Out In The Be-Bop 1960s Night- Frankie Out In The Adventure Car Hop Night

Out In The Be-Bop 1960s Night- Frankie Out In The Adventure Car Hop Night

 

 

A YouTube film clip of the Dubs performing the classic Could This Be Magic? to set the mood for this piece.

 

By Josh Breslin

 

Frankie Riley, the old corner boy leader of the crowd, our crowd of the class of 1964 guys who made it and graduated, not all did, a couple wound up serving time in various state pens but that is not the story I want to tell today except that those fallen brothers also imbibed Frankie’s wisdom (else why would they listen to him for they were tougher if not smarter than he was) about what was what in rock and roll music in the days when we had our feet firmly planted in front of Tonio’s Pizza Parlor in North Adamsville, had almost a sixth sense about what songs would and would not make it in the early 1960s night. Knew like the late Billy Bradley, my corner boy when my family lived on the other side of town back then, did in the 1950s elementary school night what would stir the girls enough to get them “going.” And if you don’t understand what “going” meant or what “going and rock and roll together in the same sentence meant then perhaps you should move along. Why else would we listen to Frankie, including those penal tough guys, if it wasn’t to get into some girl’s pants. Otherwise guys like Johnny Blade (and you don’t need much imagination to know what kind of guy and what kind of weapon that moniker meant) and Hacksaw Jackson would have cut of his “fucking head’ (their exact expression and that is a direct quote so don’t censor me or give me the “what for”).

 

But that was then and this is now and old, now old genie Frankie had given up the swami business long ago for the allure of the law profession which he is even now as I write starting to turn over to his younger partners who are begging just like he did in his turn to show their stuff, to herald the new breeze that the austere law offices of one Francis Xavier Riley and Associates desperately needs to keep their clients happy. In that long meantime I have been the man who has kept the flame of the classic days of rock and roll burning. Especially over the past few years when I have through the miracles of the Internet been able between Amazon and YouTube to find a ton of the music, classics and one-shot wonders of our collective youths and comment on it from the distance of fifty or so years.

 

I have presented some reviews of that material, mostly the commercially compiled stuff that some astute record companies or their successors have put together to feed the nostalgia frenzy of the cash rich (relatively especially if they are not reduced to throwing their money at doctors and medicines which is cutting into a lot of what I am able to do), on the Rock and Roll Will Never Die blog that a guy named Wolfman Joe had put together trying to reassemble the “youth nation” of the 1960s who lived and died for the music that was then a fresh breeze compared to the deathtrap World War II-drenched music our parents were trying to foist on us.         

 

That work, those short sketch commentaries, became the subject for conversation between Frankie and me when he started to let go of the law practice (now he is “of counsel” whatever that means except he get a nice cut of all the action that goes through the office without the frenzied work for the dollars) and we would meet every few weeks over at Jack’s in Cambridge where he now lives since the divorce from his third wife, Minnie. So below are some thoughts from the resurrection, Frankie’s term, for his putting his spin on “what was what” fifty or so years ago when even Johnny Blade and Hacksaw Jackson had sense enough to listen to his words if they wanted to get into some frill’s pants.

 

“Okay, you know the routine by now, or at least the drift of these classic rock reviews. [This is the sixth in the series that I had originally commented on but which Frankie feels he has to put his imprimatur on just like in the old days- JB] The part that starts out with a “tip of the hat” to the hard fact that each generation, each teenage generation that is makes its own tribal customs, mores and language. Then the part that is befuddled by today’s teenage-hood. And then I go scampering back to my teenage-hood, the teenage coming of age of the generation of ‘68 that came of age in the early 1960s and start on some cultural “nugget” from that seemingly pre-historic period. Well this review is no different, except, today we decipher the drive-in restaurant, although really it is the car hops (waitresses) that drive this one.

 

See, this series of reviews is driven, almost subconsciously driven, by the Edward Hopper Nighthawk-like illustrations on the The Rock ‘n’ Roll Era CDs of this mammoth set of compilations (fifteen, count them, fifteen like there were fifteen times twenty or so songs on each compilation or over three hundred classic worth listening to today. Hell, even Frankie would balk at that possibility).

 

In this case it is the drive-in restaurant of blessed teenage memory. For the younger set, or those oldsters who “forgot” that was a restaurant idea driven by car culture, especially the car culture from the golden era of teenage car-dom, the 1950s. Put together cars, cars all flash-painted and fully-chromed, “boss” cars we called them in my working class neighborhood, young restless males, food, and a little off-hand sex, or rather the promise or mist of a promise of it, and you have the real backdrop to the drive-in restaurant. If you really thought about it why else would somebody, anybody who was assumed to be functioning, sit in their cars eating food, and at best ugly food at that, off a tray while seated in their cherry, “boss" 1959 Chevy.

 

And beside the food, of course, there was the off-hand girl watching (in the other cars with trays hanging off their doors), and the car hop ogling (and propositioning, if you had the nerve, and if your intelligence was good and there was not some 250 pound fullback back-breaker waiting to take her home after work a few cars over with some snarl on his face and daggers in his heart or maybe that poundage pounding you) there was the steady sound of music, rock music, natch, coming from those boomerang speakers in those, need I say it, “boss” automobiles. And that is where all of this gets mixed in.

 

Of course, just like another time when I was reviewing one of the CDs in this series, and discussing teenage soda fountain life, the mere mention, no, the mere thought of the term “car hop” makes me think of a Frankie story. Frankie, Francis Xavier Riley, Frankie from the old hell-fire shipbuilding sunk and gone and it-ain’t-coming-back-again seen better days working class neighborhood where we grew up, or tried to. Frankie who I have already told you I have a thousand stories about, or hope I do. Frankie the most treacherous little bastard that you could ever meet on one day, and the kindest man (better man/child), and not just cheap jack, dime store kindness either, alive the next day. Yeah, that Frankie, my best middle school and high school friend Frankie.

 

Did I tell you about Joanne, Frankie’s “divine” (his term, without quotation marks) Joanne because she enters, she always in the end enters into these things? Yes, I see that I did back when I was telling you about her little Roy “The Boy” Orbison trick. The one where she kept playing Running Scared endlessly to get Frankie’s dander up. But see while Frankie has really no serious other eyes for the dames except his “divine” Joanne (I insist on putting that divine in quotation marks when telling of Joanne, at least for the first few times I mention her name, even now. Needless to say I questioned, and questioned hard, that designation on more than one occasion to no avail) he is nothing but a high blood-pressured, high-strung shirt-chaser, first class. And the girls liked him, although not for his looks although they were kind of Steve McQueen okay. What they went for him for was his line of patter, first class. Patter, arcane, obscure patter that made me, most of the time, think of fingernails scratching on a blackboard (except when I was hot on his trail trying to imitate him) and his faux “beat” pose (midnight sunglasses, flannel shirt, black chinos, and funky work boots (ditto on the imitation here as well). And not just “beat’ girls liked him, either as you will find out. Certainly Joanne the rose of Tralee was not beat sister (although she was his first wife). 

