*****Searching For The American Songbook - In The Time Of The 1960s Folk Minute-The Joy Street Coffeehouse In Mind

*****Searching For The American Songbook - In The Time Of The 1960s Folk Minute-The Joy Street Coffeehouse In Mind

 

Introduction

Sketches From The Pen Of Frank Jackman

I recently completed the second leg of this series, sketches from the time of my coming of age classic rock and roll from about the mid-1950s to the mid-1960s, a series which is intended to go through different stages of the American songbook as it has evolved since the 19^th century, especially music that could be listened to by the general population through radio, record player, television, and more recently the fantastic number of ways to listen to it all from computers to iPods. This series was not intended to be placed in any chronological order so the first leg dealt, and I think naturally so given the way my musical interests got formed, with the music of my parents’ generation, that being the parents of the generation of ’68, those who struggled through the Great Depression of the 1930s and World War II in the 1940s.

This third leg is centered on the music of the folk minute that captured a segment of my generation of ’68 as it came of social and political age in the early 1960s. It is easy now to forget in the buzz of the moment that this segment was fairly small to begin with people who stayed with it for a few years and then like the rest of us got back to the new rock and roll that was taking center stage by the time of the summers of love. Today when talking to people, to those who slogged through the 1960s with me, those who will become very animated about Deadhead experiences, Golden Gate Park Airplane going-ons, their merry-prankster-like “on the bus” experiences, even death Altamont when I ask about the influence of folk they will look at me with pained blank expressions or cite ritualistically Bob Dylan confirms how small and where that folk minute was concentrated.

Early on though some of us felt a fresh breeze was coming through the land, were desperately hoping that it was not some ephemeral rising and then back to business as usual, although we certainly being young did not dwell on that ebb tide idea since like with our physical selves we thought our ideas once implanted would last forever. Silly kids. Maybe it was the change in political atmosphere pulling us forward as men (and it was mostly men then) born in the 20^th century were beginning to take over from the old fogies (our father/uncle/godfather Ike and his ilk) and we would fall in behind them. Maybe it was the swirl just then being generated questioning lots of old things like the House Un-American Activities Committee (HUAC) red scare investigations, like Mister James Crow in the South and  the ghettos of the North, like why did we need all those nuclear bombs that were going to do nothing but turn us into flames. Maybe it was that last faint echo of the “beats” with their poetry, their be-bop jazz, their nightly escapade trying to hold onto that sullen look of Marlon Brando, that brooding look of James Dean, that cool pitter-patter of Alan Ginsberg against the night-stealers. Heady stuff, no question.

Maybe too since it involved cultural expression (although we would be clueless to put what we felt in those terms, save that for the folk music academics complete with endnotes and footnotes after the fire had burned out) and our cultural expression centered around jukeboxes and transistor radios it was that we had, some of us, tired of the Fabians, the various Bobbys (Vee, Darin, Rydell, etc.), the various incarnations of Sandra Dee, Leslie Gore, Brenda Lee, etc., wanted a new sound, or as it turned out a flowing back to the roots music, to the time and place when people had to make their own music or go without (it gets a little mixed up once the radio widened the horizons of who could hear what and when). So, yes, we wanted to know what on those lonely Saturday nights gave our forebears pause, let them sit back maybe listen to some hot-blooded black man with a primitive guitar playing the blues (a step up from the kids’ stuff nailed one-eyed string hung from the front porch but nowhere near that coveted National Steel beauty they eyed in the pawnshop in town just waiting to rise up singing), some jazz, first old time religion stuff and then the flicker of that last fade be-bop with that solid sexy sax searching for the high white note, mountain music, all fiddles and mandolins, playing against that late night wind coming down the hills and hollows reaching that red barn just in time to finish up that last chance slow moaning waltz. Yes, and Tex-Mex, Western swing, Child ballads and the “new wave” protest sound that connected our new breeze political understandings with our musical interests.

The folk music minute was for me, and not just me, thus something of a branching off for a while from rock and roll in its doldrums since a lot of what we were striving for was to make a small musical break-out from the music that we came of chronological age to unlike the big break-out that rock and roll represented from the music that was wafting through many of our parents’ houses in the early 1950s.

In preparing this part of the series I have been grabbing a lot of anecdotal remarks from some old-time folkies. People I have run into over the past several years in the threadbare coffeehouses and cafes I frequent around New England. You know, and I am being completely unfair here, those guys with the long beards and unkempt balding hair hidden by a knotted ponytail, flannel, clean or unclean, shirt regardless of weather and blue jeans, unclean, red bandana in the back pocket, definitely unclean and harmonica at the ready going on and on about how counter-revolutionary Bob Dylan was to hook up the treasured acoustic guitar to an amp in about 1965 and those gals who are still wearing those shapeless flour bag dresses, letting their hair grow grey or white, wearing the formerly “hip” now mandatory granny glasses carrying some autoharp or other such old-time instrument like they just got out of some hills and hollows of Appalachia (in reality mostly with nice Ivy League seven sisters resumes after their names)  arguing about how any folk song created after about 1922 is not really a folk song both sexes obviously having not gotten the word that, ah, times have changed. In short those folkies who are still alive and kicking and still interested in talking about that minute. And continuing to be unfair not much else except cornball archaic references that are supposed to produce “in the know” laughs but which were corny even back then when they held forth in the old Harvard Square Hayes-Bickford of blessed memory where budding songwriters wrote on etched napkins the next great Kumbaya hit, non-songwriters tuned up their Yamaha guitars by ear, by ear, Jesus, to play for the “basket” out in the mean streets after they had their fill of the see-through coffee provided by the place, small-voiced poets echoed Ginsberg eve of destruction sonnets, and new guard writers wore down pencil stubs and erasers catching all the sounds and hubris around them mixed with sotted winos, sterno bums , con men, hustlers, misguided hookers, and junkies to fill the two in the morning air.

For those not in the know, or who have not seen the previously described denizens of the folk night in your travels, folk music is still alive and well (for the moment, the demographic trends are more frightening as the dying embers flicker) in little enclaves throughout the country mainly in New England but in other outposts as well. Those enclaves and outposts are places where some old “hippies,” “folkies,” communalists, went after the big splash 1960s counter-cultural explosion ebbed in about 1971 (that is my signpost for the ebb, the time when we tried to “turn the world upside down” in Washington over the Vietnam war by attempting to shut the government down if they refused to shut down the war and got nothing but teargas, police sticks and thousands of arrests for out troubles, others have earlier and later dates and events which seemed decisive but all that I have spoken to, or have an opinion on, agree by the mid-1970s that wave had tepidly limped to shore). Places like Saratoga, New York, Big Sur and Joshua Tree out in California, Taos, Eugene, Boise, Butte, Boulder, as well as the traditional Village, Harvard Square, North Beach/Berkeley haunts of memory. They survive, almost all of them, through the support of a dwindling number of aficionados and a few younger kids, kids who if not the biological off-spring of the folk minute then very much like those youthful by-gone figures and who somehow got into their parents’ stash of folk albums and liked what they heard against the current trends in music, in once a month socially-conscious Universalist-Unitarian church basement coffeehouses, school activity rooms booked for the occasional night, small local restaurants and bars sponsoring “open mics” on off-nights to draw a little bigger dinner crowd, and probably plenty of other small ad hoc venues where there are enough people with guitars, mandos, harmonicas, and what have you to while away an evening.            

