavy and useless college administration apparatuses, mix it up, and let students, teachers, and campus workers run the thing through councils on a democratic basis.

Forgive student debt! The latest reports indicate that college student debt is something like a trillion dollars, give or take a few billion but who is counting. The price of tuition and expenses has gone up dramatically while low-cost aid has not kept pace. What has happened is that the future highly educated workforce that a modern society, and certainly a socialist society, desperately needs is going to be cast into some form of indentured servitude to the banks or other lending agencies for much of their young working lives. Let the banks take a “hit” for a change!

Stop housing foreclosures and aid underwater mortgages now! Although the worst of the crunch has abated there are still plenty of problems and so this demand is still timely if not desperately timely like in the recent past. Hey, everybody, everywhere in the world not just in America should have a safe, clean roof over their heads. Hell, even a single family home that is part of the “American dream,” if that is what they want. We didn’t make the housing crisis in America (or elsewhere, like in Ireland, where the bubble has also burst). The banks did. Their predatory lending practices and slip-shot application processes were out of control. Let them take the “hit” here as well.

***We created the wealth, let’s take it back. Karl Marx was right way back in the 19th century on his labor theory of value, the workers do produce the social surplus appropriated by the capitalists. Capitalism tends to beat down, beat down hard in all kinds of ways the mass of society for the benefit of the few. Most importantly capitalism, a system that at one time was historically progressive in the fight against feudalism and other ancient forms of production, has turned into its opposite and now is a fetter on production. The current multiple crises spawned by this system show there is no way forward, except that unless we push them out, push them out fast, they will muddle through, again.

Take the struggle for our daily bread off the historic agenda. Socialism is the only serious answer to the human crisis we face economically, socially, culturally and politically. This socialist system is the only one calculated to take one of the great tragedies of life, the struggle for daily survival in a world that we did not create, and replace it with more co-operative human endeavors.

Build a workers’ party that fights for a workers government to unite all the oppressed. None of the nice things mentioned above can be accomplished without as serious struggle for political power. We need to struggle for an independent working-class-centered political party that we can call our own and where our leaders act as “tribunes of the people” not hacks. The creation of that workers party, however, will get us nowhere unless it fights for a workers government to begin the transition to the next level of human progress on a world-wide scale.

As Isaac Deutscher said in his speech “On Socialist Man” (1966):

“We do not maintain that socialism is going to solve all predicaments of the human race. We are struggling in the first instance with the predicaments that are of man’s making and that man can resolve. May I remind you that Trotsky, for instance, speaks of three basic tragedies—hunger, sex and death—besetting man. Hunger is the enemy that Marxism and the modern labour movement have taken on.... Yes, socialist man will still be pursued by sex and death; but we are convinced that he will be better equipped than we are to cope even with these.” 

Emblazon on our red banner-Labor and the oppressed must rule!

In Boston February 27th- Stand With Veterans Standing With Our Moslem Friends

In Boston February 27th- Stand With Veterans Standing With Our Moslem Friends 

 

*****Where Have All The Flowers Gone- With Legendary Folk-Singer Pete Seeger In Mind

*****Where Have All The Flowers Gone- With Legendary Folk-Singer Pete Seeger In Mind

 


A while back, a few months ago now I think I mentioned in a sketch about how I came to learn about the music of Woody Guthrie I noted that it was hard to pin just exactly when I first heard his music since it pre-dated my coming to the folk minute of the 1960s where the name Woody Guthrie had been imprinted on lots of work by the then “new breed” protest/social commentary troubadour folk singers like Bob Dylan (who actually spent time in Woody’s hospital room with him when he first came East from Hibbing out of Dinktown in Minneapolis and wrote an early paean called Song To Woody on his first or second album), Ramblin’ Jack Elliott (who made a very nice career out of being a true Woody acolyte and had expected Dylan who had subsequently moved on, moved very far on to more lyrical work to do the same), and Stubby Tatum, probably the truest acolyte since he was instrumental in putting a lot of Woody’s unpublished poems and art work out for public inspection and specialized in Woody songs, first around Harvard Square and then wherever he could get a gig, which to say the least were not among the most well know or well thought out of Woody’s works. After some thought I pinpointed the first time I heard a Woody song to a seventh grade music class, Mr. Dasher’s class whom we innocently then called Dasher the Flasher just for rhyming purposes but which with today’s sensibilities about the young would not play very well and would probably have him up before some board of inquiry just because a bunch of moody, alienated hormonally-crazed seventh graders were into a rhyming fad that lasted until the next fad a few weeks or months later, when he in an effort to have us appreciate various genre of the world music songbook made us learn Woody’s This Land Is Your Land. Little did we know until a few years later when some former student confronted him about why we were made to learn all those silly songs he made us memorize and he told that student that he had done so in order to, fruitlessly as it turned out, break us from our undying devotion to rock and roll, you know, Elvis, Chuck, Jerry Lee, Wanda, Brenda, Bo, Buddy, the Big Bopper and every single doo wop group, male or female. If anybody wants to create a board of inquiry over that Mister Dasher indiscretion complete with a jury of still irate "rock and roll will never die" aficionados you have my support.   

