Saturday, July 09, 2016

*****Out In The 1960s Corner Boy Be-Bop Night-With Jersey Boys In Mind

*****Out In The 1960s Corner Boy Be-Bop Night-With Jersey Boys In Mind   

 

From The Pen Of Sam Lowell 

 

Frank Jackman’s old friend Jack Dawson, his old friend from corner boy days starting in the fifth grade down in back of the Myles Standish Elementary School in Carver about thirty miles south of Boston in the 1950s, had a while back written a short review about seeing the film Jersey Boys. With the wizardry of modern technology Frank had had the review placed in a blog dedicated to all things retro 1950s and 1960s (two slightly different retros but guys like Frank and Jack squeeze both eras.) Prior to Jack’s viewing the film with his lovely wife, Anna, Frank had told him a summary of the plot-line (and the song playlist) one night when they were having one of their periodic “watering hole” get- togethers to cut up old touches at the Sunnyville Grille in Boston when Frank was in town for a conference. Based on that exchange Jack was determined to see the film. A few days later after seeing the film, seeing how a bunch of “from hunger” working class kids from Jersey (but given the plot-line it could have been lots of places including the “projects” down in Carver where he had come of age), how they made it big, made their fifteen minutes of fame and then some Jack started to think about those old days. About the days when chance had caused him to meet Frank at Myles Standish after his family had moved from Clintonville a few miles away in the summer before fifth grade and the two of them along with a couple of other corner boys, Red Radley and Jimmy Jenkins, in sixth grade created their own (imitative) doo-wop group in an attempt to break out of their youthful jails and gain their own fame (although their standard had not been fifteen minutes but infinity, or when the girls started gathering around, whichever came first).    

What got Jack thinking along those lines was something Frank’s long-time companion, Laura, whom he had seen the film with, had told Frank. She said to him that she had had trouble “getting into” the story line at the beginning because as Frank told Jack before he gave him the details of the film the scenes were far too removed from her own strait-laced middle-class upbringing in Manhattan. Laura did said that she assumed that part of the film’s story line, the part about the furious growing up “from hunger” strivings of the guys who would become the Four Seasons out in the 1950s New Jersey night, had dovetailed with Frank’s experiences in his own youth and as well with the kind of things he have been writing about from that period of late. The kind of things that Frank wrote about after Jack and he discussed various incidents in growing up absurd in the 1950s at their “watering hole” sessions which they initiated after they had then recently rekindled their friendship after many years of going their own ways. Laura had been right about that part, about going back to the mist of time and grabbing some thoughts about how those days had formed Frank, for better or worse, no question. And that feeling got through to Jack as well.

Frank’s had told Jack when he asked why he was writing some many sketches about the past, also placed in retro blogs dedicated to such reflections, that his purpose in writing about the old days had not been to put paid to some ghosts of the past as a lot of guys they knew were interested in doing by physically revisiting growing up hometowns like Josh Breslin going back up to Olde Saco in Maine and getting the wits scared out of him that somebody might recognize him at every turn he made, like brawny Bart Webber going back to Carver to re-flame old sport’s dreams by attending the home football games with other old geezers from his high school, or like one of their other pals, Jimmy Jenkins, who had gone to his (their) fiftieth class reunion at Carver High and came away more depressed than anything since all the old gang, those still walking, talked about was various medical conditions and their grandchildren which left him cold. No, that part was done with this late in the game and the fates had called their shots on that saga already. Moreover Frank said he certainly had not intended to evaluate, Jesus, not to always evaluate, how this or that thing that happened back then turned the great Mandela wheel any particular way but merely to put together some interesting tidbits for Jack, Jimmy, and a couple of other of his later acquaintances Josh and Phil Larkin who were also from the same era when everybody got together at the Sunnyville, or at the Kennebunk Pub up in Maine where Josh lived when they all tired of the city and needed to be washed clean by the ocean spray off the fearsome blue-green Atlantic Ocean. 

Of course lately Jack had begun, feeding off Frank’s tidbits as well as that film, writing sketches about his own musical coming of age time in the late 1950s and early 1960s, the time frame that the Four Seasons had blossomed. Strangely both Frank and Jack agreed that except for the classic doo wop be-bop song, Sherri, they were not fans of the Four Seasons although unlike other groups and singers of the time Jack did not hate their sound. What had perked Jack’s big interest in this film had been the almost chemically pure corner boy aspect, Jersey corner boy aspect, which was not at all unlike his (and Frank’s) Carver corner boy growing up saga.        

In fact at certain points the early story of the guys who formed the core of the original group, Frankie, Tommy and Nick was so very, very similar to parts of Jack’s corner boy experiences that he had to laugh. The options for corner boys, guys who grew up “from hunger” in the working class neighborhoods, usually “the projects,” around the country had those same options mentioned early in the film once they came of age, the Army one way or another many times under some judge’s “trying to make a man out you” threat of the Army or jail, for those who rap sheets were too long to warrant options then just jail or for a guy they knew, Slammer Johnson, who was as tough as they come at age twelve and even older guys, serious corner boys who knew a thing or two about whipsaw chains and brass knuckles, the reformatory, or become famous. Jack knew that part, knew that “wanting habits” hunger that all the young guys in Carver were trying break from, break from when they saw Elvis or Jerry Lee burning stages up and so he and the boys had tried the latter, the fame game, at one point.

It all started in the summer before sixth grade when doo wop was all the craze after Frankie Lymon and the Teenagers had asked the magic question-why do fools fall in love- and drove the song by the same name to the top of the charts. There were other guys groups (doo wop girls’ groups too who were cruising to the top the charts but the Carver guys really weren’t interested in them because there was no way they could get anything to help them break-out from paying attention to girl groups, yeah, foolish guys) that hit it big, the Five Satins, The Dubs, The Chasers, The Be-Bop Boys and a bunch of others, mostly black guys (and an occasional girl mixed in) which they knew were hitting it big from watching American Bandstand in the afternoons after school. Dick Clark and that Bandstand was in elementary school anyway, in elementary school at the time when they were getting hipped to music was mandatory to see who was who in the teenage song firmament, see what guys were wearing, see what dances guys were expected to know how to do, sweaty palms and two left feet not withstanding, and, and what chicks looked cool on the show. That last maybe the biggest draw of all as everybody rushed home after school to catch the show.     

Funny the black group thing was not a big deal, or Jack and the others didn’t think much about it since the only time they saw black people was on television. Jack would never really since a live black person until years later when he ran track and would run against black guys in the big meets up in Boston Garden. Other than grabbing tips, like having the lead singer off to the side, everybody having the same outfit, the harmony guys snapping their fingers to the beat, and staying on beat with the lead singer they had no racial options about the music and they,  meaning mainly Jack at first, figured their niche would be as white guy doo-woppers so they would be working a different street. (Jack and Frank, later in high school, when the civil rights movement was on the television every night practically would get a very rude awaking both within their families and among their fellow students and neighbors when they expressed the slightest sympathy for the black liberation struggle but back in sixth grade there was nothing to it)  That niche was not all thought out in such a refined manner as Jack was now recalling in retrospect but what was thought out was that fame part, thought out big time.   

That summer before sixth grade right after school got out for the summer was when the Myles Standish corner boys’ natural leader, Red Radley, driven to distraction by the notion of fame, got them together around their corner every night to practice. Since there had not been any stores to stand in front of holding up the wall in the “projects” where they lived like in the pictures they had seen on music magazines they looked through up in the main library up in Carver Square their corner had been in back of the Myles Standish Elementary School. On hot summer nights the back was all lit up brightly since the night basketball leagues would be holding forth across the field from the gym entrance where they hung out. So under “the street lights” just like those New York City and Philly street corner guys they sang. Sang the doo-wop craze stuff which Frankie Lymon and the Teenagers had started and which Red following Jack’s lead about the white boy doo-wop niche figured they could cash in on.

For a couple of weeks they practiced like crazy each night, no paying much attention to much else except exchanging fantasies about what kind of suits they would by, how to act when the crush of the crowds came on, what to do with swooning girls, kids’ stuff dream stuff. But mainly the practiced, trying like hell to work a smooth harmonious sound on the material they covered, covered by Frank copying down the lyrics each time a song they wanted to cover came on WMEX the local rock station (fortunately the big hits got played endlessly each cycle so Frank mainly got the words but on few he missed a couple and so they just incorporated what was there) with Red in the lead. Red really did have the best voice, really could project his voice, and Jack thinking back thought Red with some work and breaks could have made a nice career maybe as a lounge act out of his talent.      

