Sunday, February 26, 2017

The Search For The Great Blue-Pink American West Night-Part 32-With Western Artist Ed Ruscha In Mind

The Search For The Great Blue-Pink American West Night-Part 32-With Western Artist Ed Ruscha In Mind





By Art Critic Si Landon


Just then Bart Webber was in a California state of mind, was ready to chuck everything and go back on the road, the road to perdition to hear his wife, of thirty plus years, Betty Salmon, tell it when he went off on his tirade about the old days, and worse, the old guys, guys like Markin who had dragged him out West kicking and screaming. Now to hear him tell it Bart was the guy who propelled the sluggish Markin westward. We will get to the why of Bart’s new found interest in retracing his youthful fling in the bramble-filled West, out there where the states are square and you had better be as well on the way to the edge of the continent and the dreaded Japans sea for failure but first the what.

It seemed that Bart had jumped the gun somewhat because he found himself out in San Francisco, the place where he met up with Markin and some of the other North Adamsville corner boys in that fateful year of 1968 when he rode for a few months with the guys on Captain Crunch’s yellow brick road converted school bus come travelling caravan home, at a printing and media conference, what would be his final conference since he was putting his printing business in the capable hands of his youngest son who truth be told had been handling the day to day operations of the shop anyway and was itchy to run the operation himself. While riding on the BART into the city he noticed on a billboard that the deYoung Museum in Golden Gate Park was featuring a retrospective by the Western artist Ed Ruschua, an artist that Bart had always admire ever since he had seen his series on gas stations and their role in the great post-World War II golden age of the American automobile, the wide open highways and cheap gas.             

Taking an afternoon off he went over to Golden Gate and viewed the exhibit, a show that had well over one hundred paintings, photographs, prints and petro-maps. One set of photographs taken on one of Ruscha’s trips from his native Oklahoma to Los Angeles via the southern desert-etched route drove Bart to distraction as there he saw gas stations in places like Needles, on the California-Arizona border, Kingman, Flagstaff, Gallup, and a few other places he had passed through on one of his hitchhike or car-sharing trips to California. Saw too coyotes, Native American reservations, buffalos roam. Saw a series of prints and paintings of the famous Hollywood sign that told him the first time that he had seen the sign up in the hills that he had arrived in the land of sun and fantasy. Saw a darkly troubling painting all done in dark somber colors of the death of the Joshua trees in the high desert, a place where he had performed under the influence of serious dope inhalation the “ghost” dance with Markin, Jack Callahan, Josh Breslin and Frankie Riley. Saw plenty of photographs and paintings detailing the degradation of that part of California Ruscha had travelled through on those golden age trips. He was, well-known as a man not to show much public emotion, shaken almost to tears at the vistas that he witnessed. Could not get the thoughts of his old “hippie” minute out of his mind. (That “minute” then signifying that he finally came to a realization after a few months that unlike Markin, Josh, or Sam Lowell another late arrival in California from the corner boys who stayed on the road for a few years that he was a stationary person, missed old North Adamsville and missed old ball and chain Betty Salmon.)             

Here’s how the whole thing played out back then and maybe, just maybe you will begin to understand why Bart was shaken almost to tears for visions of his long lost youth. Despite the urban legend Bart tried to create lately around his role in sending Markin westward Markin, and only Markin was the guy who led the charge west. Had been the guy of all the guys on the corner who predicted, predicted almost weekly from about 1962 on that a big sea-change was coming and they had better be ready to ride the wave. They all, Bart included blew Markin’s predictions off out of hand because frankly if the subject around Tonio’s Pizza Parlor come Friday night wasn’t about girls, cars, money, getting drunk or any combination of those subjects they didn’t give a rat’s ass as Frankie Riley would say about some seaweed change.        

Things pretty much stayed that way all through high school although that didn’t stop Markin from his predictions especially when the blacks down south got all uppity (signifying that the corner boys except Markin didn’t give a rat’s ass about that subject either and maybe worse-around use of the common “n” word) and folk music, the urban folk revival minute as Markin called it, took off. All that meant and this was stretching it was cheap dates with girls who might “put out.” Bart was even less interested in the latter since Betty was still stuck in some Bobby Rydell crush and did not like folk music (and still didn’t so Bart only played it when she was out of the house). Stayed that way for a couple of years after high school as they went their separate ways except the Friday night reunions at Tonio’s to, well, kill time. Then the Vietnam War came on strong which they did give a rat’s ass about, wanted to see the commies bite the dust although except for Sal Russo and Jimmy Jenkins who laid down his head over there and whose name now is on black granite down in Washington and in granite in North Adamsville, they did not volunteer. (Those who were called eventually all went including Markin who lost a lot over there, had serious troubles with the “real” world coming back and in the end couldn’t shake whatever it was that took the life out of him.)

Then in the spring of 1967 Markin did two things, one, the fateful decision to drop out of Boston University after his sophomore year to go “find himself,” a characteristic of the times, of the generation, of the best part of the generation and the other, the less fateful but still fraught with danger decision to head west, to hitchhike west to California after he had read Jack Kerouac’s On The Road about six times and declared that now was the moment that he had been talking about all those Friday nights in front of Tonio’s. So he headed west with no compulsion, wound up hooking up with a caravan out there. The Captain Crunch yellow brick road caravan that would eventually be composed of at least a half dozen North Adamsville corner boys turned “hippies” for varying lengths of time. Bart was pretty late on that “train” didn’t go out until the summer of 1968 after he found out that due to a childhood injury that left him with a pronounced limp despite a couple of surgeries was declared 4-F, unfit for military service by the friends and neighbors at his local draft board. That pretty late also meant that Markin who shortly after he got out to San Francisco received his own draft notice and was an additional reason why Bart left the road early since he knew the ropes.  

Bart, despite whatever happened later, was happy to be heading out and once he decided to go he also decided that he would hitchhike out like all the other guys except Sam Lowell who to placate anxious parents, really an anxious mother went out by bus. Even Sam after five plus days on a stinking Greyhound bus with the usual screaming kids left to wander the aisles and the inevitable overweight seatmate who snored and despite a couple of pleasant days from New York to Chicago with a chick who caught his eye and whom he flirted like crazy with said later that he would have rather hitched than go through that again (and all his later trips would be done that way). Bart figured that although the road might be slow with the many false starts and being left in some strange places where grabbing a ride was not easy that it would be interesting once he got past the stifling East and Great Plains to see what was what in the West (that stifling Ruscha could attest to since he was nothing but a child of the Great Plains, hell, an Okie so he knew he had to head west in that big old Chevy Bart had heard he went out to L.A. in that fateful 1956 year when he entered art school out there).