In thinking about Woody the obvious subsequent question of when I first heard the late Pete Seeger sing, a man who acted as the transmission belt between generations, I came up against that same quandary since I know I didn’t associate him with the first time, the first wave of performers, I heard as I connected with the emerging folk minute of the early 1960s. That folk minute start which I do clearly remember the details of got going one Sunday night when tired of the vanilla rock and roll music that was being play in the fall of 1962 on the Boston stations I began flipping the small dial on my transistor radio settling in on this startling gravelly voice which sounded like some old-time mountain man, some old time Jehovah cometh Calvinist avenging angel, singing Come All You Fair And Tender Ladies (who turned out to be folk historian and seminal folk revival figure Dave Von Ronk, who as far as I know later from his politics had no particular religious bent,if any, but who sure sounded like he was heralding the second coming). I listened to a few more songs on what turned out to be a folk music program put on every Sunday evening between seven and nine at the request of some college kids in the area who were going crazy for roots music according to the DJ.          

After thinking about it for a while I realized that I had heard Pete not in solo performance but when he was with The Weavers and they made a hit out of the old Lead Belly tune, Good Night, Irene (a song that in the true oral tradition has many versions and depending on the pedigree fewer or more verses, Lead Belly’s being comparatively short). In those days, in the early 1950s I think, the Weavers were trying to break into the popular music sphere and were proceeding very well until the Cold War night descended upon them and they, or individual members including Pete were tarred with the red scare brush.

Still you cannot keep a good man down, a man with a flame-throwing banjo, with folk music DNA in his blood since he was the son of the well-known folk musicologist Charles Seeger who along with the father and son Lomaxes  did so much to record the old time roots music out on location in the hills and hollows of the South, and with something to say to those who were interested in looking back into the roots of American music before it got commercialized (although now much of that early commercial music makes up the key folk anthology put together by Harry Smith and which every self-respecting folkie performer in the early 1960s treated like a bible). Pete put a lot of it together, a lot of interests. Got the young interested in going back to the time when old cowboys would sing themselves to sleep around the camp fire out in the prairies, when sweat hard-working black share-croppers and plantation workers down South would get out a Saturday jug and head to the juke joint to chase the blues away, and when the people of the hills and hollows down in Appalachia would Saturday night get out the jug and run over to Bill Preston’s old seen better days red-painted barn and dance that last dance waltz to that weeping mountain fiddle.

Stuff like that, lots of stuff like that to fill out the American songbook. But Pete also put his pen to paper to write some searing contemporary lyrics just like those “new breed” protest folk singers he helped nurture and probably the most famous to come out of that period, asking a very good question then, a question still be asked now if more desperately than even then, Where Have All The Flowers Gone.  Now a new generation looks like it too is ready to pick up the torch after the long “night of the long knives” we have faced since those days. The music is there to greet them in their new titanic struggles. 