There seems to be a consensus among my anecdotal sources  that their first encounter with folk music back then, other than when they were in the junior high school music class where one  would get a quick checkerboard of various types of music and maybe hear This Land Is Your Land in passing, was through the radio. That junior high school unconscious introduction of Woody Guthrie’s This Land Is Your Land had been my own introduction in Mr. Dasher’s seventh grade Music Appreciation class where he inundated us with all kinds of songs from everywhere like the Red River Valley and the Mexican Hat Dance. For his efforts he was innocently nicknamed by us “Dasher The Flasher,” a moniker that would not serve him well in these child-worried times by some nervous parents.    

A few folkies that I had run into back then, fewer now, including a couple of girlfriends back then as I entered college picked up, like some of those few vagrant younger aficionados hanging around the clubs, the music via their parents’ record collections although that was rare and back then and usually meant that the parents had been some kind of progressives back in the 1930s and 1940s when Paul Robeson, Woody Guthrie, Josh White, Pete Seeger and others lit up the leftist firmament in places like wide-open New York City. Today the parents, my generation parents would have been in the civil rights movement, SDS or maybe the anti-war movement although the latter was drifting more by then to acid rock as the foundational music.

That radio by the way would be the transistor radio usually purchased at now faded Radio Shack by frustrated parents, frustrated that we were playing that loud unwholesome rock and roll music on the family record player causing them to miss their slumbers, and was attached to all our youthful ears placed there away from prying parents and somehow if you were near an urban area you might once you tired of the “bubble gum” music on the local rock station flip the dial and get lucky some late night, usually Sunday and find an errant station playing such fare.

That actually had been my experience one night, one Sunday night in the winter of 1962 (month and date lost in the fog of memory) when I was just flipping the dial and came upon the voice of a guy, an old pappy guy I assumed, singing a strange song in a gravelly voice which intrigued me because that was neither a rock song nor a rock voice. The format of the show as I soon figured out as I continued to listen that night was that the DJ would, unlike the rock stations which played one song and then interrupted the flow with at least one commercial for records, drive-in movies, drive-in theaters, maybe suntan lotion, you know stuff kids with disposable income would take a run at, played several songs so I did not find out who the singer was until a few songs later. The song was identified by the DJ as the old classic mountain tune “discovered” by Cecil Sharpe in the hills and hollows of Appalachian Kentucky in 1916 Come All You Fair And Tender Ladies, the singer the late Dave Von Ronk who, as I found out later doubled up as a very informative folk historian and who now has a spot, a street last I heard, in the Village in New York where he hailed from named after him, the station WBZ in Boston not a station that under ordinary circumstances youth would have tuned into then since it was mainly a news and talk show station, the DJ Dick Summer a very central figure in spreading the folk gospel and very influential in promoting local folk artists like Tom Rush on the way up as noted in a recent documentary, No Regrets, about Rush’s fifty plus years in folk music. I was hooked.

That program also played country blues stuff, stuff that folk aficionados had discovered down south as part of our generation took seriously the search for roots, music, cultural, family, and which would lead to the “re-discovery” of the likes of Son House (and that flailing National Steel guitar that you can see him flail like crazy on Death Letter Blues on YouTube these days), Bukka White (all sweaty, all feisty, playing the hell out of his National face up with tunes like Aberdeen, Mississippi Woman and Panama, Limited) Skip James (all cool hand Luke singing that serious falsetto on I’d Rather Be The Devil Than Be That Woman’s Man which got me in trouble more than one time with women including recently), and Mississippi John Hurt (strumming seemingly casually his moaning Creole Belle and his slyly salacious Candy Man).

I eventually really learned about the blues, the country stuff from down south which coincides with roots and folk music and the more muscular (plugged in electrically) Chicago city type blues that connects with the beginnings of rock and roll, which will be the next and final leg of this series, straight up though from occasionally getting late, late at night, usually on a Sunday for some reason, Be-Bop Benny’s Blues Hour from WXKE in Chicago but that is another story. Somebody once explained to me the science behind what happened on certain nights with the distant radio waves that showed up mostly because then their frequencies overrode closer signals. What I know for sure that it was not was the power of that dinky transistor radio with its two nothing batteries. So for a while I took those faraway receptions as a sign of the new dispensation coming to free us, of the new breeze coming through the land in our search for an earthly Eden. Praise be.          

If the first exposure for many of us was through the radio, especially those a bit removed from urban areas, the thing that made most of us “folkies” of whatever duration was the discovery and appeal of the coffeehouses. According to legend (Dave Von Ronk legend anyway) in the mid to late 1950s such places were hang-outs for “beat” poets when that Kerouac/Ginsberg/Cassady flame was all the rage and folkies like him just starting out were reduced to clearing the house between shows with a couple of crowd-fleeing folk songs, or else they got the boot and the remnants of street singer life forlorn “basket” in front trying to make rent money.

But by the early 1960s the dime had turned and it was all about folk music. Hence the appeal for me of Harvard Square not all that far away, certainly close enough to get to on weekends in high school. With Club 47, the “flagship,” obviously, Café Nana, the Algiers, Café Blanco, and a number of other coffeehouses all located within a few blocks of each other in the Square there were plenty of spots which drew us in to that location. (That Cub 47, subject a few years ago to its own documentary, was the spawning grounds and the testing ground for many folk artists like Dylan, Baez, Rush, Von Schmidt, Paxton, to perform and perfect their acts before friendly appreciative audiences that would not heckle them. The Club which has had something of a continuous history now operates as a non-profit as the Club Passim in a different location in Harvard Square near the Harvard Co-Op Bookstore.)    

The beauty of such places for poor boy high school students like me or lowly cash-poor college students interested in the folk scene was that for the price of a coffee, usually expresso so you could get your high a little off the extra caffeine but more importantly you could take tiny sips and make it last which you wanted to do so you could hold your spot at the table in some places, and maybe some off-hand pastry (usually a brownie or wedge of cake not always fresh but who cared as long as the coffee, like I said, usually expresso to get a high caffeine kick, was fresh since it was made by the cup from elaborate copper-plated coffeemakers from Europe or someplace like that), you could sit there for a few hours and listen to up and coming folk artists working out the kinks in their routines. Add in a second coffee unless the girl had agreed to an uncool “dutch treat,” not only uncool but you were also unlikely to get to first base especially if she had to pay her bus fare too, share the brownie or stale cake and you had a cheap date. 

Occasionally there was a few dollar cover for “established” acts like Joan Baez, Tom Rush, the Clancy Brothers, permanent Square fixture Eric Von Schmidt, but mainly the performers worked for the “basket,” the passing around of the hat for the cheap date guys and others “from hunger” to show appreciation, hoping against hope to get twenty buck to cover rent and avoid starving until the next gig. Of course since the audience was low-budget high school students, college kids and starving artists that goal was sometimes a close thing and accordingly the landlord would have to be pieced off with a few bucks until times got better.

