Click On Title To Link To YouTube's Film Clip Of Iris Dement Doing "Pretty Saro" in the film "Songcatcher".
CD/DVD Reviews
This review is being used to comment on both the soundtrack CD and movie DVD.
CD- Songcatcher, various artists, Vanguard Records, 2001
DVD-Songcatcher,2001
In a recent CD review of the music from the now mountain music movie classic, George Clooney’s “Oh Brother, Where Art Thou?”, (See archives, July 7, 2009) I mentioned in passing that the movie from which the CD under review is taken was also a contributing factor to the revival of interest in the mountain music genre. I also noted there that the CD and film were worthy of a separate review of their own. I make amends here and I think that this settles all debts.
That said, the following excerpt from that above-mentioned review can be used here to set the tone for a look at this “Songcatcher” (and a couple of words on the movie, as postscript) here:
“Sometimes a revival of a musical form, like the "talking blues", that highlighted the urban folk revival of the early 1960's is driven by a social need. In that case it was to provide a format for the "glad tidings" that a new political and social movement was a-bornin'. In the case of the revival several years ago of what is called "mountain music" it was the films "The Song Catcher" and, more importantly, the very popular movie starring George Clooney, “O Brother, Where Art Thou?”. The CD under review is a compilation of music from that movie, a not unnatural tie-in in the modern entertainment business. The movie deserves a separate review, however, this CD can stand on its own as a very nice cross section of "mountain music", some familiar most not so.
Without straining credulity "mountain music" is the music of the simple folk of Appalachia, those who worked hard in the coal mines, on the hard scrabble farms and in the isolated mills of the region. This was their Saturday night entertainment and with the advent of radio was a unifying cultural experience. The songs "speak" of hard and lonely lives, the beauty of the then pristine countryside, the usual vagaries of love and lost and the mysterious ways of a very personal, if arbitrary, god. Throw in a few upbeat tunes reflecting the love of "corn" liquor, women and the sometimes funny side of coping with life's trials and tribulations and you have the mountain version of the folk experience. Sound familiar? Sure it does, except, it is done with simple guitar, a blazing fiddle and, hopefully, a full-bodied mandolin.”
With that in mind there only remains the need to highlight some of the better efforts here. For starters, apparently, I knew the work of Iris Dement long before I consciously knew her work. I have mentioned in reviews of her work that I had become enamored of her music through her rendition of “Jimmy Rodgers Going Home” on a Greg Brown (now her husband) tribute CD. From the copyright date here (and on Ralph Stanley’s “Clinch Mountain Sweethearts” where she also does a couple of tracks) that is now incorrect. What is not wrong is that her lyrics and vocal range have led me to dub her my “Internet Sweetheart” (Sorry, Greg). And she does not fail here on the traditional “Pretty Saro”. Needless to say no country music/folk music/ folk rock music presentation of any kind is complete these days without a contribution form Emmylou Harris. Here she does a split version of the traditional Child Ballad “Barbara Allen”. Of course, when one talks of mountain music in its 20th century incarnation then the name The Carter Family is front and center. Thus, naturally, one of the representatives from that extended clan, Roseanne Cash, is a welcome addition here doing the old traditional “Fair And Tender Ladies” (a version of which that I first heard way back in the early 1960’s done by Dave Van Ronk). Finally, of necessity again, no “hard” mountain music themed production can be complete without a piece from Hazel Dickens who, as a woman of those mountains, has probably done more to popularize this art form than anyone else. So listen up to a genuine piece of Americana.
Note: Although I am mainly interested in the ‘Songcatcher” film for its soundtrack the movie itself is worth seeing. The plot line revolves around an English woman’s search for authentic American music from the mountains (naturally enough as much of the music crossed over from the British Isles). Sound familiar? Along the way she learns, perhaps more than she wants to know, about this milieu as she collects her music. Naturally, in such a commercial effort there s a little love interest thrown in with a real live mountain man musician wary of “city ways” from his own earlier experiences. Other themes touched upon, although in some cases obliquely, are the isolation of rural life, that just- mentioned conflict between rural and city values, religious fundamentalism and the, seemingly obligatory, nod to same sex issues (here, in a dramatically compelling way, lesbianism and the local reaction to it) that feature in many modern movies. Put the music and those themes together and you have a passable couple of hours. If you have to choose though, get the CD.
