Thursday, April 27, 2017

An Encore Presentation-The Big Sur Café- With The “King Of The Beats” Jean-bon Kerouac In Mind

An Encore Presentation-The Big Sur Café- With The “King Of The Beats” Jean-bon Kerouac In Mind  







From The Pen Of Zack James

Josh Breslin, as he drove in the pitch black night up California Highway 156 to connect with U.S. 101 and the San Francisco Airport back to Boston was thinking furious thought, fugitive thoughts about what had happened on this his umpteenth trip to California. Thoughts that would carry him to the  airport road and car rental return on arrival there and then after the swift airbus to his terminal the flight home to Logan and then up to his old hometown of Olde Saco to which he had recently returned. Returned after long years of what he called “shaking the dust of the old town” off his shoes like many a guy before him, and after too. But now along the road to the airport he had thought that it had been a long time since he had gotten up this early to head, well, to head anywhere.

He had in an excess of caution decided to leave at three o’clock in the morning from the hotel he had been staying at in downtown Monterrey near famous Cannery Row (romantically and literarily famous as a scene in some of John Steinbeck’s novels from the 1920s and 1930s, as a site of some of the stop-off 1950s “beat” stuff if for no other reason than the bus stopped there before you took a taxi to Big Sur or thumbed depending on your finances and as famed 1960s Pops musical locale where the likes of Jimi Hendrix and Janis Joplin rose to the cream on top although now just another tourist magnet complete with Steinbeck this and that for sullen shoppers and diners who found their way east of Eden) and head up to the airport in order to avoid the traffic jams that he had inevitably encountered on previous trips around farm country Gilroy (the garlic or onion capital of the world, maybe both, but you got that strong smell in any case), and high tech Silicon Valley where the workers are as wedded to their automobiles as any other place in America which he too would pass on the way up.

This excess of caution not a mere expression of an old man who is mired in a whole cycle of cautions from doctors to lawyers to ex-wives to current flame (Lana Malloy by name) since his flight was not to leave to fly Boston until about noon and even giving the most unusual hold-ups and delays in processings at the airport he would not need to arrive there to return his rented car until about ten. So getting up some seven hours plus early on a trip of about one hundred miles or so and normally without traffic snarls about a two hour drive did seem an excess of caution.

But something else was going on in Josh’s mind that pitch black night (complete with a period of dense fog about thirty miles up as he hit a seashore belt and the fog just rolled in without warnings) for he had had the opportunity to have avoided both getting up early and getting snarled in hideous California highway traffic by the expedient of heading to the airport the previous day and taken refuge in a motel that was within a short distance of the airport, maybe five miles when he checked on his loyalty program hotel site. Josh though had gone down to Monterey after a writers’ conference in San Francisco which had ended a couple of days before in order travel to Big Sur and some ancient memories there had stirred something in him that he did not want to leave the area until the last possible moment so he had decided to stay in Monterrey and leave early in the morning for the airport.

That scheduled departure plan set Josh then got an idea in his head, an idea that had driven him many times before when he had first gone out to California in the summer of love, 1967 version, that he would dash to San Francisco to see the Golden Gate Bridge as the sun came up and then head to the airport. He had to laugh, as he threw an aspirin down his throat and then some water to wash the tablet down in order to ward off a coming migraine headache that the trip, that this little trip to Big Sur that he had finished the day before, the first time in maybe forty years he had been there had him acting like a young wild kid again.        

Funny as well that only a few days before he had been tired, very tired a condition that came on him more often of late as one of the six billion “growing old sucks” symptoms of that process, after the conference. Now he was blazing trails again, at least in his mind. The conference on the fate of post-modern writing in the age of the Internet with the usual crowd of literary critics and other hangers-on in tow to drink the free liquor and eat the free food had been sponsored by a major publishing company, The Globe Group. He had written articles for The Blazing Sun when the original operation had started out as a shoestring alternative magazine in the Village in about 1968, had started out as an alternative to Time, Life, Newsweek, Look, an alternative to all the safe subscription magazines delivered to leafy suburban homes and available at urban newsstands for the nine to fivers of the old world for those who, by choice, had no home, leafy or otherwise, and no serious work history.

Or rather the audience pitched to had no fixed abode, since the brethren were living some vicarious existences out of a knapsack just like Josh and his friends whom he collected along the way had been doing when he joined Captain Crunch’s merry pranksters (small case to distinguish them from the more famous Ken Kesey mad monk Merry Pranksters written about in their time by Tom Wolfe and Hunter Thompson) the first time he came out and found himself on Russian Hill in Frisco town looking for dope and finding this giant old time yellow brick road converted school bus parked in a small park there and made himself at home, after they made him welcome (including providing some sweet baby James dope that he had been searching for since the minute he hit town).

Still the iterant, the travelling nation hippie itinerants of the time to draw a big distinction from the winos, drunks, hoboes, bums and tramps who populated the “jungle” camps along railroad tracks, arroyos, river beds and under bridges who had no use for magazines or newspapers except as pillows against a hard night’s sleep along a river or on those unfriendly chairs at the Greyhound bus station needed, wanted to know what was going on in other parts of “youth nation,” wanted to know what new madness was up, wanted to know where to get decent dope, and who was performing and where in the acid-rock etched night (groups like the Dead, the Doors, the Airplane leading the pack then).

That magazine had long ago turned the corner back to Time/Life/Look/Newsweek land but the publisher Mac McDowell who still sported mutton chop whiskers as he had in the old days although these days he has them trimmed by his stylist, Marcus, at a very steep price at his mansion up in Marin County always invited him out, and paid his expenses, whenever there was a conference about some facet of the 1960s that the younger “post-modernist”  writers in his stable (guys like Kenny Johnson the author of the best-seller Thrill  were asking about as material for future books about the heady times they had been too young, in some cases way to young to know about personally or even second-hand). So Mac would bring out wiry, wily old veterans like Josh to spice up what after all would be just another academic conference and to make Mac look like some kind of hipster rather than the balding “sell-out" that he had become (which Josh had mentioned in his conference presentation but which Mac just laughed at, laughed at just as long as he can keep that Marin mansion. Still Josh felt he provided some useful background stuff now that you can find lots of information about that 1960s “golden age” (Mac’s term not his) to whet your appetite on Wikipedia or more fruitfully by going on YouTube where almost all the music of the time and other ephemera can be watched with some benefit.

