Wednesday, December 28, 2016

From The Pen Of Joshua Lawrence Breslin -From The“Brothers Under The Bridge” Series-High Street Hank’s Ode To Railroad Bill, The Hobo King




In the first installment of this series of sketches in this space provided courtesy of my old 1960s yellow brick road magical mystery tour merry prankster fellow traveler, Peter Paul Markin, I mentioned, in grabbing an old Bruce Springsteen CD compilation from 1998 to download into my iPod, that I had come across a song that stopped me in my tracks, Brothers Under The Bridge. I had not listened to or thought about that song for a long time but it brought back many memories from the late 1970s when I did a series of articles for the now defunct East Bay Eye (Frisco town, California East Bay, naturally) on the fate of some troubled Vietnam veterans who, for one reason or another, could not come to grips with “going back to the real world” and took, like those a Great Depression generation or two before them, to the “jungle”-the hobo, bum, tramp camps located along the abandoned railroad sidings, the ravines and crevices, and under the bridges of California, mainly down in Los Angeles, and created their own “society.”

The editor of the East Bay Eye, Owen Anderson, gave me that long ago assignment after I had done a smaller series for the paper on the treatment, the poor treatment, of Vietnam veterans by the Veterans Administration in San Francisco and in the course of that series had found out about this band of brothers roaming the countryside trying to do the best they could, but mainly trying to keep themselves in one piece. My qualifications for the assignment other than empathy, since I had not been in the military during the Vietnam War period, were based simply on the fact that back East I had been involved, along with several other radicals, in running an anti-war GI coffeehouse near Fort Devens in Massachusetts and down near Fort Dix in New Jersey. During that period I had run into many soldiers of my 1960s generation who had clued me in on the psychic cost of the war so I had a running start.

After making connections with some Vietnam Veterans Against The War (VVAW) guys down in L.A. who knew where to point me I was on my way. I gathered many stories, published some of them in the Eye, and put the rest in my helter-skelter files. A while back, after having no success in retrieving the old Eye archives, I went up into my attic and rummaged through what was left of those early files. I could find no newsprint articles that I had written but I did find a batch of notes, specifically notes from stories that I didn’t file because the Eye went under before I could round them into shape.

The ground rules of those long ago stories was that I would basically let the guy I was talking to give his spiel, spill what he wanted the world to hear, and I would write it up without too much editing (mainly for foul language). I, like with the others in this current series, have reconstructed this story as best I can although at this far remove it is hard to get the feel of the voice and how things were said.

Not every guy I interviewed, came across, swapped lies with, or just snatched some midnight phrase out of the air from was from hunger. Most were, yes, in one way or another but some, and the one I am recalling in this sketch from 1979 fits this description, had no real desire to advertise their own hunger but just wanted to get something off their chest about some lost buddy, or some event they had witnessed. I have presented enough of these sketches both back in the day and here to not make a generalization about what a guy might be hiding in the deep recesses of his mind.

Some wanted to give a blow by blow description of every firefight (and every hut torched) they were involved in, others wanted to blank out ‘Nam completely and talk of before or after times, as is the case here with High Street Hank (real name Jason Preston), who went way out of his way to avoid talking much about ‘Nam, or about how he wound up in the hobo camps in the late 1970s after heading west in the early 1970s, but who wanted to talk about missed chances at love, and about the life on the road, and the life of his late hobo king friend, Railroad Bill. I like to finish up these introductions by placing these sketches under a particular sign; no question Jason Preston's sign was that of the hobo king.

[In the interest of full disclosure, although it does not relate directly to Jason’s story, I was probably closer to him than any of the brothers under the bridge that I ran into in those days. Partially because, after ‘Nam in 1971, he followed my own earlier, 1967 summer of love, merry prankster yellow brick road west and got catch up with the remnants of the 1960s scene as it was descending into madness as the tide ebbed. Partially also because he had tried, tried several times after that, to come off the road and move on with his life. To no avail. That “to no avail” part got to me since a quarter turn one way or another in my own experiences and I could have been telling my own Railroad Bill story around that ‘Frisco camp fire mentioned below. I lost contact with Jason about 1985 when he informed me that he was heading south to Mexico to see if he could grapple with his life better there.]
*******
Here is the way High Street Hank told the story one night, one 1979 November night, as best I remember it, the story of the famous hobo king (real title, no kidding, they have their social gradations just like the rest of us), Railroad Bill, who even I had heard of previously in some mist of time way, told the story one campfire cold sludge coffee stew broth boiling in the kettle night, one miserable hell foggy raw under the bridge Frisco town night, maybe a half dozen guys (Spokane Spike, Portland Phil, Graybeard Gary, and I forgot who else) gathered close around to keep warm against the Pacific squalls, and to share the bottle night (Thunderbird so somebody had dough, had been successful panhandling that afternoon down the Embarcadero, or had cadged it, otherwise Tokay was the cheap jack beverage of choice), yah, Hank told the Railroad Bill story, the story of a prince of the American road, of the long vanishing race of master-less men.

Railroad Bill (real name Theodore Greene, from one of the branches of the Greene family that used to run, or thought they used to run, Albany, although like Hank kept saying don’t hold him to the truth of that real name of that late knight, first- class, of the road since these guys were clumsy with names, aliases, addresses, mail-drops and stuff like that, nine to five stuff that keep the rest of us going, and connected, when he did some begging around looking for Bill’s roots after he passed on, not to inform any kin of his passing but just so he would know that Bill wouldn’t wind up in some potter’s field nameless, numbered, simple county-paid pine box, unadorned and un-remembered, like a million other hoboes, tramps, bums, winos, con men, grifters, sifters, and midnight drifters he had run into in his time, and with the idea that maybe too when old High Street Hank, (his road moniker, although he used others like every guy on the road but that one stuck more often than not and after a while gained a certain privilege, a certain “sure, come on in and have some stew or a swig , brother,” when uttered after some serious time in the jungles), passed on some roadie would wonder, wonder, curious wonder, big time and think big thoughts about his roots and about what he did, or did not, bullshit about, and maybe beg around a little to find out where he came from, or where he had been, but maybe too Railroad Bill the name Hank knew him by was just good enough and the rest was what Hank called his mind, the nine-to-five mind part of it, working overtime), now the late Railroad Bill, always laughed that he had never worked, and he never will (and now won’t), never had a steady job for more than a few days at a time and not many of them either (mainly washing dishes, pearl-diving he called it, some bracero hot sun work out in the California field when he was high on some hot tamale dark-eyed mex dame, some senorita all dark and with Spanish dancing eyes and ready to take him around the world [ you figure it out] for a dollar and a quarter and couple of shots of tequila, and mex dope), never worked for a check (cash only, no deductions brother, or else and Bill was big, and tough, tough enough to enforce that against almost any guy, sometimes guys), hell, never cashed a check ( a real check, although for a while he kited a few, and did some time for that little effort, a few months, maybe a year, guys were always a little shaky on their time after they got out and sometimes built it up a little to impress the new guys, up in Shawshank in Maine) and never, never had a master over him, the kiss of death for any self-respecting ‘bo (and he was a ‘bo, hobo in the “class” structure of the railroad jungle, ahead of tramps, bums, con men, grifters, and bottom-feeding midnight sifters).

