Friday, February 24, 2017

A Belated RIP-The "Stately Queen Of England" Actor John Hurt Passes At 77

Photo
Mr. Hurt in “Krapp’s Last Tape” at the Brooklyn Academy of Music’s Harvey Theater in 2011.CreditRichard Perry/The New York Times
John Hurt, an unprepossessing British character actor who vanished inside dozens of roles, from Shakespeare to science fiction, including John Merrick, the hideously deformed title character in the 1980 film “The Elephant Man,” died on Wednesday at his home in Norfolk, England. He was 77.
His wife, Anwen Hurt, confirmed his death. In June 2015, Mr. Hurt disclosed that he had pancreatic cancer.
Mr. Hurt was a rising stage actor in England in the 1960s but spent most of the remainder of his career compiling a long résumé in movies and on television. A chameleon of a performer, physically unimposing but with a rich, melodic voice, he played a number of leading roles, though he could never be described as a leading man. Critics often seemed challenged to explain the appeal of his presence.
In “The Naked Civil Servant” (1975), seen first on television in England, he was Quentin Crisp, a flame-haired raconteur and social butterfly whose forthright flamboyance as a gay man helped push the acceptance of homosexuality in Britain.
Photo
Mr. Hurt after being knighted by Queen Elizabeth II at Windsor Castle in 2015. CreditPool photo by Steve Parsons
In a 1979 BBC mini-series, he was Dostoyevsky’s Raskolnikov, the brooding, conscience-stricken killer in “Crime and Punishment.” And in Michael Radford’s 1984 adaptation of George Orwell’s dystopian classic “1984,” he was Winston Smith, the protagonist. Mr. Hurt’s pallor, fearful expression and prominent ears made him an especially feral and unromantic rebel.
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“His countenance is fishy and bizarre,” Cintra Wilson wrote in Salon in 2004. “He has dark, verminous little eyes, a smirky little mouth full of nicotine-varnished teeth, and that British complexion that evokes a poached worm. Even in his early films, he has eye bags and looks like he put on a face that was at the very bottom of his laundry basket. His body, when it isn’t a little overindulged around the abdomen, is scrawny. He has never, in any role, looked particularly masculine. The characters he plays are generally weak, immoral, murderous, slimy or insane. Yet to gaze upon John Hurt, in almost any role, is to feel a drooly adoration; he is irresistible.”
Frequently cast in fantasy films as a credibly real character, Mr. Hurt could be kindly or cruel. He was the wand expert, Mr. Ollivander, in several Harry Potter films, and the führer-like dictator of a barely familiar England in the futuristic “V for Vendetta” (2005).
Mr. Hurt slipped so easily into makeup that it often seemed a form of disguise. Professorially bearded with a Brillo pad of silver hair, he was almost unrecognizable as Trevor Bruttenholm, the British paranormal expert who discovers the young title demon in the sci-fi thriller “Hellboy” (2004).
In “The Elephant Man,” a film that also starred Anthony Hopkins and Anne Bancroft (it had no connection with Bernard Pomerance’s stage play of the same name), Mr. Hurt found the apotheosis of this quality, the subordination of his own physical being to the character’s. In the role of John Merrick, which required hours of makeup application before each day’s filming, he was unrecognizable as the monstrous-looking but gentle sufferer of a rare affliction that enlarged his head, twisted his musculature and hampered his speech and mobility.
Photo
Mr. Hurt, center, in a scene from “Alien” (1979), directed by Ridley Scott. CreditSunset Boulevard/Corbis, via Getty Images
For the calm dignity he brought to this performance — a powerful reproof to those who demonized and humiliated Merrick — Mr. Hurt was rewarded with an Oscar nomination for best actor, critical plaudits and the admiration of the film’s director, David Lynch, who said 10 years later, in an interview in The New York Times Magazine: “John Hurt is simply the greatest actor in the world.” (Robert De Niro won the best actor award in 1981.)
Though Mr. Hurt was more familiar to audiences in Britain, where he was knighted in 2015, his work there found its way to recognition across the Atlantic as well. He appeared as Richard Rich, a young man in pre-Elizabethan England who yields to his ambition and betrays Sir Thomas More in the film “A Man for All Seasons” (1966). In 1983, he gave an acclaimed performance as the Fool in a television production of “King Lear,” with Laurence Olivier in the title role.
And in “Scandal” (1989), he played an affable go-between who paired pretty girls with powerful men in a true-story, tabloid-fodder episode known as the Profumo affair, which ended the career of Britain’s secretary of state for war, John Profumo, and tainted the conservative government of Prime Minister Harold Macmillan.
Mr. Hurt began appearing with greater frequency in American films in the late 1970s. The spur was the American broadcast, on PBS, of “I, Claudius,” a BBC series based on Robert Graves’s novels about the Roman empire. Mr. Hurt played the depraved, bloodthirsty emperor Caligula.
Some of his movie parts were in Hollywood trifles; in one, “King Ralph” (1991), he was the stodgily irate English opposition to the ascension to the English throne of an American yokel (John Goodman). But even before “The Elephant Man,” he was nominated for an Oscar for his supporting role as a self-lacerating drug addict imprisoned in Turkey in “Midnight Express” (1978).
Photo
Mr. Hurt as John Merrick in “The Elephant Man” (1980). CreditPhotofest
Mr. Hurt achieved cult status in Ridley Scott’s “Alien” in 1979 as Kane, the first victim of the title space creature, who emerges bloodily from his chest. Testament to his appeal as a sacrificial lamb, it was one of many gruesome deaths Mr. Hurt suffered on film; he was stabbed, shot, hanged and burned to a crisp, all more than once. Indeed, in “Spaceballs,” Mel Brooks’s 1987 spoof, he reprised Kane’s death: As the little monster explodes from his rib cage, he says with some exasperation, “Oh, no, not again.”
John Vincent Hurt was born in Chesterfield, Derbyshire, England, on Jan. 22, 1940. His father was an Anglican clergyman; his mother an engineer.
John appeared in school plays, often in female roles because, he said, he was small and his voice was high. His parents approved of his acting, but not as a profession — “They thought it represented something risqué and populist; it was out of the question,” he told The New York Times Magazine in 1990 — and they sent him to art school instead.
He later auditioned for and was accepted by the Royal Academy of Dramatic Art in London. He made his film debut in 1962 in “The Wild and the Willing,” a drama about academic life in which he played the feckless roommate of a rebellious student played by Ian McShane. The same year, he appeared onstage at the Royal Shakespeare Company in “Infanticide in the House of Fred Ginger,” a controversial work that ended with the gratuitous killing of a child.
Through the 1960s and early ’70s, his London stage credits included Harold Pinter’s “The Caretaker” and “The Dumb Waiter”; Tom Stoppard’s “Travesties”; and John Osborne’s “Inadmissible Evidence,” which starred Nicol Williamson.
Photo
John Hurt at the Berlin International Film Festival in 2014. CreditIan Gavan/Getty Images
His film credits during this time included the lead role in “Sinful Davey” (1969), a John Huston film based on the autobiography of a 19th-century Scottish rogue; and “10 Rillington Place,” a 1971 drama based on the crimes of a real-life London serial killer, John Christie. Mr. Hurt played Timothy Evans, who in 1950 was wrongly convicted of some of Mr. Christie’s crimes and executed.
His theater career had a resurgence in the 1990s. He appeared in London in Turgenev’s “A Month in the Country” with Helen Mirren. Later, at the Gate Theater in Dublin, he took on the title (and only) role in “Krapp’s Last Tape,” Samuel Beckett’s nostalgia-eviscerating portrait of a 69-year-old man revisiting his earlier life by means of listening to an old tape recording. It became a signature role. He performed it in London and appeared in a film version, directed by Atom Egoyan, before making his New York theatrical debut with it at age 71 at the Brooklyn Academy of Music in 2011.
“By now Mr. Hurt has the crusty Krapp thoroughly in his well-versed actor’s bones, and there isn’t a moment in his performance in which he is not fully inhabiting the corroded soul of the unforgettable character,” Charles Isherwood, who had seen Mr. Hurt in the role in London 11 years earlier, wrote in The New York Times. “The performance has only grown more prickly, funny and moving with age.”
Like many a British actor of the 1960s and ’70s, Mr. Hurt was known as a tippler, and his personal life was touched by tragedy. His partner of many years, the French model Marie-Lise Volpelière-Pierrot, was killed in a riding accident in 1983. He was divorced three times. In addition to his wife, he is survived by two sons, Alexander and Nicholas.
Mr. Hurt’s other film roles include a cross-dresser called the Countess in an adaptation of Tom Robbins’s picaresque novel “Even Cowgirls Get the Blues” (1993); Professor Oxley, an archaeologist pal of the title character (Harrison Ford) in “Indiana Jones and the Kingdom of the Crystal Skull” (2008); the head of British intelligence, known only as Control, in “Tinker Tailor Soldier Spy” (2011), from the John le Carré novel; and a Roman Catholic priest in “Jackie” (2016).
“When I say that acting is just a rather more sophisticated way of playing cowboys and Indians, it’s my way of trying to quash all the pretentious crap that’s said about acting,” Mr. Hurt said in 1990. “What I mean is, if you pretend well enough, the audience will believe you.”
He added: “In front of the camera you try to do subtle, telling things and hope the director, and the camera, notices. You can feel when you pass something through the camera. The old Alan Ladd story is the best one in that respect. He came back from a long day of shooting out in the dusty Arizona desert and someone said, ‘Did you have a good day, Alan?’ In his soft rasp, he said, ‘Yup, a couple of good looks.’”
Correction: January 28, 2017 
Because of an editing error, an earlier version of this obituary misstated when and where Mr. Hurt died. He died on Wednesday at his home in Norfolk, England, not on Friday in London.
Correction: January 30, 2017 
An earlier version of a picture caption with this obituary misstated the location of Windsor Castle, where Mr. Hurt was pictured after being awarded a knighthood by Queen Elizabeth II. It is in Windsor, England, not London.