Yeah, those were “from hunger” days at the beginning of their careers for most performers as that talent “natural selection process” and the decision at some point to keep pushing on or to go back to whatever else you were trained to do kept creeping foremost in their thoughts when the folk minute faded and there was not enough work to keep body and soul alive whatever the ardent art spirit. Some of them faced that later too, some who went back to that whatever they were trained to do and then got the folk music gig itch again, guys like Geoff Muldaur and Jim Kweskin from the Kweskin Jug Band, David Bromberg, gals like Carolyn Hester, Minnie Smith after somebody said “hey, whatever happened to….” and they meant them. That natural selection thing was weird, strange for those who had to make decisions in those days (now too) about talent and drive over the long haul. You would see some guy like Paul Jefferson a great guitar player who did lots of Woody Guthrie covers and had a local following in the Café Nana working hard or Cherry La Plante who had a ton of talent and a voice like floating clouds and had steady work in the Café Blanc fold up their tents once they hit a certain threshold, a few years working the local clubs and no better offers coming along and so they bailed out. They and those like them just did not have the talent or drive or chutzpah to keep going and so they faded. You still see Paul once in a while at “open mics” around Boston performing for much smaller crowds than in the old days and the last I heard of Cherry was that she had drifted west and was getting a few bookings in the cafes out in Oregon. But in the day it was all good, all good to hear and see as they tried to perfect their acts.   

For alienated and angst-ridden youth like me (and probably half my generation if the information I have received some fifty years later stands up and does not represent some retro-fitted analysis filtered through a million sociological and psychological studies), although I am not sure I would have used those words for my feelings in those days the coffeehouse scene was the great escape from household independence struggles of which I was always, always hear me, at the short end of the stick. Probably the best way to put the matter is to say that when I read J. D. Salinger’s The Catcher in the Rye, over a non-stop weekend I was so engrossed in the page after page happenings, I immediately identified with Holden Caulfield whatever differences of time, place and class stood between us and when asked my opinion of him by my English teacher I made her and the whole class laugh when I said “I am Holden Caulfield”), or when I saw The Wild One at the retro-Strand Theater in downtown Carver I instinctively sided with poor boy Johnny and his “wanting habits” despite my painfully negative experiences with outlaw motorcycle guys headed by local hard boy Red Riley who hung out at Harry’s Variety Store as they ran through our section of town like the Huns of old. If I had been able to put the feelings into words and actions it would have been out of sympathy for the outcasts, misfits, and beaten down who I identified with then (not quite in the Jack Kerouac beaten down hipsters or night-dwellers who survived with a certain swagger and low hum existence sense). So yeah, the coffeehouses offered sanctuary.

For others (and me too on occasion) those establishments also provided a very cheap way to deal with the date issue, as long as you picked dates who shared your folk interests. That pick was important because more than once I took a promising date to the Joy Street Coffeehouse up on Boston’s Beacon Hill where I knew the night manager and could get in for free who was looking for something speedier like maybe a guy with a car, preferably a ’57 Chevy or something with plenty of chrome, and that was the end of that promise.  For those who shared my interest like I said before for the price of two coffees(which were maybe fifty cents each, something like that, but don’t take that as gospel), maybe a shared pastry and a couple of bucks in the “basket” to show you appreciated the efforts, got you those hours of entertainment. But mainly the reason to go to the Square or Joy Street early on was to hear the music that as my first interest blossomed I could not find on the radio, except that Dick Summer show on Sunday night for a couple of hours. Later it got better with more radio shows, some television play when the thing got big enough that even the networks caught on with bogus clean-cut  Hootenanny-type shows, and as more folkies got record contracts because then you could start grabbing records at places like Sandy’s in between Harvard and Central Squares.               

Of course sometimes if you did not have dough, or if you had no date, and yet you still had those home front civil wars to contend with and that you needed to retreat from you could still wind up in the Square. Many a late weekend night, sneaking out of the house through a convenient back door which protected me from sight, parents sight, I would grab the then all-night Redline subway to the Square and at that stop (that was the end of the line then) take the stairs to the street two steps at a time and bingo have the famous (or infamous) all-night Hayes-Bickford in front of me. There as long as you were not rowdy like the winos, hoboes, and con men you could sit at a table and watch the mix and match crowds come and go. Nobody bothered you, certainly not the hired help who were hiding away someplace at those hours, and since it was cafeteria-style passing your tray down a line filled with steam-saturated stuff and incredibly weak coffee that tasted like dishwater must taste, you did not have to fend off waitresses. (I remember the first time I went in by myself I sat, by design, at a table that somebody had vacated with the dinnerware still not cleared away and with the coffee mug half full and claimed the cup to keep in front of me. When the busboy, some high school kid like me, came to clear the table he “hipped me” to the fact that nobody gave a rat’s ass if you bought anything just don’t act up and draw attention to yourself. Good advice, brother, good advice.)

Some nights you might be there when some guy or gal was, in a low voice, singing their latest creation, working up their act in any case to a small coterie of people in front of them. That was the real import of the place, you were there on the inside where the new breeze that everybody in the Square was expecting took off and you hoped you would get caught up in the fervor too. Nice.        

As I mentioned in the rock and roll series, which really was the music of our biological coming of age time, folk was the music of our social and political coming of age time. A fair amount of that sentiment got passed along to us during our folk minute as we sought out different explanations for the events of the day, reacted against the grain of what was conventional knowledge. Some of us will pass to the beyond clueless as to why we were attuned to this music when we came of age in a world, a very darkly-etched world, which we too like most of our parents had not created, and had no say in creating. That clueless in the past about the draw included a guy, me, a coalminer’s son who got as caught up in the music of his time as any New York City Village Jack or Jill or Chi Old Town frat or frail. My father in his time, wisely or not considering  what ill-fate befell him later, had busted out of the tumbled down tarpaper shacks down in some Appalachia hills and hollows, headed north, followed the northern star, his own version, and never looked back and neither did his son.

Those of us who came of age, biological, political, and social age kicking, screaming and full of the post-war new age teenage angst and alienation in the time of Jack Kennedy’s Camelot were ready for a jail-break, a jail-break on all fronts and that included from the commercial Tin Pan Alley song stuff. The staid Eisenhower red scare cold war stuff (he our parents’ organizer of victory, their gentile father Ike). Hell, we knew that the world was scary, knew it every time we were forced to go down into some dank school basement and squat down, heads down too, hoping to high heaven that the Russkies had not decided to go crazy and set off “the bomb,” many bombs. And every righteous teenager had restless night’s sleep, a nightmare that, he or she, was trapped in some fashionable family fall-out shelter bunker and those loving parents had thoughtfully brought their records down into the abyss to soothe their savage beasts for the duration. Yelling in that troubled sleep please, please, please if we must die then at least let’s go out to Jerry Lee’s High School Confidential. And as we matured Bob Dylan’s Blowin’ In The Wind.    