That doo wop practice worked, well, worked for what their other purpose was, gathering interesting girls around them. See, a lot of this doo wop jail break out had to do with sexual stirrings, with this cohort of corner boys finally noticing that those shapeless girls from fifth grade class like Cindy, Linda, Bessie, Rosalind (Jack’s favorite), some of them, were starting to get shapes and who the year before had been noting but nuisances but now were, well, interesting. So each night all through that summer as day turned to night Red and the Roosters (nice name, right) crooned, kept working on their timing, and talking about their look, their niche.

At first they were left all by themselves, maybe the older serious basketball players would chuckle as they left the courts, but then one night a couple of girls, girls they knew from class were standing maybe fifty yards away up against a fence not hiding or anything but just kind of listening and swaying back and forth to the songs. (Jack thought the song they were working on was Little Antony and the Imperials Tears On My Pillows, although he would not swear to that. In any case that was the song that got him a dance with Rosalind so maybe he was confusing the two situations.)

A few nights later there would be several girls, including sixth grade girls and one from the other fifth grade class, Lorna who they called Lorna Doone for no particular reason but who was hot, standing at that fence. Jack thought that night if they did a song that all the girls could join in on they might come closer. So they switched up and did the Tune-Weavers’ tear-jerker Happy Birthday Baby everybody knew and was easy to sing. Sang it several times. The girls came running on the excuse that they thought it was somebody’s birthday, somebody who needed consoling. Yeah, it was like that in the innocence boy-girl thing then, probably still is. The summer passed that way with the boy-girl thing working its virginal way through the old neighborhood just like since Adam and Eve time, maybe before. Jack never got to Rosalind then only later after school started and then she moved to another town and that ended his first serious love affair. Frank even with his two left feet got a date for the movies with Bessie, and Jack thought Red (with that mass of red hair), the best looking guy of the bunch from what the girls said but maybe that was just because they wanted get near the lead singer, as always, had gone “steady” with Lorna for a while until Red kind of went off by himself.           

See here is where things broke down. Sure Red and the Roosters could draw the local girls in, girls who, well, had sexual stirrings too but here is what had happened. Their problem was, unlike Frankie and the Four Seasons from the get-go, they really did not have any serious raw musical talent (except Red) and did not as Frankie and his guys did really have a new angle on the music of the times. Moreover Frank’s voice changed about mid-way through sixth and threw everything off (later Jack’s and then Jimmy’s did too but that was after the group broke up). So, sadly, this edition of the corner boys broke up in the summer before junior high. Red was bitter since he more than the rest of them was staking his life, his break-out from the ‘from hungers,” on musical fame.

Red would a little later after they moved on to junior high turn against any musical aspirations, get himself into a new career path, the life of crime, which had Jack and to a lesser extent Frank in its thrall for a while, remember they were from hunger too, before they backed off but it was a close thing, very close. Both of them had been “look-outs” when Red began his “clip” five-fingers discount rampage of the various stores up in Carver Center and Jack had worked with Red one night when they jack-rolled a drunk for fifty bucks. Frank and Jack soon moved away from that business though once they realized it was too much work and they felt too much anguish over what they were doing to make a career out of that life.     

Red would go on to form another corner boy crowd with some older tougher boys who hung around Jimmy Jack’s Diner based on midnight creeps and some of those corner boys later wound up in the Army, a couple dead in Vietnam for their troubles names now etched in black marble down in Washington and on a granite monument on Carver Commons, or in jail (including Billy later who did a nickel’s worth for an armed robbery after he failed to make a half-hearted one more chance career singing alone and who in the end wound up on the short end of a shoot-out with the cops trying to rob a two-bit White Hen down in some godforsaken town in North Carolina after a second nickel stretch for another armed robbery).       

Jack as he thought about Red as he had not done so in a long time, thought about those last parts of the Carver corner boy story, the parts about the fate of the Reds of the world as against the luck of the Four Seasons thought the difference was important because no matter how “from hunger” you are you need the talent and the quirky niche in order to survive in the musical world. Even then as Jack noted in that review he had written and as became apparent as the film unfolded fame is a very close thing. A couple of twists one way or another and the fifteen minutes of fame is up, gone. And fame as Frankie Valli and the boys found out the hard way despite their hard work doesn’t shield you from life’s woes as the break-up of the group, Frankie’s daughter’s death and the financial problems created by “from hunger” Tommy who thought the money would rain in their faces forever attest to. Not an unfamiliar fame story but one worth seeing once again. And telling the Carver corner boys story too.   

[By the way as the film moved on to the performance parts the when the Four Seasons started getting some breaks, got a natural song-writer, and got tight and in synch both Laura and Anna said they did settle in and liked the rest of the film. And why wouldn’t they as children of that time as well the Carver corner boys when they were glued to their transistor radios up in some bedroom listening to the aforementioned Sherri, other like Dawn, Walk Like A Man,  Rag Dog, Big Girls Don’t Cry and all the rest that drove the young girls wild back then.]

*From The Archives Of "Women And Revolution"-Women And The French Revolution

Markin comment:

The following is an article from an archival issue of Women and Revolution, Spring 2001, that may have some historical interest for old "new leftists", perhaps, and well as for younger militants interested in various cultural and social questions that intersect the class struggle. Or for those just interested in a Marxist position on a series of social questions that are thrust upon us by the vagaries of bourgeois society. I will be posting more such articles from the back issues of Women and Revolution during Women's History Month and periodically throughout the year.

************

Women and The French Revolution-Spring 2001

We publish below an edited version of a presentation given by our comrade Susan Adams at a Spartacist League forum to celebrate International Women's Day 2000 in New York City, first published in Workers Vanguard No. 752, 16 February 2001. Susan, who died this February (see obituary, page 2), was a longtime leader of the ICL's French section and maintained an intense commitment to the study of history and culture throughout her years as a communist. These interests were put to particular use in her work as a member of the Editorial Board of Women and Revolution while that journal existed.

International Women's Day originated in March 1908, with a demonstration here in Manhattan by women needle trades workers. They marched to oppose child labor and in favor of the eight-hour day and women's suffrage. March 8 became an international day celebrating the struggle for women's rights. And then on International Women's Day in 1917, right in the middle of World War 190,000 textile workers, many of them women, went on strike in Petrograd (St. Petersburg), the capital of the Russian tsarist empire. They rose up from the very bottom rungs of society, and it was these most oppressed and downtrodden of the proletariat who opened the sluice gates of the revolutionary struggle leading to the October Revolution, where Marx's ideas first took on flesh and blood.

The Soviet state was the dictatorship of the proletariat. It immediately enacted laws making marriage and divorce simple civil procedures, abolishing the category of illegitimacy and all discrimination against homosexuals. It took steps toward replacing women's household drudgery by setting up cafeterias, laundries and childcare centers to allow women to enter productive employment. Under the conditions of extreme poverty and backwardness, those measures could be carried out only on a very limited scale. But they undermined the institution of the family and represented the first steps toward the liberation of women. The collectivized planned economy laid the basis for enormous economic and social progress. Fully integrated into the economy as wage earners, women achieved a degree of economic independence that became so much a matter of course that it was barely noticed by the third generation after the revolution. We fought for unconditional military defense of the Soviet Union against imperialist attack and internal counterrevolution up until the very last barricade.

The great October Russian Revolution has now been undone and its gains destroyed. Surrounded and pounded by the imperialists for seven decades, the Soviet Union was destroyed by capitalist counterrevolution in 1991-92. The responsibility for that lies primarily with the Stalinist bureaucracy which usurped political power from the working class in 1923-24 and betrayed the revolutionary purpose of Lenin and Trotsky's Bolshevik Party and the revolutionary Communist International that they founded. Not the least of the Stalinists' crimes was the glorification of the family and the reversal of many gains for women. We called for a proletarian political revolution to oust the Stalinist bureaucracy and return to the road of Lenin and Trotsky.

In celebrating International Women's Day, we reaffirm that the struggle for women's rights is inextricably linked to revolution and we honor the women fighters through the centuries whose courage and consciousness has often put them in the vanguard of struggles to advance the cause of the oppressed. The Russian Revolution was a proletarian socialist revolution; it overthrew the rule of the capitalists and landlords and placed the working class in power. The Great French Revolution of 1789-94was a bourgeois revolution, the most thorough and deep going of the bourgeois revolutions of the 17th and 18th centuries.