When The Thin Man Thinned Out-Myrna Loy and William Powell’s “Shadow Of The Thin Man” (1941)-A Film Review

When The Thin Man Thinned Out-Myrna Loy and William Powell’s “Shadow Of The Thin Man” (1941)-A Film Review




DVD Review

By Film Critic Sam Lowell

Shadow Of The Thin Man, starring Myrna Loy, William Powell, based on character written by Dashiell Hammett, 1941

A long time ago, or it now seems a long time ago, I had a running argument with the later film critic Henry Dowd about the alleged decline in manly film detectives after the time of Dashiell Hammett’s Sam Spade and Raymond Chandler’s Phillip Marlowe in the 1940s. By that Henry meant tough guy, no holds barred, non-filter cigarette smoking, bottom of the desk drawer hard shell whiskey neat drinking, who didn’t mind taking or giving a punch, or taking or giving a  random slug for the cause detectives. He had based his opinion strictly on viewing films which is where the film under review, the fourth in the Thin Man series, Shadow of the Thin Man starring Myrna Loy and William Powell as the famous detective couple Nick and Nora Charles comes into the discussion.           

Henry Dowd believed that with the rise of The Thin Man series that previous characterization of a model detective switched from the hard whiskey drinking guy to a soft martini swigging suave guy with a soft manner and an aversion to taking risks, certainly taking punches or slugs. Hell, in the film under review not only is the Nick married to Nora but they have a kid, not to mention that damn dog Asta, a regular entourage to weigh a guy down. What surprised him then was when I told him that the same guy, Dashiell Hammett, who wrote the heroic tough guy detective Sam Spade also wrote the dapper Nick and Nora characters. Henry did not believe me until I produced my tattered copy of Hammett’s The Thin Man which had started the whole film series.    