Despite Josh’s tiredness, and a bit of crankiness as well when the young kid writers wanted to neglect the political side, the Vietnam War side, the rebellion against parents side of what the 1960s had been about for the lowdown on the rock festival, summer of love, Golden Gate Park at sunset loaded with dope and lack of hubris side, he decided to take a few days to go down to see Big Sur once again. He figured who knew when he would get another chance and at the age of seventy-two the actuarial tables were calling his number, or wanted to. He would have preferred to have taken the trip down with Lana, a hometown woman, whom he had finally settled in with up in Olde Saco after three, count them, failed marriages, a parcel of kids most of whom turned out okay, plenty of college tuitions and child support after living in Watertown just outside of Boston for many years.

Lana a bit younger than he and not having been “washed clean” as Josh liked to express the matter in the hectic 1960s and not wanting to wait around a hotel room reading a book or walking around Frisco alone while he attended the conference had begged off on the trip, probably wisely although once he determined to go to Big Sur and told her where he was heading she got sort of wistful. She had just recently read with extreme interest about Big Sur through her reading of Jack Kerouac’s 1960s book of the same name and had asked Josh several times before that if they went to California on a vacation other than San Diego they would go there. The long and short of that conversation was a promise by Josh to take her the next time, if there was a next time (although he did not put the proposition in exactly those terms).            

Immediately after the conference Josh headed south along U.S. 101 toward Monterrey where he would stay and which would be his final destination that day since he would by then be tired and it would be nighttime coming early as the November days got shorter. He did not want to traverse the Pacific Coast Highway (California 1 for the natives) at night since he had forgotten his distance glasses, another one of those six billion reasons why getting old sucks. Had moreover not liked to do that trip along those hairpin turns which the section heading toward Big Sur entailed riding the guardrails even back in his youth since one time having been completely stoned on some high-grade Panama Red he had almost sent a Volkswagen bus over the top when he missed a second hairpin turn after traversing the first one successfully. So he would head to Monterrey and make the obligatory walk to Cannery Row for dinner and in order to channel John Steinbeck and the later “beats” who would stop there before heading to fallout Big Sur.

The next morning Josh left on the early side not being very hungry after an excellent fish dinner at Morley’s a place that had been nothing but a hash house diner in the old days where you could get serviceable food cheap because the place catered to the shore workers and sardine factory workers who made Cannery Row famous, or infamous, when it was a working Row. He had first gone there after reading about the place in something Jack Kerouac wrote and was surprised that the place actually existed, had liked the food and the prices and so had gone there a number of times when his merry pranksters and other road companions were making the obligatory Frisco-L.A. runs up and down the coast. These days Morley’s still had excellent food but perhaps you should bring a credit card with you to insure you can handle the payment and avoid “diving for pearls” as a dish-washer to pay off your debts.      

As Josh started up the engine of his rented Acura, starting up on some of the newer cars these days being a matter of stepping on the brake and then pushing a button where the key used to go in this keyless age, keyless maybe a metaphor of the age as well, he had had to ask the attendant at the airport how to start the thing since his own car was a keyed-up Toyota of ancient age, he began to think back to the old days when he would make this upcoming run almost blind-folded. That term maybe a metaphor for that age. He headed south to catch the Pacific Coast Highway north of Carmel and thought he would stop at Point Lobos, the place he had first encountered the serious beauty of the Pacific Coast rocks and ocean wave splash reminding him of back East in Olde Saco, although more spectacular. Also the place when he had first met Moonbeam Sadie.

He had had to laugh when he thought about that name and that woman since a lot of what the old days, the 1960s had been about were tied up with his relationship to that woman, the first absolutely chemically pure version of a “hippie chick” that he had encountered. At that time Josh had been on the Captain Crunch merry prankster yellow brick road bus for a month or so and a couple of days before they had started heading south from Frisco to Los Angeles to meet up with a couple of other yellow brick road buses where Captain Crunch knew some kindred. As they meandered down the Pacific Coast Highway they would stop at various places to take in the beauty of the ocean since several of the “passengers” had never seen the ocean or like Josh had never seen the Pacific in all its splendor.

In those days, unlike now when the park closes at dusk as Josh found out, you could park your vehicle overnight and take in the sunset and endlessly listen to the surf splashing up to rocky shorelines until you fell asleep. So when their bus pulled into the lot reserved for larger vehicles there were a couple of other clearly “freak” buses already there. One of them had Moonbeam as a “passenger” whom he would meet later that evening when all of “youth nation” in the park decided to have a dope- strewn party. Half of the reason for joining up on bus was for a way to travel, for a place to hang your hat but it was also the easiest way to get on the dope trail since somebody, usually more than one somebody was “holding.” And so that night they partied, partied hard. 

About ten o’clock Josh high as a kite from some primo hash saw a young woman, tall, sort of skinny (he would find out later she had not been so slim previously except the vagaries of the road food and a steady diet of “speed” had taken their toll), long, long brown hair, a straw hat on her head, a long “granny” dress and barefooted the very picture of what Time/Life/Look would have used as their female “hippie” poster child to titillate their middle-class audiences coming out of one of the buses. She had apparently just awoken, although that seemed impossible given the noise level from the collective sound systems and the surf, and was looking for some dope to level her off and headed straight to Josh.

Josh had at that time long hair tied in a ponytail, at least that night, a full beard, wearing a cowboy hat on his head, a leather jacket against the night’s cold, denim blue jeans and a pair of moccasins not far from what Time/Life/Look would have used as their male “hippie” poster child to titillate their middle-class audiences so Moonbeam’s heading Josh’s way was not so strange. Moreover Josh was holding a nice stash of hashish. Without saying a word Josh passed the hash pipe to Moonbeam and by that mere action started a “hippie” romance that would last for the next several months until Moonbeam decided she was not cut out for the road, couldn’t take the life, and headed back to Lima, Ohio to sort out her life.

But while they were on their “fling” Moonbeam taught “Cowboy Jim,” her new name for him, many things. Josh thought it was funny thinking back how wedded to the idea of changing their lives they were back then including taking new names, monikers, as if doing so would create the new world by osmosis or something. He would have several other monikers like the “Prince of Love,” the Be-Bop Kid (for his love of jazz and blues), and Sidewalk Slim (for always writing something in chalk wherever he had sidewalk space to do so) before he left the road a few years later and stayed steady with his journalism after that high, wide, wild life lost it allure as the high tide of the 1960s ebbed and people drifted back to their old ways. But Cowboy Jim was what she called Josh and he never minded her saying that.