Bart thinking about the experience, that first road out, that always served as a hallmark for every guy’s trip out remembered more or less vividly all those dusty side roads he got left on after his own trip through Oklahoma. Although the big Eisenhower-driven national security Interstate highway system made it easier in the mid-1960s to travel the hitchhike road than all the back roads and Route 66 that Bart had read about in Jack Kerouac’s travel the open road book On The Road that Markin made everybody read when they all were in high school even though he wasn’t much of a reader, didn’t think as much of the be-bop beats as Markin did who thought they were the max daddies he was waiting for even though by their time the “beat” thing was passe was old news, ancient history it was actually easier to get rides on the smaller roads where people could see you from down or up the road. In any case you were sure to be left off on more than one back road since that was just the way it was, nobody who was say going to Denver was going to let you off in the middle of Interstate 80 when you saw the sign for Cheyenne just ahead.  

Funny all the strange signs he saw out on the open back roads like  the mere fact of putting a sign up would draw people to your Podunk town , or your Podunk store. He had had to laugh when he saw Ruscha’s photograph of a town out in nowhere which probably had a population of less than one thousand but which had a sign documenting all the about ten church denominations that kept the good people of the town on their feet. He had seen more Jesus Save signs and the like than you could shake a stick at the further west he went until they stopped, stopped  dead the closer you got to coastal California. Saw more signs for cigarettes, beer, whiskey, dry goods (quaint), no trespassing, no loitering, no anything than he ever noticed back home. He wondered if people travelling through North Adamsville had that same feeling about his own Podunk town. He knew for sure that there were not top-heavy signs about all the religious denominations of the town at least not in the Acre where all you saw was a fistful of Catholic churches, Roman Catholic for the unknowing about differences.               

Had seen above all the signs that directed you to the nearest gas stations, almost a ritualistic sign that you were still in the golden age of the automobile, of the superhighway and of cheap gas. Hell even in North Adamsville right across from the high school he remembered the service station owners who had business right next to each other would have “gas wars,” would have signs out with prices like 30 cents per gallon versus say 29 cents. Yeah, cheap gas, and plenty of service too. Lots of guys, guys who needed to support their “boss” car habits worked as gas jockeys filling up tanks, checking oil and tires and wiping off windshields. Saw every kind of gas station from the one franchised out by Esso and Texaco to little fly-by-night operations with no name gas, a rundown coke machine that barely worked and bathrooms with stained sinks and broken plumbing and had not been cleaned since Hector was a pup. You had to use your own handkerchief to wipe your hands. Even some of the diners, diners like Jimmy Jack’s back home where all the guys hung out after leaving off their dates if they didn’t get lucky and wind up down at the far end of Squaw Road on Adamsville Beach fogging up some “boss” car into the wee hours of the morning had gas stations or at least pumps out on those long stretch deserted roads so nobody would get stranded on in the hot sun (and the owners probably figured that while stopping for gas the little family might as well have something to eat at the high carbohydrate steamed everything counters and booths).

Saw plenty of weird natural formations along the way getting twenty mile rides here from ranchers or farmers going up the road, fifty miles there from high-rollers taking the high side to Vegas, a few miles from high school kids joy-riding to while away the afternoon to avoid the dreaded chores that awaited them at home. Saw every kind dusty dried out tree seeking nourishment from the waterless ground. Saw rock formations hounded by the winds and sheered to perfection. Saw every color of brown, of beige, of grey. Saw too in Joshua Tree of a thousand tears, tears for the creeping civilization that was choking them away and tears one high doped up night when Markin and a few others channeled the shamans of the past in a ghost dance off the flickering canyon walls, hah, walls of brown, of beige, of grey. Bart never got over that experience, never saw what the white man, what his people had done so clearly even if he wasn’t about to do anything about it except load up on peyote buttons and ancient dreams of mock revenge.  
Saw above all as he grabbed that last one hundred, maybe one hundred and fifty mile stretch to Frisco town the refuge of the high speed road, the broken glass, the road kill, the busted fences where some fool had gone off the highway drunk or doped up so he didn’t feel a thing, saw stripped off bare truck tires blocking easy passage on the road ahead. Saw the bramble, the flotsam and jetsam of modern day life. Saw too though as he got closer to Frisco, as he could almost smell the ocean, the land’s end, the Japan seas or back home that the West was very different, that those who had make the trek, maybe were forced to make the trek were very different from the East that he knew. But maybe too they would have to run from a thing which they had built.

Later. after he arrived in San Francisco, met Markin, Josh and Frankie on Russian Hill and then joined them on the journey south for a few months (with a couple of trips back home in between) he would see Ruscha’s L.A. would see those luscious Hollywood signs, and would like any tourist from Podunk image that he had the wherewithal to make it as a star, or something like that name in lights. Got to know L.A. too well, couldn’t handle the freeway craziness, couldn’t handle the sameness of the endless strip malls, the endless rows of tickey-tack houses, couldn’t handle the sprawl that was turning a small town into a mega-town. Yeah he knew exactly what Ruscha was driving at, was trying to chronicle. Bot still he missed the opportunity to see if he did have what it took to survive in California, to have drunk in the scenes.     


And you wonder why Bart just then as he approached retirement as he approached his seventh decade was in a frenzy to repeat his past.    

From The Gals And Guys Who Know The Face Of War Up Close And Personal-The Iraq And Afghan War Veterans

From The Gals And Guys Who Know The Face Of War Up Close And Personal-The Iraq And Afghan War Veterans


Frank Jackman comment:



In America there is an overweening respect for the military, for military officers mainly, the guys and gals who lead the bloody endless wars of this century. They look good on camera, all austere and all business as they lead the general population by the nose into the next ambush. But starting back in Vietnam, starting back in the war of my generation soldiers, sailors, air personnel, regular rank and file guys (almost all guys then) started balking at their fate. Started to talk back, to say stop the madness. And if they could not do it, or would not, since the choice or the stockade and/or opprobrium back home was a hard fact of life for most working class guys, when they were service-bound they certainly did after they got out. Formed an organization Vietnam Veterans Against the War (VVAW) that did a hell of a lot to bring the anti-war message home. See they had “street cred”,’ they had been in the hellholes and beyond, had come back to the “real world” a lot wiser than the kids who went in with dreams of glory and fistfuls of medals. The guys and gals who fought, and continue to fight don’t forget, the damn Iraq and Afghan wars have that same “street cred.” Listen up, please.   