My objection to Henry’s “decline of the manly” detective theory was not so much about social manners of the couple in the series, a reversion to the parlor detective genre before Hammett and Chandler brought the genre out of the closet and onto the streets, as the thinness of the plots as they rolled out each new product.

This fourth film is a case in point. Above all that the affable Nick and Nora would get involved in the murder case of a jockey who allegedly threw a horse race. The very notion that anybody, much less a private eye, would give more than a passing glance to the demise an allegedly corrupt jockey is beyond me. After all the indignities those curs have thrown my way whenever I have had a “sure thing” has given me a very cynical view of these professionals. Have left me teary eyed at my bad luck-or ready to shot one myself. Of course if you are talking about throwing horse races then you have to deal with the question of the mob and all the connections to that organization from law enforcement to track official. And in a roundabout way this is how Nick with a little timely intervention by Nora solves this one thereby exonerating that fallen jockey (and a newspaper guy too). But can you get worked up about the “exploits” of a private detective who has a wife and a kid in tow when going through the paces. Sacrilege, pure sacrilege. Pass this one by but make sure you see the original film because that is when private eyes started to change their demeanor-and not for the better.      



What Makes An Effective Protest-The Risen People?-May Day 1971-Build The Resistance

What Makes An Effective Protest-The Risen People?-May Day 1971-Build The Resistance 

Here is a take from NPR on how earlier protest movements affected policy.

http://www.wbur.org/hereandnow/2017/02/23/effective-protest-movement


Click on the headline to link to an entry for May Day 1971 in Washington, D.C.

http://libcom.org/library/ending-war-inventing-movement-mayday-1971


Endless, dusty, truck heavy, asphalt steaming hitchhike roads travelled, Route 6, 66, maybe 666 and perdition for all we knew, every back road, every Connecticut highway avoiding back road from Massachusetts south to the capital for one last winner-take-all, no prisoners taken show-down to end all show-downs. And maybe, just maybe, finally some peace and a new world a-borning, a world we had been talking about for at least a decade (clueless, as all youth nations are clueless, that that road was well-travelled, very well- travelled, before us). No Jack Kerouac dharma bum easy road (although there were dharma bums, or at least faux dharma bums, aplenty on those 1971 roads south, and west too) let her rip cosmic brakeman Neal Cassady at the wheel flying through some wheat field night fantasy this trip.


No this trip was not about securing some cultural enclave in post-war (World War II so as not to confuse the reader) break-out factory town Lowell or cold water tenement Greenwich Village/Soho New Jack City or Shangri-La West out in the Bay area, east or west, but about mucking up the works, the whole freaking governmental/societal/economic/cultural/personal/godhead world (that last one, the godhead one, not thrown in just for show, no way) and maybe, just maybe sneaking away with the prize. But a total absolute, absolutist, big karma sky fight out, no question. And we are, he is, ready. On that dusty road ready.


More. See all roads head south as we and they, his girlfriend of the day, maybe more, maybe more than a day, Joyell, but along this time more for ease of travelling for those blessed truck driver eye rides, than lust or dream wish and his sainted wise-guy amigo (and shades of Gregory Corso, sainted, okay), Matty, who had more than a passing love or dream wish in her and if you had seen her you would not have wondered why. Not have wondered why if your “type” was Botticelli painted and thoughts of butterfly swirls just then or were all-type sleepy-eyed benny-addled teamster half-visioned out of some forlorn rear view mirror.


Yah, head south, in ones, twos, and threes (no more, too menacing even for hefty ex-crack back truckers to stop for) travelling down to D.C. for what many of them figured would be the last, finally, push back against the war, the Vietnam War, for those who have forgotten, or stopped watching television and the news, but THEY, and we knew (know) who they were, had their antennae out too, they KNEW those who were coming, even high-ball fixed (or whiskey neat she had the face for them) looking out from lonely balconies Martha Mitchell knew that much. They were, especially in mad max robot-cop Connecticut, out to pick off the stray or seven who got into their mitts as a contribution to law and order, law and order one Richard Milhous Nixon-style (and in front of him, leading some off-key, off-human key chorus some banshee guy from Maryland, another watch out hitchhike trail spot, although not as bad as Ct., nothing except Arizona was). And thus those dusty, steamy, truck heavy (remind me to tell you about hitchhiking stuff, and the good guy truckers you wanted, desperately wanted, to ride with in those days, if I ever get a chance sometime).


The idea behind this hitchhiked road, or maybe, better, the why. Simple, too simple when you, I, they thought about it later in lonely celled night but those were hard trying times, desperate times really, and just free, free from another set of steel-barred rooms these jailbirds-in-waiting- were ready to bring down heaven, hell, hell if it came down to it to stop that furious war (Vietnam, for the later reader) and start creating something recognizable for humans to live in. So youth nation, then somewhat long in the tooth, and long on bad karma-driven bloody defeats too, decided to risk all with the throw of the dice and bring a massive presence to D.C. on May Day 1971.

And not just any massed presence like the then familiar seasonal peace crawl that nobody paid attention then to anymore except the organizers, although the May Day action was wrapped around that year’s spring peace crawl, (wrapped up, cozily wrapped up, in their utopian reformist dream that more and more passive masses, more and more suburban housewives from New Jersey, okay, okay not just Jersey, more and more high school freshman, more and more barbers, more and more truck driver stop waitresses, for that matter, would bring the b-o-u-r-g-e-o-i-s-i-e (just in case there are sensitive souls in the room) to their knees. No, we were going to stop the government, flat. Big scheme, big scheme no question and if anybody, any “real” youth nation refugee, excepting, of course, always infernal always, those cozy peace crawl organizers, tried to interject that perhaps there were wiser courses nobody mentioned them out loud in our presence and we were at every meeting, high or low. Moreover we had our ears closed, flapped shut closed, to any lesser argument. We, rightly or wrongly, silly us thought “cop.” 


