*****He Saw Starlight On The Rails-With The Irascible Bruce “Utah” Phillips in Mind

An Encore -He Saw Starlight On The Rails-With The Irascible Bruce “Utah” Phillips in Mind

 

 

From The Pen Of Bart Webber

Jack Dawson was not sure when he had heard that the old long-bearded son of a bitch anarchist hell of a songwriter, hell of a story-teller Bruce “Utah” Phillips caught the westbound freight, caught that freight around 2007 he found out later a couple of years after he too had come off the bum this time from wife problems, divorce wife problems (that "westbound freight" by the way an expression from the hobo road to signify that a fellow traveler hobo, tramp, bum it did not matter then the distinctions that had seemed so important in the little class differences department when they were alive had passed on, had had his fill of train smoke and dreams and was ready  to face whatever there was to face up in hobo heaven, no, the big rock candy mountain that some old geezer had written on some hard ass night when dreams were all he had to keep him company). That “Utah” moniker not taken by happenstance since Phillips struggled through the wilds of Utah on his long journey, played with a group called the Utah Valley boys, put up with, got through a million pounds of Mormon craziness and, frankly, wrote an extraordinary number of songs in his career by etching through the lore as he found it from all kinds of Mormon sources, including some of the dark pages, the ranch war stuff, the water stuff not the polygamy stuff which was nobody's business except the parties involved of those latter day saints.

For those who do not know the language of the road, not the young and carefree road taken for a couple of months during summer vacation or even a Neal Cassady and Jack Kerouac-type more serious expedition under the influence of On The Road (what other travelogue of sorts would get the blood flowing to head out into the vast American Western night) and then back to the grind but the serious hobo “jungle” road like Jack Dawson had been on for several years before he sobered up after he came back from ‘Nam, came back all twisted and turned when he got discharged from the Army back in 1971 and could not adjust to the “real world” of his Carver upbringing in the East and had wound up drifting, drifting out to the West, hitting California and when that didn’t work out sort of ambled back east on the slow freight route through Utah taking the westbound freight meant for him originally passing to the great beyond, passing to a better place, passing to hard rock candy mountain in some versions here on earth before Black River Shorty clued him in.

Of course everybody thinks that if you wind up in Utah the whole thing is Mormon, and a lot of it is, no question, but when Jack hit Salt Lake City he had run into a guy singing in a park. A guy singing folk music stuff, labor songs, travelling blues stuff, the staple of the genre, that he had remembered that Sam Lowell from Carver High, from the same class year as him, had been crazy for back in the days when he would take his date and Jack and his date over to Harvard Square and they would listen to guys like that guy in the park singing in coffeehouses. Jack had not been crazy about the music then and some of the stuff the guy was singing seemed odd now too, still made him grind his teeth.  but back then it either amounted to a cheap date, or the girl actually liked the stuff and so he went along with it.

So Jack, nothing better to do, sat in front of guy and listened. Listened more intently when the guy, who turned out to be Utah (who was using the moniker “Pirate Angel” then, as Jack was using "Daddy Two Cents"  reflecting his financial condition or close to it, monikers a good thing on the road just in case the law, bill-collectors or ex-wives were trying to reach you and you did not want to reached), told the few bums, tramps and hoboes who were the natural residents of the park that if they wanted to get sober, if they wanted to turn things around a little that they were welcome, no questions asked, at the Joe Hill House. (No questions asked was right but everybody was expected to at least not tear the place up, which some nevertheless tried to do.)



That Joe Hill whom the sobering up house was named after by the way was an old time immigrant anarchist who did something to rile the Latter Day Saints up because they threw he before a firing squad with no questions asked. Joe got the last line though, got it for eternity-“Don’t mourn (his death), organize!”                   

Jack, not knowing anybody, not being sober much, and maybe just a tad nostalgic for the old days when hearing bits of folk music was the least of his worries, went up to Utah and said he would appreciate the stay. And that was that. Although not quite “that was that” since Jack knew nothing about the guys who ran the place, didn’t know who Joe Hill was until later (although he suspected after he found out that Joe Hill had been a IWW organizer [Wobblie, Industrial Worker of the World] framed and executed in that very state of Utah that his old friend the late Peter Paul Markin who lived to have that kind of information in his head would have known. See this Joe Hill House unlike the Sallies (Salvation Army) where he would hustle a few days of peace was run by this Catholic Worker guy, Ammon Hennessey, who Utah told Jack had both sobered him up and made him some kind of anarchist although Jack was fuzzy on what that was all about.


So Jack for about the tenth time tried to sober up, liquor sober up this time out in the great desert (later it would be drugs, mainly cocaine which almost ripped his nose off he was so into it that he needed sobering up from). And it took, took for a while.        

Whatever had been eating at Jack kept fighting a battle inside of him and after a few months he was back on the bottle. But during that time at the Joe Hill House he got close to Utah, as close as he had gotten to anybody since ‘Nam, since his friendship with Jeff Crawford from up in Podunk Maine who saved his ass, and that of a couple of other guys in a nasty fire-fight when Charley (G.I. slang for the Viet Cong originally said in contempt but as the war dragged on in half-hearted admiration) decided he did indeed own the night in his own country. Got as close as he had to his corner boys like Sam Lowell from hometown Carver. Learned a lot about the lure of the road, of drink and drugs, of tough times (Utah had been in Korea) and he had felt bad after he fell off the wagon. But that was the way it was. 

Several years later after getting washed clean from liquor and drugs, at a time when Jack started to see that he needed to get back into the real world if he did not want to wind up like his last travelling companion, Denver Shorty, whom he found face down one morning on the banks of the Charles River in Cambridge and had abandoned his body fast in order not to face the police report, he noticed that Utah was playing in a coffeehouse in Cambridge, a place called Passim’s which he found out had been taken over from the Club 47 where Sam had taken Jack a few times. So Jack and his new wife (his and her second marriages) stepped down into the cellar coffeehouse to listen up.



As Jack waited in the rest room area a door opened from the other side across the narrow passageway and who came out but Utah. As Jack started to grab his attention Utah blurred out “Daddy Two Cent, how the hell are you?” and talked for a few minutes. Later that night after the show they talked some more in the empty club before Utah said he had to leave to head back to Saratoga Springs in New York where he was to play at the Caffé Lena the next night.         