 

Well, the long and short of it was that Frankie, late 1963 Frankie, and the...(oh, forget it) Joanne had had their 207th (really that number, or close, since 8th grade) break-up and Frankie was a "free” man. To celebrate this freedom Frankie, Frankie, who was almost as poor as I was but who has a father with a car that he was not too cheap or crazy about to not let Frankie use on occasion, had wheels. Okay, Studebaker wheels but wheels anyway. And he was going to treat me to a drive-in meal as we went cruising the night, the Saturday night, the Saturday be-bop night looking for some frails (read: girls, Frankie had about seven thousand names for them)

 

Tired (or bored) from cruising the Saturday be-bop night away (meaning girl-less) we hit the local drive-in hot spot, Arnie’s Adventure Car Hop for one last, desperate attempt at happiness (yeah, things were put, Frank and me put anyway, just that melodramatically for every little thing). What I didn’t know was that Frankie, king hell skirt-chaser had his off-hand eye on one of the car hops, Sandy, and as it turned out she was one of those girls who was enamored of his patter (or so I heard later). So he pulled into her station and started to chat her up as we ordered the haute cuisine, And here was the funny thing, now that I saw her up close I could see that she was nothing but a fox (read: “hot” girl).

 

The not so funny thing was that she was so enamored of Frankie’s patter that he was going to take her home after work. No problem you say. No way, big problem. I was to be left there to catch a ride home while they set sail into that good night. Thanks, Frankie.

Well, I was pretty burned up about it for a while but as always with “charma” Frankie we hooked up again a few days later. And here is where I get a little sweet revenge (although don’t tell him that).

Frankie sat me down at the old town pizza parlor [Tonio’s Pizza Parlor of blessed memory-JB] and told me the whole story and even now, as I recount it, I can’t believe it.

 

Sandy was a fox, no question, but a married fox, a very married fox, who said she when he first met her that she was about twenty-two and had a kid. Her husband was in the service and she was “lonely” and succumbed to Frankie’s charms. Fair enough, it is a lonely world at times. But wait a minute, I bet you thought that Frankie’s getting mixed up with a married honey with a probably killer husband was the big deal. No way, no way at all. You know, or you can figure out, old Frankie spent the night with Sandy. Again, it's a lonely world sometimes.

 

The real problem, the real Frankie problem, was once they started to compare biographies and who they knew around town, and didn’t know, it turned out that Sandy, old fox, old married fox with brute husband, old Arnie’s car hop Sandy was some kind of cousin to Joanne, second cousin maybe. And she was no cradle-robber twenty-two (as if you could rob the cradle according to Frankie) but nineteen, almost twenty and was just embarrassed about having a baby in high school and having to go to her "aunt's" to have the child. Moreover, somewhere along the line she and cousin Joanne had had a parting of the ways, a nasty parting of the ways. So sweet as a honey bun Arnie's car hop Sandy, sweet teen-age mother Sandy, was looking for a way to take revenge and Frankie, old king of the night Frankie, was the meat. She had him sized up pretty well, as he admitted to me. And he was sweating this one out like crazy, and swearing everyone within a hundred miles to secrecy. So I’m telling you this is strictest confidence even now fifty years later and long after his divorce from her. Just don’t tell Joanne. Ever.

Heading Toward The Danger When It Counted In The Red Scare 1950s Night-The Saga Of The Golden Rule

Heading Toward The Danger When It Counted In The Red Scare 1950s Night-The Saga Of The Golden Rule

 

Frank Jackman:

Those of us who grew in the blessedly behind us Red Scare Cold War 1950s night and who innocently suffered through the torments of ducking our heads and asses down in some forlorn school basement come air-raid drill time missed a few things. Didn’t get to know much more than if we didn’t duck those heads and asses we were doomed. Like if the “big one,” and everybody from about first grade on knew the big one meant that the Russkies, Uncle Joe and his minions, had set the trail for total destruction had really occurred some candy-ass basement was going to save us. What we didn’t know because nobody gave a rat’s ass to tell us we would have been just as well off staying right at our desks in the classroom because when and if the big one blew around Boston town we were goners anyway.

Well, enough of youthful Cold War horror stories because the really important thing that we did not know, as elementary and junior high school students did not know, was that there were people, brave people anyway you cut it who challenged the conventional wisdom, did not buy into the idea that we all had to suffer the nuclear winter the governmental flaks were warning us about if we didn’t go toe to toe with Uncle Joe and his minions and built more and more thermonuclear bombs. And test then out in what was supposed to be “no man’s land,” out in the deep Pacific. But some brave souls in places like New York and Boston demonstrated against the nuclear madness. And they were brave. But the bravest of them all, the ones we should thank profusely even today, maybe especially today as a new cold war seems to be on the agenda were those serious pacifists who outfitted the Golden Rule and headed toward, not away from, the danger of the nuclear test bomb sites to say, well, to say “stop the madness.” Yeah, stop the madness now. Check out the story of the Golden Rule and its recent restoration to once again go toward not away from the danger.   

Shakespeare In Love-Or In Love With Shakespeare-With The 400th Anniversary Year Of The Bard’s Death In Mind

Shakespeare In Love-Or In Love With Shakespeare-With The 400^th Anniversary Year Of The Bard’s Death In Mind

 

Who knows at this point how many expressions, terms, words, playwright ideas, throwaway ideas, mousy idea, idle chatter, barroom fisticuffs, flights of fancy, lost hours of imitative work, faded romance, ill-fated romance, bewitched love-craft, homages, just sayings, bon mots, revels, idle chatter, oops I already said that, murderous intentions, incestuous desires, kingly horses, betrothals, beheadings, beddings, binges, oops same as barroom fisticuffs, groundling up-swells, pixie midnight madnesses, rancorous reconnoiters, plough and stars séances, heterosexual dalliances, homosexual dalliances(remember all those boys in girls’ uniforms, philogists banter, etymological discoveries, runes, druid pithiness, and shear humbug can be laid at the Bard of Avon’s door after 400 plus years but no question plenty can. And in the next one hundred solemn years about ninety percent of the items expressed above things will continue to be thrown at that self-same door. So be it. We are richer by some nth magnitudes for the works.        

Adding their two pence worth is a series on Shakespeare’s influence on the development and neglect of language-the English language mainly but the not unimportant fact that at one time “the sun never set on the British Empire” makes that a much bigger historical fact than a simple national language the British Broadcasting Company (BBC) has been running an episodic year-long project about the Bard’s effects.