So onward anti-war soldiers from late night too little sleep Sunday night before Monday May Day dawn in some vagrant student apartment around DuPont Circle (He, we, thought, but it may have been further up off 14th Street, Christ after eight million marches for seven million causes who can remember that much. No question though on the student ghetto apartment locale; bed helter-skelter on the floor, telephone wire spool for a table, orange crates for book shelves, unmistakably, and the clincher, seventeen posters, mainly Che, Mao, Ho, Malcolm etc., the first name only necessary for identification pantheon just then, a smattering of Lenin and Trotsky but they were old guys from old revolutions and so, well, discounted) to early rise (or early stay up cigarette chain-smoking and coffee-slurping to keep the juices flowing).


Out into the streets, out into the small collectives coming out of other vagrant apartments streets (filled with other posters of Huey Newton , George Jackson, Frantz Fanon, etc. from the two names needed pantheon) joining up to make a cohorted mass (nice way to put it, right?). And then dawn darkness surrounded, coffee spilled out, cigarette bogarted, AND out of nowhere, or everywhere, bang, bang, bang of governmental steel, of baton, of chemical dust, of whatever latest technology they had come up with they came at us (pre-tested in Vietnam, naturally, as I found out later). Jesus, bedlam, mad house, insane asylum, beat, beat like gongs, defeated.


Through bloodless bloodied streets (this, after all, was not Chicago, hog butcher to the world), may day tear down the government days, tears, tear-gas exploding, people running this way and that coming out of a half-induced daze, a crazed half-induced daze that mere good- will, mere righteousness would right the wrongs of this wicked old world. One arrested, two, three, many, endless thousands as if there was an endless capacity to arrest, and be arrested, arrest the world, and put it all in one great big ironic (past ironic) Robert F. Kennedy stadium home to autumn gladiators on Sunday and sacrificial lambs this spring maypole may day basket druid day.


And, as we were being led away by one of D.C.s finest, we turned around and saw that some early Sunday morning voice, some “cop” voice who advised caution and went on and on about getting some workers out to join us before we perished in an isolated blast of arrests and bad hubris also being led away all trussed up, metal hand-cuffs seemingly entwined around her whole slight body. She said she would stick with us even though she disagreed with the strategy that day and we had scoffed, less than twenty-four hours before, that she made it sound like she had to protect her erring children from themselves. And she, maybe, the only hero of the day. Righteous anonymous sister, forgive us. (Not so anonymous actually since we saw her many times later in Boston, and Peter Paul almost would have traded in lust for her but he was still painted Botticelli-bewitched and so I, he, let the moment pass, and worked on about six million marches for about five millions causes with her but that was later. We saw no more of her in D.C. that week.)

Stop. Brain start. Out of the bloodless fury, out of the miscalculated night a strange bird, no peace dove, these were not such times even with all our unforced errors, and no flame-flecked phoenix raising but a bird, maybe the owl of Minerva came a better sense that this new world a-bornin’ would take some doing, some serious doing. More serious that some wispy-bearded, pony-tailed beat, beat down, beat around, beat up young stalwart road tramps acting in god’s place could even dream of. But that was later. Just then, just that screwed-up martyr moment, we were longing for the hot, dusty, truck driver stop meat loaf special, dishwater coffee on the side, road back home even ready to chance Connecticut highway dragnets to get there.  

What Makes An Effective Protest-The Risen People?-May Day 1971-Build The Resistance

What Makes An Effective Protest-The Risen People?-May Day 1971-Build The Resistance 

Here is a take from NPR on how earlier protest movements affected policy.

http://www.wbur.org/hereandnow/2017/02/23/effective-protest-movement



Click on the headline to link to an entry for May Day 1971 in Washington, D.C.

http://libcom.org/library/ending-war-inventing-movement-mayday-1971


Endless, dusty, truck heavy, asphalt steaming hitchhike roads travelled, Route 6, 66, maybe 666 and perdition for all we knew, every back road, every Connecticut highway avoiding back road from Massachusetts south to the capital for one last winner-take-all, no prisoners taken show-down to end all show-downs. And maybe, just maybe, finally some peace and a new world a-borning, a world we had been talking about for at least a decade (clueless, as all youth nations are clueless, that that road was well-travelled, very well- travelled, before us). No Jack Kerouac dharma bum easy road (although there were dharma bums, or at least faux dharma bums, aplenty on those 1971 roads south, and west too) let her rip cosmic brakeman Neal Cassady at the wheel flying through some wheat field night fantasy this trip.


No this trip was not about securing some cultural enclave in post-war (World War II so as not to confuse the reader) break-out factory town Lowell or cold water tenement Greenwich Village/Soho New Jack City or Shangri-La West out in the Bay area, east or west, but about mucking up the works, the whole freaking governmental/societal/economic/cultural/personal/godhead world (that last one, the godhead one, not thrown in just for show, no way) and maybe, just maybe sneaking away with the prize. But a total absolute, absolutist, big karma sky fight out, no question. And we are, he is, ready. On that dusty road ready.


More. See all roads head south as we and they, his girlfriend of the day, maybe more, maybe more than a day, Joyell, but along this time more for ease of travelling for those blessed truck driver eye rides, than lust or dream wish and his sainted wise-guy amigo (and shades of Gregory Corso, sainted, okay), Matty, who had more than a passing love or dream wish in her and if you had seen her you would not have wondered why. Not have wondered why if your “type” was Botticelli painted and thoughts of butterfly swirls just then or were all-type sleepy-eyed benny-addled teamster half-visioned out of some forlorn rear view mirror.