That was the last time that Jack saw Utah in person although he would keep up with his career as it moved along. Bought some records, later tapes, still later CDs just to help the brother out. In the age of the Internet he would sent occasional messages and Utah would reply. Then he heard Utah had taken very ill, heart trouble like he said long ago in the blaze of some midnight fire, would finally get the best of him. And then somewhat belatedly Jack found that Utah had passed on. The guy of all the guys he knew on the troubled hobo “jungle” road who knew what “starlight on the rails” meant to the wanderers he sang for had cashed his ticket. RIP, brother.

Club Nana Revisited-With The 1960s Folk Minute In Mind

Club Nana Revisited-With The 1960s Folk Minute In Mind 

CD Review

By Zack James

Troubadours: the 1969s Folk Scene, various artists, Arise Records, 1987

“I started out hating the very fact that folk music was taking over the coffeehouses and jazz clubs that I hung around in a few years ago in North Beach, hated the idea that be-bop poetry and cool Dizzie jazz was being replaced by people singing twenty-seven verse songs from the 16^th century and expecting everybody to get worked up about it,” whispered Monica Simmons to her latest flame, Doug Phelps, as they sat in the newly opened Club Nana in Harvard Square just off Brattle Street while Tim House was winding up his cover of Fair and Tender Ladies to end his first set of the night. No, she had hated the very fact of folk music if it came right down to the core of the matter, saw the cretins who were going crazy over music to snooze by while perfectly good poets were rusty away just when they were beginning to get a hearing, beginning to get out from the depth of poverty, unpaid bills and back rent. Monica had moved to Boston, actually Cambridge, to finish up her education, at least she thought that she would be finishing up her education, at Harvard where she expected to receive a Master’s Degree in Sociology for her efforts.    

Monica continued, a little louder now that Tim had finished up his set and she had to fight the noise of people getting up from their tables, the clang of coffee cups and pastry plates as the waitress tried to clear the tables before the next set (and truth be told since Hank Jackson, the owner of the club, had miscalculated on how many people would show up that night for the relatively then unknown House unlike later when he couldn’t afford to play such a small intimate club, at least that is what his manager who had bent over backwards to get this early gig told him was the case  had not ordered enough plate-ware and silverware so the dishwasher would have to do a snappy job to get enough dishes and utensils for the next set), and the sounds from the speaker system playing the latest Joan Baez album (Joan a personal friend of Hank’s from the time he managed the Club Blue down the street and she had come in with Bob Dylan, sung a couple of songs at a customer’s request, and had put that place on the map), “Digger, [her pet name for Doug] you know in high school, my senior year at Berkeley High I had a date with a guy, a freshman at Berkeley who was into the “beat” scene in North Beach and had taken me over there once he knew that I had read Allan Ginsberg’s Howl which he was crazy about, would recite that stuff about the crazy negro streets and all the rest and was seriously interested in Jack Madden, the great jazz tenor sax who had played with Chu Berry back when he was a kid but who had moved on to play this cool, cool jazz that I heard one day in music class because the music teacher was some kind of friend of his, they had gone to school together or something like that. So after that one date night I seriously got into the beat scene, dug all the stuff going on, saw the whole thing as a breath of fresh air, my fresh air, loved the poetry readings in the clubs mixed up with this jazz that seemed so symbiotic. I even wore all black for a while, black blouse, skirt, beret the whole scene thing. Of course I had to carry the stuff in a bag and change in the Ladies’ Room at whatever club I was at since my mother would have never let me out of the house in that outfit. [Monica’s outfit at the Club Nana by the way was long ironed black hair as was the style once Joan Baez and few other folk women made that the style, a peasant blouse, a long flowing skirt which would later by called a grannie, and sandals, in short the female folkie garb of the day, so you know a sea change had occurred, occurred at least for Monica.]                     

 “I remember one night at the Hungry Bear, over on Fillmore, a funny thing happened that I didn’t make much of then but might have been when the big change over was in progress. Gregory Corso, the crazy wise ass street gangster desperado poet who really could with all of that write circle around most of the San Francisco poets, one of the inner circle of the beat poetry scene especially in New York, was reading. There had been a huge line outside waiting to get in so the manager, I forget his name, after Gregory had finished his first set brought a guy, a guy with a beard and kind of weird looking with a guitar in one of his hands up to the stage. The guy started singing some drone song about some medieval married lady who had an affair with somebody not her husband and since she was nobility and he a commoner the guy had to go to the axe, to the execution block, and the thing ran on and on before he got to the bitter ending.

I, with my date, that Cal freshman who sported a beret and beard at the time, stayed but I noticed several couples, maybe more, get up and leave and their places were taken by some of the people waiting in line. The guy started to sing another drone song but the people who had stayed for Gregory’s first set stayed put this time once they saw what was happening. Nobody was moving so the manager, I wish I remembered his name, went up to the stage and stopped the folksinger right in mid-song. I heard that started a trend when Gregory who always got a cut of the house when he read went back to New York and told the coffeehouse owners there that story about a good way to clear the house and make twice as much revenue. Here is the real funny part thought, maybe a year later that same weird guy was back at the Hungry Bear, still droning but doing a three-song set at an “open mic” once the Bear started featuring folksingers three times a week.”         

Digger reminded Monica that he found that former hatred of hers for folk music strange since the night he met her in the Club 47 also down the street a couple of doors from the Café Blue seemed both by the way she dressed and her vast knowledge of the folk scene around Harvard Square to be the queen bee of the folkie scene asking, “What turned you around on this stuff. I know I got into it one night when I was riding in Jack’s car and he had on WMAD, a station I never listened to because I thought it was an all-news all the time station and there was a six-song stretch with no commercials unlike WMEZ, the rock station, which had one after every song and some interesting songs like Cocaine Blues done by Dave Van Ronk who I didn’t know at all at the time and then a guy by the name of Tom Paxton doing The Last Thing On My Mind. Then I started listening on my own after that night when I was at home. One thing about the guy who ran the Sunday night show, Curtis Sloan was that he would announce who was playing where in the area and what places, coffeehouses or clubs, you could go and have a cheap date, like this one, a couple of coffees, maybe we will share a brownie or have one each, a couple of bucks to get in and maybe a buck for the “basket” when the performer finishes up. I had overheard a girl in my Western Civilization class talking about Rene Dubois, before he became a big name, and I started talking to her. One thing led to another and she was my first cheap coffeehouse date. That was a while back before I met you. So what gives, why if you hated folk music so much did you flip over on the thing?”          