We were moreover, some of us anyway, and I like to think the best of us, driven by some makeshift dreams, ready to cross our own swords with the night-takers of our time, and who, in the words of Camelot brother Bobby, sweet ruthless Bobby of more than one shed tear in this quarter, quoting from Alfred Lord Tennyson, were “seeking a newer world.” Those who took up the call to action heralded by the new dispensation and slogged through the 60s decade whether it was in the civil rights/black liberation struggle, the anti-Vietnam War struggle or the struggle to find one’s own identity in the counter-culture swirl before the hammer came down were kindred. And that hammer came down quickly as the decade ended and the high white note that we searched for, desperately searched for, drifted out into the ebbing tide. Gone.

These following sketches and as with the previous two series that is all they are, and all they pretend to be, link up the music of the generation of ‘68s social and political coming of age time gleaned from old time personal remembrances, the remembrances of old time folkies recently met and of those met long ago in the Club 47, Café Lena, Club Paradise, Café North Beach night.

The truth of each sketch is in the vague mood that they invoke rather than any fidelity to hard and fast fact. They are all based on actual stories, more or less prettified and sanitized to avoid any problems with lose of reputation of any of the characters portrayed and any problems with some lingering statute of limitations. That truth, however, especially in the hands of old-time corner boys like me and the other guys who passed through the corner at Jack Slack’s bowling  alleys must always be treated like a pet rattlesnake. Very carefully.

Still the overall mood should more than make up for the lies thrown at you, especially on the issue of sex, or rather the question of the ages on that issue, who did or did not do what to whom on any given occasion. Those lies filled the steamy nights and frozen days then, and that was about par for the course, wasn’t it. But enough of that for this series is about our uphill struggles to make our vision of the our newer world, our struggles to  satisfy our hunger a little, to stop that gnawing want, and the music that in our youth  we dreamed by on cold winter nights and hot summer days.  

 

In Honor Of Women's History Month-From The Archives Of Women And Revolution-The 1970s Angela Davis Case

In Honor Of Women's History Month-From The Archives Of Women And Revolution-The 1970s Angela Davis Case

 

*****Support "Courage To Resist"-The Organization Supporting Chelsea Manning And Other Military Resisters

*****Support "Courage To Resist"-The Organization Supporting Military Resisters And Chelsea Manning 

Frank Jackman comment on Courage To Resist and military resisters: 

During the early stages of the Vietnam War, say 1965, 1966, frankly, I was annoyed at, dismayed by, appalled by and perplexed by guys my age, who were refusing to be drafted, refusing in some cases to even sign up for the draft (although I admit I was “late” signing up myself not for political or moral reasons but because I was not living at home having left on the first of about six estrangements from my family and did not receive the letter about the legal requirement to register until much later). Refusing and making a big public deal out of it. And this draft resistance movement was not some faraway situation heard on the news out in the suburbs about actions in the big cities or on some ivy-covered Ivy League elitist campuses but because while I was going to school I supported myself by getting up very early and servicing coffee- making machines in various locales in downtown Boston, including near the landmark draft resistance center, the Arlington Street Church (now U/U –Universalist-Unitarian but then I believe home to only one of the two having subsequently united but I am not sure which denomination ruled the roost at that location then although I believe it was the blessed Unitarians, now blessed for their generous help in the struggles against war and lesser known place of refuge for vagrant monthly folk-music friendly coffeehouses.)

 

The Arlington Street Church moreover held itself out as a main sanctuary protecting under long time religious principles draft-resisters who had taken shelter there in order to avoid being arrested by federal law enforcement agents. So many mornings there would be a bee-hive of activity outside and around the church in support of the resisters. The sight of straggly guys and their supporters protesting would get my blood pressure rising.   

Now it was not that I was particularly pro-war even then, probably had not been in favor of escalation of that war and support to the South Vietnamese government since about the time of the Diem regime, the time before Jack Kennedy was murdered in 1963. Somehow I sensed that with each tragic turn there the noose of the draft would tighten around my own neck. But in those days, whatever else I held politically sacred, I, a working class guy from North Adamsville, held all of the usual patriotic sentiments about country, about service and about military duty of my neighborhood and upbringing.

As my grandfather, a veteran of World War I, said of his own experience of volunteering when President Wilson pulled the hammer down looking for recruits back then, never volunteer but if called you go, say you went willingly if anybody asked. So the thought of anybody “shirking” their duty if called really rankled me and while later I did a complete turn-around about the draft resisters, especially the ones who chose jail rather military service then I was disgusted. Disgusted as well by what I perceived vaguely as a class-bias about who was refusing to go and who had to go if those who would normally be called refused to go-working class and minority guys. Don’t hold me to some kind of prescience on that because that was just a vague underpinning for my general reasons of patriotic duty but in the case when I did my own military service, my infantryman grunt service guess who the other guys in the barracks and tents were-yeah, working class and minority guys.

I, on the other hand, have always admired military resisters since my knowledge of them and their actions came later after I had begun my sea-change of views. Knowing too by personal experience that “bucking” the Army system and winding up in the stockade, or worse the dreaded Fort Leavenworth every drill sergeant made a point of telling us about if we screwed up. But I was no resister having, frankly, done my time in the military, Vietnam time, without any serious reflection about the military, my role in the military, or what was just and unjust about that war until after I got out. After I got out and began to see things without “the fog of war” and its infernal “do it for your buddies” which is what a lot of things came down to in the end blinding me and got serious “religion” on the questions of war and peace from several sources.

At first I began working with the Cambridge Quakers who I had noticed around the fringes of anti-war GI work in the early 1970s when there was a serious basis for doing such work as the American army, for one reason or another whether the craziness of pursuing the war, racism, or just guys being fed-up with being cannon-fodder for Mister’s war, was half in mutiny and the other half disaffected toward the end of American involvement in that war. The Quakers front and center on the military resisters just as they had been with the draft resisters at a time when there was a serious need as guys, guys who got their “religion” in the service needed civilian help to survive the military maze that they were trying to fight. This connection with the Quakers had been made shortly after I got out of the service when my doubts crept in about what I had done in the service, and why I had let myself be drafted and why I hadn’t expressed serious anti-war doubts before induction about what the American government was doing in Vietnam to its own soldiers. But, more importantly, and this was the real beginning of wisdom and something I am keenly aware every time the American government ratchets up the war hysteria for its latest adventure, to the Vietnamese who to paraphrase the great boxer Mohammed Ali (then Cassius Clay) had never done anything to me, never posed any threat to me and mine. But as much as I admired the Quakers and their simple peace witness, occasionally attended their service and briefly had a Quaker girlfriend, I was always a little jumpy around them, my problem not theirs, since their brand of conscientious objection to all wars was much broader than my belief in just and unjust wars.