See Moonbeam really was trying to seek the newer age, trying to find herself as they all were more or less, but also let her better nature come forth. And she did in almost every way from her serious study of Buddhism, her yoga (well before that was fashionable among the young), and her poetry writing. But most of all in the kind, gentle almost Quaker way that she dealt with people, on or off drugs, the way she treated her Cowboy. Josh had never had such a gentle lover, never had such a woman who not only tried to understand herself but to understand him. More than once after she left the bus (she had joined the Captain Crunch when the bus left Point Lobos a few days later now that she was Cowboy’s sweetheart) he had thought about heading to Lima and try to work something out but he was still seeking something out on the Coast that held him back until her memory faded a bit and he lost the thread of her).          

Yeah, Point Lobos held some ancient memories and that day the surf was up and Mother Nature was showing one and all who cared to watch just how relentless she could be against the defenseless rocks and shoreline. If he was to get to Big Sur though he could not dally since he did not want to be taking that hairpin stretch at night. So off he went. Nothing untoward happened on the road to Big Sur, naturally he had to stop at the Bixby Bridge to marvel at the vista but also at the man-made marvel of traversing that canyon below with this bridge in 1932. Josh though later that it was not exactly correct that nothing untoward happened on the road to Big Sur but that was not exactly true for he was white-knuckled driving for that several mile stretch where the road goes up mostly and there are many hairpin turns with no guardrail and the ocean is a long way down. He thought he really was becoming an old man in his driving so cautiously that he had veer off to the side of the road to let faster cars pass by. In the old days he would drive the freaking big ass yellow brick road school bus along that same path and think nothing of it except for a time after that Volkswagen almost mishap. Maybe he was dope-brave then but it was disconcerting to think how timid he had become.

Finally in Big Sur territory though nothing really untoward happen as he traversed those hairpin roads until they finally began to straighten out near Molera State Park and thereafter Pfeiffer Beach. Funny in the old days there had been no creek to ford at Molera but the river had done its work over forty years through drought and downpour so in order to get to the ocean about a mile’s walk away Josh had to take off his running shoes and socks to get across the thirty or forty feet of rocks and pebbles to the other side (and of course the same coming back a pain in the ass which he would have taken in stride back then when he shoe of the day was the sandal easily slipped off and on) but well worth the effort even if annoying since the majestic beauty of that rock-strewn beach was breath-taking a much used word and mostly inappropriate but not this day. Maybe global warming or maybe just the relentless crush of the seas on a timid waiting shoreline but most of the beach was un-walkable across the mountain of stones piled up and so he took the cliff trail part of the way before heading back the mile to his car in the parking lot to get to Pfeiffer Beach before too much longer. 

Pfeiffer Beach is another one of those natural beauties that you have to do some work to get, almost as much work as getting to Todo El Mundo further up the road when he and his corner boys from Olde Saco had stayed for a month after they had come out to join him on the bus once he informed them that they needed to get to the West fast because all the world was changing out there. This work entailed not walking to the beach but by navigating a big car down the narrow one lane rutted dirt road two miles to the bottom of the canyon and the parking lot since now the place had been turned into a park site as well. The road was a white-knuckles experience although not as bad as the hairpins on the Pacific Coast Highway but as with Molera worth the effort, maybe more so since Josh could walk that wind-swept beach although some of the cross-currents were fierce when the ocean tide slammed the defenseless beach and rock formation. A couple of the rocks had been ground down so by the relentless oceans that donut holes had been carved in them.                          

Here Josh put down a blanket on a rock so that he could think back to the days when he had stayed here, really at Todo el Mundo but there was no beach there just some ancient eroded cliff dwellings where they had camped out and not be bothered  so everybody would climb on the bus which they would park by the side of the road on Big Sur Highway and walk down to Pfeiffer Beach those easy then two miles bringing the day’s rations of food, alcohol and drugs (not necessarily in that order) in rucksacks and think thing nothing of the walk and if they were too “wasted” (meaning drunk or high) they would find a cave and sleep there. That was the way the times were, nothing unusual then although the sign at the park entrance like at Point Lobos (and Molera) said overnight parking and camping were prohibited. But that is the way these times are.

Josh had his full share of ancient dreams come back to him that afternoon. The life on the bus, the parties, the literary lights who came by who had known Jack Kerouac , Allan Ginsberg, Lawrence Ferlinghetti and the remnant of beats who had put the place on the map as a cool stopping point close enough to Frisco to get to in a day but ten thousand miles from city cares and woes, the women whom he had loved and who maybe loved him back although he/they never stayed together long enough to form any close relationship except for Butterfly Swirl and that was a strange scene. Strange because Butterfly was a surfer girl who was “slumming” on the hippie scene for a while and they had connected on the bus except she finally decided that the road was not for her just like Moonbeam, as almost everybody including Josh figured out in the end, and went back to her perfect wave surfer boy down in La Jolla after a few months.

After an afternoon of such memories Josh was ready to head back having done what he had set out to which was to come and dream about the old days when he thought about the reasons for why he had gone to Big Sur later that evening back at the hotel. He was feeling a little hungry and after again traversing that narrow rutted dirt road going back up the canyon he decided if he didn’t stop here the nearest place would be around Carmel about twenty-five miles away. So he stopped at Henry’s Café. The café next to the Chevron gas station and the Big Sur library heading back toward Carmel (he had to laugh given all the literary figures who had passed through this town that the library was no bigger than the one he would read at on hot summer days in elementary school with maybe fewer books in stock). Of course the place no longer was named Henry’s since he had died long ago but except for a few coats of paint on the walls and a few paintings of the cabins out back that were still being rented out the place was the same. Henry’s had prided itself on the best hamburgers in Big Sur and that was still true as Josh found out.