Monica laughed her small-voiced laugh and told Digger, “Well, you know it kind of just happened. Remember that guy who I said was doing three-song “open mic” sets at the Hungry Bear when it turned to folk a little. Well, I went to the Fish and Grog one night and there he was playing hi silly ass three-song set and expecting some money when the basket came out. He was still stuck somewhere in the 17^th century singing for thirty-two verses about some professional highwayman who finally got caught, who was going to be hanged, hanged high for his transgressions, until his daughter, his beautiful daughter, who was begging for mercy from the judge got propositioned by him after he said ‘no go’ unless she went to bed with him. The father said don’t do it, don’t trust the bloody bastard, but she did. Guess what the bastard judge hung dear old dad high. I forget the finish but I think the daughter killed the judge and had her revenge. Boring.

“But right after him came Teddy Madden, who sang some funny songs, and some modern stuff he wrote. That night I kept thinking about those melodies of his. I showed up for a mini-concert he was giving at B.U. and I liked it even more because he did some Woody Guthrie covers.” We went out for a while, you know, and he got me off my all black kick which seemed out of place in the emerging folk scene. Look around here and you can see where a girl looking like a pale black mascaraed dressed in black beatnik and not all angelic and pure faux peasant girls would be out of place. Then I came East and kept up my interest, met you and here we are nothing but folk aficionados. I wonder what happened to Gregory, Jack and all those beat brothers who filled up the Bay Area-fogged night. Probably faded like my black blouse.”                    

And you will hear what Monica with, and later without, Doug heard in the local Cambridge and Boston coffeehouses and concert halls in this compilation. Okay.

*****Important Mumia Abu Jamal Update-Free Mumia

*****Important  Mumia Abu Jamal Update-Free Mumia

 

Click below to link to the Partisan Defense Committee Web site.

http://www.partisandefense.org/

Commentary

The legendary social commentator and stand up comic Lenny Bruce, no stranger to the American ‘justice’ system himself, once reportedly said that in the Halls of Justice the only justice is in the halls. The truth of that statement came home on Thursday March 27, 2008 as a panel of the federal Third Circuit Court of Appeals voted two to one to uphold Mumia’s conviction.

The only question left is that of resentencing- the death penalty or, perhaps worst, life in prison without parole. I have not yet read the decision but we are now a long way away from the possibility of a retrial-the narrow legal basis for even appealing in the legal system in the first place. Know this- in the end it will be in the streets and factories through the efforts of the international labor movement and other progressive forces that Mumia will be freed. That is the only way, have no illusions otherwise, whatever the next legal steps might be.

*****

Some facts about the case from the PDC (2006):