Here’s the link-and get ready for 2116 now.

http://www.bbc.co.uk/arts/shakespeare/

*****Looking For The Heart Of Saturday Night, Christ The Heart Of Any Night-Elegy For Tom Waits

*****Looking For The Heart Of Saturday Night, Christ The Heart Of Any Night-Elegy For Tom Waits

From The Pen Of The Late Peter Paul Markin who fell by the wayside, fell to his notoriously monstrous “wanting habits” accumulated since childhood looking too hard, looking to hard in the wrong places down among the weeds in Mexico, looking for train smoke and dreams if you really thought about the matter, looking for his own heart of Saturday night-RIP, Brother-RIP.     

 

If you, as I do, every once in a while, every once in a while when the norms of today’s bourgeois-driven push, bourgeois a better term than capitalist or imperialist if you are in America since it gives a better view of the unhindered social norms, the ethos rather than the sheer grab for filthy lucre; you know grab goods, grab the dough, grab every cheap-jack convenience like it was God’s own gold, grab some shelter from the storm, the storm that these days comes down like a hard rain falling, to get ahead in this wicked old world have to step back and take stock, maybe listen to some words of wisdom, or words that help explain how you got into that mess then you have come to the right address, the address of Mister Tom Waits if you missed the headline or missed who is writing this thing (or better "wrote" since this piece is being edited posthumously by Zack James who found this and three companion pieces in the attic of Josh Breslin's Olde Saco family house in Olde Saco, Maine when they were looking to dispose of whatever could be disposed of in preparation for selling the place so Josh and Lana could move in smaller quarters and Josh told him the long and at the end the sad story about Josh's and Markin's meeting out in San Francisco in the summer of love 1960s times and about Markin's awful fate down in Mexico. That story drove Zack to the editing job in order that a genuine mad monk writer could some forty years after his death receive a small recognition of his ambitious talent.) 

Okay, okay on that bourgeois-driven today thing once I describe what was involved maybe it didn’t just start of late. Maybe the whole ill-starred rising went back to the time when this continent was, just like F. Scott Fitzgerald said way back in the 1920s when he made up the Jazz Age and reeled back in dismay once he saw how those coupon-clippers devoured all good sense and sober ethos, just a fresh green breast of land eyed by some hungry sailors some hungry Dutch sailors who took what they wanted back the homeland and made a grave attempt to fatten their own chests. Just check out any Dutch master painting to see what I mean.

Going back to Calvinist Puritan avenging angels times with John Winthrop and the Mayflower boys and their city on the hill but you best ask Max Weber about that since he tried to hook these world-wise and world weary boys no longer worrying about novenas and indulgences against some netherworld to the wheel of the capitalist profit. Profit (grab the dough, grab the goods, grab stuff cheap) for "you at the expense of me" system with the new dispensation coming out like hellfire from Geneva and points east and west. The eternal story of the short end of the stick if you aren’t ready for sociological treatises and rely on guys like Tom Waits to wordsmith the lyrics to set you right about what is wrong. But you get the point.

If all that to-ing and fro-ing (nice touch, right) leaves you wondering where you fell off the edge, that edge city (edge city where you danced around with all the conventions of the days, danced around the get ahead world, grab the dough, grab the goods, grab stuff cheap,  with blinkers on before you got stuck in the human sink that you have still not been able to get out of) where big cloud outrageous youthful dreams were dreamt and you took risks, damn did you take risks, thought nothing of that fact either, landed on your ass more than a few times but just picked yourself up and dusted your knees off and done stick around and listen up. Yeah, so if you are wondering,  have been pushed off your saintly wheels, yeah, pushed off your sainted wheels, and gotten yourself  into some angst-ridden despair about where you went off that angel-driven dream of your youth, now faded, tattered, and half- forgotten(but only half, only half-forgotten, the wisp of the dream, the eternal peace dream, the figuring out how to contain that fire, that wanting habits fire in your belly dream sisters and brothers), and need some solace (need some way to stop the fret counting the coffee cups complete with spoons to measure that coffee out as the very modernist poet once said making his modern statement about the world created since the turn of the 19th century that while away your life). Need to reach back to roots, reach back to roots that the 1950s golden age of America, the vanilla red scare Cold War night that kicked the ass out of all the old to make us crave sameness, head down, run for cover, in order to forget about those old immigrant customs, made us forget those simple country blues, old country flames, Appalachia mountain breeze coming through the hills and hollows songs, lonely midnight by the fire cowboy ballads, Tex-Mex big ass brass sympatico squeezes Spanish is the loving tongue, Irish desperate struggles against John Bull  sorrows and cautionary tale Child ballads, plucked out early by a professor over on Brattle Street back when the Brahmins very publicly ruled the roost, or Cajun Saturday night stewed drunks that made the people feel good times), reach back to the primeval forest maybe, put the headphones on some Tom Waits platter [oops, CD, YouTube selection, etc.- “platter” refers to a, ah, record, vinyl, put on a record player, hell, look it up in Wikipedia, okay-Zack James] and remember what it was like when men and women sang just to sing the truth of what they saw and heard.

If the norms of don’t rock the boat (not in these uncertain times like any times in human existence were certain, damn, there was always something scary coming up from the first man-eating beast to the human race-eating nuclear bombs, brother even I Iearned early that it was a dangerous world, yeah, learned very early in the Adamsville projects where you got a very real taste of danger before you got too much older than five or six), the norms of keep your head down (that’s right brother, that’s right sister keep looking down, no left or rights for your placid world), keeping your head down being an art form now with appropriate ritual (that ritual looking more and more like the firing squad that took old Juan Romero’s life when he did bad those days out in Utah country), and excuses, because, well, because you don’t want to wind up like them (and fill in the blank of the “them,” usually dark, very dark-skinned like some deathless, starless night disturbing your sleep, begging, I swear, begging you to put that gun in full view on the table, speaking some unknown language, maybe A-rab or I-talian, maybe gibberish for all you know, moving furtively and stealthily against your good night) drive you crazy and you need, desperately need, to listen to those ancient drum beats, those primeval forest leave droppings maybe, that old time embedded DNA coda long lost to, oh yes, civilization, to some civilizing mission (think of that Mayflower gang and that fresh green breast of land  and that city on a hill that drove them cross-eyed and inflamed or ask Max Weber, he footnoted the whole thing, put paid to any idea of otherworldly virtue), that spoke of the better angels of your nature when those angel dreams, half-forgotten but only half-forgotten remember, ruled your days. Turn up the volume up another notch or two on that Tom Waits selection, maybe Jersey Girl or Brother, Can You Spare A Dime (can you?), Hold On, or Gunn Street Girl.

If you need to hear things, just to sort things out, just to recapture that angel-edge, recapture the time when you did no fear, you and everybody else’s sisters and brothers, that thing you build and from which you now should run, recapture that child-like wonder that made you come alive, made you think about from whence you came and how a turn, a slight turn this way or that, could have landed you on the wrong side of the fence. And I have the list of brothers and sisters who took that wrong road, like that time Jack from Carver wound up face down in some dusty back road arroyo down Sonora way when the deal went bust or when she, maybe a little kinky for all I know, decided that she would try a needle and a spoon, I swear, or she swore just for kicks and she wound up in Madame LaRue’s whorehouse working that sagging bed to perdition and worse losing that thing she had for sex once she started selling it by the hour. Hey, sweet dreams baby I tried to tell you when you play with fire watch out.