Yah, head south, in ones, twos, and threes (no more, too menacing even for hefty ex-crack back truckers to stop for) travelling down to D.C. for what many of them figured would be the last, finally, push back against the war, the Vietnam War, for those who have forgotten, or stopped watching television and the news, but THEY, and we knew (know) who they were, had their antennae out too, they KNEW those who were coming, even high-ball fixed (or whiskey neat she had the face for them) looking out from lonely balconies Martha Mitchell knew that much. They were, especially in mad max robot-cop Connecticut, out to pick off the stray or seven who got into their mitts as a contribution to law and order, law and order one Richard Milhous Nixon-style (and in front of him, leading some off-key, off-human key chorus some banshee guy from Maryland, another watch out hitchhike trail spot, although not as bad as Ct., nothing except Arizona was). And thus those dusty, steamy, truck heavy (remind me to tell you about hitchhiking stuff, and the good guy truckers you wanted, desperately wanted, to ride with in those days, if I ever get a chance sometime).


The idea behind this hitchhiked road, or maybe, better, the why. Simple, too simple when you, I, they thought about it later in lonely celled night but those were hard trying times, desperate times really, and just free, free from another set of steel-barred rooms these jailbirds-in-waiting- were ready to bring down heaven, hell, hell if it came down to it to stop that furious war (Vietnam, for the later reader) and start creating something recognizable for humans to live in. So youth nation, then somewhat long in the tooth, and long on bad karma-driven bloody defeats too, decided to risk all with the throw of the dice and bring a massive presence to D.C. on May Day 1971.

And not just any massed presence like the then familiar seasonal peace crawl that nobody paid attention then to anymore except the organizers, although the May Day action was wrapped around that year’s spring peace crawl, (wrapped up, cozily wrapped up, in their utopian reformist dream that more and more passive masses, more and more suburban housewives from New Jersey, okay, okay not just Jersey, more and more high school freshman, more and more barbers, more and more truck driver stop waitresses, for that matter, would bring the b-o-u-r-g-e-o-i-s-i-e (just in case there are sensitive souls in the room) to their knees. No, we were going to stop the government, flat. Big scheme, big scheme no question and if anybody, any “real” youth nation refugee, excepting, of course, always infernal always, those cozy peace crawl organizers, tried to interject that perhaps there were wiser courses nobody mentioned them out loud in our presence and we were at every meeting, high or low. Moreover we had our ears closed, flapped shut closed, to any lesser argument. We, rightly or wrongly, silly us thought “cop.” 


So onward anti-war soldiers from late night too little sleep Sunday night before Monday May Day dawn in some vagrant student apartment around DuPont Circle (He, we, thought, but it may have been further up off 14th Street, Christ after eight million marches for seven million causes who can remember that much. No question though on the student ghetto apartment locale; bed helter-skelter on the floor, telephone wire spool for a table, orange crates for book shelves, unmistakably, and the clincher, seventeen posters, mainly Che, Mao, Ho, Malcolm etc., the first name only necessary for identification pantheon just then, a smattering of Lenin and Trotsky but they were old guys from old revolutions and so, well, discounted) to early rise (or early stay up cigarette chain-smoking and coffee-slurping to keep the juices flowing).


Out into the streets, out into the small collectives coming out of other vagrant apartments streets (filled with other posters of Huey Newton , George Jackson, Frantz Fanon, etc. from the two names needed pantheon) joining up to make a cohorted mass (nice way to put it, right?). And then dawn darkness surrounded, coffee spilled out, cigarette bogarted, AND out of nowhere, or everywhere, bang, bang, bang of governmental steel, of baton, of chemical dust, of whatever latest technology they had come up with they came at us (pre-tested in Vietnam, naturally, as I found out later). Jesus, bedlam, mad house, insane asylum, beat, beat like gongs, defeated.


Through bloodless bloodied streets (this, after all, was not Chicago, hog butcher to the world), may day tear down the government days, tears, tear-gas exploding, people running this way and that coming out of a half-induced daze, a crazed half-induced daze that mere good- will, mere righteousness would right the wrongs of this wicked old world. One arrested, two, three, many, endless thousands as if there was an endless capacity to arrest, and be arrested, arrest the world, and put it all in one great big ironic (past ironic) Robert F. Kennedy stadium home to autumn gladiators on Sunday and sacrificial lambs this spring maypole may day basket druid day.


And, as we were being led away by one of D.C.s finest, we turned around and saw that some early Sunday morning voice, some “cop” voice who advised caution and went on and on about getting some workers out to join us before we perished in an isolated blast of arrests and bad hubris also being led away all trussed up, metal hand-cuffs seemingly entwined around her whole slight body. She said she would stick with us even though she disagreed with the strategy that day and we had scoffed, less than twenty-four hours before, that she made it sound like she had to protect her erring children from themselves. And she, maybe, the only hero of the day. Righteous anonymous sister, forgive us. (Not so anonymous actually since we saw her many times later in Boston, and Peter Paul almost would have traded in lust for her but he was still painted Botticelli-bewitched and so I, he, let the moment pass, and worked on about six million marches for about five millions causes with her but that was later. We saw no more of her in D.C. that week.)

Stop. Brain start. Out of the bloodless fury, out of the miscalculated night a strange bird, no peace dove, these were not such times even with all our unforced errors, and no flame-flecked phoenix raising but a bird, maybe the owl of Minerva came a better sense that this new world a-bornin’ would take some doing, some serious doing. More serious that some wispy-bearded, pony-tailed beat, beat down, beat around, beat up young stalwart road tramps acting in god’s place could even dream of. But that was later. Just then, just that screwed-up martyr moment, we were longing for the hot, dusty, truck driver stop meat loaf special, dishwater coffee on the side, road back home even ready to chance Connecticut highway dragnets to get there.  