The French Revolution overthrew the rule of the monarchy, the nobility and the landed aristocracy and placed the bourgeoisie in power. It swept Europe with its liberating ideas and its revolutionary reorganization of society. It transformed the population from subjects of the crown to citizens with formal equality. Jews were freed from the ghettos and declared citizens with full rights; slavery was first abolished on the territory of the French nation. It inspired the first successful slave revolt in the colonies, the uprising led by Toussaint L'Ouverture in what became Haiti. And, within the limitations of bourgeois rule, it achieved gains for women that were unparalleled until the time of the Bolshevik Revolution.

Today's capitalist ruling class is unsurpassed in bloody terrorism against working people around the world in defense of its profits and property. As hard as it is to imagine, the ancestors of this bourgeoisie played a historically progressive role then, sweeping away the backwardness, irrationality and inefficiency of the previous feudal system. The leaders of the French Revolution, who represented the most radical sector of the French bourgeoisie, spoke with—and for the most part believed—the words of the Enlightenment, justifying its fight to destroy the nobility as a class and take political power itself as the advent of "liberty, equality and fraternity" for all. They could not, and the majority of them did not intend to, emancipate the lower classes. Nevertheless, something changed in the world.

Particularly since "death of communism" propaganda has filled the bourgeois press and media following the destruction of the Soviet Union, there's been a real attempt to demonize not just the Russian Revolution but any revolution, the French Revolution in particular. The push for retrograde social policies has been historically justified with a virtual flood of books and articles attacking the humanist values of the Enlightenment philosophy which laid the ideological basis for the French Revolution. Today, while the bourgeoisie in its decay disowns the rationalist and democratic values it once espoused, we Trotskyists stand out not only as the party of the Russian Revolution but the champions of the liberating goals of the French Revolution.

Bolshevik leader V. I. Lenin identified with the Jacobins, the radical wing of the French revolutionary bourgeoisie, whose most prominent leaders were Maximilien Robespierre, Jean-Paul Marat and Louis-Antoine de Saint-Just. Lenin wrote that the "essence of Jacobinism" was "the transfer of power to the revolutionary, oppressed class" and that Jacobinism was "one of the highest peaks in the emancipation struggle of an oppressed class." You can better understand why Lenin was inspired by the Jacobins from the following words by Saint-Just: "Those who make a revolution, with half-measures are only digging their own grave."

Women's Oppression and Class Society

In the early 19th century, a French socialist named Charles Fourier carefully studied the French Revolution. He wrote biting, witty and humorous criticism of existing social relations, including working out a whole scheme—kind of nutty but fun and food for thought—for perpetually satisfying sexual relations. Needless to say, he thought sexual monogamy was a curse worse than death. In a famous statement quoted by Karl Marx in his 1845 book The Holy Family, Fourier said:

"The change in a historical epoch can always be determined by women's progress towards freedom, because here, in the relation of woman to man, of the weak to the strong, the victory of human nature over brutality is most evident. The degree of emancipation of woman is the natural measure of general emancipation."

And that quite profound observation guides us today in our understanding of society.

Women's oppression is rooted in the institution of the family and has been a feature of all class societies. At one point before recorded history, it didn't much matter who the father of a child was, since children were largely cared for communally. But then inventions such as agriculture made it possible to produce more than the producers could actually consume. This ability to produce a surplus meant that a leisure class could live off the labor of others and accumulate property. It became important to know who the father of a child was so that he could pass on his property to his own children. Monogamy appeared, making the man dominant and the woman subservient, enslaved.

The family is a key social unit for the maintenance of capitalism. For the capitalists, the family provides the basis for passing on accumulated wealth. And where there is no property to pass on, the family serves to rear the next generation of workers for the capitalists and to inculcate conservative social values. It is the family—and the necessity to control sexual access to the woman to ensure that the man knows who his real heir is—which generates the morality codified in and reinforced by religion. It is the family which throughout a woman's life gives definition to her oppressed state: as daughter, as wife, as mother.

We Marxists fight to rip the means of production out of the hands of the capitalists in order to put them at the service of the needs of the working people that create the wealth. Only then can household drudgery be replaced with socialized child-care, restaurants, laundries and so on. The program of communism is for a classless society in which the family is transcended by superior sexual and social relations which will be free of moral or economic coercion. Our slogan is: "For women's liberation through socialist revolution!"

Marx said that revolution is the locomotive of history. In the Great French Revolution, the women of Paris were often the engineers in that locomotive. I'm going to be talking about the role of thousands of women leaders, military commanders, propagandists and organizers whose role at key junctures of the French Revolution was quite simply decisive. Groups like the Society of Revolutionary Republican Women literally shaped history. Count Mirabeau, one of the major actors in the beginning of the revolution, was an extremely sleazy guy, firmly in favor of a constitutional monarchy, occasionally in the pay of the king. But even he said: "Without women, there is no revolution."

Most histories of the French Revolution concentrate their chief attention on the upper levels of society and the top layers of the plebeian masses. In recent years, a number of French and American women historians have done very interesting and important research into the dusty archives of the revolution in Paris—police reports, newspaper articles. Some of these historians are feminists; that is, they see the fundamental division in society as that between the sexes.

At the time of the revolution, a movement focused specifically on women's rights was in the minority. One person who was what you would call a feminist today, at least as far as I have been able to put together her history, was Olympe de Gouges. In her pamphlet, The Declaration of the Rights of Woman and Female Citizen, written in the fall of 1791, she implicitly called for the vote for women, for a women's assembly and for equal rights with men. She also dedicated her pamphlet to the despised queen Marie Antoinette! De Gouges was not an aristocrat but a butcher's daughter from outside Paris, yet she remained a royalist throughout most of the revolution and was guillotined in November 1793.

Some of the recent analysis by feminist historians feeds right into today's reactionary climate. Taking aim at the French Revolution itself, they claim that the failure of women to secure the right to vote for national parliaments and the suppression of the exclusively women's political clubs during the most radical period of the revolution proves that misogyny triumphed. This view is also promoted in an article in the New York Times Magazine (16 May 1999) called "The Shadow Story of the Millennium: Women." The article states that the French Revolution's "new philosophy of rational natural rights placed all men on an equal footing in regard to citizenship and the law" but adds: "Men of the revolution said that women should stay home and rear their sons to be good citizens."

Let us allow a participant to refute this falsehood. Mere Duchesne was a domestic servant, a cook, who, unlike most domestic servants then, defied her aristocratic masters. She was described in a police report as "the satellite and missionary to all women under Robespierre's orders, a most ferocious woman." The Mere Duchesne newspaper wrote in September 1792:

"In the past, when we wanted to speak, our mouths were shut while we were told very politely, 'You reason like a woman'; almost like a goddamn beast. Oh! Damn! Everything is very different now; we have indeed grown since the Revolution."

"The Columns of French Liberty"

Now I want to go into some detail about the French Rev¬olution itself. A revolution is a monumental military and social battle between classes. The dominant class in any society controls the state—the police, courts, army—which protects its class interests. In modern society there are two fundamental classes: the big capitalists who own the means of production (the mines, factories, etc.) and the workers who own absolutely nothing except their personal effects and are compelled to sell their labor power to the capitalists. At the time of the French Revolution, there were essentially four
classes. The king and the nobility who owned nearly all of the land, the rising bourgeoisie, the peasants (who constituted over 80 percent of the population) and the urban sans culottes. The latter consisted of artisans, who worked either at home or in very small workshops, shopkeepers, day laborers, the poor and unemployed. Those who did manual labor wore loose trousers and were sans—without—the tight silk leggings worn by aristocrats and those imitating them.

A revolution happens when the ruling class can no longer rule as before, and the masses are no longer willing to be ruled in the same way. We're talking about a political crisis in which the rulers falter and which tears the people from the habitual conditions under which they labor and vegetate, awakening even the most backward elements, compelling the people to take stock of themselves and look around. That political crisis was provoked in France by the 1776 American Revolution.

France had taken the side of the American colonies against its perpetual enemy England and so had emerged on the side of the victors, but totally broke. In May 1789, King Louis XVI convened an Estates General—a meeting of representatives of the nobility, the clergy and the non-noble property owners and lawyers (the so-called Third Estate)— at Versailles, where his palace was located, about 12 miles from Paris. He hoped to convince some of them to pay more taxes. But they refused, while every village throughout the country wrote up its grievances to be presented at Versailles. The meeting of the three estates transformed itself into a National Assembly.