So Hank said this was to be Railroad’s story, nah, sketch, or something like that, he said, a story would make you think it was just for entertainment, and this one was about times when honest men (sorry there wasn’t much room for women except whorehouses, slave tents, houses, and getting knocked around by “what the hell” angry men, sorry too) hit the road just to hit the road, and not to write talk-talk immense books about it, literature, or get a feel for the great American night before heading back to academia and attend delicious cozy little conferences for the next fifty years about the plight of the master-less men, 20th century variety [or to write down told homey little sketches told by campfires about hobo kings after coming off the minute road either-JLB]. A time when if you didn’t have what it takes, if you weren’t strong enough to shimmy yourself on some box car to ride the rails, if you weren’t fast enough to outrun some bull railroad cop with a billy club with your name on it, if you didn’t have enough sense god gave geese to “clip” the necessities for the day at some Woolworth’s (more recently replaced by Wal-Mart and, frankly, easier to do since nobody cared whether anybody “stole” some gabacho three for a dollar stuff, not the people who work there anyway unlike the child-like fawns who worked for fifty years and a good watch for Ma Woolworth), if your talk wasn’t smooth enough to make a few bucks to tide you over pan-handling (and cadge at least a couple of packs of cigarettes so you didn’t have to constantly roll your own Bull Durham coffin nails), if you couldn’t dream enough about some phantom white dress Phoebe Snow to get you through those hard first women-less days, if you didn’t have enough sense to latch on to some queen of the rails mutt to keep you company (and make “cute dog” hitchhike rides easier on the days when there were no rails in sight), then you would wind up with old Denver Slim (Railroad Bill’s first road brother), or a thousand other guys, buried early under some railroad trestle, down some deserted ravine, or beside some hollows hillside and nameless, nameless forever:

Hank woke with a start that dreary late October 1976 night when he first ran into Bill, early morning really from the look of the lightened sky, last cold night, or so he thought to himself , before drifting south then heading west to warmer climes for “winter camp.” Yes, he had the routine down pretty pat back then after a few years of scuttling around just short of getting it right, getting away from the damn winter colds that shortened more than one frozen stiff’s life. Summering in the Cambridges away from the congestion of the big towns (downtown Boston and fetid Pine Street Inns or sanctimonious Sallies [Salvation Army] flops , ditto Frisco, ditto L.A., ditto Chi town), and then wintering in the Keys (maybe Key Largo for the air but Key West if he needed hurry money, or in some Pancho Villa bandito arroyo near the border in desert California, or maybe higher up near Joshua Tree (where he had earlier, before his vagabond wandering days, holed up with a couple of mex senoritas with those sparkling eyes himself, some herb, and a couple of Phoebe Snows too, and with dough to go with the herb, when he rode the merry prankster yellow brick road bus back in the early 1970s). But just that minute that cold dreary morning minute his summer was interrupted by a loud sound of snoring and short breathe coughing from some fellow resident who had parked himself about twenty feet from his exclusive turf.

Hell, Hank laughed, explaining to everyone around that campfire [like we were school boys and couldn’t figure it out by ourselves that he was trying to be funny about it] he didn’t mean to tease us about his itinerary he said (although the gist of schedule was real enough, damn real), or about his mayfair swell digs. The fact was that back then he had been in kind of a bad streak and so sweet home Eliot Bridge right next to the Charles River, but not too next to Harvard Square had been his “home” of late then while he prepared for those sunnier climes just mentioned. Those last few previous months have been tough for him though after trying to make a go of it off the road [like a lot of road guys always try to do whether to beat up some bogus parole trap, beat some promise some family to do better trap, or just beat some road tired trap, except the serious winos who would not know where to begin, wouldn’t want to begin, or even give it a thought] first losing that swell paying job “diving for pearls” at Elsie’s, the deli where all the Harvard Johns hung out for some real food after they got tired of the frat house/Lowell house fare, then losing his apartment when the landlord decided, legally decided, that six months arrears was all that he could take, and then losing Janie over some spat, and getting so mad he “took” a couple of hundred dollars from her pocketbook as he went out the not-coming-back door that last time. So there he was at “home” waiting it out. But that was his story not Bill’s and so he moved on.
He had a pretty good set-up under the bridge, he thought. Far enough away from the Square so that the druggies and drunks wouldn’t dream of seeking shelter so far from their base. But close enough for him to try to panhandle a stake to head west with in rich folks Harvard Square (although apparently the rich those days preferred to tithe in other ways than to part with their spare change to, uh, itinerants since he was having a rough time getting the bread together). And, moreover, the bridge provided some protection against the chilly elements, and a stray nosey cop or two ready to run a stray itinerant in order to fill his or her quota on the run-in sheet.

All that precious planning had gone for naught though because some snoring be-draggled newspaper- strewn hobo had enough courage to head a few hundred yards up river and disturb his home. There and then he decided he had better see what the guy looked like, see if he was dangerous, and see if he could get the hobo the hell out of there so he could get back to sleep for a couple more hours before the damn work-a-day world traffic made that spot too noisy to sleep in. Besides, as is the nature of such things on the down and out American road (and in other less exotic locales as well), the hobo might have other companions just ready to put down stakes there before he was ready to head west.
He unfolded his own newspaper covering, folded up his extra shirt pillow and put it in his make-shift ruck-sack, and rolled (rolled for the umpteenth time) his ground covering and placed it next to his ruck-sack. No morning ablutions to brighten breath and face were necessary that early, not in that zip code, he was thus ready for guests. He ambled over to the newspaper pile where the snoring had come from and tapped the papers with a stick that he had picked up along the way (never, never use your hand or you might lose your life if the rustling newspaper causes an unseen knife-hand to cut you six ways to Sunday. Don’t laugh it almost happened to him once, and only once.).