Down And Dirty In The Delta-With Bluesman Skip James In Mind

Down And Dirty In The Delta-With Bluesman Skip James In Mind 




CD Review

By Music Critic Zack James

Skip James Unchained, Skip James Around Records, 1985 

“Hey, Josh, Sally Ann and I are headed to Newport this weekend for the folk festival, do you want to go?” asked Seth Garth plaintively knowing that Josh would give his right arm to be there that weekend, the weekend when the great old time country blues singers “discovered” by the young urban folk archivists and aficionados were going to “duel” it out for the “king of the hill” title. Of course Josh, stuck in a job as a research assistant in order to pay his way through college could not go since Professor Levin had some paper he was going to present to a conference out in California, out at Berkeley, that needed last minute upgrading and footnoting, a fact of life in the profession, and so would be drudging around at least until Tuesday. Even if he had been able to sneak away for several hours to run down there some seventy miles away he knew that Seth and Sally Ann would be heading down courtesy of the Greyhound bus and so that was strictly out.
Seth, knowing of Josh’s plight thought that it had really been something for a couple of guys from the working poor Acre neighborhood of North Adamsville were deeply into blues by guys from down in places like the Delta in Mississippi and the swamps of Alabama, places like that. City boys really and to the core, corner boys by inclination and so previously heavily attuned to nothing but bad boy rock and roll, you know, Elvis, Chuck Berry and Jerry Lee, country boys too but guys who had hooked into some primal beat that moved them, spoke to them, hell, spoke for them, in a way that no sociologist could ever figure out in a hundred years.

Strangely it had almost been an accidental occurrence since one night Seth had taken Annie Dubois from Olde Saco up in Maine to a blues concert in Cambridge where an old blues man from rural Texas, Mance Lipscomb was playing at the CafĂ© Algiers. He had been “found” by Alan Battles down in some Podunk town in Texas and came North via bus in tow with Alan. His Ella Speed and a couple of other tunes wowed him and he began studying up on Harry Smith’s anthology, Charles Seeger’s playlist and that of the Lomaxes, father and son. Watched too when unnamed aficionados were combing the South for country blues guys they had heard on old RCA records from the 1920s when that company sent out scouts to find talent for their “race records section.” Surprising some the guys, some of the best ones too, were still alive working in farm jobs or in small trades maybe playing the juke joints for drinks and pocket change.

Then in golden age 1963 (that golden age a true retrospective since many of the great bluesmen like Mississippi John Hurt, ditto Mississippi Fred McDowell, Sam Sloan, Bubba Ball, Bukka White would pass away within a few years of discovery so yes golden age) news came from Newport as they were announcing the festival program that Allan Battles had found Son House and Skip James to go with John Hurt. Now there was no publicity like today that would make the thing some kind of a shoot-out among the three for the title but Seth had a sneaking suspicion that that would happen. Would happen on the assumption that if you put three big gun bluesmen (or any three big guns in any musical genre) you were bound to have a shoot-out. That is what had animated all the conversations between Seth and Josh all spring on the assumption that Josh would be going along.  

In the event Seth had been right, at least in the end right. Each of the three men had their individual sets in a tent area set aside for them which actually was too small by the time serious folkies heard what was afoot. Seth and Sally Ann had gotten seat pretty close to the front because Seth although murder on any instrument he might play had a sense about who could play the guitar and who, beside him, could not. They all did a pretty good job, took a break and then came back together supposedly for one final collective song, John Hurt’s Beulah Land. Son House jumped out first but Seth detected that tell-tale glint he knew from his own drinking experiences that he had been at the bottle. John Hurt did well as would be expected on one of his signature covers. But then Skip James, not as good as a guitarist as the other two pulled down the hammer, came soaring out with that big falsetto voice and kept the field for himself.


And if you don’t believe Seth then check out this CD and then weep for your error.            

Coming Of Age In World War II-Torn America- With The Film Summer Of 1942 (1971) In Mind

Coming Of Age In World War II-Torn America- With The Film Summer Of 1942 (1971) In Mind



By Commentator Fritz Taylor


Seth Garth, the once well-known free-lance music critic for many of the big music and specialty publications that have come and gone over the years since he first put pen to paper some forty years ago, including the long gone alternative press where he got his start and first breaks, had been thinking about the old days a lot recently. (Literally had put pen to paper, forget beauties of the world processor then, as Jacob Stein said that he had recalled as he kicked and screamed when he was asked to produce material on a typewriter in the old days rather than his beloved yellow legal pads. He only relented as Jacob also recalled when some editor told him that his hero Hemingway was crazy to rattle the typewriter to get his precious words out.) Seth had been, having the luxury of semi-retired status, also doing a run through of films via the good graces of Netflix that he had first seen when he was a youngster sitting in the dark every week for the double feature Saturday matinee complete with box of stale popcorn or snuck in candy bars at the old Strand Theater in his hometown of Riverdale, a town a few dozen miles from Boston. Or else films that due to publication commitments that he had not run through when they came out in the 1970s in the days when he was determined to catch the wave of being a music critic and missed many of those films, left them by the wayside.

One night at Jack’s Pub, his watering hole hang-out over in Riverdale that he increasingly frequented on his forays back to his old hometown to see if he could “channel” the past by being physically present on the old sacred soil (although not the Strand long ago turned into a condominium complex), Seth had mentioned to Brad Fox, an old friend from high school days who went through many of the experiences with him, that he had just reviewed a film, Summer of 1942, for Sal Davis the editor of Cinema Now who was looking for copy to fill a space quickly. The film which had been released in 1971 about coming of age, coming of sexual age during the early years of World War II. The big point he made to Brad, who had told Seth that he had seen the film when it came out but did not remember the details except that this foxy older woman played by Jennifer O’Neil had “robbed the cradle” and bedded a teenage boy, swore the film could have been about their generation, the generation of 1968 as easily as that of 1942.     

Seth had mentioned, before giving Brad the details that he had missed about the film, he had started his review speculating on the fact that each generation goes through its “coming of age” period somewhat differently. “Coming of age” in this context meaning after Brad had been unclear about what aspect of the term Seth meant, meaning the beginning of the treacherous process of understanding all the sexual changes and commotions once you got to puberty. He said he had taken the one he, and Brad, had known about personally of coming of age in the early 1960s in the age of the “Pill,” of technology-driven space exploration and of some new as yet unspoken and undiscovered social breeze coming to shake up a lot of the old values, to turn the world upside down, from their parents’ generation.