It was clear that the king was gathering troops to disperse the National Assembly. The negotiations out at Versailles might have gone on forever, except the Parisian masses took things into their own capable hands and organized to arm themselves, seizing 60,000muskets from armories like the Invalides and the Bastille prison fortress around the city on 14 July 1789. You know of this event as the storming of the Bastille. The freeing of the handful of prisoners was incidental; it was the arms that were the goal. The Paris garrisons had been deeply influenced by revolutionary propaganda following a massacre of rioters in the working-class quarters of Faubourg Saint-Antoine some months earlier. In June, the troops paraded through the streets to shouts of "Long live the Third Estate! We are the soldiers of the nation!"

The king backed down, but the monarchy still had its army and its throne. The bourgeoisie and the aristocracy, mutually hostile classes, were relying on essentially incompatible government institutions, the National Assembly and the royal throne. One or the other would have to go. Either the king (and his many royal cousins and relations by marriage ruling other countries of Europe) would crush the National Assembly or the king would meet up with what came to be known as "Madame la Guillotine."

The weeks following the July 14 events were known as the "Great Fear," the fear that the aristocrats were coming to take the land back and were organizing brigands and robbers and bands of pirates and so forth. So the peasants armed to protect themselves. Then it turned out to be a rumor, but there they were, armed and ready, and being practical sorts, they turned on the landlords' manor houses and made use of the arms that they'd gotten.

The people's representatives, who were deliberating out at Versailles, took note of the insurrection and on August 4 passed laws eliminating feudal privileges, which had been the original issue all summer. The problem was that you had to buy your way out of your feudal duties and pay 25 times your feudal taxes in order to free yourself from them. Most peasants simply ignored that and had been seizing the land all over the country since July 14. They also would burn down the lord's manor house, where the records and the deeds were kept. You know, straightforward and practical.

The next major event is crucial to our understanding of the women's role. It was October and the people of Paris were starving again. October is usually a cold and wet month in Paris. It was indeed raining at 8 a.m. on the morning of 5 October 1789. Thousands of women—eventually some 8,000—had already gathered in front of City Hall. They knew where to find the arms because it was they who had helped store them here after July 14.

The king had allowed the symbol of the revolution—the red-white-and-blue cockade (rosette)—to be trampled underfoot by some foreign troops brought in to protect him and his Austrian queen, Marie Antoinette. The women intended to stop this anti-revolutionary activity and they wanted bread. Huge stores of fine white flour waited at Versailles. They began to walk there. They couldn't get anyone to come with them, but later in the afternoon about 20,000 troops of the National Guard—which had been formed by the bourgeoisie—forced the very reluctant General Lafayette, whom you might know as a hero of the American Revolution, to lead them there. One of the women was Pauline Leon, a chocolate maker, who was later to lead the Society of Revolutionary Republican Women. That day she was armed with a pike, which was known as the people's weapon, because it was so easy to make. You could pull something off the top of a railing and attach it to a good hefty stick. It was said that "the pikes of the people are the columns of French liberty."

This was no protest march—it was a sea of muskets and pikes. The women were determined not to come back without the king and his family. There were still plenty of illusions in the king, but they wanted him under their watchful eye, in Paris. At one point the crowd apparently invaded the palace and was wandering through Marie Antoinette's chambers and some things were getting broken and stepped on and stomped and so forth. One very respectable woman in a velvet hat and cloak turned around and said very haughtily, "Don't do that, we're here to make a point, not to break things." And a woman from the artisan class turned around and said, "My husband was drawn and quartered for stealing a piece of meat." Finally the women demanded that the royal family get into their carriage. Lafayette's troops led the way and the women marched in front carrying on their pikes loaves of fresh, very white bread—the kind reserved for the upper classes—and the heads of two of the king's bodyguards.

The Revolutionary Jacobin Dictatorship

While pretending to be happy with the situation, the king was secretly corresponding with the other royal heads of state and nobles began to emigrate en masse, establishing counterrevolutionary centers outside the country. In June 1791, the king and queen disguised themselves and tried to escape, intending to return with the backing of the Austrian army. But an observant revolutionary recognized them in the town of Varennes, and they were brought back to Paris. This destroyed the people's remaining illusions in the monarchy and triggered an upsurge in revolutionary agitation. But the bourgeoisie, fearing things could get out of hand, sought to maintain the monarchy and clamp down on the mass turmoil. A month after the king's arrest, a petition to abolish the monarchy was being circulated among the crowd on the broad expanse of the Champs de Mars. The National Guard fired on the crowd and many were killed. Commanded by the aristocrat Lafayette, the National Guard had been organized as a force not only against the king but also against the threat that the bourgeoisie had already seen coming from the Parisian working people.

The Champs de Mars massacre marked a split within the bourgeois revolutionary forces. The two main factions that emerged—the Girondins and the Jacobins—represented the same social class, but they were deeply politically divided. The Prussian monarchy and the rest of royal Europe were mobilizing militarily and in April 1792 revolutionary France went to war. The Girondins sought a "negotiated solution" with the reactionary feudal armies combined with concessions to the nobility and the clergy. The Jacobins were ready to make temporary concessions to the hungry urban masses in order to thoroughly vanquish feudal reaction. You could say that the Girondins were the reformist wing and the Jacobins the revolutionary wing of the bourgeoisie.

In June 1792, thousands of armed marchers, including numerous women armed with sabers, paraded through the Assembly in the first of what became known as journees, or days of action. One official observed at the time, "The throne was still standing, but the people were seated on it, took the measure of it." The monarchy was finally overthrown by a second journee on 10 August 1792, when the masses invaded the king's residence at the Tuileries Palace in Paris and imprisoned the royal family.

The war was not going well. Most of the former officers, aristocrats, had emigrated. A government representative appealed for recruits by invoking "the heartbreaking thought that, after all the efforts that have already been made, we might be forced to return to the misery of our former slavery." While the best of the revolutionaries volunteered for the front, they were untrained and assumed to be undisciplined. Most of the new recruits were trades people, artisans and journeymen, not the sons of the bourgeoisie as before. The road to Paris seemed open to the Prussian royal armies.

The king of Prussia expected the French troops to scatter in disarray when his troops moved to drive them out of a strip of land near Valmy in eastern France. But not a man flinched as the French general waved his hat in the air on the point of his sword, shouting "Long live the nation!" The sans-culottes fired straight and repeatedly at the enemy. With a torrential rainstorm some hours later, the armies fell back. The German writer Goethe was present at Valmy, and as he looked out over the battlefield that night he said, "This day and this place open a new era in the history of the world."
He could not have been more prescient. On that day, the Assembly gave way to the Convention, which was elected by universal male suffrage and convoked expressly to give the nation a constitution which codified the overthrow of the king. Also, as we will see, the most progressive marriage and divorce laws until the Bolshevik Revolution were passed on exactly the same day as the victory at Valmy. Five months later, the king was beheaded.

In a third uprising in June 1793, the people of Paris and 80,000 National Guard troops surrounded the Convention and demanded the arrest of the Girondins and a comprehensive program of revolutionary defense of the country. This ushered in the Jacobin revolutionary dictatorship, which irremediably abolished seigneurial (feudal) rights, instituted the price controls (referred to as the "maximum") demanded by the sans-culottes and destroyed the resistance of the feudal order through a reign of revolutionary terror carried out by the Committee of Public Safety.

A month after the foreign troops were driven from France in mid-1794, on July 27 (9 Thermidor in the revolutionary calendar), the conservative wing of the bourgeoisie took the reins of power. The next day Robespierre followed the Grindings to the guillotine. The Thermidorians thought they could do without the alliance with the lower classes. That calculation was proved false, and they were themselves replaced in 1799 in the coup of the 18th Brumaire (November 9) by Napoleon Bonaparte, who subsequently declared himself emperor. But the Jacobin dictatorship had irreversibly consolidated the central achievement of the French Revolution, the rooting out of feudal relations in the countryside.

Marriage, Divorce and Inheritance

As materialists, we understand, as Marx put it, that "Law can never be higher than the economic structure and the cultural development of society conditioned by that structure." The rising capitalist class was firmly committed to the preservation of private property, as indeed it had to be. It was precisely this which staked out the limits of the revolutionary social changes that could be carried out, although the most radical years of the French Revolution went very far indeed.