Thursday, February 18, 2016

***Out In The Be-Bop 1950s Night- Ain’t Got No Time For Corner Boys Down In The Street Making All That Noise- When Billie Ruled The Roost- First Take


***Out In The Be-Bop 1950s Night- Ain’t Got No Time For Corner Boys Down In The Street Making All That Noise- When Billie Ruled The Roost- First Take
 


 
He was the first. A certified 1958 A-One prime custom model first. Yes, Billie was the first. Billie, William James Bradley that is if you did not know his full moniker, was the first. No question about it, no controversy, no alternate candidates, no hemming and hawing agonizing about this guy’s attributes or that guy’s style and how they lined up against Billie’s shine in order to pick a winner. No way, get it. Billie, first in what anyway? Billie, first, see, first in line of the then ever sprouting young schoolboy king corner boy wannabes. Wannabes because the weres, the corner boy weres, the already king corner boy weres, the older, mainly not schoolboys or, christ, not for long schoolboys, mainly not working, jesus, mainly not working, mainly just hanging around (lying about was a name for it, a fit name at that) were already playing, really hip-swaying, lazily hip-swaying if you wanted to win games, wizard pinball machines in the sacred corner boy small town mom and pop variety night or cueing up in some smoke-filled big town pool hall.
 
Or working on hot souped-up cars, a touch of grease pressed, seemingly decaled pressed, into their uniform white tee-shirts (no vee-necks need apply) and always showed, showed an oily speck anyway, on their knuckles. But the cars were to die for, sleek tail-finned, pray to god cherry red if you put the finish on right (no going to some hack paint shop, no way, not for this baby, not for that ’57 Chevy), dual exhaust, big cubic engine numbers that no amateur had a clue to but just knew when sighted that thing would fly (well, almost fly) into the boulevard night, that sea air, sex-charged boulevard night. Tuned-up just right for that cheap gas to make her run, yah, that cheap City Service gas that was even cheaper than the stuff over at the Merit gas station, by two cents.
 
Or talking some boffo, usually blonde, although not always, maybe a cute rosy red-lipped and haired number or, in a pinch, a soft, sultry, svelte brunette, tight cashmere sweater-wearing, all, Capri pant-wearing, all, honey out of her virtue (or maybe into her virtue) down by the seashore after some carnival-filled night. A night that had been filled with arcade pinball wizardry, cotton candy, salt-water taffy, roller coaster rides, and a few trips in the tunnel of love, maybe win a prize from the wheel of fortune game too. A night capped with a few illicit drinks from some old tom, or johnny, Johnny Walker that is, rotgut to make that talking easier, and that virtue more questionable, into or out of. All while the ocean waves slap innocently against the shore, drowning out the night’s heavy breathed, hard-voiced sighs.
 
Or, get this, because it tells a lot about the byways and highways of the high-style corner boy steamy black and white 1950s night, preparing, with his boys, his trusted unto death boys, his omerta-sworn boys, no less to do some midnight creep (waylaying some poor bedraggled sap, sidewalk drunk or wrong neighborhooded, with a sap to the head for dough, or going through some back door, and not gently, to grab somebody’s family heirlooms or fungibles, better yet cash on hand) in order to maintain that hot car, cheap gas or not, or hot honey, virtuous or not. Yah, things cost then, as now.
And, yah, in 1958, in hard look 1958, those king hell corner boy weres already sucked up the noteworthy, attention-getting black and white television, black and white newsprint night air. Still the lines were long with candidates and the mom and pop variety store-anchored, soda fountain drugstore-anchored, pizza parlor-anchored, pool hall-anchored corners, such as they were, were plentiful in those pre-dawn mall days. But see that is the point, the point of those long lines of candidates in every burg in the land or, at least became the point, because in 1948, or 1938, or maybe even 1928 nobody gave a rat’s ass, or a damn, about corner boys except to shuffle them out of town on the first Greyhound bus.
 
Hell, in 1948 they were still in hiding from the war, whatever war it was that they wanted no part of, which might ruin their style, or their dough prospects. They were just getting into those old Nash jalopies, revving them up in the "chicken run" night out in the exotic west coast ocean night. In 1938 you did not need a Greyhound bus coming through your town because these guys were already on the hitchhike road, or were bindled-up in some railroad jungle, or getting cracked over the head by some “bull”, in the great depression whirlwind heading west for adventure, or hard-scrabble work. And in 1928 these hard boys were slugging it out, guns at the ready, in fast, prohibition liquor-load filled cars, and had no time for corners and silly corner pinball wizard games (although maybe they had time for running the rack at Gus’s pool hall, if they lived long enough).
That rarified, formerly subterranean corner boy way of life, was getting inspected, dissected, rejected, everything but neglected once the teen angst, teen alienation wave hit 1950s America. You heard some of the names, or thought you heard some of the names that counted, but they were just showboat celebrities, celebrities inhabiting Cornerboy, Inc. complete with stainless tee-shirt, neatly pressed denim jeans, maybe a smart leather jacket against the weather’s winds, unsmoked, unfiltered cigarettes at the ready, and incurably photogenic faces that every girl mother could love/hate.
Forget that. Down in the trenches, yah, down in the trenches is where the real corner boys lived, and lived without publicity most days, thank you.
 