So if you need to sort things out about boozers (and about titanic booze-crazed struggles in barrooms, on beaches, in the back seats of cars, lost in the mist of time down some crazed midnight, hell, four in the morning, penniless, cab fare-less night), losers (those who have lost their way, those who had gotten it taken away from them like some maiden virginity, those who just didn’t get it frankly in this fast old world taken in by some grifter’s bluster), those who never had anything but lost next to their names, those who never had a way to be lost, dopesters inhaling sweet dream snow in solitary hotel rooms among junkie brethren, gathering a needle and spoon in some subterranean dank cellar, down in dark alleys jack-rolling some poor drunk stiff out of his room rent for kicks (how uncool to drink low-shelf whiskeys or rotgut wines hell the guy deserved to be rolled, should feel lucky he got away with just a flipped wallet), out in nighttime canyons flame blaring off the walls, the seven seas of chemical dust, mainly blotter, maybe peyote (the sweet dreams of ten million years of ghost warriors working the layered canyon walls flickering against the campfire flames and the sight of two modern warriors shirtless, sweaty, in a trance, high as kites, dancing by themselves like whirling dervishes   ready to do justice for the white man's greed until the flames flickered out and they fell in a heap exhausted) if that earth angel connection comes through (Aunt Sally, always, some Aunt Sally coming up the stairs to ease the pain, to make one feel, no, not feel better than any AMA doctor without a prescription pad), creating visions of long lost tribes trying, trying like hell, to get “connected,” connected in the campfire shadow night, hipsters all dressed in black, mary mack dressed in black, speeding, speaking be-bop this and be-bop that to stay in fashion, hustling, always hustle, maybe pimping some street urchin, maybe cracking some guy’s head to create a “new world order” of the malignant, always moving, fallen sisters (sisters of mercy, sisters who need mercy, sisters who were mercifully made fallen in some mad dash night, merciful sister feed me, feed me good), midnight sifters (lifting in no particular order hubcaps, tires, wrenches, jacks, an occasional gem, some cheap jewelry in wrong neighborhoods, some paintings or whatever is not saleable left in some sneak back alley, it is the sifting that counts), grifters (hey, buddy watch this, now you see it, now you don’t, now you don’t see your long gone John dough, and Mister three card Monte long gone too ), drifters (here today gone tomorrow with or without dough, to Winnemucca, Ogden, Fresno, Frisco town, name your town, name your poison and the great big blue seas washing you clean out into the Japan seas), the drift-less (cramped into one room hovels, shelters, seedy rooming houses, hell, call them flop houses, afraid to stay in-doors or to go outside, afraid of the “them” too, afraid to be washed clean, angel clean), and small-time grafters (the ten-percent guys, failed insurance men, repo artists, bounty hunters, press agents, personal trainers, need I go on). You know where to look, right.

If you need to be refreshed on the subject of hoboes, bums, tramps (and remind me sometime to draw the distinction, the very real and acknowledged distinction between those three afore–mentioned classes of brethren once told to me by a forlorn grand master hobo, a guy down on his luck moving downward to bum), out in the railroad jungles in some Los Angeles ravine, some Gallup, New Mexico Southern Pacific  trestle (the old SP the only way to travel out west if you want to get west), some Hoboken broken down pier (ha, shades of the last page of Jack Kerouac’s classic), the fallen (fallen outside the gates of Eden, or, hell, inside too), those who want to fall (and let god figure out who made who fall, okay), Spanish Johnnies (slicked back black hair, tee shirt, shiv, cigarette butt hanging from a parted lip, belt buckle ready for action, leering, leering at that girl over there, some gringa for a change of pace, maybe your girl but watch out for that shiv, the bastard), stale cigarette butts (from Spanish Johnnie and all the johnnies, Camels, Luckies, no filters, no way), whiskey-soaked barroom floors (and whiskey-soaked drunks to mop the damn place up, for drinks and donuts, maybe just for the drinks), loners (jesus, books, big academic books with great pedigrees could be written on that subject so let’s just let that one pass by), the lonely (ditto loners), sad sacks (kindred, one hundred times kindred to the loners and the lonely but not worthy of study, big book academic study anyway), the sad (encompassing all of the above) and others at the margins of society, the whole fellahin world (the big mass of world sweated field braceros, sharecroppers, landless peasants and now cold-water flat urban dwellers fresh from the played out land, or taken land) then Tom Waits is your stop.

Tom Waits is, frankly, an acquired taste, one listen will not do, one song will not do, but listen to a whole record [CD or download okay-Zack] and you won’t want to turn the thing off, high praise in anyone’s book, so a taste well worth acquiring as he storms heaven in words, in thought-out words, in cribbed, cramped, crumbled words, to express the pain, angst and anguish of modern living, yes, modern living.

See he ain’t looking for all haloed saints out there, some Saint Jerome spreading the word out to the desert tribes, out on the American mean streets he has pawed around the edges, maybe doesn’t believe in saints for all I know, but is out looking for busted black-hearted angels all dressed in some slinky silk thing to make a man, a high-shelf whiskey man having hustled some dough better left unexplained that night going off his moorings feeding her drinks and she a liquor sponge (who left him short one night in some unnamed, maybe nameless, gin mill when she split, after she split her take with the bartender who watered her drinks, hell, the thing was sweet all she needed to do when he leaned into her was grab his sorry ass and get the damn wallet). Looking too, a child of the pin-up playboy 1950s, for girls with Monroe hips (hips swaying wickedly in the dead air night, and enflaming desire, hell lust, getting kicked out of proper small town hells by descendants of those aforementioned Mayflower boys for promising the world for one forbidden night), got real, and got left for dead with cigar wrapping rings. Yeah, looking for the desperate out there who went off the righteous path and wound up too young face down in some forsaken woods who said she needed to hold on to something, and for all the misbegotten. 


Tom Waits once you get the habit gives voice in song, a big task, to the kind of characters that peopled Nelson Algren’s novels (The Last Carousel, Neon Wilderness, Walk on the Wild Side, and The Man with the Golden Arm). The, frankly, white trash Okie/Arkie Dove Linkhorns and Frankie Machines of the world who had to keep moving just for the sake of moving something in the DNA driving that whirlwind, genetically broken before they begin, broken before they hit these shores (their forbears thrown out of Europe for venal crimes and lusts, pig-stealing, deer-pouching, working the commons without a license, highwaymen, ancient jack-rollers, the flotsam and jetsam of the old world, damn them, the master-less men and women, ask old Max about them too), having been chased out, cast out of Europe, or some such place. In short, the people who do not make revolutions, those revolutions we keep hearing and reading about, far from it, the wretched of the earth and their kin, the ones who the old blessed Paris communards were thinking of when they hanged a sign saying “Death to Thieves” from the Hotel de Ville balcony, but those who surely, and desperately could use one. If you want to hear about those desperate brethren then here is your stop as well.