The family was temporarily undermined in order to serve the needs of the revolution against its enemies, the feudal nobility and Catholic church. This is one demonstration of the fact that social institutions which seem to be immutable, to be "natural" and "eternal," are in fact nothing more than the codification of social relations dictated by the particular economic system that is in place. After the bourgeoisie consolidated its power as the new ruling class, it re-established the constraints of the family. But nothing would ever be the same again. The contradictory reality of the French Revolution—the breathtaking leap in securing individual rights and the strict limits imposed on those rights by the fact that this was a bourgeois and not a socialist revolution—was captured by Karl Marx in The German Ideology:

"The existence of the family is made necessary by its connection with the mode of production, which exists independently of the will of bourgeois society. That it was impossible to do without it was demonstrated in the most striking way during the French Revolution, when for a moment the family was as good as legally abolished."

The feminists who want to dismiss the bourgeois revolution as anti-woman end up echoing those who justify suttee (widow-burning) in India and the imposition of the chador in Iran and Afghanistan as "cultural differences." Where the bourgeois revolution did not triumph, the status of women is qualitatively inferior. It is enough to contrast the condition of women today in West Europe with Afghanistan, groaning under the rule of the Islamic fundamentalist Taliban.

I'll give you a very small example of what it meant to have a society in which a rising, vigorous, productive class—the bourgeoisie—was held in check by outmoded institutions. France was a Catholic country. In 1572, tens of thousands of French Protestants were killed in the St. Bartholomew's Day massacre, and more fled the country. The 1598 Edict of Nantes assured them the free exercise of their religious beliefs, but this was revoked in 1685. Some of the richest merchants were Protestant, but marriages performed by their own pastors were not officially recognized. At the death of a spouse, you would have distant Catholic relatives claiming the inheritance, because legally there was no spouse and the children were illegitimate. Both Protestants and Jews accepted divorce. In 1769, according to James Traer in his Marriage and the Family in Eighteenth-Century France (1980), a respected author advocated permitting divorce on the grounds that "the Protestant nations of northern Europe were enjoying both population growth and prosperity while the Catholic states of southern Europe were suffering from declining population and poverty." But the conservatives always managed to get the law postponed.

Under the Old Regime, women had the right to exactly nothing. The monarchy consistently sought to reinforce, supplement and extend the father's control over the marriage of his children. Women found guilty of adultery were sentenced to public whipping or imprisonment. Women were also put into convents for life for adultery. Marriage was indissoluble—a life sentence. If you were a man, you couldn't marry until you were 30 without your parents' permission. If your family had property, your father could get the king to issue a lettre de cachet, something like an unlimited arrest warrant, and you could be locked up indefinitely. If you married a minor (under the age of 25 for women) without permission, the penalty was death for rape notwithstanding the woman's consent. By the way, actors and actresses couldn't marry either, because their profession was viewed by the church as immoral.

The aristocracy was hardly committed to the sanctity of marriage. It was said at the court of Louis XIV some decades before the revolution that the aristocracy frowned on marital fidelity as being in bad taste, and a German visitor noted, "I know of not a single case of mutual affection and loyalty." I introduce this to make the point that marriage for the upper classes was all about property. Many of the sans-culottes did not marry at all. But in the Paris of the French Revolution, women were still largely dependent on men for economic reasons (whether or not they were legally married).

Much debate and several pieces of draft legislation on marriage and divorce had already been considered by the National Assembly before September 1792. All proposed to make marriage d simple civil affair. However, what stood in the way of this was the Catholic church. Those clergy who refused to swear an oath of loyalty were threatened with deportation. But the Pope forbade it, and a lot did refuse. Though some were deists or free thinkers, the bourgeois deputies in the Assembly had no intention of suppressing religion; they nearly all agreed that some kind of religion was necessary to keep the people pacified. But now they had a big problem on their hands as the village priests became organizers for counterrevolution.

The local priests not only carried out marriage ceremonies, baptisms and funerals, but also recorded them. If these records were in the hands of hostile forces, how could you count the population? You wouldn't even know if you had enough draftees for the army. When in June 1792 the Minister of Justice wrote that the civil war launched by the aristocracy and the church in the Vendee region in southwest France had completely disrupted the keeping of records, one delegate rose to propose that the marriage ceremony be abolished with the cry, "Freedom or death!" So in some ways, the progressive marriage and divorce laws enacted in September the same day as the victory at Valmy were war measures.

The age of adulthood was lowered to 21 and marriage without parental consent was legalized. This was followed by a June 1793 decree that proclaimed the right of illegitimate children to inherit from both their mothers and their fathers. At a stroke, the institution of the family lost one of its main functions as the framework for the transfer of property from one generation to the next. While inheritance rights didn't mean much to those without property, the new laws also tended to legitimize "free unions." For example, soldiers' common-law wives could receive government pensions.

Divorce had not been high on the list of grievances before the revolution, but as the pamphlets flowered, so did the notion that divorce was a necessary right in society. Probably rarely in history had a simple law so delighted the female population. When a certain citizen Bellepaume came to the town hall intending to oppose the divorce demanded by his wife, he found that she had organized "a considerable number of citizens of both sexes, but chiefly women" who pursued him in the corridors, abused him and tore his clothes. In the first year after the divorce law was passed, women
initiated over 70 percent of all divorces. One woman wrote to the Convention:

"The female citizen Govot, a free woman, solemnly comes to give homage to this sacred law of divorce. Yesterday, groaning under the control of a despotic husband, liberty was only an empty word for her. Today, returned to the dignity of an independent woman, she idolizes this beneficial law that breaks ill-matched ties and returns hearts to themselves, to nature, and finally to divine liberty. I offer my country six francs for the expense of war. I add my marriage ring, which was until today the symbol of my slavery."

The Society of Revolutionary Republican Women

The question of women's status in society had been a subject of debate throughout the Enlightenment. The Encyclopedia, published just before the revolution and intended as a compendium of all knowledge, contained four contributions under the category "Women": one in favor of equality, one ambiguous and two against. Even in a very radical work like Mary Wollstonecraft's A Vindication of the Rights of Woman (1792), woman's role as subordinate to man inside the family was not seriously called into question. Wollstonecraft was part of a circle of British radical-democratic revolutionaries who supported the French Revolution against English monarchical reaction, even participating in the French government.

Most of the Enlightenment thinkers and writers concentrated on education for women, and that was about it. Now, this is undeniably a very important question, and it refuted the prevalent idea that women were inferior to men and their brains worked in an inferior way. Only about a third of French women at the time were literate. You'd find them during the revolutionary years at the corner cafe with their glass of red wine, reading or listening to someone else read Robespierre's latest speech. The hunger for knowledge was totally linked to the desire to change society. Before 1777, France had no daily newspaper. Two years later, there were 35 papers and periodicals and by 1789 there were 169. Thousands of political pamphlets rolled off the printing presses.

One of the novels based on the new research published in the last few years has the Enlightenment philosopher Condorcet, who wrote very eloquently about women's rights, and his lovely young wife enjoying long mornings reading a bit of Voltaire or the equivalent of the Sunday New York Times in bed with their cafe au lait, making love, and then getting up in the afternoon to walk in the garden and do their very serious intellectual work. Not a bad life, right? But it wasn't available to most people, of course. Condorcet ended by opposing the execution of Louis XVI, ostensibly on the grounds of opposition to the death penalty.

The working women of Paris who were a motor force in the revolution lived very different lives. Perhaps 45,000 women in Paris, some 20 percent, were wage earners; a similar percentage of women in cities like Lyon and Rouen worked. Because of the war, women were able to break into traditionally male professions and they were also employed at sewing, as domestic servants. Some were proprietors of shops. Wives, legal or otherwise, of soldiers at the front were given subsidies. The Paris municipal government and the political clubs set up spinning workshops that at a certain point employed several thousand women, though the wages were miserable. They were centralized by the government office responsible for producing clothes for the troops.

It was from among these women of the sans-culottes that the Society of Revolutionary Republican Women was formed in the spring of 1793. One of the leaders of the society was the chocolate maker Pauline Leon, whom we last saw with her pike on the October 1789 march to Versailles. Another was the actress Claire Lacombe, who always followed her signature with "A Free Woman." A third was Anne Felicite' Colombe, who owned a print shop. Typography was generally a man's job, so she was already exceptional for this. In 1791, she had been one of the four women arrested when the National Guard shot down demonstrators at the Champs de Mars calling for the overthrow of the monarchy. Colombe printed the revolutionary newspapers of Jean-Paul Marat, L'Ami du Peuple (The Friend of the People) and L'Orateur du Peuple (The Orator of the People). She was dragged into a libel suit, which she eventually won, and distributed the 20,000-//vre settlement to the poor in her neighborhood.