The hobo stirred, stirred again, and then opened his eyes saying “Howdy, my name is Boulder Shorty, what’s yours?” (A rule of the road in strange country was never to give your real moniker straight out but maybe some old time one and for Bill Boulder Shorty was just such a thing from when he first headed out with Denver Slim his first road companion. Bill later told Hank that he had never been to Boulder, nor Denver Slim to Denver, could not have picked it out on a map if he was given ten chances, and was six feet two inches tall so go figure on monikers. The way they got hanged on a guy was always good for a story in some desolate railroad fireside camp before Hank got wise enough to stay away from those sites, far away.) He told Bill his, his road moniker, his real road moniker at the time not having been out on the road long enough to get wise to the protective switch-up then, “Be-Bop Benny.” Bill laughed, muttering about beatniks and faux kid hobos in thrall of some Jack London call of wild down and out story or some on the road Jack Kerouac or something vision between short, violent coughs. Funny Bill’s bringing up that last name because Hank, having had a couple of years of junior college on the G.I Bill after ‘Nam, 1968-70, had gone to the library when he first headed out on the road back in the early 1970s after things first fell apart to read Kerouac’s On The Road and a couple of other books whose names he had forgotten to see if he could pick up any hobo tips, no sale, not for real hoboing, just book hoboing.
Funny too about different tramps, hobos, and bums (and there are differences, recognized differences just like in regular society). He, Boulder Shorty turned Railroad Bill once he knew Hank was no danger to him after sizing up Hank as a raw kid, and after showing that raw kid a little later when they visited a railroad jungle set up near the abandoned Revere railroad tracks what happens when a six-two wiry guy who had been through it all chain-whipped a guy who was trying to steal his bottle of Muscatel, or whom he thought was trying to steal it, same thing, one campfire night, and Hank, were hobos, the kings of the river, ravine, and railroad trestle. Some start out gruff, tough and mean, street hard mean. Others like Bill, kings, just go with the flow. And that go with the flow for a little while anyway (a little while being very long in hobo company) kept Bill and Hank together for a while, several weeks while before that short violent cough caught up with old Railroad (you didn’t have to know medicine, or much else, to know that was the small echo of the death-rattle coming up).

In those few weeks Railroad Bill taught Hank more about ‘bo-ing, more about natural things, more about how to take life one day at a time than anybody else, his long gone father included. About staying away from bums and tramps, the guys who talked all day about this and that scan they pulled off in about 1958 and hadn’t gotten over it yet. About how they slipped a couple of shirts under their sweaters or something and walked right out of Goodwill and nobody stopped them. Or about how some padre bought their story about being far from home and a little tough on the luck side and gave them a fiver. Or about how they ponzi’d some scheme and netted about sixteen dollars and change one time. All about 1958, like he said, and a river of dreams, sorrows and booze ago. [And as if to show the “class” distinction more clearly Hank went into an aside about how Railroad showed him how to hustle for serious dough from the padres (private social service agencies like the Sallys, U-Us, Universalist-Unitarians joined together under one god, and the Catholic Worker-type outfits), fifty buck dough, just by being not too dressed up but clean, and maybe having showered recently, and having a line of patter. Not too strong, not like you overplay you are scamming them (winos need not apply just keep that empty coffee cup out in front of you), and they know it too, but with a plausible plan to present to get you “back on your feet” with their little help. Hank said he would tell us about the details sometime, he never did, but he got fifty easy dollars, cash money, thanks to Railroad’s advice. A couple of times]
Bill told him about guys who took your money, your clothes, hell, and your newspaper covering in the dead of night just to do it, especially to young hobo kings. And about staying alone, staying away from the railroad, river, ravine camps that everybody talked about being the last refuge for the wayward but were just full of disease, drunks and dips. (He let Railroad talk on about that although that was one thing he was already hip to, a river camp was where he almost got his throat handed back to him by some quick- knife tramp that he had mentioned before when he talked about disturbing guys while they were newspaper roll sleeping ).

Yes, Railroad Bill had some street smart wisdom for a guy who couldn’t have been past forty, at least that’s what figured from the times he gave in his stories. (Don’t try to judge a guy on the road’s age because between the drugs or booze, the bad food, the weather-beaten road, and about six other miseries most guys looked, and acted, like they were about twenty years older. Even Hank, before a shower to take a few days dirt off and maybe hadn’t eaten for a while, looked older than his thirty-something years then.) But most of all it was the little tricks of the road that Railroad taught and showed him that held him to the man.
Like right off how Hank’s approach, his poor boy hat in hand approach, was all wrong in working the Harvard Square panhandle. You had to get in their faces, shout stuff at them, and block their passage so that the couple of bucks they practically threw at you were far easier to give than have you in their faces. Christ, Railroad, complete with unfeigned cough, collected about twenty bucks in an hour one day, one day when he was coughing pretty badly. And a ton of cigarettes, good cigarettes too, that he asked for when some guys (and a few gals) pled no dough. It was art, true art that day. Railroad said one girl wanted to take him home, said she wanted to feed him and help him out, implying some big sex wet dream thing out of some mex senorita sparkling eyes past. But Hank just let it go as so much hobo hot air and bravado. Still next time out pan-handling he made about twelve bucks, a ton of smokes, a joint and some girl went into Cardillo’s and brought him out a sandwich and coffee. Beautiful.