But good hamburgers (and excellent potato soup not too watery) are not what Josh would remember about the café or about Big Sur that day. It would be the person, the young woman about thirty who was serving them off the arm, was the wait person at the joint. As he entered she was talking on a mile a minute in a slang he recognized, the language of his 1960s, you know, “right on,” “cool,” “no hassle,” “wasted,” the language of the laid-back hippie life. When she came to take his order he was curious, what was her name and how did she pick up that lingo which outside of Big Sur and except among the, well, now elderly, in places like Soho, Frisco, Harvard Square, is like a dead language, like Latin or Greek.

She replied with a wicked smile that her name was Morning Blossom, didn’t he like that name. [Yes.] She had been born and raised in Big Sur and planned to stay there because she couldn’t stand the hassles (her term) of the cities, places like San Francisco where she had gone to school for a while at San Francisco State. Josh thought to himself that he knew what was coming next although he let Morning Blossom have her say. Her parents had moved to Big Sur in 1969 and had started home-steading up in the hills. They have been part of a commune before she was born but that was all over with by the time she was born and so her parents struggled on the land alone. They never left, and never wanted to leave. Seldom left Big Sur and still did not.

Josh said to himself, after saying wow, he had finally found one of the lost tribes that wandered out into the wilderness back in the 1960s and were never heard from again. And here they were still plugging away at whatever dream drove them back then. He and others who had chronicled in some way the 1960s had finally found a clue to what had happened to the brethren. But as he got up from the counter, paid his bill, and left a hefty tip, he though he still had that trip out here next time with Lana to get through. He was looking forward to that adventure now though.               

Songs For Our Times-Build The Resistance-The Rolling Stones’ Gimme Shelter”

Songs For Our Times-Build The Resistance-The Rolling Stones’ Gimme Shelter”    


During, let’s say the Obama administration or, hell, even the Bush era, for example  we could be gentle angry people over this or that notorious war policy and a few others matters and songs like Give Peace A Chance, We Shall Overcome, or hell, even that Kumbaya which offended the politically insensitive. From Day One of the Trump administration though the gloves have come off-we are in deep trouble. So we too need to take off our gloves-and fast as the cold civil war that has started in the American dark night heads to some place we don’t want to be. And the above song from the 1960s, another tumultuous time, makes more sense to be marching to. Build the resistance!      

Gimme Shelter
Come on
Oh, a storm is threat'ning
My very life today
If I don't get some shelter
Oh yeah, I'm gonna fade away
War, children, it's just a shot away
It's just a shot away
War, children, it's just a shot away
It's just a shot away
Ooh, see the fire is sweepin'
Our very street today
Burns like a red coal carpet
Mad bull lost its way
War, children, it's just a shot away
It's just a shot away
War, children, it's just a shot away
It's just a shot away
Rape, murder!
It's just a shot away
It's just a shot away
Rape, murder yeah!
It's just a shot away
It's just a shot away
Rape, murder!
It's just a shot away
It's just a shot away yeah
The floods is threat'ning
My very life today
Gimme, gimme shelter
Or I'm gonna fade away
War, children, it's just a shot away
It's just

In Boston- Join the Mass Protest Against Trump this May 1st!-Join The Resistance

In Boston- Join the Mass Protest Against Trump this May 1st!-Join The Resistance 

Stand Up for Immigrants on May 1st!
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Strike and Protest on May 1st in Boston!

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Alongside immigrant organizations and labor unions, we will take action against the deportations, Trump’s wall, the Muslim ban, anti-union laws and attacks on women’s reproductive rights. We will oppose any retaliation by employers or schools against workers or students who strike or walk out on May Day.

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The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-Lessons-Films To While Away The Class Struggle By- With Serge Eisenstein’s “Strike” (1925) In Mind

The100thAnniversaryYearOfTheBolshevik-LedOctoberRevolution-Lessons-Films To While Away The Class Struggle By- With Serge Eisenstein’s “Strike” (1925) In Mind




DVD Review  

By Political Commentator  Frank Jackman

Strike, starring a cast of hundreds of working people and others, directed by Serge Eisenstein, 1925

No question, no question at all that some political films whether they were intended as propaganda for a certain viewpoint as with the film under review, Russian mad man filmmaker Serge Eisenstein’s 1925 classic Strike, or because as the story line developed everybody was compelled to think through the implications of the cover-up and preclude to coup in a film like Costa-Garvas’ Z remain in our consciousness long after mere entertainment films have faded from view. Here is the beauty of Eisenstein’s work whether with Strike or in an effort like Potemkin, the one with the famous baby carriage scene on the Odessa Steps. The medium is the message to steal a phrase from an old-time social media commentator like Marshall McLuhan. The whole thing is done, powerfully done, with nothing but absolutely stunning cinematography, a few signboards (in Russian with English subtitles), and some very interesting and varied mood music which if I am not mistaken included some jazz theme stuff from Duke Ellington, and if not him then definitely some jazz riffs along with that inevitable classical music that one would have expected from a Russian filmmaker who grabbed what he could from the Russian Five.        

Now the question of who a film is directed at is usually pretty much just to lure in general audiences, maybe if it is cartoonish then kids but usually general audiences. Eisenstein in this film though is directing his efforts to working people in order for them to draw some important lessons about the class struggle. Of course Eisenstein was working shortly after the October Revolution of 1917 in his country and so he probably was more or less committed to this type of film in the interests of the Soviet government and of the world revolution that was still formally what the Bolsheviks and their international allies were all about. (I might add though that a later film about Ivan the Terrible had the same fine cinematic qualities and that was not particularly directed at the world’s working classes but to ancient Russian patriotic fervor as the smell of war, war on the doorstep became apparent.) That drawing of lessons about what happened during the strike is the force that drives the film.

Here is how this one played out in all its glory and infamy. The workers at a Russian factory of unknown location and for that matter of unknown production had been beaten down by the greedy capitalists and stockholders, had had no say in what they made and how much dough they made. (The scenes with the greedy capitalists are a treasure, something out of any leftist’s caricature of the old time robber barons complete with fat bellies, cigars and top hats). Like any situation where tensions are strung out to the limit it did not take a lot to produce a reason for a strike for a better shake in this wicked old world. Here it was an honest workman’s being accused of a theft which he couldn’t defend himself against and so in shame he committed suicide. After have previously spent several weeks talking about taking an action to better their conditions the leaders of the underground “strike committee” decided to have everybody “down tools.” (The scene of this action with a rolling shutdown as section after section left their benches was breathtaking.)      