Later I worked with a couple of anti-war collectives that concentrated on anti-war GI work among active GIs through the vehicle of coffeehouses located near Fort Devens in Massachusetts and Fort Dix down in New Jersey. That work was most satisfying and rewarding as I actually worked with guys who knew the score, knew the score from the inside, and had plenty to tell, especially those who had gotten “religion” under fire although that experience was short-lived once American on the ground involvement in Vietnam was minimalized and the horrific draft was abolished as a means of grabbing “cannon fodder” for the damn war. Once the threat of being sent to Vietnam diminished the soldiers drifted off and the anti-war cadre that held things together as well.

What really drove the issue of military resistance home to me though, what caused some red-faced shame was something that I did not find out about until well after my own military service was over. A few years later when I went back to my hometown on some family-related business (another futile attempt to rekindle the family ties) I found out after meeting him on the street coming out of a local supermarket that my best friend from high school, Sean Kiley, had been a military resister, had refused to go to Vietnam, and had served about two years in various Army stockades here in America for his efforts. Had done his “duty” as he saw it. Had earned his “anti-war” colors the hard way.

See Sean like me, like a lot of working-class kids from places like our hometown  up in Massachusetts, maybe had a few doubts about the war but had no way to figure out what to do and let himself be drafted for that very reason. What would a small town boy whose citizens supported the Vietnam War long after it made even a smidgen of sense, whose own parents were fervent “hawks,” whose older brother had won the DSC in Vietnam, and whose contemporaries including me did their service without a public murmur know of how to maneuver against the American military monster machine. But what Sean saw early on, from about day three of basis training, told him he had made a big error, that his grandmother who grew up in Boston and had been an old Dorothy Day Catholic Worker supporter had been right that there was no right reason for him to be in that war. And so when he could, after receiving orders for Vietnam, he refused to go and did his time in the military that way.           

[In an earlier version of this sketch I mentioned that I would fill in more about Sean’s anti-war military resister story when I got a chance to talk to him about some of the details of that story that I had forgotten. We recently got together as part of a contingent from Boston Veterans for Peace that went up to Maine to walk part of the way in the Maine VFP-led sixteen day walk from Ellsworth up near Bar Harbor along U.S. Route One to the Portsmouth Naval Base in New Hampshire calling for the demilitarization of the seas. As fate would have it a Quaker woman, Sally Rich, who had helped to publicize Sean’s case had joined the walk in Freeport where she now lives. This surprise encounter led to the two of them talking one evening during a pot luck supper in Portland about Sean’s case. Other younger walkers were very interested in hearing the story and so Sean told it and these are my recollections of what he said that night. I checked with him to make sure I had it right so this is pretty close to what happened back then.]     

 

 “You know I haven’t told this story in years, haven’t had to since the draft went down in flames back in the 1970s and except for people like most of you, people who won their spurs in the peace movement way back in the 1960s, maybe before, there had been not need to tell it. It really is the story of why almost fifty years later I am pounding the bloody pavements of Maine something I would probably not be doing if the fates had worked otherwise. Certainly I would not use the story, most of it anyway, if we were out counter-recruiting in the high schools because with the volunteer military it would go over their heads. But you can relate to this story because you, somebody you know, or knew, some guy anyway back then had to face the draft and what to do, or not do about it.

Now I was a college student back in Boston in the mid-1960s as the crescendo of anti-Vietnam War activity came through the campuses and so I was vaguely anti-war, probably as much as any Boston college student but not actively. Strangely on that issue I was kind of behind the curb since on social issues; the war on poverty, civil rights in the South which meant black civil rights, abolition of capital punishment, and nuclear disarmament I was well left of center, left of Bobby Kennedy my political hero then whom I worked for that fateful spring of 1968 until he was assassinated. I wasn’t into draft resistance, street protests, that kind of thing although I wasn’t hostile to any such efforts. Mostly though I was interested in my girlfriend, having sex, doing a little drugs, not much by the standards of the day but enough, going to rock concerts and letting tomorrow take care of itself, stuff like that and working for candidates like Bobby who were in the system since I wanted my own Democratic Party career, something like that.        

After graduation I had planned to go to law school as a way to put off the draft question that as the escalations in Vietnam continued and as the American body count got larger I started to focus on a bit more. Especially since by 1968 the need for ground troops was growing faster than guys were volunteering or being dragooned by their National Guard units into active service and they were no longer exempting law school students from the draft. Then in the fall of 1968 I got my notice to appear for a physical and subsequently after successfully completing that physical I got my notice to report to the Boston Army Base for induction.

Here’s where everything gets tricky though, or really my whole past, who I was, where I came from got me caught in a web. My girlfriend’s brother was in Vietnam, I had come from a family, a working class family where military service was expected, my father was a Marine in World War II and one of my uncles a lifer who would eventually become Sergeant-Major of the Army, the highest enlisted man, a couple of guys on my small street had been killed in Vietnam already so there was no social support for doing anything but take the induction. I wasn’t a CO, I didn’t even consider jail or Canada they were really not even on the radar and so although I had my qualms, maybe fears of getting killed mixed in too, I was inducted in early 1969 and sent to Fort Gordon down in Georgia, Augusta where they play the Masters golf tournament every year.

About three days, maybe four days, in I realized that I had made a very serious mistake, had not thought how contrary to my self-identity that whole basic training scene was. I was getting “religion” on the questions of war and peace very quickly. As the weeks in basic went by I got stronger in my resolve to not go to Vietnam but kept quiet about it since I was in the middle of nowhere with no resources to do anything except eat that rich red Georgia clay we grabbed every day in training. After basic I was assigned to Advanced Infantry Training, AIT, at Fort McClellan in goddam Alabama the die was cast, the noose was getting tighter since the only place for infantry men, grunts, 11 Bravos, cannon fodder was in Vietnam. The only thing I knew was when I got home I was getting some help, some outside help in order to resist orders to Vietnam that were inexorably coming at the end of that training.

After I got my orders to report to Fort Lewis in Washington for transit to Vietnam I got to go home for thirty days on leave before reporting, the standard procedure then but a mistake by the Army in my case. After checking in with my girlfriend who was not sympathetic with my situation and whom I decided to forsake (okay dump) I went to AFSC in Cambridge since although I did not know that much about Quakers I did know that they were historically against war and knew something about CO status. I was counselled there by a guy, I forget his name, do you remember him, Sally, a tall guy with a long ponytail [Sally: no] who laid out some options without telling me what to do but with a wink. What I did was go AWOL for thirty-three days since once you have passed thirty days you are automatically dropped from the rolls of the place you were assigned to they called it. Which meant that those orders to Fort Lewis were no longer in effect since I didn’t belong there at that point. I turned myself in up at Fort Devens, the closest Army post in the area and was put in what they called a Special Detachment Unit (SPD), a unit for AWOLs and other problem children after I told them I wanted to put in for CO status.     

Now in those days except for Quakers, religious people with long histories of pacifism, it was hard to get CO status from civilian draft boards much less from the Army although federal court cases were coming through that would help both classes of cases, would help me eventually. So I put in my application, went through the procedure which I won’t go through since while I was termed “sincere” which would also help me later I was turned down. Turned down in the Army meant to get those orders to Vietnam again.