Mumia Is an Innocent Man Free Mumia Abu-Jamal! Abolish the Racist Death Penalty   Mumia Abu-Jamal has been on death row for nearly 24 years, falsely convicted of killing Philadelphia police officer Daniel Faulkner. Mumia Abu-Jamal is innocent and mountains of evidence show this, including the confession of another man, Arnold Beverly, to the murder. All the elements of the capitalist “justice” system colluded in framing up this former Black Panther and MOVE supporter because he is an eloquent and defiant spokesman for the oppressed. The fight to free Mumia has now reached a critical juncture. Last December, the federal appeals court put Mumia’s case on a “fast track” for decision, marking the last stages of the legal proceedings. Both Mumia and prosecutors are appealing decisions made in 2001 by U.S. District Court judge William Yohn, who overturned the death sentence but upheld every aspect of Mumia’s frame-up conviction. The state is as determined as ever to execute Mumia and has appealed. He has been barred by the courts from presenting evidence that he is innocent. But the district attorney filed legal papers in the federal appeals court in April, opening its case with a venomous, lying statement to portray Mumia as a cop-killer who must be executed. In a short time, even as soon as six months, the court could decide what is next for Mumia: death, life in prison or more legal proceedings. Mumia was locked up on death row in 1982 based on lying testimony extorted by the cops without a shred of physical evidence. The judge at his trial, Albert Sabo—known as the “King of Death Row”—was overheard by a court stenographer saying, “I’m going to help ’em fry the n----r.” Rigging the jury to exclude black people, the prosecution incited jurors with the grotesque lie that Mumia’s membership in the Panthers as a teenager proved he was committed to kill a cop “all the way back then.” The 1982 conviction was secured with arguments that the jury could disregard any doubts about Mumia’s guilt because he would have “appeal after appeal.” In nearly two decades of appeals, each and every court has rejected the reams of documented evidence of the blatant frame-up of Mumia. For over four years, Pennsylvania state as well as federal courts have refused to even consider the sworn confession of Arnold Beverly that he, not Mumia, shot and killed Faulkner. The execution of Stanley Tookie Williams by the state of California in December casts an ominous shadow. The legal lynching of Williams, which provoked an outcry nationally and internationally, signaled the determination of the U.S. capitalist rulers to fortify their machinery of death in the face of growing reticence in the population over how the death penalty is applied. Mumia Abu-Jamal, America’s foremost political prisoner, is the executioners’ number one target. California governor Arnold Schwarzenegger made this clear when, in denying clemency for Williams, he cited the fact that Williams’ 1998 book, Life in Prison, was dedicated to—among others—Mumia Abu-Jamal. Mumia’s case demonstrates what the racist death penalty is all about. It is the lynch rope made legal, the ultimate weapon in the government’s arsenal of repression aimed at the working class and oppressed. A legacy of chattel slavery, the death penalty is maintained in a society where the segregation of the majority of the black population is used as a wedge to divide the laboring masses and perpetuate the rapacious rule of capital. The murderous brutality of the racist capitalist system was displayed for all to see when thousands of people, overwhelmingly black and poor, were left to die in New Orleans after Hurricane Katrina. Mumia’s appeal takes place in the context of the government’s assertion of its “right” to disappear, torture or even assassinate its perceived opponents, and to wiretap and spy on anyone and everyone. In the name of the “war on terror,” rights won through tumultuous class and social battles are being put through the shredder by the Bush administration with the support of the Democratic Party. The purpose is to terrorize and silence any who would stand in the way of the capitalist rulers’ relentless drive for profits and their imperialist adventures, like the colonial occupation of Iraq. As Mumia’s case moves through the final stages of legal proceedings, the fight for his freedom is urgently posed. The Partisan Defense Committee—a class-struggle legal and social defense organization associated with the Spartacist League/U.S.—stands for pursuing every legal avenue in Mumia’s behalf while putting no faith in the “justice” of the capitalist courts. Through publicity and action, we have struggled to mobilize the broadest social forces, centered on the labor movement, to demand Mumia’s freedom and the abolition of the racist death penalty. As Mumia faced execution in August 1995, a mass outpouring of protest nationally and internationally—from civil liberties organizations and such heads of state as South Africa’s Nelson Mandela to trade unions representing millions of workers—succeeded in staying the executioner’s hand. Today we face greater odds. But if undertaken through a mobilization based on the social power of the working class, the fight for Mumia’s freedom would be a giant step forward in the defense of all of us against the increasingly depraved and vicious rulers of this country.   Anatomy of a Frame-Up In the eyes of the capitalist state, from the time Mumia was a 15-year-old spokesman for the Black Panther Party in Philadelphia in 1969, he was a dead man on leave. Then-FBI Director J. Edgar Hoover pronounced: “The Negro youth and moderate[s] must be made to understand that if they succumb to revolutionary teachings, they will be dead revolutionaries.” This policy was carried out under both the Democratic administration of Lyndon Johnson and his Attorney General, Ramsey Clark, and the Republican Nixon administration. Under the FBI’s “counter-intelligence” program known as COINTELPRO, 38 Panthers were murdered and hundreds of others framed up and railroaded to prison. The 900 pages of FBI files the PDC was able to obtain on Mumia’s behalf, even though highly expurgated, make clear that the FBI and cops used any “dirty trick” in their mission to get him. His every move was tracked and his name put on the FBI’s Security Index, the 1960s version of a “terrorist” hit list. Even with the demise of the Panthers, the state did not call off its vendetta against Mumia. As a journalist known as the “voice of the voiceless,” Mumia’s impassioned defense of black rights continued to enrage them. The Philly cops particularly seethed over his sympathetic coverage of the MOVE organization, which was subjected to an onslaught of state terror. Mumia was targeted for death because of his political beliefs, because of what he wrote, because of what he said. And in the early morning hours of 9 December 1981 at the corner of 13th and Locust Streets in Philadelphia, the cops finally saw their chance. Mumia was driving a cab through the area that night. He heard gunshots. He saw people running, saw his own brother and got out of his cab to help him. Moments later, Mumia was critically wounded by a bullet through the chest. Nearby lay a wounded police officer, Daniel Faulkner. The cops found their long-awaited opportunity and seized on it to frame up Mumia as a “cop killer.” The prosecution’s case rested on three legs, all based on lies: the testimony of “eyewitnesses” coerced through favors and terror; a “confession” purportedly made by Mumia the night of the shooting that was such a blatant hoax that it didn’t surface until months later; and nonexistent ballistics “evidence.” In 2001, this frame-up was completely blown to pieces with Arnold Beverly’s confession that he was the man who shot Faulkner. In a sworn affidavit printed in the PDC pamphlet Mumia Abu-Jamal Is an Innocent Man!, Beverly stated:   “I was hired, along with another guy, and paid to shoot and kill Faulkner. I had heard that Faulkner was a problem for the mob and corrupt policemen because he interfered with the graft and payoffs made to allow illegal activity including prostitution, gambling, drugs without prosecution in the center city area.   “Faulkner was shot in the back and then in the face before Jamal came on the scene. Jamal had nothing to do with the shooting.” Beverly stated that the second shooter also fled the scene. This is supported by a sworn affidavit by Mumia’s brother, Billy Cook, who testified that his friend Kenneth Freeman was a passenger in Cook’s VW at 13th and Locust that night. Freeman later admitted to Cook that he was part of the plan to kill Faulkner and had participated in the shooting and then fled the scene. This is further corroborated by the testimony of a witness at the scene, William Singletary, who said he saw a passenger get out of Cook’s VW, shoot Faulkner and then flee the scene. At least half a dozen witnesses who were on the scene the night of the shooting saw, from several different vantage points, one or more black men flee. Police radio “flashes” right after the shooting reported that the shooters had fled the scene with Faulkner’s gun. Five witnesses, including two cops, describe someone at the scene wearing a green army jacket, which both Beverly and Freeman were wearing that night. Neither Mumia nor Cook wore a green army jacket: Mumia wore a red ski jacket with wide vertical blue stripes and Cook had a blue jacket with brass buttons. Beverly said that Mumia was shot by a cop at the scene. This is confirmed by no less an authority than the state Medical Examiner’s office, whose record written the same morning as the shooting quotes a homicide officer saying that Mumia was shot by “arriving police reinforcements,” not by Faulkner. Other witnesses have corroborated Beverly’s testimony that undercover and uniformed police were in the vicinity at the time of the shooting, which Beverly assumed meant that they were in on the plan to kill