Of course in turn of the century (20th century) Russia (and elsewhere) the capitalists were as vicious as one would expect of a new class of exploiters dealing here with people, men and women, just off the farm and so in no mood to grant such things as an eight-hour day (a struggle that we in America are very familiar with from the Haymarket Martyrs whose chief demand a couple of decades before the time of this film was for that same eight hour day) and a big wage increase. So the committee of capitalists and their hangers-on gave a blanket “no.” Said the hell with you to the strikers.
The aftermath of this refusal is where the real lessons of this film are to drawn. Needless to say the capitalists were willing, more than willing to starve the workers into submission (the scenes of some workers pawning off their worldly possession for food for the kids, for themselves are quite moving).But not only were they willing to starve the mass of workers back to the factory but did everything in their power to break the strike by other means. First and foremost to send spies out to stir up trouble in order to get the class unity broken, then tried to get some weak-links to betray the movement from within, and if that didn’t work then try might and main to round up by any way possible the leaders of the strike in order to behead the movement. In the end though they were not above using their “Pharaohs,” their mounted cops and troops to suppress the whole thing. In the final scene after the cops and troops have done their murderous assaults on unarmed strikers the corpses spread out widely on the massacre field tell anybody who wasn’t sure about the role of the cops and troops in preserving the social order of the rulers all they need to know about the way the strike was defeated. 


From what I could gather from the last signboard (one which mentioned the Lena gold strike which was I believe was suppressed in 1912) the time period of this strike was between the 1905 revolution that went down in flames and the victorious revolution in 1917. The implications of the failure of the strike, of the need to take the state power, were thus through Eisenstein’s big lenses there for all to see. Hey, even if you don’t draw any political conclusions from this film just watch to see what they mean they say a picture sometimes is worth a thousand words. Eisenstein has a thousand such pictures that will fascinate and repel you.  

Wednesday, April 26, 2017

Songwriter's Corner- Spain 1936- The Irish Connection -In Honor Of The 100th Anniversary Of the Easter Uprising

Songwriters' Corner- Spain 1936- The Irish Connection

In Honor Of The Anniversary Of the Easter Uprising



A word on the Easter Uprising


In the old Irish working-class neighborhoods where I grew up the aborted Easter Uprising of 1916 was spoken of in mythical hushed reverent tones as the key symbol of the modern Irish liberation struggle from bloody England. The event itself provoked such memories of heroic “boyos”  (and “girlos” not acknowledged) fighting to the end against great odds that a careful analysis of what could, and could not be, learned from the mistakes made at the time entered my head. That was then though in the glare of boyhood infatuations. Now is the time for a more sober assessment. 


The easy part of analyzing the Irish Easter Uprising of 1916 is first and foremost the knowledge, in retrospect, that it was not widely supported by people in Ireland, especially by the “shawlies” in Dublin and the cities who received their sons’ military pay from the Imperial British Army for service in the bloody trenches of Europe which sustained them throughout the war. That factor and the relative ease with which the uprising had been militarily defeated by the British forces send in main force to crush it lead easily to the conclusion that the adventure was doomed to failure. Still easier is to criticize the timing and the strategy and tactics of the planned action and of the various actors, particularly in the leadership’s underestimating the British Empire’s frenzy to crush any opposition to its main task of victory in World War I. (Although, I think that frenzy on Mother England’s part would be a point in the uprising’s favor under the theory that England’s [or fill in the blank of your favorite later national liberation struggle] woes were Ireland’s [or fill in the blank ditto on the your favorite oppressed peoples struggle] opportunities.


The hard part is to draw any positive lessons of that national liberation struggle experience for the future. If nothing else remember this though, and unfortunately the Irish national liberation fighters (and other national liberation fighters later, including later Irish revolutionaries) failed to take this into account in their military calculations, the British (or fill in the blank) were savagely committed to defeating the uprising including burning that colonial country to the ground if need be in order to maintain control. In the final analysis, it was not part of their metropolitan homeland, so the hell with it. Needless to say, cowardly British Labor’s position was almost a carbon copy of His Imperial Majesty’s. Labor Party leader Arthur Henderson could barely contain himself when informed that James Connolly had been executed. That should, even today, make every British militant blush with shame. Unfortunately, the demand for British militants and others today is the same as then if somewhat attenuated- All British Troops Out of Ireland.

In various readings on national liberation struggles I have come across a theory that the Easter Uprising was the first socialist revolution in Europe, predating the Bolshevik Revolution by over a year. Unfortunately, there is little truth to that idea. Of the Uprising’s leaders only James Connolly was devoted to the socialist cause. Moreover, while the Irish Volunteers and the Irish Citizen Army were prototypical models for urban- led national liberation forces such organizations, as we have witnessed in later history, are not inherently socialistic. The dominant mood among the leadership was in favor of political independence and/or fighting for a return to a separate traditional Irish cultural hegemony. (“Let poets rule the land”).

As outlined in the famous Proclamation of the Republic posted on the General Post Office in Dublin, Easter Monday, 1916 the goal of the leadership appeared to be something on the order of a society like those fought for in the European Revolutions of 1848, a left bourgeois republic. A formation on the order of the Paris Commune of 1871 where the working class momentarily took power or the Soviet Commune of 1917 which lasted for a longer period did not figure in the political calculations at that time. As noted above, James Connolly clearly was skeptical of his erstwhile comrades on the subject of the nature of the future state and apparently was prepared for an ensuing class struggle following the establishment of a republic.

That does not mean that revolutionary socialists could not support such an uprising. On the contrary, Lenin, who was an admirer of Connolly for his anti-war stance in World War I, and Trotsky stoutly defended the uprising against those who derided the Easter rising for involving bourgeois elements. Participation by bourgeois and petty bourgeois elements is in the nature of a national liberation struggle. The key, which must be learned by militants today, is who leads the national liberation struggle and on what program. As both Lenin and Trotsky made clear later in their own experiences in Russia revolutionary socialists have to lead other disaffected elements of society to overthrow the existing order. There is no other way in a heterogeneous class-divided society. Moreover, in Ireland, the anti-imperialist nature of the action against British imperialism during wartime on the socialist principle that the defeat of your own imperialist overlord in war as a way to open the road to the class struggle merited support on that basis alone. Chocky Ar La.