Or Railroad told him about how a hobo king need never go hungry in any city once he had the Sallies, U/U good and kindly neighbor feeding schedule down. No so much those places, any bum or tramp could figure that out, and wait in line, but to “volunteer” and get to know the people running the thing and get invited to their houses as sturdy yeoman “reclamation” projects. A vacation, see. Best of all let he said before was him showing how to work the social service agencies for ten here, and twenty there, as long as you could hold the line of patter straight and not oversell your misery. Tramps and bums need not apply for this kind of hustle, go back and jiggle your coffee cup in front of some subway station, and good luck.
[Railroad also taught him the ins and outs of jack-rolling, what you would call mugging, if things got really bad. Jack-rolling guys, bigger and smaller than you but Hank said he ‘d rather keep that knowledge to himself especially when the guys around the campfire started looking mean-eyed at him.]

Funny they never talked about women, although he tried once to talk to Railroad about Janie. Railroad cut him short, not out of disrespect he didn’t think, but he said they were all Janie in the end. He said talking about women was too tough for guys on the road with nothing but drifter, grifter, midnight sifter guys to stare at. Or looking too close at women when on the bum was bad for those longings for home things when you couldn’t do anything about it anyway. Although he did let on once that he was partial to truck stop road side diner waitresses serving them off the arm when he was in the clover (had dough) and was washed up enough to present himself at some stop along the road. Especially the ones who piled the potatoes extra high or double scooped the bread pudding as acts of kindred kindness. One night near the end, maybe a week before, time is hard to remember on the meshed together bum, Railroad started muttering about some Phoebe Snow, some gal all dressed in white, and he kind of smiled, and then the coughing started again.
Hank tried to get Railroad moving south with him (and had delayed his own departure to stick with him for as long as he figured he could get south before the snows hit) but Bill knew, knew deep in his bones, that his time was short, that he wanted to finish up in Boston (not for any special reason, he was from Albany, but just because he was tired of moving) and was glad of young hobo company.

It was funny about how he found out about Railroad’s Albany roots. One night, a couple of nights before the end, coughing like crazy, he seemingly had to prove to Hank that he was from Albany. Bill had mentioned that he was mad for William Kennedy’s novels, Ironweedand the like, that had just come out a couple of years before. He went on and on about the Phelans this and that. Jesus he knew the books better than Hank did. He say that is what made hobos the intelligentsia of the road. Some old Wobblie folksinger told him that once when they heading west riding the rails on the Denver & Rio Grande. When holed up in some godforsaken library to get out of the weather hobos read rather than just get curled up on some stuffed chair. Yes, Railroad was a piece of work. He was always saying stuff like that.
Then one morning, one too cold Eliot Bridge morning, he tried to shake his newspaper kingdom and got no response. Old Bill had taken his last ride, his last train smoke and dreams ride he called it. He left him there like Bill wanted him to and like was necessary on the hobo road. He made a forlorn anonymous call to the Cambridge cops on his way out of town. But after that on those few occasion when High Street Hank passed some potter’s field he tipped his fingers to his head in Railroad Bill’s memory, his one less hobo king memory.



*****Mimi’s Glance - With Richard Thompson’s Vincent Black Lightning, 1952 In Mind

*****Mimi’s Glance - With Richard Thompson’s  Vincent Black Lightning, 1952 In Mind
 
 
Mimi’s Glance, Circa 1963
 
 
 
 

Mimi Murphy knew two things, she needed to keep moving, and she was tired, tired as hell of moving, of the need, of the self-impose need, to keep moving ever since that incident five years before, back in 1958, with her seems like an eternity ago sweet long gone motorcycle boy, her “walking daddy,” Pretty James Preston, although he as long as she had known him never walked a step when his “baby,” his bike was within arm’s length. I knew this information, knew this information practically first hand because the usually polite but loner Mimi Murphy had told me her thoughts and the story that went with it one night after she had finished a tough on the feet night working as a cashier at concession stand the Olde Saco Drive-In Theater out on Route One in Olde Saco, Maine.

That night, early morning really, she had passed me going up to her room with a bottle of high-end Scotch, Haig& Haig, showing its label from a brown bag in her hand while I was going down the stairs in the rooming house we lived in on Water Street in Ocean City, a few miles from Olde Saco. A number of people, including Mimi and me, were camped out there in temporary room quarters after the last of the summer touristas had decamped and headed back to New York, or wherever they came from. The cheap off-season rent and the short stay-until-the-next-summer-crowd-showed-up requiring no lease drew us there. Most residents, mostly young and seemingly unattached to any family or work life kept to themselves, private drinkers or druggies (probably not grass since I never smelled the stuff which I had a nose for from youthful smoke-filled dreams while I was there so coke, opium, speed, maybe horse although I saw no obvious needle marks on arms or cold turkey screams either), a couple of low profile good looking young hustling girls, probably just graduating from amateur status and still not jaded “tarts” as my father used to call them, who didn’t bring their work home, guys maybe just out of the service, or between jobs, and so on. I had seen a couple of guys, young guys with horny looks in their eyes, maybe an idea of making a play, making passes at Mimi but thought nothing of it since they also targeted the hustling girls too.

 

Since I had never bothered Mimi, meaning made a pass at her, she must have sensed that being contemporaries, she was twenty-one then and I twenty-two, that maybe she could unburden her travails on a fellow wayward traveler. That no making a pass business by the way due to the fact that slender, no, skinny and flat-chested Irish red-heads with faraway looks like Mimi with no, no apparent, warm bed desires, that year and in those days not being my type after tumbledown broken-hearted youthful years of trying to coax their Irish Catholic rosary bead novena favors to no avail over in the old Little Dublin neighborhood around the Acre in Olde Saco.

 

Whatever she sensed and she was pretty closed-mouth about it when I asked her later she was right about my ability to hear the woes of another wanderer without hassles, and she did as she invited me up into her room with no come hither look (unlike those pretty hustling girls who made a profession of the “come hither look” and gave me a try-out which after proving futile turned into small courtesy smiles when we passed each other). But she showed no fear, no apparent fear, anyway.

After a couple of drinks, maybe three, of that dreamboat scotch that died easy going down  she loosened up, taking her shoes off before sitting down on the couch across from me. For the interested I had been down on my uppers for a while and was drinking strictly rotgut low-shelf liquor store wines and barroom half empty glass left-overs so that stuff was manna from heaven I can still taste now but that is my story and not Mimi’s so I will move on. Here is the gist of what she had to say as I remember it that night:

She started out giving her facts of life facts like that she had grown up around this Podunk town outside of Boston, Adamsville Junction, and had come from a pretty pious Roman Catholic Irish family that had hopes that she (or one of her three younger sisters, but mainly she) might “have the vocation,” meaning be willing, for the Lord, to prison cloister herself up in some nunnery to ease the family’s way into heaven, or some such idea. And she had bought into the idea from about age seven to about fourteen by being the best student, boy or girl, in catechism class on Sunday, queen of the novenas, and pure stuff like that in church and the smartest girl in, successively, Adamsville South Elementary School, Adamsville Central Junior High, and the sophomore class at Adamsville Junction High School.