If, additionally, you need a primordial grizzled gravelly voice to attune your ear to the scratchy earth and some occasional dissonant instrumentation to round out the picture go no further. Hey, let’s leave it at this- if you need someone who “feels your pain” for his characters you are home. Keep looking for the heart of Saturday night, Brother, keep looking.

Repent, Sinners, Repent- With The Film Adaptation Of Sinclair Lewis’ Elmer Gantry In Mind

Repent, Sinners, Repent- With The Film Adaptation Of Sinclair Lewis’ Elmer Gantry In Mind

 

DVD Review

 

By Sam Lowell

 

Elmer Gantry, starring Burt Lancaster, Jean Simmons, Shirley Jones, Arthur Kennedy, directed by Richard Brooks, based loosely on the novel of the same name by Sinclair Lewis, 1960   

 

No question maybe since the Second Great Awakening in the early 1800s in America when the new republic was first “burned over” by revival fever campground, big tent fundamentalist Christian religion has had a serious place in the day to day workings of society. Now a lot of this started and stayed out in the heartland, that stretch from upstate New York (which was the spawning ground Second Awakening) to the Rockies, especially out there in the flatlands. It spoke, for good or evil, to the periodic personal drought many isolated farmlands folk felt about their lives drifting away from them, their alienation from the big city ways that were increasing cutting into and mocking their homespun values. And that my friends, religious or not, sinners or saved, is what makes the film under review, Elmer Gantry, a remarkable look at a slice of life about the religious revivals of the 1920s as chronicled by Sinclair Lewis in his novel of the same name. Those who do not today understand the call of the evangelicals from the 1980s revival, understand the draw of the big tent revival gatherings will get a feel for the sweep, for the burned over districts when the revival came through   after viewing this film.    

Lewis’ book and the film as well takes a serious stab at the notion of the big tent revival as just another shucking, another hustle for dough for some very personal reasons along with its promoters and hangers-on and that is an important take-away from the film as well. But beyond the snake oil salesmanship aspect of the religious revival tent the experience spoke to people who had lost their moorings, had lost faith in their nominal church experiences, had failed to partake of the big city vices and virtues of the modern world. It is easy to dismiss the rubes ready to be saved by some passing stranger as ready to be taken in by religious hustlers as the grifter, the con man and the roper at the state fair come post- harvest time. And left to hang out dry just the same way. But you would miss out how important the need to be saved experience is. One of the most interesting short scenes in the film is when Elmer asked the janitor cleaning up the tent after the fervor of the revival was over for the evening about what drew him to the tent. The man confessed to be being a sinner, a man of the whiskey bottle. Confessed too to having been fallen off the wagon four times and saved five times. Said he needed both experiences. True, brother, true.

Okay now that I have made my pitch, now that sinner and saved has been dealt with let’s cut to the chase. Elmer Gantry, failed theological student and self-confessed sinner, played by Burt Lancaster who won a deserved Oscar for his performance, hell, who else would you have offered the part to in 1960 to play a wised-up con man with a pot of gold trailing him ready to move to the big tent, in out in the heartland hustling appliances when he ran smack dab into a revival in some small hick town. Except here the revivalist was no hustler, was a true believer, was working for the Lord to bring in the sinners and wash them clean. Yes right until the end Sister Sharon Falconer, played by fresh dewy faced Jean Simmons, played it straight, played the Lord’s agent whether he wanted her to or not. Elmer seeing his play, sees the bright lights of the city right out there in rural America saw his scheming con man’s paradise just ahead. That tension between the true believer and the con man is what drives the theme in the film, drives the religion as business aspect which Lewis and director Richard Brooks wanted to expose to the light of day.              

Naturally a professed con man like Elmer was able to work his way into the not so naïve Sister’s operation (she was ready to take on any who were ready to do the Lord’s work even if she had to hold both hands onto the dough). Began to preach his word as warm up to hers, a front man. As Elmer gathered in the flock, and as the crowds got bigger in the big tent he tried to get the good Sister to bring her act to the big city. Zenith in the film and book, big city by heartland standards, where George Babbitt and associates had to be won to allow the revival in town. Of course Babbitt was nothing but a relatively small-time capitalist looking, constantly looking for the main chance, and whose name from another Lewis book was in common usage among the 1920s intelligentsia as the epitome of the boob bourgeois. He was sold on the revival idea, saw some dough in bringing in the sheep, by good old boy Elmer.    

Of course getting to the big city meant having to deal with plenty of cynicism and gaffs about religion, about tent religion and that point of view was left to the person of Jim, played by Arthur Kennedy, the agnostic newspaper reporter for the Zenith Time who had been following the growth of Sister Falconer’s movement out in the small towns. He stirred up enough of a controversy with his views and articles that no one would doubt that he was the antithesis of what was going on under the tent.

Elmer eventually had good Jim on the ropes though, had a sense that out in heartland Zenith Jim’s views would not wash, especially a disbelieve that Jesus was the son of God. But you know that old sinner turned saint Elmer’s past would catch up to him even if had reformed under the good graces of Sister whom he was sincerely smitten with even if a little too lustily for revival tents. And that wicked past did catch up in the person of Lulu, played by Shirley Jones who also won an Oscar for her performance, whom Elmer had seduced and who had turned up in Zenith town in some Madame’s whorehouse. Turned up as a fallen prostitute who held Elmer’s fate in her hands. She by her own sleigh-of-hand con trapped and exposed Elmer’s past for the news prints. Had Sister’s operation on the ropes, had it effectively shut down by an irate and angry mob until she backed off, confessed she had duped Elmer into a false sex scene and the revival was back on top, again.               

In Lewis’ book and apparently in the film-maker’s mind letting Sister’s operation go on without something untoward happening was too much of a letdown in a situation where both were trying to expose the hold of religious hustlers on the crowd. Sister’s dream was to get off the road, get away from the hassles of big tent revivalism and have a regular church of her own right there in big city Zenith. Quite a step up for a gilr out of Shantytown. That idea was what drove her, what she was using her donations for (after the big expenses of a travelling show were deducted). She was finally, after getting back on her feet after Lulu’s expose and truth-telling, able to open the new church, the tabernacle. Except on service day one just as it looked like she was on easy street somebody flicked a butt into some inflammatory liquids and a destructive fire burned the place to the ground, taking the good Sister down with it. Elmer walked away a seemingly chastened man. Yes, watch this one even if you have read the book because the film takes a different tack, has different scenes not in the book. And yes repent, sinners, repent. But you knew that was coming.           