Peter Paul Markin Commentary


I have spilled no small amount of ink, and gladly, writing about the heroic military role of those Americans who fought in the American-led Abraham Lincoln Battalion of 15th International Brigade during the Spanish Civil War. The song "Viva La Quince Brigada" can apply to those of other nationalities who fought bravely for the Republican side in that conflict. Here's a take from the Irish perspective. Note the name Frank Ryan included here, a real hero of that operation.

Viva La Quince Brigada
(Christy Moore)

Ten years before I saw the light of morning

A comradeship of heroes was laid.

From every corner of the world came sailing

The Fifteenth International Brigade.

They came to stand beside the Spanish people.

To try and stem the rising Fascist tide

Franco's allies were the powerful and wealthy,

Frank Ryan's men came from the other side.

Even the olives were bleeding

As the battle for Madrid it thundered on.

Truth and love against the force af evil,

Brotherhood against the Fascist clan.

Vive La Quince Brigada!

"No Paseran" the pledge that made them fight.

"Adelante" was the cry around the hillside.

Let us all remember them tonight.

Bob Hillard was a Church of Ireland pastor;

From Killarney across the Pyrenees ho came.

From Derry came a brave young Christian Brother.

Side by side they fought and died in Spain.

Tommy Woods, aged seventeen, died in Cordoba.

With Na Fianna he learned to hold his gun.

From Dublin to the Villa del Rio

Where he fought and died beneath the Spanish sun.

Many Irishmen heard the call of Franco.

Joined Hitler and Mussolini too.

Propaganda from the pulpit and newspapers

Helped O'Duffy to enlist his crew.

The word came from Maynooth: 'Support the Fascists.'

The men of cloth failed yet again

When the bishops blessed the blueshirts in Dun Laoghaire

As they sailed beneath the swastika to Spain.

This song is a tribute to Frank Ryan.

Kit Conway and Dinny Coady too.

Peter Daly, Charlie Regan and Hugh Bonar.

Though many died I can but name a few.

Danny Doyle, Blaser-Brown and Charlie Donnelly.

Liam Tumilson and Jim Straney from the Falls.

Jack Nally, Tommy Patton and Frank Conroy,

Jim Foley, Tony Fox and Dick O'Neill.

Written in 1983

Copyright Christy Moore

apr97

Here are a couple more Yeats classics.

THE SECOND COMING

by: W. B. Yeats (1865-1939)

TURNING and turning in the widening gyre

The falcon cannot hear the falconer;

Things fall apart; the centre cannot hold;

Mere anarchy is loosed upon the world,

The blood-dimmed tide is loosed, and everywhere

The ceremony of innocence is drowned;

The best lack all conviction, while the worst

Are full of passionate intensity.

Surely some revelation is at hand;

Surely the Second Coming is at hand.

The Second Coming! Hardly are those words out

When a vast image out of Spiritus Mundi

Troubles my sight: somewhere in the sands of the desert

A shape with lion body and the head of a man,

A gaze blank and pitiless as the sun,

Is moving its slow thighs, while all about it

Reel shadows of the indignant desert birds.

The darkness drops again; but now I know

That twenty centuries of stony sleep

Were vexed to nightmare by a rocking cradle,

And what rough beast, its hour come round at last,

Slouches towards Bethlehem to be born?

"The Second Coming" is reprinted from Michael Robartes and the Dancer. W.B. Yeats. New York: Macmillan, 1921.

ON A POLITICAL PRISONER

by: W. B. Yeats (1865-1939)

HE that but little patience knew,

From childhood on, had now so much

A grey gull lost its fear and flew

Down to her cell and there alit,

And there endured her fingers' touch

And from her fingers ate its bit.

Did she in touching that lone wing

Recall the years before her mind

Became a bitter, an abstract thing,

Her thought some popular enmity:

Blind and leader of the blind

Drinking the foul ditch where they lie?

When long ago I saw her ride

Under Ben Bulben to the meet,

The beauty of her country-side

With all youth's lonely wildness stirred,

She seemed to have grown clean and sweet

Like any rock-bred, sea-borne bird:

Sea-borne, or balanced in the air

When first it sprang out of the nest

Upon some lofty rock to stare

Upon the cloudy canopy,

While under its storm-beaten breast

Cried out the hollows of the sea.


"On a Political Prisoner" is reprinted from Michael Robartes and the Dancer. W.B. Yeats. New York: Macmillan, 1921.

Riverdale Blues-For Allen Ginsburg On The 60th Anniversary Of “Howl” (1956)

Riverdale Blues-For Allen Ginsburg On The 60th Anniversary Of “Howl” (1956)







