*****Mimi’s Glance - With Richard Thompson’s Vincent Black Lightning, 1952 In Mind

*****Mimi’s Glance - With Richard Thompson’s  Vincent Black Lightning, 1952 In Mind

 

 

Mimi’s Glance, Circa 1963

 

 

 

 

Mimi Murphy knew two things, she needed to keep moving, and she was tired, tired as hell of moving, of the need, of the self-impose need, to keep moving ever since that incident five years before, back in 1958, with her seems like an eternity ago sweet long gone motorcycle boy, her “walking daddy,” Pretty James Preston, although he as long as she had known him never walked a step when his “baby,” his bike was within arm’s length. I knew this information, knew this information practically first hand because the usually polite but loner Mimi Murphy had told me her thoughts and the story that went with it one night after she had finished a tough on the feet night working as a cashier at concession stand the Olde Saco Drive-In Theater out on Route One in Olde Saco, Maine.

That night, early morning really, she had passed me going up to her room with a bottle of high-end Scotch, Haig& Haig, showing its label from a brown bag in her hand while I was going down the stairs in the rooming house we lived in on Water Street in Ocean City, a few miles from Olde Saco. A number of people, including Mimi and me, were camped out there in temporary room quarters after the last of the summer touristas had decamped and headed back to New York, or wherever they came from. The cheap off-season rent and the short stay-until-the-next-summer-crowd-showed-up requiring no lease drew us there. Most residents, mostly young and seemingly unattached to any family or work life kept to themselves, private drinkers or druggies (probably not grass since I never smelled the stuff which I had a nose for from youthful smoke-filled dreams while I was there so coke, opium, speed, maybe horse although I saw no obvious needle marks on arms or cold turkey screams either), a couple of low profile good looking young hustling girls, probably just graduating from amateur status and still not jaded “tarts” as my father used to call them, who didn’t bring their work home, guys maybe just out of the service, or between jobs, and so on. I had seen a couple of guys, young guys with horny looks in their eyes, maybe an idea of making a play, making passes at Mimi but thought nothing of it since they also targeted the hustling girls too.

 

Since I had never bothered Mimi, meaning made a pass at her, she must have sensed that being contemporaries, she was twenty-one then and I twenty-two, that maybe she could unburden her travails on a fellow wayward traveler. That no making a pass business by the way due to the fact that slender, no, skinny and flat-chested Irish red-heads with faraway looks like Mimi with no, no apparent, warm bed desires, that year and in those days not being my type after tumbledown broken-hearted youthful years of trying to coax their Irish Catholic rosary bead novena favors to no avail over in the old Little Dublin neighborhood around the Acre in Olde Saco.

 

Whatever she sensed and she was pretty closed-mouth about it when I asked her later she was right about my ability to hear the woes of another wanderer without hassles, and she did as she invited me up into her room with no come hither look (unlike those pretty hustling girls who made a profession of the “come hither look” and gave me a try-out which after proving futile turned into small courtesy smiles when we passed each other). But she showed no fear, no apparent fear, anyway.

After a couple of drinks, maybe three, of that dreamboat scotch that died easy going down  she loosened up, taking her shoes off before sitting down on the couch across from me. For the interested I had been down on my uppers for a while and was drinking strictly rotgut low-shelf liquor store wines and barroom half empty glass left-overs so that stuff was manna from heaven I can still taste now but that is my story and not Mimi’s so I will move on. Here is the gist of what she had to say as I remember it that night:

She started out giving her facts of life facts like that she had grown up around this Podunk town outside of Boston, Adamsville Junction, and had come from a pretty pious Roman Catholic Irish family that had hopes that she (or one of her three younger sisters, but mainly she) might “have the vocation,” meaning be willing, for the Lord, to prison cloister herself up in some nunnery to ease the family’s way into heaven, or some such idea. And she had bought into the idea from about age seven to about fourteen by being the best student, boy or girl, in catechism class on Sunday, queen of the novenas, and pure stuff like that in church and the smartest girl in, successively, Adamsville South Elementary School, Adamsville Central Junior High, and the sophomore class at Adamsville Junction High School.

As she unwound this part of her story I could see where that part was not all that different from what I had encountered in my French-Canadian (mother, nee LeBlanc) Roman Catholic neighborhood over in the Acre in Olde Saco. I could also see, as she loosened up further with an additional drink, that, although she wasn’t beautiful, certain kinds of guys would find her very attractive and would want to get close to her, if she let them. Just the kind of gal I used to go for before I took the pledge against Irish girls with far-away looks, and maybe red hair too.

 

About age fourteen thought after she had gotten her “friend” (her period for those who may be befuddled by this old time term) and started thinking, thinking hard about boys, or rather seeing that they, some of them, were thinking about her and not novenas and textbooks her either she started to get “the itch.” That itch that is the right of passage for every guy on his way to manhood. And girl on her way to womanhood as it turned out but which in the Irish Roman Catholic Adamsville Junction Murphy family neighborhood was kept as a big, dark secret from boys and girls alike.

Around that time, to the consternation of her nun blessed family, she starting dating Jimmy Clancy, a son of the neighborhood and a guy who was attracted to her because she was, well, pure and smart. She never said whether Jimmy had the itch, or if he did how bad, because what she made a point out of was that being Jimmy’s girl while nice, especially when they would go over Adamsville Beach and do a little off-hand petting and watching the ocean, did not cure her itch, not even close. This went on for a couple of years until she was sixteen and really frustrated, not by Jimmy so much as by the taboos and restrictions that had been placed on her life in her straight-jacket household, school and town. (Welcome to the club, sister, your story is legion) No question she was ready to break out, she just didn’t know how.