While women did not win the right to vote for delegates to the Convention, especially after the establishment of the Jacobin dictatorship in 1793 they played a full role in the Parisian sectional assemblies, intervening, presenting positions, voting and being elected as delegates. They refused to be "servile women, domestic animals," as one put it in May 1793. Interestingly, the one widespread demand for formal equality was for the right to bear arms. In March 1792, Pauline Leon had led a delegation to present a petition to the Assembly declaring:

"You cannot refuse us and society cannot remove from us this right which nature gives us, unless it is alleged that the Declaration of Rights is not applicable to women and that they must allow their throats to be slit, like sheep, without having the right to defend themselves."

The women demanded the right to arm themselves with pikes, pistols, sabers and rifles, and to assemble for maneuvers on the Champs de Mars. After much debate, the Assembly moved to put the petition in the minutes with honorable mention. Dozens of women actually went to the front when the war began, a few as officers.

The Society of Revolutionary Republican Women solidly backed the Jacobins as the revolutionary government and politically supported the extreme left Enrages around Jacques Roux, who spoke for the popular masses. Just after the Revolutionary Republican Women was founded, they mobilized the support of the masses in the streets for the Jacobins, whose battle to oust the Girondins was then coming to a head. As the split deepened, there were many more women than men in the street gatherings, according to police reports. The Revolutionary Republican Women dressed in military clothes and carried sabers. One account has them waging a military battle in the Convention to get back the seats which had been taken from them by supporters of the right-wing Gironde.

Reversal of Gains Under Thermidor

In October 1793, the society became one of the first organizations to be banned by the Jacobin government. Those feminist historians I mentioned earlier claim that this proves that the French Revolution was essentially hostile to women. That's wrong. The society was banned not because it was composed of women, but because it was one of the most radical expressions of the sans-culottes.

Here's what happened. The Enrages and the Revolutionary Republican Women fought for strict price controls, especially on food, and an upper limit on the size of personal fortunes. In October, the Revolutionary Republican Women launched a campaign to force all women to wear the revolutionary cockade. They brought their campaign to Les Halles, the central marketplace in Paris. The market women were of course hostile to the price maximum on food that had just been imposed by the Jacobin government as a concession to the sans-culottes. The question of the cockade was just the pretext for the major-league brawl that ensued between the market women and the women revolutionaries. This fight represented an early split in the Jacobins' base, and the Jacobins sided with the market women, banning the Revolutionary Republicans.

The peasants wanted maximum food prices, the artisan-proletariat in the cities wanted minimum ones, pointing to the spectre of a civil war which the sans-cullotes could not win. The Jacobins could have tried to strike a deal, but ultimately they could not satisfy the conflicting demands of the urban poor and the peasantry. When revolutionary Russia in the early 1920s was confronted with the "scissors crisis," as the price of scarce manufactured goods rose and the price of agricultural products fell 3nd the peasants threatened to withhold their produce, Bolshevik leader Leon Trotsky proposed a course of planned industrialization to make more manufactured goods available to the peasants and maintain their support for the proletarian dictatorship. Trotsky's proposal was rejected at the time (only to be implemented at forced-march pace a few years later by Stalin). But such an option was objectively unrealizable in the capitalist economic system of pre-industrial France.

By the fall of 1793, the Jacobins and revolutionary France were gasping for air. Mandatory conscription had provoked mass uprisings in the Vendee; there had been treachery at the front; the armies of the European monarchies had reinvaded France; and Girondin provinces were seceding; Marat, the "friend of the people," had been assassinated by the royalist Charlotte Corday. Against this backdrop, the Revolutionary Republican Women, in their revolutionary zeal against the market women, threatened to get in the way of prompt and regular deliveries of food to the city from the countryside, without which the Jacobins would have lost the allegiance of the urban masses.

Many of the revolutionary women continued to be active as individuals. Even after being arrested by the Jacobin government, Claire Lacombe stayed loyal to Robespierre. She never renounced her support, and after Robespierre's execution she always refused to point out that she had been arrested by his revolutionary government because she hated the idea of becoming a hero of the Thermidorians. Women played a vanguard role in the last uprising of the French Revolution in the spring of 1795, after Thermidor. The rallying cry was "Bread and the Constitution of 1793!"

The modern feminist historians believe that the role of women who rose up from the "cellars and catacombs" has been largely obscured because of prevailing patriarchal attitudes in society. Or they seek to show that women acted only on "women's issues," mainly food shortages. While there's some truth in both these observations, they fundamentally miss the point. The mass of active women in the French Revolution did not fight and organize as women but as revolutionaries. And, as the October 1789 march that brought the king back from Versailles showed, it wasn't simply the question of bread that motivated them.

Thermidor marked the end of the radical phase of the revolution, and women were among the first to feel this. This was especially true for divorced women, who would have trouble finding work and maintaining themselves under the conservative Thermidorians. Divorce became identified with the "ruin of society" and the "torrent of corruption that invaded the cities and especially Paris" during the Terror and the months that followed it. Proof of a legitimate marriage became a requirement for soldiers' wives seeking to receive aid. After May 1795, the Convention banned women from "attending political assemblies," urging them to withdraw to their homes and ordering "the arrest of those who would gather together in groups of more than five."

The Napoleonic Code saw a further reversal of the gains of women. It's reported that the only part of the deliberations on the Napoleonic Code that Bonaparte sat in on was the Family Code enacted in 1804. The Family Code again made women minors from the standpoint of the law, mandating that they had to have the approval of their husbands for all contracts and so forth. In 1816, a year after Napoleon was overthrown and the monarchy restored, divorce was abolished.

For Women's Liberation Through Socialist Revolution!

I want to briefly trace the revolutionary continuity extending from the French Revolution through the 19th century. The French Revolution, refracted through Napoleon's armies, brought the first notions of women's equality to hideously backward tsarist Russia. Following Napoleon's defeat, Paris was occupied by Russian troops for a period of time. A number of young officers spent a lot of time in the cafes talking to people about what had been going on, and went back to St. Petersburg and led the Decembrist Uprising against the tsarist autocracy in 1825. They fought, among other things, for women's equality.

The very first communist ideas came out of the analysis developed by some of the radical Jacobins while in prison after the defeat of the Jacobin dictatorship. Revolutionaries like Gracchus Babeuf, who organized the Conspiracy of Equals, and Philippe Buonarroti came to believe that private property itself was the cause of oppression. They provided a living link to Marx and Engels, who issued the Communist Manifesto as the next revolutionary wave swept Europe in 1848, declaring: "The bourgeois family will vanish as a matter of course when its complement vanishes, and both will vanish with the vanishing of capital." In France, a program was advanced for women's emancipation that called for replacing domestic slavery with socially organized and financed services. I found this 1848 program reprinted in an early 1920s women's journal published by the French Communist Party, L'Ouvriere (The Woman Worker).

In the Paris Commune in 1871, women once again played an extremely important role. Marx described the Commune as the first realization of the dictatorship of the proletariat, though it lasted less than three months. The women of the Paris Commune were called the "incendiaries" by the reactionary press, and a correspondent for the London Times wrote, "If the French Nation were composed of nothing but women, what a terrible nation it would be." But Marx hailed them: "The women of Paris joyfully give up their lives on the barricades and execution grounds" (quoted in Edith Thomas, The Women Incendiaries [1967]). When the French capitalist rulers finally defeated the Commune after heroic resistance, they slaughtered at least 30,000 people in one week, and many thousands more were sent to penal colonies.

Today, bourgeois France is an imperialist power, where the July 14 storming of the Bastille is celebrated as a chauvinist glorification of the "grandeur of France"—much like July 4 here—while French colonial atrocities are carried out to the music of the once-revolutionary hymn, the Marseillaise.

We Trotskyists know that it will take world socialist revolution to do away with the institutions which are the root cause of women's oppression. In our fight to reforge Leon Trotsky's Fourth International, world party of socialist revolution, to lead new October Revolutions around the planet, we are guided by the words of the Fourth International's founding document, the 1938 Transitional Program: "The sections of the Fourth International should seek bases of support among the most exploited layers of the working class, consequently among the women workers. Here they will find inexhaustible stores of devotion, selflessness, and readiness to sacrifice." Join us!

