Saturday, November 12, 2016

*****When The Tin Can Bended…. In The Time Of The Late Folk-Singer Dave Van Ronk’s Time

*****When The Tin Can Bended…. In The Time Of The Late Folk-Singer Dave Van Ronk’s Time
 
 
 
From The Pen Of Bart Webber
 

Sometimes Sam Lowell and his “friend” (really “sweetie,” long time sweetie, paramour, significant other, consort or whatever passes for the socially acceptable or Census Bureau bureaucratic “speak” way to name somebody who is one’s soul-mate, his preferred term) Laura Perkins whose relationship to Sam was just described in parenthesis, and righteously so, liked to go to Crane’s Beach in Ipswich to either cool off in the late summer heat or in the fall before the New England weather lowers its hammer and the place gets a bit inaccessible. That later summer  heat escape valve is a result of the hard fact that July, when they really would like to go there to catch a few fresh sea breezes, is not a time to show up at the bleach white sands beach due to nasty blood-sucking green flies swarming and dive-bombing like some berserk renegade Air Force squadron lost on a spree who breed in the nearby swaying mephitic marshes.

The only “safe haven” then is to drive up the hill to the nearby robber-baron days etched Crane Castle to get away from the buggers, although on a stagnant wind day you might have a few vagrant followers, as the well-to-do have been doing since there were well-to-do and had the where-with-all to escape the summer heat and bugs at higher altitudes. By the way I assume that “castle” is capitalized when it part of a huge estate, the big ass estate of Crane, now a trust monument to the first Gilded Age, not today’s neo-Gilded Age, architectural proclivities of the rich, the guy whose company did, does all the plumbing fixture stuff on half the bathrooms in America including the various incantations of the mansion. 

Along the way, along the hour way to get to Ipswich from Cambridge Sam and Laura had developed a habit of making the time more easy passing by listening to various CDs, inevitably not listened to for a long time folk CDs, not listened to for so long that the plastic containers needed to be dusted off before being brought along, on the car CD player. And is their wont while listening to some CD to comment on this or that thing that some song brought to mind, or the significance of some song in their youth.  One of the things that had brought them together early on several years back was their mutual interest in the old 1960s folk minute which Sam, a little older and having grown up within thirty miles of Harvard Square, one the big folk centers of that period along with the Village and North Beach out in Frisco town, had imbibed deeply. Laura, growing up “in the sticks,” in farm country in upstate New York had gotten the breeze at second-hand through records, records bought at Cheapo Records and the eternal Sandy's on Massachusetts Avenue in Cambridge and a little the fading Cambridge folk scene when she had moved to Boston in the early 1970s to go to graduate school.     

One hot late August day they got into one such discussion about how they first developed an interest in folk music when Sam had said “sure everybody, everybody over the age of say fifty to be on the safe side, knows about Bob Dylan, maybe some a little younger too if some hip kids have browsed through their parents’ old vinyl record collections now safely ensconced in the attic although there are stirrings of retro-vinyl revival of late according a report he had heard on NPR. Some of that over 50 crowd and their young acolytes would also know about how Dylan, after serving something like an apprenticeship under the influence of Woody Guthrie in the late 1950s singing Woody’s songs imitating Woody's style something  fellow Woody acolytes like Ramblin’ Jack Elliot never quite got over moved on, got all hung up on high symbolism and obscure references. Funny guys like Jack actually made a nice workman-like career out of Woody covers, so their complaints seen rather hollow now. That over 50s crowd would also know Dylan became if not the voice of the Generation of ’68, their generation, which he probably did not seriously aspire in the final analysis, then the master troubadour of the age.

Sam continued along that line after Laura had said she was not sure about the connection and he said he meant, “troubadour in the medieval sense of bringing news to the people and entertaining them by song and poetry as well if not decked in some officially approved garb like back in those olden days where they worked under a king’s license if lucky, by their wit otherwise but the 'new wave' post-beatnik flannel shirt, work boots, and dungarees which connected you with the roots, the American folk roots down in the Piedmont, down in Appalachia, down in Mister James Crow’s Delta. So, yes, that story has been pretty well covered.”  

Laura said she knew all of that about the desperate search for roots although not that Ramblin’ Jack had been an acolyte of Woody’s but she wondered about others, some other folk performers who she listened to on WUMB on Saturday morning when some weeping willow DJ put forth about fifty old time rock and folk things a lot of which she had never heard of back in Mechanicsville outside of Albany where she grew up. Sam then started in again, “Of course that is hardly the end of the story since Dylan did not create that now hallowed folk minute of the early 1960s. He had been washed by it when he came to the East from Hibbing, Minnesota for God’s sake (via Dink’s at the University), came into the Village where there was a cauldron of talent trying to make folk the next big thing, the next big cultural thing for the young and restless of the post-World War II generations. For us. But also those in little oases like the Village where the disaffected could put up on stuff they couldn’t get in places like Mechanicsville or Carver where I grew up. People who I guess, since even I was too young to know about that red scare stuff except to you had to follow your teacher’s orders to put your head under your desk and hand over your head if the nuclear holocaust was coming, were frankly fed up with the cultural straightjacket of the red scare Cold War times and began seriously looking as hard at roots in all its manifestations as our parents, definitely mine, yours were just weird about stuff like that, right, were burying those same roots under a vanilla existential Americanization. How do you like that for pop sociology 101.”