Then in late 1957 Pretty James Preston came roaring into town. Pretty James, who despite the name, was a tough motorcycle wild boy, man really about twenty-one, who had all, okay most all, of the girls, good girls and bad, wishing and dreaming, maybe having more than a few restless sweaty nights, about riding on back of that strange motorcycle he rode (a Vincent Black Lightning, a bike made in England which would put any Harley hog to shame from rev number one when I looked for information about the beast later, stolen, not by Pretty James but by third parties, from some English with dough guy and transported to America where he got it somehow, the details were very vague about where he got it, not from her, him) and being Pretty James’ girl. One day, as he passed by on his chopper going full-throttle up Hancock Street, Mimi too got the Pretty James itch.

But see it was not like you could just and throw yourself at Pretty James that was not the way he worked, no way. One girl, one girl from a good family who had her sent away after the episode, tried that and was left about thirty miles away, half-naked, after she thought she had made the right moves and was laughed at by Pretty James as he took off with her expensive blouse and skirt flying off his handle-bars as he left her there unmolested but unhinged. That episode went like wildfire through the town, through the Monday morning before school girls’ lav what happened, or didn’t happen, over the weekend talkfest first of all.

No Pretty James’ way was to take, take what he saw, once he saw something worth taking and that was that. Mimi figured she was no dice. Then one night when she and Jimmy Clancy were sitting by the seawall down at the Seal Rock end of the beach starting to do their little “light petting” routine Pretty James came roaring up on his hellish machine and just sat there in front of the pair, saying nothing. But saying everything. Mimi didn’t say a word to Jimmy but just started walking over to the cycle, straddled her legs over back seat saddle and off they went into the night. Later that night her itch was cured, or rather cured for the first time.

Pouring another drink Mimi sighed poor Pretty James and his needs, no his obsessions with that silly motorcycle, that English devil’s machine, that Vincent Black Lightning that caused him more anguish than she did. And she had given him plenty to think about as well before the end. How she tried to get him to settle down a little, just a little, but what was a sixteen-year old girl, pretty new to the love game, totally new, new but not complaining to the sex game, and his well-worn little tricks to get her in the mood, and make her forget the settle down thing. Until the next time she thought about it and brought it up.

Maybe, if you were from around Adamsville way, or maybe just Boston, you had heard about Pretty James, Pretty James Preston and his daring exploits back in about 1957 and 1958. Those got a lot of play in the newspapers for months before the end. Before that bank job, the one where as Mimi said Pretty James used to say all the time, he “cashed his check.” Yes, the big Granite City National Bank branch in Braintree heist that he tried to pull all by himself, with Mimi as stooge look-out. She had set him up for that heist, or so she thought. No, she didn’t ask him to do it but she got him thinking, thinking about settling down just a little and if that was to happen he needed a big score, not the penny ante gas station and mom and pop variety store robberies that kept them in, as he also used to say, “coffee and cakes” but a big payday and then off to Mexico, maybe down Sonora way, and a buy into the respectable and growing drug trade.

And he almost, almost, got away clean that fatal day, that day when she stood across the street, an extra forty-five in her purse just in case he needed it for a final getaway. She never having handled a gun mush less fired one was scared stiff it might go off in that purse although she Pretty James had her in such a state that she would have emptied the damn thing if it would have done any good. But he never made it out the bank door. Some rum brave security guard tried to uphold the honor of his profession and started shooting nicking Pretty James in the shoulder. Pretty James responded with a few quick blasts and felled the copper. That action though slowed down the escape enough for the real coppers to respond and blow Pretty James away. Dead, DOA, done. Her, with a tear, sweet boy Pretty James.

According to the newspapers a tall, slender red-headed girl about sixteen had been seen across the street from the bank just waiting, waiting according to the witness, nervously. The witness had turned her head when she heard the shots from the bank and when she looked back the red-headed girl was gone. And Mimi was gone, maybe an accessory to felony murder or worst charge hanging over her young head, and long gone before the day was out. She grabbed the first bus out of Braintree headed to Boston where eventually she wound up holed up in a high-end whorehouse doing tricks to make some moving on dough. (She mentioned some funny things about that stay, which was not so bad at the time when she needed dough bad, and about strange things guys, young and old, wanted her to do but I will leave that stuff out here.)

And she had been moving ever since, moving and eternally hate moving. Now, for the past few months, she had been working nights as a cashier in the refreshment stand at Olde Saco Drive-In to get another stake to keep moving. She had been tempted, a couple of times, to do a little moon-lighting in a Portland whorehouse that a woman she had worked with at her last job, Fenner’s Department Store, where she modeled clothes for the rich ladies, had told her about to get a quick stake but she was almost as eternally tired at that prospect as in moving once again.

And so Mimi Murphy, a few drinks of high-shelf scotch to fortify her told her story, told it true I think, mostly. A couple of days later I saw her through my room’s window with a suitcase in hand looking for all the world like someone getting ready to move on, move on to be a loner again after maybe an indiscrete airing of her linen in public. Thinking back on it now I wish, I truly wish, that I had been more into slender, no skinny, red-headed Irish girls with faraway looks that season and maybe she would not have had to keep moving, eternally moving.

 

ARTIST: Richard Thompson
 
TITLE: 1952 Vincent Black Lightning
 

Said Red Molly to James that's a fine motorbike

A girl could feel special on any such like

Said James to Red Molly, well my hat's off to you

It's a Vincent Black Lightning, 1952

And I've seen you at the corners and cafes it seems

Red hair and black leather, my favorite color scheme

And he pulled her on behind

And down to Box Hill they did ride

/ A - - - D - / - - - - A - / : / E - D A /

/ E - D A - / Bm - D - / - - - - A - - - /

Said James to Red Molly, here's a ring for your right hand

But I'll tell you in earnest I'm a dangerous man

I've fought with the law since I was seventeen

I robbed many a man to get my Vincent machine

Now I'm 21 years, I might make 22

And I don't mind dying, but for the love of you

And if fate should break my stride

Then I'll give you my Vincent to ride

Come down, come down, Red Molly, called Sergeant McRae

For they've taken young James Adie for armed robbery

Shotgun blast hit his chest, left nothing inside

Oh, come down, Red Molly to his dying bedside

When she came to the hospital, there wasn't much left

He was running out of road, he was running out of breath

But he smiled to see her cry

And said I'll give you my Vincent to ride

Says James, in my opinion, there's nothing in this world

Beats a 52 Vincent and a red headed girl

Now Nortons and Indians and Greeveses won't do

They don't have a soul like a Vincent 52

He reached for her hand and he slipped her the keys

He said I've got no further use for these

I see angels on Ariels in leather and chrome

Swooping down from heaven to carry me home

And he gave her one last kiss and died

Songs To While Away The Class Struggle By- Woody Guthrie's "Pastures Of Plenty"

*Songs To While Away The Class Struggle By- Woody Guthrie's "Pastures Of Plenty"

A “YouTube” film clip of Woody Guthrie's "Pastures Of Plenty".