As she unwound this part of her story I could see where that part was not all that different from what I had encountered in my French-Canadian (mother, nee LeBlanc) Roman Catholic neighborhood over in the Acre in Olde Saco. I could also see, as she loosened up further with an additional drink, that, although she wasn’t beautiful, certain kinds of guys would find her very attractive and would want to get close to her, if she let them. Just the kind of gal I used to go for before I took the pledge against Irish girls with far-away looks, and maybe red hair too.

 

About age fourteen thought after she had gotten her “friend” (her period for those who may be befuddled by this old time term) and started thinking, thinking hard about boys, or rather seeing that they, some of them, were thinking about her and not novenas and textbooks her either she started to get “the itch.” That itch that is the right of passage for every guy on his way to manhood. And girl on her way to womanhood as it turned out but which in the Irish Roman Catholic Adamsville Junction Murphy family neighborhood was kept as a big, dark secret from boys and girls alike.

Around that time, to the consternation of her nun blessed family, she starting dating Jimmy Clancy, a son of the neighborhood and a guy who was attracted to her because she was, well, pure and smart. She never said whether Jimmy had the itch, or if he did how bad, because what she made a point out of was that being Jimmy’s girl while nice, especially when they would go over Adamsville Beach and do a little off-hand petting and watching the ocean, did not cure her itch, not even close. This went on for a couple of years until she was sixteen and really frustrated, not by Jimmy so much as by the taboos and restrictions that had been placed on her life in her straight-jacket household, school and town. (Welcome to the club, sister, your story is legion) No question she was ready to break out, she just didn’t know how.

Then in late 1957 Pretty James Preston came roaring into town. Pretty James, who despite the name, was a tough motorcycle wild boy, man really about twenty-one, who had all, okay most all, of the girls, good girls and bad, wishing and dreaming, maybe having more than a few restless sweaty nights, about riding on back of that strange motorcycle he rode (a Vincent Black Lightning, a bike made in England which would put any Harley hog to shame from rev number one when I looked for information about the beast later, stolen, not by Pretty James but by third parties, from some English with dough guy and transported to America where he got it somehow, the details were very vague about where he got it, not from her, him) and being Pretty James’ girl. One day, as he passed by on his chopper going full-throttle up Hancock Street, Mimi too got the Pretty James itch.

But see it was not like you could just and throw yourself at Pretty James that was not the way he worked, no way. One girl, one girl from a good family who had her sent away after the episode, tried that and was left about thirty miles away, half-naked, after she thought she had made the right moves and was laughed at by Pretty James as he took off with her expensive blouse and skirt flying off his handle-bars as he left her there unmolested but unhinged. That episode went like wildfire through the town, through the Monday morning before school girls’ lav what happened, or didn’t happen, over the weekend talkfest first of all.


No Pretty James’ way was to take, take what he saw, once he saw something worth taking and that was that. Mimi figured she was no dice. Then one night when she and Jimmy Clancy were sitting by the seawall down at the Seal Rock end of the beach starting to do their little “light petting” routine Pretty James came roaring up on his hellish machine and just sat there in front of the pair, saying nothing. But saying everything. Mimi didn’t say a word to Jimmy but just started walking over to the cycle, straddled her legs over back seat saddle and off they went into the night. Later that night her itch was cured, or rather cured for the first time.

Pouring another drink Mimi sighed poor Pretty James and his needs, no his obsessions with that silly motorcycle, that English devil’s machine, that Vincent Black Lightning that caused him more anguish than she did. And she had given him plenty to think about as well before the end. How she tried to get him to settle down a little, just a little, but what was a sixteen-year old girl, pretty new to the love game, totally new, new but not complaining to the sex game, and his well-worn little tricks to get her in the mood, and make her forget the settle down thing. Until the next time she thought about it and brought it up.

Maybe, if you were from around Adamsville way, or maybe just Boston, you had heard about Pretty James, Pretty James Preston and his daring exploits back in about 1957 and 1958. Those got a lot of play in the newspapers for months before the end. Before that bank job, the one where as Mimi said Pretty James used to say all the time, he “cashed his check.” Yes, the big Granite City National Bank branch in Braintree heist that he tried to pull all by himself, with Mimi as stooge look-out. She had set him up for that heist, or so she thought. No, she didn’t ask him to do it but she got him thinking, thinking about settling down just a little and if that was to happen he needed a big score, not the penny ante gas station and mom and pop variety store robberies that kept them in, as he also used to say, “coffee and cakes” but a big payday and then off to Mexico, maybe down Sonora way, and a buy into the respectable and growing drug trade.


And he almost, almost, got away clean that fatal day, that day when she stood across the street, an extra forty-five in her purse just in case he needed it for a final getaway. She never having handled a gun mush less fired one was scared stiff it might go off in that purse although she Pretty James had her in such a state that she would have emptied the damn thing if it would have done any good. But he never made it out the bank door. Some rum brave security guard tried to uphold the honor of his profession and started shooting nicking Pretty James in the shoulder. Pretty James responded with a few quick blasts and felled the copper. That action though slowed down the escape enough for the real coppers to respond and blow Pretty James away. Dead, DOA, done. Her, with a tear, sweet boy Pretty James.

According to the newspapers a tall, slender red-headed girl about sixteen had been seen across the street from the bank just waiting, waiting according to the witness, nervously. The witness had turned her head when she heard the shots from the bank and when she looked back the red-headed girl was gone. And Mimi was gone, maybe an accessory to felony murder or worst charge hanging over her young head, and long gone before the day was out. She grabbed the first bus out of Braintree headed to Boston where eventually she wound up holed up in a high-end whorehouse doing tricks to make some moving on dough. (She mentioned some funny things about that stay, which was not so bad at the time when she needed dough bad, and about strange things guys, young and old, wanted her to do but I will leave that stuff out here.)