Faulkner. One witness, Marcus Cannon, saw two undercover cops on the street across from the shooting. William Singletary also saw “white shirts” (police supervisors) at the scene right after the shots were fired. The prosecution dismisses the idea that the cops would kill one of their own as an outlandish invention. Leaving aside that Beverly passed two lie detector tests, his account fits with the fact that at the time of Faulkner’s killing in 1981, there were at least three ongoing federal investigations into police corruption in Philadelphia, including police connections with the mob. Police working as FBI informants were victims of hits in the early 1980s. A former federal prosecutor acknowledged that the Feds had a police informant whose brother was a cop, just as Faulkner had a brother who was a cop. A sworn affidavit by Donald Hersing, a former informant in an FBI investigation into police corruption, confirms that at the time of Faulkner’s shooting the word was out that the Feds had an informant in the police force. The commanding officer of the Central Police Division, where the murder of Faulkner took place, the chief of the police Homicide Division and the ranking officer at the scene of Faulkner’s killing, Alfonzo Giordano, were all under investigation at the time on federal corruption charges. These cops were literally the chain of command in the frame-up of Mumia Abu-Jamal. Giordano had been the right-hand man for Philadelphia’s notoriously racist police chief and later mayor, Frank Rizzo. From 1966 to 1970, Giordano was in charge of the cop “Stakeout” squad, which led the police raid on the Black Panthers’ headquarters in 1970. He was also the supervisor of the 15-month police siege of MOVE’s Powelton Village house in 1977-78, which resulted in nine MOVE members being sent to prison on frame-up charges of killing a cop. Giordano knew exactly who Mumia was. The senior officer on the scene, he had both motive and opportunity to frame up Mumia for the killing of Faulkner. Giordano originated the claim that Mumia’s gun—the putative murder weapon—was lying beside him on the street. But according to police radio records, the cops were still looking for the gun some 14 minutes after hordes of police had arrived on the scene. Giordano arranged the identification of Mumia by cab driver Robert Chobert, who became a witness for the prosecution. Giordano was the central witness for the prosecution at Mumia’s pretrial hearing. But he was never called as a witness at Mumia’s trial. Shortly before the trial, he was assigned to a desk job. One working day after Mumia was convicted, Giordano resigned from the force. In 1986, Giordano copped a plea on federal charges based on his receiving tens of thousands of dollars in illegal payoffs from 1979 to 1980. He didn’t spend a day in jail.   Prosecution’s Web of Lies The prosecution’s story is that two people were on the corner of 13th and Locust where Faulkner was shot: Mumia’s brother Billy Cook and Faulkner. They claim that Mumia ran across the street when he saw his brother being beaten by Faulkner. According to police and prosecutors, Mumia shot the cop in the back, the cop shot back at Mumia and then Mumia stood over the fallen cop and shot him “execution style” several times in the head. Even a close examination of the cops’ and prosecution’s own evidence gives the lie to this scenario. A look at the “three legs” of the prosecution’s case provides not only stark confirmation of Mumia’s innocence but clear corroboration of Beverly’s testimony. The Prosecution’s Witnesses: Even with police and prosecution threats and favors at the time of the 1982 trial, no witness testified to seeing Mumia actually shoot Faulkner. Only one, Cynthia White, the prosecution’s star witness, testified that she thought she saw a gun in Mumia’s hand when he crossed the street. A prostitute working in the area, White claimed to have witnessed the events from the southeast corner of 13th and Locust. Yet the other two prosecution witnesses, as well as two defense witnesses who knew White, all denied she was at the scene during the shooting! Other prostitutes testified in subsequent court hearings that White alternately got police favors or was threatened by police in order to extract her testimony. As for Robert Chobert, at first he told police that the shooter “ran away.” After further interrogation, he changed his story, claiming that Mumia stood over Faulkner while the shots were fired and that no one ran away. A cab driver using a suspended license while on probation for felony arson, Chobert was given favors by the prosecution in exchange for his testimony. He later admitted that he never saw the shooting. The third state witness was Michael Scanlan. He initially identified Mumia as the VW driver but then claimed that the shooter ran across Locust Street, which Beverly admits that he did. He also admitted that he did not know if Mumia was the man he saw. Ballistics and Forensics: The prosecution claimed that ballistics evidence was “consistent” with Mumia’s gun being the murder weapon even while admitting that the “consistency” applied to millions of handguns. There is no evidence that Mumia’s gun was even fired that night. There was every opportunity to test Mumia’s hands, or the gun, for evidence that it had been recently fired. But according to police no such tests, which are standard operating procedure, were ever done! The Stakeout officer who claimed he picked up Mumia’s gun did not turn it over for more than two hours, providing more than ample time to have it tampered with. The Medical Examiner’s report states that Faulkner was shot with a .44 calibre bullet, yet Mumia’s gun was a .38 calibre. Although the crime lab claimed that the main bullet fragment removed from Faulkner’s head was too damaged to test, the defense team’s ballistics expert denied this. A second bullet fragment removed from the head wound simply disappeared without a trace. Evidence at the scene—bullet fragments, blood stains, the absence of divots in the sidewalk—refutes the prosecution claim that Faulkner was shot repeatedly while lying on the ground. The bullet patterns are far more consistent with multiple shooters, as Beverly testifies. A copper bullet jacket found at the scene was inconsistent with either Faulkner’s or Mumia’s guns, suggesting that a different gun was fired. Similarly, type O blood was found at the scene, but Faulkner, Mumia and Cook were all type A, suggesting that another person was present and injured. The angle of Mumia’s own wounds is impossible if he was shot while standing over Faulkner as the prosecution claimed. However, Mumia’s wounds are consistent with Beverly’s testimony that Mumia was shot by a cop at the scene. The “Confession”: The frame-up’s final leg was the claim that Mumia, lying in a pool of blood at the hospital where he was taken for treatment, shouted out that he had shot the cop. Yet the police officer assigned to guard Mumia there reported that same day that Mumia “made no comments.” In reality, he was so badly wounded, with a bullet hole through one lung, and had been so badly beaten by police on the street and at the hospital, that he could not have “shouted” anything. The “confession” was manufactured by the prosecution at a roundtable meeting with cops two months after the shooting. Priscilla Durham, a security guard, was the only hospital employee who backed up the cops’ “confession” lie. In 2003 Durham’s stepbrother Kenneth Pate swore that Durham said she was pressured by the cops to say Mumia confessed. Pate also said Durham heard Mumia say, “Get off me, get off me, they’re trying to kill me.” Mumia Abu-Jamal has always categorically maintained his innocence. As he declared in a 2001 affidavit: “I did not shoot Police Officer Daniel Faulkner. I had nothing to do with the killing of Officer Faulkner. I am innocent…. I never confessed to anything because I had nothing to confess to.” Mobilize Now to Free Mumia! The case of Mumia Abu-Jamal is an object lesson in the class nature of the capitalist state. Its justice system is class- and race-biased to the core. The cops and courts who framed up this innocent man, the living tomb of the prison system in which he is jailed, the executioner who stands ready to kill—all are instruments of organized violence used to preserve the rule of the capitalist class through the forcible suppression of the working class and oppressed. Smashing this racist frame-up machine will require a socialist revolution that overturns the capitalist system. Demands for a “new trial” which have been raised by liberals, self-proclaimed socialist organizations, black nationalists and others have fed illusions that there can be justice in the capitalist courts. Those illusions demobilized a movement of millions around the world in Mumia’s defense. The time is now to rekindle mass protest—nationally and internationally—on behalf of Mumia. Mumia’s freedom will not be won through reliance on the rigged “justice” system or on capitalist politicians, whether Democrat, Republican or Green. The power that can turn the tide is the power of millions—working people, anti-racist youth, death penalty abolitionists—united in struggle to demand the freedom of this innocent man. Crucial to this perspective is the mobilization of the labor movement, whose social power derives from its ability to shut down production. As we have stated since we first took up Mumia’s defense in the mid 1980s, what’s necessary are labor-centered united-front actions, generating effective protest across a spectrum of political beliefs while assuring all the right to have their own say. The time is now to make Mumia’s case a rallying cry against the racist death penalty, against black oppression, against government repression. Raise your voice and organize now in your union, on your campus, in your community to demand: Free Mumia Abu-Jamal! Abolish the racist death penalty! —Partisan Defense Committee, 27 May 2006