No, today I am not going to beat you over the head with a screed about how music, in whatever form, is not the revolution. You know that already, and if not life itself should have disabused you of that notion long ago. Music, however, has always had an important place in the history of progressive movements as a way to rouse the troops and keep the faith. I think back to the days of Cromwell’s plebeian New Model Army, singing New Testament psalms, while going off to do battle against England’s King Charles I’s royalist forces that started the whole modern revolutionary movement. Or the songs of the French revolution. Or those of the modern labor movement like “The Internationale”. I could go on, but you get the point.

In this series, presented under the headline “Songs To While Away The Class Struggle By”, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist, although hard communist musicians have historically been scarce on the ground. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here.

Markin comment:

Woody Guthrie had an extraordinary way to take a complex subject like the plight of the 1930s migrant workers and make great musical art out of it. Put this with Steinbeck's "Grapes Of Wrath", the movie of the same title and Dorothea Lange's photographs and you have a very good idea of what the Great Depression of the 1930s meant, and continued to mean to those generations that went through it, like my parent's generation.


Pastures Of Plenty-Woody Guthrie

It's a mighty hard row that my poor hands have hoed
My poor feet have traveled a hot dusty road
Out of your Dust Bowl and Westward we rolled
And your deserts were hot and your mountains were cold

I worked in your orchards of peaches and prunes
I slept on the ground in the light of the moon
On the edge of the city you'll see us and then
We come with the dust and we go with the wind

California, Arizona, I harvest your crops
Well its North up to Oregon to gather your hops
Dig the beets from your ground, cut the grapes from your vine
To set on your table your light sparkling wine

Green pastures of plenty from dry desert ground
From the Grand Coulee Dam where the waters run down
Every state in the Union us migrants have been
We'll work in this fight and we'll fight till we win

It's always we rambled, that river and I
All along your green valley, I will work till I die
My land I'll defend with my life if it be
Cause my pastures of plenty must always be free

In Folklorist Harry Smith’s House-"Way Down The Old Plank Road" — Uncle Dave Macon (1926)

In Folklorist Harry Smith’s House-"Way Down The Old Plank Road" — Uncle Dave Macon (1926)

This  has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.



Way Down the Old Plank Road


I'd rather be in Richmond in all the hail and rain
Then to be in Georgia, boys, wearing that ball and chain

Chorus
Won't get drunk no more
Won't get drunk no more
Won't get drunk no more
Way down the old plank road

I went down to Mobile to get on the gravel train
Very next thing they heard of me, had on the ball and chain

Doney, oh dear Doney, what makes you treat me so
Caused me to wear the ball and chain and now my ankles sore

Knoxville is a pretty place, Memphis is a beauty
If you want to see them pretty girls, now hop to Chattanoogie

I'm going to build me a scaffold on the mountain high
So I can see my pretty girl as she goes riding by

My wife died a Friday night, Saturday she was buried
Sunday was my courting day, and Monday I got married

Eighteen pounds of meat a week, whiskey here to sell
How can a young man stay at home, pretty girls look so well


Listen to this song


This Song Clip was recorded in the key of G. (Click below to play.)



A song from the Mountain Music for Everyone Song Collection from the ToneWay Project. Our website has lyrics to nearly 400 traditional songs common in bluegrass and old-time circles. Most songs also include a free MP3 recording that you can listen to. The ToneWay Project also offers songbooks, CDs, and resources for learning to play music by ear. http://ToneWay.com
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Songs Of The Old Sod- The Traditional Irish Singer/Storyteller Joe Heaney

Songs Of The Old Sod- The Traditional Irish Singer/Storyteller Joe Heaney

A "YouTube" film clip of Irish singer/storyteller Joe Heaney performing "Cunla".



CD Review

The Road From Connemara: As Told To Peggy Seeger and Ewan MacColl, Joe Heaney, Topic Records, 2002



Over the past couple of years I have spilled plenty of ink harking back to the American side of the folk revival movement of the early 1960s in which a whole generation it seemed, the generation of my youth, could not get enough of traditional music from many different sources: the mountains of Virginia and Kentucky; the swamps and bayous of Louisiana; the Mississippi delta and the North Carolina piedmont to name a few. And as part of that revival, of course, a renewed interest in songs from the old country, Ireland, which formed the backbone along with England, Scotland and Wales of the core of many trans-Atlantic versions of old time music, especially from the Scotch- Irish who populated those eastern mountain regions.

Furthermore, I have recognized as part of that spilled ink on the subject of the folk revival the names of the Clancy Brothers and Tommy Makem, and to a lesser extent, The Dubliners, as having been pivotal in the renewed interest in Irish music beyond the patented Saint Patrick’s Day classics of “My Wild Irish Rose and “Danny Boy” that were carted out every year on that date, at least here in the American Irish diaspora.

Of course, that input begs the question of where the lads mentioned above got their source music from, and that is where the likes of all-Irish champion a capella singer/storyteller Joe Heaney comes in, via a connection with some familiar names from the American folk scene, Peggy Seeger (fame folklorist Pete Seeger’s half-sister) and folk historian and songwriter Ewan MacColl. This compilation of songs and stories is an excellent primer for getting a handle on the music that our grandparents, or great-grandparents, heard and listened to back in the old country.