“One of the talents who was already there when hick Dylan came a calling, lived there, came from around there was the late Dave Van Ronk who as you know we had heard several times in person, although unfortunately when his health and well-being were declining not when he was a young politico and hell-raising folk aspirant. You know he also, deservedly, fancied himself a folk historian as well as musician.”    

“Here’s the funny thing, Laura, that former role is important because we all know that behind the “king” is the “fixer man,” the guy who knows what is what, the guy who tells one and all what the roots of the matter were like some mighty mystic (although in those days when he fancied himself a socialist that mystic part was played down). Dave Van Ronk was serious about that part, serious about imparting that knowledge about the little influences that had accumulated during the middle to late 1950s especially around New York which set up that folk minute. New York like I said, Frisco, maybe in small enclaves in L.A. and in precious few other places during those frozen times a haven for the misfits, the outlaws, the outcast, the politically “unreliable,” and the just curious. People like the mistreated Weavers, you know, Pete Seeger and that crowd found refuge there when the hammer came down around their heads from the red-baiters and others like advertisers who ran for cover to “protect” their precious soap, toothpaste, beer, deodorant or whatever they were mass producing to sell to a hungry pent-ip market.  

Boston and Cambridge by comparison until late in the 1950s when the Club 47 and other little places started up and the guys and gals who could sing, could write songs, could recite poetry even had a place to show their stuff instead of to the winos, rummies, grifters and conmen who hung out at the Hayes-Bickford or out on the streets could have been any of the thousands of towns who bought into the freeze.”     

“Sweetie, I remember one time but I don’t remember where, maybe the CafĂ© Nana when that was still around after it had been part of the Club 47 folk circuit for new talent to play and before Harry Reid, who ran the place, died and it closed down, I know it was before we met, so it had to be before the late 1980s Von Ronk told a funny story, actually two funny stories, about the folk scene and his part in that scene as it developed a head of steam in the mid-1950s which will give you an idea about his place in the pantheon. During the late 1950s after the publication of Jack Kerouac’s ground-breaking road wanderlust adventure novel that got young blood stirring, not mine until later since I was clueless on all that stuff except rock and roll, On The Road which I didn’t read until high school, the jazz scene, the cool be-bop jazz scene and poetry reading, poems reflecting off of “beat” giant Allen Ginsberg’s Howl the clubs and coffeehouse of the Village were ablaze with readings and cool jazz, people waiting in line to get in to hear the next big poetic wisdom guy if you can believe that these days when poetry is generally some esoteric endeavor by small clots of devotees just like folk music. The crush of the lines meant that there were several shows per evening. But how to get rid of one audience to bring in another in those small quarters was a challenge.

Presto, if you wanted to clear the house just bring in some desperate “from hunger” snarly nasally folk singer for a couple, maybe three songs, and if that did not clear the high art be-bop poetry house then that folk singer was a goner. A goner until the folk minute of the 1960s who probably in that very same club then played for the 'basket.' You know the 'passed hat' which even on a cheap date, and a folk music coffeehouse date was a cheap one in those days like I told you before and you laughed at cheapie me and the 'Dutch treat' thing, you felt obliged to throw a few bucks into to show solidarity or something.  And so the roots of New York City folk according to the 'father.'

Laura interrupted to ask if that “basket” was like the buskers put in front them these days and Sam said yes. And asked Sam about a few of the dates he took to the coffeehouses in those days, just out of curiosity she said, meaning if she had been around would he have taken her there then. He answered that question but since it is an eternally complicated and internal one I have skipped it to let him go on with the other Von Ronk story. He continued with the other funny story like this-“The second story involved his [Von Ronk's] authoritative role as a folk historian who after the folk minute had passed became the subject matter for, well, for doctoral dissertations of course just like today maybe people are getting doctorates in hip-hop or some such subject. Eager young students, having basked in the folk moment in the abstract and with an academic bent, breaking new ground in folk history who would come to him for the 'skinny.' Now Van Ronk had a peculiar if not savage sense of humor and a wicked snarly cynic’s laugh but also could not abide academia and its’ barren insider language so when those eager young students came a calling he would give them some gibberish which they would duly note and footnote. Here is the funny part. That gibberish once published in the dissertation would then be cited by some other younger and even more eager students complete with the appropriate footnotes. Nice touch, nice touch indeed on that one, right.”

Laura did not answer but laughed, laughed harder as she thought about it having come from that unformed academic background and having read plenty of sterile themes turned inside out.       

As Laura laugh settled Sam continued “As for Van Ronk’s music, his musicianship which he cultivated throughout his life, I think the best way to describe that for me is that one Sunday night in the early 1960s I was listening to the local folk program on WBZ hosted by Dick Summer, who was influential in boosting local folk musician Tom Rush’s career and who was featured on that  Tom Rush documentary No Regrets we got for being members of WUMB, when this gravelly-voice guy, sounding like some old mountain pioneer, sang the Kentucky hills classic Fair and Tender Ladies. It turned out to be Von Ronk's version which you know I still play up in the third floor attic. After that I was hooked on that voice and that depth of feeling that he brought to every song even those of his own creation which tended to be spoofs on some issue of the day.”