Never Forget, Never Forgive- The American War Crime Atrocity At My Lai, Vietnam

Never Forget, Never Forgive- The American War Crime Atrocity At My Lai, Vietnam  

 

Frank Jackman comment: 

 

Recently I made a short comment about the contradiction between those who generally write the history of any particular war, the “winners” according to more than one source, and the fact that in the case of Vietnam the losers have had a chance to re-write the history to make it appear that that historic American loss was less than a loss. You know the obfuscation and outright lies of those who “won” every battle yet lost the war. And in the case of Vietnam when the deal went down and the reality was that those forces fighting against the monster that loss rightfully so. Which brings us to the question of atrocities of which there were almost an infinite number committed by the sheer ferocity of the American air bombing and fields of fire on the ground (most of them unnamed and un-mourned except by family, fellow villagers and friends).

 

One atrocity that stands out, that should stand out for all eternity along with the long line of such horrific events which dotted the 20^th and now 21^st century was My Lai (a name which is hard to write down even now without rage at the monster still with us). My Lai-a name that spoke volumes of what the American presence was about when after years of believing they would “win” in a cakewalk the fury of the loss confronting them drove them to even greater levels of depravity. That “they” by the way was us, us from dog soldiers without any real mission to dogged taxpayers without and real regard for human life. The human life of the other side. We can give it a name My Lai. We can give it another name-scandalous-scandalous that those directly involved from MACV to the lowlier grunt paid not price. So yes we should honor guys like gunship helicopter pilot Hugh Thompson, maybe along with his crew the only American heroes of the Vietnam War. So yes as well we should make sure that the physical monument to that atrocity is not taken to ground.

 

My Lai, nothing more needs to be said once those two short words are spoken. Except maybe we should take up the suggestion mentioned above by a Vietnam Vet who knew what the real deal was when American GIs, the dog soldiers, were ordered in to “save” villages, search and destroy or “pacify” or whatever the desperate military strategy of the moment dictated. Yeah, that needed to be said. Thanks American gunship pilot Hugh Thompson and crew for taking dead aim at American ground troop mass murderers when it mattered and saved what innocent Vietnamese lives you could save out of that massacre. Presente!                                      

 

 

*****I Hear Mother Africa Calling-With Odetta In Mind

*****I Hear Mother Africa Calling-With Odetta In Mind

 

Sam Eaton, nothing but the son of a son of a son of an old swamp Yankee, that’s a Yankee fisherman, a small tradesman, a farm hand and those who had, or their forebears had, come across the ocean not under some city on the hill dream but to escape the poor house, the debtors prison or the hangman and wound up doing some indentured servitude before getting under some high Brahmin's fist who did things like yeoman’s military service under General Washington against the bloody British when the call came for brave men to come and help in freedom’s fight and who later forged his way, family in tow, to struggle with the rough stony New England land which fought him and his every inch of the way almost as hard but for sure longer than those bloody Brits, tumble rock fought him down in Carver in the southeastern corner of the Commonwealth of Massachusetts where he tried to eke out an existence against the grim fresh breast of earth and marsh as a “bogger,” a man who worked the dreaded cranberry bogs for which that town was once famous, worked in harness raking the damn berries for some benighted Thanksgiving dinner, so yes, a swamp Yankee as against the Beacon Hill Brahmins who reaped the benefits of the bloodstained freedom fight without the risks and settled into a quiet life of coin counting and merchandise buying, had been puzzled at the age of fourteen at a time when he first heard a blues song, Howlin’ Wolf’s How Many More Years on a fugitive radio station down in Carver one night in the late 1950s (a song that later, much later, seemingly a technological millennia later, he would see done by Wolf on YouTube taken from a performance at the Newport Folk Festival in the early 1960s where the Wolf sweat rolling from his ebony cheeks and forehead flowing down his face like some ancient Nile River snaking its way to the sea, deep bass voice beyond deep seeming to get deeper with each drop of water would practically  eat the harmonica he had in the cusp of his hand talking, no preaching to himself, taking himself to task, about some woman, some mean mistreating mama if the truth be known who had him in a sailor’s knot, has him all twisted up, had him so depressed and blue his wanted to go under the grasses but who in the end took the walk of the beaten down, beaten around  and left old Minnie high and dry which Sam had sensed was happening way back when on that fugitive radio.).

That “fugitive” part just mentioned not being some pirate station off the coast which he had heard that some people who couldn’t get their music on the regular dial were doing somewhere on the Atlantic Ocean (he would find out later that this pirate station was out in the North Sea someplace and was there because of the uproar in England, like in the states over the demon effect rock and roll was having on the Queen’s subjects, her gaggle of children who somehow heard the fresh new breeze from America was heading their way and which he found out more about still later when he saw a film starring the late Phillip Seymour Hoffman about the subject) the result of some mystical still not understood airwave heading out into the atmosphere all the way from Chicago where occasionally around eleven o’clock (ten Chi town time) he would pick up Be-Bop Benny’s Blues Hour over WALM, a station that billed itself as the “Blues is the dues” station.
 

He was not sure but he thought then that Be-Bop Benny was a black guy, a Negro (the “polite” word of common usage then to signify blacks, now far out of style and thus the need to explain to generations born after who accept the racial designation black or Afro-American or some other local derivative), although he heard his father, Prescott, who was the last of a long line of downtrodden independent Eaton boggers who would soon thereafter go belly up and sell out to the mega-growers, call them “n----rs” without a trance of rancor or self-consciousness and put “damn” in front of that term with rancor when he had been drinking rye whiskey and bemoaning his fate and said the “n” word were being treated better than he and his were).

Although Sam had never seen a black man in person then since they did not follow the bogging trade and none lived in town or went through it as far as he knew he thought that if Be-Bop wasn’t then he was at least from the south because his voice sounded strange, had a drawl, had kind of a mumble-rumble quality to it and he was saying all kinds of be-bop, cool daddy, hot mama, from jump street kind of stuff. And for a time, a fair amount of time he did not like to hear that scratchy raspy voice, or that blues is dues stuff either. That was the source of his puzzlement.

See Sam had not really been happy when he heard that station come over the fugitive airwaves on late Sunday nights (although the song was okay, no, more than okay, cool even if he didn’t quite understand why the Wolf was letting some mean mistreating mama get him down, get him so crazy that he wanted to go six feet under which even naïve Sam knew meant old Wolf was losing it but that kind of hard-bitten lyric was not to his taste then since he was just getting that bug, just wanted to hear about roses and playthings, stuff like that, happily ever after stuff). As a dedicated fourteen old white boy from a town with no Negro families, not even people who were connected with those workers in the town like his father and a couple of older adult brothers and uncles who worked the cranberry bogs, he was not interested, or maybe consciously interested is better, the blues.