Guys like Red Hickey, tee-shirted, sure, denim-jeaned, sure, leather-jacketed, sure, chain-smoking (Lucky Strikes, natch), sure, angelic-faced, sure, who waylaid a guy, put him in an ambulance waylaid, just because he was a corner boy king from another cross-town corner who Red thought was trying to move in, or something like that. Or guys like Bruce “The Goose” McNeil, ditto shirted, jeaned, jacketed, smoked (Camels), faced who sneak-thieved his way through half of the old Adamsville houses taking nothing but high-end stuff from the swells. Or No Name McGee, corner boy king of the liquor store clip. Yah, and a hundred other guys, a hundred no name guys, except maybe to the cops, and to their distressed mothers, mainly old-time Irish and Italian novena-praying Catholic mothers, praying against that publicity day, the police blotter publicity day.
 
But you did not, I say, you did not hear those Hickey, McNeil, No Name stories in the big town newspapers or in some university faculty room when those guys zeroed in on the corner boy game trying to explain, like it was not plain as the naked eye to see, and why, all that angst and alienation. And then tried to tell one and all that corner boy was a phase, a minute thing, that plentiful America had an edge, like every civilized world from time immemorial had, where those who could not adjust, who could not decode the new American night, the odorless American night, the pre-lapsarian American night shifted for themselves in the shadows. Not to worry though it was a phase, just a phase, and these guys too will soon be thinking about that ticky-tack little white house with the picket fence.
 
Yah, but see, see again, just the talk through the grapevine about such guys as Red, The Goose, No Name, the legendary jewelry store clip artist, Brother Johnson (who set himself apart because he made a point of the fact that he didn’t smoke, smoke cigarettes anyway), and a whole host of guys who made little big names for themselves on the corners was enough to get guys like Billie, and not just primo candidate Billie either, hopped-up on the corner boy game. Yah, the corner boys whose very name uttered, whose very idea of a name uttered, whose very idea of a name thought up in some think-tank academy brain-dust, and whose very existence made a splash later (after it was all over, at least the public, publicity all over, part), excited every project schoolboy, every wrong side of the tracks guy (and it was always guys, babes were just for tangle), every short-cut dreaming boy who could read the day’s newspaper or watch some distended television, or knew someone who did.
 
And Billie was the first. The star of the Adamsville elementary schoolboy corner boy galaxy. No first among equals, or any such combination like that either, if that is what you are thinking. Alone. Oh sure his right-hand man, Peter Paul Markin, weak-kneed, bookwormy, girl-confused but girl-addled, took a run at Billie but that was seen, except maybe by Peter Paul himself, as a joke. Something to have a warm chuckle over on dreary nights when a laugh could not be squeezed out any other way. See, Peter Paul, as usual, had it all wrong on his figuring stuff. He thought his two thousand facts knowledge about books, and history, and current events, and maybe an off-hand science thing or two entitled, get this, entitled him to the crown. Like merit, or heredity, or whatever drove him to those two thousand facts meant diddley squat against style, and will.
 
Billie tried to straighten him out, gently at first, with a short comment that a guy who had no denim blue jeans, had no possibility of getting denim blue jeans, and was in any case addicted to black chinos, black cuffed chinos, has no chance of leading anybody, at any time, in anything. Still Peter Paul argued some nonsense about his organizing abilities. Like being able to run a low-rent bake sale for some foolish school trip, or to refurbish the U.S.S. Constitution, counted when real dough, real heist dough, for real adventures was needed. Peter simmered in high-grade pre-teen anguish for a while over that one, more than a while.
 