Laura laughed at Sam and the intensity with which his expressed his mentioning of the fact that he liked gravelly-voiced guys for some reason. Here is her answer, “You should became when you go up to the third floor to do your “third floor folk- singer” thing and you sing Fair and Tender Ladies I hear this gravelly-voiced guy, sounding like some old mountain pioneer, some Old Testament Jehovah prophet come to pass judgment come that end day time.”
They both laughed. 

Laura then mentioned the various times that they had seen Dave Von Ronk before he passed away, not having seen him in his prime, when that voice did sound like some old time prophet, a title he would have probably secretly enjoyed for publicly he was an adamant atheist. Sam went on, “ I saw him perform many times over the years, sometimes in high form and sometimes when drinking too much high-shelf whiskey, Chavis Regal, or something like that not so good. Remember we had expected to see him perform as part of Rosalie Sorrels’ farewell concert at Saunders Theater at Harvard in 2002 I think. He had died a few weeks before.  Remember though before that when we had seen him for what turned out to be our last time and I told you he did not look well and had been, as always, drinking heavily and we agreed his performance was subpar. But that was at the end. For a long time he sang well, sang us well with his own troubadour style, and gave us plenty of real information about the history of American folk music. Yeah like he always used to say-'when the tin can bended …..and the story ended.'

As they came to the admission booth at the entrance to Crane’s Beach Sam with Carolyn Hester’s song version of Walt Whitman’s On Captain, My Captain on the CD player said “I was on my soap box long enough on the way out here. You’re turn with Carolyn Hester on the way back who you know a lot about and I know zero, okay.” Laura retorted, “Yeah you were definitely on your soap-box but yes we can talk Carolyn Hester because I am going to cover one of her songs at my next “open mic.” And so it goes.                      

Demand clemency for Leonard Peltier

Dear friends
We invite you to sign this petition in support of Leonard Peltier, wrongly jailed for 40 years. Please circulate to your networks.
Many thanks
PAYDAY
"It should be remembered that Standing Rock was the site of the 1974 conference of the International Indigenous Movement that spread throughout the Americas and beyond, the starting point for the United Nations Declaration of the Rights of Indigenous Peoples [UNDRIP]... I call on all my supporters and allies to join the struggle at Standing Rock in the spirit of peaceful spiritual resistance and to work together to protect Unci Maka, Grandmother Earth. I also call upon my supporters and all people who share this Earth to join together to insist that the US  complies with and honors the provisions of international law, as expressed in the UNDRIP, International Human Rights Treaties and the long-neglected Treaties and trust agreements with the Sioux Nation." 
Leonard Peltier, from a 
solidarity statementwith the Standing Rock resistance to the Dakota Access pipeline.
For more info, contact the International Leonard Peltier Defense Committee:http://www.whoisleonardpeltier.info/




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Don�t let my father die in prison

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SHARE THIS ACTION
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My name is Kathy Peltier and I am the daughter of imprisoned Native American rights activist Leonard Peltier.
In 1975, during a confrontation with members of the American Indian Movement, two FBI agents were shot dead. My father was convicted of their murders, but has always denied killing the agents.

Judges and legal experts agree that his trial was unfair. He's been in prison over 40 years - my entire life.
Now his health is failing. My worst fear is that my father will die in prison and I won't have any real time with him.
Help bring my father home: Tell President Obama to grant Leonard Peltier clemency.

Even behind bars, my father is an inspiration. His name is synonymous with the struggle for Native rights, and he recently issued a statement in solidarity with everyone standing together at the Camp of the Sacred Stones at Standing Rock:

"It is an honor to have been alive to see this happen with you young people. You are nothing but awesome in my eyes." 

Many people have called for him to be granted leniency and freedom, but he remains in prison. That's why Amnesty International USA has included his case in its Write for Rights letter-writing marathon.
Join Write for Rights and add your name to this urgent petition: Free Leonard Peltier.

The Federal Bureau of Prisons says it won't take care of my father until his condition - he has an abdominal aortic aneurysm - gets even worse. But I'm afraid it will be too late.

It would mean everything to me if my father could spend a little of his life with me.
Urge President Obama to grant clemency to my father, Leonard Peltier, so that he can live out the rest of his days with his family.

On behalf of my father and my brother, and for all the people you help through your kindness and your activism, thank you.

In solidarity,
Kathy Peltier
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Friday, November 11, 2016

A View From The Left- POST-ELECTION HANGOVER

POST-ELECTION HANGOVER

http://www.truthdig.com/images/made/images/eartothegrounduploads/FishTrumpNov9Large_798_399_334_99.jpgMobilizing racist and anti-women sentiment was undoubtedly an important part the Trump campaign – especially in the primary race.  But it would be a mistake to see this as the only basis for the Trump electoral college win this week – or to demonize all Trump supporters. (Clinton, as we all know, narrowly won the popular vote.)  Racial incitement has long been a key element of modern Republican politics – some Trump supporters (and the candidate himself at times) were only more vocal than in previous elections. But there is no reason to believe that racism has somehow become more prevalent since 2012.  President Obama remains far more popular than either Trump or Clinton.

The truth is that Clinton lost states (and many counties) won by Obama in 2008 and 2012, and she also won fewer votes from African-Americans,  Latinos and youth.  In fact the turnout for Clinton was 9 million lower than the Obama peak, while Trump got fewer votes overall than Mitt Romney four years ago. Trump won by slim margins in Rust Belt states where the swing voters are likely to have been working-class men and women who heard from him a populist message (however phony) that found no equivalent from the Democratic Party.  If you doubt this, try watching this clip from aTrump pre-election rally (the full speech and transcript here).  He spoke in words that could have been delivered by Bernie Sanders without much alteration.