By Lance Lawrence

A sad-eyed dope hung around the back of the old-fashioned framed schoolhouse lazily drawing the summer breeze (he lied since the school had only recently been constructed in the big post World II baby boom and he had gone to school here since the place opened-he lied for the sake of lying,  lying to himself mostly especially about his sexual longing just then as he hoped to get some chick who was hanging out by the bushes to give him a hand job, give him one like Lucinda had given him that time at the movies when sitting up in the balcony she had unzipped his pants and let her hand move so fast he jerked off after about a minute he was so excited and she only twelve imagine what she will be like when she gives it all up but fat chance he would have to grab that piece since his quick spurt, his sperm, his cum,  had gotten all over her dress and she was pissed off at him when it dried and got all crusty on the way home so some other guy would grab her cherry-that  was only a matter of time), wished he could get “washed clean,” washed clean real clean which is what the guys around school called it when their Lucindas moved their hands fast, get his sperm count down, his hot flash temperature, whatever that was.
Cock sore, cock was what the guys called their hanging things, their pulsating penises, so he followed although he got flushed when some guy maybe Billy, Billy Bradley the guy who always seemed to be the first guy with the sex knowledge, first said the word and he had asked what that was-damn. Cock and cocksuckers, waiting on his corner boy, waiting on Billy, waiting on his secret comrade in arms the hazy night as he looked around over heaven’s nightshade (and the guy who would probably be the first to get into Lucinda’s panties since she had already given him her fast hand action and according to Billy something more although Billy wouldn’t  specify but at least that action which is why he had, on Billy’s solemn advise taken Lucinda to the movies in the first place, had asked if she wanted to go to the balcony and when she said yes he knew he was going to get his clock cleaned-he just wished he hadn’t gotten off so fast with Lucinda since Billy’s older brother, Max, had given them a vivid description of what was what when you got a girl all wet and then stuck your stick in her and listened to her moan, moan like humankind had been doing for a million years, and he sure could have put his stick wherever she wanted it-probably laugh at him if he got off too fast-again).
Billy at first nowhere to be found, nowhere to be found that is if he did not want to be found and then the next thing you knew Billy, secret comrade in arms, came sauntering, his style just then before puberty would turn his feet around and he would thereafter walk like some Western movie cowboy would now sing his life-song, what did the poet, the old Solomonic poet call to the high heaven’s, oh yes, plainsong for a candid world, a world before massive bombings, massive unacknowledged deaths for shady ladies and other figment s of his imagination. Come sauntering in the bejesus night looking both ways to see some straggling ungainly girls, some young Lucinda who knew the score, knew if they had hung around that back of the school just then that they had heard about Lucinda, had maybe asked their older sisters or brothers what a hand job was and how to do that. They were eager if they were hanging in the shadows and the dope was hoping that some innocent would get moved by the Billy plainsong (he would learn later that plainsong was more religious that any old rock song even big bop doo wop song but by then rock and roll was his religion anyway) hovering around the fence waiting for something, anything to happen and then a word, a sullen word came off his tongue and the night’s work had begun, maybe a generation was on its way to immortality, was ready to break out of the quiet of the 1950s night without shame and without confession.
Tripping over “she’s so fine, so fine, wish she were mine doo lang doo lang” or the corner boys, the male version of He’s So Fine by the Chiffons, the big bopping song of 1956, the guys, including the dope, backing Billy up in the doo wop frenzy that had swept tween and teen just then and the scent of the jasmine coming from the girl-shadows by the harbor, the marsh’s fetid mephitic smell giving way to the night’s splendor, maybe stolen perfumes from mother’s dresser or some girlish bath-soap all fresh and dewy. Doo lang, doo lang  along with Eddie, Jason, Frank and beloved Peter Paul slapping time and those wanderlust girls along the fences came drifting to the scent of Old Spice that the boys had splashed on father’s bureau, father’s time, father’s sweat but not to  be thought of in the hazy summer night. And as the moon hovered against the sun the girls got closer and closer, one Lucinda’s younger sister, Laura, all the sisters in that family playing off mother Lottie having “L” –encrusted first letter names,  aimed his way and he waved her over to head toward old dead sailors’ graveyard down the far corner of the school lot (oh what those sailors could have told those young bucks from their rotted graves and pock-marked burial stones about hand jobs and blow jobs too when the ante was up about what a girl had to come across with-and if out to sea some young sailor boy plaything but that latter knowledge would not click until later).  A few minutes later the dope came back out of the sailor shadows looking like the king of the hill and Laura wiping her hand with a handkerchief with a faint smile (they had already agreed to meet that next night down at that sailors’ last rest, down among the mortal stone forsaking the last ship out  and by-past the foreplay plainsong-the young learn fast so maybe those sailors would have been stating the obvious when the poured forth in their dank, damp waterfront taverns about blow jobs and hand jobs). 
But hell all that was coming of age, coming of age in a time when things were moving too fast even for quick learners and the corner boys got further and further along in their primitive sex lessons and no more stupid thoughts of red scares, Uncle Joe’s scourge in Moscow town, and Cold War down in the basement hide your ass under some oaken desk and somebody said that was real, that was okay but that scent lingered against the jimson in the jeans from Satan’s tower, look homeward, look homeward angels. Ecstasy-pure ecstasy in the hazy night of some youthful dream. 
Billy would declare (and the dope would secretly agree and write every word down to be passed around later like some latter day glad tiding-like some Mount Sinai-filched grainy stone tablet) that they were in a spin, the world was changing and although he had no empirical evidence, when did the king of the hill need hard-boiled evidence going back to Adam’s time, facts,  he had heard from his oldest brother who already had graduated from high school that not only was the music changing, not only were people, and not just kids, starting to laugh at the idea that going down some rat hole of a basement and hiding under some rotten oaken desk when the big one came [the bomb] would do anybody any good. Started to challenge everything from the whole idea of the red scare night, the whole idea that everybody needed to live their ticky-tacky lives in dread of the reds, having a big ass finned gas-eating car and not “keeping up with the Jones.” Especially day to day the latter.
Billy didn’t get most of what that oldest brother said (and neither did the dope who dutifully wrote it all down anyway which he had “contracted” with his secret comrade Billy to do, to act as scribe which became his nickname at first resented as part of the price of Billy letting a dope hang around with him and his boys and through that circumstance to get to the girls already mentioned above) but he did get that the way things were couldn’t be the future, couldn’t be the way they would have to operate in the world. Couldn’t be the down at the heel existence that he, his family and all the poor bedraggled families that resided in the Five Points “wrong side of the tracks” neighborhood. His oldest brother, Jack to give him a name, the guy telling him all this stuff with the idea of making him wise to the world he was about to face in the not too distant future, had been something of the family rebel.
Jack was always heading to Harvard Square even in high school which was no mean task by bus and later by car when he came of age for a driver’s license, since that place was about forty miles from Riverdale to soak up whatever rebellion was going down (that family rebel designation would fall on Billy later in a very different way when it came his turn to figure out the freaking world and after a short attempt at a break-out rock and roll musical career turned to armed robberies and such eventually getting killed in a shoot- out with cops down in North Carolina trying to all doped up rob a White Hen convenience store). Jack was always talking about “beat” this, “beat” that, some kind of fraternity of rebels who wanted to turn the world upside down (and it was mostly a fraternity the women were mainly around for decoration and whatever sex they wanted to provide). Or maybe better resign from the “square” world and find a little breathing space to do their thing-to write, drink, travel, do dope, have sex but mostly to write for a candid world, a world where the rules didn’t make sense-no way.      
One night when Jack was home for minute during summer semester break from college-he went on a scholarship, how else would the family get the money to send the first in the family to go to college, to Boston University, Class of 1959- he decided to tell Billy and his boys in an excited manner his latest tale “what was what,” the expression all the guys used then to signify, well, they had an idea of what was what. Tell them what it was to be a “beat daddy” (not literally a daddy okay but Jack had had to make the distinction because you never knew when somebody in the neighborhood might be a daddy having knocked up some older Lucinda and had to head out of town or get hitched under the sign of the paternal shotgun). Said it was all summed up, everything that was pushing the world forward in a poem, a “beat” poem not like those rhyming simon poems Mister Riley, the old-time Jazz Age English teacher at Riverdale High  a would spout forth from some old Englishman’s pen, Alfred Lord Tennyson or Byron or Browning, guys like that, a guy named Ginsburg, Allen Ginsburg, a smart Jewish guy who was the chief propagandist for the beat-ness thing in a poem, Howl,  that was making the rounds in Harvard Square and would have its fair share of legal problems but that was later. (Jack was not exactly right about who had been the “real” max daddy of the beats-influence wise it was probably Jack Kerouac when he boiled the 1950s youth nation with his wild men travelogue On The Road, the immediate post-war whirlwind adventures of him and his buddy, Adonis personified Neal Cassady with Ginsburg playing a bit role in that one. But Ginsburg was right in the mix with that fucking long mad monk poem-Brother Jack’s exact words remembered by the Scribe-written down).              
Jack said that Ginsburg had had it right-had seen in the great American blue-pink western night stuff that would drive a guy crazy with what was happening to the world as the machine was getting the upper-hand. Ginsburg had had some kind of vision, one of the guys who hung around the Hayes-Bickford in Harvard claiming that it was dope, marijuana favored by the down-trodden cold fields braceros from old Mexico, or peyote buttons, the stuff favored by the Hopis and the “ghost dancers” out where the states are square that fueled the visions. Visions of an unkempt, unruly world where the philosopher-king was a guy named Carlo Solomon who had the whole thing down cold. Knew the West had been saturated, that there was nowhere else to go but the China seas and so he hammered home the idea that out in the Coast was where humankind had to make a last stand against the Molochs, against the fucking night-takers who have been with us forever. Only the righteous warrior-poets would enter the garden. That Hayes-Bickford clarion calling claimed Ginsburg was talking about the Garden of Eden before the Fall.   