Billie and Peter Paul, friends since the first days of first grade, improbably friends on the face of it although Billie’s take on it was that Peter Paul made him laugh with that basketful of facts that he held on to like a king’s ransom, protecting them like they were gold or something, finally had it out one night. No, not a fist fight, see that was not really Billie’s way, not then anyway or at least not in this case, and Peter Paul was useless at fighting, except maybe with feisty paper bags or those blessed facts. Billie, who not only was a king corner contender but a very decent budding singer, rock and roll singer, had just recently lost some local talent show competition to a trio of girls who were doing a doo wop thing. That part was okay, the losing part, such things happen in show biz and even Billie recognized, recognized later, that those girls had be-bopped him with their cover of Eddie, My Love fair and square. Billie, who for that contest was dressed up in a Bill Haley-style jacket made by his mother for the occasion, did the classic Bill Haley and the Comets Rock- Around-The-Clock as his number. About halfway through though one of the arms of his just made suit came flying off. A few seconds later the other arm came off. And the girls, the coterie of Adamsville girls in the audience especially, went crazy. See they thought it was part of the act.
 
After that, at school and elsewhere, Billie was besieged daily by girls, and not just stick-shaped girls either, who hung off all his arms, if you want to know. And sensitive soul Peter Paul didn’t like that. He didn’t care about the girl part, because as has already been noted, and can be safely placed on golden tablets Peter Paul was plenty girl-confused and girl-addled but girl-smitten in his funny way. What got him in a snit was that Billie was neglecting his corner boy king duty to be on hand with his boys at all available times. Well, this one night the words flew as Billie tired, easily tired, of Peter Paul’s ravings on the subject. And here is the beauty of the thing, the thing that made Billie the king corner boy contender. No fists, no fumings, no forget friendships. Not necessary. Billie just told Peter Paul this- “You can have my cast-offs.” Meaning, of course, the extra girls that Billie didn’t want, or were sticks, or just didn’t appeal to him. “Deal,” cried Peter Paul in a flash. Yah, that was corner boy magic. And you know what? After that Peter Paul became something like Johnson’s Boswell and really started building up Billie as the exemplar corner boy king. Nice work, Billie.
 
You know Freddie Jackson too took his shots but was strictly out of his league against the Billie. Here it was a question not of facts, or books, or some other cranky thing bought off, bought off easily, by dangling girls in front of a guy a la Peter Paul but of trying to out dance Billie. See Freddie, whatever else his shortcomings, mainly not being very bright and not being able to keep his hands out of his mother’s pocketbook when he needed dough so that he had to stay in many nights, worst many summer nights, could really dance. What Freddie didn’t know, and nobody was going to tell him, nobody, from Peter Paul on down if they wanted to hang with Billie was that Billie had some great dance moves along with that good and growing singing voice. See, Freddie never got to go to the school or church dances and only knew that Billie was an ace singer. But while Freddie was tied to the house he became addicted to American Bandstand and so through osmosis, maybe, got some pretty good moves too.
 
So at one after-school dance, at a time when Freddie had kept his hands out of his mother’s pocketbook long enough not to be house-bound, he made his big move challenge. He called Billie out. Not loud, not overbearing but everybody knew the score once they saw Freddie’s Eddie Cochran-style suit. The rest of the guys (except Billie, now wearing jeans and tee-shirt when not on stage in local talent contests where such attire got you nowhere) were in chinos (Peter Paul in black-cuffed chinos, as usual) and white shirts, or some combination like that, so Freddie definitely meant business. Freddie said, “If I beat you at dancing I’m running the gang, okay?” (See corner boys was what those professors and news hawks called them but every neighborhood guy, young or old, knew, knew without question, who led, and who was in, or not in, every, well, gang). Billie, always at the ready when backed up against the wall, said simply, “Deal.” Freddie came out with about five minutes of jitter buggery, Danny and the Juniors At The Hop kind of moves. He got plenty of applause and some moony-eyedness from the younger girls (the stick girls who were always moony-eyed until they were not stick girls any more).
 
Billie came sauntering out, tee-shirt rolled up, tight jeans staying tight and just started to do the stroll as the song of the same name, The Stroll, came on. Now the stroll is a line dance kind of thing but Billie is out there all by himself and making moves, sexual-laden moves, although not everybody watching would have known to call them that. And those moves have all the girls, sticks and shapes, kind of glassy-eyed with that look like maybe Billie needed a partner, or something and why not me look. Even Freddie knew he was doomed and took his lost pretty well, although he still had that hankering for mom’s purse that kept him from being a real regular corner boy when Billie got the thing seriously organized.
 