On the bright side, Massachusetts voters roundly defeated the Wall-Street push for unlimited charter school expansion and (in Boston) passed the Community Preservation Act (CPA) for more housing funds; Question 3, mandating less cruelty to farm animals passed -- and, of course, legalized marijuana.  Not a moment too soon.

POLITICS IS THE SOLUTION
To believe that Trump’s appeal was entirely based on ethnic nationalism is to believe that a near majority of Americans are driven only by hate and a shared desire for a white supremacist political program.  We don’t believe that. And the facts don’t bear it out… This was Clinton’s election to lose. And she lost. A lot of the blame will fall on Clinton the candidate, but she only embodied the consensus of this generation of Democratic Party leaders. Under President Obama, Democrats have lost almost a thousand state-legislature seats, a dozen gubernatorial races, sixty-nine House seats and thirteen in the Senate. Last night didn’t come out of nowhere…  This is a new era that requires a new type of politics — one that speaks to people’s pressing needs and hopes, rather than to their fears. Elite liberalism, it turns out, cannot defeat right-wing populism. We can’t move to Canada or hide under the bed. This is a moment to embrace democratic politics, not repudiate them.  More

The revenge of working-class whites
For the past 40 years, America's economy has raked blue-collar white men over the coals. It whittled their paychecks. It devalued the type of work they did best. It shuttered factories and mines and shops in their communities. New industries sprouted in cities where they didn't live, powered by workers with college degrees they didn't hold.  They were not the only ones who felt abandoned by a rapidly globalizing economy, but they developed a distinctly strong pessimism in its face. On Tuesday, their frustrations helped elect Donald Trump, the first major-party nominee of the modern era to speak directly and relentlessly to their economic and cultural fears. It was a “Brexit” moment in America, a revolt of working-class whites who felt stung by globalization and uneasy in a diversifying country where their political power had seemed to be diminishing.    More

Former Obama strongholds sealed the election for Trump
Of the nearly 700 counties that twice sent Obama to the White House, a stunning one-third flipped to support Trump.
Trump also won 194 of the 207 counties that voted for Obama either in 2008 or 2012.   More

'Not My President'
Anti-Trump Demonstrations Swell Nationwide
An anti-Trump protest in ChicagoIn the wake of Donald Trump's shocking victory, Americans around the country took to the streets Wednesday evening to express their fear, anger, and opposition to what a Trump presidency represents.  "Not my president!" was the rallying cry in cities nationwide. "No Trump, no KKK, no fascists USA!" was chanted by thousands on the streets of Chicago; "Stop Trump's hate!" was shouted by demonstrators in downtown Boston; and a crowd of largely Latino high school students chanted "The people united will never be defeated!" in Spanish at Los Angeles' city hall.  Many protesters held signs expressing solidarity with Muslims, Latinos, LGBTQ people, women, and other groups insulted or threatened by rhetoric from the Trump-Pence ticket during the presidential campaign. Rallies took place from Kansas City to Austin to New York to Seattle, among many other locales, and were largely peaceful, with few arrests reported.   More

For Muslim Americans, Fear and Shock at a Trump Presidency
American Muslims and Arab-Americans woke up Wednesday morning with shock, fear, and a determination to tackle head-on the bigotry that helped propel Donald Trump to the White House.  “The U.S. we knew yesterday is no longer the same U.S.,” Khalil Jahshan, the executive director of the Arab Center, told me as the final votes were tallied in the early morning hours. “To me, this is an unprecedented white insurgency. We’re in for some frightening surprises.”  Today, America is a nation in which Muslims and other immigrants fear they are no longer welcome…  What happens next, says Sohaib Sultan, the imam at Princeton University, depends on Trump himself. “If he tries to put water to some of the fires that he started, then hopefully it won’t result in violence. This is a very, very volatile position for America right now,” he said.     More

GLENN GREENWALD:
Democrats, Trump, and the Ongoing, Dangerous Refusal to Learn the Lesson of Brexit
While elite circles gorged themselves on globalism, free trade, Wall Street casino gambling, and endless wars (wars that enriched the perpetrators and sent the poorest and most marginalized to bear all their burdens), they completely ignored the victims of their gluttony, except when those victims piped up a bit too much — when they caused a ruckus — and were then scornfully condemned as troglodytes who were the deserved losers in the glorious, global game of meritocracy.  That message was heard loud and clear. The institutions and elite factions that have spent years mocking, maligning, and pillaging large portions of the population — all while compiling their own long record of failure and corruption and destruction — are now shocked that their dictates and decrees go unheeded…   Instead of acknowledging and addressing the fundamental flaws within themselves, [elites] are devoting their energies to demonizing the victims of their corruption, all in order to delegitimize those grievances and thus relieve themselves of responsibility to meaningfully address them.   More

