Latte At Café Lena’s Anyone-With Susie Sampson In Mind
By Sam Lowell
Lance Andrews had had to laugh at the coincidence even
though the hurt inside his head which resulted from the incident made him feel
kind of weird for laughing just then. Here is how it played out for those who
are curious about old flames, about busted romances and, well, about the fate
of coincidences. Lance had been on assignment for the small folk publication
that he wrote for, American Folk Gazette,
an assignment that had taken him to Saratoga Springs after an absence of maybe
forty years, possibly more. For those not in the know about folk music over the
past half century or so the name Saratoga Springs at one time was, and still is
if less so even today, synonymous with Caffe Lena, the tiny club just off the
center of the downtown area. Through those portals passed folk legends like
newly minted Nobel Laureate Bob Dylan, Dave Von Ronk, Utah Philips, Rosalie
Sorrels, Arlo Guthrie and a host of others too numerous to mention. Lance was
in town to do a story about the old café for a new generation fairly well
untouched by the wand of those previously mentioned legendary names. He had consciously
failed to mention that through those portals passed Susie Sampson, an up and
coming new voice folk singer back around 1975 and at one time Lance’s paramour.
The coincidence? The very night that Lance had been scheduled to go to the club
to drink in the atmosphere a bit the headliner was one Susie Sampson.
But maybe we should go back a bit for the big affair between
Lance and Susie and their subsequent separate paths could stand in for the
vagaries of trying to survive on the edges of the music world, the edges when
the early 1960s folk minute which took American campuses and other prominent
locales by a storm ebbed taking no prisoners. In those days Susie had been a
student at nearby Skidmore College studying music and as she entered her senior
year had been wondering if the folk scene would provide her with enough income
to make a career of it, at least for a while. She had grown up down the road at
Clifton Park and had taken up the guitar after her parents had bought her one
for a Christmas present her freshman year in high school. Susie, always shy and
somewhat withdrawn around her farming family, would spent hours practicing the
instrument up in her bedroom and while her talents as a guitarist were always
behind her real instrument-her voice-she proved adequate enough to get into the
coveted music department program at Skidmore. Through high school (and college
as well) she was the prime soloist for the chorus and had initially had
thoughts of a classical career. Then the folk bug hit her, the ebb of the folk
bug around the time that the British invasion and “acid” rock had turned former
folk devotees on to those genre.
One night in 1965 she discovered Caffe Lena’s, with hostess
Lena, a character in her own right, at the door taking admissions, and Tom
Paxton on the bill. That was the night that she also found out that Lena’s had
an “open mic” night on Tuesday for anybody who wanted to do a two song set (and
pay the two dollar entry fee). She was excited about the prospects of
performing in a non-school situation and find out whether she had the stuff to
take a run at a performing career. So a few weeks later she showed up at Lena’s
(Lena on the door again taking admissions) and placed herself on the list which
gave the order of performances. She had decided that she would do one religious-oriented
song reflecting her pious Methodist upbringing among the farming brethren
having always been intrigued by that last phrase “I hear the noise of wings,” Angel
Band, and one more contemporary, a cover of Woody Guthrie’s Deportee. Needless to say she wowed the
mostly student audience. What she had previously been unaware of was that
talent-spotting Lena (between bouts of admission taking) had taken note of her
performance and the audience’s reaction to it and had taken Susie aside before
she left and asked her if she would like to be the opening act for Larry
Rivers, then an up and coming talent (whose light would fade later after bouts
of cocaine addiction), and a crowd-pleaser in a couple of weeks with his
off-beat folk repartee. Of course she had said yes to that proposal and began
the next day to put together a six song set featuring a couple of Patsy Kline
tunes and a couple of Joan Baez covers thrown in along with a song she had
written but had never performed in public. The night of the performance she may
not have outshined Larry but if not she came close. That was also the night
that Lance Andrews then a student at Siena who was in Saratoga in order to date
a student at Skidmore who was the sister of his roommate. That roommate’s
sister was with him that night but Lance’s eyes were all over Susie.
Later, a few weeks later, when they finally met Susie would
tell him that he had made her “nervous” while he was looking at her as she was
singing-nervous but wondering to herself who he was. The way Lance played his
hand to meet Susie was pure Lance. As a journalism student at Siena he had
finagled the editor of the school newspaper to do a “human interest” story, a
story on area budding singers- a generic fluff piece but the editor, Ben
Samuels, said what the hell. So that weekend he was off to Saratoga to “meet”
Susie. Another Lance touch he had Lena make the introductions to add her
imprimatur to his weak credentials. So Lance made like a reporter although he
also peppered his interview with her with lots of personal questions that did
not seem to fit with the subject he was supposed to be covering-new talent. As
he finished the interview he shook Susie’s hand (she would later tell her
girlfriend roommate that the shake was so gentle she had felt somewhat flush
after he removed it from hers) he asked her what she was doing after her
performance. Recovering smartly for such a shy young woman she said going with
him for something to eat because she would be starving since she did not eat
before a performance since it made her feel logy. Bingo. And that started the
on again off again love affair between Susie Sampson looking for fame and the
bright lights and Lance Andrews who wanted to help her get there.
Maybe the times were just out of joint. Maybe 1965, 1966,
1967 the years of their torrid affair mixed in with Lance trying to get his
foot in the journalism door at the Albany
Times and Susie was trying to break out of the confines of upstate New
York, of the Caffe Lena, were just a bit too late for either to make their
marks. Lance was the first to speak of making a break, of heading west to see
and hear all about was brewing out there in fantasyland, out in the summer of
love. Susie balked at that, said she had to get to the Village and get her
break. Said she was not built for Grace Slick and Janis Joplin mixes, felt she
could make a living on folk if she could just get to the big city and not have
to depend on an occasional feature at Lena’s or over at Siena and Skidmore or
worse, much worse working for the “basket” at Sonny Red’s in Albany. So they
split-for a while. In 1969 they were back together after Lance had sowed his
wild oats in California and had worked a niche for himself in the alternative
newspaper scene as a “cultural” reporter meaning reviewing the myriad new
groups sprouting up in the acid-rock etched night. Susie had had her moment in
the Village, had done a feature at the Gaslight where she did well but she was
like in a time capsule trying to get some place when there was no some place to
go to.
They would make one more go in 1972 and by 1975 had closed
out whatever it was that had flamed but now was burned to the edges. He went up
to Boston and had a checkered career as a free-lance journalist mostly for old
friend Ben Gold’s Spectator, had had
three wives all divorced now and a slew of kids who cost him dearly for sundry
college educations. Susie, a couple of years after that final split decided,
prompted by her straight-laced family, to quit the folk scene. Had gotten
married to a guy from her high school, had had the requisite three children and
had recently been widowed when that high school friend keeled over one night
after spreading seed on their fifty acre farm.
As Lance took his seat that night in the seemingly unchanged
tiny room that passed for a folk club and Susie came on to do her feature he
was all eyes, like a kid. Later, a few
hours later, during intermission when they met to cut up old touches Susie
would tell him that he had made her “nervous” while he was looking at her as she
was singing-nervous but wondering if he was still married to wife number three.
Later after cutting up those old touches with a few flirty asides thrown in
Lance asked Susie what she was doing after her performance. Having found out
from a mutual friend also in the audience that night that he had divorced
number three she recovering smartly for such a not so shy mature woman she said
going with him for something to eat because she would be starving since she did
not eat before a performance since it made her feel logy. And that would start
… Only at the Lena.