Moreover some of the songs are sung in Irish (a real treat and the source of some of Heaney’s best renditions on this compilation). There are songs of love, young and old, misused and abused love, laments for lost and couldn’t be love. Also the British occupation and what it did to the formation of the Irish psyche and the national liberation struggle as it was brought to fruition. Heaney does a great job as well of telling the stories behind many of the songs. So if you are a little behind in your knowledge of the Irish folk tradition, the real tradition, here is a way to catch up fast.

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!- In Memory Of The Omaha Three’s -Mondo We Langa, We (David Rice)

*In Honor Of Our Class-War Prisoners- Free All The Class-War Prisoners!- In Memory Of The Omaha Three’s -Mondo We Langa,  (David Rice)

 

http://www.thejerichomovement.com/prisoners.html

 

A link above to more information about the class-war prisoner honored in this entry.

Make June Class-War Prisoners Freedom Month

Markin comment (reposted from 2010)

In “surfing” the National Jericho Movement Website recently in order to find out more, if possible, about class- war prisoner and 1960s radical, Marilyn Buck, whom I had read about in a The Rag Blog post I linked to the Jericho list of class war prisoners. I found Marilyn Buck listed there but also others, some of whose cases, like that of the “voice of the voiceless” Pennsylvania death row prisoner, Mumia Abu-Jamal, are well-known and others who seemingly have languished in obscurity. All of the cases, at least from the information that I could glean from the site, seemed compelling. And all seemed worthy of far more publicity and of a more public fight for their freedom.

That last notion set me to the task at hand. Readers of this space know that I am a longtime supporter of the Partisan Defense Committee, a class struggle, non-sectarian legal and social defense organization which supports class war prisoners as part of the process of advancing the international working class’ struggle for socialism. In that spirit I am honoring the class war prisoners on the National Jericho Movement list this June as the start of what I hope will be an on-going attempt by all serious leftist militants to do their duty- fighting for freedom for these brothers and sisters. We will fight out our political differences and disagreements as a separate matter. What matters here and now is the old Wobblie (IWW) slogan - An injury to one is an injury to all.

Note: This list, right now, is composed of class-war prisoners held in American detention. If others are likewise incarcerated that are not listed here feel free to leave information on their cases in the comment section. Likewise any cases, internationally, that come to your attention. I am sure there are many, many such cases out there. Make this June, and every June, a Class-War Prisoners Freedom Month- Free All Class-War Prisoners Now!

LANGA, MONDO WE (DAVID RICE)

*In Folklorist Harry Smith’s House-"Way Down The Old Plank Road" — Uncle Dave Macon (1926)

In Folklorist Harry Smith’s House-"Way Down The Old Plank Road" — Uncle Dave Macon (1926)


The year 2009 has turned into something a year of review of the folk revival of the 1960s. In November I featured a posting of many of the episodes (via “YouTube”) of Pete Seeger’s classic folk television show from the 1960s, “Rainbow Quest”. I propose to do the same here to end out the year with as many of the selections from Harry Smith’s seminal “Anthology Of American Folk Music,” in one place, as I was able to find material for, either lyrics or "YouTube" performances (not necessarily by the original performer). This is down at the roots, for sure.



Way Down the Old Plank Road


I'd rather be in Richmond in all the hail and rain
Then to be in Georgia, boys, wearing that ball and chain

Chorus
Won't get drunk no more
Won't get drunk no more
Won't get drunk no more
Way down the old plank road

I went down to Mobile to get on the gravel train
Very next thing they heard of me, had on the ball and chain

Doney, oh dear Doney, what makes you treat me so
Caused me to wear the ball and chain and now my ankles sore

Knoxville is a pretty place, Memphis is a beauty
If you want to see them pretty girls, now hop to Chattanoogie

I'm going to build me a scaffold on the mountain high
So I can see my pretty girl as she goes riding by

My wife died a Friday night, Saturday she was buried
Sunday was my courting day, and Monday I got married

Eighteen pounds of meat a week, whiskey here to sell
How can a young man stay at home, pretty girls look so well
.Listen to this song
This Song Clip was recorded in the key of G. (Click below to play.)



A song from the Mountain Music for Everyone Song Collection from the ToneWay Project. Our website has lyrics to nearly 400 traditional songs common in bluegrass and old-time circles. Most songs also include a free MP3 recording that you can listen to. The ToneWay Project also offers songbooks, CDs, and resources for learning to play music by ear. http://ToneWay.com
--------------------------------------------------------------------------------

Out In The Be-Bop 2000s Night- Desperately Seeking... An Idea

Out In The Be-Bop 2000s Night- Desperately Seeking... An Idea

By Sam Lowell 

One night in the Spring of 2015 Josh Breslin mentioned to an old friend of his, Bart Webber, met out on the West Coast during the gold rush days of the summer of love in 1967 where a lot of the old social conventions were breaking loose and where they had met under the auspices of Pete Markin, that he had lost the beat, lost the music of writing that had carried him through most of his life. Josh, from down in North Adamsville in Massachusetts, had met and become fast friends with Markin, from Olde Saco up in Maine(everybody in those days who ran into Markin called him “the Scribe,” but for simplicity’s sake the surname Markin will be adequate here), partially because they had both sensed by very different means that something new was in the air and they had both been deeply influenced by the beat in their respective heads culled from grabbing onto the late 1950s “beat” beat that was fading somewhat even then but which drove their thoughts. Although Markin wound up fated to a very bad end down in Mexico in a dusty back alley in Sonora after a busted drug deal went awry he, and Josh also, were crazy to write, write based on that beat in their heads that provided the fuel to push out drivel, a lot of it embarrassingly done under the influence of heavy drugs, as well as star-quality material.