Sam was totally into rock and roll, totally into listening to WMEX the local radio station out of Boston which was being interfered with by that blues is dues station out of Chi town at eleven o’clock (remember ten Chi town time). Interfered with his listening to Bill Haley blast away on Shake, Rattle and Roll, Elvis doing Tomorrow Night and Good Rockin’ Tonight, Johnny Grey doing a great version of Rocket 88, Sam Jackson doing This Is Rock, Bobby Sams doing One Night Of Sin good rocking stuff that DJ Arnie Ginsberg would play on his At The Hop show where he played songs that had dropped off the charts but were diamonds of rock and roll. So at fourteen he could not figure out, nor could they when he asked his friend Jack Caldwell who knew everything about roll and rock, what the appeal was of that Wolf tune. But that beat, that chord progression, that going down to the messy forlorn earth and then coming back up again would follow him for a long, long time. He never really found an answer, a satisfactory answer until he looked beyond the fugitive sound, looked back to why the blues was even the blues. Looked more to the way it made him feel when times were tough, when he would get into his depressive shell, and a blues is dues song would break the bad ass spell.               

Not until later did Sam figure some stuff out after he had kind of given up on rock and roll for a while, maybe around sixteen, seventeen, when the music seemed, well, square, seemed to be about blond-haired, blue-eyed guys searching for (and getting) blond-haired blue eyed girls with a “boss” car and dough as a lure, maybe a surfer guy cruising the beaches out west, out California way, none of which he and his had much of, the dough and car part, and Carver being kind of landlocked no surfer profile, and so kind of distant from the life of a son of a son of a son of a swamp Yankee.
 

Sam started figuring stuff out too when he got into his folk music thing for a minute, music which mainly made him go up a wall but which he put up with because Sara Leonard, his girlfriend or the girl he wanted to be his girlfriend got all excited about it when she saw Joan Baez in Cambridge at some club (the original Club 47 as it turned out where Joan and lots of other folkies hung out) and insisted that he like the songs or hit the road, you know how that is (this Sara by the way all dark hair and the whitest of white skin got hung up on the iron-your-hair-like Joan Baez craze and he would have to sit in the Leonard parlor cooling his heels while Sara did her ritual). Jesus. Part of that folk thing although he was not sure how and why was about the blues, about down south music from the plantations and sharecropper cabins, and how they made music to keep themselves from going crazy when the hammer came down and they needed some way to express their rage at their plight without getting hung up on a tree somewhere or shot in the back down some dirty road.      

The critics, and don’t ever ask Sam who these guys are since all he cares about is the music, about the blues, who performs it and whether it will take the bite out of his depression or not and not some discursive history stuff although if you talked about the Civil War, the Russian Revolution, the Spanish Civil War, some guys called the Diggers (not boggers, not as far as he knew), or about the Renaissance he will listen all day, as long as you realize that you will be listening all night, say that the blues, you know, the quintessential black musical contribution to the American songbook along with first cousin jazz that breaks you out of your depression about whatever ails you or the world, was formed down in the Mississippi muds, down in some sweat-drenched bayou, down in some woody hollow all near Mister’s plantation, mill, or store. Well they might be right in a way about how it all started in America as a coded response to Mister’s, Master’s, Captain’s wicked perverse ways back in slavery times, later back in Mister James Crow times (now too but in a different code, but the same old Mister do this and not that, do that but not this just like when old James ran the code).

Sam believed however they were off by several maybe more generations and off by a few thousand miles from its origins in hell-bent Africa, hell-bent when Mister’s forbears took what he thought was the measure of some poor grimy “natives” and shipped them in death slave boats and brought them to the Mississippi muds, bayous and hollows (those who survived the horrendous middle passage without being swallowed up by the unfriendly seas). Took peoples, proud Nubians who had created very sharp and productive civilizations when Mister’s forbears were running around raggedly wondering what the hell a spoon was for when placed in their dirty clenched fingers, wondered still later how the heck to use the damn thing, and why and uprooted them whole.          

Uprooted you hear but somehow that beat, that tah, tat, tah, tah, tat, tah played on some stretched nailed string tightened against some cabin post by young black boys kept Africa home alive. Kept it alive while women, mothers, grandmothers and once in a while despite the hard conditions some great-grandmother who nursed and taught the little ones the old home beat, made them keep the thing alive. Kept alive too Mister’s forced on them religion strange as it was, kept the low branch spirituals that mixed with blues alive in plain wooden churches but kept it alive. So a few generations back black men took all that sweat, anger, angst, humiliation, and among themselves “spoke” home truth low down mean mistreating mama, two-timing man, cut you if you run, weary tune blues on juke joint no electricity Saturday nights out in the back woods accompanied by Willie’s fresh made brew and then sang high white collar penance blues come Sunday morning plain wood church time.

Son House, Charley Patton, Skip James, Sleepy John Estes, Mississippi John Hurt and a lot of guys who went to their graves undiscovered in the salt sweat sultry Delta night carried on, and some sisters too, some younger sisters who heard the beat and heard the high collar Sunday spirituals.

Some sisters like Odetta, big-voiced, big-voiced in a naked world, speaking of freedom trains with her brothers and sisters jam packed on the road, speaking of sweated field hand labor for damn Mister, man, women and child, speaking of that dirty bastard Mister James Crow and his do this and do that and don’t do this and don’t that like his charges were mere children to be ordered about, or hung from stange fruit trees or lying down in some shallow bottomland grave chains tied around the neck, speaking of the haunted northern star which turned Mister’s plantation indoors as it headed north, speaking of finding some cool shaded place where Mister would not disturb, couldn’t disturb and making lots of funny duck, odd-ball,  searching for roots white college students whose campus halls she filled, marvel, mainly marvel, that they had heard some ancient Nubian Queen, some deep-voiced Mother Africa calling them back to the cradle of civilization, calling them back to where all, everything began.  
 

And then Sam knew, or began to know, what that long ago fugitive beat that stayed in his head meant.         

*****Important Mumia Abu Jamal Update-Free Mumia

*****Important  Mumia Abu Jamal Update-Free Mumia

 

Click below to link to the Partisan Defense Committee Web site.