I was not going, no way not after that trial by fire in my head and that is when after a ton of thought I decided that I was going to refuse to wear the uniform at the weekly Monday morning head count, the morning report they called it to see who was in and who was missing, AWOL. I did so also carrying a sign when said “Bring The Troops Home.” Needless to say I was in trouble, deep trouble, deep trouble in the immediate sense because two burly lifer-sergeants tackled me to the ground, handcuffed me and escorted me to the stockade where they put me in solitary for a while I guess to see what kind of monster they had on their hands. I was given what they called a special court martial which was not bad since it meant the maximum they could give me was six months which they did and which I served in full at the Devens stockade. When I was released from the stockade though because of some legal action my civilian attorney provided by AFSC who had gotten before a judge to keep me at Devens I had to go through the whole refusal thing again and again received a six month sentence. Most of which I served.         

I have to laugh when I think about it now but I could have endlessly been given six months sentences for refusing to wear the uniform and still been in the stockade or some such place today. That is where the extra civilian legal help came in to save my ass. The key point was that all the Army paperwork said I was sincere so my civilian lawyer, Steve Larkin, who worked out of an office in Central Square in Cambridge and had done a bit of military resistance work previously submitted a writ of habeas corpus to the Federal District Court in Boston stating that I had been “arbitrarily and capriciously,” those words have legal significance, denied my CO status by the Army. Of course as you know the courts take a while to make decisions on anything so I waited in jail for the decision. Steve had said to expect the worse though since the judge in the case was not known for being sympathetic to such cases. What helped was the “sincere” part and the fact that the United States Supreme Court had loosened up the standards for CO status so the judge granted the writ and after few minor delays I was honorably discharged from the Army and told never to return to a military base in this lifetime.

I, a short time later, joined in the anti-war GI resistance work at a coffeehouse outside Fort Devens and later at Fort Dix down in New Jersey. Where Sally and others had come in on my case was to organize rallies at the front gate of the fort against the war and calling for my release. As every political prisoner knows, people like Chelsea Manning today, a case that I have been involved in supporting, that outside public help went a long way toward keeping my spirits up especially after that second court-martial. So again kudos to Sally and the others who came out in support.”      

Spring Walk For Peace From Leverett Massachusetts To Washington, D.C. Boston Area-March 15-19

Spring Walk For Peace From Leverett Massachusetts To Washington, D.C. Boston Area-March 15-19

As March 17th Approaches-The Face Of Old Irish Working-Class North Adamsville- In Honor Of Kenny, Class Of 1958

As March 17^th Approaches-The Face Of Old Irish Working-Class North Adamsville- In Honor Of Kenny, Class Of 1958

From The Pen Of Peter Paul Markin

Another Moment In History- A Guest Post, Of Sorts

 

Kenny Kelly, Class of 1958? comment:

 

A word. I, Kenneth Francis Xavier Kelly, at work they just call me Kenny, although my friends call me “FX”, am a map of Ireland, or at least I used to be when I was younger and had a full head of very wavy red hair, a mass of freckles instead of a whiskey and beer chaser-driven mass of very high-proof wrinkles, and my own, rather than store-bought, rattlers, teeth I mean. For work, yah, I’m still rolling the barrels uphill, I, well, let’s just say I do a little of this and a little of that for Jimmy the Mutt and leave it at that. I am also the map, the Irish map part anyway, of North Adamsville, from the Class of 1958 at the old high school, or at least I should have been, except for, well, let’s leave that as at a little of this and that, for now, as well. I’ll tell you that story another time, if you want to hear it. Or talk to that old bastard, Headmaster Kerrigan, Black-Jack Kerrigan, and he’ll give you his lying side of the story if he can still talk the bastard.

 

Let’s also put it that I grew up, rough and tumble, mostly rough, very rough, on the hard drinking-father-sometimes-working, and the plumbing-or-something-don’t-work- and-you-can’t- get- the-tight-fisted-landlord-to- fix-anything-for-love-nor- money walk up triple decker just barely working class, mean streets around Sagamore and Prospect Streets in one –horse Atlantic. At least my dear grandmother, and maybe yours too, called it that because there was nothing there, nothing you needed anyway. You know where I mean, those streets right over by the Welcome Young Field, by Harry the Bookie’s variety store (you knew Harry’s, with the always almost empty shelves except maybe a few dusty cans of soup, a couple of loaves of bread and a refrigerator empty except maybe a quart of milk or two, an also active pin-ball machine, and his “book” right on the counter for all the world, including his cop-customer world, to see), and the never empty, never empty as long as my father was alive, Red Feather (excuse me I forgot it changed names, Dublin Grille) bar room. Now I have your attention, right?

 

But first let me explain how I wound up as a “guest” here. Seems like Peter Paul Markin, that’s the half-assed, oops, half-baked,  wrote up some story, some weepy cock and bull story, about the Irish-ness of the old town,  A Moment In History… As March 17th Approaches to the North Adamsville Graduates Facebook page and my pride and joy daughter, Clara, North Adamsville Class of 1978 (and she actually graduated), saw it and recognized the names Riley, O’Brian and Welcome Young Field and asked me to read it. I did and sent Peter Paul an e-mail, christ, where does he get off using two names like he was a bloody heathen Boston Brahmin and him without a pot to piss in, as my dear grandmother used to say, growing up on streets on the wrong side of the tracks, over near the marshes for chrissakes, wronger even than the Sagamore streets. Or my baby Clara did, did sent the e-mail after I told her what to write. I’m not much of hand at writing or using this hi-tech stuff, if you want to know the truth.

 

I don’t know what he did with that e-mail, and to be truthful again, I don’t really care, but in that e-mail I told him something that he didn’t know, or rather two things. The first was that I “knew” him, or rather knew his grandmother (on his mother’s side) Anna Riley because her sister, Bernice, and my dear grandmother, Mary, also an O’Brien but with an “e”, who both lived in Southie (South Boston, in those days the Irish Mecca, for the heathens or Protestants, or both, both heathen and Protestant, that might read this) were as thick as thieves. When I was just a teenager myself I used to drive his grandmother over to her sister’s in Southie so that the three of them, and maybe some other ladies joined them for all I know, could go to one of the Broadway bars (don’t ask me to name which one, I don’t remember) that admitted unescorted ladies in those days and have themselves a drunk. And smoke cigarettes, unfiltered ones no less, Camels I think when I used cadge a few, which his stern grandfather, Dan Riley, refused to allow in the house over on Young Street.