That lost beat is what Josh was referring to when he mentioned his dilemma to Bart. It had been the loss of that beat, the rhythm that had finally made him retire from writing for the various journals and small press publications that had sustained him over the decades. Paid the bills too. He had actually begun to notice the fall-off in the latter part of the first decade of this century when he found himself repeatedly retailing the same story lines that had animated him early in his career. Found himself writing, almost automatic writing like he was in a bell jar. Worse, worst of all was that he would take assignments just for the dough, just to pay into some college tuition fee from one or more of his brood of children from his three failed marriages. Never a good sign however worthy the kids were of his largesse. The situation got so bad by about 2009, 2010 that, thanks to the Internet, thanks to a circle of bloggers whom he broke bread with on-line, he actually had placed an ad in many social media outlets seeking, desperately seeking, some new ideas, almost any new ideas to write about. A few of those ideas thrown at him in responses which pulled him through for a while need not detain us here. Unfortunately more recently in his post-working life splendor he has run into the same worthless abyss. He is now preparing a new plea to all-comers for help, desperate help. He thought though that he would share with Bart what he had written previously and of course Bart felt it incumbent to show the world what happens when a guy, a guy who in his time had a million ideas, runs dry.        

******

From The Pen Of Josh Breslin (Why he adheres to that designation, that “from the pen” designation in the age of the word processor and computer when nobody, no serious writer, can write with a pen under penalty of extinction nobody knows-S.L.)         

Yah, I know I switched up on you. Usually when I write about the be-bop night, at least the times of my schoolboy “high-tide” feverish, mad monk-driven be-bop nights it is either the mid to late 1950s when I first got the itch, the wandering idea itch, or the early 1960s when I shared those be-bop nights with Frankie, Frankie, king of the be-bop schoolboy night in our old beat-down, beat-up, beat seven ways to Sunday, beatified, North Adamsville working class neighborhood. Certainly be-bop times don’t extend later than the late 1960s and the hitchhike highway road, a separate highway story road, but on this one I have to extend forward to the new millennium to make my pitch. So hear me out, will you.

******

Desperately seeking…

an idea. I will keep this short and sweet. I have to admit to failure, abject failure, utter failure, despairing failure, and twelve other forms of it, in my efforts to keep up a steady drumbeat of commentaries about the old days at North Adamsville High School (many of which, mercifully, have been relegated to the recycle bin, trash barrel, deep freeze space or other designated welcoming cyberspace disposal sites). Failure, do you hear me? Why? I foolishly, again, again meaning here when one of my projects does not turn out right that is the characterization they deserve, believed that my commentaries would act as a catalyst and draw Class of 1967 classmates, other former students at North Adamsville and an odd denizen from the deep, out. Hell, even an off-hand straggler from fiendish cross-town arch rival blue and white Adamsville would be given a hero’s welcome.

What I was really thinking though when I put out my plea was, maybe, some long lost comrades of the schoolboy night like hang-around guys in front of Harry’s Variety (where the white-tee-shirt, blue-jeaned, engineer-booted, cigarette-smoking, unfiltered of course, sneering, soda-swilling, Coke, natch, pinball wizards held forth daily and nightly, and let me cadge a few odd games when they had more important business, more important girl business, to attend to)would find their voices. Maybe they could tell, finally tell, the secret swaying of the hips, just so not too much left or right, that got them all those extra games, and the girls, fast girls too. Or the gang around Doc’s Drugstore ( a place where all the neighborhood boys, all the sixteen year old boys, and maybe some girls too, all the plaid-shirted, black-chino-ed, “cool”, max daddies came of drinking age, from Doc's shelves, for medicinal purposes of course). They could tell of magic elixirs from rums and raw whiskey, and confess, yes, confess that that whisky taste was nasty.

Or, even holy of holies, Salducci’s Pizza Parlor up the Downs when Frankie, Francis Xavier Riley, was king of night (and a few days too) and I was his lord chamberlain. Maybe tell of some pizza dough secrets, or how to snag a girl with just the right jukebox combination when dough was short and you were lonely. But no, no one came forth to spew their whitewashed stories almost a half a century later. Probably, on some of the stuff, some of the kiddish schoolboy night stuff, they didn’t realize the statute of limitations had run out, and had run out long ago. But that’s not my problem.

At some point I figured out that this was not to be the case that those phantoms had lost their voices or preferred snickered quietude, and I resolved to push on anyway at the whim of whatever demons were driving me on. Fierce demon, raider red bleeding demons, to speak out of gone-by days. I was going along fine until I realized and the readers, or at least a few readers, tipped me to this hard fact of literary life. I was recycling the same basic story just in little different guises. You know teen alienation, teen angst, teen love, teen hate, and teen lost themes. And girl less-ness, or too many girl-ness, or wanna be such. Same, ditto, Xerox. Praise be king trash barrel of the dark, dark just before the dawn night. And quick click fingers.

Now, frankly, and this is the core of my plea, I have run out of ideas. A recent re-reading of some of my commentaries has rubbed my face in that hard fact. Two themes, one mentioned above, in various guises have emerged; no, have jumped from the page at me, from the work- the 'tragic' effects of my growing up poor in the land of plenty in the 1950s be-bop working class night and that usual teenage longing for companionship and romance. Gee, those ideas have never been the subject of literary efforts before, right?

Okay, okay nobody asked me to volunteer to be the unpaid, self-appointed voice of the Class of 1967 to the world, to the candid be-bop world from whence I came, and so I have only myself to blame. I swear I will get into a twelve-step program for the nostalgically-challenged just the minute I get out of the rehab program for political junkies. But in the meantime-help, or else. And what might that or else threat mean? I am desperate enough to steal someone else's thunder from the general North Adamsville High Message Board that I have been peppering with my ravings. Do you really want to hear me on the subject of Squaw Rock or other seamy, steamy tales of the seashore "submarine" night? And name names. Or, how nasty some of our teachers were? Ditto on the names. Yawn. Or the kinky, perverted, long-suppressed dark side of the North Adamsville High School Band and what they did with those seemingly innocent instruments? Or ........have me go into back into that dreaded Recycle Bin and dust off some of those rejects? Think about it. Send an idea-quick.