And she had been moving ever since, moving and eternally hate moving. Now, for the past few months, she had been working nights as a cashier in the refreshment stand at Olde Saco Drive-In to get another stake to keep moving. She had been tempted, a couple of times, to do a little moon-lighting in a Portland whorehouse that a woman she had worked with at her last job, Fenner’s Department Store, where she modeled clothes for the rich ladies, had told her about to get a quick stake but she was almost as eternally tired at that prospect as in moving once again.

And so Mimi Murphy, a few drinks of high-shelf scotch to fortify her told her story, told it true I think, mostly. A couple of days later I saw her through my room’s window with a suitcase in hand looking for all the world like someone getting ready to move on, move on to be a loner again after maybe an indiscrete airing of her linen in public. Thinking back on it now I wish, I truly wish, that I had been more into slender, no skinny, red-headed Irish girls with faraway looks that season and maybe she would not have had to keep moving, eternally moving.
 
ARTIST: Richard Thompson
 

TITLE: 1952 Vincent Black Lightning
 

Said Red Molly to James that's a fine motorbike

A girl could feel special on any such like

Said James to Red Molly, well my hat's off to you

It's a Vincent Black Lightning, 1952

And I've seen you at the corners and cafes it seems

Red hair and black leather, my favorite color scheme

And he pulled her on behind

And down to Box Hill they did ride

/ A - - - D - / - - - - A - / : / E - D A /

/ E - D A - / Bm - D - / - - - - A - - - /

Said James to Red Molly, here's a ring for your right hand

But I'll tell you in earnest I'm a dangerous man

I've fought with the law since I was seventeen

I robbed many a man to get my Vincent machine

Now I'm 21 years, I might make 22

And I don't mind dying, but for the love of you

And if fate should break my stride

Then I'll give you my Vincent to ride

Come down, come down, Red Molly, called Sergeant McRae

For they've taken young James Adie for armed robbery

Shotgun blast hit his chest, left nothing inside

Oh, come down, Red Molly to his dying bedside

When she came to the hospital, there wasn't much left

He was running out of road, he was running out of breath

But he smiled to see her cry

And said I'll give you my Vincent to ride

Says James, in my opinion, there's nothing in this world

Beats a 52 Vincent and a red headed girl

Now Nortons and Indians and Greeveses won't do

They don't have a soul like a Vincent 52

He reached for her hand and he slipped her the keys

He said I've got no further use for these

I see angels on Ariels in leather and chrome

Swooping down from heaven to carry me home

And he gave her one last kiss and died

As The Obama Regime Ends-Mister President Pardon Chelsea Manning Now!

As The Obama Regime Ends-Mister President Pardon Chelsea Manning Now!
 
 

The Cold Civil War Has Started- Resist Trump: Jan. 20 Inauguration Day Protests

The Cold Civil War Has Started- Resist Trump: Jan. 20 Inauguration Day Protests  



Resist Trump: Jan. 20 Inauguration Day Protests

 

To   
SIsters and Brothers,

Donald Trump and the Republican Party are preparing to unleash a storm of attacks on ordinary people. 

Trump’s plans to deport three million immigrants, establish a “registry” for Muslims, criminalize protest, and nominate a Supreme Court justice who would vote to overturn Roe v Wade and shred public-sector union rights are not just idle threats.  His appointments of racists like Stephen Bannon and Michael Flynn, alongside a gang of conservative multi-millionaire and billionaire business people, point in the direction of one of the most right wing administrations in modern U.S. history.

While many are waiting to see how events unfold or hoping against hope that Trump will moderate his positions, hundreds of thousands have already taken to the streets and the mood to resist is growing.

Within hours of Trump's victory, Movement for the 99% and Socialist Alternative were the first to call mass protests in cities across the country. Within 24 hours, over 50,000 people took to the streets, helping to spark a nationwide wave of protest in the days and weeks following.
Now preparations are underway for what could be truly massive protests around Trump’s inauguration, particularly the Women’s March on Washington DC on January 21.  Movement for the 99% and Socialist Students are focusing on building student walkouts across the country on inauguration day, January 20, which could become the biggest nationally coordinated student actions since the Vietnam War.

Please donate $25, $50, $100 or what you can to help build the largest protests and national student walkouts on inauguration day, January 20.
From Occupy Wall Street to Black Lives Matter to Standing Rock, young people and women have bravely been at the forefront of recent movements.  We also saw this clearly in the response to Bernie Sanders’ call for a political revolution against the billionaire class. Voters aged 18-29 supported Sanders over Clinton by a margin of 3-to-1 during the primary. The frustration of young people and search for an alternative has manifested itself through a myriad of polls. A recent nationwide study found that a majority of incoming freshman, for the first time, said they would join a protest or engage in campus activism. Recent polls also show young people have a more positive view of socialism than capitalism.

Movement for the 99% and Socialist Students have come together in an ongoing partnership to help organize a powerful youth and student-led movement.  We can challenge and defeat the corporate and right-wing forces intent on rolling back the hard-won rights of women, labor unions, immigrants, and people of color by building powerful mass movements.
We cannot rely on the Democratic Party leadership to defeat Trump, anymore now than during the elections. The Democrats played a very dangerous game in backing a candidate widely seen as the epitome of the establishment in the midst of enormous anger at corporate politics.  Both the corporate-controlled media and the DNC did everything in their power to ensure that Bernie Sanders’ campaign was stopped, and took their chances with Trump rather than allowing their corporate party to be further challenged by a “political revolution.” In the end, Clinton and the Democratic establishment failed to defeat the most unpopular candidate in modern American history.

History has shown time and again it’s only through mass social movements that we are able to decisively defeat the right.  In 2005, during George W. Bush’s administration, “The Border Protection, Anti-Terrorism, and Illegal Immigration Control Act” (H.R. 4437) was passed by the Republican-dominated House of Representatives. This infamous legislation contained a host of vicious, reactionary measures aimed at immigrants, including militarizing the border, criminalizing undocumented immigrants, and building a border wall. A true mass movement arose in opposition and succeeded in making it politically impossible for H.R. 4437 to become law.