 

I know, I know this is not the way that blue-grey haired Irish grandmothers are supposed to act, in public or private. And somebody, if I know my old North Adamsville gossips, wags and nose-butters, and my North Adamsville Irish branch of that same clan especially, is going say why am I airing that “dirty linen” in public. That’s a good point that Peter Paul talked in his story about Frank O’Brian and not airing the family business in public in that foolish essay, or whatever he wrote. So what am I doing taking potshots as the blessed memories of those sainted ladies? That is where my second thing comes in to set the record straight – Peter Paul, and I told him so in that e-mail (or Clara did) with no beating around the bush, is to me just another one of those misty-eyed, half-breed March 17th Irish that are our curse and who go on and on about the eight hundred years of English tyranny like they lived it, actually lived each day of it. (Yes half-breed, his father, a good guy from what my father told me when they used to drink together, so he must have had something going for him, was nothing but a Protestant hillbilly from down in the mountain mists hills and hollows Kentucky)

 

Now don’t get me wrong. I am as patriotic as the next Irishman in tipping my hat to our Fenian dead like old Pearse did back in 1913 or so, and the boys of ’16, and the lads on the right side in 1922, and the lads fighting in the North now but Peter Paul has got the North Adamsville Irish weepy, blessed “old sod” thing all wrong. No doubt about it. So, if you can believe this, he challenged me, to tell the real story. And I am here as his “guest” to straighten him out, and maybe you too. Sure, he is helping me write this thing. I already told you I’m a low-tech guy. Jesus, do you think I could write stuff like that half-assed, oops, half- baked son of an expletive with his silly, weepy half-Irish arse goings on? I will tell you this though right now if I read this thing and it doesn’t sound right fists are gonna be swinging, old as I am. But let’s get this thing moving for God’s sake.

 

Let me tell you about the shabeen, I mean, The Red Feather, I mean the Dublin Grille, bar room on Sagamore Street. That’s the one I know, and I am just using that as an example. There were plenty of others in old North Adamsville, maybe not as many as in Southie, but plenty. If you seriously wanted to talk about the “Irish-ness” of North Adamsville that was the place, the community cultural institution if you will, to start your journey. Many a boy, including this boy, got his first drink, legal or illegal, at that, or another like it, watering hole. Hell, the “real” reason they built that softball field at Welcome Young was so the guys, players and spectators alike, had an excuse to stop in for a few (well, maybe more than a few) after a tough battle on base paths. That’s the light-hearted part of the story, in a way. What went on when the “old man”, anybody’s “old man”, got home at the, sometimes, wee hours is not so light-hearted.

 

See, that is really where the straightening out job on our boy Peter Paul needs to be done. Sure, a lot of Irish fathers didn’t get drunk all the time. Although the deep dark secret was that in almost every family, every shanty family for certain and I know, and many “lace curtain” families they was at least one reprobate drunk. Hell, the local city councilor’s brother, Healy I think it was, was thrown in the drunk tank by the coppers more times than he was out. They could have given him a pass-key and saved time and money on dragging him to the caboose. But the king hell takes-the-cake was old Black-Jack’s Kerrigan’s brother, Boyo (sorry, I forget his real name). Yah, the North Adamsville High headmaster’s brother, the bastard that I had a run-in with and had to hightail it out of school, although it was not over his brother.

 

See Black-Jack’s family though they were the Mayfair swells since Black-Jack had gone to college, one of the first in the old neighborhood, and they had that big single-family house over on Beach Street. But more than one night I found Boyo lying face-down on Billings Road drunk as a skunk and had to carry him home to his wife and family. And then head back to the other side of the tracks, that wrong side I already told you about. Next day, or sometime later, Boyo would give me a dollar. Naturally when I went to school after that I went out of my way to flash the dollar bill at Black-Jack, saying “Look what Boyo gave me for helping him out.”

That’s all I had to say. Black-Jack always turned fuming red, maybe flaming red.

 

A lot of Irish fathers didn’t beat on their wives all the time either. And a lot of Irish fathers didn’t physically beat their kids for no reason. Plenty of kids go the “strap” though when the old man was “feeling his oats.” (I never heard of any sexual abuse, but that was a book sealed with seven seals then.) And more than one wife, more than one son’s mother didn’t show her face to the “shawlie” world due to the simple fact that a black eye, a swollen face, or some other wound disfigured her enough to lay low for a while. I had to stop, or try to stop, my own father one time when I was about twelve and he was on one of his three day Dublin Grille whiskey straight-up, no chaser toots and Ma just got in his way. He swatted me down like a fly and I never tried to go that route again. But he didn’t try to beat my mother again either, at least not when I was a around or I would have heard about it on the shawlie wire.

 

And a lot of Irish wives didn’t just let their husbands beat on them just because they were the meal ticket, the precious difference between a home and the county farm or, worse, the streets. And a lot of Irish wives didn’t make excuses (or pray) for dear old dad when the paycheck didn’t show up and the creditors were beating down the door. And a lot of Irish wives didn’t let those Irish fathers beat on their kids. And a lot of Irish mothers didn’t tell their kids not to “air the dirty linen in public.” But, don’t let anyone fool you, and maybe I am touching on things too close to home, my home or yours, but that formed part of the scene, the Irish scene.

 

Maybe, because down at the Atlantic dregs end of North Adamsville the whole place was so desperately lower working-class other ethnic groups, like the Italians, also had those same pathologies. (I am letting Peter Paul use that last word, although I still don’t really know what it means, but it seemed right when he told me what it meant). I don’t know. Figure it out though, plenty of fathers (and it was mainly fathers only in those days who worked, when they could) with not much education and dead-end jobs, plenty of triple deckers, no space, no air, no privacy rented housing and plenty of dead time. Yah, sure, I felt the “Irish-ness” of the place sometimes (mainly with the back of the hand), I won’t say I didn’t but when Peter Paul starts running on and on about the “old sod” just remember what I told you. I’ll tell you all the truth, won’t you take a word from me.

Veterans For Peace Again Barred From South Boston's Saint Patrick's Day Parade

 

March 17, 2016

SOUTH BOSTON— On Sunday, March 20, Veterans For Peace will hold a silent protest at 524 East Broadway along the parade route. This is the address of the late Lieutenant Tony F. Flaherty U.S.N. Tony was the beloved member of Veterans For Peace who passed away peacefully in July 2015. This year, Veterans For Peace had applied to walk in the Saint Patrick’s Day Parade but once again were denied by the Allied War Veterans Council. VFP’s unit was to be named as a Memorial Unit in honor of Tony. “Tony was one of our most respected members”, said Al Johnson a member of VFP’s Executive Committee, “Tony is sorely missed by our members. It is shameful that the AWVC still denies veterans who have honorably served this country, and now work for peace, from participating in this parade”.

 

Members of Veterans For Peace will silently stand outside of the former home of Tony Flaherty, in silent protest as the parade passes by. They will carry their VFP flags and American flags.  

 

“It is shameful that the Allied War Veterans Council are once again disrespecting veterans on Saint Patrick’s Day. What are they afraid of? Our rejection is solely based on the fact that we work for Peace”, stated Pat Scanlon, event organizer for VFP. “This continues to be an embarrassment to the City of Boston and the Boston Police Department”.

 

Negotiations with the AWVC and VFP took place in the office of Boston Police Commissioner Bill Evans on October 27^th. Everyone in attendance thought a deal had been agreed to. However when the Council finally voted VFP was rejected once again. Upon hearing of the rejection, Commissioner Evans stated, “The exclusion of these veterans is an embarrassment to the City of Boston. They clearly pledged that they would abide by all the rules and regulations, they met all the requirements of the parade application, and still they were denied participation”.