As The Classic Film "Casablanca" Turns 75-A Look Back

As The Classic Film "Casablanca" Turns 75-A Look Back

Comment by Sam Lowell 

As the person who did the piece on NPR noted at the end of her piece on the making of Casablanca-even after 75 years the romance of the film and the story line still grabs one attention.


http://www.wbur.org/npr/515372794/after-75-years-heres-looking-at-you-casablanca


Here's a recent comment by Seth Garth in honor of the occasion:


Memories Of Rick-With Humphrey Bogart and Ingrid Bergman’s “Casablanca” In Mind



By Seth Garth

[Before he passed away in the late 1980s the long time French police officer, Commandant Louis Renault (everybody, everybody but the bad guys who crossed his path and there were plenty and not all of them Germans, called him “Louie” for his mild-mannered easy style when he was not in hot pursuit of some nefarious types)who had worked both in colonial Algeria and French Morocco before heading back home to work with the National Police in his hometown of Lyon, liked to sit in the Café Algiers there and reminisce about all his adventures as a cop. When asked about the most memorable person, friend or foe, he had been up against in his times he would without much hesitation blurt out the name of Rick Blaine.

Rick of Rick’s Café in Casablanca when Louie had worked in French Morocco early in World War II after the fall of the French Republic and the rise of the Vichy government which controlled that colony then. He as a police officer noted the changing of the guard and went about his business as usual-regimes come and go he had always said but the cops are forever. After investigation of Rick’s past, most of the early part as a tough guy out of Hell’s Kitchen in New York City a place where Rick would make people laugh when he said even the mighty Germans would think twice about occupying and had included some troubling adventurous activity for the “wrong” side in Ethiopia and Spain during the 1930s, he, after having had his palm “greased” issued the liquor and nightclub license for Rick to keep his Cafe Americian open under his prefecture.
For most of the time he knew Rick in Casablanca they had had a good working relationship. Rick would let him “win” at the roulette wheel as his pay-off for letting illegal gambling go on in full sight, “comp” him for drinks and dope, mostly hashish, and let him have his women “rejects” on the rebound. Then she came in, came in as Rick said one drunken night when she had her claws in him bad again “of all the gin joints in all the world she had to show up at his door.” From then on things got interesting, very interesting. The following is a translation by Jean Marais of what Louie had to say when he was asked by a National Police archivist for details of his relationship with one Rick Blaine (1920-1982)-SG]             

“That Rick Blaine was a piece of work, one of the last of the pre-war, pre-World War II if anybody is asking which war we are talking about, romantics tilting his lance at the windmills in the name of love-or the thrill of adventure, maybe even the thrill of tweaking somebody’s nose just for the hell of it, Louie Renault was reminiscing out loud to those who were attending his retirement party. Retirement from the National Police, [the French coppers although they are not national cops like the FBI in America but just like city and town cops there run through the central government], the guys who keep order in places like Paris and Lyon (since it was a governmental pension he was about to receive after much haggling his service during Vichy times first in Algiers and then in French-controlled Morocco, in Casablanca, was included as well as his Lyon assignments). He had been asked a question by one of the younger policer officers about what was his most memorable episode in a long and illustrious career. Of course Louie had to go back to those early war days when he ran the operation for Vichy in godforsaken Casablanca to find some events, some characters who could qualify for what that young officer was asking about. Had to go back to Rick Blaine without question.             

“Yes, Rick was the real thing, I wasn’t kidding when I mentioned his name,” Louie blurted out when the officer did not comprehend why a guy whom he had on other occasions called nothing but a saloon keeper, a guy out for himself whatever checkered past he might have had rated so high. “Let me fill you and see if I am not right about this whole matter.” He would say out of earshot that even De Gaulle would gladly take a back seat after hearing this story since he was safely in London being a pain in the ass to the British and American while “little guys” like Rick and a guy who looked pretty big even by De Gaulle standards Victor Lazlo were mercilessly tweaking the German’s tail.        

“Once the Germans marched into Paris they controlled the whole political situation but since they couldn’t handle a total occupation of France and wreak havoc on the rest of Europe at the same time they left part of the country to the French military, to General Petain who worked out of Vichy, the place where the specialized water comes from. Yeah, collaborators, liked they used to try to hang on me before Rick came to Casablanca, Lazlo too, and got everybody well. I had been in Algiers during that time but once the new political reality hit I was assigned to run the police operations in bloody Casablanca-a backwater where every odd-ball thing could and did happen as well as plenty of illegal stuff from dope to women to smuggling. Just my cup of tea. I figured that I could make more graft there in the Casbah than staying in Algiers once the British and Americans got serious about dislodging the Germans from Northern Africa.   

“No sooner had I landed in Casablanca then I spied Rick’s place, Rick’s Café Americian he called it, a place where there was plenty of booze, women, gambling, dope and whatever else you wanted. Or wanted done-life was cheap there-dirt cheap. The bloody Arabs could barely keep themselves busy except when some silly “blood honor” thing came up and we had to pick up the mess after the killings. Some he said, the other guy said stuff and then bang-bang. Had to arrest about fifteen people, family members from both sides and show them a little baton to the head just to let them know we meant business. Nobody ever faulted me on that score. I walked in and introduced myself to Rick without saying anything further. He looked at me with a twinkle in his eye he said later after all the smoke had cleared and we could be honest with each other, sized me up and down and knowing that I would do “business” after that appraisal said would the previous arrangement with the Prefect I was replacing be okay- a cut of the profits, a slice of the gambling [paid out by his “winning at roulette” with lucky red 22], my pick of women, free liquor and dope, and deep discounts on anything else I needed. Also told me of his dealings, his working relationships for dope, booze and Moslem women which it seemed some of the Europeans were crazy for although I was strictly for the low-rent French tarts who found Casablanca easy on their virtue, with Sydney Greenstreet, an émigré merchant of sorts from England over in the Casbah. I immediately issued the necessary licenses that each new Prefect was entitled to issue as was my prerogative. Done.