United together, we can build a wall of mass resistance to Trump's vile agenda.We can shut down right-wing attacks on working people and attempts to scapegoat the most vulnerable among us. But we need your help.  We aim to raise $25,000 by the end of December to organize mass student walkouts at universities and schools across the country. Already we have walkouts being organized in 13 major cities.
There is potential for a historic, massive mobilization to send a powerful message to the incoming administration on Inauguration Day. But we need your help to get there.Please donate $25, $50, $100 or more today. Your contribution will determine whether we can send students to Washington DC to participate in the historic demonstrations on January 20 and 21. Your contribution will determine whether we can print more fliers, posters, and picket signs.
Your contribution will determine whether we can hire student organizers to help organize citywide, statewide, and nationally.

The youth are our future, let’s support them in fighting for it. 

In solidarity,



Kshama Sawant
Socialist Alternative Seattle City Councilmember
Contribute $25
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When Elvis Was The 'King'





DVD REVIEW

American Classic Albums: Elvis Presley, Elvis Presley, 1956, American Classic Productions, 2001




Over the past several months I have spend more than my fair of time investigating the effect of the career of Elvis Presley on my generation of ’68, and on me personally. That has entailed listening to some CDs and looking at old footage provided in various DVD compilations. One such documentary, hosted by Jack Scott, traced Elvis’s rise in the key year of 1954, the ‘dog days’. The present documentary breaks down a classic Elvis Presley (that is the title, and really all that is necessary as a title) album of 1956, his breakout year. The year he moved from Sam Phillips Sun Records to the big time, RCA Records.

This DVD is part of a series on classic American albums. I am not familiar with the others in the series yet but based on this introduction these efforts seem to be labors of love. Here we have the expected ‘talking heads’ dissecting the meaning of each song, some anecdotes from various and sundry performers and music historians interspersed with very illuminating footage of Elvis’s progress from Southern regional phenomena to national (and international) rock star at a time when the youth of my generation were desperately in need of a jailhouse breakout figure.

The highlight here is a very interesting discussion about Heartbreak Hotel, a song that whose depressive lyrics would seem to be out of sync with what Elvis was trying to project (including here are also various takes on Elvis’s performance of the song on television at different times). This segment makes a very strong case for Elvis’s emergence as ‘king of the hill’ in 1956. Whether he continued that role later is a separate question but 1956 was his year, and his alone. This little album also contained a very well thought out and performed mix of ballads, black bluesy numbers (Shake, Rattle and Roll), a little country, a little gospel. In short something any record producer would die for. If you need to know the history of rock and roll, or a slice of it anyway, this documentary is for you. If you just want the music grab the Elvis Presley CD, with both hands.

Tuesday, December 27, 2016

*An Encore With John Prine- My Arky Angel-The Music Of Iris DeMent

Click on to title to link to YouTube's film clip of Iris Dement and John Prine performing "In Spite Of Ourselves".



DVD Review

John Prine At Sessions At West 54th, John Prine with Iris Dement and various artists, OnBoy Records, 2001




Over the last several months I have done more musically-oriented reviews that I had expected. One of the themes that keep cropping up is that for some folk/blues-oriented musical artists like Bob Dylan my attachment was immediate, long time and on-going. For other artists like John Prine it has been more of a recently acquired taste. I had, obviously, heard Bonnie Raitt do his "Angel From Montgomery" but I never associated his name with that song. Then a couple of years ago I happened to listen to his "Hello In There" and "Sam Stone". Yes, this guy has something to say that I wanted to (on some songs, needed to) hear.

This concert represents a small selection of some of his work, although with the exception of "Sam Stone", "Lake Marie" and "Hello in There" not much in the way of classics, at least that I am familiar with. This concert would thus only rate as a pretty fair performance except that on a few songs like "When Two World Collide" he is accompanied by Iris Dement ( a powerful folk singer/song writer in her own right. She is also the wife of the folksinger/songwriter Greg Brown whom I have also reviewed in this space). Iris is also a recent acquisition. I would travel very far to hear that voice of hers (and have done so). Incidentally, I have seen both these performers in person over the past couple of years- they still have it. Still this is not the DVD that YOU need to understand either talent, but you may want it.

*Songs To While Away The Class Struggle By-"Charlie On The M.T.A."

Click on the title to link a Boston Globe article, dated December 26, 2010, on the hidden history of Charlie on the M.T.A.

In this series, presented under the headline Songs To While Away The Class Struggle By, I will post some songs that I think will help us get through the “dog days” of the struggle for our communist future. I do not vouch for the political thrust of the songs; for the most part they are done by pacifists, social democrats, hell, even just plain old ordinary democrats. And, occasionally, a communist. Sadly though, hard communist musicians have historically been scarce on the ground and have rather more often than not been fellow-travelers. Thus, here we have a regular "popular front" on the music scene. While this would not be acceptable for our political prospects, it will suffice for our purposes here. Markin.
*********

Charlie on the MTA
Melody | Lyrics | History | Charlie's Route | Back to my Transit Page

10/4/2008: Linked to from comments on FARK. Welcome, FARKers!


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I have long enjoyed listening to "The M.T.A. Song", better known as "Charlie on the M.T.A". In recent years, I have learned a great deal about the song and about the M.T.A (now M.B.T.A) itself, and would like to share this information here. About a year ago, I had the privilege to hear the original recording of the song (only two copies of the record exist) - regrettably I did not have a tape recorder with me at the time :-). I would like to give credit to the speaker at the BSRA meeting who gave the presentation, but I can't recall his name. If you're that person, let me know.

Melody

The melody of this song is a fairly old one. The first song (as far as I know) to use this melody was "The Ship That Never Returned", written in 1865 by Henry Clay Work. Work also wrote the more well-known song "My Grandfather's Clock" (and there are some similarities in melody between the two). The more famous use of this melody was in "The Wreck of Old #97".

Short clips of the songs are here (MP3 format):
The Ship That Never Returned (899K) - listen to the chorus - it's almost exactly the same
The Wreck of Old 97 (860K)


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Lyrics
Copyright Info: These words, as far as I know, are copyright Jacqueline Steiner, and Bess Lomax-Hawes. The Kingston Trio version is copyright Capitol Records.
Before I get into the background of the song, let me present the lyrics in their entirety. The version recorded by The Kingston Trio includes the chorus after each verse. Words in italics indicate the changes made by The Kingston Trio in their later recording. Parentheses indicate backing vocals.