******

P.S. Someone has suggested a comparison or contrast between Elvis and Jerry Lee Lewis along the lines of Rolling Stones/Beatles (Class of 1967-Stones or Beatles) or Brenda Lee/Patsy Cline (Battle of The Sexes-Round 235) commentaries that I had done earlier this year. This does not count as a new idea though as that goes to the old lonely nights and girl-less days theme that we are trying to move away from just before that twelve step night.

Of course, Jerry Lee was better than Elvis-that's a no-brainer. But it is an idea that would have found its way into these pages on its own. Meanwhile how about some North Adamsville idea? I am ready to start writing about President John Adams, his wife Abigail, his son John Quincy, his grandson, Charles Francis, his great grandson, Henry and unto the nth generation if nothing better comes along. And believe me, Adamsville born and bred, I have all the dirt on those guys and their dolls. You have been forewarned.

*****The Promise of a Socialist Society

*****The Promise of a Socialist Society

(Quote of the Week)

 

Workers Vanguard No. 1025	3    1 May 2013

TROTSKY

LENIN

The Promise of a Socialist Society

(Quote of the Week)

In the selection below, Friedrich Engels makes plain how proletarian revolution opens the road to an emancipated future in which the productive powers of humanity are unleashed for the benefit of all mankind.

Their political and intellectual bankruptcy is scarcely any longer a secret to the bourgeoisie themselves. Their economic bankruptcy recurs regularly every ten years. In every crisis, society is suffocated beneath the weight of its own productive forces and products, which it cannot use, and stands helpless face to face with the absurd contradiction that the producers have nothing to consume, because consumers are wanting. The expansive force of the means of production bursts the bonds that the capitalist mode of production had imposed upon them.

Their deliverance from these bonds is the one precondition for an unbroken, constantly accelerated development of the productive forces, and therewith for a practically unlimited increase of production itself....

With the seizing of the means of production by society, production of commodities is done away with, and, simultaneously, the mastery of the product over the producer. Anarchy in social production is replaced by systematic, definite organisation. The struggle for individual existence disappears.... Man’s own social organisation, hitherto confronting him as a necessity imposed by nature and history, now becomes the result of his own free action. The extraneous objective forces that have hitherto governed history pass under the control of man himself. Only from that time will man himself, with full consciousness, make his own history—only from that time will the social causes set in movement by him have, in the main and in a constantly growing measure, the results intended by him. It is humanity’s leap from the kingdom of necessity to the kingdom of freedom.

To accomplish this act of universal emancipation is the historical mission of the modern proletariat. To thoroughly comprehend the historical conditions and thus the very nature of this act, to impart to the now oppressed class a full knowledge of the conditions and of the meaning of the momentous act it is called upon to accomplish, this is the task of the theoretical expression of the proletarian movement, scientific socialism.

—Friedrich Engels, Anti-Dühring (1878)

 

As Isaac Deutscher said in his speech “On Socialist Man” (1966):

“We do not maintain that socialism is going to solve all predicaments of the human race. We are struggling in the first instance with the predicaments that are of man’s making and that man can resolve. May I remind you that Trotsky, for instance, speaks of three basic tragedies—hunger, sex and death—besetting man. Hunger is the enemy that Marxism and the modern labour movement have taken on.... Yes, socialist man will still be pursued by sex and death; but we are convinced that he will be better equipped than we are to cope even with these.” 

Emblazon on our red banner-Labor and the oppressed must rule!

 
Here is  good reason why: 

Late one night in 2014 Ralph Morris and Sam Eaton had been sitting at a bar in Boston, Jack Higgin’s Grille, down a few streets from the financial district toward Quincy Market talking about various experiences, political experiences in their lives, as they were wont to do these days since they were both mostly retired. Ralph having turned over the day to day operation of his specialty electronics shop in Troy, New York to his youngest son as he in his turn had taken over from his father Ralph, Sr. when he had retired in 1991 (the eldest son, Ralph III, had opted for a career as a software engineer for General Electric still a force in the local economy although not nearly as powerful as when Ralph was young and it had been the largest private employer in the Tri-City area) and Sam had sold off his small print shop business in Carver down about thirty miles south of Boston to a large copying company when he had finally seen a few years before the writing on the wall that the day of the small specialty print shop specializing in silk-screening and other odd job methods of reproduction was done for.

So they had time for remembrances back to the days in the early 1970s when they had first met and had caught the tail-end of the big splash 1960s political and social explosion that stirred significant elements of their generation, “the generation of ’68” so-called by Sam’s friend from New York City Fritz Jasper although neither of them had been involved in any of the cataclysmic events that had occurred in America (and the world) that year. Occasionally Ralph would come to Boston on trips and Sam would return the favor by going out to Albany (or more frequently to Saratoga Springs where he, they could see who from the old days, the old folk minute of the early 1960s that Sam had been very interested in when he started to hang around Cambridge later in the decade, was still alive enough to be playing at the famous coffeehouse still going from the 1960s, the Café Lena, minus Lena for quite a while now).         

The conversation that night in 2014 got going after the usual few whiskey and sodas to fortify them have been pushed in the direction of what ever happened to that socialist vision that had driven some of their early radical political work together. The specific reason for that question coming up that night had been that Sam had asked Ralph a few weeks before to write up a little remembrance of when he first heard the socialist-anarchist-communist-radical labor militant international working class anthem, the Internationale for Fritz Jasper’s blog, American Protest Music. Sam had noted that Ralph with a certain sorrow had stated that he no longer had occasion to sing the song. Moreover one of the reasons for that absence was despite his and Sam’s continued "good old cause" left-wing political activism socialism as a solution to humankind’s impasses was deeply out of favor (that activism as Ralph mentioned to Sam on more than one occasion considerably shortened these days from the old frenzied 24/7 desperate struggles around trying to unsuccessfully end the Vietnam War from the American side by getting the government to stop the damn thing although the Vietnamese liberation forces had in the end and at great cost no trouble in doing so).