An Open Letter to Mumia Abu-Jamal Supporters-A Personal Commentary (April 2008)



The Partisan Defense Committee has passed "An Open Letter to All Supporters of Mumia‘s Freedom" to this writer. Those few who might not know of the torturous legal battles to free this innocent man can find further information at the above-mentioned Partisan Defense site. I make my own comments below.

Normally I pass information about the case of political prisoner Mumia abu-Jamal on without much comment because the case speaks for itself. The case has been front and center in international labor defense struggles for over two decades. However, in light of the adverse ruling by a majority of a federal Third Circuit Court of Appeal panel in March 2008 that affirmed Mumia’s 1982 conviction for first-degree murder of a police officer and left the only issue for decision that of resentencing to either reinstate his original death sentence or keep him imprisoned for life without parole I have some things to say about this fight.

Occasionally, in the heat of political battle some fights ensue around strategy that after the smoke has cleared, upon reflection, leave one with more sorrow than anger. Not so today. Today I am mad. Am I mad about the irrational decision by the majority of the Third Circuit panel in Mumia’s case? Yes, but when one has seen enough of these cases over a lifetime then one realizes that, as the late sardonic comic and social commentator Lenny Bruce was fond of saying, in the Hall of Justice the only justice is in the halls.

What has got me steamed is the obvious bankruptcy of the strategy, if one can use this term, of centering Mumia’s case on the question of a new trial in order to get the ‘masses’- meaning basically parliamentary liberal types interested in supporting the case. This by people who allegedly KNOW better. The bankruptcy of this strategy, its effects on Mumia’s case and the bewildered response of those who pedaled it as good coin is detailed in the above-mentioned Open Letter. Read it.

Today, in reaction to the Third Circuit court’s decision, everyone and their brother and sister are now calling for Mumia’s freedom. At a point where he is between a rock and a hard place. However, it did not have to be that way. Mumia was innocent in 1982 and he did not stop being innocent at any point along this long road. Freedom for Mumia was (and is) the correct slogan in the case. A long line of political criminal cases, starting in this country with that of the Haymarket Martyrs if not before, confirms that simple wisdom. Those who consciously pedaled this weak ‘new trial’ strategy as a get rich quick scheme now have seen the chickens come home to roost. And Mumia pays the price.

I would point out two factors that made a ‘retrial’ strategy in the case of an innocent man particularly Pollyanna-ish for those honest militants who really believed that Mumia’s case was merely a matter of the American justice system being abused and therefore some court would rectify this situation if enough legal resources were in place. First, it is illusory that somehow, as exemplified in this case, a higher court system would remedy this egregious wrong. Long ago I remember a lawyer, I believe that it might have been the late radical lawyer Conrad Lynn no stranger to political defense work, telling a group of us doing defense work for the Black Panthers, that all these judges belong to the same union. They do not upset each other’s work except under extreme duress.

Second, and this is where the ‘wisdom’ of the reformists about reaching the ‘masses’ by a stagest theory of defense work (fight for retrial first, then freedom) turns in on them. As witness the list of names of those who have signed the Partisan Defense Committee’s call for Mumia’s freedom, excepting professional liberals and their hangers –on, those interested in Mumia’s case (or any leftwing political defense case) will sign on just as easily for freedom as retrial. Thus, opportunism does not pay, even in the short haul. That said, Free Mumia- say it loud, say it proud.

*****When The Bourgeoisie Was In Full Flower- With The French Painter Caillebotte In Mind

*****When The Bourgeoisie Was In Full Flower- With The French Painter Caillebotte In Mind 

 

From The Pen Of Sam Lowell

Yeah, the Baron, Baron Haussmann if you need a name to go with the damage, the social damage done, had done a good job, a damn good job of breaking up beloved Paris with his squeaky clean street lines and wide boulevards. Yeah, changed the face of Paris, the Paris of squalid throw your leavings out the window and heaven help who is below, and heaven help what awful thing was thrown down to the trash-filled streets. The Paris of funny crooked cul de sac streets, which reflected the add-ons over centuries to make a great city from the piss-pot small town back in the Middle Ages when the university was the center of attraction and the good bourgeois in embryo were trying to hold off the barbarians, the wayward no account peasant drifters who snuck off the land, or tried to in order to sulk and menace in the shadows down by the Seine, the river of life and of intrigue.

The Paris of the small craftsman working his trade in some lonely workshop, maybe an indentured apprentice by his side if the craft was skilled enough to warrant such service, his “home” and hearth in the back rooms where the dutiful wife and undutiful screaming children scratched out their pitiful existence. Said craftsman working furiously always brow-beaten worrying about being edged out by Monsieur So and So with plenty of capital and fifty men in his employ underselling him by virtue of economy of scale (or just plain greed at having anybody even a single slave craftsman in his “invisible hand” market place). The Paris too of the jack-roller, the pick-pocket, the wharf rats, the tavern-dwellers, the drifters, the grifters, and the midnight sifters along the shallow shadows of that same beloved Seine     

He, Jean Villon, was called Jean-bon out of respect for his courage under fire in the hell-hole barricade days of 1848  when he and his neighbors, all working-men, held out to the last when the vicious petty-bourgeois who would have benefited most from victory deserted the barricades and he and his took to their fallen losses and jail cells with equanimity (he and his comrades ever after called ‘48ers and no further explanation was necessary, none what-so-ever in any street or boulevard in the town). And called Jean-bon as well for his general good humor when he was not talking politics or scheming the next plot that would bring on the newer world that he and his brethren were seeking. This morning he had had to laugh about the changes in the Rue Madeleine, the urine-laned street where he grew up, about the smell to high heaven of tanning chemicals, rough blacksmith coals, clothe dyes, slaughtered cattles and poultries. Laughed too that in those days, the days before the Baron got the itch (Baron dreams prodded on by ’89 dreams of san-culottes crowds demanding his head on a platter, or maybe just his head any way they could get it preferably via the people’s justice of the guillotine and more recent close calls in ‘48) none of the government’s men dared to enter those quarters even to look for the treasonous or seditious whoever was in power was always nervously pacing the floor about (it did not matter-king-premier-emperor-they all nervously paced their respective floors).