Seth said he had tried to contrast that with the one before theirs, the one represented in the film about the coming of age of their parents’ generation. The generation that on one edge, the older edge went through the whole trauma of the Great Depression that brought barren days to the land and of slogging World War II and at the other edge, the younger edge, missing the trauma of war and its particular stamp on those who survived went on to form the alienated youth who turned “beat,” rode homespun hot rods to perdition, grabbed a La Jolla perfect wave surf board, revved up Hell’s Angels/Devil’s Disciples hellish motorcycles to scare all the squares and come under the immediate spell of jailbreak rock and roll.
The funny thing at least on the basis of a viewing of the film on the question of dealing with sex, sexual knowledge and experiences there was a very familiar (and funny) sense that their parents who, at least in their case and the case of their growing up friends, went through the same hoops-with about the same sense of forlorn misunderstanding. (Of course in talking about parents and their sexual desire both Seth and Brad admitted they would have had a hard time linking up their own respective parents with sexual desire but their own kids if asked would probably say the same thing about them.)                   

Brad mentioned that his memory wasn’t so good of late and that although while they were talking he had been trying to dredge up some more facts about the movie other than the one he had mentioned earlier in the conversation about that sexy older woman “cradle robber” making Seth laugh that whatever the taboos were about intergenerational sex they both would have given their eye-teeth if some world-wise fox had come across their paths. Seth then went on to give Brad a rough outline of how the film had played out.

He told Brad that his habit of late was after viewing a film, particularly a film that he was being paid good dollars to produce a review on, was to go on-line and look up what somebody had to say about the film on Wikipedia.  Wistfully stated that service was something he wished had been around earlier in his career which would have saved him a lot of time in the library or looking at the archives of various publications of the time and allow him under the constant press of deadlines to be able to write better thought out copy. (Although remember he was still groping with freaking yellow legal pads.) The story line of the film had been based on the essentially true-to-life experiences of a Hollywood screen-writer Hermie Raucher (played by Gary Grimes), coming of age 15, and his two companions, gregarious Oscy and studious Benji, known as “the Three Terrors,” three virginal teenage boys, who were slumming in the year 1942 at the beautiful but desolate end of an island retreat in the first summer of the American direct involvement in the Pacific and European wars after the Japanese bombings of Pearl Harbor. (The island had been Nantucket Island in the book published after the movie but had been filmed off desolate Mendocino of blessed memory in California). They like a million other virginal boys of that age during war or peacetime were driven each in their own way by the notion of sexual experimentation and conquest and so the chase was on.      

That chase had been on at two levels. The rather pedestrian one of seeking out young girls of their own age to see what shook out of the sexual tree and Hermie’s almost mystical search for “meaningful” love in the person of an older foxy woman, Dorothy, played by Jennifer O’Neil, who had been a young war bride staying on the island after her husband headed off to war. The “own age” part, funny in parts, driven mostly by pal Oscy’s overweening desire to “get laid” with a blonde temptress whom he finally got his wish with on night at the secluded end of the beach with his most experienced partner. On that occasion Hermie was shut out of any desire he had to do the same with her friend who was as bewildered by sex as he was.
The “older woman” (in our circles she would have been a “cradle-robbing” older woman although she was only 22) notion of love is what drove him the moment he has set eyes on her when the trio was spying on her and her husband in their cozy cottage so he was “saving” himself for her. And after a series of innocent (and some goofy) encounters with Dorothy one night, after she has just found out that her husband had been killed in the war, she bedded him (there is no other honest way to put the matter). That was that though, for when Hermie subsequently went back to the cottage she had left the island and left him a more solemn young man.              

Having given Brad those details Seth mentioned that those were the main lines that got played out but what had made this film more than of ordinary interest to him was the whole lead-up, the whole “foreplay” if you will of the desire of the trio to be doing something about getting out of that dreaded virgin status. Said all the guys were fearful of being tagged with the “homo” tag and didn’t Brad remember how vicious teenage guys could be about the “manhood” question. Before he could go further Brad mentioned how when they were fourteen or fifteen he could not remember when how all the guys from around the corner that they hung on, including Seth used to “fag” bait him because he had refused to kiss Sarah Langley at a “petting” party and had actually run out of the house where the party was being held he had been so embarrassed.

At the time he had been sweet on Jenny Price who had been at the party although nobody was aware of that situation. Nothing ever came of that desire and so he had spent some time living down the “fag” tag until he found Sandy Lee in junior year and she took him out of that status since she was something of a fox herself. Although nobody thought anything of calling another guy a “fag” as masculine craziness about sex and sexual identity erupted nobody seriously thought that the guys were gay or anything like that it was just a separation expression. Who knows who at the time really wasn’t interested in girls, wasn’t into “getting in their pants” although Seth speculated that some guys around the block must have since not a few guys lived at home with their mothers and were not seen with woman companions. Nowadays nobody would think twice about it although the usual baiting in school and among the jocks would still go on given the unchanged nature of certain heterosexual young males. Seth mentioned that he could not believe the pressure to “lose your virginity” that all the guys suffered through, although he admitted that it also took him a long time, long after the Christopher Street riots in the Village that began the serious modern gay rights movement to stop his calling gays “fags.” Not until his eyes were opened up when gay musicians and actors whom he interviewed and assumed were straight came out of the “closet.”   

Seth had laughed at the very realistic scenes when Hermie and Oscy picked up a couple of girls at the movie theater (playing Bette Davis and Paul Henried in Dark Voyage, a film that he actually had reviewed when it came out in a film retrospective at the Brattle Theater in Harvard Square for the old Avatar alternative newspaper). The scene which showed the guys “feeling up,” or trying to, had been amazing with Oscy grabbing his just met girl almost from minute one and Hermie, missing the mark thinking his girl’s shoulder was her breast. Jesus. Brad laughed but reminded Seth that no way would that kind of thing have happened in their days since everybody, or almost everybody knew the drill at the Strand Theater Saturday matinee double-header or Saturday night date it did not matter. Some ancient tradition, hell, maybe going back to 1942 for all anybody knew about the original of the practice made it clear that those who sat in the orchestra were not going to “make out.” If they were in the balcony then whatever went on, went on from “feeling up” to blow jobs went on. It was solely a question of asking your date where she wanted to sit. That sealed the deal, and in many cases, too many, meant a last date.