Trump and Obama in Oval OfficeThe Long Death March of the Dismal Dollar Democrats
Contempt for the white working class cost Hillary Clinton the White House to no small degree. The exit polls are very clear on that.  Those polls also tell us I think that Bernie Sanders would very likely have prevailed over Trump in a general election.  His leftish populist campaign was pitched largely to the economic and anti-plutocratic grievances and sentiments of the white majority working and middle classes, most of whom aren’t frothing racists, nativists, and sexists (Hillary’s “deplorables” comment notwithstanding).  I think enough of those voters would have recognized Sanders as a more authentic articulator of their views and anger than Trump for Sanders to have prevailed over the Deplorable Donald… (My last online comment prior to Election Day: “Think about this. fellow workers and citizens.  The biggest nightmare for the ‘party of FDR’ tomorrow is a big turnout by the white working class.  Put that in your historical pipe and smoke it.”)   More

NAOMI KLEIN: It was the rise of the Davos class that sealed America's fate
They will blame James Comey and the FBI. They will blame voter suppression and racism. They will blame Bernie or bust and misogyny. They will blame third parties and independent candidates. They will blame the corporate media for giving him the platform, social media for being a bullhorn, and WikiLeaks for airing the laundry.  But this leaves out the force most responsible for creating the nightmare in which we now find ourselves wide awake: neoliberalism. That worldview – fully embodied by Hillary Clinton and her machine – is no match for Trump-style extremism. The decision to run one against the other is what sealed our fate. If we learn nothing else, can we please learn from that mistake?  … Neo-fascist responses to rampant insecurity and inequality are not going to go away. But what we know from the 1930s is that what it takes to do battle with fascism is a real left. A good chunk of Trump’s support could be peeled away if there were a genuine redistributive agenda on the table. An agenda to take on the billionaire class with more than rhetoric, and use the money for a green new deal.   More

http://www.truthdig.com/images/made/images/cartoonuploads/LuckovichSmoothSailing_1000_363_264.jpgThe Establishment’s Massive ‘Intelligence Failure’
The U.S. power Establishment — the two national parties, the bureaucracy, the “deep state,” the military, the security establishment, Wall Street and the corporations — all have believed in their own exceptionalism and right to dominate and determine the course of American society — and indeed even much of the rest of the world.  We had no reason to expect that the Republican Party could serve as the natural voice of those who feel disenfranchised and economically marginalized — dissed in the fullest sense. In this sense, Trump was a revolution from within the ranks of the Republican Party. Or perhaps more accurately, he seized the mechanism of the Republican Party to broadcast a message that the Republican establishment could not see or believe until too late.   More

Lack of Enthusiasm for Hillary, Not Trump Strength, Cost the Election
Contrary to alarming perceptions put forth in the major media contending that Donald Trump's stunning victory this week portends a swing to the right in US politics, voter turnout figures compared to past years suggest otherwise. The numbers show that it was lack of enthusiasm for Hillary Clinton, rather than any particular enthusiasm for Donald Trump, which cost Democrats the election…  What this means is that it wasn't Trump's strength, but Clinton's weakness in the polling places which cost the Democratic party the election. Nearly 10 million people less voted Democrat in 2016 than in 2008, and 6 million fewer than in 2012.  Given that the total number of registered voters remained the same or increased slightly, 15% fewer people voted Democrat in 2016 than in 2008. The conclusion cannot be escaped that many of the people who voted Democrat in 2008 and in 2016 either stayed home or voted for Trump. The Washington Post reports that, across the US, "Of the nearly 700 counties that twice sent Obama to the White House, a stunning one-third flipped to support Trump."    More

Bernie Sanders Said He Could Beat Donald Trump; Party Sabotaged Him Anyway
Sen. Bernie Sanders, Clinton’s insurgent left-wing opponent during the primaries, repeatedly warned voters and the Democratic establishment that he had a greater chance of defeating Trump.  “Bernie Sanders continues to be the strongest candidate in the race to keep Donald Trump out of the White House,” his campaign stressed in a May press release. Polling done that month by a variety of news outlets and firms  consistently found that Sanders had a double-digit percentage point lead over Trump, with Sanders’ average margin over the Republican being three times larger than Clinton’s average lead of 3.3 percent. Experts said Sanders’ sizable lead over Trump was largely due to his popularity among independents and young voters, two groups with whom Clinton did not do nearly as well. Sanders pollster Ben Tulchin noted at the time that the Vermont senator’s overwhelmingly “positive profile stands in stark contrast to both Hillary Clinton and Donald Trump, who are both deeply unpopular.”   More

ABOLISH THE ELECTORAL COLLEGE
if the current vote tallies continue roughly they way they are, Donald Trump will join Thomas Jefferson, John Quincy Adams, Rutherford B. Hayes, Benjamin Harrison, and George W. Bush as presidents who lost the popular vote but still took the nation’s highest office, in every case with huge impacts.  The Electoral College was established at the 1787 Constitutional Convention to prevent the public from voting directly on our national leader. Ostensibly, it was meant in part to protect small states from being bullied by bigger ones. It also installed a “three-fifth bonus” that gave plantation owners a 60 percent headcount for their slaves…  There is no useful function for the Electoral College, a vile 230-year-old holdover from the bad old days of the southern slaveocracy. It poisons our electoral process.   More

*   *   *   *
NEW WARS / OLD WARS – What Could Possibly Go Wrong?
http://masspeaceaction.org/home/wp-content/uploads/2015/10/MiddleEastWarRoom2.jpg
The Obama administration says it is going to bomb the once and future al-Qaeda group in Syria (now calling itself Jabhat Fateh al-Sham) in addition to ISIS.  These are clearly bad and dangerous people, but rather than bombing them by illegally intervening in Syria, perhaps it would be more effective for the US to pressure its allies in Turkey, Saudi Arabia, Qatar (and Israel) to stop supporting and financing them.