http://www.partisandefense.org/

The legendary social commentator and standup comic Lenny Bruce, no stranger to the American ‘justice’ system himself, once reportedly said that in the Halls of Justice the only justice is in the halls. The truth of that statement came home on Thursday March 27, 2008 as a panel of the federal Third Circuit Court of Appeals voted two to one to uphold Mumia’s conviction. The only question left is that of resentencing- the death penalty or, perhaps worst, life in prison without parole. I have not yet read the decision but we are now a long way away from the possibility of a retrial-the narrow legal basis for even appealing in the legal system in the first place. Know this- in the end it will be in the streets and factories through the efforts of the international labor movement and other progressive forces that Mumia will be freed. That is the only way, have no illusions otherwise, whatever the next legal steps might be. ***** An Open Letter to Mumia Abu-Jamal Supporters-A Personal Commentary (April 2008 but the main point-freedom for Mumia is still front and center) The Partisan Defense Committee has passed "An Open Letter to All Supporters of Mumia‘s Freedom" to this writer. Those few who might not know of the torturous legal battles to free this innocent man can find further information at the above-mentioned Partisan Defense site. I make my own comments below. Normally I pass information about the case of political prisoner Mumia abu-Jamal on without much comment because the case speaks for itself. The case has been front and center in international labor defense struggles for over two decades. However, in light of the adverse ruling by a majority of a federal Third Circuit Court of Appeal panel in March 2008 that affirmed Mumia’s 1982 conviction for first-degree murder of a police officer and left the only issue for decision that of resentencing to either reinstate his original death sentence or keep him imprisoned for life without parole I have some things to say about this fight. Occasionally, in the heat of political battle some fights ensue around strategy that after the smoke has cleared, upon reflection, leave one with more sorrow than anger. Not so today. Today I am mad. Am I mad about the irrational decision by the majority of the Third Circuit panel in Mumia’s case? Yes, but when one has seen enough of these cases over a lifetime then one realizes that, as the late sardonic comic and social commentator Lenny Bruce was fond of saying, in the Hall of Justice the only justice is in the halls. What has got me steamed is the obvious bankruptcy of the strategy, if one can use this term, of centering Mumia’s case on the question of a new trial in order to get the ‘masses’- meaning basically parliamentary liberal types interested in supporting the case. This by people who allegedly KNOW better. The bankruptcy of this strategy, its effects on Mumia’s case and the bewildered response of those who pedaled it as good coin is detailed in the above-mentioned Open Letter. Read it. Today, in reaction to the Third Circuit court’s decision, everyone and their brother and sister are now calling for Mumia’s freedom. At a point where he is between a rock and a hard place. However, it did not have to be that way. Mumia was innocent in 1982 and he did not stop being innocent at any point along this long road. Freedom for Mumia was (and is) the correct slogan in the case. A long line of political criminal cases, starting in this country with that of the Haymarket Martyrs if not before, confirms that simple wisdom. Those who consciously pedaled this weak ‘new trial’ strategy as a get rich quick scheme now have seen the chickens come home to roost. And Mumia pays the price. I would point out two factors that made a ‘retrial’ strategy in the case of an innocent man particularly Pollyanna-ish for those honest militants who really believed that Mumia’s case was merely a matter of the American justice system being abused and therefore some court would rectify this situation if enough legal resources were in place. First, it is illusory that somehow, as exemplified in this case, a higher court system would remedy this egregious wrong. Long ago I remember a lawyer, I believe that it might have been the late radical lawyer Conrad Lynn no stranger to political defense work, telling a group of us doing defense work for the Black Panthers, that all these judges belong to the same union. They do not upset each other’s work except under extreme duress. Second, and this is where the ‘wisdom’ of the reformists about reaching the ‘masses’ by a stage-ist theory of defense work (fight for retrial first, then freedom) turns in on them. As witness the list of names of those who have signed the Partisan Defense Committee’s call for Mumia’s freedom, excepting professional liberals and their hangers –on, those interested in Mumia’s case (or any leftwing political defense case) will sign on just as easily for freedom as retrial. Thus, opportunism does not pay, even in the short haul. That said, Free Mumia- say it loud, say it proud.

*****No Killer/No Spy Drones...

*****No Killer/No Spy Drones...

From The Pen Of Bart Webber 

One night my friend from high school, Carver High Class of 1967 down in Southeastern Massachusetts Sam Lowell whom I hadn’t seen in a while and I were, full disclosure having a few high-shelf whiskeys at Jack Higgin’s Sunnyvale Grille in Boston, arguing over the increasing use of and increased dependence on killer/spy drones in military doctrine, American military doctrine anyway. Me, well again for full disclosure I am a supporter of Veterans For Peace and have been involved with such groups, both veteran and civilian peace groups, since my own military service ended back during Vietnam War days. I follow the line of VFP that killer/spy drones are qualitatively a no better (or no worse) part of the modern military arsenal that any other weapon and need to be opposed with the same rigor as we do for nuclear weapons and other all the military hardware used in the seemingly endless wars the American imperium has dragged us into. That “line” business in relationship to VFP is unlike various Marxist groups and quasi-Marxist collectives I hung around with in my younger days after discharge from the American Army as a matter of choice rather than obligation. In those old-time organizations hardly any of them around anymore or if so are peopled with the relics of those youthful endeavors (and good luck to them since the young these days except on rare and fleeting occasions are not picking up the torch) were guided they concept of democratic centralism from the Leninist Bolshevik organizational doctrine, if one disagreed with the organizational “line” would if in the minority keep quiet in public about the difference. VFP, based on more broadly-based democratic principles reflecting a different mission and different way to change the world, has no such restrictions although arguing for support of killer/spy drones would put one in opposition with the goals of the organization and one would in good conscience have to consider whether continued membership was appropriate.      

Sam’s position, full disclosure he was granted an exemption from military duty during the Vietnam War period after his father had died suddenly in 1965 and he was the sole support, or close to it, of his mother and four younger sisters, was a little more nuanced if nevertheless flatly wrong from my perspective. Perhaps reflecting an “average Joe” position of a guy who did not serve in the military and had not seen up close what all the “benefits” of modern military technology have brought forth to level whatever target they have chosen to obliterate and under what conditions. In the post-9/11 period he like many from our generation of ’68 had made a sea-change in their former anti-military positions and have embraced some form of selected approval of various aspects of current military doctrine. Starting with the initial approval of the “shock and awe” campaign in Iraq which in the end left egg all over his face. Sam, nevertheless, argued that the high degree of accuracy, the “cleanness” of the method, and the destruction of the specific object (his word, I would say person or place, mainly person) without high casualties on the American side (that reduction of “boots on the ground” argument which underpins much of modern doctrine in the wake of Vietnam and even Iraq itself) to fight the “war on terrorism” which disturbs his old age has made him a partisan of such weaponry.       

As usual these days we argued for a few hours or until the whiskey ran out, or we ran out of steam and agreed to disagree. The next day though, no, the day after that I got to thinking about the issue and while not intending to directly counter his arguments wrote a short statement that reflects my own current thinking the matter. Here it is:

“Ever since the early days of humankind's existence an argument has always been made by someone and not always by the gung-ho warriors, many times rather by some safely-ensconced desk-bound soul who was too busy to become a warrior but was more than glad to let some other mother's son do the bitch work, that with some new technology, some new strategic gee-gad, warfare, the killing on one of our own species, would become less deadly, would be more morally justified, would bring the long hoped for peace that lots of people have yacked about in the abstract until some governmental decision to go to war gets their war blood up.

Those arguments are being retailed these days by the killer/spy drone aficionados who think they have found something new under the sun. Don't believe that false bill of goods, don't believe the insane war lies from warriors, arm-chair warriors, or the merely fearful, it is the same old killing machine that has gone on for eons. Killing from far away places like Nevada to the Middle East in war game rooms with screens set up like video games except tell that to the "sorry, collateral damage, no foul because not intended" victims who got in the way. Enough said and enough of killer drones killing and spy drones spying too.”