“This Rick was a hard guy to figure though the more I ran into him on the street or more regularly in his place either to grab some young woman, to grab my cut, to “win” at roulette, or just to have some high shelf bonded whiskey that I became very fond of. Somebody said, I think it was Frenchie the main bartender, that Rick had had some kind of an adventurous past, had run some guns to Ethiopia when they were trying to hold off the Italians when Mussolini was flexing his muscles and later fought with the International Brigades, with the Communists in Spain when Franco was working up to flexing his muscles. I had already known that past from the files the previous Prefect had left and from a couple of snitches I had run through Rick’s place but the “grease” from Rick’s deal said otherwise in my eyes.   When I first met him he was all business like I said, if you said green he said okay what shade, that kind of thing.

“Somebody said, maybe it was Frenchie again since I sat at the bar of the joint many a night to “enforce” the no gambling regulation and to drink a few high shelf scotches, that Rick had been unlucky in love and that was why when he, Rick,  had his choice of any girl he wanted, two if he was feeling frisky, would take them up to his office and apartment upstairs from the club, do whatever it was that they did, some wild stuff I heard from a couple of them that I caught on the “rebound” especially from one who took him “around the world” which she would later do with me and the next night would not know them. Tell them to sell their wares in the Casbah, a low thing to say to a European woman if you knew anything at all about what went on in the Casbah. I never went there personally but would sent for this Greenstreet to deliver me my graft and whatever dope I was looking for at the time. Like I said mainly hashish from the pipe. In the end it would be that lost love that had been bothering Rick once she came to town but early on you couldn’t tell what was eating at him. Just knew that he had a chip on his shoulder which would not fall off.

“Jesus, in those days there were all kinds of people as you can imagine trying to get out of Europe for one reason or another and once France and the countries around it fell to the Germans that was doubled up. Homeless, stateless Jews, who we all knew were being savaged by the Germans and by Vichy too, International Brigaders who couldn’t go back to their occupied homelands, local Communists who didn’t get or who couldn’t get underground, anybody out of the ordinary, we even had a couple of kids, rich kids who had left Hamburg once Hitler said that jazz was a Negro-Jew conspiracy and banned the music. If you looked at a map of Europe in say 1941 you would notice that there was not much wiggle room to work with in order to get out of some occupied spot. The road out though however they got there led to Casablanca no matter what the individual reason for leaving Europe was. The link. The air flights to Lisbon and from there anyplace but the old canard Europe.

“So you know that there was plenty of money to be made by those daring enough to act as smugglers to get these desperate people out one way or another. I could have made plenty if I had decided to use my position to get real greedy but I didn’t want to deal with a bunch of desperate people bothering me about why they weren’t getting out fast enough. Rick and the Casbah made me plenty-for a while. All the action either went through that guy Sidney Greenstreet who ran his operation out of the Casbah where he mainly handled small fry, people of no account but with money, or at Rick’s for the higher class clientele. Mostly the wealthier Jews and previously high placed officials of democratic governments who the Germans were desperate to find and make an example out off for their compatriots under occupation. Some seriously shady characters, art forgers, crazed jazz aficionados, con artists, three card monte hustlers, independent dope dealers-mainly heroin out of the Afghan fields working their way West to the cities, jack-rollers, rapists and assorted slugs, characters who even we had to keep an eye on to keep any kind of order plopped themselves there.          

“Things though were going fine until some horse’s asses, as it turned out guys we had on our radar but couldn’t quite nab, decided they would murder a couple of German couriers and grab a couple of letters of transit they were travelling with. Now these letters of transit were like gold-would make their possessor a pot of gold. Maybe two pots if they worked it right. These were no questions asked documents which only had to have names filled in order to catch a flight to Lisbon and from there wherever else they wanted to go. This weasel, well known to us from a couple of rip-off jobs he did on unsuspecting travelers, a guy named Peter Lorre was part of the gang who took the couriers down. One night he showed up at Rick’s the natural place to start looking for high-end buyers and we nailed him-took him in “custody” but he didn’t have the letters of transit on him. He hanged himself in his cell before we could get much more out of him. Rick had been as cool as a cucumber when this weasel, this sweaty little nobody showed his ugly face there. This Lorre begged Rick to hide him. Rick just blew him off, told him to get lost. A couple of customers made noises when we grabbed and manhandled Lorre saying they wouldn’t patronize Rick’s again because of his attitude in the matter. Rick told them something that impressed me at the time-he wasn’t sticking his neck out for anybody. Those customers by the way were back the next night when I let Rick reopen the place and he sent them over a couple of drinks. They were his best buddies then.   

“That courier murder business though would lay us all low. See the Germans had sent over this hard-ass major, Major Veidt (sic) I think his name was if I remember the name correctly, to look into the matter. I was trying to impress him so he would put in a good word for me with Vichy. That was the whole idea behind making a big deal out of the Lorre arrest (and I was happy when he hung himself because he would have not stood up well under German methods and he might have spilled who knows what about what was going on in Casablanca at the time). That made Rick’s gesture at the time this guy Lorre begged him to save him from my men even more important. Rick just looked the other way and Lorre was a goner. We never did get the other guys in with Lorre when we rounded up, our what did we call them, oh yes,  “usual suspects”, Communists and con men and a few whores who we regularly rounded up to fill the jails full and make it look like we were doing our jobs. Some wound up out in a desert graveyard once we were done with them.                                                                                                                                             

“Like I said in those days all kinds of people were coming through town. One of them a guy I mentioned before and said I would speak of again named Victor Lazlo had escaped from a German concentration camp and somehow he had worked his way through whatever network he had in Europe to Casablanca. This Lazlo was well-known as a leader of the resistance to the German occupations of half of Europe so a guy whom the Germans, especially this Major Veidt, were foaming at the mouth to get their hands on. But as long as he didn’t do anything illegal I had no reason to arrest him. I had half-figured when I heard he was in town to see who the highest bidder, strictly cash, was for his hide and take my cut that way. 