Brad’s reminder of the old “policy” reminded Seth of the time that he was crazy for Rosalind Green in junior high, they had gotten along well, had been a couple of chatterboxes in English class about books by a bunch of foreign guys to show they were “hip.” One day after a few weeks after all this “foreplay” Seth had finally asked her to a Saturday matinee (the usual strategy for a girl you were not sure would accept your date in the dangerous nighttime) and she accepted. When after paying for their tickets and hitting the refreshment stand for popcorn and sodas he asked her where she wanted to sit she had answered “silly, of course the balcony why else would I have come with you.” Bingo. Of such events decent youthful memories are made. Brad on the other hand spent many hours in the orchestra section once he latched onto Betsy Binstock (whom he had eventually married and was still married to happily he always made sure to note) who was “saving” whatever she was saving for marriage. Okay, too-now.        

Seth quickly mentioned the scene, the awkward scene, where Hermie was helping Dorothy with storing some packages and he got sexually excited, okay, okay, got an erection, by her off-hand helping hand touch since neither man wanted to talk about those nighttime wandering hands that came down when they got an erection.  Nor did he spent much time on the scene where the three friends “discover” what sexual intercourse is all about through the good graces of Benji’s mother’s medical books since that scene rang false in their old neighborhood where sexual information was passed from older brother or sister to younger, a lot of it wrong, very wrong when the girl had to go out of town to see “Aunt Emily” (she was pregnant) in other words right out on the streets. Nobody back in 1942, or 1962 expected uptight parents who were assumed to probably not have had sex to give any serious information except some twaddle about the birds and the bees.  And of course the fumbling by the numbers (off-screen) when Oscy has his first sexual experience with the girl he had picked up at the movies. That scene had been a little over the top and as reticent about talking about sex as parents were guys and gals might give an inkling about what they were doing behind the bushes but a “free show” was off the charts.

The best scene of all though and it really showed the difference between then and now when the younger generations can grab condoms off the shelf at any drugstore or in some places right in schoolhouse restrooms (formerly “lav’s”) and who might not quite appreciate enough the scene where Hermie tried to buy “rubbers” at the local village drugstore from the jaded disbelieving druggist. Brad automatically remembered that scene once Seth recalled it. Remembered too, as he told a disbelieving Seth that night, his own confusion when he was in junior high and had found some condoms in a bottom bathroom drawer in his family house when he was looking for some band-aids. Had asked a kid at school, actually had shown a kid at school one and the kid had said they were like balloons you fill them with water and throw them at somebody. It was not until high school and he had begun his own sexual explorations (obviously not with ever-loving Betsy) that he found out their real purpose and blushed silently about his parents’ sexual practices. Hence another example of the very general understanding about the young that their own parents never had sex. Whatever else being a youth today may be about in terms of trauma at least there is a hell of a lot of good information hanging out there on the Internet for the young to inquire into with embarrassment. 


Yeah, Seth gave Brad the word as they finished up that last round of drinks and began to head to their respective homes -watch this film and remember your own, either sex, torturous rumbling around coming to terms with sex.     

Out In The Black Liberation Night- The Black Panthers And The Struggle For The Ten-Point Program -Eleven-In the Beginning


Out In The Black Liberation Night- The Black Panthers And The Struggle For The Ten-Point Program -Eleven-In the Beginning   




…they came out of the hard okie/arkie white trash Hell’s Angels- dominated mean streets of Oakland, Oakland out in sunny California at the end of the American continental line. The place where the staccato faux -Spanish style (speaking unknowingly of earlier conquistador invasions) was to close out dreams, dreams of plenty, dreams of an ocean’s worth of good times.  They came out of the cop- infested army of occupation on those dark 1960s negro streets (the streets that they wanted to make black, proud black, devouring that old Spanish negro alien word, and deed). They came out of the mid-1960s hard reality that while their brothers and sisters in Selma, Montgomery, Lake Charles, Albany (GA), Greenwood, and all points south, south of the American slick democracy had gained something, something worth fighting (and dying) for that they, Oakland, Watts, Harlem, Cleveland, Newark, and all points North and West, north and west of American slick democracy, had been left behind. That they too had to face down their own copper nightmare, their own ghetto-imposed wanting habits nightmare, wanting some decent sweat-less non-grinding job, wanting their own cozy bungalow (white picket fence optional in the laid-back Frisco Bay night), wanting their own take a vacation out in the high Sierras, wanting above all to stop being cop looked at every time they went onto the white streets of  town, hell the black streets too, and to get rid of their own subtle damn neighborhood (and maybe not so subtle when they started to rile up the okies and arkies) Mister James Crow.

And so they, okay, okay, Huey and Bobby they, started putting together a little group, a little group of students and the young bucks from the ‘hood  (neighborhood , okay, but who else would you expect to start stuff like that, insurrection kind of stuff, out in sunny blood-stained California, even a California by that freaking fog-bound bay ), corner boys really, under a simple proposition-voting and the such might have been okay in that all point south night down in America but in land’s end that didn’t mean jack. What meant jack was to get that damn down presser man, the guys in blues, the almost totally white guys in blue off their backs, and let the brothers and sisters breath.  And so they, black proud, and black smart, decided after looking at history a little, fog-bound black history as fogged as that rusted colored golden gate bridge once Mister Whitey got through with it, that the only time that Mister Whitey paid attention was when proud black warrior-savants pressed the issue, defended themselves against that slave market and jim crow night. And so they looked to the mighty 200,000 strong of the Union black army in Civil War times, hell, even the brothers who bled arms in hand with that prophet angel-avenger Jehovah John Brown at Harpers Ferry fight, and the mighty southern struggle Robert F. Williams over across the land in Monroe, North Carolina just a few years back and said enough. So they righteously armed themselves. And said in some small recess of the brain they knew that this too was worth dying for.                      

The original "Ten Point Program" from October, 1966 was as follows:[39][40]



1. We want freedom. We want power to determine the destiny of our black Community.

We believe that black people will not be free until we are able to determine our destiny.



2. We want full employment for our people.

We believe that the federal government is responsible and obligated to give every man employment or a guaranteed income. We believe that if the white American businessmen will not give full employment, then the means of production should be taken from the businessmen and placed in the community so that the people of the community can organize and employ all of its people and give a high standard of living.



3. We want an end to the robbery by the white man of our black Community.

We believe that this racist government has robbed us and now we are demanding the overdue debt of forty acres and two mules. Forty acres and two mules was promised 100 years ago as restitution for slave labor and mass murder of black people. We will accept the payment as currency which will be distributed to our many communities. The Germans are now aiding the Jews in Israel for the genocide of the Jewish people. The Germans murdered six million Jews. The American racist has taken part in the slaughter of over 50 million black people; therefore, we feel that this is a modest demand that we make.