Funny thing, Lefty Wright, who actually was on the dance floor the night of the Freddie-Billie dance-off, pushed Billie with the Freddie challenge. And Freddie was twenty times a better dancer than Lefty. Needless to say, join the ranks, Lefty. Canny Danny O’Toole (Cool Donna O’Toole’s, a stick flame of Billie’s, early Billie, brother) was a more serious matter but after a couple of actions (actions best left unspecified) he fell in line. Billie, kind of wiry, kind of quick-fisted as it turned out, and not a guy quick to take offense knew, like a lot of wiry guys, how to handle himself without lots of advertising of that fact. He was going to need that fist-skill when the most serious, more serious than the Canny Danny situation came up. And it did with Badass Bobby Riley, Badass was a known quality, but he was a year older than the others and everybody knew was a certified psychopath who eventually drifted out of sight. Although not before swearing his fealty to Billie. After taking a Billie, a wiry Billie, beating the details of which also need no going into now. And there were probably others who stepped up for a minute, or who didn’t stay long enough to test their metal. Loosey Goosey Hughes, Butternut Walsh, Jimmy Riley (no relation to Badass), Five Fingers Kelly, Kenny Ricco, Billy Bruno, and on and on.
 
But such was the way of Billie’s existence. He drew a fair share of breaks, for a project kid, got some notice for his singing although not enough to satisfy his huge hunger, his way out, he way out of the projects, projects that had his name written all over them(and the rest of his boys too). And then he didn’t draw some breaks after a while, got known as a hard boy, a hard corner boy when corner boy was going out of style and also his bluesy rockabilly singing style was getting crushed by clean-cut, no hassle, no hell-raising boy boys. And then he started drawing to an outside straight, first a couple frame juvenile clip busts, amid the dreaded publicity, the Roman Catholic mother novena dread publicity, police blottered. Then a couple of house break-ins, taking fall guy lumps for a couple of older, harder corner boys who could make him a fall guy then, as he would others when his turn came. All that was later, a couple of years later. But no question in 1958, especially the summer of 1958 when such things took on a decisive quality, Billie, and for one last time, that’s William James Bradley, in case anyone reading needs the name in order to look it up for the historical record was Billie's time. Yah, 1958, Billie, ah, William James Bradley, and corner boy king.
 
Funny, as you know, or you should know, corner boys usually gain their fleeting fame from actually hanging around corners, corner mom and pop variety stores, corner pizza parlors, corner pool halls, corner bowling alleys, corner pinball wizard arcades, becoming fixtures at said corners and maybe passing on to old age and social security check collection at said corner. Or maybe not passing to old age but to memory, memory kid’s memory. But feature this, in Billie’s great domain, his great be-bop night kingship, and in his various defenses of his realm against smart guys and stups alike, he never saw so much as a corner corner to rest his laurels on. And not because he did not know that proper etiquette in such matters required some formal corner to hang at but for the sheer, unadulterated fact that no such corner existed in his old-fashioned housing project (now old-fashioned anyway because they make such places differently today), his home base.
See, the guys who made the projects “forgot” that, down and out or not, people need at least a mom and pop variety store to shop at, or nowadays maybe a strip mall, just like everybody else. But none was ever brought into the place and so the closest corner, mom and pop corner anyway, was a couple of miles away up the road. But that place was held by a crowd of older corner boys whose leader, from what was said, would have had Billie for lunch (and did in the end).
 
But see here is where a guy like Billie got his corner boy franchise anyway. In a place where there are no corners to be king of the corner boy night there needs to be a certain ingenuity and that is where “His Honor” held forth. Why not the back of the old schoolhouse? Well, not so old really because in that mad post-World War II boom night (no pun intended), schools, particularly convenient elementary schools even for projects
kids were outracing the boomers. So the school itself was not old but the height of 1950s high-style, functional public building brick and glass. Boxed, of course, building-boxed, classroom-boxed, gym-boxed, library-ditto boxed. No cafeteria-boxed, none necessary reflecting, oddly, walk to school, walk home for lunch, stay-at-home mom childhood culture even in public assistance housing world. And this for women who could have, if they could have stood the gaff from neighbor wives, family wives, society wives screamed to high heaven for work, money work. That was Billie world too, Billie day world. Billie September to June world.
 