Obama directs Pentagon to target al-Qaeda affiliate in Syria
President Obama has ordered the Pentagon to find and kill the leaders of an al-Qaeda-linked group in Syria that the administration had largely ignored until now and that has been at the vanguard of the fight against the Syrian government, U.S. officials said.
The decision to deploy more drones and intelligence assets against the militant group formerly known as Jabhat al-Nusra reflects Obama’s concern that it is turning parts of Syria into a new base of operations for al-Qaeda on Europe’s southern doorstep, the officials said.  The move underlines the extent to which Obama has come to prioritize the counter­terrorism mission in Syria over efforts to pressure President Bashar al-Assad to step aside, as al-Nusra is among the most effective forces­­ battling the Syrian government.  More

THE DEVIL YOU DON'T KNOW:
Trump is not all bad news for the Middle East
The election of Trump today may not necessarily be the unmitigated disaster it is currently being portrayed as - at least not necessarily for the Middle East. There may even be a sigh of relief in many quarters in the Middle East precisely because Trump’s more isolationist discourse, if it were to be put into practice, would mark a sharp departure from Clinton’s hawkish, interventionist record… President Obama had serious problems with the Washington foreign policy playbook, whereas with Clinton, it would have been business as usual for countries like Saudi Arabia – a key pillar of US foreign policy and security order in the region.  With Trump, we’ll have to wait and see but we do know he has issues with not just the Washington playbook, but also the entire establishment… In the end, a clueless populist who lacks an appreciation for the nuances of the Middle East may turn out to be far less destructive to the region itself than an intelligent operator who knows what makes it tick.    More

Why the Iran Deal Will Survive the Trump Presidency
Trump’s triumph is sending shockwaves through the foreign policy community, particularly among supporters of the Iran nuclear deal. Reuters has already reported that Trump’s election puts the Iran Deal “on shaky ground.” … Trump’s win no doubt introduces uncertainty into the already complicated status of the Joint Comprehensive Plan of Action (JCPOA). But the notion that Trump can or will single-handedly dismantle JCPOA overstates his likely power as president. Three factors will constrain his ability to unravel the Iran deal: the relatively low importance of Iran in the current landscape of American politics, the essential security implications of the Iran deal for Russia, and the economic ambitions of Europe.   More

Obama’s Final Arms-Export Tally More than Doubles Bush’s
The Obama administration has approved more than $278 billion in foreign arms sales in its eight years, more than double the total of the previous administration, according to figures released by the Pentagon on Tuesday.  Many of the approved deals — most but hardly all of which have become actual sales — have been to Mideast nations, including key allies in the campaign against Islamic State militants and countries that have been building up their defenses in fear of a nuclear Iran.  Saudi Arabia has been the largest recipient, reaping prospective deals worth more than $115 billion, according to notices announcing the deals that were sent to Congress for approval.
“Nobody even comes close” for the number of deals and total value, said William Hartung, director of the Arms Security Project at the Center for International Policy.   More

HOW THE U.S. MILITARY CAN SAVE $1 TRILLION
The United States could reduce Pentagon spending by over a trillion dollars in the next decade—spending $5.2 trillion rather than the currently planned $6.3 trillion— by adopting strategy of military restraint. That’s the bottom line of a study I produced along with several colleagues as part of “Developing Alternative Defense Strategies 2016,” an exercise organized by the Center for Strategic and Budgetary Assessments, where groups from five think tanks used CSBA’s “Strategic Choices” software to reimagine the U.S. military budget… That starts with restraining ourselves from the temptations that great power affords— making war less often and more deliberatively, deflatingour definition of security so it is distinguishable from global dominance and ceasing to insist that we alone can boss humanity.   More


Howling At The Moon-When Howlin’ Wolf Held Forth

Howling At The Moon-When Howlin’ Wolf Held Forth  

 

 

 From The Pen Of Bart Webber



One night when Sam Eaton and Ralph Morris were sitting in Johnny D’s over in Somerville [this night was several years before the recent 2015 announcement that that central spot for the blues tradition and up and coming newer musical genre was closing after a forty year run], over near the Davis Square monster Redline MBTA stop sipping a couple of Anchor Steam beers, a taste acquired by Sam out in Frisco town in the old days on hot nights like that one waiting for the show to begin and picked up by Ralph along the way when drinking his life-time scotch whiskey became verboten after a bad medical check-up about ten years before Ralph mentioned that some music you acquired kind of naturally. A lot of their conversations of late, the last few years as they slid into retirement Ralph giving the day to day operations of his specialty electrical shop over to his youngest son and Sam giving the day to day management of his high volume printing business to his longtime employee, Jimmy Jones, who held the place together at the beginning while Sam headed West with a gang of other Carver corner boys in search of the great blue-pink American West night that animated much of the late 1960s had centered on their lifetime of common musical interests (except folk music which Sam came of age with, caught the drift as it came through Harvard Square where he would hang out to get out of the house when tensions boiled  o to some extent but which mostly even with Bob Dylan anti-war protest songs made him grind his teeth.