IN THE TIME OF THE AMERICAN NATIONAL LIBERATION STRUGGLE

BOOK REVIEW

SEVEN DAYS IN JUNE, HOWARD FAST, CAROL PUBLISHING CO., NEW YORK, 1994


In the ordinary course of events my tastes run to history rather than historical novels. This novel about the events leading up to the Battle of Bunker Hill by prolific erstwhile radical writer Howard Fast is part of a series he did on various events during the American Revolution. The novel sums up quickly and intentionally an important point about the pyschological effect of imperialist rule on the rulers and consequent effect of subjugation on the ruled.

As is the current fashion there is much “blood and gore”, sex and general buffoonery to round out an event that would not normally have enough drama to be subject to novel treatment. Nevertheless, Mr. Fast’ s depiction of the fateful events which led up to the Battle of Bunker Hill in 1775 offers an interesting insight into the various ways that the British imperialist presence expressed itself through its officer corps and civilian loyalist forces. Naturally enough, that manner produced a profound negative reaction on the part of the rebellious “colonials”- our forbears. Without intending to do so directly the novel provides a cautionary tale about the pitfalls for the United States imperialist presence in the world today-particularly in Iraq.

One of the other issues presented here is the question of the abilities of the “colonials” to fight to the end for their national liberation. The Concord and Lexington actions of the early spring were essentially ad hoc, individualistic responses to British provocation. That question really gets answered in the affirmative at Bunker Hill and some of those who provided military leadership at Bunker Hill were among those who led the military forces of the Continental Congress throughout the war. For the umpteenth time we find out that superior convention military superiority does not always trump well-led and determined national liberation forces prepared to take heavy loses in order to assure victory. That too is a cautionary tale for our times.

*****Out In The Be-Bop 1960s Night- When The Music’s Over-On The Anniversary Of Janis Joplin’s Death-Magical Realism 101


*****Out In The Be-Bop 1960s Night- When The Music’s Over-On The Anniversary Of Janis Joplin’s Death-Magical Realism 101




From The Pen Of Sam Lowell

Scene: Brought to mind by the cover art on some deep fogged memory producing, maybe acid-etched flashback memory at the time, accompanying CD booklet tossed aside on the coffee table by a guy from the old days, the old New York University days, Jeff Mackey, who had been visiting Sarah, Josh Breslin’s wife of the moment. Jeff had just placed the CD on the CD player, the intricacies of fine-tuned down-loading from YouTube beyond anybody’s stoned capacity just then and so the “primitive” technology (stoned as in “turned on,” doped up, high if you like just like in the old days as well although Josh had gone to State U not NYU but the times were such that such transactions were universal and the terms “pass the bong” and “don’t bogart that join” had passed without comment). Don’t take that “wife of the moment” too seriously either since that was a standing joke between Sarah and Josh (not Joshua, Joshua was dad, the late Joshua Breslin, Jr.) since in a long life they had managed five previous  marriages (three by him, two by her) and scads of children and two scads of grandchildren (who had better not see this piece since grandma and grandpa have collectively expended many jaws-full hours of talk  about the danger of demon drugs, the devil’s work).

When Josh had picked up the tossed aside booklet he noticed a  wispy, blue-jeaned, blouse hanging off one shoulder, bare-foot, swirling mass of red hair, down home Janis Joplin-like female performer belting out some serious blues rock in the heat of the “Generation of ‘68” night. The woman maybe kin to Janis, maybe not, but certainly brethren who looked uncannily like his first ex-wife, Laura, who had taught him many little sex things learned from a trip to India and close attention to the Kama Sutra which he had passed to everybody thereafter including Sarah. And no again don’t take that wistful though about Laura as anything but regret since their civil wars had passed a long time before and beside Laura had not been heard from since the time she went down to Rio and was presumably shacked up with some dope king or diamond king or something probably still earning her keep with those little India tricks.

Still looking at the tantalizing artwork he thought of the time of our time, passed. Of wistful women belting out songs, band backed-up and boozed-up, probably Southern Comfort if the dough was tight and there had been ginger ale or ice to cut the sweet taste or if it was late and if the package store was short of some good cutting whiskey, but singing, no, better evoking, yes, evoking barrelhouse down-trodden black empresses and queens from somewhere beyond speaking troubled times, a no good man taking up with that no good best girlfriend  of hers who drew a bee-line to him when that empress advertised his charms, no job, no prospect of a job and then having to go toe to toe with that damn rent collector man on that flattened damn mattress that kept springing holes, maybe no roof over a head and walking the streets picking up tricks to pass the time, no pocket dough, no prospects and a ton of busted dreams in some now forgotten barrelhouse, chittlin’ circuit bowling alley complete with barbecued ribs smoking out back or in a down town “colored” theater. Or the echo of that scene, okay. Jesus, maybe he had better kick that dope thing before he actually does start heading to Rio.

*******

Josh Breslin (a. k. a. the Prince of Love, although some merry prankster yellow brick road bus wit made a joke of that moniker calling him the Prince of Lvov, some Podunk town in Poland, or someplace like that, maybe Russia he was not sure of the geography all he knew was that he had made a wag wiggle a little for his indiscretion)  was weary, weary as hell, road- weary, drug-weary, Captain Crunch’s now Big Sur–based magical mystery tour, merry prankster, yellow brick road bus-weary, weary even of hanging out with his “papa,” “Far-Out” Phil Larkin who had gotten him through some pretty rough spots weary. Hell, he was girl-weary too, girl weary ever since his latest girlfriend, Gypsy Lady (nee Phyllis McBride), decided that she just had to go back to her junior year of college at Berkeley in order to finish up some paper on the zodiac signs and their meaning for the new age rising. Yeah, okay Gypsy, do what you have to do, the Prince mused to himself. Chuckled really, term paper stuff was just not his “thing” right then. Hell, he had dropped out of State U, dropped out of Laura Perkin’s life, dropped out of everything to chase the Western arroyo desert ocean washed dream that half his generation was pursuing just then.

Moreover this summer of 1968, June to be exact, after a year bouncing between summers of love, 1967 version to be exact, autumns of drugs, strange brews of hyper-colored experience drugs and high shamanic medicine man aztec druid flame throws, winters of Paseo Robles brown hills discontent, brown rolling hills until he sickened of rolling, the color brown, hills, slopes, plains, everything, and springs of political madness what with Johnson’s resignation, Robert Kennedy’s assassination piled on to that of Martin Luther King’s had taken a lot out of him, including his weight, weight loss that his already slim former high school runner’s frame could not afford.

Now the chickens had come home to roost. Before he had joined Captain Crunch’s merry prankster crew in San Francisco, got “on the bus,” in the youth nation tribal parlance, last summer he had assumed, after graduating from high school, that he would enter State U in the fall (University of Maine, the Prince is nothing but a Mainiac, Olde Saco section, for those who did not know). After a summer of love with Butterfly Swirl though before she went back to her golden-haired surfer boy back down in Carlsbad (his temperature rose even now every time he thought about her and her cute little tricks to get him going sexually) and then a keen interest in a couple of other young women before Gypsy Lady landed on him, some heavy drug experiences that he was still trying to figure out, his start–up friendship with Phil, and the hard fact that he just did not want to go home now that he had found “family” decided that he needed to “see the world” for a while instead. And he had, at least enough to weary him.

What he did not figure on, or what got blasted into the deep recesses of his brain just a couple of days ago, was a letter from his parents with a draft notice from his local board enclosed. Hell’s bells he had better get back, weary or not, and get some school stuff going real fast, right now fast. There was one thing for sure, one nineteen-year old Joshua Lawrence Breslin, Olde Saco, Maine High School Class of 1967, was not going with some other class of young men to ‘Nam to be shot at, or to shoot.

Funny, Josh thought, as he mentally prepared himself for the road back to Olde Saco, how the past couple of months had just kind of drifted by and that he really was ready to get serious. The only thing that had kind of perked him up lately was Ruby Red Lips (nee Sandra Kelly), who had just got “on the bus” from someplace down South like Georgia, or Alabama and who had a great collection of blues records that he was seriously getting into (as well as seriously into Miss Ruby, as he called her as a little bait, a little come on bait, playing on her somewhere south drawl, although she seemed slow, very slow, to get his message).

Josh, all throughout high school and even on the bus, was driven by rock ‘n’ roll. Period. Guys like Elvis, Chuck, Jerry Lee, even a gal like Wanda Jackson, when they were hungry, and that hunger not only carried them to the stars but slaked some weird post-World War II, red scare, cold war hunger in guys like Josh Breslin although he never, never in a million years would have articulated it that way back then. That was infernal Captain Crunch’s work (Captain is the “owner” of the “bus” and a story all his own but that is for another time) always trying to put things in historical perspective or the exact ranking in some mythical pantheon that he kept creating (and recreating especially after a “dip” of Kool-Aid, LSD for the squares, okay).