Let me tell you the story
Of a man named Charlie
On a tragic and fateful day
He put ten cents in his pocket,
Kissed his wife and family
Went to ride on the MTA

Charlie handed in his dime
At the Kendall Square Station
And he changed for Jamaica Plain
When he got there the conductor told him,
"One more nickel."
Charlie could not get off that train.

Chorus:
Did he ever return,
No he never returned
And his fate is still unlearn'd
He may ride forever
'neath the streets of Boston
He's the man who never returned.

Now all night long
Charlie rides through the tunnels
the station
Saying, "What will become of me?
Crying
How can I afford to see
My sister in Chelsea
Or my cousin in Roxbury?"

Charlie's wife goes down
To the Scollay Square station
Every day at quarter past two
And through the open window
She hands Charlie a sandwich
As the train comes rumblin' through.

As his train rolled on
underneath Greater Boston
Charlie looked around and sighed:
"Well, I'm sore and disgusted
And I'm absolutely busted;
I guess this is my last long ride."
{this entire verse was replaced by a banjo solo}

Now you citizens of Boston,
Don't you think it's a scandal
That the people have to pay and pay
Vote for Walter A. O'Brien
Fight the fare increase!
And fight the fare increase
Vote for George O'Brien!
Get poor Charlie off the MTA.

Chorus:
Or else he'll never return,
No he'll never return
And his fate will be unlearned
He may ride forever
'neath the streets of Boston
He's the man (Who's the man)
He's the man who never returned.
He's the man (Oh, the man)
He's the man who never returned.
He's the man who never returned.

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History
(If you have any corrections to the information here, please let me know)

In the 1940s, the MTA fare-schedule was very complicated - at one time, the booklet that explained it was 9 pages long. Fare increases were implemented by means of an "exit fare". Rather than modify all the turnstiles for the new rate, they just collected the extra money when leaving the train. (Exit fares currently exist on the Braintree branch of the Red Line.) One of the key points of the platform of Walter A. O'Brien, a Progressive Party candidate for mayor of Boston, was to fight fare increases and make the fare schedule more uniform. Charlie was born.

The text of the song was written in 1949 by Jacqueline Steiner and Bess Lomax Hawes. It was one of seven songs written for O'Brien's campaign, each one emphasized a key point of his platform. One recording was made of each song, and they were broadcast from a sound truck that drove around the streets of Boston. This earned O'Brien a $10 fine for disturbing the peace.

A singer named Will Holt recorded the story of Charlie as a pop song for Coral Records after hearing an impromptu performance of the tune in a San Francisco coffee house by a former member of the group. The record company was astounded by a deluge of protests from Boston because the song made a hero out of a local "radical". During the McCarthy era of the 1950s, the Progressive Party became synonymous with the Communist Party, and, since O'Brien was a Progressive, he was labeled a Communist. It is important to note that, contrary to popular belief, O'Brien was never on the Communist Party ticket. Holt's record was hastily withdrawn.

In 1959, The Kingston Trio released a recording of the song. The name Walter A. was changed to George to avoid the problems that Holt experienced. Thus ended Walter O'Brien's claim to fame.

Walter A. O'Brien lost the election, by the way. He moved back to his home state of Maine in 1957 and became a school librarian and a bookstore owner. He died in July of 1998.

While the information above is in the public domain, the text was written by me in late '98/early '99. Some wanker ripped off part of my text and is using it on other pages.

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Charlie's Route
Of course, one has to estimate Charlie's route given that the MBTA has changed dramatically between 1949 and the current day, but I have compiled what I imagine is a fairly accurate route:

Kendall Square -> Park Street -> Arborway

Here is my basis for this:

Charlie handed in his dime at the Kendall Square Station
that's pretty self-explanatory
and he changed for Jamaica Plain
As far as I know, there was no stop called "Jamaica Plain", so that line means that Charlie changed to a train going in the general direction of JP. The only lines that go anywhere near Jamaica Plain are the E branch of the Green line and the Orange Line.
The Red line from Kendall Square connects to both the Green and Orange lines, however in the next step, you'll see why he didn't take the Orange Line.

Charlie's wife goes down to the Scollay Square Station..
Scollay (pronounced 'Scully') Square Station is the old name for Government Center, which is on the Green Line. When Charlie got to his stop on the E-line, he couldn't get off without paying the five cents. So, they kept him on the train, which would have eventually gone through the loop at Arborway and returned to the line, probably passing through Scollay Square.
Charlie might just have been able to get off the train at some point the '70s. From 1968 to 1980, the subway fare was 25 cents. In the mid 1970s, a senior citizen discount was introduced for "half fare". Rather than charge 12.5 cents, half-fare was defined as "10 cents". If Charlie was well into his 30s when he got on the train, he might just have been over 65 before 1980, and could have gotten off the train in Jamaica Plain. Getting back might be a problem...
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Reader Comments
(Since some folks prefer not to have their information posted on line, I am using initials. If you wrote one of these comments and would prefer to be credited different, please let me know.)

R.N. writes in to say that between the "Now all night long..." and "As his train rolled on..." verses there was another on the original song:


"I can't help," said the conductor,
"I'm just working for a living,
But I sure agree with you."
"For the nickels and the dimes you'll be spending in Boston
You'd be better off in Timbuktu."


J.G. writes in to say:


"Who was that San Francisco singer [who performed in a coffeehouse that inspired Will Holt's recording]?"
His name is "Specs" and he owns a tavern here in SF. He told me that a theater company was interested in the song and his friend warned him to copyright it before they got their hands on it...[sic] so he did. He told the two ladies who wrote it [Steiner & Hawes] about what had happened and they were so grateful about him saving it from being copyrighted by someone else that they cut him in 1/3 for publishing royalties. When the Kingston Trio made their big hit with it in 1959 the money really started rolling in (back in 1960 a few thousand dollars went a long way) and to this day when the odd check shows up, people in the tavern Specs owns find themelves with a "drink on the house" sitting in front of them.

From The Veterans For Peace- The Twelve Days, Maybe More, Of ......The Struggle Against The Endless American Wars

From The Veterans For Peace- The Twelve Days, Maybe More, Of  ......The Struggle Against The Endless American Wars