By naturally Ralph meant, you know like kids’ songs learned in school. Songs like The Farmer in the Dell, which forced you a city kid like Ralph born and raised in Troy, New York a strictly working class town then, and now,  although you might not have designated yourself as such at that age to learn a little about the dying profession of family farmer and about farm machinery; Old MacDonald, ditto on the family farmer stuff and as a bonus all the animals of the farm kingdom and their distinctive noises that still rattled Ralph’s head on hard drinking night if he got melancholy for his tortured childhood; Humpty Dumpty, a silly grossly overweight holy goof of the rankest order, an egghead to boot and that didn’t mean intellectual, far from it, who couldn’t maintain his balance come hell or high water although you might not have thought of that expression, that hell or high water expression, or used it in the high Roman Catholic Saturday-go-to-confession-to confess those damns, hells, and fucks that had entered you vocabulary through osmosis and Sunday-go-to-communion-to-absolve-all-sins Morris household out in Troy where Ralph still lives; and,  Jack and Jill and their ill-fated hill adventure looking for water like they couldn’t have gone to the family kitchen sink tap for their needs but thinking about it later what were they really doing up there. All this total recall, or mostly total recall showing indeed whether you designated yourself as a city kid or not you were one of the brethren, etc. you have embraced that music as a child in case you have forgotten. Music embedded in the back of your mind, coming forth sometimes out of the blue even fifty years later (and maybe relating to other memory difficulties among the AARP-worthy but we shall skip over that since this sketch is about the blues, the musical blues and not the day to day getting old blues).

Sam nodded his head in agreement then chimed in with his opinion the music of junior high school as he thought, looking behind the bartender’s head to the selection of hard liquors displayed with the twinkle of an eye, about switching over to a high-shelf scotch whiskey, Haig &Haig, his natural drink of late, despite the hot night and hot room beginning to fill up with blues aficionados who have come to listen to the “second coming,” the blues of James Montgomery and his back-up blues band. (Sam unlike Ralph suffering no medical warning about the dire consequences to his system about throwing down a few shots since his health was in better shape than Ralph, Ralph having taken a beating in that department with whatever hellious chemical his government, or rather the American government for which he refused to take any credit or blame, was throwing on the ground of Vietnam from the nightmare skies during that long, bloody lost war).

That “second coming” referring to guys, now greying guys, who picked up the blues, especially the citified electric blues after discovering the likes of Muddy Waters, Howlin’ Wolf, Magic Slim and James Cotton back in their 1960s youth, made a decent living out of it and were still playing small clubs and other venues to keep the tradition alive and to pass it on to the kids who were not even born when the first wave guys came out of the hell-hole Delta South of Mister James Crow sometime around or after World War II and plugged  their guitars into the next gin mill electric outlet in places off of Maxwell Street in Chicago, nursing their acts, honing their skills.  

Yeah, getting back to junior high, Sam thinking about that hormonal bust out junior high weekly music class with Mr. Dasher which made Sam chuckle a bit, maybe that third bottle of beer sipping had gotten him tipsy a little, as he thought about the old refrain, “Don’t be a masher, Mister Dasher” which all the kids hung on the poor, benighted man that time when the rhyming simon craze was going through the nation’s schools. Thinking just then that today if some teacher or school administrator was astute enough to bother to listen to what teenage kids said amongst themselves, an admittedly hard task for an adult in any era, in an excess of caution old Mister Dasher might be in a peck of trouble if anyone wanted to be nasty about the implication of that innocent rhyme.  Yeah, Mr. Dasher, the mad monk music teacher (who on the side in those days, not unlike these days, when teachers couldn’t live on their teaching incomes led an old-time, old time to Sam and his classmates Benny Goodman-style swing and sway big band at special occasions and as a regular at the Surf Ballroom over in Plymouth on Friday nights), who wanted his charges to have a well-versed knowledge of the American and world songbooks. Thus  you were forced to remember such songs as The Mexican Hat Dance, God Bless America, and Home On The Range under penalty of being sent up to the front of the room songbook in hand and sing the damn things. Yes, you will remember such songs unto death.

Sam and his corner boys at Doc’s Drugstore found out later that the Dasher was motivated by a desperate rear-guard action to wean his charges away from rock and roll, away from the devil’s music although he would not have called it that because he was too cool to say stuff like that, a struggle in which he was both woefully overmatched by Elvis, Jerry Lee, Chuck, Bo, and the crowd and wasting his breathe as they all lived for rock and roll at Doc’s Drugstore after school where he had a jukebox at his soda fountain. And they were not putting their three selections for a quarter to hear hokey Home on the Range.   

Ralph agreed running through his own junior high school litany with Miss Hunt (although a few years older than Sam he had not run through the rhyming simon craze so had no moniker for the old witch although now he wished he had as he chuckled to himself and turned a little confession red although he not been into that stifling confession box on his gamy knees in many years, and it would not be nice either). Ralph added that some of the remembered music reflected the time period when you were growing up but were too young to call the music your own like the music that ran around in the background of your growing up house on the mother housewife radio or evening record player which in Ralph’s case was the music that got his parents through his father’s soldierly slogging on unpronounceable Pacific islands kicking ass against the Nips (his father’s term for the dirty bastard Japanese) and mother anxiously waiting at home for the other shoe to fall or the dreaded military officer coming up to her door telling her the bad news World War II.