4. We want decent housing, fit for shelter of human beings.

We believe that if the white landlords will not give decent housing to our black community, then the housing and the land should be made into cooperatives so that our community, with government aid, can build and make decent housing for its people.



5. We want education for our people that exposes the true nature of this decadent American society. We want education that teaches us our true history and our role in the present-day society.



We believe in an educational system that will give to our people a knowledge of self. If a man does not have knowledge of himself and his position in society and the world, then he has little chance to relate to anything else.



6. We want all black men to be exempt from military service.



We believe that black people should not be forced to fight in the military service to defend a racist government that does not protect us. We will not fight and kill other people of color in the world who, like black people, are being victimized by the white racist government of America. We will protect ourselves from the force and violence of the racist police and the racist military, by whatever means necessary.



7. We want an immediate end to POLICE BRUTALITY and MURDER of black people.

We believe we can end police brutality in our black community by organizing black self-defense groups that are dedicated to defending our black community from racist police oppression and brutality. The Second Amendment to the Constitution of the United States gives a right to bear arms. We therefore believe that all black people should arm themselves for self defense.



8. We want freedom for all black men held in federal, state, county and city prisons and jails.

We believe that all black people should be released from the many jails and prisons because they have not received a fair and impartial trial.



9. We want all black people when brought to trial to be tried in court by a jury of their peer group or people from their black communities, as defined by the Constitution of the United States.



We believe that the courts should follow the United States Constitution so that black people will receive fair trials. The 14th Amendment of the U.S. Constitution gives a man a right to be tried by his peer group. A peer is a person from a similar economic, social, religious, geographical, environmental, historical and racial background. To do this the court will be forced to select a jury from the black community from which the black defendant came. We have been, and are being tried by all-white juries that have no understanding of the "average reasoning man" of the black community.



10. We want land, bread, housing, education, clothing, justice and peace. And as our major political objective, a United Nations-supervised plebiscite to be held throughout the black colony in which only black colonial subjects will be allowed to participate for the purpose of determining the will of black people as to their national destiny.



When in the course of human events, it becomes necessary for one people to dissolve the political bands which have connected them with another, and to assume, among the powers of the earth, the separate and equal station to which the laws of nature and nature's God entitle them, a decent respect to the opinions of mankind requires that they should declare the causes which impel them to the separation.



We hold these truths to be self- evident, that all men are created equal; that they are endowed by their Creator with certain unalienable rights; that among these are life, liberty, and the pursuit of happiness. That, to secure these rights, governments are instituted among men, deriving their just powers from the consent of the governed; that, whenever any form of government becomes destructive of these ends, it is the right of the people to alter or to abolish it, and to institute a new government, laying its foundation on such principles, and organizing its powers in such form, as to them shall seem most likely to effect their safety and happiness. Prudence, indeed, will dictate that governments long established should not be changed for light and transient causes; and accordingly, all experience hath shown, that mankind are more disposed to suffer, while evils are sufferable, than to right themselves by abolishing the forms to which they are accustomed. But, when a long train of abuses and usurpations, pursuing invariable the same object, evinces a design to reduce them under absolute despotism, it is their right, it is their duty, to throw off such government, and to provide new guards for their future security.

In New York City-3/25 & 6 National Conference for the Full Normalization of US-CUBA Relations

National Conference for the Full Normalization of US-CUBA Relations

END ALL US ECONOMIC, FINANCIAL, AND TRAVEL SANCTIONS AGAINST CUBA!
RETURN GUANTANAMO BAY TERRITORY TO CUBAN SOVEREIGNTY!
STOP US-FUNDED COVERT "REGIME CHANGE" PROGRAMS AGAINST CUBA!

Location:
FORDHAM SCHOOL OF LAW
150 W 62nd St, New York, NY 10023
Near Lincoln Center, two blocks from Central Park. Take A, B,C, D, or 1
subway train to 59th Street/Columbus Circle Station

List of about 20 workshops at the conference.
http://nationalcubaconference.org/work-shops.html

Share this to your friends, families and other organizations.

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The July 26th Committee of Boston will be organizing car pooling to
NYC for this.

US-CUBA NORMALIZATION COMMITTEE

Endorsements for the March 25-26, 2017 National Conference on US-Cuba
Normalization at Fordham Law School

Signatures-Endorsements for Invitation to March 25-26, 2017 National
Conference on US-Cuba Normalization at Fordham Law School