“But here is where things got interesting. This Lazlo, a good-looking guy with good manners and a good tipper according to Frenchie, was not travelling alone. He had this beautiful woman with him, one of the most beautiful I have ever seen then or now, Ilsa something, I am not sure we ever knew her last name and it didn’t matter with a beauty like that. When she showed up our Rick went crazy, went crazy like a loon. See he had come to Casablanca just ahead of the German armies advancing on Paris with this black guy who was an entertainer, a singer and piano player named Sam and a sour look on his face. He had “known” Ilsa in Paris, had been her fancy man from what I could tell. They were supposed to blow town together and meet at the train station one evening on the last train out of Paris before the Germans stopped the trains. She was a “no show.” She was in living color the reason that Rick had been so indifferent to everything. Why he turned over perfectly good women to me without batting an eyelash.            

“Of course the minute she showed up the old flames were re-kindled-for both of them. She had spied Sam at the piano through the heavily smoke-filled room, had forced him to play “their” song, If I Didn’t Care I think and when Rick heard that he went ballistic, was ready to come to blows with Sam since Sam had been ordered never to play the song. Then he spotted her across the piano and he melted down like an ice cube. It seems that in Paris she had assumed her husband, this Lazlo was dead, had been killed by the Germans. False report. That last day in Paris she found out through some underground source that Lazlo was still alive and she had gone to him. Leaving Rick standing in the rain at the fucking train station. Naturally all of this stuff I learned later but that “left standing in the rain” is what drove Rick to get up on his high horse and create nothing but trouble for me and my men once she came into view.  

“That long gone Lorre had given Rick the letters of transit to keep for him the night Rick looked the other way when we grabbed the weasel and made him squeal or whatever weasels do when they are caught. When with Rick’s help he fell down, wound up at the end of his checkered tie, Rick figured that he would use the letters to get himself out of hellhole Casablanca. He said that even Hell’s Kitchen in New York where he had grown up (and had “advised” the Germans to think twice about trying to occupy if you recall) was less dangerous than Casablanca so you get an idea how bad things were-how cheap life was on in the desert. Worse than the bloody wogs the British were always moaning about in the Raj, in India. He wasn’t going alone though. She, Ilsa, was going with him. She had snuck up into his apartment one night when Lazlo was out doing his organizing of the local resistance. As a result of that outlawed meeting I had Lazlo picked up when he surfaced, you couldn’t have such meetings and I knew that German major would be happy to hear that I had the great Victor Lazlo locked up like a caged animal.

“Whatever Rick and Ilsa did and from what Frenchie said Oscar the head waiter told him they had definitely gone under the sheets from his disheveled look and the blush on her face when Rick told Oscar to escort her home they were blowing town together. When Oscar told me that story a few days later I wondered about what had happened. What had made sour Rick decide to blow a good thing in Casablanca (my good thing too don’t forget). No question Ilsa was a beauty, an exceptional beauty but after the way she had left him high and dry in Paris I figured maybe a quick roll in the hay and then off alone. But you never know about beautiful women, sometimes they can be just as kinky as any whore or any low-rent tart. She didn’t look that way but maybe with a few drinks and an agenda of her own-like getting Lazlo out- alone- she took him around the world like that ex-flame Lisette had.      

“Somehow and I never could get him to tell me exactly what happened he had had an epiphany after that night some kind of turnaround. All he would say back then was the way the world was just then the troubles of three people, him, Ilsa and Lazlo weren’t worth a hill of beans compared what was going on. But whatever the source from then on he was on fire, was maybe thinking back to that old fight in Spain, thought about some payback for lost comrades, maybe what would happen if the Germans won, maybe he just didn’t like that Major Veidt and his arrogant ways closing up his café when the high rollers were coming in for their weekend beatings.

“So he gave Ilsa one story about how they should meet at the airport and blow town. She was all over that idea and had dropped any mention of Lazlo. He told me another. Talked me into a deal that when I thought about it later I should have figured was bullshit from minute number one. Confessed to me that he had the letters. Was blowing town with Ilsa and that was that. He said -let’s do this though. Let Lazlo out, let him get to the airport with the letters and grab him as an accessory for the courier murders. A feather in my cap was all I could think of. Would get that fucking Major Veidt off my back about picking up Lazlo and showing him the desert sights. When the deal went down though Rick was faking the whole thing. Maybe not about wanting to flee with Ilsa but about his attitude toward Lazlo. He had convinced me of his plan but when the deal went down I was the fall guy, well, one of the fall guys. That German major took the big fall when he tried to stop the plane to Lisbon as Lazlo and Ilsa got on the plane. Rick took him down without a murmur in one clean shot making me wonder how the Loyalists lost in Spain with a guy like that working with them.
         
“Needless to say when I was caught in a bind I stepped away from danger by refusing to arrest Rick. I went into the usual dodge-round up the usual suspects, double it up this time since a goddam German major was under the ground. I resolved the bind I was in pretty simply. I figured my days in Morocco were finished and so I saw the writing on the wall. I walked away with Rick (an action that I was successfully able to use in order to have my service time there count toward my retirement which I had many hassles over before I won). We made our way to Brazzaville with the dough Rick grabbed from Greenstreet when Rick sold him his interest in the café. I stayed there grabbing my graft until the end of the war and had worked various grifts with Rick until he went back to Europe a few months later where he joined up with the French resistance, worked with Samuel Beckett the exiled Irish playwright who was deeply into the organization from what I heard later. I heard from him a few times over the years before he passed away a few years ago. I guess Casablanca was in his blood because after the war he ran the Café Casablanca in New York City for some thirty years before he gave it up to retire. But what a guy that Rick was, giving up that luscious piece for unsung glory underground in France. Making that big gesture for love. Yeah, the last of the pre-war romantics.





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In New York City-February 25th Forum-Race, Class and American Populism-Built The Resistance

In New York City-February 25th Forum-Race, Class and American Populism-Built The Resistance