"Pretty Saro"
When I first come to this country in Eighteen and Forty-nine
I saw many fair lovers but I never saw mine
I viewed it all around me, saw I was quite alone
and me a poor stranger and a long way from home
Well, my true love she won't have me and it's this I understand
For she wants some free holder and I have no land
I couldn't maintain her on silver and gold
but all of the other fine things that my love's house could hold
Fair the well to ol' mother, fair the well to my father too
I'm going for to ramble this wide world all through
And when I get weary, I'll sit down and cry
and think of my Saro, pretty Saro, my bride
Well, I wished I was a turtle dove
Had wings and could fly
Far away to my lover's lodgings
Tonight I'd drawn the line
And there in her lilywhite arms I'd lay there all night
and watch through them little wind'ers
for the dawning of day
The Ballad of Barbara Allen
Was in the merry month of May
When green buds all were swelling,
Sweet William on his death bed lay
For love of Barbara Allen.
All in the merry month of May
When green buds all were swelling,
Sweet William on his death bed lay
For love of Barbara Allen.
He sent his servant to the town
To the place where she was dwelling,
Said you must come, to my master dear
If your name be Barbara Allen.
He sent his servant to the town
A place where she did dwell in,
Said master dear, has sent me here
If your name be Barbara Allen.
So slowly, slowly she got up
And slowly she drew nigh him,
And the only words to him did say
Young man I think you're dying.
Then slowly, slowly she got up
And slowly she went to him,
And all she said, when there she came
Young man I think you're dying.
He turned his face unto the wall
When we were in the tavern,
Good-bye, good-bye, to my friends all
Be good to Barbara Allen.
Don't you remember the other night
And death was in him welling,
You drank a toast to the ladies there
And slighted Barbara Allen.
When he was dead and laid in grave
She heard the death bells melling
And every stroke to her did say
Hard hearted Barbara Allen.
He turned his face unto the wall
He turned his back upon her,
Adieu, adieu, to all my friends
And be kind, be kind, to Barbara Allen.
Oh mother, oh mother go dig my grave
Make it both long and narrow,
Sweet William died of love for me
And I will die of sorrow.
As she was wandering by the fields
She heard the death bells melling
And every note did seem to say
Hard hearted Barbara Allen.
And father, oh father, go dig my grave
Make it both long and narrow,
Sweet William died on yesterday
And I will die tomorrow.
The more it tolled the more she grieved
She bursted out a crying,
Oh pick me up and carry me home
I feel that I am dying.
Barbara Allen was buried in the old churchyard
Sweet William was buried beside her,
Out of sweet William's heart, there grew a rose
From Barbara's a green briar.
They buried Willy in the old churchyard
And Barbara in the new one,
And from Willy's grave, there grew a rose
Out of Barbara Allen's a briar.
They grew and grew in the old churchyard
Till they could grow no higher
At the end they formed, a true lover's knot
And the rose grew round the briar.
Fair and Tender Ladies
Come all ye fair and tender ladies
Take warning how you court young men
They're like a star on a summer morning
They first appear and then they're gone
They'll tell to you some lovin' story
And make you think they love you well
Then away they'll go and court some other
And leave you there in grief to dwell
If I had known before I courted
That love had been so hard to win
I'd locked my heart with the keys of golden
And pinned it down with a silver pin
I wish I was a little sparrow
And I had wings to fly so high
I'd fly away to my false true lover
And when he'd ask I would deny
But I am not a little sparrow, I have no wings, neither can I fly
So I'll sit down to weep in sorrow, And try to pass my troubles on by
Love is handsome, love is charming
And love is pretty while it's new
But love grows cold as love grows older
And fades away like morning dew
CD/DVD Reviews
This review is being used to comment on both the soundtrack CD and movie DVD.