The madness, the sheer madness making everybody from the hunger days of the 1930s and the rat rationing days of World War II hustle to the sound of steel and iron and not the freaking sound of waves slashing timidly to shore. Started ripping up words a minute not all complete phrases and without some kind of formal pacing sense, although if you heard the thing out loud it would have its own jazz-like cadence somebody who was at the recital in Frisco town had been quoted in a newspaper as saying, jazz cadence and stoned on dope or liquor was all you needed that same source ventured. Ginsburg was not hung up on form, like those old fart Englishman who were totally hung up on form almost as bad as those sonnet bastards Riley made the class memorize but talking about post-war modern minds beaten down by the sound of industry humming away talking about a meltdown, talking crazy stuff about angel hipsters (portraying a sentence of 1940s pre-beat daddies hanging around Times Square hustling and conning an unsuspecting world), talking about Negro streets which they all knew as “n----r streets” over in the Acre section of Boston, a place to stay away from, talking about taking on the monster in the mist Moloch mano y mano, talking about the new heroes of the American night all-American swordsman Jack and secret love that dare not speak its name crush on Adonis of the New Western night courtesy of Laramie Street in mile-high Denver Neal Cassady to be exact the new model of the  last cowboy standing. Neal some amazing cocksman to be envied and emulated screwing every honey who was not tied down to a chastity belt on farms, in the restrooms of diners and out in the back alley if the restroom was occupied. Damn. 

Ginsburg had actually been in the nut house in New York someplace, had dedicated the poem to some fellow inmate who was crazier that he was or dedicated to all the crazies, the looney bin Jack had called the place like the place all the guys in Riverdale did when they talked about where screwballs and goofs, even Kerouac’s holy goofs learned about later, should have landed, so he knew what deal was going down, knew that America had turned into a cesspool even if nobody else saw the drain coming. Jack had made Billy and the dope laugh when he told them the reason Ginsburg was in the looney bin was he had been sent there by some judge after he got into legal trouble, committed or was present at some unknown crime, an event which made the pair respect this Ginsburg more since cons in the old Riverdale neighborhood were looked up to with respect and admiration, to try to get rid of his faggot-ness, his homosexuality, his liking boys and not girls. (They laughed not because they knew that Jack hated fags and queers which he did and had put paid to that idea having gone down to Provincetown where all the fags and queers hung out all dressed up and all leering at anybody who came off the Provincetown boat from Boston with his own boys and raised hell with them-more than once. Beat a couple up who were eyeing him too closely and one in drag whom he thought was a girl until he got close enough to see some slight stubble on “her” face. Seems that Jack was giving Ginsburg a pass on his sexual preference just because he was a beat guy-Billy and the dope wouldn’t have given the fucker the time of day even if the guy was a prophet if he hadn’t been a con when they talked about it later since they shared Jack’s hatred of fags-and dykes like every red-blooded guy did then.)     

Jack knew what the unholy kid goofs were laughing about, about his seeing literary merit even if the guy was a faggot. The minute he said “faggot” he knew they would goof but he thought they should know what else the guy had to say. He told them a lot of good writers and poets were “light on their feet” and that was something you had to deal with if you wanted to read anything worth reading and let the faggot stuff slide, you don’t have to meet them in person anyway. So he told Billy and the dope to forget the stuff he said about Ginsburg’s queer as a three dollar bill situation and “dig” (that was the word Jack used) what he had to say to the world, to the young really. The stuff about machines devouring humankind and making the world crazier than it already was. That maybe the guys in mental hospitals like the ones who were his comrades at the time were the sane ones-that what they knew was too powerful to let them stay out on the mean streets for long. That the Molochs were in charge (“what the fuck is a Moloch,” Billy asked, interrupting, not comprehending what Jack was talking about as he droned on about stuff that seemed weird). Tried to tell the kids that this thing was Ginsburg plainsong, his way of putting in raw language his spiritual trip, his karma on the world. (the dope would run into Ginsburg later at an anti-war rally in New York City in his later incantation as a Buddhist so karma was the right word even though they were clueless about what it really meant in Buddhist traditions).


After about fifteen minutes Jack could see his audience’s eyes glazing over and so he stopped, stopped and told them that when they got his age they would be thinking about all the stuff Ginsburg laid out in that not-fit-for-public-school-classrooms poem. They laughed, snickered really and wondered what Lucinda and Laura were up to just then. The hell with Jack and his fucking homo poem.