 

Brian Mahoney, the former Commander of the AWVC, and the person who had negotiated the make up and size of VFP’s unit in the Commissioner’s office, immediately resigned as Commander in protest of AWVC’s decision. “These are veterans, have met all the requirements to be in the parade, and should be allowed to march, this is shameful” stated Mahoney.

 

“It is ironic that Tony Flaherty was best of friends with John “Wacko” Hurley the long time Commander of AWVC. They were best men at each other’s weddings. Over the years they parted friendship, as their views on war and peace grew apart”, stated Scanlon. “How fitting it would have been to honor both men in this year’s parade with resolution of this long-standing conflict”

 

The intransigence of the AWVC, their continued disrespecting of veterans and the embarrassment they bring upon the City of Boston should stop,” stated Johnson, “The City of Boston should take back the management of the Saint Patrick’s Day Parade, making it open and accessible to all, allowing all to be part of the historic celebration of the patron saint of Ireland, Saint Patrick, especially our veterans”.

 

 

Out In The Delta Night-With Legendary Bluesman Muddy Waters In Mind

Out In The Delta Night-With Legendary Bluesman Muddy Waters In Mind

By Lester Lannon

Bart Webber was a late-comer to the world of the blues, you know, the music that came via Mother Africa beat from down in the Delta, out in the Piedmont and along the Alabama crescent. He had missed capturing that sound deep in his head although he probably had heard some riffs accidently or sub-consciously in some way until the early 1970s having previously been deeply emerged in the rock and roll of his youth down in Riverdale south of Boston and later by the “acid” rock of his young adulthood. Guys like Johnny Winters and John Mayall, gals like Bonnie Raitt, Janis Joplin probably entered his universe without being tagged as from down in Delta, Piedmont, Crescent land. His tutor in all things blues (and of folk of which it could be have been argued, and has been blues, is a integral  part of) Sam Lowell introduced him to the genre one night in Cambridge at Jack’s, the then famous blues room, after they had not seen each other for a while. And that would be a main subject of conversation thereafter when the met at any gin mill.

That “not having seen each other for a while” being the direct result of Bart’s coming back from the West Coast about a year earlier to open up a small printing shop in Riverdale in the old Lawrence Lowell Building just off downtown and Sam’s, also back from the Coast about the same time, beginning his second year of law school in Boston at Suffolk Law School. As old-time high school friends they had drifted out to California, draft exempt respectively for an exemption as sole support of his family after his father passed away and as physically unfit for military, along with a couple of other guys from Riverdale, Jack Callahan and Frankie Riley, and about a million young people from everywhere trying to find some meaning to their lives, at least that was the quest, that is what Bart and Sam thought they were doing. Once Sam was safely through L1 he called Bart up and they had begun once again their youthful searches for the meaning of everything musical.  

For those not familiar with Cambridge, those not familiar with Harvard Square in the folk pantheon, and those not familiar with the early link-up between traditional folk music from the mountains like East Virginia and Tom Doulas and such classic blues tunes as Mississippi Fred McDowell’s Got To Move and 61 Highway and Bukka White’s Panama Limited Jack’s was the place more so than the Club Blue and Café Nana further up the street where hot blues was played. The place too where you could heard a young Bonnie Raitt now that we are name-dropping working out the kinks in her material, working out her thirst, and working out her entrée into the blues world in those days in the 1960s when Sam, before he headed out west with an important segment of his generation, immersed himself in the genre. He would mention some stuff to Bart, as always, whenever he thought he could get the musical upper-hand on Bart. Bart had been way ahead of him on the classic rock, you know, Elvis, Carl, Buddy, Chuck and Jerry Lee but Sam had chipped away at that lead with the advent of the Stones and was eons ahead once the folk and blues milieus came into some fashion among the hipsters of Cambridge and the diaspora.

That night we are talking about, the night of the meeting at Jack’s, with both men safely drinking their whiskies and scotches in lieu of the less public hash pipe, ganga gong, or dixie cup. (You figure out that usage if you are too forgetful, or too young just Google Tom Wolfe and you will link straight to the reference.) Sam started a conversation by telling Bart that he remembered back in the day when he had heard Howlin’ Wolf, the mad monk Chicago bluesman, who had practically eaten his harmonica on a song called How Many More Years (are you going to dog me around-a very good question that any righteous man is entitled to ask his, ah, temperamental lady when she is giving nothing, nothing but heartache and the runaround) get down and dirty on a Willie Dixon song, Little Red Rooster, long after he had heard the Stones do their cover of the song which many radio stations around Riverdale refused to play on the air for its allegedly suggestive sexual references having nothing to do with roosters or barnyards. He had been “blown away” by the Wolf’s version. What he had to tell Bart that night was that he had just heard a record where a couple of the Stones, probably Keith Richards and Ronnie Woods, sitting at the feet of the Wolf learning how to play, really play that song rather than their white bread, white boy version. Hot stuff.                  

That gave Bart just the opportunity he was looking for to bring up his “difference” with Sam about who was the “max daddy” bluesman, the electric Chicago blues version not that of the down country  guys like Son House and Skip James. And that difference turned on his much greater preference for the more sultry blues beat of Mister Muddy Waters who never almost “ate” his own harmonica since he had hired help like James Cotton and Junior Wells to handle that chore. Naturally Bart always pointed to Muddy’s Hoochie Goochie Man as far superior to the gruntings of the Wolf, who in Bart’s mind had never really got the mud of the Delta off his boots.

Of course Sam, once cornered by Bart, once he knew Bart was on the war-path about the blues and who was who, aided no little by those bar whiskies and scotches, had to come back on him with that story about how the Stones when they were on one of the their early United States tours had made the pilgrimage to Chicago, to Chess Records, in those days the Mecca for Chicago blues (and incidentally a record company owned by Marshal Press’ father and uncle who just happened to be the Stones’ road manager at that point) and Muddy Waters having seen the boys come in for a look volunteered to bring their luggage in. Wolf would have left the damn luggage float up Division Street before he would bend to such indignities.            

Bart, not to be outdone in the urban legend department (urban legend about Muddy toting anybody’s luggage much less the Stones who at that point he would probably not even known about, much less that they were crazy for his music) came back on Sam hard with the facts and figures about how many “lady friends” Muddy had hanging around for his pleasure, including a few times, one at one table and another a few tables away. Of course there were rumors around that Wolf refused any advances by the enraptured females, black and white, in his audiences leading to the charges that he was “light on his feet.”  (Another urban legend since Mrs. Burnet, Wolf’s real last name stayed at home taking care of business in the knowledge that her Chester was working and not working out if you get the drift.)       

A few more whiskies and scotches would surely have Sam and Bart at each other’s throats talking heatedly about whether Hubert Sumelin added more to Wolf’s entourage than Junior Wells’ to Muddy’s. It would be a knock-down, drag-out fight from there. Sam must have wondered on such nights about the monster he had brought forth unto the world. Amen, brother, amen.