But back to Ruby love. He got a surprise one day when he heard Ruby playing Shake, Rattle, and Roll. He asked, “Is that Carl Perkins?” Ruby laughed, laughed a laugh that he found appealing and he felt was meant to be a little coquettish and said, “No silly, that's the king of be-bop blues, Big Joe Turner. Want to hear more stuff?” And that was that. Names like Skip James, Howlin’ Wolf, Robert Johnson, Son House, Muddy Waters and Little Walter started to fill his musical universe.

What got him really going though were the women singers, Sippie Wallace that someone, Bonnie Raitt or Maria Muldaur, had found in old age out in some boondock church social or something, mad Bessie Smith squeezed dry, freeze-dried by some no account Saint Louis man and left wailing, empty bed, gin house wailing ever after, a whole bunch of other barrelhouse blues-singers named Smith, Memphis Minnie, the queen of the double entendre, sex version, with her butcher, baker, candlestick-maker men, doing, well doing the do, okay, and the one that really, really got to him, “Big Mama” Thornton. The latter belting out a bluesy rendition of Hound Dog made just for her that made Elvis' seem kind of punk, and best of all a full-blast Piece Of My Heart.

Then one night Ruby took him to club over in Monterrey just up the road from the Big Sur merry prankster yellow bus camp, the Blue Note, a club for young blues talent, mainly, that was a stepping-stone to getting some work at the Monterrey Pop Festival held each year. There he heard, heard if you can believe this, some freckled, red-headed whiskey-drinking off the hip girl (or maybe some cheap gin or rotgut Southern Comfort, cheap and all the in between rage for those saving their dough for serious drugs).

Ya just a wisp of a girl, wearing spattered blue-jeans, some damn moth-eaten tee-shirt, haphazardly tie-dyed by someone on a terminal acid trip, barefoot, from Podunk, Texas, or maybe Oklahoma, (although he had seen a fair share of the breed in Fryeburg Fair Maine) who was singing Big Mama’s Piece of My Heart. And then Ball and Chain, Little School Girl, and Little Red Rooster.

Hell, she had the joint jumping until the early hours for just as long as guys kept putting drinks in front of her. And maybe some sweet sidle promise, who knows in that alcohol blaze around three in the morning. All Josh knew was this woman, almost girlish except for her sharp tongue and that eternal hardship voice, that no good man, no luck except bad luck voice, that spoke of a woman’s sorrow back to primordial times, had that certain something, that something hunger that he recognized in young Elvis and the guys. And that something Josh guessed would take them over the hump into that new day they were trying to create on the bus, and a thousand other buses like it. What a night, what a blues singer.

The next day Ruby Red Lips came over to him, kind of perky and kind of with that just slightly off-hand look in her eye that he was getting to catch on to when a girl was interested in him, and said, “Hey, Janis, that singer from the Blue Note, is going to be at Monterrey Pops next month with a band to back her up, want to go? And, do you want to go to the Blue Note with me tonight?” After answering, yes, yes, to both those questions the Prince of Love (and not some dinky Lvov either, whoever that dull-wit was) figured he could go back to old life Olde Saco by late August, sign up for State U., and still be okay but that he had better grab Ruby now while he could.
 

*****The Latest From The "Jobs With Justice Blog"-It's High Time To Push Back-Push Back Hard-30 For 40 Is The Slogan

*****The Latest From The "Jobs With Justice Blog"-It's High Time To Push Back-Push Back Hard-30 For 40 Is The Slogan Of The Day.



Click below to link to the Jobs With Justice Blog for the latest national and international labor news, and of the efforts to counteract the massively one-sided class struggle against the international working class movement.
http://www.jwjblog.org/
From the American Left History blog-Wednesday, June 17, 2009
 
With Unemployment Too High, Way Too High - The Call "30 For 40"- Now More Than Ever- The Transitional Socialist Program

Click Below To Link To The Full Transitional Program Of The Fourth International Adopted In 1938 As A Fighting Program In The Struggle For Socialism In That Era. Many Of The Points, Including The Headline Point Of 30 Hours Work For 40 Hours Pay To Spread The Work Around Among All Workers, Is As Valid Today As Then.

From The Transitional Program Of The Fourth International In 1938- Sliding Scale of Wages and Sliding Scale of Hours

Under the conditions of disintegrating capitalism, the masses continue to live the meagerized life of the oppressed, threatened now more than at any other time with the danger of being cast into the pit of pauperism. They must defend their mouthful of bread, if they cannot increase or better it. There is neither the need nor the opportunity to enumerate here those separate, partial demands which time and again arise on the basis of concrete circumstances – national, local, trade union. But two basic economic afflictions, in which is summarized the increasing absurdity of the capitalist system, that is, unemployment and high prices, demand generalized slogans and methods of struggle.

The Fourth International declares uncompromising war on the politics of the capitalists which, to a considerable degree, like the politics of their agents, the reformists, aims to place the whole burden of militarism, the crisis, the disorganization of the monetary system and all other scourges stemming from capitalism’s death agony upon the backs of the toilers. The Fourth International demands employment and decent living conditions for all.

Neither monetary inflation nor stabilization can serve as slogans for the proletariat because these are but two ends of the same stick. Against a bounding rise in prices, which with the approach of war will assume an ever more unbridled character, one can fight only under the slogan of a sliding scale of wages. This means that collective agreements should assure an automatic rise in wages in relation to the increase in price of consumer goods.

Under the menace of its own disintegration, the proletariat cannot permit the transformation of an increasing section of the workers into chronically unemployed paupers, living off the slops of a crumbling society. The right to employment is the only serious right left to the worker in a society based upon exploitation. This right today is left to the worker in a society based upon exploitation. This right today is being shorn from him at every step. Against unemployment,“structural” as well as “conjunctural,” the time is ripe to advance along with the slogan of public works, the slogan of a sliding scale of working hours. Trade unions and other mass organizations should bind the workers and the unemployed together in the solidarity of mutual responsibility. On this basis all the work on hand would then be divided among all existing workers in accordance with how the extent of the working week is defined. The average wage of every worker remains the same as it was under the old working week. Wages, under a strictly guaranteed minimum, would follow the movement of prices. It is impossible to accept any other program for the present catastrophic period.

Property owners and their lawyers will prove the “unrealizability” of these demands. Smaller, especially ruined capitalists, in addition will refer to their account ledgers. The workers categorically denounce such conclusions and references. The question is not one of a “normal” collision between opposing material interests. The question is one of guarding the proletariat from decay, demoralization and ruin. The question is one of life or death of the only creative and progressive class, and by that token of the future of mankind. If capitalism is incapable of satisfying the demands inevitably arising from the calamities generated by itself, then let it perish. “Realizability” or “unrealizability” is in the given instance a question of the relationship of forces, which can be decided only by the struggle. By means of this struggle, no matter what immediate practical successes may be, the workers will best come to understand the necessity of liquidating capitalist slavery.

***Those Who Fought For Our "Newer World" Future Are Kindred Spirits- Honor The American Revolution's James Otis

Click on the title to link to a "Wikipedia" entry for the American revolutionary politician, James Otis.

Every January, as readers of this blog are now, hopefully, familiar with the international communist movement honors the 3 Ls-Lenin, Luxemburg and Leibknecht, fallen leaders of the early 20th century communist movement who died in this month (and whose untimely deaths left a huge, irreplaceable gap in the international leadership of that time). January is thus a time for us to reflect on the roots of our movement and those who brought us along this far. In order to give a fuller measure of honor to our fallen forbears this January, and in future Januarys, this space will honor others who have contributed in some way to the struggle for our communist future. That future classless society, however, will be the true memorial to their sacrifices.

Note on inclusion: As in other series on this site (“Labor’s Untold Story”, “Leaders Of The Bolshevik Revolution”, etc.) this year’s honorees do not exhaust the list of every possible communist worthy of the name. Nor, in fact, is the list limited to Bolshevik-style communists. There will be names included from other traditions (like anarchism, social democracy, the Diggers, Levellers, Jacobins, etc.) whose efforts contributed to the international struggle. Also, as was true of previous series this year’s efforts are no more than an introduction to these heroes of the class struggle. Future years will see more detailed information on each entry, particularly about many of the lesser known figures. Better yet, the reader can pick up the ball and run with it if he or she has more knowledge about the particular exploits of some communist militant, or to include a missing one.