CD- Songcatcher, various artists, Vanguard Records, 2001
DVD-Songcatcher,2001
In a recent CD review of the music from the now mountain music movie classic, George Clooney’s “Oh Brother, Where Art Thou?”, (See archives, July 7, 2009) I mentioned in passing that the movie from which the CD under review is taken was also a contributing factor to the revival of interest in the mountain music genre. I also noted there that the CD and film were worthy of a separate review of their own. I make amends here and I think that this settles all debts.
That said, the following excerpt from that above-mentioned review can be used here to set the tone for a look at this “Songcatcher” (and a couple of words on the movie, as postscript) here:
“Sometimes a revival of a musical form, like the "talking blues", that highlighted the urban folk revival of the early 1960's is driven by a social need. In that case it was to provide a format for the "glad tidings" that a new political and social movement was a-bornin'. In the case of the revival several years ago of what is called "mountain music" it was the films "The Song Catcher" and, more importantly, the very popular movie starring George Clooney, “O Brother, Where Art Thou?”. The CD under review is a compilation of music from that movie, a not unnatural tie-in in the modern entertainment business. The movie deserves a separate review, however, this CD can stand on its own as a very nice cross section of "mountain music", some familiar most not so.
Without straining credulity "mountain music" is the music of the simple folk of Appalachia, those who worked hard in the coal mines, on the hard scrabble farms and in the isolated mills of the region. This was their Saturday night entertainment and with the advent of radio was a unifying cultural experience. The songs "speak" of hard and lonely lives, the beauty of the then pristine countryside, the usual vagaries of love and lost and the mysterious ways of a very personal, if arbitrary, god. Throw in a few upbeat tunes reflecting the love of "corn" liquor, women and the sometimes funny side of coping with life's trials and tribulations and you have the mountain version of the folk experience. Sound familiar? Sure it does, except, it is done with simple guitar, a blazing fiddle and, hopefully, a full-bodied mandolin.”
With that in mind there only remains the need to highlight some of the better efforts here. For starters, apparently, I knew the work of Iris Dement long before I consciously knew her work. I have mentioned in reviews of her work that I had become enamored of her music through her rendition of “Jimmy Rodgers Going Home” on a Greg Brown (now her husband) tribute CD. From the copyright date here (and on Ralph Stanley’s “Clinch Mountain Sweethearts” where she also does a couple of tracks) that is now incorrect. What is not wrong is that her lyrics and vocal range have led me to dub her my “Internet Sweetheart” (Sorry, Greg). And she does not fail here on the traditional “Pretty Saro”. Needless to say no country music/folk music/ folk rock music presentation of any kind is complete these days without a contribution form Emmylou Harris. Here she does a split version of the traditional Child Ballad “Barbara Allen”. Of course, when one talks of mountain music in its 20th century incarnation then the name The Carter Family is front and center. Thus, naturally, one of the representatives from that extended clan, Roseanne Cash, is a welcome addition here doing the old traditional “Fair And Tender Ladies” (a version of which that I first heard way back in the early 1960’s done by Dave Van Ronk). Finally, of necessity again, no “hard” mountain music themed production can be complete without a piece from Hazel Dickens who, as a woman of those mountains, has probably done more to popularize this art form than anyone else. So listen up to a genuine piece of Americana.
Note: Although I am mainly interested in the ‘Songcatcher” film for its soundtrack the movie itself is worth seeing. The plot line revolves around an English woman’s search for authentic American music from the mountains (naturally enough as much of the music crossed over from the British Isles). Sound familiar? Along the way she learns, perhaps more than she wants to know, about this milieu as she collects her music. Naturally, in such a commercial effort there s a little love interest thrown in with a real live mountain man musician wary of “city ways” from his own earlier experiences. Other themes touched upon, although in some cases obliquely, are the isolation of rural life, that just- mentioned conflict between rural and city values, religious fundamentalism and the, seemingly obligatory, nod to same sex issues (here, in a dramatically compelling way, lesbianism and the local reaction to it) that feature in many modern movies. Put the music and those themes together and you have a passable couple of hours. If you have to choose though, get the CD.