You know, guys like Frank (Sinatra, the chairman of the board, that all the bobbysoxer girls, the future mothers of Sam’s and Ralph’s generation swooned over), The Andrew Sisters  and their rums and coca colas, Peggy Lee fronting for Benny Goodman and looking, looking hard for some Johnny to do right, finally do right by her, etc. Other music, the music of their own generation, classic rock and rock came more naturally since that is what they wanted to hear when they had their transistor radios to their ear up in their bedrooms or could hardly wait to hear when the jukebox guy came into Doc’s to put the latest selections in (and to have his hand greased by Doc for “allowing” those desperately desired songs onto his jukebox to fill his pockets with many quarters, see he was “connected” and so along with the jukebox hand over fist money-maker cam the hand).

That mention of transistor radios got Ralph and Sam yakking about that old instrument which got them through many a hard teenage angst and alienation night. That yakking reflecting their both getting mellow on the sweet beer and thinking that they had best switch to Tennessee sipping whisky when the wait person came by again since they had moved from the bar to a table near the stage to get a better view of the band if they were to make it through both sets that night (and Ralph thinking, just this once, just for this bluesy night he would “cheat” a little on that scotch whiskey ban). This transistor thing by the way for the young who might wonder what these old geezers were talking about since it was clearly not iPods was small enough to put in your pocket and put up to your ear like an iPod or MP3 except you couldn’t download or anything like that.

Primitive technology okay but life-saving nevertheless. Just flip the dial although the only station that mattered was WJDA, the local rock station (which had previously strictly only played the music that got all of our parents through their war before the rock break-out made somebody at the station realize that you could made more advertising revenue selling ads for stuff like records, drive-in movies, drive-in restaurants, and cool clothes and accessories than refrigerators and stoves to adults).

Oh yeah, and the beauty of the transistor you could take it up to your bedroom and shut out that aforementioned parents’ music without hassles. Nice, right. So yeah, they could hear Elvis sounding all sexy, her word whether she knew the exact meaning or not, meaning all hot and bothered, according to one girl Sam knew even over the radio and who drove all the girls crazy once they got a look at him on television. Chuck Berry telling our parents’ world that Mr. Beethoven and his crowd, Frank’s too, all had to move over because there was a new sheriff in town.  Bo Diddley asking a very candid question about who put the rock in rock and roll and offering himself up as a candidate. Buddy Holly crooning against all hope for his Peggy Sue (or was it Betty Lou), Jerry Lee inflaming all with his raucous High School Confidential from the back of a flatbed truck, etc. again.

The blues though, the rarified country and electric urban blues of the likes of Son House, Robert Johnson, Muddy Waters, James Cotton, and Howlin’ Wolf was an acquired taste. Acquired by Sam through listening to folk music programs on that very same transistor radio in the early 1960s after flipping the dial one Sunday night once he got tired of what they claimed was rock music on WJDA and caught a Boston station, WBZ and later WCAS. The main focus was on other types of roots music but when the show would take a break from down home mountain music, western swing ballads, and urban protest music the DJ would play some cuts of country or electric blues. See all the big folkies, Dylan, Tom Rush, Dave Van Ronk, people like that were wild to cover the blues in the search for serious roots music from the American songbook. So somebody, Sam didn’t know who, figured if everybody who was anybody was covering the blues in that folk minute then it made sense to play the real stuff.  (Sam later carried Ralph along on the genre after they had met down in Washington, D.C. in 1971, had been arrested and held in detention at RFK Stadium for trying to shut down the government if it did not shut the Vietnam War, had become life-long friends and Ralph began to dig the blues when he came to Cambridge to visit Sam although he would shutter his ears if Sam played some folk stuff).

The real stuff having been around for a while, having been produced by the likes of Muddy and Howlin’ Wolf going back to the 1940s big time black migration to the industrial plants of the Midwest during World War II when there were plenty of jobs just waiting (and plenty taken away when the soldiers and sailors, white soldiers and sailors came home on the overcrowded troop transports looking to start life over again and raise those families they dreamed about in the muds of Europe and the salty brine of the atoll Pacific). But also having been pushed to the background, way to the background with the rise of rock and roll (although parts of rock make no sense, don’t work at all without kudos to blues chords, think about Ike Turner’s Rocket 88 and Big Joe Turner’s Shake, Rattle and Roll, check it out). So it took that combination of folk minute and that well-hidden from view electric blues some time to filter through Sam’s brain.

What did not take a long time to do once Sam got “religion” was going crazy over Howlin’ Wolf when he saw him perform down in Newport when everybody who was anybody that high school and college kids wanted to hear in that folk minute showed up there.  Once Sam had seen him practically eat that harmonica when he was playing that instrument on How Many More Years. There the Wolf was all sweating, running to high form and serious professionalism (just ask the Stones about that polished professionalism when he showed them how to really play Little Red Rooster which they had covered early on in their career as they had covered many other Chess Records blues numbers, as had in an ironic twist a whole generation English rockers in the 1960s while American rockers were basically clueless until the Brits told them about their own roots music) and moving that big body to and fro to beat the band. Playing like god’s own avenging angel, if those angels played the harmonica, and if they could play as well as he did.
They both hoped that greying James Montgomery, master harmonica player in his own right, blew the roof off of the house as they spied the wait person coming their way and James moving onto the stage getting ready to burn up the microphone. And he and his band did just that. Yes, that blues calling from somewhere deep in the muds is an acquired taste and a lasting one.