 

People, radical intellectuals and thoughtful working stiffs alike, no longer for the most part had that socialist goal on their radar, didn’t see a way out of the malaise through that route. Had backed off considerably from that prospective since the demise of the Soviet Union and its satellites if not before and despite the obvious failure of capitalist society to any longer put a dent in the vast inequalities and injustices, their suffered inequalities and injustices, in the world. Sam had had to agree to that sad statement, had to agree that they in effect too had abandoned that goal in their own lives for all practical purposes even though they had been driven by that vision for a while once they got “religion” in the old days in the early 1970s, once they saw that the anti-war struggle that animated their first efforts was not going to get the war-makers to stop making war, or do anything else of human good.

Maybe it was the booze, maybe it was growing older and more reflective, maybe Ralph’s comments had stirred up some sense of guilt for losing the hard edge of their youthful dreams but that night Sam wanted to press the issue of what that socialist prospective meant, what they thought it was all about (both agreed in passing, almost as an afterthought that what happened, what passed for socialism in the Soviet Union and elsewhere was NOT what they were dreaming of although they gave "Third World" liberation struggles against imperialism like in Vietnam and Cuba  dependent on Soviet aid plenty of wiggle room to make mistakes and still retain their support).        

Both men during the course of their conversation commented on the fact that no way, no way in hell, if it had not been for the explosive events of the 1960s, of the war and later a bunch of social issues, mainly third world liberation struggles internationally and the black liberation struggles at home they would not even be having the conversation they were having (both also chuckling a little at using the old time terms, especially the use of “struggle” and “question,” for example the  black, gay, women question since lately they had noticed that younger activist no longer spoke in such terms but the more ephemeral “white privilege,” “patriarchy,”  “gender” reflecting the identity politics that have been in fashion for a long time now, since the ebb flow of the 1960s and which partially caused that ebbing). 

No, nothing in the sweet young lives of Samuel Eaton to the Carver cranberry bog capital of world (then) working-class born (his father a bogger himself when they needed extra help) and Ralph Morris, Junior to the Troy General Electric plants-dominated working class born would have in say 1967, maybe later, projected that almost fifty years later they would be fitfully and regretfully speaking about their visions of socialism and it demise as a world driving force for social change. 

Ralph and Sam had imbibed all the standard identifiable working-class prejudices against reds, some more widespread among the general population of the times, you know, like the big red scare Cold War “your mommy is a commie, turn her in,” the Russians are coming get under the desk and hold onto your head,  anybody to the left of Grandpa Ike, maybe even him, communist dupes of Joe Stalin and his progeny who pulled the strings from Moscow and made everybody jumpy; against blacks (Ralph had stood there right next to his father, Ralph, Sr., when he led the physical opposition to blacks moving into the Tappan Street section of town and had nothing, along with him and his corner boys at Van Patten’s Drugstore, but the “n” word to call black people sometimes to their faces and Sam’s father was not much better, a southerner from hillbilly country down in Appalachia who had been stationed in Hingham at the end of World War II and stayed, who never could until his dying breathe call blacks anything but the “n” word); against gays and lesbians (Ralph and his boys mercilessly fag and dyke baiting them whenever the guys and he went to Saratoga Springs where those creeps spent their summers doing whatever nasty things they did to each other and Sam likewise down in Provincetown with his boys, he helping, beating up some poor guy in a back alley after one of them had made a false pass at the guy, Jesus; against uppity women, servile, domestic child-producing women like his good old mother and wanna-bes were okay as were “easy” girls ready to toot their whistles, which they had only gotten beaten out of them when they ran into their respective wives who had both been influenced by the women’s liberation movement although truth to tell those wives were not especially political, but rather artistic.  Native Americans didn’t even rate a nod since they were not on the radar, were written off in any case as fodder for cowboys and soldiers in blue. But mainly they had been red, white and blue American patriotic guys who really did have ice picks for anybody who thought they would like to tread on old Uncle Sam (who had been “invented” around Ralph’s hometown way).       

See Ralph, Sam too for that matter, had joined the anti-war movement for personal reasons at first reasons which had to do a lot with ending the war in Vietnam and not a lot about “changing the whole freaking world” (Ralph’s term). Certainly not creeping around the fringes of socialism before the 1960s ebbed and they had to look to the long haul. Ralph’s story is a little bit amazing, see, he had served in the military, served in the Army, in Vietnam, had been drafted in early 1967 while he was working in his father’s electrical shop and to avoid being “cannon fodder” as anybody could see what was happening to drafted as infantry guys he had enlisted (three years against the draft’s two) with the expectation of getting something in the electrical field as a job, something useful. But in 1967, 1968 what Uncle needed, desperately needed as General Westmoreland called for more troops, was more grunts to flush out Charlie and so Ralph wound up with a unit in the Central Highlands, up in the bush trying to kill every commie he could get his hands on just like the General wanted. He had even extended his tour to eighteen months to get out a little early from his enlistment not so much that he was gung-ho but because he had become fed up with what the war had done to him, what he had had to do to survive, what his buddies had had to do to survive and what the American government had turned them all into, nothing but animals, nothing more, as he told everybody who would listen.

 

When he was discharged in late 1969 he wound up joining the Vietnam Veterans Against the War (VVAW), the main anti-war veterans group at the time and a real indication even today of how unpopular that war was when the guys, mostly guys then, rose up against the slaughter, taking part in a lot of their actions around Albany and New York City mainly.