"Pretty Saro"
When I first come to this country in Eighteen and Forty-nine
I saw many fair lovers but I never saw mine
I viewed it all around me, saw I was quite alone
and me a poor stranger and a long way from home
Well, my true love she won't have me and it's this I understand
For she wants some free holder and I have no land
I couldn't maintain her on silver and gold
but all of the other fine things that my love's house could hold
Fair the well to ol' mother, fair the well to my father too
I'm going for to ramble this wide world all through
And when I get weary, I'll sit down and cry
and think of my Saro, pretty Saro, my bride
Well, I wished I was a turtle dove
Had wings and could fly
Far away to my lover's lodgings
Tonight I'd drawn the line
And there in her lilywhite arms I'd lay there all night
and watch through them little wind'ers
for the dawning of day
The Ballad of Barbara Allen
Was in the merry month of May
When green buds all were swelling,
Sweet William on his death bed lay
For love of Barbara Allen.
All in the merry month of May
When green buds all were swelling,
Sweet William on his death bed lay
For love of Barbara Allen.
He sent his servant to the town
To the place where she was dwelling,
Said you must come, to my master dear
If your name be Barbara Allen.
He sent his servant to the town
A place where she did dwell in,
Said master dear, has sent me here
If your name be Barbara Allen.
So slowly, slowly she got up
And slowly she drew nigh him,
And the only words to him did say
Young man I think you're dying.
Then slowly, slowly she got up
And slowly she went to him,
And all she said, when there she came
Young man I think you're dying.
He turned his face unto the wall
When we were in the tavern,
Good-bye, good-bye, to my friends all
Be good to Barbara Allen.
Don't you remember the other night
And death was in him welling,
You drank a toast to the ladies there
And slighted Barbara Allen.
When he was dead and laid in grave
She heard the death bells melling
And every stroke to her did say
Hard hearted Barbara Allen.
He turned his face unto the wall
He turned his back upon her,
Adieu, adieu, to all my friends
And be kind, be kind, to Barbara Allen.
Oh mother, oh mother go dig my grave
Make it both long and narrow,
Sweet William died of love for me
And I will die of sorrow.
As she was wandering by the fields
She heard the death bells melling
And every note did seem to say
Hard hearted Barbara Allen.
And father, oh father, go dig my grave
Make it both long and narrow,
Sweet William died on yesterday
And I will die tomorrow.
The more it tolled the more she grieved
She bursted out a crying,
Oh pick me up and carry me home
I feel that I am dying.
Barbara Allen was buried in the old churchyard
Sweet William was buried beside her,
Out of sweet William's heart, there grew a rose
From Barbara's a green briar.
They buried Willy in the old churchyard
And Barbara in the new one,
And from Willy's grave, there grew a rose
Out of Barbara Allen's a briar.
They grew and grew in the old churchyard
Till they could grow no higher
At the end they formed, a true lover's knot
And the rose grew round the briar.
Fair and Tender Ladies
Come all ye fair and tender ladies
Take warning how you court young men
They're like a star on a summer morning
They first appear and then they're gone
They'll tell to you some lovin' story
And make you think they love you well
Then away they'll go and court some other
And leave you there in grief to dwell
If I had known before I courted
That love had been so hard to win
I'd locked my heart with the keys of golden
And pinned it down with a silver pin
I wish I was a little sparrow
And I had wings to fly so high
I'd fly away to my false true lover
And when he'd ask I would deny
But I am not a little sparrow, I have no wings, neither can I fly
So I'll sit down to weep in sorrow, And try to pass my troubles on by
Love is handsome, love is charming
And love is pretty while it's new
But love grows cold as love grows older
And fades away like morning dew
Phyllis Bennis is a Fellow of the Institute for Policy Studies, where she directs the New Internationalism project working to change US policy in the broader Middle East. She was a co-founder of both the US Campaign to End the Israeli Occupation and United for Peace and Justice coalitions, and continues work with both the US and global anti-war movements. Her most recent books include Understanding the Palestinian-Israeli Conflict, and Understanding ISIS & the New Global War on Terror: A Primer.