Yeah, back then nothing but crooked little streets leading to harmless little cafes, where he, workingman Villon held “court” with the riff-raff so-called of the old society. Calmly and cautiously quartered where no king’s men would bother to penetrate for they might not come back. Villon descended in some cousin-age degree never quite figured out back to the 15^th century from the outlaw poet mad monk bastard saint Francois Villon who wrote longing "exile in his own country" verse with one hand and stole whatever was not nailed down with the other a fact which Jean never tired of pointing out when back in the day, back in ‘48 on the barricades when it counted comrades would wonder whether his revolutionary energies were flagging and he would drag out his pedigree to small-mouthed scoffs and tittles.

Yeah, the Baron was a slick one tearing down the old quarters to let the rising petty-bourgeois have their elegant apartments tucked away from the steamy stinking markets, the riff-raff cafes, the shadow men of the Seine. Let the bourgeoisie laugh in their clubs about how the riff-raff, meaning their working-men, those who slaved for them, those they had fired for being what some wag called “master-less men” for their habit of robbing said masters whenever the shadows fell, and robbing the once innocent peasant girls who followed in their train and cast their fate with the lot of their virtue, would get a belly-full of lead from the phalanx encircling infantry the next time they tried to pull up brick number one in order to build a barricade.

Although for a while when Thiers, that wizened troll who never uttered anything but treacherous remarks and never stopped for one minute to give the orders to  send whatever troops against the barricades which remained loyal to keep him in power. Rammed those troops against the brave Paris communards of blessed memory back in 1871 when the frightened bourgeoisie realized that the barricades could still be constructed when the working-men rose up in righteous anger at the betrayals put upon them. (Those communards like their earlier brethren of ’48 called communards and no further explanation was necessary, none what-so-ever in any street or boulevard in the town.)

But those days were long gone now. The Baron had won, had won his victory over the riff-raff and Jean-bon Villon knew it would be a long time before the blood of the communards dried. Dried and avenged.  

 

Now the picture before Villon as he walked along Rue Madeline a place foreign to his eyes this rainy Sunday morning is that of prosperous petty bourgeois walking under the shadows of their handsome umbrellas along the well-trodden brick-laid slippery street taking in the sullen airs of the day. Each pair, male and female from a rough look at the scene, in their own world heading perhaps to some café breakfast (under awnings this morning) maybe going to the gardens up the road. Villon, the old revolutionary, looking down and noticing that every spattered brick had been inlaid (although that never stopped them from tearing them up in the old days), noticed that  as one wag put it that now the streets were big enough for all of Paris without regard to class to walk and fete wherever they cared to. Here is the waggish joke though, except for some ragman with his cur of a dog his sort were nary to be seen on these wet streets and intersections. Yeah, the Baron did his work well.      

Sloughing Toward Bethlehem-To The Ghost Of Hunter Thompson-“Doctor Gonzo” Where Are You Now When We Need You?

Sloughing Toward Bethlehem-To The Ghost Of Hunter Thompson-“Doctor Gonzo” Where Are You Now When We Need You?

A link to a Wikipedia entry for Doctor Hunter S. Thompson, "Doctor Gonzo."


https://en.wikipedia.org/wiki/Hunter_S._Thompson



By Frank Jackman

 

Back in 2008, no, maybe more like late 2007 Josh Breslin, the then well-known writer for half the unread alterative journals and small publications in America now mercifully retired attempted against  all caution to seriously comment on the upcoming presidential election in the United States (mercifully retired for his gallons of friends who had to subscribe to those alternative and small press publications and appropriately display them, pristine and unread, on their expansive coffee tables when guests, including the ubiquitous Josh showed up for party time). Attempted to in his small way to “pinch hit” for his long distance mentor, the late Doctor Gonzo, the late big-time lefty journalist Hunter Thompson who had gained a fair share of his fame from every four years since the ill-fated and ill-starred 1972 campaign where nice guy Senator George McGovern got pasted by the then current president and common criminal, one Richard Milhous Nixon, rolling out his wild wind commentary. (Accompanied by some of the most graphically vicious but on point artwork by the bloody Englishman Ralph Steadman.) The pinch hitting became necessary when the to be sorely missed Doctor having committed suicide for what were apparently health reasons in 2005 (or maybe not being able to stand what looked like then a standard brand same old, same old campaign with another Clinton and who knows who else in 2008 where he would begin to look like the ghost of Teddy White who in an earlier time got tagged with being the “go to” guy for presidential politics every four years to the exclusion of any other worthy pursuit).   

 

On the face of the matter the thought for Josh of a big-time drag out knock them down fight for the soul of the Democratic Party between an insurgent black candidate, Barack Obama, subsequently the first black president but also the first president whose administration from start to finish was tied up with wars somewhere despite a still unseemly Nobel Peace prize to his credit, and the first serious woman candidate Hillary Clinton, former first lady and the wife of most publically acknowledge randy President since Warren Harding  had seemingly endless possibilities for comment and consideration. And no question a few well-chosen barbs as well. On the other side, the Republican Party also had what looked like a real donnybrook for that party’s nomination between ex-Vietnam prisoner of war Senator John McCain from Arizona and an upstart Mormon, Mitt Romney out of Massachusetts or someplace it was never  clear where he claimed residence, whose seemingly odd-ball religion with its former history of polygamy (including by his grandfather or great-grandfather Josh had forgotten which) and the wearing white cotton underwear by its devotees had its own feisty possibilities.