Sam as he recalled how he and Ralph had met in Washington had remembered that Ralph had first noticed that he was wearing a VVAW supporter button and Ralph had asked if he had been in ‘Nam. Sam, a little sheepishly, explained that he had been exempted from military duty since he was the sole support for his mother and four younger sisters after his father had passed away of a massive heart attack in 1965. (He had gone to work in Mister Snyder’s print shop where he had learned enough about the printing business to later open his own shop after he settled down when the 1960s ebbed and people started heading back to “normal.”) He then told Ralph the reason that he had joined the anti-war movement after years of relative indifference since he was not involved had been that his closest high school friend, Jeff Mullins, had been blown away in the Central Highlands and that made him question what was going on. Jeff, like them had been as red, white and blue as any guy, had written him in Vietnam though that the place, the situation that he found himself in was more than he bargained for, and that if he didn’t make it back for Sam to tell people, everybody he could what was really going on. Then with just a few months to go he was blown away near some village that Sam could not spell or pronounce correctly even all these many years later. Jeff had not only been Sam’s best friend but was as straight a guy as you could meet, and had gotten Sam out of more than a few scrapes, a few illegal scrapes that could have got him before some judge. So that was how Sam got “religion,” not through some intellectual or rational argument about the theories of war but because his friend had been blown away, blown away for no good reason as far as that went.  

At first Sam had worked with Quakers and other pacifist types because he knew they were in Cambridge where he found himself hanging out more and more trying to connect with the happenings that were splitting his generation to hell and back. They got him doing acts of civil disobedience at draft boards, including the Carver Draft Board on Allan Road the place where Jeff had been drafted from (and which created no little turmoil and threats among the neighbors who were still plenty patriotic at that point, his mother and sisters took some of the fire as well), military bases and recruiting stations to try to get the word out to kids who might get hoodwinked in joining up in the slaughter. As the war dragged on though he started going to Cambridge meetings where more radical elements were trying to figure out actions that might stop the damn war cold and that appealed to him more than the “assuming the government was rational and would listen to reason” protest actions of those “gentile little old ladies in tennis sneakers.”

1971 though, May Day 1971 to be exact is, where these two stories, two very different stories with the same theme joined together. Sam at that point in 1971 was like Ralph just trying to get the war ended, maybe help out the Panthers a little but before May Day had no grandiose ideas about changing the “whole freaking world.” Sam had come down to Washington with a group of Cambridge radicals and “reds” to do what he could to shut down the war. They met on the bizarre football field at RFK Stadium which was the main holding area for the thousands of people arrested that day (and throughout the week)

So May Day was a watershed for both men, both sensing that even to end the war would take much more, and many more people, than they had previously expected. Ralph, in particular, had been carried away with the notion that what he and his fellow veterans who were going to try to symbolically close down the Pentagon were doing as veterans would cause the government pause, would make them think twice about any retaliation to guys who had served and seen it all. Ralph got “smart” on that one fast when the National Guard which was defending the Pentagon, or part of it that day, treated them like any Chicago cops at the Democratic Party Convention in 1968, treated them like cops did to any SDS-ers anywhere, and like anybody else who raised their voices against governmental policy in the streets.

They after the fall-out from that event were thus searching for a better way to handle things, a better way to make an impact because those few days of detention in D.C. not only started what would be a lifelong personal friendship but an on-going conversation between them over the next several years about how to bring about the greater social change they sensed was needed before one could even think about stopping wars and stuff like that. Hence the push by Sam toward the study groups led by “red collectives” that were sprouting up then peopled by others who had the same kind of questions which they would join, unjoin and work with, or not work with over the next few years before both men sensed the tide of the rolling 1960s had ebbed. 

Such thoughts even with the cross-fire hells of burned down Vietnam villages melted into the back of his brain crossed his mind when Ralph thought of Marx, Lenin (he, they, were not familiar with Trotsky except he had “bought it” down in Mexico with an icepick from some assassin), Joe Stalin, Red Square, Moscow and commie dupes. Sam had not been far behind in his own youthful prejudices as he told Ralph one night after a class and they were tossing down a few at Jack’s before heading home.

And the Marxism did not come easy, the theory part, maybe for Ralph a little more than Sam who had taken junior college night classes to bolster the small print shop he had built from nothing after Mister Snyder moved his operation to Quincy to be nearer his main client, State Street Bank and Trust (although for long periods his old Carver friend, Jack Callahan, managed the place when Sam was off on his campaigns). They got that the working-class, their class, should rule and be done with inequalities of all kinds but the idea of a revolution, or more importantly, a working class party which was on everybody’s mind in those days to lead that revolution seemed, well, utopian. The economic theory behind Marxism, that impossible to read Das Capital and historical materialism as a philosophy were books sealed with seven seals for them both. Nevertheless for a few years, say until 1975, 1976 when the tide really had ebbed for anybody who wanted to see they hung around with the local “reds,” mostly those interested in third world liberation struggles and political prisoner defense work. Those were really the earnest “socialist years” although if you had asked them for a model of what their socialism looked like they probably would have pointed to Cuba which seemed fresher than the stodgy old Soviet Union with their Brezhnev bureaucrats.

After that time while they would periodically read the left press and participate any time somebody, some group needed bodies for a rally, demonstration, some street action they would be there in their respective hometowns that they had both eventually filtered back to. Then 2002 came and the endless wars in Afghanistan, Iraq and seemingly a million other places drove them to drop their “armed truce” (Sam’s term picked up by Ralph) with society and return to the streets , return with an almost youthful vengeance. They would see young people at the rallies hocking their little Marxist papers, maybe buy one to read at home but that flame that had caused them to join study groups, to work with Marxist-oriented “red collectives,” to read books that were hard to fathom had passed, had passed just as socialism as a way to end humankind’s impasses had fallen out of favor once the Soviet Union and its satellites had gone up in a puff of smoke. Sam thought one time that maybe those earnest kids with their wafer-thin newspapers will study the classics and make more sense out of them than Sam and Ralph could. As for Sam and Ralph they would now just keep showing up to support the “good old cause.”