Updated 2-15-2017

Pam Africa, International Concerned Family and Friends of Mumia Abu-Jamal
Akubundi Amazu, All African Peoples Revolutionary Party, San Jose, CA
Amadi Ajamu, December 12th Movement
S.E. Anderson, Black Left Unity Network, Author Black Holocaust for
Beginners
Arnold August, Author and Journalist (Canada)
Tom Balanoff, President, Service Employees International Union (SEIU)
Local 1, Chicago*
Iris Baez, Anthony Baez Foundation
Nellie Bailey, WBAI Radio, Host and Producer Behind the News
Clever Banganayi, Deputy General Secretary, Friends of Cuba Society,
South Africa
Fr. Luis Barrios, John Jay College of Criminal Justice – CUNY
Thomas Blanton, Solidaridad Exportaciones, Washington, DC
Keith Bolender, Author, Voices from the Other Side
Nancy Cabrero, Casa de las Americas
Leslie Cagan, Peace and Justice Organizer
Joe Callahan, Minnesota Cuba Committee
William Camacaro, Alberto Lovera Bolivarian Circle
Emily Coffey, Engage Cuba Colorado Council
Mariela Castro Espin, Director, Cuban National Center for Sex Education
(CENESEX)
Greg Clave, Co-Chair, National Network on Cuba
Omowale Clay, December 12th Movement
Dr. Andy Coates, Former President, Physicians for a National Healthcare Plan
Jason Corley, July 26 Coalition
Dr. John Cox, Professor of Global Studies, University of North Carolina
Charlotte, Director, Center for Holocaust, Genocide &Human Rights Studies
Tim Craine, Greater Hartford Coalition on Cuba
Jodi Dean, Professor, Hobart and William Smith Colleges
James Early, Institute for Policy Studies Board, Former Director
Cultural Heritage Policy
Smithsonian Institution Center Folklife and Cultural Heritage
Steve Early. Author and Journalist, Trade Union Organizer
Todd Eaton, NYProtest
Fritz Edler, former Local Chairman, Brotherhood of Locomotive Engineers
and Trainmen Division 482, Washington, DC, Railroad Workers United
Soffiyah Elijah
Steve Eckardt, Chicago Cuba Coalition
Howard Ehrman, MD, MPH, Assistant Professor, Family Medicine and Public
Health, University of Illinois Chicago
Mark Emanation, American Federation of Musicians Local 14*
Bryan Epps, Director, Malcolm X and Dr. Betty Shabazz Memorial and
Educational Center
Malia Everette, Founder and CEO, AltruVistas
Erin Feely-Nahem, LMSW, Cuba Solidarity New York
Jim Ferlo, President Pittsburgh-Matanzas Sister Cities Partnership,
member Pennsylvania State Senate 2003-15
Jon Flanders, Former President International Association of Machinists,
Local 1145, Retired
Franklin Flores, Casa de las Americas
Ellen David Friedman, Labor Notes Policy Committee
Mark Friedman, Los Angeles, Marine Biology Instructor, Los Angeles
Maritime Institute and Redondo Beach CA United School District
Glen Ford, Executive Editor, Black Agenda Report
Albert Fox, Tampa, FL, Alliance for Responsible Cuba Policy Foundation
Jane Franklin, Author: Cuba and the U.S. Empire: A Chronological History
Pat Fry, Committees of Correspondence for Democracy and Socialism
Martin Garbus, Attorney
William Gerena-Rochet, DiaspoRicans/Disporiquenos Network, New York City*
Joan P. Gibbs, Esq
Margaret (Peggy) Gilpin, WBAI Cuba In Focus
Piero Gleijeses. Professor of United States Foreign Policy, Johns
Hopkins University
Stan Goff, Author and Anti-War Activist, US Special Forces (Retired)
Robert Grace, Former Executive Board Member, New York State Public
Employees Federation
Bob Guild, Marazul Charters
Teresa Gutierrez, International Action Center
Larry Hamm, Chairman, People’s Organization for Progress
Tamara Hansen, Author, Cuba solidarity activist, Coordinator, Vancouver
Communities in Solidarity
Tarik Haskins, Universal Zulu Nation
Doug Henwood, author Wall Street: How It Works and for Whom,
contributing editor, The Nation magazine, publisher Left Business Observer
Dr. Alberto Jones, President, Caribbean American Children Foundation
Ben Jones, Artist and Activist, Jersey City, NJ
Alicia Jrapko, Co-Chair, National Network on Cuba
Ron Kaminkow, General Secretary, Railroad Workers United
Chuck Kaufman, Alliance for Global Justice
Stephen Kimber, Professor, School of Journalism, University of King’s
College, Halifax, Canada, Author, What Lies Across the Water: The Real
Story of the Cuban Five
Margaret Kimberley, Editor and Senior Columnist, Black Agenda Report
Dequi Kioni-Sadiki, Chair, Malcolm X Commemoration Committee
Steve Kramer, Vice President 1199SEIU, 1199SEIU Caribbean and Latin
America Democracy Committee
Michael Krinsky, Attorney
Cheryl LaBash, Co-Chair, National Network on Cuba
Ray Laforest, Co-Founder Haiti Support Network
Gloria La Riva, Coordinator, Cuba and Venezuela Solidarity Committee
Dr. Eloise Linger, Professor Emerita, SUNY Old Westbury, former leader
in the section for scholarly relations with Cuba, Latin American Studies
Association (LASA)
Joe Lombardo, United National Antiwar Coalition
Jeff Mackler, National Secretary, Socialist Action
Esperanza Martell, Professor, Hunter College
Pamela Ann Martin, Philadelphia, longtime activist working to end the US
embargo, consultant on legal travel to Cuba
Chris Matlhako, General Secretary, Friends of Cuba Society, South Africa
Luis Matos, World Organization for the Rights of the People to Healthcare
Brother Shepard McDaniel, Universal Zulu Nation
Dr. Rosemari Mealy, Author: Fidel and Malcolm X – Memories of a Meeting
Bob Miller, July 26 Coalition, Sheet Metal and Rail Transportation
(SMART) Union Local 60
Peter Miller, July 26 Coalition of Boston
Rafael Cancel Miranda, Puerto Rican Independence Fighter
Anne Mitchell, Committees of Correspondence for Democracy and Socialism
Roberto Monticello, Cuban-American Filmmaker, part of US delegation with
President Obama in Cuba
Radhames Morales, Fuerza de la Revolucion
Derrick Morrison, New Orleans Social Justice Activist
Luci Murphy, Art for the People, Washington, DC
Omari Musa, DC Metro Coalition in Solidarity with the Cuban Revolution
Ike Nahem, Cuba Solidarity New York, July 26 Coalition
Estevan Nembhard, New York District Organizer, Communist Party USA
August Nimtz, Professor of Political Science and African American and
African Studies, University of Minnesota
Sally O’Brien, WBAI Cuba In Focus
Nino Pagliccia, Author, Editor Cuba Solidarity in Canada: Five Decades
of People to People Foreign Relations
Vijay Prashad, Author and Journalist, Professor of International
Studies, Chair in South Asian History, Trinity College
Luis Proyect, The Unrepentent Marxist
Benjamin Ramos Rosado, New York Cuba Solidarity Project
Merle Ratner, Co-Coordinator, Vietnam Agent Orange Relief and
Responsibility Campaign*
Carla Riehle, Minnesota Cuba Committee
Lee Robinson, African Awareness Association, Richmond, VA
Dr. Peter Roman. Professor of Political Science and Coordinator of
Social Sciences Hostos Community College/CUNY
Suzanne Ross, Free Mumia Abu-Jamal Coalition (NYC)
Pepe Rossy, Albany (New York) Cuba Solidarity
Azza Rojbi, Journalist, Coordinator, Friends of Cuba Against the
Blockade, Vancouver, Canada
Ursula Rozum, Green Party, Central New York
Larry Rubin, Solidaridad Exportaciones, Washington, DC
Malcolm Sacks, Venceremos Brigade
Angelica Salazar, AltruVistas
Cesar Sanchez, July 26 Coalition
Isaac Saney, Co-Chair, Canadian Network on Cuba, Senior Instructor,
Dalhousie University, Halifax, Canada
Brock Satter, Mass Action Against Police Brutality*
Bob Schwartz, Disarm/Global Health Partners
Joel Schwartz, Civil Service Employees Association*
Banbose Shango, Co-Chair, National Network on Cuba
Judy Sheridan-Gonzalez, President, New York State Nurses Association
Michael Steven Smith, Attorney, Law and Disorder Radio
Stansfield Smith, Chicago ALBA Solidarity
Wayne Smith, Retired US State Department official, Chief of Mission, US
Interests Section (now US Embassy) in Havana 1979-82
Johnnie Stevens, Workers World Party
Jan Strout, US Women and Cuba Collaboration
Heide Trampus, Coordinator Worker-To-Worker, Canada-Cuba Labour
Solidarity Network
Walter Turner, President, Board of Directors, Global Exchange
Joel Tyner, Dutchess County, NY Legislator, District 11, representing
Rhinebeck and Clinton
Bandele Tyehimbe, Pan African Connection, USA Revolutionary Party,
Dallas, Texas
Lisa Valanti, Pittsburgh CUBA Coalition
Estela Vazquez, Vice President, 1199SEIU
Amy Velez, New York, Coalition for District Alternatives (CODA)
Frank Velgara, ProLibertad Freedom Campaign, Frente Socialista de Puerto
Rico – Comite de Nuevo York
Nalda Vigezzi, Co-chair, National Network on Cuba
Jennifer Wager, Professor, Essex County College
Gail Walker, IFCO/Pastors for Peace
Victor Wallis, Managing Editor, Socialism and Democracy
Michael Warren, Attorney
Mary-Alice Waters, Socialist Workers Party
Aminifu Williams, People’s Organization for Progress
Louis Wolf, DC Metro Coalition in Solidarity with the Cuban Revolution,
Co-Editor Covert Action
Information Bulletin
Dr. Helen Yaffe, Fellow in Economic History, London School of Economics,
Author, Che Guevara: The Economics of Revolution
Juanita Young, Longtime fighter against police brutality and killings,
Mother of Malcolm Ferguson,murdered by NYPD
Matilde Zimmermann, Professor Emerita, Sarah Lawrence College