 

Josh did start out like a house afire, had the Obama black and smart appeal nailed down, saw where Clinton fatigue would do Hillary in and where Mitt’s inability to not drool in public over the prospects of getting the nomination despite being “on the one hand, on the other hand” about every single issue including whether he liked wearing white cotton boxer shorts or briefs would finally make him a loser. Then in May of that year maybe before, but not question by May, Josh threw in the towel, publically stated that what had seemed like the makings of an interesting bourgeois parties’ campaign had turned to piss and vinegar. Had all the appeal of a mop.

 

He abandoned his ideas in a fit of hubris recognizing as well that it took the stomach of a Hunter Thompson loaded down with as much dope as he could get down his gills, as much Wild Turkey as he could syphon down his throat and as much gibberish as he could produce on whatever new technological gadget he could handle to make his reports to do justice to the damn thing. Long gone Hunter meant that there was really nobody who gave a rat’s ass about covering the campaign the way it should be covered-with a very pinched nose and from a midnight hotel room one hundred miles from any candidate.

 

When 2011 came around with a sitting if then wildly unpopular president in office Josh didn’t even bother to think about the nerve-wracking possibility that he might slip back, might abandon that twelve-step program for political junkies which had weened him off such fruitless endeavors. Then 2015 came along, 2015 the year that Josh had planned to retire, planned to go back up to Maine and work through a couple of ideas about that great American novel that due to the urgencies of making enough money to pay alimony, child support and college educations for his three divorced wives and his brood of children, and all of a sudden a guy named Donald Trump came into view, had some kind of serious chance to take the Republican nomination based on Know-Nothing politics that had not been in play since about 1856 before the then newly emerged Republican Party beat back the bastards.

 

Josh toyed and toyed with the idea of getting back in the ring, of going mano y mano with this cartoonish character who seemed a natural for the skewer. Then Josh went back to his archives, back to some comments he made in 2008 and later in 2012 when he abandoned the crummy little small change of beating up on guys and gals who could give a rat’s ass about some writer up in Maine holding forth on the issues of the day. The kicker though was a commentary he had written about the need for the outsized ego of a Hunter Thompson to do justice to the campaign. Hunter whose blood rose to the quick when all the bullshit of the campaigns gathered steam would have loved this low-rent 2016 fight. Here’s what Josh had to say then, and stands by now when more than ever we need a big foot guy like Thompson to tilt his lance:

 

Josh Breslin comment:                  

 

 

One of the beautiful things about commentary on American bourgeois presidential electoral politics is that with a change of name here, maybe these days an added gender or two, maybe a longer list of contenders in one contest year than another, you can “cut and paste” from 2004, 2008, 2012, 2016 (I’m ready) and be right on point. The following piece from the archives is a case in point. But the real beauty, as stated in the entry, is that I don’t have to actually vote for any of them. That, as the credit card commercial says, is priceless.

********

“In my old age I am getting a little weak-kneed about having to wade through the basically vacuous blather coming out of the Democratic and Republican presidential nominating processes. While we are in a little period of ‘doldrums’ before the deluge I keep falling back to the work of Hunter Thompson on earlier presidential campaigns to try to keep a little sanity. Here’s a little tribune to the fallen journalist. Damn, Hunter we sure as hell could use you now. Call me collect from wherever you are. I’ll gladly accept the charges. Selah.

 

This commentary was originally used as part of a review of Hunter Thompson's Songs of the Doomed. Since most of the points I made in my review of that book apply here I will let that review stand in for the essential thrust of his whole body of political work. Obviously each book written by Thompson on the various presidential campaigns is formatted differently but whether Thompson was skewering the Nixon era, the Reagan era, the Clinton era or the Bush eras the song is the same. And it was not (and is not) pretty.

 

“Generally the most the trenchant social criticism, commentary and analysis complete with a prescriptive social program ripe for implementation has been done by thinkers and writers who work outside the realm of bourgeois society, notably socialists and other progressive thinkers. Bourgeois society rarely allows itself, in self- defense, to be skewered by trenchant criticism from within. This was particularly true when it came from a known dope fiend, gun freak and all-around lifestyle addict like the late, lamented Dr. Hunter S. Thompson. Although he was far from any thought of a socialist solution and would reject such a designation we could travel part of the way with him. We saw him as a kindred spirit. He was not one of us- but he was one of us. All honor to him for pushing the envelope of journalism in new directions and for his pinpricks at the hypocrisy of bourgeois society. Such men are dangerous.

 

I am not sure whether at the end of the day Hunter Thompson saw himself or wanted to been seen as a voice, or the voice, of his generation but he would not be an unworthy candidate. In any case, his was not the voice of the generation of 1968, my generation, being just enough older to have been formed by the earlier, less forgiving coming of political age in the 1950's. His earlier writings show his struggle to break out of formalistic journalism. Nevertheless, only a few, and with time it seems fewer in each generation, allow themselves to search for some kind of truth even if they cannot go the whole distance. This compilation under review is a hodgepodge of articles over the best part of Thompson's career. As with all journalists, as indeed with all writers especially those who are writing under the gun and for mass circulation media these works show an uneven quality. However the total effect is to blast old bourgeois society almost to its foundations. Others will have to push on further.

 

One should note that `gonzo' journalism of which Thompson’s later work is a prime example is quite compatible with socialist materialism. That is, the writer is not precluded from interpreting the events described within with himself/herself as an actor in the story. The worst swindle in journalism, fostered by the formal journalism schools, as well as in other disciplines like history and political science is that somehow one must be “objective.”' Reality is better served if the writer puts his/her analysis forward correctly and then gets out of the way. In his best work that was Hunter's way.

 

As a member of the generation of 1968 I would note that the 1960s was a period of particular importance which won Hunter his spurs as a journalist. Hunter, like many of us, cut his political teeth on one Richard Milhous Nixon, at one time President of the United States and all- around political chameleon. Thompson went way out of his way, and with pleasure, to skewer that man when he was riding high. He was moreover just as happy to kick Nixon when he was down, just for good measure. Nixon represented the “dark side” of the American spirit- the side that appears today as the bully boy of the world and as craven brute. Sound familiar? If for nothing else Brother Thompson deserves a place in the pantheon of journalistic heroes for this exercise in elementary hygiene. Anyone who wants to rehabilitate THAT man before history please consult Thompson's work. Hunter, I hope you find the Brown Buffalo wherever you are. Read this book. Read all his books.”

Strange that this review could with a few changes have been written in 2016-JB