But come dusk, summer dusk best of all, Billie ruled the back end of the school, the quiet unobserved end of the school, the part near the old sailors’ graveyard, placed there to handle the tired old sailors who had finished up residing at the nearby but then no longer used Old Sailors’ Rest Home built for those who roamed the seven seas, the inlet bays, and whatever other water allowed you to hang in the ancient sailors’ world. There Billie held forth, Peter Paul almost always at hand, seeking, always seeking refuge from his hellfire home thrashings. Canny Danny, regularly, same with Lefty and Freddie (when not grounded), and Bobby while he was around. And other guys, other unnamed, maybe unnamable guys who spent a minute in the Billie night. Doing? Yah, just doing some low murmur talking, most nights, mostly some listening to Billie dreams, Billie plans, Billie escape route. All sounding probable, all wistful once you heard about it later. All very easy, all very respectful, in back of that old school unless some old nag of a neighbor, fearful that the low murmur spoke of unknown, unknowable conspiracies against person, against the day, hell, even against the night. Then the cops were summoned. But mainly not.
 
And then as dusk turned to dark and maybe a moon, an earth moon (who knew then, without telescope, maybe a man-made moon), that soft talk, that soft night talk, turned to a low song throat sound as Billie revved up his voice to some tune his maddened brain caught on his transistor radio (bought fair and square up at the Radio Shack so don’t get all huffy about it). Say maybe Frankie Lymon and The Teenagers Why Do Fools Fall In Love? and then the other ragamuffins would do harmony. Yah, that was twelve, maybe thirteen year old night, most nights, the nights of no rough stuff, the nights of dreams, maybe. But like some ancient siren call that sound penetrated to the depths of the projects and soon a couple of girls, yes, girls, twelve and thirteen year old girls, what do you expect, stick girls and starting shape girls, would hover nearby, maybe fifty yards away but the electricity was in the air, and those hardly made out forms drove Billie and his choir corner boys on. Maybe Elvis’ One Night as a come on. Then a couple more girls, yes, twelve and thirteen year old girls, have you been paying attention, sticks and starting shapes, join those others quietly swaying to the tempo. A few more songs, a few more girls, girls coming closer. Break time. Girl meets boy. Boy meets girl. Hell, even Peter Paul got lucky this night with one of Billie’s stick rejects. And as that moon turned its shades out and the air was fragrance with nature’s marshlands sea air smells and girls’ fresh soap smells and boys’ anxiety smells the Billie corner boy wannabe world seemed not so bad. Yah, 1958 was Billie’s year. Got it.

In Cambridge-February 18th-Hillary Chute: Graphic Novels and the Trauma of Hiroshima & Nagasaki

TONIGHT! Hillary Chute: Graphic Novels and the Trauma of Hiroshima & Nagasaki


When: Thursday, February 18, 2016, 7:00 pm to 9:00 pm
Where: Central Square Library • 45 Pearl Street • Central T • Cambridge
Massachusetts Peace Action and American Friends Service Committee presents,  the third event in the Remembering Hiroshima Series, featuring  Hillary  Chute.   The talk will draw on her new book Disaster Drawn, focusing on Hiroshima, and also on Keiji Nakazawa’s Barefoot Gen. (Barefoot Gen is  the cartoon story of Hiroshima.)
Hillary Chute is the author of Graphic Women: Life Narrative and Contemporary ComicsOutside the Box: Interviews with Contemporary Cartoonists, and most recently, Disaster Drawn: Visual Witness, Comics, and Documentary Form. She is spring a Visiting Professor of English at Harvard University.
During the entire month of February, the Central Square branch of the Cambridge Public Library will display photographs and paintings that convey the devastation and human consequences of the first atomic bombings and the Hibakusha’s (witness/ survivors’) commitments to create a nuclear weapons-free world.   See the schedule of talks associated with the exhbit.
Parking is only $2 an hour in the parking garage next to the library.
More info: http://masspeaceaction.org/events/hillary-chute

NEXT WEEK!


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Elaine Scarry: Democracy and Nuclear Weapons Cannot Coexist
When: Thursday, February 25, 2016, 7:00 pm to 9:00 pm
Where: Central Square Library • 45 Pearl Street • Central T • Cambridge