* Organization Listed for Identification Purposes Fordham Law School
Student Organizations Latin American Law Students Association
National Lawyers Guild Chapter
Universal Justice

Additional Endorsing Organizations All African Peoples Revolutionary
Party ANSWER
2017 NYC Voter Campaign For Community Control Of The Police
Capital District Socialist Party of New York State
City College of New York Guillermo Morales-Assata Shakur Community and
Student Center
Engage Cuba Colorado Council
Industrial Workers of the World (IWW), James Connolly Upstate New York
Regional General Membership Branch
International Committee for Peace, Justice, and Dignity
Jericho Movement, DC
National Jericho Movement
National Network on Cuba
Party for Socialism and Liberation
Pittsburgh-Matanzas Sister Cities Partnership
Railroad Workers United
Solidarity Committee of the Capital District of New York
The Jericho Movement, DC
Universal Zulu Nation
Safiya Bukhari-Albert Nuh Foundation

National and Local Cuba Solidarity Organizations Albany Cuba Solidarity
July 26 Coalition of Boston
Chicago Cuba Coalition
Cuba Si!, New York-New Jersey
DC Metro Coalition in Solidarity with the Cuban Revolution
Greater Hartford Coalition on Cuba
Minnesota Cuba Committee
Pittsburgh CUBA Coalition
Pittsburgh-Matanzas Sister Cities Partnership

For more information: 917-887-8710
Email: info@nationalcubaconference.org
National Conference Committee for CUBA AND US Normalizaton.
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In Honor Of The 75th Anniversary Of The Film “Casablanca”- Humphrey Bogart and Ida Lupino’s “High Sierra”- A Film Review

In Honor Of The 75th Anniversary Of The Film “Casablanca”- Humphrey Bogart and Ida Lupino’s “High Sierra”- A Film Review




DVD Review

High Sierra, starring Humphrey Bogart, Ida Lupino, directed by Raoul Walsh, Warner Brothers, 1941


Okay, okay one more time- and this is for you, Roy “Mad Dog” Earle the “hero” of the film under review, High Sierra, crime does not pay. Some guys, some guys like brother Earle wind up learning that “hard knocks” lesson the hard way- lying face down at the bottom of some foreboding sierra canyon and no one , well, not no one, but hardly anyone to weep over their bones. And that, my friends, is the rough sketch lesson behind this classic Bogie gangster portrayal (and classic down-at-the heels dime-a-dance portrayal as faithful Marie, played by, well, an amazingly fetching Ida Lupino).

A little plot line is in order to show why, why, naw, skip that, we already have had our noses rubbed since childhood in the whys and why nots of crime doesn’t pay but why Brother Earle in the end took a bullet rather than be captured alive (even with his doll moll, Marie, ready to visit him every Sunday at some off the road prison locale).

See Earle is a three-time loser (or at least more than once) having been sprung from a full-book (okay, okay life) prison sentence (via an Indiana pardon) by an old-time gangster boss on his last legs. Apparently the talent pool of hard boys has dried up and an old pro that is not afraid to take heat and give some (without losing his head) is required for the caper the old don has in mind. A big jewelry heist in the Sierras (that’s in non-seaside California for the geography-challenged) at a watering hole for the well off. Easy stuff for Earle, as long as he keeps his head and the hired help don’t panic.

Now strictly as filler Roy, having had enough of the inside, and is planning to retire after he gets his cut from the heist. And for a while the film moves along with a little off-hand, oddball romance (no not Ida, not Ida yet). He befriends, on his road west, an old has-been farmer down on his uppers with a pretty crippled (oops, disabled) young granddaughter who he has ideas of marrying. Ya, I know, old Roy had been away for a while so maybe he is secretly skirt crazy, but this combination is strictly no go, no go on about seven counts, including that said granddaughter has enough sense to brush Roy the Boy off. Although not before Roy had sprung for a leg fixing operation. Roy, believe me, it never would have worked out. She would have run off with some Hollywood soda jerk or fast-talking garage mechanic and then where would you have been?

What works, and works like magic, is drop dead foxy, been around the block, been knocked around but is still taking the eight count, Marie. She had blew into town with a couple of what passed for hard boys in the hills of California night ( as boss man Big Mac said the talent ain’t like it used to be) and while they waste their time fighting over her favors she lights on our boy Roy. And after the granddaughter flame-out and some soft-soap sparring Marie wins the prize.

Naturally, yawn, the heist goes awry when some well-heeled dame screams and the bullets start to fly. And as the cops bear down through of series of narrower and narrower possibilities Roy is headed to that high sierra canyon, and death. No, Marie had it right. Like she had a lot of things right. He crashed out and was free, free as a three-time loser was ever going be.